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thewulf · 1 year ago

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Always & Forever Pt. 2 || JJ Maybank

Summary: Request - i absolutely loved the one with jj and routledge!reader after jb and Sarah are presumed dead (its absolutely brilliant) and was wondering if you could do a continuation of it where reader has conflicted feelings after they return and jj comforts her and tells her that it's okay

A/N - Ugh, I just love a good JJ comfort. Thank you for the request!

Pairing: JJ Maybank x Y/N

Word Count: 3.1k+

“It’s nice to see you out of that Chateau.” Kiara rubbed your shoulders before sitting down on the bench outside next to you. The three of you had met up outside the high school after running out of class. All of you receiving the text from your apparently not so dead brother John B. Kiara texted you where to meet them. The text was simple. They’re alive and okay. In the Bahamas. Living and breathing. With a picture to prove it.

Your eyes welled up with tears as you looked at the simple text and picture. They were alive. The son of a bitch did it. You nodded looking up to your almost sister. The one you ran to when you needed advice. She wrapped you up in a swift hug seeing you on the verge of yet another breakdown. Giving you a tight squeeze, you were ever thankful for the friendship you had with her. Thankful your brother brought such incredible people into your life. You had a different set of friends, ones a few years younger. Your age. John B made you when you were younger so that you could be your own person too. In the end you preferred his friends, but you still liked your school friends. They were the ones that knew you better than yourself somehow. The ones helping you limp along through the pain.

“He’s okay. They’re alright.” She gave you another soft squeeze before letting you go. She sat down at the table next to you across from Pope.

You nodded not being sure about it all, “I just… I can’t believe it.” You felt a tear drop down your cheek as you read the message over and over again, “I thought they were dead.”

“Hey, look at me mins.” JJ stepped forward. Using the pad of his fingertips he brushed away the tears you had tried so hard to hold back but failed at miserably in doing so.

He truly couldn’t fathom how you felt. He spent the better part of four days nursing you back to health and walking you through it. You hadn’t fully accepted his death, but you were beginning to. And now this? You were thrilled but felt so…guilty? Guilty for not believing. For letting yourself wither away for no reason.

“They’re alright Y/N. They’re alright.” He gave your arms a light touch before sitting down next to you. Pope and Kiara lost in a conversation of their own.

“Thank God for that.” You mumbled before leaning into him, “How the hell are we going to get them home? The Bahamas?” Sighing you tried your best to come up with a solution but falling miserably short.

“That’s not your job to figure out. They’ll be back soon. Don’t you worry. We just got to keep you out of trouble until then.” His smile brought one out in you too. He was so confident it would be alright that it made it hard not to believe him. JJ may have been messy, but he never let you down, never lied to you. So, why would he start now?

“I’ll choose to believe you Maybank.” You leaned into him feeling the weight of the world come crashing down once more. What a strangely emotional day. You should be happier than anything. And you were. But it felt off. Felt strange. Like somebody dead was coming back to life. He was never dead though. But you grieved him. He felt dead. And you couldn’t have felt more uneasy about it all.

He grinned, wrapping his free arm around you, and pulling you close, “When have I ever let you down mins?”

You shook your head quickly, “You haven’t.”

He leaned over, whispering in your ear, “I promise, that’ll never change.”

JJ was screaming at the three of you, “Go, go, go, go, go, go!”

How in the hell did you always end up in these situations? The damn truck broke down and you were running for your life, literally.

When Kie screamed, “Guys, I think he has a gun!” You kicked it up a notch. Oh, how your body wasn’t quite ready for this, not in the slightest. JJ ran behind you, clearly not running as fast as he normally would. He had to make sure you were alright.

“Keep your heads down!” JJ shouted as he tailed you. JJ was ready to pull you in a different direction need be. He knew Kie and Pope could fend for themselves. He wasn’t so sure you were doing alright though. You were running considerably slower than you normally would.

“Fucking hell.” You cursed more to yourself than anybody else. You knew you were holding them back.

“You alright there Routledge?” JJ called out from behind you hearing you mumbling something from in front of him.

When you put your thumbs up out to side of you he knew you were fine. Winded for sure but fine. You’d never back down from a challenge. Never get caught. No that wasn’t a possibility for you.

“Down the alleyway!” Pope shouted before darting down a side. JJ caught you before throwing you forward with his momentum when you were caught off guard in a daze.

“Thought you said you were alright?” He asked, barely out of breath as you stumbled forward. If it weren’t for JJ you’d surely have been caught by now after stumbling over your very own feet.

You nodded, “Sorry, just getting a little tired.” It wasn’t a lie, no. It just wasn’t the full truth. You felt better, you looked better. But you weren’t completely better. You still got tired quicker than normal. Your body still recovering from the trauma it went through.

Before he could respond though you ran right into the back of Pope who stopped so suddenly not even JJ could react.

“What the hell Pope!” You pushed him after you bounced right off his back.

“Y/N.” The voice of your older brother snapped you out of your fit of irritation at your friend. It couldn’t be. No, it couldn’t be John B? You peered around your much taller and broader friend to spot not only John B but Sarah as well sitting on a bike and cart.

“Holy shit.” You gasped it utter shock. This was the last thing you expected.

“Come on! We gotta go!” Sarah pulled you onto the cart right onto her lap. She held you close.

You couldn’t believe it. John B and Sarah. Just fine. In fucking Charleston of all places? Who would’ve thought?

“You’re alive.” You stated more than asked as you looked up to Sarah. You’d grown close to her in the few short months she’s been around.

“Yeah. We’re alive.” She smiled down at you ignoring the antics of the pogues around you.

“And you’re okay? He’s okay?” John B was laughing at the commotion, high on life as he reconnected with the group.

“As okay as we can be kiddo.” She gave you a quick hug but left her arm wrapped around you as she cheered once the group pushed the man who had been chasing them on the ground. Off to the boat they went. Off home they went. It all felt so surreal. Like the last week of your life didn’t exist. Oh, how the universe was playing with your emotions.

Once you were on the boat you sat there smiling, listening in on the conversation between everybody. A sick feeling took over your stomach as you looked over smiling at John B for the first time in a week. He was alive. He was okay. He wasn’t dead. He didn’t get lost at sea. He was sitting five feet away from you. Your older brother was okay.

“Y/N?” He asked. Almost like he knew you were stuck in your head.

“Yeah?” You asked. He knocked you right out of your thoughts. It was a voice you really never thought you’d get to hear again. It was the weirdest feeling. You felt euphoric that you’d found them again. Guilty for thinking they were dead. Scared as hell to go home. Uneasy about the future. It was almost too much to try and comprehend. Afterall, they accused John B of killing the Sherriff, you still had to deal with that mess.

“You didn’t answer the question.” He smiled patting your knee and sitting down next to you.

