#and they're both very funny but in completely different ways

[caught-tumbling]

I've been hospitalized and I've worked in mental health so I have some suggestions

1) You will see things that you don't understand. That's ok. As long as the behavior isn't harmful its fine. Unusual sentence structure, unusual requests, unusual movements, unusual associations, etc are just how some people function. So if you don't understand why someone is doing something try to just take it in stride, try not to laugh, stare, or look disgusted. When I was hospitalized a patient had a compulsion (I think) to shout their full name whenever someone said their first name, then they always looked embarrassed. So the best staff members just pretended it didn't happen which didn't stop the behavior but at least the patient was more at ease because they weren't being shamed.

2) People in psych wards often have a very dark sense of humor. Gallows humor gets us through. People will casually throw out the most upsetting and traumatic anecdotes as "funny" stories. You don't have to laugh along, just don't be too surprised. One benefit to being in a psych ward is a level of understanding most people don't have outside. People can drop a joke about the most horrifying shit they've survived and no one freaks out, they just laugh and share something equally messed up. That dark comradery was a weirdly healing part of my recovery. Sometimes as a staff member you'll have to intervene if people start looking uncomfortable but in general you just gotta shrug and move on.

3) Compassion, compassion, compassion. The difference between a good stay and a bad stay is compassion. Treat every patient as if they were a loved one. My worst stay the staff treated us like dangerous cattle. They didn't speak to us except to give orders, they ignored people in pain and distress, they refused every request just because they could. My best stay the staff ate with us, they played card games with us, they offered a hand to hold when someone was scared, they treated us like human beings. Just sitting with someone for a while can be huge.

4) Please report things. PLEASE REPORT THINGS. If a patient is harassing another patient, report it. If a patient is harassing an employee, report it. If a coworker is being cruel or neglectful towards patients, report it. If your reports do nothing then escalate it. I've reported patients, nurses, doctors, teams, even organizations both as a patient and as a professional. I've called the police. I've gotten people fired. You will need to do that sometimes. It sucks and is a little nerve wracking but you need to advocate for people's safety. The reports I made as a professional were taken way more seriously than the reports I made as a patient. The system is set up to dismiss patients so employees need to be more proactive. Please be an advocate. Some of the people you'll work with don't have any support outside the hospital, those are the most vulnerable people you'll probably ever meet and you won't always know who's in that group.

5) Talk to the patients. Avoid phrases like "I understand what you're going through" and use phrases like "I know this is hard" or "I'm here to help." If someone is having a hallucination or delusion that's upsetting sometimes it's better to work with the delusion than to deny it completely. If someone is worried there's bugs in their food just saying "no, that's ridiculous" won't help. But saying "I'll check to make sure there's no bugs" can help immensely. Some people will be scared of you due to anxiety, medical trauma, other trauma, or paranoia. You can't always change their mind. But you can show signs that you are a safe person. Little stuff like getting them an extra blanket, asking how they're doing, including them in their treatment plans, etc are vital but overlooked.

Help Me Train Nurses About Psych Stuff

I do a presentation at our hospital aimed demystifying mental illness and the people who live with it. The talk is for medical-surgical nurses, so specifically staff that does NOT work psych who feel ignorant about treating that population. A lot of the people I'm talking to are also young and still developing the foundation of their nursing practice.

If you've ever been in the hospital as a psych patient (or a psych patient navigating the medical system in general), what would you want the hospital staff to know based on your experiences? What advice or insight would you give?

I'd especially love anything about positive experiences, things that helped you, what someone did that improved the situation, stuff like that. In addition to saying what not to do, I'd love to give staff actionable things they CAN do instead.

[rootspiral]

AGATHA ALL ALONG DEEP DIVE: episode 1 part 1

(Wandavision entries: [1][2][3])

(AAA entries: ep1 [1][2])

IT'S TIME TO REWATCH AGATHA ALL ALONG, WITCHES! And as usual, spoilers below.

episode 1, Seekest Thou The Road

Wanda is dead (no she ain't). As a result, her spell is weakened and Agatha has changed from her nosy neighbor character to detective Agnes (or caught the true crime bug, as Herb will put it.)

Stinky grimy Agnes, so serious and depressed. As soon as she appears onscreen she's humming the Ballad.

Detective Agnes has just been recalled to action after being off duty for a while. She was punished for "punching a suspect", which is code for going after Wanda. Agnes points out that now the suspect is a convicted felon, i.e. that she was right after all and Wanda is dangerous and evil. "I can't be right and wrong" she says. "Yes, you can" says Herb, because both Agatha and Wanda are villain and victim. And lol at the police tape symbolizing Herb's fence. You know the poor guy is in his garden looking down at Agnes in her Bonher family tshirt, wondering what the hell is going on.

oh that's a seriously good shot

Agatha looks heartbroken when she sees Wanda's body, doesn't she? She looks so sorry.

Herb (the real Herb behind the illusion) confirms that Agatha is acting different than usual.

THIRD TIME SHE DISCREETLY DRIES HER TEARS

There is nothing funny about Detective Agnes. Or rather, it's funny to watch her because she's so intense, but we laugh at her, she's not being a clown on purpose like Agatha usually is. And Agatha right now is in a lot of pain, even more than usual having completely lost her agency. This character so unkempt, so sad, so doggedly searching for answers, is more true to Agatha's real self than what she usually lets people see. Deep down she's just a tragic lesbian wet rat.

Somebody called in to have the body found, and I think that somebody was Rio. Why would the body be next to the water otherwise? It's like the River of Life laid her gently where Agatha could find her. In other words, Wanda's death brought her to Agatha. I'm curious about these woods too, we know they don't actually exist as this is all in Agatha's head, but where did the idea come from? Are these the woods where she killed the Salemites? Where she gave birth to Nicky? Or where she buried him?

Agatha's victims from the finale flashing throughout the opening. Wherever it may bend, I'll see you at the end.

"based on the danish series WANDAVISDYEN" never fails to destroy me. and it's so clever too, it's like they're telling first time watchers that yes, this seems like a grim detective show, but you clever audiences know that things are not as they seem and this is a parody, right?? this is not serious at all, it's funny! Laugh! Except. It's not funny. It's not funny at all. And you're going to realize only when it's too late. It's the same thing they do with Sharon/Mrs. Hart, they lure you in with laughs only to hit you with heartbreak. This show is not a comedy at all. It's at its very core a senseless tragedy.

Sarah/Dottie lives next door too, was Agatha talking to her through a window, or does the library desk symbolize another fence? This poor woman, hasn't she suffered enough? But they all more or less try to help Agnes, that's sweet. Has anyone from SWORD or whomever dropped in to talk to them, did the Avengers just decide to leave Agatha there? Did Monica (or Ralph) even explain to the poor people of Westview that she's a witch, or do they just think she's a random neighbor who couldn't be saved from Wanda's Hex?

THE MAILMAN CONTINUES BEING SUSPICIOUS. Is Agatha putting words in his mouth, or was he (the "messanger") sent by someone to warn her about the Darkhold being destroyed???

her FACE when she sees Rio

and the way Rio just stares and stares. When you rewatch this scene knowing that this is the first time she gets to see Agatha in centuries... and she has to be cool and she has to be gentle. I think it's deliberate that they put Phil/Harold/Ross Geller in here, because he's one of the funniest people in Westview and it's suggesting a first time viewer to read this scene as a comedy. Except it's a cosmic tale of tragedy and heartbreak, but you're not supposed to notice yet, even if it's right there under your nose.

Stop being such a lone wolf, Agnes. Or rather, stop being such a sad and lonely covenless witch, Agatha.

Rio laughs her delighted little laugh, licks her lips, looks out the window for a moment as if overwhelmed, then goes back looking at Agatha and basically devouring her with her eyes. ("te veo.") (thank you for my life aubrey plaza.) Agatha stares daggers back, but her body language stars getting defensive. She feels very vulnerable.

Yep, defensive. And wistful.

She is doing her job, like always. But she's also going above and beyond. There is technically no need for her to wake Agatha up, but here she is, dropping gentle clues, guiding her with such patience and care.

"If you wanna be in control you can be" is said in such a kind tone, but it's also sexy?? I think Rio really likes for Agatha to take control, in a lot of ways. Her body language is the opposite of what Agatha is doing too.

Oh noes she's making herself so small now. She's like, intrigued and angry and happy and scared to see Rio. They're both being so tentative!! And she doesn't actually know who Rio is because she's under the damn spell, so her body language and feelings are pure instinct. They come from somewhere very very true and deep. (and LOL that mug says "get a clue")

Is this who you are now, Agatha? the intense but lonely detective? she's genuinely interested, because Rio investigates Agatha just as Agatha investigates everybody else. Rio simply cannot get enough of her. and she keeps talking with this gentle, warm, understated tone.

Gains personal space. Keeps staring and staring.

oh now we're leaning. they do this every scene they are together, they keep getting closer and closer even if they don't mean to, like magnets.

Agatha literally bolts to the door and tells her to leave. Rio's presence is so overwhelming in so many different and complicated ways, and she doesn't even understand why that is at the moment. Kathryn Hahn is playing this perfectly straight (no pun intended), there is genuine pain in her voice.

"Te veo", which is not "see you," but I see you, I'm always looking for you, I'm always watching. And I finally see you, after all this time.

Oh, honey.

I'm running out of space again, but I promise I'll continue this tomorrow. Thank you for all the notes you guys, I was not expecting so many! I'm doing this mostly to amuse myself, but it's nice to know that the brainrot is collective 🙃🙃🙃

go to the next entry

[incomingalbatross]

Thoughts on Ghost Days by Jim Butcher (and possibly the earlier books, if they spill over into this post)

All of this is, as Harry observes, absolutely typical of his existence. Of course he can't just die, he gets sent back as a special unknown type of ghost to solve his own murder. And of course he shoulders like three different new obligations, makes a new friend, and adopts a criminal teenager within his first 24 hours of unlife.

Kinda love how quickly and understatedly he's incorporated the very latest familial revelation into his narration. He says something like "I'd lost the scar on my arm that I got while skinning a fish on my grandfather's farm" and it's so casual it almost slips by.

(Side note: I need to see his grandfather and his brother find out about each other now. I realize there has been no opportunity and these aren't exactly Harry's secrets to tell anyway, but please.)

Mort going "all cats can see ghosts, they just don't usually care" checked out completely, of course, but it was also perfect setup for Mister's "HELLO YOU'RE BACK MY HUMAN HI." Which. Oof.

Ways you can tell it's really Harry Dresden: 1) Mister hits him in the invisible shins, 2) he opens the conversation with a Star Wars quote, 3) he's talking a teenager into turning his life around.

