#and they’re getting shut down

[number1abbasupporter]

i do NOT play when it comes to marauders canon

[fyllophobia]

think fast! surprise trust fall

[chirpsythismorning]

S3 is underrated bc it comes off so meaningless the entire time, when in reality it’s the opposite. The jokes in particular were top notch and it’s because most of them went over everyone’s heads. Like, do people even know that they hinted at Robin being lesbian right at the start of s3???

[soydyke]

God the present part of the livestream is killing me like we get it you guys are perfect for another and in love like growls.

That’s why it always annoys me when Dan is doing his little “love isn’t real” bit he does sometimes .. like homeboy there are cathedrals for those who have eyes to see shut the fuck up you met your soulmate at age 18

[livwritesstuff]

part 3 to eddie’s tattoo saga, feat. girl-dads!steddie

part 1, part 2

The first time Eddie’s oldest daughter draws on his arm with her Crayola markers, Eddie immediately gets it tattooed onto him permanently. 

She’s barely two so it’s mostly scribbles, but she’d never done it before, and she’d looked up at him with this big, proud, cheesing smile when she was done, and Ed had been caught so off guard with just how insanely much he loved her – that indescribable love parents felt for their children that, before becoming a parent, Eddie had thought he’d be able to beat the stereotypes and describe, but Moe proved him to be incorrect just about the second she came along – and he hadn’t known what else to do. 

He doesn’t even really think about it, just takes a photo so his artist will get the colors right and has her put it in an empty spot on the sleeve he’s been working on for years.

With Eddie and Steve’s second daughter, Robbie, it goes mostly the same. She's just about two years old and draws a collection of swirling scribbles on the back of his hand. Steve advises him to not get it tattooed in the same spot, and Eddie can understand why it might not always be opportune to have permanent child-scribbles in such a visible spot, so, again, he has his artist use it to fill in a gap in the sleeve on his left arm.

When their littlest girl, Hazel, is born, Ed intentionally leaves a spot on his bicep open for whenever she feels so inclined to draw on him like her big sisters had. She takes her sweet time, so much so that Eddie starts to get nervous that she might never end up doing it at all, and he wasn’t going to ask her. It had to be a natural thing, obviously. In the end, she’s nearly five years old, sitting in his lap with a pack of markers while he reads a book to her (Charlotte’s Web, because it was the first chapter book he’d read aloud to both Moe and Robbie, and now it's Hazel’s turn), coloring inside the lines of the tattoos he already has when she gets to the empty space on his arm he’d left just for her. A little bit later, it’s filled with a marker drawing of a blue house next to a green tree, with a yellow sun above the chimney.

“It’s our house,” Hazel tells him.

Eddie calls to schedule the tattoo session the second he finishes the next chapter.

He gets the okay from his artist to bring Hazel with him to the appointment, which he hadn’t done with Moe and Robbie because they’d been too little. They hadn’t had the disposition for it either, but Hazel is their sweetest baby, all solemn and shy, and the session is right before her usual naptime, so once he’s in the chair, she just sits in his lap and quietly watches his artist work until she dozes off about halfway through the process.

Eddie spends much of that session lost in thought – he’s becoming introspective in his old age (forty-five and some change).

He’s thinking about all the tattoos he’s gotten, all the spontaneous ones he’s gotten for Steve and for their girls. He’s thinking about what that means. 

In the family that Eddie and Steve have built, Steve is the one taking all those pictures and home videos and stuff. He’s the one who gets photos printed, framing their favorites and hanging them around the house and setting small ones on side tables, sticking others to the fridge with little magnets they’ve collected over the years, storing the rest in overstuffed shoe boxes he swears he’ll organize into photo albums someday (but their life is so hectic he probably won’t ever get around to it).

This is Eddie’s version of that.

This is his way of displaying to the world how much he loves his family, this thing that he’d spent years pretending he didn’t want because that was easier to sit with than the belief that it wasn’t even attainable for him, that now he gets to have.

It’s fucking incredible, is what it is, and it deserves to be documented.