A light blush crept to your face. You were doing that a lot more often than you usually did. Zoning out of the conversation completely, “Sorry, I didn’t hear it.”

“You ready to get home?” Your older brother with the curly hair and honey brown eyes asked you.

A quick nod came from you without hesitation, “Yeah, more than ready.” You might’ve been unsure of your future but you sure as hell wanted to sleep in your bed. Especially if your older brother was sleeping in the room next to yours.

“Hey kid.” John B nudged your side, “You alright? You look like hell.” He smiled with a sadness you rarely saw from him. He was always tough on you. Only going soft when he needed. But when he saw your state he couldn’t help but to feel a little guilty. When he put himself in your shoes his heart broke at the realization of how alone you must’ve felt. You’d broken down without him.

“I’m okay now.” You turned to him giving him a shallow smile, “I thought you died JB. I kind of fell apart.” You whispered and turned away from him knowing that you’d fall apart if you looked at your older brother for much longer.

“I’m so sorry bug. I felt like I didn’t have an option at the time. And we got lucky. We really did. We probably should’ve died out there. I can’t even begin to apologize. You know how much you mean to me.” He spoke to you and only you. Everybody had given the brother and sister duo the space they needed.

You looked over to him with tears in your eyes, “I know. I’m so sorry JB. I can’t believe it’s come to this.” You felt defeated. How in the hell were you guys going to unfuck this mess up? Somebody was dead. It wasn’t your guys’ fault no. But it was being pinned on your brother. He couldn’t get locked up. Not for something he’d never dream of doing.

“Hey, we’ll figure it out. We always do buggie.” He smiled trying to provide you some sort of comfort. He too had a plethora of nicknames for his younger sister. You in face hated bugs and eight-year-old John Booker Routledge thought it’d be funny to give his six-year-old sister the nickname bug. And of course, it stuck. Because why wouldn’t it? You’d secretly grown fond of the nickname over time

“I always have a solution and I don’t know the answer to this one.” You let a few tears fall. There was simply no solution. You had to let it all play out. Hide John B for as long as you could. It was going to be a task, but you guys could do it.

He rubbed your back trying his best to soothe you. You were wound up tighter than he’d ever seen. You’d clearly been through hell and back, “This isn’t all on you Y/N. We’ll figure it out as the pogues, yeah? Relax for me for a little while.”

“I’ll try.” You spoke leaning back into the seat of the boat. Giving your eyes a close trying your best to enjoy the ride back.

He hesitated. For the first time in his life, he wasn’t quite sure what to do, “I’ll leave you to it.” He spoke before getting up and finding Sarah who happened to be talking to JJ. JJ who was watching you with nothing but concern in his eyes. John B wasn’t dumb. He knew better. He saw the way his best friend was watching you. Something was very wrong, and John B didn’t have a clue what had happened.

“You should go talk to her.” John B spoke to JJ once he made his way back to Sarah, “She’s being quiet. Not like her usual self.” He frowned seeing his younger sister so out of whack. He needed you as much as you needed him. Your happy go lucky attitude got him through so much more than he’d ever admitted to you.

“Yeah sure.” JJ was quick to agree.

Sitting down next to you he gave you a moment before speaking up, “You alright there, honey?” He asked knowing that’d get a ruse out of you.

You leaned your head forward again before turning back to him, “Back to honey?”

He smirked, “Don’t wanna make you uncomfortable.”

You retuned the smile. It felt like the first genuine smile in weeks, “Aren’t you so considerate J.”

Giving you a wink, he took one of your hands in his, not really caring that your older brother was watching with an eagle eye from across the small boat, “Only for you.”

Flashing him a soft smile you didn’t hide the sigh that escaped your lips. Feeling comfortable with your lifelong friend you leaned your head onto his shoulder. Your eyes fluttered shut hearing the soft lull of the engine cutting through the water below you. It was peacefully quiet as everybody found a spot and found their solace. It was always one of your favorite parts of a road trip with the crew. There was always a comfortable silence shared amongst the group. Absolute peace with the best people you knew.

JJ leaned his head on yours. He let you relish in the silence for a moment before asking you a question he really needed to know the answer to, “Are you okay mins?”

You nodded your head subtly in his shoulder, “Yeah, I’m okay.”

“You’re awfully quiet.” He whispered back to you. His arm made its way around your torso and sat on your side securing you tightly into his side.

“And you’re being awfully chatty.” You grinned into his chest knowing he’d find mock offense to your comeback.

You were right. He pinched your side, lightly and let out a “Hey!”

Lifting your head from his soft embrace you looked him in the eyes for the first time in a while. He was so pretty. The most handsome boy you knew. And you always made sure to tell him that whenever you could.

You spotted the concern dotting his eyes as he studied your face. He knew something wasn’t right. John B knew something wasn’t right. You knew something wasn’t right. You just couldn’t place it. You were so fucking happy he was home. God, it was the absolute best scenario that could’ve played out. Why’d you feel so off? So weird? Like you were in a dream or something.

“I’m okay J. I just… I just feel weird.” You admitted to the boy who wanted nothing but answers from you. When he broke out that sad stare you couldn’t help but to spill your feelings to your concerned best friend.

His head cocked to the side as he processed what you said, “What do you mean?” He pressed, needing to know. He looked you over for any signs of injury. You weren’t shot were you? He didn’t remember the guy firing a shot but who knows, a lot was going on.

You noticed his eyes looking for anything wrong, “I’m fine JJ.” You frowned not sure how to get spit out what you meant.

“Okay.” He waited for you to go on.

You turned away before continuing, “I should be so happy they’re back. They’re alive. I just feel off. I don’t know J.”

“You’re in shock.” He said so quickly you weren’t sure if you heard him right.

You shook your head off like he was crazy, “No, I’m not.”

“Yes, you are.” He rolled his eyes knowing you’d never take his word for it. You were as stubborn as your older brother.

“JJ I’m not in shock. I get what happened. I understand it…”

He interrupted you quickly, grabbing at your hand to shut you up, “You can understand it all. Still doesn’t mean you aren’t in shock mins. Two life altering events happened in your life within a week. It’s alright if you feel weird. If you feel off. It’s perfectly fine, alright?”

JJ wasn’t often one for such kind of comfort, but he knew how to when he needed to. You needed it right now. A little bit lost in a great big world.

You hummed, “If you say so.”

He smiled before gently placing your head back down on your head, “Remember what I said earlier? When have I ever let you down?”

He was right of course. JJ was always right. He had never let you down, “I love you JJ Maybank, you know that right?” You whispered once more, careful to make sure that nobody else heard. You had said it a thousand times to the blonde-haired boy before, but it meant something different this time. You loved him, you really did. And he knew it. He knew you were admitting far more than you ever dared too before.