Love all the Bob content in this one. Harry got to see how the other half lived and everything. (Though his amorality credentials are slightly tarnished by that heroic last stand of his. Which he'd better have survived.)

Everyone here seems like they're an inch from cracking, and I'm concerned for all of them, but they're DOING THEIR BEST. (Butters isn't an inch from cracking. He seems to be doing great, I'm very proud of him.)

Very glad and also a little amused that the Super Secret Safe Witness Protection Home for Maggie is... the Carpenters. I mean it absolutely should be, but it's also funny.

Of course Mouse exists equally in the physical and spirit world. I'd be more surprised if he didn't.

I DID have several moments where I went what about Thomas. why isn't your narration even mentioning Thomas, but the payoff of "I couldn't stand to face even the thought of what I'd done to him" made it make sense.

More general/Thematic thoughts:

Uriel and/or the narrative really said "You're going to take a good, hard look at the unintended consequences of your actions. And you're going to do it disembodied so you can process a little better."

There was something that really struck me at some points in the Lasciel period, and it's back again now: I love that when Harry crosses lines, not only is he capable of seeing it, but the reaction of the people around him is, "yeah you sure did cross a line! you did wrong. so stop doing it and get better, because you can. this isn't a slippery slope unless you decide it is."

He has! Free will! Contrition is always meaningful! Change is always possible! Harry is never allowed to write himself off. He is always told that he's capable of picking himself up and doing better - because he is. He's alive and human and that means he has as much hope as he chooses to hold onto.

That said, I also really appreciated the weight his choices in the last book are given here. It's so easy to just go along with "it was for Maggie, it was his JOB" (and it was his job), but this book made Harry and us stop and linger on both the lines he crossed and the unintended harm he caused.

(Though he is taking too much weight on himself. Martin maneuvered a lot of this into play, not to mention the ACTUAL Red Court. And there is something to be said for the SG-1 approach of "stop worrying about ramifications and just kill the ancient evil first.")

(Oh, now I remember! I was also thinking of Hunger Games re: this. Katniss and Peeta's defiance of evil was personally motivated and sparked a lot of unintended harm to others - but it was also the only spark that could have destroyed the machinery of evil. Not quite the same but made me think of it.)

ANYWAY. Speaking of crossed lines and harm caused: I was NOT prepared for the murder reveal.

It DOES explain so much about this whole book, especially in combination with the (not as shocking :P) reveal that he's only mostly dead. He NEEDED to know this. He needed to know and understand all the choices he made, and their results - and the lie that influenced him - if he was going to be allowed back to his body.

First, he needed to know there was no outside killer to worry about. He also needed to know that HE did this. All of it. Part of accepting culpability and facing his choices meant facing that there was a third murder on his account - because that is how he frames it - what he did to Molly and what he did to himself and everyone who loved him.

He also, most crucially, needed his free will reasserted, both by the manipulation being revealed to him and by Uriel balancing the scales.

Because a Harry Dresden who had given up on himself as the Winter Knight is a nightmare the world's not ready for.

Instead he's ready to give Mab new problems. :) She gets what she paid for.

Closing thought: If, when he finally gets back to the world of the living, he does not make at least one "mostly dead" and/or "really most sincerely dead" joke, I will be very disappointed in him.

[shift-shaping]

I get that Solas is doing a Thing at the Winter Palace, but it's objectively very funny to have the announcer at Halamshiral call the guy the Inquisitor is fucking her 'elven serving man.' Like why even announce him at all. Solas why did you tell them that was what you wanted to be called. Why are you and Sera the same people in different clothes

[selfinflictedgunshotwound]

how do terfs grapple with the fact that they're white supremacist losers who think that women are weak essentially like adult babies but that they also bear the apparent brunt of all human pain... liiike ok which narrative are we going with

[joycrispy]

Awhile ago @ouidamforeman made this post:

This shot through my brain like a chain of firecrackers, so, without derailing the original post, I have some THOUGHTS to add about why this concept is not only hilarious (because it is), but also...

It. It kind of fucks. Severely.

And in a delightfully Pratchett-y way, I'd dare to suggest.

I'll explain:

As inferred above, both Crowley AND Aziraphale have canonical Biblical counterparts. Not by name, no, but by function.

Crowley, of course, is the serpent of Eden.

(note on the serpent of Eden: In Genesis 3:1-15, at least, the serpent is not identified as anything other than a serpent, albeit one that can talk. Later, it will be variously interpreted as a traitorous agent of Hell, as a demon, as a guise of Satan himself, etc. In Good Omens --as a slinky ginger who walks funny)

Lesser known, at least so far as I can tell, is the flaming sword. It, too, appears in Genesis 3, in the very last line:

"So he drove out the man; and placed at the east of the garden of Eden Cherubims, and a flaming sword which turned every way, to keep the way of the tree of life." --Genesis 3:24, KJV

Thanks to translation ambiguity, there is some debate concerning the nature of the flaming sword --is it a divine weapon given unto one of the Cherubim (if so, why only one)? Or is it an independent entity, which takes the form of a sword (as other angelic beings take the form of wheels and such)? For our purposes, I don't think the distinction matters. The guard at the gate of Eden, whether an angel wielding the sword or an angel who IS the sword, is Aziraphale.

(note on the flaming sword: in some traditions --Eastern Orthodox, for example-- it is held that upon Christ's death and resurrection, the flaming sword gave up it's post and vanished from Eden for good. By these sensibilities, the removal of the sword signifies the redemption and salvation of man.

...Put a pin in that. We're coming back to it.)

So, we have our pair. The Serpent and the Sword, introduced at the beginning and the end (ha) of the very same chapter of Genesis.

But here's the important bit, the bit that's not immediately obvious, the bit that nonetheless encapsulates one of the central themes, if not THE central theme, of Good Omens:

The Sword was never intended to guard Eden while Adam and Eve were still in it.

Do you understand?

The Sword's function was never to protect them. It doesn't even appear until after they've already fallen. No... it was to usher Adam and Eve from the garden, and then keep them out. It was a threat. It was a punishment.

The flaming sword was given to be used against them.

So. Again. We have our pair. The Serpent and the Sword: the inception and the consequence of original sin, personified. They are the one-two punch that launches mankind from paradise, after Hell lures it to destruction and Heaven condemns it for being destroyed. Which is to say that despite being, supposedly, hereditary enemies on two different sides of a celestial cold war, they are actually unified by one purpose, one pivotal role to play in the Divine Plan: completely fucking humanity over.

That's how it's supposed to go. It is written.

...But, in Good Omens, they're not just the Serpent and the Sword.

They're Crowley and Aziraphale.

(author begins to go insane from emotion under the cut)

In Good Omens, humanity is handed it's salvation (pin!) scarcely half an hour after losing it. Instead of looming over God's empty garden, the sword protects a very sad, very scared and very pregnant girl. And no, not because a blameless martyr suffered and died for the privilege, either.

It was just that she'd had such a bad day. And there were vicious animals out there. And Aziraphale worried she would be cold.

...I need to impress upon you how much this is NOT just a matter of being careless with company property. With this one act of kindness, Aziraphale is undermining the whole entire POINT of the expulsion from Eden. God Herself confronts him about it, and he lies. To God.

And the Serpent--

(Crowley, that is, who wonders what's so bad about knowing the difference between good and evil anyway; who thinks that maybe he did a GOOD thing when he tempted Eve with the apple; who objects that God is over-reacting to a first offense; who knows what it is to fall but not what it is to be comforted after the fact...)

--just goes ahead and falls in love with him about it.

As for Crowley --I barely need to explain him, right? People have been making the 'didn't the serpent actually do us a solid?' argument for centuries. But if I'm going to quote one of them, it may as well be the one Neil Gaiman wrote ficlet about:

"If the account given in Genesis is really true, ought we not, after all, to thank this serpent? He was the first schoolmaster, the first advocate of learning, the first enemy of ignorance, the first to whisper in human ears the sacred word liberty, the creator of ambition, the author of modesty, of inquiry, of doubt, of investigation, of progress and of civilization." --Robert G. Ingersoll

The first to ask questions.

Even beyond flattering literary interpretation, we know that Crowley is, so often, discreetly running damage control on the machinations of Heaven and Hell. When he can get away with it. Occasionally, when he can't (1827).

And Aziraphale loves him for it, too. Loves him back.

And so this romance plays out over millennia, where they fall in love with each other but also the world, because of each other and because of the world. But it begins in Eden. Where, instead of acting as the first Earthly example of Divine/Diabolical collusion and callousness--

(other examples --the flood; the bet with Satan; the back channels; the exchange of Holy Water and Hellfire; and on and on...)

--they refuse. Without even necessarily knowing they're doing it, they just refuse. Refuse to trivialize human life, and refuse to hate each other.

To write a story about the Serpent and the Sword falling in love is to write a story about transgression.

Not just in the sense that they are a demon and an angel, and it's ~forbidden. That's part of it, yeah, but the greater part of it is that they are THIS demon and angel, in particular. From The Real Bible's Book of Genesis, in the chapter where man falls.

It's the sort of thing you write and laugh. And then you look at it. And you think. And then you frown, and you sit up a little straighter. And you think.

And then you keep writing.

And what emerges hits you like a goddamn truck.

(...A lot of Pratchett reads that way. I believe Gaiman when he says Pratchett would have been happy with the romance, by the way. I really really do).

It's a story about transgression, about love as transgression. They break the rules by loving each other, by loving creation, and by rejecting the hatred and hypocrisy that would have triangulated them as a unified blow against humanity, before humanity had even really got started. And yeah, hell, it's a queer romance too, just to really drive the point home (oh, that!!! THAT!!!)

...I could spend a long time wildly gesturing at this and never be satisfied. Instead of watching me do that (I'll spare you), please look at this gif:

I love this shot so much.

Look at Eve and Crowley moving, at the same time in the same direction, towards their respective wielders of the flaming sword. Adam reaches out and takes her hand; Aziraphale reaches out and covers him with a wing.

You know what a shot like that establishes? Likeness. Commonality. Kinship.

"Our side" was never just Crowley and Aziraphale. Crowley says as much at the end of season 1 ("--all of us against all of them."). From the beginning, "our side" was Crowley, Aziraphale, and every single human being. Lately that's around 8 billion, but once upon a time it was just two other people. Another couple. The primeval mother and father.

But Adam and Eve die, eventually. Humanity grows without them. It's Crowley and Aziraphale who remain, and who protect it. Who...oversee it's upbringing.

Godfathers. Sort of.

[teaboot]

What are your favorite ship typings?