[boasamishipper]

i can tolerate a lot of things from writers and showrunners but outright condescension and disdain for their fans is not one of them

[fullsunstrawberry]

why does my dorm janitor always shut down the bathroom to clean when i have to pee 😣 like i love you so much (they’re so nice) but im doing the pee dance rn

[monkee-mobile]

do you think if any of the monkees tried to actually kiss in the 90s special, everything would like glitch out for a bit and a lizard sunning itself of a rock would snap them out of it or would they be able to break free and show the kiss to the people?

[emry-stars-art]

Whumptober day 6: conditioning/mind control/forced to hurt someone else (full under the cut)

Find the royal ay masterpost here

No version of Neil/Nathaniel is easy to break - there’s a lot of persuasion involved in Evermore Kingdom’s quest for their next butcher to do his work without a fight.

(Or POV you’re realizing the young butcher is just as scary as you’ve heard but for vastly different reasons than the rumors imply)

[pitohuimaki]

an sao fan: hey guys, i think the constant overuse of sexual assault in sao is… not good

a group of sao fans, immediately dogpiling: how dare you insult sao with kirito in your profile picture you’re clearly just a #hater kirito would hate you

[javierduffy]

drabble about chapter 3 javieran late night discord (campfire) conversations because i love writing the turning point where javier finally lets himself start making moves 💔☹️

“so,” javier gestures with his bottle, the last quarter of it sloshing to get his conversation partner’s attention, “tell me about yourself.”

“oh, i’m…” kieran fiddles with his hands, pries his eyes away from javier’s bottle as the other man takes a swig of it. if he let himself look any longer, they’d end up on his lips. “i’m just me, sir. just kieran duffy. ain’t got much to tell.”

“mh.” javier grunts a reply, and kieran would think that’d be the end of it, if not for the bottle thrust at him to punctuate the response. he thinks javier is just tipsy enough not to be offering essentially backwash on purpose. he hopes it is a kind gesture. he takes it and a swig to boot. rather not be drinking with a man so pretty, but he’d rather not be one to resist one, neither.

“”just” you say. what makes you so little?” javier’s beginning to pop another beer open on his seat. without the light of the moon, the scout campfire now feels like a long, long way from the clemen’s point camp, and he now feels like no one in the world could hear his curiosity. like not a soul in this world around could accuse him of gentility.

kieran, taking the new bottle as an offer to keep the old one, finishes off his drink. shakes his head like it’s bitter. like he isn’t trying to pick apart which taste is the beer and which is javier. “i ‘unno. suppose- no one’s cared so much before. i feel so little, i can’t say i feel right justified in going around and advertising myself. plenty of interesting folk around, and they sure don’t look like me.” javier cocks an eyebrow.

for once since months ago in colter, dark brown eyes meet green, and they stay there. grass plants it’s roots in rich soil, and it feels like home. kieran can see javier’s eyes flicker to his lips, and he convinces himself it meant nothing. uproots himself and looks back at the fire.

javier lets his eyes roam kieran’s profile a bit- his long lashes, his hooked nose, his sunspots- and suddenly he really, really needs another drink. he’s parched. he mirrors the other man’s fixation on the fire with another swig. “can’t say any of us nowadays look too alike. not unless you get the privilege of being born in the city, with money. every man has his story. if you think it is a competition, maybe you should consider yourself lucky that you haven’t lived enough chaos to be “interesting”.”

kieran snorts, “you don’t know the half of it… sir.” he tacks the term messily onto the sentence, hoping it’ll be enough to keep javier from strangling him to death for his tone. instead, he turns to see javier with a wide smile, drooping eyes creasing like a canine with it’s fangs bared. it makes kieran feel cold- like prey who yearns for the warm embrace of his predator’s breath on his neck.

“tell me then. what makes you so interesting and me so ignorant?”

[fridayiminlovemp3]

that weird ass fucking lifetime christmas movie that’s thinly veiled fan fiction about taylor swift and travis kelce makes me so uncomfortable like that is FREAK behaviour, making that a real movie is FREAK BEHAVIOUR. i can’t even watch the trailer for it it just freaks me out

[zukkacore]

My toxic trait is that in the zarajaceporter throuple I do think Jace should be the one who gets to date them both not Porter bc I like when Jace gets good things and Porter does not

[paging-possum]

If people don’t start getting normal about me being aromantic real soon I am going to stop giving them lesbian privileges.