A smile couldn’t be stopped from forming on his face as he realized the weight of your words, “I love you too. Love, love you mins.” He whispered into your ear careful to keep the moment between you and him only. JB and the crew would figure it out soon enough. He wanted to relish in the intimate moment between the girl he’d adored from afar for so long. His best friend. The girl he couldn’t stand to be around at first to the girl he couldn’t wait to see. His girl. You. Y/N. Little Routledge.

“Love, love huh?” You laughed in his chest feeling nothing but the purest form of joy rippling throughout your body.

“I love the hell out of you Y/N. John B’s going to murder me when he finds out but damn hearing you say that was everything. You’re it mins. You’re my girl. I can promise you that.” He wanted to kiss you more than anything. Especially when you looked up at him while he was cradling you in his chest shielded from your older brothers eyes. God, he wanted to kiss you so bad.

But for your sake. And his sake he decided to wait until it was just the two of you. He could wait. Instead, he brushed the hair away from your face and settled for squeezing you into him once more, “Guess what J?” You asked once he was done settling you in for the ride back.

“What’s that?”

“I love, love you too.” You grinned that beautiful smile he’d missed so badly in the last few weeks that’d ripped the life right from you. And that, that was worth everything and more to him. He couldn’t wait to spend a lifetime of drawing that beautiful smile from his ever more beautiful girl.

Always & Forever || JJ Maybank

Summary: Request - Hii. Love your work. It's so good. I'm feeling a good hurt comfort fic with the obx cast. Could I get a JJ Maybank x reader (maybe john b's younger sister?) where she's lost everything after they assume John B and Sarah are lost at sea... Read Rest Here

A/N - Ohhh this was kinda hard to write. Being sad is a bitch. Please let somebody know if you're sad/getting sad. People love you! Always remember that <3

Pairing: JJ Maybank x Y/N

Word Count: 2.3+

GIF by anakin-skywalker

TW: Talks of depression, being sad, not eating etc.

You barely heard the soft knocks on your bedroom door. Currently, you were huddled underneath the comforter of your missing older brother just hoping and praying he was okay. They’d officially called it. Lost at sea. Presumed deceased. Dead. Just like your fucking father. How was this your life? Two years ago, you had the world with the two coolest guys on the earth. And now? Now you were alone. Utterly fucking alone. It’d only been three damn days, but they gave up. There was no funding for a poor pogue boy from the wrong part of the island. Sherriff Peterman just gave you a sad look when she broke the news to you a few days prior. Or it could’ve been yesterday. Time didn’t matter anymore. Nothing really mattered anymore. You were a sixteen-year-old girl alone as fuck in this cold ass world.

“Hey little Rout.” You heard JJ’s kinder than usual voice from the other side of the door, “You need to open this door or I’m going to have to pick the lock. Need to see if you’re okay. You haven’t been at school and Mrs. Smith is getting worries, she said she’s going to report you.” You heard the soft sigh of utter defeat as he waited for a moment for you to respond. To do anything. You didn’t have the energy to respond so instead you just laid there.

“Come on kid.” You rolled your eyes at the nickname he’d long since used on you, “You need to come out. Get some fresh air. You can’t stay in there forever.”

Nothing. You just couldn’t. Depression was a hell of a thing. You just couldn’t fathom getting up and unlocking that door. Your brain knew you should. But the actual thought of moving seemed like a foreign concept you weren’t ready for sure yet.

He didn’t give you much else of a choice as you heard the lock click. You knew it wouldn’t take him much effort to get it but alas, you just couldn’t care. It didn’t seem to matter. Nothing else mattered. John B was all you had left and now you sat here empty and void.

“Oh Y/N…” His voice trailed off as he spotted you withering away underneath a mass of blankets. A blank stare on your face. You couldn’t bear to meet his eyes feeling grossly ashamed you let it get this kind of bad.

“I just…” Your voice croaked out as it hadn’t been used in while, how long you hadn’t used it you really didn’t have a clue.

He shook his head kneeling down beside your bed, “It’s alright mins.” His head was close as he smiled at you with a smile that never reached his eyes. A smile he was putting on for you. He took his hand brushing your knotted hair away from your sunken face.

Mins. You wanted to laugh. It was the first good emotion you had felt in a while. Mins was your current nickname of quite the long line of ever evolving nicknames from the blonde-haired boy. First it was mini-Routledge, then it was mini-JB, then mini and now mins. He didn’t use it all too often anymore, only when he thought you needed it. And you needed it more than ever now. All his love and everything he could give to you.

JJ knew just how much John B meant to you. He was your best friend. The two of you did everything together, practically inseparable. Even when JB met JJ they still included you in on everything. You were his shadow. That didn’t change as you got older. You just had to play it off as something different.

“I’m tired JJ.” You sighed letting your eyes close in front of him. The effort to keep them open was beginning to become too much.

He frowned deeply. This wasn’t like you. You were usually so full of life. The one who wanted to go and do things. The one who called him lame when he didn’t want to try something new with you. You were the one that kept the group going. And now it felt like everything was falling apart. The pogues were without their people and they needed you back.

This was your way of shutting down and he knew it.

“When was the last time you ate honey?” He asked while trying to brush the knots out of the hair he could get to. You were never particular about your hair, but JJ knew how badly knots hurt to get out. He remembered that one time when the both of you were younger, you crying when your dad tried to brush out some gnarly knots after JJ and JB tried to teach you how to surf one afternoon. It broke his heart even as a twelve-year-old boy. He had that same protective love that JB had over you.

You sighed trying to remember, “Before we found out he was missing I guess.”

JJ’s eyes bugged. He knew he should’ve checked in on you sooner. Damn the pogues who told him to leave you alone. That you needed space. You clearly didn’t need space. You needed help.

“That was three days ago Y/N.” His blood felt like it was running cold. How could he let you lay here for three entire days? JB would fucking murder him if he found out. Some friend he was.

You hummed in acknowledgement, “I’ve had some water though. Haven’t been hungry.” You admitted to your concerned friend. Your voice finally started sounding more like your own after the hoarseness had worked its way out.

“Well, that’s a start mins.” He sighed brushing his overgrown golden hair away from his eyes, “Can you get up for me? Get you some soup downstairs or something?”

“JJ.” You whined not feeling up to the task, “I’m too tired. I don’t feel like it.”

He took you hand in his and wanted to cry from how cold it was. You weren’t right. No, you were suffering, and they just let you. He felt nothing more than a piece of shit seeing you so broken, “I’ll carry you. I just need you to eat something honey. John B would be sick with worry if he knew you were starving away.”

“Don’t talk about him.” You turned away from JJ feeling your own blood run cold at the mention of your missing older brothers name. You couldn’t fucking believe he chose to leave you. Fuck, you couldn’t believe he’d ever put Sarah in that position either. It all felt like a fever dream you had to wake up from. But you weren’t waking up which meant this was a sick and twisted reality that you didn’t want to participate in anymore.