Dual Opposites: Visibly Unsettling Person who is actually quite normal X Charismatic and Likeable Person who is Deeply Unhinged

Apes Together Strong: All the skills and abilities of a single super-functional person split up between two or more people. Separately dumpster fires, collectively a power team

Kindred Spirits: Person who seems silly, dumb, emotional, and shallow X Person who seems stoic, serious, and cold, but who share core perspectives, hobbies, values, goals, etc. Room for a third who is straight down the middle of the road and seen as the Real Adult despite also being just like the other two.

Same Hat: Two or more people who are absolutely the same in every stupid way and feed off each other's energy like a wind-powered electric fan

Simp Shit: Person A is Always Super Fucking Pumped about whatever Person B is on about, even if Person B is accomplishing nothing at all. Person A is over-the-top and wrapped around Person B's pinky finger. Person B thinks it's adorable and appreciates the devotion, and in turn is doting in their own way. And it's not unbalanced- they're both very much into it. Better not to ask questions.

Thank God We're Normal: Two or more people who are both freaks of nature bit look to the other for support, reinforcing their belief that they are completely normal and everyone else is a weirdo. Eat oreos and chili together out of the same bowl and look at you funny for gagging.

Platonic Soulmates: Two or more people who are so comfortable around each other that they may as well be married. Past-the-honeymoon married. The kind of married where sometimes someone pisses with the door open and someone wears the other person's underwear and everyone occasionally piles into a single bed to nap and bitch about shit.

Comfortable Enemies: Two or more rivals or enemies who, at the end of the day, respect and understand one another despite their differences and share a certain code of ethics that they will begrudgingly cooperate to uphold, then go right back to being catty bitches afterwards

Listed in number but not in any particular order

[seijorhi]

Violent Delights

for my very dearest best friend (wife) @iwaasfairy i'm sorry it's super late, but august and april both start with 'a' which basically means they're the same month <33 iwaizumi hajime x female reader w.c 4.4k tw: yandere themes, non-con, drugged reader, blood/gore, murder, incest, sorta smut (nsfw)

M I N E

It’s funny in a way. Amidst the wreckage, the blood, what was left of your friends and the cooling puddle of cum splattered across your naked stomach, four letters carved into your bedroom wall seemed almost… harmless. Or at least the easiest to digest. Fixate on.

The detective asked about your ex partners, the dates you’d been on recently, whether or not you’d noticed anyone in your day-to-day paying you too much attention, if anyone made you feel uncomfortable, or said anything that seemed out of place.

But your exes don’t care enough to kill, and the two dates you’ve been on in the last six months never bothered to text you back. No one’s left weird, unsettling gifts, or stared too long in line at the coffee shop. There’s nothing. No precursor or warning, no giant red flag waving in front of you.

Mine. 

Hovering on the edge of numbness, blind hysteria just out of reach, you stare at the beige walls of the hotel room they’d put you up in, the angry gouges flickering in and out of existence with every blink. 

Mine.

Mine.

Mine.

Kaori was the one obsessed with all the true crime stuff. She’d be the first to tell you psychopaths and nutjobs – they don’t jump straight into drugging and triple homicide. There’s a pattern of behaviour. Escalation. 

Something you missed. 

Then again, considering it’s her blood still caked under your fingernails, there’s a strong possibility she wouldn’t be all that enthusiastic about the whole thing to begin with. 

You need a shower, a proper one – not the glorified sponging off they’d given you at the hospital. Enough to get you out the door, not nearly enough to scrub away the grime and rid yourself of what he did to you–

The others had it worse. You survived. He barely touched you.

Mine. 

The thought of scalding water, of scrubbing yourself raw does hold a certain appeal, yet hunched over atop starched white sheets, those same bloody fingernails sink into the flesh of your arms instead, grounding you in the tiny bite of pain. 

Minutes tick past and you don’t so much as twitch. Not until a sharp knock sounds at the door and a gruff voice calls out your name. 

You wait half a beat, but when nothing more is forthcoming, you slowly edge yourself off the bed, making your way to the door. Through the peephole you spy a dark haired officer, different to the one who’d dropped you off, staring back at you. 

They did tell you there’d be an officer with you the whole time, at least for the next twenty four hours. 

“Miss?” he calls again, and you distantly realise that while your hand is poised over the deadlock, you haven’t moved to undo it. 

Squeezing your eyes shut, your forehead meeting the wooden door with a muted thud, you curse that stupid, tremulous fluttering in your chest. They’re here for you, protecting you. You’re safe.

Open the damn door. 

“Y-yeah?”

Coward.

“Brought some food for you. Dinner.” There’s a rustling on the other side, and you raise your head to peer back through the glass in time to see him lift up a paper carry bag to the peephole. The idea of eating anything right now has your stomach roiling in protest. “Nothing fancy, but it’s good, I swear,” he says. Then, gentler, like he’s talking down a spooked animal, adds, “You need to eat.”

Still, you hesitate. All you need to do is open the door, grab the food and then at least it’s there if you want it later. Easy. 

Too quick, too jerky to be natural, you twist at the handle and yank the door open a scant few inches, enough for you to reach out an arm expectantly for the food. “Thank you,” you pre-empt, because hungry or not, you’re not completely without manners.

The officer lifts an eyebrow. “Yeah, no. I’m not taking heat from the Cap when the guys on the next shift find you passed out ‘cause you haven’t eaten anything,” he scoffs. “C’mon, we can talk while you eat.” Not a suggestion – you barely have time to stumble back before he’s pushing his way inside and kicking the door closed behind him. The second he takes to flick the lock somehow simultaneously eases the knots in your stomach and sends your heartrate ratcheting.

It’s halfway to a miracle that you’re still standing at all. 

“Eat,” he tells you, his deep voice brooking no disagreement as he shoves the bag of food your way and grabs the lone chair in the room, dragging it closer to the edge of the bed and settling himself down. Clearly he has no intention of going anywhere until he’s satisfied you’ve eaten your fill.

With little else for it, you do as you’re told, reaching into the bag to find steamed buns at your fingertips, still warm as you pry open the wrapper– and wince. The familiar scent of pork, ginger and chives wafts through the air, unwittingly digging at old wounds. 

Suddenly you’re a kid again, strolling down the hill with your family, one hand tucked safely within your brother’s, the other grasping a steaming hot bun. You’re happy and whole and so, so young–

“Something wrong? You don’t like meat buns?” 

Not the time. Ignoring the bitter ache the memory conjures, you’re quick to shake your head, “No. No, thank you. It’s great.” You doubt he buys it, but then again you also doubt he cares so long as you get something in your stomach. 

One bite, chew, swallow. Another, chew, swallow – mechanical until it isn’t. The first bun disappears and you reach for the second.

“How’s your head?” he asks.

You swallow down another mouthful. “Fuzzy. Sore. I still can’t remember anything,” you  admit, in case that’s where this line of questioning is going. Nothing beyond waking up in your bed covered in blood and a stranger’s cum at any rate.

The blood work they did at the hospital confirmed you were drugged along with the others, the detective mentioning the near-empty bottle of wine they’d found, which they were in the process of testing too. He’d also pointed out the lack of evidence indicating any kind of forced entry, which paired with the former is something you’ve been trying not to dwell on. 

The officer gives a considering nod, “That’s to be expected, don’t worry about it. I still think it’s worth asking a few more questions if you’re feeling up to it?” Again, it’s phrased like a question, but already he’s pulling out a voice recorder, setting down on the mattress between you. 

“Um, sure. Yeah,” you croak. 

A small smile, “Good.” He leans forward to switch on the recorder. “We’ll start with the other victims – your friends. Tell me about them.”

“Kaori, she’s– she was my best friend. We worked at the same grocer when I first moved out of my parents’ place, when I got a job here she made the decision to move with me. That was about six months ago.” 

“And the other two?” 

“Her brother Koji and another friend of ours Takashi. They came up to visit; Kaori’s been back once or twice since we left, but I hadn’t seen them–” tears blur at your vision and your voice just… gives out. 

They’re gone. 

You drag a shuddering breath in and it hurts. 

Blindly, your hand reaches across the bed, blood tipped fingers sprawling over pristine white, and when they meet warmth – an open palm outstretched – you seize it and cling on with everything you have. You’ll unravel if you don’t.

“I’m fine, I’m fine,” you chant, each syllable shakier than the last.

He dips his chin, just barely, and squeezes your hand, “You invited them?”

A wordless, wide eyed nod. 

“You were close.” Not a question. He sounds like he’s mulling over the thought, though his expression is inscrutable. “Were you involved with any of them?”

This time, there’s the slightest hesitation before you shake your head. The officer frowns, “I need the truth. Your friends were attacked for a reason. Lying to me won’t help bring their families peace.”

The blood drains from your face, your heart lurching on a sickening thud. 

Your fault. 

Instinctively, you yank back your hand, or try to at least, but his grip tightens – enough to keep you from drawing away, not enough to hurt. Though neither his tone nor his expression hold any condemnation, it doesn’t change the truth of the matter. 

You didn’t drug them or pick up the knife and swing. You didn’t invite this psycho into your life, but the fact remains that they’re dead because of you. 

“I– it wasn’t like that. We weren’t… I didn’t–” 

MINE.

Tears threaten to spill and your bottom lip trembles. 

For a long, drawn out moment, he simply stares. There’s a twitch at his jaw and he sighs – more of a grunt, really – leaning back and pulling his hand from yours to rake through his dark hair. 

(Stupid, you think, how some part of you mourns the loss.) 

“Okay, alright. Fine. We’ll come back to that,” he concedes. “What about other friends? Coworkers you were close with?”

“No, I– I already told the detective I wasn’t seeing anyone.”

An irritated flash darkens his gaze. “I didn’t ask if you were fucking them.” And you must make a truly pathetic picture then, flinching like a kicked puppy, because he lets out another huff, closing his eyes for a beat and visibly working to soften the harsh lines of his expression. “Shit, okay– I’m sorry. It’s been a long day for us both,” he makes an odd noise, somewhere between a scoff and a laugh, the sound entirely devoid of humour. “The guy who did this, he either already knows about the people precious to you, or he’s gonna do his damn best to find out, and if he thinks they’re threats, he’ll hurt them, or worse – he’ll use them to hurt you. I need you to tell me everything.”

And so, feeling the exhaustion of the day creeping over you, you do.

You tell him about the small group from work you occasionally go out for Friday drinks with, your old friends from uni, right down to the neighbour two floors below, who’d seen you hauling boxes the day you’d moved in and immediately offered to help. When you’d christened the kitchen baking you’d made sure to bring him some, and just last week you’d had tea with him and his grandma.