[jouno-s]

i think maybe it’s a little telling that almost every person i’ve had the ‘are zoos/aquariums ethical?’ debate with doesn’t actually work in the industry or have any animal-specific education

[inamindfarfaraway]

Team Chaotix in Sonic Prime

My headcanons for what Vector the Crocodile, Espio the Chameleon and Charmy Bee are like in the Shatterspaces.

New Yoke City

Vector’s variant is called Missile (a missile is a vector, having direction and magnitude). He embodies Vector’s responsibility, practicality and seriousness. He was trying to make a difference as a teenage detective when the dystopian city appeared around him four years ago and it became clear that, with the Chaos Council’s control of the new justice system and law enforcement, the person he aspired to be would never make it. Of course he wants to fight, but the Council is brutal and their absolute power seems impossible to overthrow. He soon ended up with two children in his care, one only a toddler. If he got arrested, killed or roboticized, what would happen to them? If the three of them had the Council’s protection, on the other hand, as per the contract of an exclusive, specialized detective agency who would do whatever dirty work they were ordered to… he knows that those tyrants are the reason his kids have nobody else. He knows that the vast majority of people he leads the robotic police to don’t deserve any punishment, and none of them could deserve the cruel horrors they get. He knows that he isn’t a hero - that he may even be the exact opposite. And he hates it. But any money that keeps his family alive is money worth having, he’s regretfully decided. Big concepts like good and evil are none of his concern. He’s just trying to pay the rent. It’s too late to back out now, anyway. Now that the people are rebelling en masse and the Council is busy exploring the Shatterverse, he’s desperately waiting for things to stabilize and daring to hope against hope that some positive change occurs. And that the citizens don’t recognize the collaborateurs in their midst and turn on them.

Espio’s variant is called Trace. He embodies Espio’s stoicism and pragmatism. His ninja training was cut short - and his village razed and everyone he knew killed or taken prisoner - when the Chaos Council remade the world in their image. But he’s gained plenty of experience in stealth, deception, infiltration, espionage and combat working in the Chaos Detective Agency. Dishonour means nothing to a ninja. That’s what he tells himself, at least. On the outside, he’s reserved and aloof, a cold, ruthless foe. He will only show his family the slightest show of emotion. Internally, however, his repressed grief for his old family, community, home and life; guilt, shame and self-loathing due to his service to the Council; and years of accumulated trauma are brewing into a storm that he barely keeps contained under the surface. He’s afraid of his feelings burdening his teammates and distracting them from what’s most important: survival.

Charmy’s variant is called Sting. He embodies Charmy’s eagerness to be helpful and fighting spirit. He can’t remember anything except New Yoke and doesn’t understand much of how his society works, but he knows that his family’s work is very important to them being alive and wants to be a part of it. He does notice their stress and the general unpleasantness everywhere and can infer that circumstances could be improved. But their work being dangerous is all the more reason he should help! Teamwork makes the dream work, right? Danger just adds to the fun of stopping ‘bad guys’. He’s also terrified that if they leave him behind, they might not come back. So he kept breaking out and running away when Missile and Trace went on missions until they agreed to train him and let him join them. He revels in the thrill of action and finds people getting hurt amusing the way a six-year-old boy can, not emotionally connecting to anyone he’s told they need to catch and earnestly believing that their enemies must be in the wrong. He often imitates Missile when trying to be tough and intimidating.

Boscage Maze

Vector’s variant is called Reed. He embodies Vector’s optimism, lightheartedness and musical side, and tends to have his coarser manners too. He, the other two and Cream and Vanilla’s variants are in a different small tribe to the Scavengers and haven’t yet met them, so Thorn Rose didn’t banish them to the emergent layer; they are nomadic and moving toward the Scavengers’ territory. He’s cheerful and generous, always ready to raise the tribe’s morale. He can be immature and irresponsible at times, more focused on enjoying life and entertaining his companions than applying maximum effort to practical tasks. He’s highly resourceful when it comes to instruments and has invented drums and a reed flute. He loves to play them and sing. He’s also bold enough to flirt with Vanilla’s variant and the casual first stage of a romance is budding between them.