“Y/N…”

You shook your head on your pillow, “Please JJ. Don’t talk about him. I can’t take it. Not yet.” You felt the tears that had long since dried up come flowing back in an instant. Why in the hell did he bring out these feelings in you so effortlessly? Leave it to your older brothers cute as hell best friend that was certainly off limits. JJ would never, ever feel that way for you anyway.

“Alright honey.” Honey. That was a new one. You’d heard him use it sparingly on girls in the past, but it certainly was never used for you. But he’d used it a few times in the last few sentences sending your overly tired mind reeling in another direction. He was just being kind, that was all. After all, your older brother did just fucking vanish into thin air, “Can you please get up for me? Please mins? I need you to eat something. Whatever you what. Please?” He added one last please to let you know how dire he felt.

You rolled back over to him exerting far too much effort in doing so, “I don’t think I can.” You sounded defeated as the tears started once more, “I’m so tired J.” You whispered trying to contain the sob that wanted to escape from your throat.

“Cause you need to eat honey.” He spoke with nothing but concern on his face, “Let me take you downstairs? You need to move. Need to be somewhere new. Need to get some calories in your body.” He said so matter of factly you weren’t sure if it was JJ in front of you. But then again, for as much as a mess the boy normally was he thrived in crises situations such as these. He always seemed to know exactly what to do.

“Yeah, that’s fine JJ.” You knew he’d win eventually so it might be best to just give it up.

He let out a subtle breath of sure-fire relief as he scooped you up into his arms. You were light. Far too fucking light. God, he was such an idiot. He knew you better than any of the other pogues. Of course, you needed help.

He set you down at the messy table filled with whatever shit JB had likely left there the week prior. You grew tired of always cleaning so you just started leaving it. Your eyes scanned the table full of junk. A sad smile formed seeing his homework scattered about with an unpaid parking ticket next to it all. He’d never get to finish that homework. Never would have to lie his way out of that ticket. Why him? Why your JB?

“What do you want to eat honey?” He asking running a hand up and down your arm. Attempting any form of comfort for you. He saw the sad look in your eyes as they scanned the table. He had to get your mind off of JB in any way he could.

“Why are you calling me that?” You asked instead of answering him. It was driving you nuts, and you had to know. In your right mind you’d never

“Honey?” He asked, a bit taken aback by your sudden brazenness. The you he knew would never have asked him that. Instead, you would’ve asked JB. Something you couldn’t do anymore.

You nodded in confirmation feeling your eyes droop and your mouth open to yawn. JJ cursed internally making the decision of canned soup for you knowing you needed to eat as soon as possible. Light and easy and calories. That’s exactly what you needed.

“I don’t know mins.” He admitted while heating up your food, “It just felt, feels right. I can stop saying it if you’d like.”

“I didn’t say that.” You spoke back in almost a whisper.

“Honey it is.” He grinned while putting your warm, not overly hot, soup in a bowl. He set it down in front of you waiting for you to eat.

“I still like mins too.” You added admitting to him just how much you did like the nickname. He’d stopped using it as much now that the two of you had gotten older. You’d forgotten just how much you’d liked the nickname. Probably because it was a nickname only you could have. A special one from the boy you surely loved but vehemently denied.

“Noted, now eat mins.” He grinned pointing to the bowl.

You nodded not really sure if your hands would agree with your brain. You were so utterly fucking exhausted. Turns out you did need to eat if you wanted to be able to function. Because it felt like a task you’d never be able to start. As much as you tried your arm just wouldn’t cooperate.

“Mins?” He asked seeing you not really making a move for it.

“I can’t JJ. It’s too much.” You hated to admit how disgustingly useless you felt. Yet here you were.

He nodded in understanding, “Here, let me.” He took the spoon from the bowl and held it front of your face. For the first time in three days, you relished in the taste of food. It did taste really good. And damn, you were a lot hungrier than you realized. Before you knew it the bowl was gone, and you were entirely full.

“Thank you J.” You let your eyes close once more feeling the outright exhaustion of the situation come down over you.

“Anytime mins.” Seeing your eyes close he noted your fatigue, “Why don’t we sit on the couch and watch a movie?” He suggested hoping you’d agree.

“That sounds nice J, I may need your help again.” You let out a frustrated sigh at the state of your condition. You did start feeling a bit better but the thought of walking or even crawling made you shudder.

He shot up from his seat to get you up. He picked you up like it was nothing, “I got you hon. I always do and always will. Remember that alright?” You nodded in his chest doing your best to fight off the sleep that wanted to take you.

“Thank you J.” You whispered into his chest. He set you down right next to him, letting your head fall into his side.

He wrapped an arm around your torso letting you know you were safe and secure. He wasn’t planning on going anywhere without you anymore. Running his hand through your hair he felt a shiver knowing you liked exactly what he was doing, “Always mins. Now, let yourself sleep. We’ll deal with all this shit when you wake up. Together.”

You nodded letting the darkness take over, “Promise?”

“Always and forever.” He gave your head a soft and gentle kiss before the soft snoozes overcame you. He decided he was going to watch you sleep, for however long that was. You were his everything too. He was only just beginning to realize that now. Always and forever. It had a nice ring to it. Forever with you was a life he would dream about. Maybe one day. Maybe after he sorted you through this mess. Maybe just maybe.

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liesmyth · 2 years ago

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locked tomb characters ranked by how cringe they are

because this post by @wifegideonnav reminded me that they’re all losers, but some are even more losers than the others

Hot Sauce: 1/10. This girl is cool in all possible ways and definitely future lead researcher material. No cringe, zero notes.

Pyrrha: 2/10. By far the least cringe of The Olds. Yes her nicknames for Nona have dad joke energy but she’s very earnest about it and it’s cute.

Juno Zeta: 2/10. Total MILF. Very smart and should know better than to get flirty with We Suffer, but I get it.

Marta Dyas: 3/10. A complete badass with a very sensible outlook on avoiding unnecessary forms. Call me Judith because I would also make a pass at her at the first possible chance.

Commander Wake: 3/10. She made Pyrrha fall in love with her, seduced ever-loyal G1deon into hatefucking and galvanized a dying resistance movement. She was genuinely nice to Gideon those 3 seconds they interacted in passing! Then she had to go and hide under the bed of a mentally ill teenager.

Dulcinea: 4/10. Her horniness for revenge is epic. Let down Pal as nicely as she could and managed to outwit Cytherea when it mattered. Not cringe at all.

Camilla: 4/10. Yes, she could kill you in seconds but she did once sell cigarettes, her most liquid asset, for about a third of their market value.