“What about school? Anyone you still keep in contact with?”

You try for a laugh but it sounds all wrong. “I wasn’t exactly popular back then,” 

His eyes narrow. They flit across your face like he’s searching for… something. You feel like a bug, pinned in place, squirming and uncomfortable, your face too hot. 

“Bullied?” he probes. 

Another nod. 

“How ‘bout family?”

Your mouth dries.

“My parents… I haven’t spoken to them in months. We don’t really get along.” The last conversation you’d had with them, if you could call it as much, lasted all of five minutes. Dry pleasantries and thinly veiled criticisms, wrapped up in yet another pointed reminder that things didn’t have to be this way – you were the one adamant on shutting them out. 

You doubt it’d raise a single eyebrow between them if you went the same again without contact. 

“Siblings?”

Another tear slips from your lashes and you swallow against the tight lump in your throat. The weight of his gaze feels oppressive, you’re too bare, too vulnerable, you don’t want to talk about this, so you shift your line of sight to the paper delivery bag, half crumpled now, and let your fingernails sink into the skin of your palms. 

Still, the words don’t come straight away, and when they do, they’re strained. Choked. Painted so thick is grief that you wonder if he understands them at all.

“No. I uh, I had a brother– a twin brother. He died.” 

You don’t talk about your brother, ever.

Kaori knew the bare bones of it. Koji and Takashi too – you had a twin brother, he died, and it fucked you up. Without ever uttering a word, they’d known not to press, that the wounds left behind weren’t quite as healed as the scar tissue led to believe. 

“How old were you?”

Seven, when you lost him. Twelve, when the letters stopped coming. 

“Fourteen,” you whisper, curling in on yourself. “He was sick.”

Stop asking, stop talking, stop, stop, stop. 

When you risk a look in the officer’s direction, his features are hewn granite, eyes set in a hard, angry glare that steals the very breath from your lungs. “Yeah?” he grunts, rising to his feet. “You stopped writing long before that.”

There’s just enough time for understanding to crash over you, for your lips to part, a feather light gasp of “Hajime?” to slip out before you’re flat on your back, wrists pinned to the mattress above your head, the officer– a ghost– Hajime looming over you. 

“What did I fucking tell you?”  

—

‘Sweetie, make sure you hold your brother’s hand.’

They’d meant when you were walking home from the bus stop, or crossing the road. When there was a buddy system so no one got separated or left behind. 

Hajime was always holding your hand. Not because your parents told him to, but because that’s how it was supposed to be. You were twins, he’d been born first (by all of six minutes) and you had followed. You were always following Hajime, and he was always going to look after you. 

Until he gets put into the Otter class with Mr Inagaki, and you go into Dugong with Miss Ino. 

Hajime’s nothing short of enraged. He throws chairs and yells and tries to kick the Principal, but it doesn’t change anything.

It would be good for you, they said, to have a chance to make other friends. ‘You can’t keep using your brother as a crutch, honey,’ your mother gently admonishes. 

Hajime scowls at that. Later, when it’s just the two of you hiding away in his room, he tells you she’s an idiot and a liar. ‘You don’t need anyone else. You have me.’

You knew that. You’d always have Hajime, but the other kids in your class weren’t as awful as he made them sound. Some of them were actually kind of cool, and they liked you, too.

For a while, you began to believe you could have both; Hajime and your new friends. 

Until one day you’re waiting for him at lunch when a boy from your class tugs on your braids and with a wide, toothy grin, loudly proclaims to the whole playground that even though you were a girl, and girls have cooties, it’d probably be okay if you wanted to be his girlfriend. 

You didn’t see Hajime coming up behind you. You’ve no idea where he found the scissors. The only warning either of you get is a sudden, splitting roar before he’s throwing himself at the smaller boy, tackling him to the ground. 

‘She’s MINE!’

Silver glints, flashing in the sunlight, and a high pitched shriek rips through the playground as he brings the scissors down on the poor, struggling boy. 

With a viciousness you’d never known of your brother, he swings again and again. It’s chaos. The other kids scatter and the teachers run to intervene. Hajime, spitting and snarling, red in the face and half-feral, doesn’t stop for them.

He stops for you. 

At the sound of a sharp little gasp, a line of red slashed along your forearm, Hajime stops dead, wide, horrified eyes fixed on yours.

—

‘Sweetie, what have I told you about snooping? I raised you better than that.’

‘But they’re addressed to me. Hajime wrote to me.’

‘Your brother’s not well, those letters– they’ll only upset you. I don’t want you reading them.’

‘… He says he misses me.’

‘I know, but he’s where he belongs, getting help. You want that for him, don’t you? To get the help he needs?’

‘I want to write back to him.’

—

There’s another letter waiting for you when you get home from school.

You hang your backpack near the door, still damp from being tossed in the pool, and eye the opened envelope sitting by your father. He doesn’t look up from his laptop when you reach for it, doesn’t lift a finger to stop you. Nevertheless, the displeasure radiates from him clear as day. 

“You shouldn’t encourage him. He’s not well.”

You’d scoff if it wouldn’t get you in trouble. Nothing you said could ever be taken as ‘encouragement’, and you’re under no illusions about who and what your brother is. 

The violence terrifies you. Sometimes he says things in the letters he writes that make your stomach all twisty and your palms sweat, but Hajime could be a monster, and you think you’d love him anyway. You wouldn’t have a choice. 

So you pluck at the envelope and tuck it close, making your way to your room without another glance at either of your parents. Sitting cross legged atop your bed, you eagerly scan the contents;

He hates the new therapist. They had a movie night planned, but some asshole started a fight and the whole thing got cancelled. The food’s still shit. He’s fed up and pissed off, whether he behaves or not, they won’t let him out and they won’t give him what he wants, so what’s the point in pretending?

The both of you turn twelve in ten days time – you owe it to him to come spend it together. 

—

‘Maybe it’s for the best, sweetheart.’

Dismissive. She’s always dismissive. Your hands curl in response, tightening before you force yourself to flex them out and bite your tongue. It’s not worth the fight. Neither one of them actually care, and nothing you say will ever change that. 

He’s angry at you. Or hurt. Both, probably. 

They wouldn’t let you visit. You’d begged – cried, even – and it hadn’t swayed them. The rules are that you aren’t allowed to go and see Hajime and you aren’t allowed to talk to him on the phone. The letters are the only communication you have, and when your twelfth birthday comes and goes, those stop too.

You’ve sent four letters since, no response. 

He’s shut you out entirely and while you can’t blame him for it, it’s painful.

You’ve always had Hajime, through everything. Him shutting you out feels like losing a limb– 

No, it’s more than that. It’s like slowly losing some vital function inside of you. Like your lungs are shutting down and you can’t breathe properly and your heart isn’t pumping the way it should. You feel guilty and horrible and at least twice, you debate trying to find a way to sneak out and make the two hour journey on your own, just so you can see him.

It’s a stupid idea, they wouldn’t even let you through the front door, but it’s the only idea you have and so you cling to it.

You keep writing to him– panicked. Desperate. Begging his forgiveness. 

He never writes back.

—

They sit you down at breakfast three months after your fourteenth birthday and tell you Hajime’s gone.

There was another fight, someone pushed him–

You don’t want to hear the details. They don’t matter and your ears are ringing too loud to make sense of them anyway.

Hajime is gone.

The cord between you was stretched and fraying already. He hadn’t written in over two years and probably hated you towards the end but he– he was–

Yours. A part of you. 

Gone.

And your mother’s asking about the English test you have second period. 

—

“What. Did. I. Say?” Each word is slowly enunciated, a quiet growl that drags an unwilling shiver down your spine. 

He smells of wood – of cedar, spice and musk, the notes melding, coiling with the dizzying body heat, the solid weight of him, bracing himself above you.

His lips are mere inches from yours. 

Not dead. 

Here.

There’s a thousand thoughts racing through your head, connections that light up, clicking into place like pieces of a puzzle, painting a deeply unsettling picture – all of which are drowned out by the revelation that Hajime is here.

You burst into tears–

and Hajime – your brother, very much alive and glaring at you from above – surges down to swallow them in a vicious kiss.

The moment your lips touch, all the tension in his body just… bleeds out. Hajime groans, low and heated, his hips rocking, grinding along your stomach, and if you weren’t too preoccupied short circuiting, dangling on the precipice of a panic attack, you’d feel the twitch of his mouth, curling into a small but no less satisfied smirk.

He relaxes, like he’s coming home rather than returning from the dead to land the killing blow.

“Mine,” he answers his own question, breath heavy and ragged as his teeth nip at your jaw. “I told you you’re fucking mine.”

The scratches on the wall. Kaori and Koji and Takashi, asleep in a sea of red. The viscous mess spilled over your belly. Your mother’s hushed voice, carrying down the hallway, ‘– only a phase. The books all say he’ll grow out of it before long.’

She hadn’t sounded convinced. 

You squeeze your eyes shut, desperate to block it all out as more tears spill into your hairline. Hajime won’t let you. He groans your name into the shell of your ear and licks at the tears as they fall. “Don’t,” he warns, fingers pressing tightly around your wrists ‘til they shoot back open with a gasp, “don’t you dare check out.”

When he rucks up your shirt to find you sans bra and a warm palm slides up to grope the soft, supple skin, a fresh burst of panic spurs you into action. Pinned under his weight as you are, you can’t move, and the idea of trying to physically fight him off is as laughable as it is terrifying – but when you were younger, you were the one – the only one – who could coax Hajime back from the edge, your hand in his.

Until he leapt from it entirely, and they took him away.

“H-Hajime?” A trembling, hiccuping whimper, thick with tears.  

He doesn’t stop, doesn’t even pause – shuffling down your body to mouth at them instead – but hooded, simmering pools of green flick back up to your face, a hum of acknowledgement rumbling in his chest as he nips and sucks pretty, burgundy blooms across your breasts.

“I-if you ever loved me, even a little… Please, Haji– don’t hurt me like this–” you choke on another sob, pathetic mess that you are.

Hajime goes preternaturally still, eyes boring into you. 

You stare right back, fighting the urge to cower and flinch, to turn your cheek and stare at the discarded dumpling wrappers, letting him take what he wants. Praying that he won’t hurt you too badly if you give it to him without a fight.

Because it will hurt, you think. It’ll break you entirely. 

(Are you not already broken?)

When his head drops, you can’t help it – the sharp, terrified hitch in your breath – but his lips meet your forehead, then each cheek, before finally they brush over your lips with a tenderness he has no right to. “You don’t have to be afraid of me,” he vows, cradling the side of your jaw, “I won’t hurt you, ever.”