Espio’s variant is called Berry. He embodies Espio’s caution, wisdom and love of art and culture. Yes, that’s in this dimension. The tribe took him in after they crossed paths when he was eight, him having previously been surviving on his own for as long as he can remember. He’s mature beyond his years, highly knowledgeable about the forest’s flora and fauna, wary and prepared to defend his tribe from any threat using his carved flint blades and hand-to-hand skills. He used to find it difficult to relax, but has learned to unwind through playing a shamisen-esque string instrument Reed built for him and painting with plant pigments. While acutely aware of nature’s hazards, he can still appreciate its wonder and majesty and respects it.

Charmy’s variant is called Honey. He embodies Charmy’s innocent kindness, friendliness and trusting nature. He and Cream’s variant are best friends and adoptive siblings, since his parents entrusted her mother with him when they left on an exploratory expedition in his infancy. They didn’t return. But Honey doesn’t mind. He has everything he needs right here. The one thing he can think of that would make his life better is a friend who can fly like he can.

No Place

Vector’s variant is called Bullion (because of precious metal and a male crocodile is a bull). He embodies Vector’s sharp intelligence, charisma, greed and courage. He left his home island in a modest but sturdy vessel, dubbed the Treasure Trove, to seek his fortune and established himself as a travelling merchant. Cunning, socially savvy and theatrical, he is willing to (if you insist on using such accusatory language) ‘scam’ customers and has an endless supply of get-rich-quick schemes. He and his crew live in a fiercely competitive, unpredictable environment full of pirates! Material wealth is essential! That being said, he isn’t all talk. He will brave high seas and stormy weather, chart uncharted waters and do business with anyone to obtain the best goods and things no other merchant is selling, and the genuine quality and rarity of a lot of his stock keep people endeared to him despite his rough edges and occasional bad deal. He takes pride in his competence as a salesman and seafarer and part of him is more fulfilled by honest work. Not that he’ll admit that. He’s very attached to his swashbuckling rogue self-image.

Espio’s variant is called Fathom (a measure of water depth and a verb for contemplative thought and understanding). He embodies Espio’s firm sense of morality and diligence. He met Bullion when the crocodile docked at his home island and, struck with wanderlust and needing a job to get by, Fathom offered to manage his finances with his advanced mathematical ability and do some manual labour. Bullion agreed, but it didn’t take Fathom long to figure out that he was both running a con and a broke mess. A weirdly likeable broke mess. In the aftermath of Fathom exposing the con, the customers angrily demanding refunds and the Treasure Trove being hastily undocked, they made a deal to support and protect each other, with Fathom promising to follow his boss’s lead on the strict condition that Bullion stayed on the straight and narrow. He’s a dutiful hard worker, patient and polite. He tries to remain calm and be civil to everyone no matter how wild things get. He grounds his crewmates, restraining their more energetic, eccentric and, most frustratingly for him, selfish and amoral behaviour. He knows they can be better. And when they are, it’s extremely rewarding. But they certainly test him - though he won’t deny that the motley crew all truly care about each other and would stick together through anything.

Charmy’s variant is called Dodger. He embodies Charmy’s mischievous, irreverent side. He was born to pirates and left at an orphanage on one of the larger islands, but could never follow the rules or be satisfied with a simple, mundane life in one place. He wanted excitement, and made his own by causing trouble and playing tricks. He totally wasn’t lonely. One day he stowed away on a ship. His plan was to steal all the stuff he could carry on him and fly off. Bullion and Fathom, the sailors who caught him, took a liking to him and were hesitant to send him back to his boring, miserable old home once he explained his life before. They were nice and cool and made him feel wanted and like he belonged more than anyone else ever had, so he hung around. Bullion makes him do chores, but respects his pranking prowess and nerve. Fathom is a great listener and playmate, albeit sometimes a killjoy.