Alecto: 4/10. Scary eldritch woman-shaped creature with a sword, comes highly recommended by Pyrrha Dve. Loses points for confusing Middle English and thinking John was the best possible Sailor Earth when he was clearly the worst.

G1deon: 5/10. Utterly willing to burn for what he believes in. Yes, he probably needs some perspective but he made sure the baby had enough air before kicking Wake out of the airlock and Matthias Nonius thinks he’s an okay dude.

Pash: 5/10. She has that freedom fighter swag and the cool hair but she is a terrible bodyguard coasting on nepotism, sorry to say.

Palamedes: 6/10. He didn’t clock the serial killer pretending to be his ex because he was too busy going to painfully extreme lengths to avoid interacting with her.

Naberius: 6/10. My controversial opinion is that Babs is the least cringe of the Third House throuple. Yes he looks and acts like a peacock but he puts up with Corona snacking on him for no reason and is still nice to her, and gives Ianthe solid romantic advice.

Nona: 6/10. Cringe in the unselfconscious way of a young teenager, and put this ability to use making Pal fess up to his nurse kink. She will never be cool but it’s part of her appeal.

Mercymorn: 7/10. Speaks in onomatopoeias. She knows she is insufferable so she’s gonna do her best to make sure to be the most insufferable person in every room. Once called John Gaius “the best man I who ever lived” to his smug face and not even blowing him up later makes up for that.

Ianthe: 7/10. Looks like a wet rat. Hopelessly dramatic but she pulls it off. Declares her love for Harrow at every turn in the most transparent possible way then pretends she’s just being snarky. Some cool points for actually getting shit done

Coronabeth: 7/10. Terrible taste in love interests. Her freedom fighter era was hot but she thinks pompadour hair is a good look? Also, the way she spent her whole life lying about necromancy speaks of extreme conflict avoidance. Cringe move.

Judith: 7/10. She deserved to suffer and has suffered more than she deserves. It’s cringe how she clings to her imperialist brainwashing but she gets a point for rightfully understanding she should be wary of Corona, something Ianthe still can’t even grasp.

Ortus: 7/10. Yes he quotes his own epic poetry WIP at people but he also had to grow up on the Ninth with nothing better to do. Genuinely a very nice guy.

Cytherea: 8/10. Her unhinged vibes are very hot but she killed a couple of nerds and two teenagers instead of anyone who was actually dangerous. Cringe of her!

Silas: 8/10. Smarmy cloud-looking motherfucker. He is a child Pope and I guess he can’t help the inherent cringe of the Eight. But that’s still no excuse for bringing a portrait of John all the way to Canaan House just to hang it in your bedroom, dude.

Gideon: 8/10. Babygirl is a horny virgin with the vocabulary of a nerd. Harrow is bones over tit in love with her and she fails to notice after living in Harrow’s brain for eight months. Gets points for managing to maintain impressive biceps on a diet with no protein.

Augustine: 9/10. Extremely cringe because of how hard he tries to pretend he’s not cringe. Cigarettes on a space station and effectively performing swag don’t make up for how much he clearly wants to suck John’s dick. Which he did at least twice.

Harrow: 10/10. Spent most of her life being mean to Gideon because she was too hot to deal with and lobotomized a coffee shop AU into existence. Thinks Ianthe Tridentarius is beautiful. Once built a bone cocoon to sleep in after not drinking water for two days. Should’ve told God months ago that she just didn’t want to eat his fucking biscuits and stop offering.

John: 10/10. Unfortunately, this scale only goes up to 10 but we all know it’s not enough. Deeply cringe in a myriad of ways, chiefly among them the way he inflicts his barely veiled incest kink on all his friends. That one dad joke was gold, though.

This was getting too long but for the record: Aiglamene is cool and so is Abigail Pent. Magnus is not cool but he’s a fun time. The Terrible Teens are exempt from judgement on account of being 14.

#i wrote this on my phone on the metro spelling what's spelling #will this finally be the post I send to L. to convince her to read the books?#tlt memes #the locked tomb #tlt

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inbarfink · 1 year ago

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Goddam, just seeing Simon in these last two episodes is really flooding me with so many conflicting emotions.

Because, on the one hand, after his lowest point in Episode 4 - resigning himself to death in the hands of the Scarab - he’s clearly finally doing better. Just look at him making plans

And showing off his smarts

And finally genuinely smiling and feeling happy

And being so glad to meet the alt versions of his friends

And getting excited about his nerdy shit for the first time in glob-knows-how-long

And cracking goofy geeky jokes

And offering others the same grace and kindness he was given when he was trapped under the curse of the Magic Crown

And trying to be comforting and fatherly and give Fionna advice and cheer her up

He’s so clearly doing a lot better now, he’s rediscovering aspects of himself that his depression has torn away from him, he found a meaning and purpose in his life again. And it should warm my heart, and on some level it does....

But it also sends a chill down my spine knowing that this purpose that brought back the light into Simon’s eyes, the purpose he finally found is sacrificing his mind and identity again for the sake of Fionna’s happiness and her world.

He’s throwing himself right back into the miserable existence and the trauma he tries so hard to move forward from. He’s dooming himself because he honestly believes now that he’s always going to be miserable and lonely and fucked up so he might as well have be the kind of miserable and fucked up that is not lucid enough to know how miserable he is all of the time. The kind of misery that at least fits into his world.

Because he started to romanticize being the Ice King in a twisted kinda way, and now he has found the excuse to turn it into a selfless, noble act. Because the only way he feels like he’s useful and like he has worth is by protecting and helping and sacrificing himself for the sake of others.

(And like, especially in light of how he was trying to resign himself to death just moments before coming up with his plan. Not to get extremely dark, but.... suicidal people often seem to ‘get better’ just before the try to kill themselves. Because they feel like they’re finally ‘doing something’ and their misery is almost over. That kinda feels what Simon is going through right now? Becoming the Ice King again is not literally death, but it is a sort of death for Simon Petrikov’s identity.)

And this new sense of purpose in saving Fionnaworld by dooming himself is clearly blinding Simon to so many obviously telegraphed signs that this is a horrible idea.

He saw hints of just how badly Farmworld Finn has been dealing with his own Magic Crown Related Trauma

and maybe if things would’ve been different this could’ve been something they could have commiserated over. Simon could’ve had someone who understood a bit of what he has gone through, and seeing a version of Finn, of all people, face similar struggles - maybe could’ve helped him feel a little less Uniquely and Irredeemably Fucked Up. (For bonus points, they're ALSO both dealing with the grief of losing their Significant Other)

But his newfound obsession that Everything Will Be Better Once He’s Cursed again was making him totally ignore all of this.

And then there’s their little adventure in the Winter Kingdom. Which had both the Candy Queen/Princess Bubblegum as a perfect reminder of the suffering and pain involved in being trapped in the Madness of the Magic Crown

And the Winter King as a reminder of the harmful and twisted things he was capable of doing as the Ice King.