But that’s a lie, too.

“I love you more than anything.”

He kisses you again, soft and sweet and gentle, as if those promises weren’t sewn from violence and legitimised in blood. As if he isn’t breaking your heart with every sweep of his tongue, plundering your mouth.

There’s no fight in you left when he reaches for the waistband of your sweats and slowly starts easing them down. You don’t claw and shove when the hold on your wrists loosens and then disappears entirely, both hands needed to strip away his clothes. 

The sound of his belt buckle clinking, the soft hiss of a zipper, they wash over you, white noise lost to the pounding in your ears. 

But you don’t look away.

He strokes his cock – long and thick and flushed to the tip –  crawling up the mattress to kneel between your legs like a supplicant before an altar of the divine. 

Devotion demands sacrifice. 

“It killed me,” he starts, dragging the mushroom head along the slit of your pussy. He frowns a little, leans back and spits – a fat glob of saliva landing dead centre, adding to the mess his weeping cock’s already made. “When the letters stopped coming. I was angry, so fucking angry, all the time. I’d lash out and they’d put me in another cage, and I’d do it again, and again. They tried convincing me you’d moved on,” his eyes flash darkly, “which was bullshit. They’d have to carve me out of you with a knife.”

What shocks you isn’t the violent imagery, but the truth of it settling into your bones, inescapable and undeniable; you’ll always love your brother, even if that very love destroys you.

“I didn’t–”

The first thrust rips a strangled yelp from your throat. 

He’s too big, you’re not prepared to take him – and Hajime doesn’t care. His head tips back, shuddering out a breathy laugh. 

There’s no pause, no period of grace, seated deep inside of you, the walls of your pussy hugging him tight, Hajime won’t allow you a second to catch your breath and wait for the burning sting to abate. His hips draw back until only the throbbing head of his cock remains inside, and, upon grabbing a leg to hitch over his shoulder, uses it as leverage to punch forward, stuffing your tight little cunt to the brim.

The pace he sets is brutal from the outset. Bruising. He licks at your tears between kisses and moans when you clench and shudder around him. “Never again,” he pants into your ear. “I’ll kill them all if you leave. Every last fucking one. You’re mine. Mine.”

And you’d think it cruel, a punishment, if not for the way those green eyes burn. 

When his fingers twine with yours, pressing you down into the mattress, holding you there, you wonder if this was always an inevitability. 

Hajime led and you followed, hand in bloody hand. 

He’d never allow anything less.

[somewhereincairparavel]

Alright. I came across someone saying that Rick "put Jason in a pedestal" and "overhyped" him by emphasizing how good looking he is and that Jason shouldn't have been so attractive looking. (Tbf tho that person made it sound like they seemed more mad bc their least favourite character was considered good looking lol) but I'll yap about the significance here anyways. Beware of a very long yapping session below.

I do understand their frustration though, because jason getting told that he looks good all the time makes it seem very shallow and unfair to the others.

And let me tell you, Jason is SUPPOSED to be gorgeous looking in everyone's eyes. He is supposed to be conventionally handsome, Rick didn't intend for his looks to be "beauty is in the eyes of the beholder " or something like Percy's (like how Piper didn't find him as impressive) Percy's is supposed to be more authentic. Percy's character isnt centred in people idolizing him, everyone can acknowledge that he's handsome looking, but it isn't in a "perfect" type of way, he's a carefree spirit and that reflects on his looks. While Jason is hardwired as this ethereal looking hero in people's eyes that not even ONE can deny that he looks good, bc ppl in Rome had set him as the "standard". Jason said this before in the lost hero, that him being a son of Jupiter, makes him feel like the support he gets is only because his dad is a very regal and intimidating figure.

That's kind of the whole point, he's supposed to look like this perfect man who can do no wrong. His "Golden noble boy" arc is literally the whole concept of his character. Why else do you think rick wrote Aphrodite approving of Jason's looks saying that he needed no improvement (which she rarely does) ?

Because Jason is supposed to be put like a statue to admire and idolize, that's ALSO why rick made sure to add that Jason looks like a Roman sculpture, bc that's like a metaphor for his inner conflicts. The guy was put like an artifact for people to ogle at in camp Jupiter ever since he was a kid of 4. That's part of the tragedy.

Annabeth said it perfectly “Annabeth tried to hide it, but she still didn’t completely trust the guy. He acted too perfect - always following the rules, always doing the honorable thing. He even looked too perfect. In the back of her mind, she had a nagging thought. What if this is a trick and he betrayed us?” Mark of Athena, page 6.

His mother, whom he's supposed to look like, is also a literal world wide tv actress. So you can't expect anything less either.

Also, Jason is supposed to mirror Percy. And let's be real. Rick put Percy in a VERY high pedestal looks wise, aswell, Not just Jason. And that's okay.

Rick made Hazel mistake Percy for a literal god because he was just that good looking (tbf, in a way, when I was younger, I found this to be a little bit of an exaggeration, bro was covered in mud and seaweed and was compared to a god, it was rlly funny to a 10 year old me 😭 yeah but don't mind this though, this was just a younger me jealous that I couldn't be as pretty as Percy was in mud lol) If Percy can be "hyped" up so "unrealistically" in that particular situation then so can Jason. They are both literal half gods, so unrealistic praise is very normal) and rick also made sure to emphasize that almost all the teen characters had a crush on Percy. So apparently that isn't called putting a character in a pedestal but Jason's is? They are BOTH put in pedestals, because they're both heroes.

Jason and Percy are supposed to be equals, so both of them being in the top two when it comes to looks makes SENSE. Because people are supposed to argue about who is better looking, since they're written as foils.

You cannot expect rick to make Percy look like a god and Jason look like a rat 😭 then there's no point of having them as parallels if one has the upper hand in something. Rick did a good job by conveying that they are BOTH attractive, but in different ways. That's why the Percy/Jason looks debate always have mixed answers.

Jason getting complimented by Aphrodite, the GODDESS of beauty, for his looks and her saying that he didn't have anything to "fix" in his face BC it already looks gorgeous = Percy getting compared to a gorgeous Roman god by hazel. They are both equal comparisons in slightly different tones.

[blackbird-brewster]

Highlights from Catherine Tate's Q&A Panel at Armageddon Expo 2024 (NZ) :

[I took notes best I could during the panel but some may be paraphrased]

Q: What's your favourite Doctor Who alien?

CT: The wonderful Ood!

Q: Who's your favourite Doctor? (Crowd gasps in anticipation)

CT: Well, I get asked this a lot, and obviously it's David (Tennant). I don't know what number he is, he keeps coming back. But definitely, David. Although, someone recently pointed out that I was technically the first ever female Doctor. So you know what? Me, I'm my favourite Doctor.

Q: What's your favourite episode you were in of Doctor Who?

CT:The Runaway Bride, because that's where it all began.

Q: What's a favourite memory of working with David Tennant on Doctor Who?

CT: The scene in 'Partners in Crime', the one with the Adipose, there's the scene where Donna and the Doctor see each other from across a room. But they're both behind glass and they have the whole mime scene with the windows. Well, I remember it was about 3am when we were filming that - - Russel really likes to film at night if the story is taking place at night - so it was 3am, and I said to the director 'Uh, right here it just says Donna Mimes' and he said 'Yeah do whatever'.

So that whole scene was ad-lib during shooting and David and I were so in sync with it, we did that first take and the director said cut and print!

Q: How emotional were you filming your final scene in Journey's End?

CT: So, we didn't always film in order. And I'm not really a sentimental person, but I will say I thought Donna's ending was absolutely perfect. When she meets the Doctor she was always yelling at the world, and she was so different than what she was by the end, she had so much growth with the Doctor and she changed so much in her time with him, but then, she forgets the him and all those memories. And that final scene, what really got me was how he says 'Donna, I'm off' and she's just, I think she's on the phone, and she just waves dismissively. She doesn't know him anymore. Russell, the way he ties things together, he's brilliant, that man.

Q: What was it like working with Bernard (Cribbins)?

CT: Oh, Bernard. God, I love him. He was so funny and talented. He always had stories and voices and sound effects. He loved making people laugh. But we had a gag where every single time I called him I'd say (Donna Voice) 'GRANDAD!'

He'd say, "Who is this?"

"It's Catherine."

"Catherine who?"

"Catherine Tate"

"Never heard of her."

We did this every time I called him and I loved it.

Q: Is there anything annoying about working with David Tennant?

CT: No, absolutely not. He's perfect. He's the best person to work with. I will say though, I was annoying him a lot. When we did the 60th Anniversary specials, our trailers looked exactly the same and I never knew where my trailer was. I'd walk into his all the time!

Sometimes I'd walk in and see his shoes in the trailer and instead of thinking 'Oops, wrong trailer', my brain went 'What's he gone and left his shoes in my trailer for?'

It got so bad, sometimes I'd walk up the stairs and from inside I'd hear 'NO.'

Q: Was it weird coming back to play Donna after all these years? Especially when it was along side David Tennant?

CT: It was a bit weird, more in the 'Oh I hope i still know how to do this' way than anything. But I did think it would be hilarious if David and I arrived on set and every take we just did completely wrong voices. Just thought it'd be hilarious for him to go (in an airy upper-crust British accent) 'Ohhhh, hellloooo. I'm the Doctor'

Q: If you could take any prop from set, what would you take?

CT: Ohhhh, I'd have very large pockets and see what I could fit. But mostly I think it'd be a sonic screwdriver. It's gotta be a sonic screwdriver, doesn't it? It's small and mobile... Easy to steal. Plus, it'd fetch a great price on Ebay!

Q: Best show you've ever worked on?

CT: The Office, they paid me tons of money.

Q: My mum loves David Tennant, is there something you can say to dissuade her?

CT: Hm, something to convince her he's not.... Oh, he doesn't believe in astrology! I'll say 'It's Mercury Retrograde' and he'll say 'NO, NO, NO I DON'T WANT TO HEAR IT'.

Other Highlights:

As soon as she came out, she saw the stage had no steps to the audience, so she stayed on mic and went the long way round to go into the audience and interview people, trying to find who had traveled the furthest to be here. She was sorely disappointed everyone was just from Aotearoa 🤣

Donna Lines She Performed:

"Oi Spaceman! You're not mating with me sunshine!" (Crowd went wild for that)

"Binary. Binary. Binary." (🥺)

She did some of her characters: Lauren Cooper mostly, but also wished someone Happy birthday as Nan

[beesspacedotorg]

Handle With Care

Summary: You've had a truly awful day, luckily, your adoring boyfriend Minho is there to make it better. 2.5k words

Warnings: there's sex, but honestly it feels like someone accidentally got porn in my fluff so do with that what you will. reader is as gender neutral as physically possible. reader is also lowkey a crybaby, sorry but actually I'm not

Notes: Hello adoring public. It turns out, I can write fanfiction, and with the encouragement of Juno and Ems, I can also post it! There is a cat in this, she was inspired by a cat my family used to have and a cat my family currently has. They're both calico which I think explains everything you need to know about them.