But instead he basically refused to learn any lesson from that Universe that’s not just ‘Fuck That Version of Me Specifically’ and tried to advice Fionna to do the same.

But well, while I am still worried about Simon’s mental state, his improved disposition does give me a little bit of hope. Hope that maybe he himself will notice that he is doing better and won’t be quite so eager to sacrifice his own sanity. Or maybe more likely, hope that now that he’s not just a miserable sadman screaming at their faces

Fionna and Cake are growing to appreciate Simon Petrikov for who he is and will simply refuse to let him sacrifice himself for their sake. Because, yeah, Simon tried to tell Fionna to not worry about all of that Winter Kingdom stuff, that it was just that Simon was ‘messed up’ - but since when does Fionna Campbell do what she’s told?

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stardustedreams222 · 3 months ago

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Pick a Pile Collective Love Reading ✨

What’s something your Significant Other wants to tell you but they are too afraid to say it?

🦢These are hard truths to hear, please take a deep breath to open your heart space then choose the pile, crystal or emoji you’re most drawn to. As always, Take what resonates and leave what doesn’t. You are always in control of your life. ☁️✨

𐐪𐑂 𐐪𐑂 𐐪𐑂 𐐪𐑂

☁️Pile 1: Redline Marble

7 of Wands, Hermit Reversed, King of Cups

They wanna tell you that you’re doing more harm than good by standing your ground and putting up boundaries. That right now, you’re really just isolating yourself from the world. They don’t think it’s healthy but they don’t want to tell you bc they don’t want you to push them away too.

Here’s your advice: Boundaries are a good thing but you have to set those boundaries with compassion and a balanced mind and heart. Are the people you’re cutting off from your life people who are really bad or are they just telling you truths you’re not ready to hear? You need to have Compassion and Patience with yourself first so that you can feel your emotions and have compassion and patience for others who might not have the right words to say the right things.

Signs this is for you: Seagulls, 1989 Taylor’s version, Out of the Woods song in particular, Beach, Pier, Malibu, Sand, White, Blue, 999 777 1111

🦢Pile 2: Selenite

4 of swords, 7 of swords, Chariot, Six of cups Reversed

They want to tell you that they think you need to stand up for yourself. Right now they think you’re taking things too lightly, and justifying it as “I’m staying out of it for my own peace”— but they really think this is just letting other people get away with being mean to you. They want you to start standing your ground and sticking up for yourself even if this means getting into an argument with someone or taking the conflict to HR. They think it’s necessary and the faster you do this the better it’ll be for you. They also want to say that if you need help doing this they’re here for you. You don’t have to face your bullies alone. 🩷

Conflict can be really difficult to face but you deserve to feel safe and if someone is causing you trouble, talking it through and fixing it is better than putting on a mask and convincing yourself it doesn’t hurt.

Signs this is for you: Napping a lot, Feeling restless, Anxiety, Shaking, Mirrors, Mirror magic, Cats, White, Black, Orange cats, Golden retriever, Pitbull 323 333 444 777

🤍Pile 3: Rose Quartz

Knight of Cups Reversed, Knight of Pentacles Reversed, 4 of Wands

This is in regard to a wedding or a marriage. Some of you are planning a wedding and others are already married. There’s conflict with the parents in law or with your parents. Your significant other thought this would be like a fairytale wedding/marriage. But it’s turning out to be either a nightmare or they’re realizing their ideas of this were unrealistic. They thought you were going to be their knight in shining armor to defend them against all troubles with your parents {this is giving Rapunzel, where the prince saves her from mother gothel except you didn’t do this. But they thought and wished you would.} They don’t want to bring this up because they’re worried that when push comes to shove you’ll choose your parents{in law} over them. They’re used to being neglected or chosen last for everything and as much as this is hurting them right now, they’re choosing to suffer in silence. I can see this isn’t your intention at all, but instead you just wanted to keep the peace. Unfortunately, this isnt a situation where keeping the peace is a good thing.

Your advice is to think about what you want and what you are willing to do to show your love. This will require you to stand your ground with your parents{in law} to be the protector your significant other needs you to be. First, create a safe space for your significant other where you can sit down and talk. Let them know they are loved and cherished. Work on making them feel that they don’t have to worry about you choosing someone else over them including your parents{in law.}

Be prepared for healing tears and be open to collaborating on how to fix this moving forward not only with your parents{in law} but with each other. Work on rebuilding a foundation of trust with open, honest communication. It can be difficult at first to get the words out but be patient and compassionate with each other and everything will be all right 🩷✨

Step Two is implementing this by talking to your parents{in laws} and putting up boundaries necessary to protect you and your significant other’s peace.

Signs this is for you: Fighting over tablecloths, Theme wedding, Elven or Fantasy theme wedding, Destination wedding, The Witcher, Game of Thrones, ACOTAR, Estranged parents, Mother/Father in law visiting, Crowded guest bedroom/house, Family gathering, Reunion, Red, White, Black, Silver and Bronze, 353 333 555 444 1111

𐐪𐑂 𐐪𐑂 𐐪𐑂 𐐪𐑂

Just a friendly reminder, this reading is for everyone! So think of it as a cozy chat under the stars! You know your story best so, take what resonates and feel free to leave the rest.

If you’re curious about what the Universe has in store just for you, I’m hosting a super deal on my Etsy shop! 40% OFF all readings and Dream interpretations, bringing each reading down to $1.20 to $4.80!

The sale vanishes like Cinderella’s carriage at 11:59pm EST on September 2, 2024! Returning prices to $2 to $8.

Book a Personal Reading | Follow on Instagram

A quick legal note: I must say the services I provide are for entertainment and reflection purposes only. I cannot guarantee specific results or events as the future is always changing. You are always responsible for your actions and any decisions made following the reading. I am not liable for any outcomes based on the insights and advice provided with my services. My services are not to be used in place of professional medical, financial, or psychological advice.

With Love, Astrid 🩷✨

#pac tarot #pick a card #pick a pile #pick a pile reading #tarot reading #collective reading #lucid dreams tarot deck #tarotblr #love reading #loa tumblr #loassumption #law of attraction #divination services #divinationshop #stardustedreams222

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worldunbent · 2 months ago

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chapter notes - natori shuuichi

a compilation of all of midorikawa's chapter notes concerning natori (as of volume 29)

all are from the official viz releases, translated by lillian olsen.

Chapter 7 - He Can See For the first time, Natsume meets someone else who can see yokai too. I was pretty nervous because I was breaking the established rule that only Reiko and Takashi Natsume were different. Natsume kept running away from yokai, but I made Natori into an expert who kept proactively learning about yokai. I wanted to draw someone who indentured yokai even though he doesn't like them. I wanted his mark to look a little like a human figure upon closer inspection. Natori doesn't like Natsume's hypocrisy, and Natsume doesn't like how Natori doesn't bother to explain his actions and makes himself out to be worse than he really is. I feel like Natsume finally realized how difficult it is for people to understand each other, no matter how similar or different they are.