There’s a lot you can say about the day you had today, and most of them start with sh- and end in -itty. You’re thinking on this as you dive head first onto the rough material of your couch, great for sitting, bad for face planting. You hear a scratching by your head and absentmindedly bat your cat away from the arm of the couch, mumbling something about how she has a perfectly good cat tree two feet away before resuming your completely justified sulking.

“Oh, hello. I didn’t hear you come home. How was your day?” There’s a voice above you and you can picture him in your mind's eye, leaning against the back of the couch as he stares at your limp form, probably eyeing the shoes you didn’t take off by the door. You mumble something half hearted in response and he huffs before the sound of walking hits your ears and all the breath leaves your body at once. He’s sitting on you. This motherfucker is sitting on you.

“Get off, Minho” You had to tilt your head to the side, it’s hard enough to breathe through couch fabric as is, much less when there’s a full grown man sitting on your back.

“You should answer people when they try to talk to you, jagiya.”

“You shouldn’t sit on people while they’re laying down, yeobo.” Your voice is a lot more acidic than his was and a twinge of guilt settles on you before it dissipates as he shifts and manages to place more weight on your back.

“Hmm. I guess we’re both doing things that we shouldn’t then. How tragic.” His voice is deadpan, and you still can’t see him from where your head is turned- your view is limited to the back of the couch and his arm in your periphery- but you can feel the dead stare he’s aiming at your skull. There’s a silence for a few moments while you engage in a war of attrition, neither of you willing to give up just yet, but it’s getting genuinely hard to breathe and your back is starting to hurt.

“It sucked, please get off.” He does, patting your back consolingly.

“See? Was that so hard?” He guides your head to his lap as you both sit back down, petting over your hair like he would his cats. “Tell me, what’s got my baby in such a tizzy?”

You grumble at him, rolling over to shove your face into his stomach, tired and petulant. He sighs softly, but keeps patting your head, so you know he’s mostly just doing it for show.

“That kind of day, hmm, jagi?” And you nod again. Honestly, it wasn’t much different from a normal day, it’s just that the right things managed to go very wrong and subsequently ruined your day in a way that has pressure forming behind your eyes and your voice cracking stupidly every time you try to talk.

You both sit for a while before he puts something on the TV and gently shoves your head off his lap.

“Hey-”

“Do you want the dinner I worked so hard on to go cold?” He has his hands on his hips in front of you and you laugh slightly at how funny he looks. He rolls his eyes and goes, coming back with two bowls of something before he forcefully sits you up and shoves it in your hands.

“Eat.”

“Yes, chef.”

The food is delicious, it always is when Minho cooks it, he’s got a talent for it you’ve never really seen firsthand, and you consider yourself truly blessed to be able to eat it as often as he’s able to make it for you. Still, gratefulness and taste aside, your day was shitty enough that every mouthful tastes like ash and turns to rot in your stomach, leaving you with an unsettling queasiness that shouldn’t ever be attributed to your boyfriend’s cooking. You’re shoving the contents around with a spoon before he huffs- a real one this time- and takes the bowl from you, setting it on the coffee table next to his own before he mutes the TV.

“Okay. Quite clearly something is wrong. What can I do to help you?” You think he knows, but you like that he asks anyway. Minho always asks, always lets you talk and sort out whatever’s going on before he tries to help. Even if your answer is a simple shake of the head, a simple, I don’t feel like it, become a mind reader, he always asks before he helps. Sometimes you wonder how he always knows what you need, others you just decide to not look a gift horse in the mouth.

You huff and your lip wobbles pathetically and he coos, slightly condescending.

“Crying already? I haven’t even done anything.” He’s teasing, but his hands are gentle as he pulls you into his lap, his hands are gentle as they find their way under your shirt, his mouth is gentle as it kisses down the side of your face to your neck.

“‘M sorry,” you’re not the biggest fan of crying, neither is he, but for different reasons. He’s not someone who’s brought to tears easily, you are, but there’s an inherent shame in it, you think. Something so embarrassing about getting worked up enough to start crying like a baby, and so as much and as often as you feel like crying, you don’t. This he also knows, because he knows everything.

“Aish, why are you sorry for? I didn’t tell you to apologize, did I?” He taps your cheek lightly, causing you to look up at him, he plants a kiss on your nose, then your mouth.

“Sweet thing, don’t worry about anything except for what I tell you to, okay?” And you nod and he smiles.

You’re not much for talking in times like these, everything is so sensitive and soft and talking feels like a cheese grater on this cloudlike moment so you don’t and he knows, so he doesn’t chide you for it. Usually, he would. He’d crack a hand down on your ass or grab a fistful of your hair and tell you that he asked you a question so he expects an answer, but that’s not what you need right now, so he doesn’t. He just kisses your jaw again before he puts both of his warm hands under your shirt and lets his fingers poke at your chest.

He always says his hands are small, but really, you wouldn’t be able to tell, not with the way he cups your chest in his hand and lets his thumb brush over your nipple, gentle and reverent. It’s not much, not as much as he usually gives you, but it’s enough to have your mouth dropping open with a gasp and your back arching into his hand, it’s enough to have him giggling softly at your reaction.

“Sensitive today?” He’s teasing again, as soft as he is right now, he’s still Minho, he still likes to poke fun. You huff, biting at his shoulder softly in retaliation and he lets you, pinching your nipple just this side of too much in retribution before one of his hands wanders down to your ass, groping and squishing the flesh. Your breath stutters in your chest as he pushes your hips forward onto his, friction sending sparks up your spine.

“Min-” You’re desperate and he hasn’t even done anything yet, not really. A few stray touches and you already feel yourself shattering to pieces in his grasp, you’re not afraid though, and not quite ashamed. He’ll take care of you, he always does.

He does it again, guides your hips forward until you’ve gotten the hint to keep going by yourself and you’re struck with the urge to kiss him, so you do, removing your head from the home it’s made on his shoulder and making a go at his mouth. It’s messy, your coordination shot already, and you almost smash your forehead into his nose before he catches your head with a laugh.

“Easy there. Bloody noses aren’t exactly sexy.” You disagree, he could make anything sexy, but you don’t have time to voice that thought as he pushes his mouth onto yours and lovingly shoves his tongue down your throat. The kiss is messy, they always are. However gentle he is, he can never seem to stop himself from kissing you until your face is covered in drool and spit, and if it were anyone else, you’d be mildly repulsed, but you like the way he looks at your mouth after it’s over, so you let it slide. 

You pull away, chest burning and heaving and look at him before you still, eyes drawn to something by his head.

“Baby? What’s wrong?” You don’t answer, gaze still drawn away from him.

“There’s a little white girl staring at me.” He turns his head to the side and laughs as he comes face to face with your cat, her green eyes boring into him. He scratches her head affectionately and lets her headbutt him before your center of gravity is shifting drastically and you’re clinging onto him for dear life.

The bedroom door shuts before you’re very aware of it and suddenly there’s a mattress under your back and a Minho over your front and his hands are up your shirt again, this time shoving it off of you until your chest is bare. You shiver slightly from the cold and then there’s a blanket being shoved around your shoulders and you smile up at him. He knows you so well, he loves you so much and your eyes are welling with tears.

“Aigoo, my little crybaby. It’s just a blanket,” there’s a kiss on each of your cheek bones, “silly thing. Save your tears for when my cock is in you, hmm?” Your breath stutters again and your hands are tugging at his shirt until he takes it off, he laughs again when your hands immediately find his chest.

“I’m glad someone appreciates my hard work.”

“They’re nice boobs.” The sentence catches him off guard, makes him laugh hard enough that he loses his balance a little and his weight settles onto you more. It’s comforting, like a weighted blanket that can talk and walk and kiss you silly.

Then, his hands are under your bottoms, tugging them off your legs and you’re suddenly wearing nothing and he’s still in his pants, which you find disgustingly unfair. You reach down and tug on the hem off his sweats, pouting and huffing until he gets the message and tugs those off too.

“You just want to get me naked,” he starts. “I can’t believe you just want me for my body.” You nod cheekily in response and he smacks your shoulder.

“Yah! See if I’m ever nice to you again!” But he’s kissing your neck again as his hands guide your legs to cross over his hips before he’s touching you in a way that steals the breath from your lungs and makes your head tip back into the pillows.

“There we go. So pretty when you’re like this, hmm? So soft and sweet for me.” His fingers are in you now, pressing insistently against that spot that makes white splash in your vision and reflexively forces your legs shut. He grunts slightly as your thighs squeeze around his hips, pressure just this side of uncomfortable. He doesn’t say anything though, just keeps his pace steady inside you until you’re almost tipping over and he stops. You look at him with something akin to betrayal, fresh tears springing to your eyes, but before you can open your mouth to complain he’s sliding home and you don’t have enough air to say anything anyway.

He catches it though, rolls his eyes as he sees the way your attitude was about to flare up.

“What did I tell you earlier, jagiya? Don’t worry about anything unless I tell you to worry about it. I always take care of you, don’t I?” He does, he’s good to you like that. He sounds slightly out of breath already, unusual for him, but you don’t mind because it feels like you’re seconds away from God’s doorstep yourself.

His pace is slow and deep, bass knock steady even as you squirm under him. If this were a normal situation, he’d stop, hands gripping your hips unforgivingly until you stayed still, but this isn’t a normal situation so he lets you wiggle, only huffing in mild irritation before he leans down to kiss you again.

“You’re gonna knock us off the damn bed, baby.” But he doesn’t make any move to stop you, and you feel too good to really process his words anyway. You love him, you really do, and you’re struck with the overwhelming urge to tell him, to let him know, to make him know. You grip his shoulders tightly, nails digging in until he hisses and levels you with a glare, one that instantly softens when he meets your eyes.

“I love you,” it comes out of you as a sob, like it was wrenched from your vocal chords before you gave yourself permission to think it. “I love you so much.” You’re rambling now, repeating those three words over and over and Minho coos, hips faltering just slightly. He always goes weak when you tell him you love him, and you keep it in your back pocket like a weapon for the times that you’re in trouble.

“I love you, too, jagiya. ‘S that why you’re crying? Hmm? Love me so much it’s gotta spill out from your pretty eyes?” You nod in response, breath hitching from the pleasure and the tears and his hand drifts from its place on your hip to touch you again and you’re spilling liquid heat before you can really register what’s happening. You feel him inside you, too, insides suddenly molten warm but you’re floating too high for it to feel like it’s happening to you, like you’ve been temporarily ejected from your body.

When your soul settles back into your bones, Minho is laying next to you, staring at you with his wide eyes, you look over at him and smile.

“Is boba really worth it?” He looks confused at your question before you poke him on the eyelid and he laughs.

“Feel better?” You consider for a moment. Your teeth don’t feel like they’re too big for their sockets and your bones no longer feel itchy. You’re hungry, but mostly, your mind is quiet. There’s no overwhelming pressure behind your eyes and when you talk your voice cracks from sleep instead of from the force of choking back tears.

“Much. I’m hungry, though.” You give your best impression of puppy eyes at him and watch as his eyes roll to the back of his skull. You’ve been told that your pleading face looks mildly perturbing, but Minho always says you remind him of Soonie when you do it. It makes you feel slightly bad for Soonie, soon the cat isn’t going to be able to get anything off of Minho because you’ll have rendered him immune.

He comes back with your reheated bowl in one hand and your cat in the other.

“She screamed at me until I picked her up. Stood on my feet and hollered.” He winces slightly. “I should’ve put on boxers because she almost mistook my dick for a toy.”

[charaznablescanontoyota]

"marn i missed sgdq 2024 what should i watch"

hi i decided i'm doing another one of these. it's been a minute. this past week was summer games done quick, an annual speedrunning marathon raising money for doctors without borders and also a great way to get into watching speedrunning. a lot of their content is tailored towards being both clearly explained and fun to watch for an audience outside the speedrun community, so you can jump in with basically no knowledge besides “this person is gonna play a game really fast”.

gdq has the full week's worth of vods up as a playlist on their channel, but here are some runs that i personally think you should check out:

ken griffy jr presents mlb by peanut butter the dog: look it's a dog playing baseball. i don't know what else to tell you.

the entire silly block: speedrunners get up way too early in the morning/late at night to play games that feel like a fever dream. some of the commentators are going on 24 hours of no sleep. it's brilliant. my personal highlights of what i've seen so far are stuart little 2, mad panic coaster, city bus simulator race, and the golf it wrong hole only race that the players dressed up as golfers for

alan wake 2 alan%: alan wake clips through walls and generally has a bad time while a bunch of gamers call him a sopping wet catboy. the runner for this one is really charismatic and it's very funny to see staff rushing to open up the pit as soon as we sing starts (yes they do the dance of course they do the dance). i just love joyful runs of horror games man

super mario 64 blindfolded randomizer: what if you played mario 64 blindfolded and also the stars were in completely random locations. and also you had to do it very very fast.

kingdom hearts 2 critical any%: every kh2 speedrun i've ever seen is a work of art and this one is no different. some of the boss fights go down so fast you will literally miss them if you look away for a minute. and also two of my favorite runners are on couch commentary!

balatro showcase: genuinely made me rethink how i'm playing some of the balatro decks. also great commentary and just fun all around despite (or perhaps partially because of) the absolute struggle session going on with plasma deck in the beginning

super mario world kaizo relay: kaizo is a shorthand term for a game hacked to its absolute limits of difficulty that often requires strict precision of movement and can punish the player for thinking they're smarter than it. in this segment, two teams of 4 very very good mario runners race to complete 8 kaizo levels they've never seen before in their lives

mario maker 2 troll level race: i always like the mario maker races for the same reason i like the kaizo relays. i love watching two speedrunners thrown blindly into the shit have to make up strategies on the fly via trial and error (and error, and error, and error, and...)

kirby air ride race: two high level kirby air ride speedrunners race for an actual physical title belt. the trash talk game happening here is of the insane variety that only two very skilled people who truly respect each others' talents at their game of choice can provide

kaizo mario galaxy: what if mario galaxy hated you even more than usual and would stop at nothing to kill you. also most of the commentators are only familiar with the vanilla game and their reactions to the added-in bullshit are hysterical

tony hawk pro skater 1, 2, 3, and 4: i fell asleep watching this and woke up in a cold sweat to the sound of a bunch of people singing superman by goldfinger. good run

super mario rpg remake: this was the finale block and it's just great to see a bunch of people who really really love the original mario rpg get to hang out and talk about how good it is and also watch a world record level player absolutely stunt on the game

halo 3 four-player co-op legendary: dudes rock

[rxmqnova]

Hey! Just a cute one, Nat has Liho.

Yn joined the Avengers and she has a cat too, a orange one(Liho is a black one) [so for all I saw on tiktoks or Twitter is like the oranges one can be more affectionate I don't know if that is true or not.]

So Yn's cat(you can write a name) always was near Liho but It was a surprise for Natt that her cat wanted another cat around her.

Wanda being the good friend she is, she talked to Nat saying that the relationship between the cats reminds her of her and Yn, being so differents but they were perfect for each other. So you know, yn and Nat watched a bit the cats and then Nat told her about it and asked her on a date.

Different, but perfect

NO ONE'S POV "Look at that Foxy, now we're officially Avengers" Y/N says excitedly, petting her cat behind ears.

She's finally moved to the Avengers compound today and is more than excited to start her new life as an Avenger. It has always been her dream to become one of the Avengers and be able to help other people. And it's finally happening.

Y/N watches with a smile as her cat walks over to her new friend Liho, a black cat that belongs to Natasha. It's kinda funny how Foxy and Liho are similar to their owners.

Liho is more of a loner, she doesn't really like anyone besides Natasha. Most of the time the cat is somewhere out of sight and alone. Kinda like Natasha. The redhead joins the team if she needs to, but she's happier in the gym on in her room where she has time to think and has no one around.

On the other hand, Foxy is such a friendly cat who loves human touch and is more than happy when someone's petting her. Y/N is also very friendly, loves to be around people and her absolute favorite thing is cuddling.

Who would say that absolute opposites like Liho and Foxy could be such good friends. But you know what they say… opposites attract.

"Oh, there you are. I've heard you also have a cat, so I just wanted to tell you that Liho's not really fr…" Natasha stops when she sees her cat happily playing with Y/N's.

"I think they like each other actually" Y/N smiles, glancing at Natasha before looking back at the two happy cats.

A little shocked Natasha sits down on the ground next to the newest Avenger, watching their cats play. What shocks her even more is that both cats make their way over to Y/N, wanting her to pet them which Y/N happily does.

———

Over the weeks Y/N's spent on the compound, Liho's behavior towards Foxy hasn't been the only surprise.

Liho grew to like the new Avenger quite a lot. And to be honest, Natasha did too. She often finds herself thinking about Y/N or finding every opportunity to spend time with her.

Anything like this has never happened to Natasha before and she has no idea what to do. If she should just admit how she feels, or if she shouldn't say anything? What if Y/N doesn't feel the same?

Of course, Y/N does. She loves spending time with the redhead. But she is absolutely clueless and doesn't see the way Natasha looks at her. She's noticed Natasha's nicer to her than she is to the others, but she thinks it's just because she's new here.

"I don't know, Wanda. We're completely different. I don't even think she feels the same way" Natasha sighs, taking a sip from her coffee.

The redhead's currently in the kitchen, talking to Wanda who's the only one who knows about Natasha's feeling for the newest Avenger. Everyone else is either somewhere around the compound or somewhere outside. Y/N went out shopping this morning, so Natasha doesn't have to be worried she would hear her conversation with Wanda.

"Look at it from a different point of view. Look at Liho and Foxy. They're so different and yet they won't make a single step without each other" Wanda starts, pointing at the two cats that are walking around together. "Just like you and Y/N. You two might be different, but you are perfect for each other"

"But what if you're wrong? And she's just being friendly?" Natasha asks unsure, making Wanda roll her eyes playfully.

"Nat, I see the way she looks at you. She definitely likes you. Just ask her out and you'll see I'm right" Wanda says confidently.

"Hey, guys! What are you up to?" Y/N smiles brightly, stepping into the kitchen with a few bags, some filled with clothes and some filled with food.

"Hi there. We're just talking. But you seem like you had a successful shopping day. What you got?" Wanda asks with a smile.

"Well, I got some clothes. I especially love the cute dress I got. And I stopped for groceries, cause the fridge is nearly empty… again" Y/N says. "Oh, and I got some treats for the cats" She smiles, taking out the cat treats and showing it to both girls. "Foxy and Liho are gonna love it!"

"I'm sure they will, детка" Natasha chuckles at Y/N's excitement, watching as Y/N's cheeks turn red on the name she called her. (baby)

"Well, I'll go to give them some" Y/N informs, quickly walking over to the cats and petting both behind ears, hoping Natasha hasn't noticed anything.

"Well, I guess I'll leave you two here. Go get her" Wanda says just for Natasha to hear, winking at her before turning around and walking out of the room.

Natasha takes a deep breath before standing up and walking over to Y/N and the cats, taking a seat next to the girl.

They just watch their cats for a bit, eventually petting them behind ears until Natasha finally gets the courage and starts speaking.

"Wanda thinks the cats are like us" The redhead blurts out on which Y/N tilts her head in confusion.

"Well… I mean, kinda I guess" Y/N shrugs, not understanding Natasha's point.

"What I meant to say is that they're completely different, but they're such good friends" Natasha explains, receiving a hum in response. "Just like us… Y/N, I don't know how people do it. I'm trying to tell you I like you" Natasha sighs. She's never confessed her feelings to anyone and it seems harder than she thought.

"Y-you do?"

"Yes. I… I was hoping that maybe you would go out with me? Like a date?" Natasha asks nervously, waiting for an answer.

Y/N opens her mouth to speak, but nothing comes out. She's been imagining this moment for so long and now when it's finally here, she's too shocked it's actually happening.

"I'm sorry, just forget I asked" Natasha says after no response from Y/N, bringing her back to reality.

"No, no. I-I like you too. I would love to go on a date with you, Nat" Y/N quicky catches Natasha's hand, stopping her from standing up.

"Really?" Natasha better asks to make sure, receiving a warm smile and a nod back.