Chapter 11 - The Meeting of Exorcists l enjoyed being able to do another story with Mr. Natori. I have an easy time with plots that advance by things happening, but there isn't as much emotional content, so l was nervous about reader reaction. But they seemed to enjoy it because it was unusual. Natsume is surprised that there are so many others who can see yokai, but he can't even tell yokai and humans apart, so most of the crowd he saw were yokai. And I hadn't drawn a human woman (Ms. Nanase) in a while. There should be lots of things Natsume can learn from Natori that wil make life easier, but it's an interesting question whether those lessons will alter his relationship with yokai. Will he be able to come to an understanding with people who share the same abilities? I was happy to reveal a little more about Reiko, but the difficulty is that focusing on her story would disrupt the episodic nature of the series.

Chapter 14 - Natsume Goes to the Hot Springs Natsume went on his first overnight trip. I wanted to try all sorts of things since Natori was making a repeat appearance, but then I was given the chance to have Natsume be the first manga in that month's issue. Since it's an important slot, l aimed for a story suitable for first-time readers. The two of them have gotten so used to lying with smiles on their faces, but they’re finally realizing that there's something inherently wrong with that. Natori is good at giving advice, but not comfort. At first, l used to feel oddly sad when I was drawing stories about Natsume and Nyanko Sensei, but these days I feel that way with Natsume and Natori. Maybe that means they're starting to understand each other.

Chapters 20 - 22 - Takashi's Friend Natori gets a thankless role, but I don't want to draw just kindness all the time, so he's very useful. When two awkward, clumsy people get together, things might not always end well, but I like such people anyway. It was fun to draw Taki again, and a child like Kai.

Chapters 23 - 26 - Inhuman Thing I didn't have a chance to write a story about Matoba until now due to page constraints or manga cycling issues in the magazine. I had fun when I finally got around to it. Matoba's appearance means Natori's hardships become more obvious. Natori settled upon his current philosophy after a lot of reflection. But then he sees Natsume wrestling with the same choices and slogging through the same place he used to be, and it's both amusing and frustrating at the same time for him. Natsume might realize this and not be able to presume so much on his kindness. Natsume and Natori are left with a problem, so l hope to take my time drawing them dealing with it.

Chapters 39 - 41 - The Harvest Festival The idea was to have Natsume and Natori get asked to do conflicting sides of the same job by yokai and humans, respectively. But when you give these two the same objective, they somehow hesitate, to see how the other makes a move, and agonize over whether they’re doing the right thing. They really shouldn’t be so alike, but it’s like they’re staring into a mirror. This is how they struggle for a solution, while Nyanko Sensei and Hîragi sigh in the background, I’m sure. They take pity upon each other that they have few friends. They want to remain friends and equals even when their opinions differ, and yet they have a strange inferiority complex towards each other.

Chapters 49 - 51 - Beyond the Glass Tanuma wants to help and tries to help, but he can’t. The more he tries to take action, the more he comes up against this wall. Natsume gradually realizes that while he wants to talk to Tanuma, it also puts him in a dilemma. Seeing this, Natori wants to say, “I told you so,” but he hopes that Natsume will be able to succeed where he failed. I was also excited that I could draw Sensei/Natsume with expressions that he doesn’t usually make. Natsume is really not very expressive with his face.

Chapters 52 - 54 - Behind the Chains Natsume is now able to face a variety of things. But I also feel that the distance between him and Natori grows each time they encounter one another. They see the same things and hope for the same outcome, but because their paths are a little different, it's hard for them to take action when they're together. It's a strange feeling. I'm sure Natori wants to remain Natsume's ally, and Natsume wants the same with Natori. I'm happy I got to draw more about Matoba, too. Whereas Natori tries to do what's right and is afraid of making a mistake, I think Matoba is the kind of person who doesn't fear making mistakes.

Volume 14 (Sidebar notes) It feels strange - I'm not quite sure if he's changed since he first showed up. His thoughts towards Natsume are changing, but maybe the man himself won't.

Chapters 60 - 62 - Different Eyes The Book of Friends is the reason yokai come after Natsume. He wants to talk to Natori about it, but since exorcists are a threat to yokai, and since he literally holds the fate of many of them in his hands, he doesn't want to betray them. Back in volume one, Natsume might've taken the Book of Friends and disappeared with Nyanko Sensei somewhere if he really got into trouble. But working on this episode, I don't think he'd be able to do that any longer. How things have changed. I looked at Natsume trying to understand Tanuma even though they live in different worlds, and I thought he was doing the right thing, but the whole thing also felt comical. I wondered how Natori felt when he saw Matoba making Natsume help with the exorcism work. This case was frustrating for Natori, who had to witness his old mentor become so oblivious that he could no longer see yokai in his own house. I think the existence of Natsume, with his different opinions, and Hîragi and the others, continue to affect Natori. I would've liked to draw more about Mr. Takuma and Tsukiko, so I'll do it when I get another opportunity.

Special Episode 15 - A World Without Distortion This was a story I've been longing to work on. I couldn't fit in all the parts I wanted, even though they let me do a two-parter, so I hope to get another opportunity some other time. I'd like to show more of the dilemma and frustration of wanting to do the right thing but having your actions distort your goals.

Chapters 72 - 73 - Closed Room Natsume had made up his mind to keep the book of friends a secret, but Natori ended up overhearing about it from another yokai - quite an undesirable situation. He decided he couldn't pretend it didn't happen. I think it had great meaning for Natsume to tell him with his own words, albeit belatedly. Meanwhile, since Natori had some clue about what it was, I think Natsume's decision to tell him meant more to Natori. I think he's the kind of guy who would act differently based on whether Natsume was willing to tell or not. I can't describe it very well, but with these two, when one of them steps forward, the other stalls out. I was happy I was able to draw Ms. Nanase again.

Chapter 77 - The Two Rings This was another story I had always wanted to do, but the timing never worked out, so I was very happy to get to it now. When I'm drawing Natsume, I always agonize over his dialogue and pick his words carefully. But when I'm drawing the Matoba clan, I don't have to think about the impression they're making, and I just use words that pop up in my head. Mr. Natori is somewhere in between. It's always a bit refreshing to draw the exorcists. I hope people form their opinions of Mr. Matoba based on what's on the page. In good ways and bad, he's a character who lies but is also uninhibited.