"Of course, going on a date with you would make me the happiest girl on the entire world"

----------------------

Natasha Romanoff masterlist

Masterlist

[helluvapoison]

Hey can you write headcanons for alastor, angel dust(both platonic) and sir pentious (romantic) with a gen z/millennial reader? Just general stuff and interactions (like maybe talking about how things are for the lgbt community with angel and talking to alastor about gramophones and how they're coming back in style) and just some shenanigans

I know you don't have these characters listed in your writing list, and it's completely fine if you cant write for them but i love your writing style and characterization so I wanted to know how you'd imagine things would go

Alastor, Angel Dust (platonic) and Sir Pentious (romantic) x Reader

˚✧₊⁎ Alastor ⁎⁺˳✧༚

• “Hey Al! Loving the drip, it’s giving strawberry cow meets dark academia core.”

• Now he knows what others feel like when speaking to Zestial. He doesn’t understand half of what you say

• You taught him “tea”. Originally he thought you were providing real tea, something useful, not tedious gossip about— Oh. Oh. That could come in handy, actually. Alastor begins to pencil you into his afternoon tea. Sometimes you bring him useful information, others he has to sit through petty issues that make his eye twitch

• Alastor outright bans you from using your phone around him. He has no interest in this “meme” that reminds you of him (Don’t bring it out again, next time he’ll break it)

You groan, “It’s not as funny if I have to explain it!”

“It must not be very humorous in the first place.” He retorts

• He thinks you’re complimenting his taste in decor when you call it vintage

• You’ve proven yourself a useful acquaintance. Like Nifty, he’s grown accustomed to your presence and learned it may be better not to understand the inner workings of your mind

• “Got any aces?” someone asks while you play Go Fish with Husk, Angel and Sir Pina Colada. You never fail to jab a thumb in Alastor’s direction, cackling and kicking your feet

• They give you a peculiar look in reply

“Fuck you guys, I ate.”

• Yeah, they don’t get that one either

˚✧₊⁎ Angel Dust ⁎⁺˳✧༚

• It feels like every day Angel’s mid-insult and snapping his fingers at you, beckoning for you to conjure up a fresh comeback

• “Ooh! You just got cancelled, take the L, you fucking poser!”

He cackles, “Yeah! What they said!”

• Started calling himself an e-girl because you said it once about Charlie and never elaborated. He thinks it means cute… He’s not wrong? You don’t correct him, it’s funnier this way

• Playful arguments 24/7

“RIP, Angel, you would have loved Mean Girls— Wait, if a movie dies would it come to Hell? Never mind, don’t answer that, it would obviously go to Heaven.”

“I’ve met some real weirdos down here, sweetheart, and you outrank almost all of ‘em.”

• Something Angel noticed he could only appreciate from you is how different you react to his relationship with Val. He already knows it’s not healthy and he knows he gets defensive when people bring it up. Like the others, you listen, you comfort, you get furious on his behalf. You also offer him insight and labels he never thought would be helpful

• You hold up two fingers like you’re conducting an orchestra as you speak, “Say it with me; boundaries, bitch.”

“Boundaries..? S’at like bondage–?”

”NO!”

• Angel’s the only one that makes HellToks with you. The dances he learns faster and performs them better than you, often adding his own choreography to them. The “pass the phone” challenges never end well– especially when he tries to rope Nifty or Alastor in on them (RIP your old phone)

• Honestly, you’re pretty surprised you get along with Angel as well as you do. Y’know, considering he died a thousand years before you—

“I ain’t that old!”

“Your death certificate says otherwise, fam!”

˚✧₊⁎ Sir Pentious ⁎⁺˳✧༚

• He’s not sure how to handle how touchy you are first. You go around high-fiving everyone, freely holding hands with whoever lets you, offering hugs and– thump. Your head hits his lap, staring straight right at him with a goofy grin. And that.

• “Say slay,”

“Sssslay?”

• Oh. He quite likes the laugh that gets out of you

• Starts saying the word as much as possible, puffing his chest out proudly when you double over laughing. You don’t have the heart to tell him he’s using it wrong 99.9% of the time

• When you began consistently picking him for a chair instead of the others, he was stuck between throwing you across the room and making a break for it or pointing and laughing in the faces of everyone else. You chose him! HA!

• Bless his soul, the way he asked you out was so sweet

“I’ve done extensive research and found the equivalent of going sssteady in your language! I would like for us to move forward with the relationship ssstatus.”

“Huh? Oh. You want to go out with me? Yeah!”

“Fuck yesss!“

• Pentious gives ride or die a new definition. Everything you say or you do, he will back you up. His eyes sparkle from the praise you give him

• That, and making him blush takes little effort on your part. Complimenting him like you always do (at least he thinks you are, sometimes he’s not certain) has his cheeks glowing in seconds

• After following you around for an hour, because Pentious wanted to make sure you could get along with the Egg Boiz without him, they adopt bits of your personality and bizarre phrases. “Now we have two parents!” “No cap!” “Yes cap, you’re wearing a hat!”

• You’ve single handedly make the Egg Boiz worse in the eyes of everyone but Pen. He’s ecstatic over the results, he doesn’t know what he would do if he had to choose between you and his eggs

~

╰(*´︶`*)╯♡ this was so silly and fun, i hope you enjoy anon!

[prankprincess123]

I find it really funny that in Star Wars, Han is canonically about the same age as Kanan & Hera (only a few years younger even in old canon), but because of how they grew up they veiw people 10y younger than them completely opposite ways.

Like Kanan & Hera grew up in active war zones with Generals as parents. They were forced to grow up FAST. They had to be functionally adults before they got a chance to be teenagers. And resultingly they look at anyone young enough to not remember the Clone Wars as babies. They see an angry Mandalorian teenager as the toddler she was in the Clone Wars, drawing on walls to express emotions she can't otherwise express. They see a force sensitive street rat as the tiny crecheling who wasn't even born till the final days, and wouldn’t have even entered the temple until a few years after the war, but who would have ended up his Padawan eventually anyway. And they adopt both in a heartbeat. They're in their 20s and see these teenagers, and are just like "Ah yes, our kids," and they are VERY much parental figures with an obvious generational gap.

But while Han does remember the Clone Wars vividly, he wasn't on or anywhere near the front lines. And he didn't have anyone actively raising him. He didn't have a chance to grow up and got stuck in a mental standstill during adolescence. So he looks at Luke & Leia, and he sees peers. It doesn't matter that he lived through an entire war before they were born, cause he sees very little difference between that one and the one they're currently in. He sees them as his own age group just a little younger and treats them accordingly. He treats them as friends and equals. Leia isn't a kid in his eyes, she's a spitfire woman who has seen more war than he has. And there's a little bit of big-brother-ing to Luke - but more based on Luke's naïvety than age. Theres nothing to suggest he views any real age gap between them, let alone a generational one.

But they're still the same age, and from what we see of their interactions are very much peers and friendly rivals themselves. Which makes me laugh at the confusion Han would react with to realizing that Hera's children are older (even if only by 2 days) than the twins and childhood friends with Leia...

[resident-idiot-simp]

Wolverine getting some of Deadpool's 4th wall awareness because of the matter and antimatter ordeal

Featuring: @existentialgaybirdnerd @steriotypicaloutlaw

(x)

More for @castielsprostate

Bird: Mind to mind communication using the voices even far apart

Ok ok but Logan who can now truly understand Wade and everyone is super confused by it. Also (I am convinced at least Vanessa thinks he's absolutely onto something so this just confirms it for her) But others start thinking Wade may not be completely insane possibly

On the other hand they now think Logan is insane as well which is just as funny.

But all of the small things that would change. Chef's kiss

Bird: They use the voices as a sort of comm link too, Logan can keep up with wade’s style of thinking now and can even finish his thoughts with him

But imagine everyone's reactions to the seamless communication between them. As well as Logan now talking into thin air like Wade does. It definitely gets people thinking

Ethan:

Now I'm just imagining a scenario where they're talking to Colossus or someone else and it's just

W- "Yeah, sometimes we finish each-"

L- other's sentences. It's really not"

W- "that big of a deal... And you were supposed to say sandwiches, we talked about this Peanut." Wolverine rolls his eyes and lovingly shakes his head.

(Bold is them both talking at the same time)

Bird: Logan would chime in with the wrong words sometimes specifically to fuck with Wade, and then when they’re both pissed they speak at the same time and in the same register and it gets creepy

Wade and Logan having conversations that make absolutely NO sense to anyone besides them. The boxes asking things or a conversation about other impossible things that others wouldn't know

Bird: There’s an entire four way conversation and the outsiders are only getting half of it lol

Also something that always gets me about characters being self aware is the implied idea nothing they do matters or it would hurt the others that are unaware. Well maybe more so the latter point. Because it doesn't matter if it's not technically real it's real to them so I just never like that argument. All to say I think Logan really just doesn't give a shit he isn't technically real

Bird: Oh absolutely not, Logan would have his first 4th wall break and just raise an eyebrow and look away and slowly as they happen more and more on purpose he does things to fuck with the audience

Wade talks to the audience to share a joke Logan talks to the audience to insult/mock them. Surprisingly it makes all the difference

Bird: Logan freaks people out by looking into the distance and spitting a kind of joking insult and then walking away

It also somehow convinces people that it's still definitely the same wolverine and he hasn't completely lost his mind

Bird: When people start getting more suspicious of him he’ll insult something and stalk off

Vanessa is elsewhere taking a victory lap. Also Laura is very confused but also falls into the they are onto something club. I feel like Al ABSOLUTELY believes they are onto something

Bird: Laura likes to try to spot what they’re talking to, looking in the vague directions they’re looking at. Al will simply hold out a hand to one of them, go “point me” and flips off whatever audience they’re talking to now

Al is to old and has seen (or not seen) too much and specifically lived with Wade long enough to know

A) He isn't insane

B) He's almost always right

C) he knows things he really shouldn't

Bird: And when Logan starts doing the same stuff and insulting the air instead of just joking with it, she starts asking to flip off who Logan is talking to and he’s all too happy to point her

And once they explain exactly what happens she's just like oh yeah that makes sense. She doesn't need more context

ALSO This makes them both anchor beings but specifically one anchor being. They merged they now have to both be there for it to continue to exist

What if this was the first time it has ever happened in the TVA want to just study them because how did you manage this??

I read a fic that mentioned this also almost seem to increase their powers slightly and I love that idea as well

Bird: Kind of combines them, makes the healing faster and makes them harder to hurt

It's barely noticeable but it's just enough to make them even worse to deal with. They become the bane of everyone's existence because they are now truly unstoppable

Also the X-Men are trying to figure out exactly what happened. It isn't working It can't really be explained well because Wade is just kind of beyond exclamation

Logan is just vibing now while being more immortal than ever and having a whole new world opened up to him. I imagine it gets to the point where he's learning more and more and he just starts pointing randomly at some of the people that come across and saying actor's names and Wade is just beside him nodding enthusiastically and praising him