Chapter 78 - Tsukihigui I wanted Natsume to have different reactions that usual, so I picked a story not in the past or in the present, but a weird in-between. I debated a lot whether to have little Natsume be taken care of by the Yatsuhara yokai or the humans Tanuma and Taki. But upon further reflection, since Nyanko sensei is yokai, Tanuma and Taki would have a different approach to the situation and be more fun. It would've been interesting to go to Natori and have all three of them stare at each other with furrowed brows, but I discovered that whereas Natori would have a difficult time adapting to a situation like this, the students would display steadier nerves.

Special Episode 17 - A Hand Extended They let me do another episode of Natori as a high school student. There was another anecdote I wanted to include, but it wouldn't fit, no matter how hard I tried to rearrange things. Still, I'm happy I could depict more of Natori and Matoba's relationship. Sometimes you can't come to an understanding with a person, but once you become aware of your own feelings, you can often begin to be more objective. Then you start to see aspects of the person that change your mind, which is natural. But unlike Natsume, Natori can be stubborn and won't allow his feelings to change. It was interesting to see how Natori would feel about the aloof and unwavering Matoba.

Chapter 87 - Natsume in the Moonlight This one was 30 pages, so it was compact, but I wanted to make something that was a little creepy. You know how it's exciting to see a friend late at night, in a different light? This story couldn't be done with Tanuma, who knows Natsume's circumstances. It was only possible with Nishimura, who wouldn't question who the person in front of him was. If Natsume went to visit Kitamoto at night, he'd panic, scold him and send him home. And Tanuma would notice that something was off and cross-examine him. It would get even more out of hand with Natori, causing a domino effect. Though all of them would be fun and exciting. I only realized after the fact that someone who knows about Natssume's circumstances would make things more complicated in this type of story.

Chapters 92 - 94 - The House of Promises I have a memory of some boys climbing the gate of the town hall to pick some loquats at the end of spring and getting scolded. I made it seem like spring when the chapter appeared in the magazine, but then I heard that loquats ripen in early summer, so my older sister helped me race to redraw the clothing into something more summery before the graphic novel release. I enjoyed drawing the exorcists. Mr. Natori just can't catch a break and Mr. Matoba has many things going for him, but he often gets shut out. They don't really get along, and they're skeptical of each other even when real empathy is extended. Natsume is always at least trying to listen, so conversations are easier with him present. No matter what, Mr. Natori is older, and Mr. Matoba is younger. End of story. When I include the exorcists, there are all these dilemmas and convolutions that make things complicated and fun to draw. It feels fresh to me. I get nostalgic for the first time Natsume and Mr. Natori met when they're together. Their bond is getting deeper, but it was easier before for Mr. Natori to casually invite Natsume on outings. When you know someone a long time, there are more things to say, but sometimes, just as many things remain unsaid.

Chapters 103 - 104 - Where Vessels Lie in Slumber* I was so happy to work on a longer story for once. My head starts filling up with what to do next while I'm still working on the current episode.when I'm in one-shot mode. But being able to linger on a story arc reminded me of the excitement I felt back when I first wanted to be a manga artist. I still have a lot of storylines I'd prefer not to cut short, so I hope I get more opportunities like this. I've wanted to do this particular story for a long time, but. I feel like it could only be done now because of how Natsume's currently feeling. I hope you can pick up on how Natori and Matoba's relationship changes subtly depending on the situation, and that you get a feel for their solidarity as exorcist peers. It was so fun drawing everything I wanted to include: Natsume's faith in his friends; Natori's belief that he can still offer help even as an exorcist; Matoba, who's sometimes prevented from action because he knows and sees too much; Tanuma, who's surely able to help, but is unable to accompany Natsume; the cats protecting their secret; Nyanko Sensei. And of course there were even more things I wanted to expand on, so I'll take my time working them out.

*The first three chapters of this arc are in the previous volume and there's not enough in the other note for me to include.

Chapter 116* - The Younger Cousin This is a story I'd been saving for a long time. I had a clear vision of what I wanted to do, and I was worried about whether I could pull it off. I finally managed to thanks to my editor and everyone who supported me. I hop I was able to depict Natori's point of view, since he slips between the yokai and human worlds much more than Natsume, and how that appears from the yokai point of view. While Natsume has a narrow set of experiences in a narrow field, Natori has so much freedom and yet somehow seems much more trapped. I hope I can depict the path he's taken and the path he's going to take.

*Again, this arc is split between volumes and there wasn't much in the previous afterword.

#natsuyuu.txt #natsume yuujinchou #natsume's book of friends #natori shuuichi #horrible exorcists #this one is longgggg she loves to rotate him in her mind #even in some chapters he's not in #afterwords

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cripplecharacters · 4 months ago

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Hello! Your blog has been incredibly helpful for me, thank you for doing what you do

Disability is a core theme of the stories I make, so accessibility is one of my most important goals. For reference, I write books but my main project is a show that’s sometimes semi-animated and sometimes similar to visual novel style dialog.

Some of the things I’m doing now are subtitles and narration that’s baked into the show itself, sticking to a simpler style of writing, and making it free to watch. It’s one part practicality and one part frustration at being told these things “ruin the experience” for others. Now they’re a core part of the experience.

But those are just the things I find personally helpful, I only have my own viewpoint. My question is what are other things I can do to make my story more accessible?

Specific things I’ve been struggling with are showing nonverbal communication (The narration covers a lot of this, but not enough) and conflicting needs. I know some things will help some people but hurt other’s experiences (ie, subtitles) which is a really hard thing to navigate! So advice on that would be helpful

Thank you!

- @interroblog

Hello lovely asker!

So I'm gonna throw out some ideas here at the start and these are in no way me saying "You have to do this". No, just me tossing some ideas out and maybe they hopefully help! 😁 Let's try this.

First off you also mentioned that it's part of your style in the way you're animating as well. I think if it's your style that you shouldn't have to change that either. It's both something that is unique to how you choose to do things and it also aids in accessibility. You shouldn't feel pressured to change it because some people find subtitles or Narration annoying. It ultimately comes down to how you want to do it, so again here are some things I could think of.

So if the site you're hosting your show on allows you to have toggle on subtitles and audio descriptions I would do that. If not what you can do is when you put your animation through you can have multiple. Kinda like with certain shows or movies you have a version in its original language and a version that's Voiced over with another language. If you want to accommodate your audience perhaps you can have a version:

Without any subtitles or audio descriptions

With subtitles

With audio descriptions

With both the subtitle and the audio description

Granted going this route may be more work than just doing it all together (I'm not 100% sure, I don't know animation very well) but it's certainly an option. I think the process of rendering and saving it at the end (having to do it multiple times) and in regards to space may be an issue.

Another thing you can do is write up a description transcript for each episode so that people can look at it for reference. Some people use screen readers or braille displays that read over this information for them if you're worried about the text itself. Here's a good example of one done from a DeafBlind film done in the 60's at Perkins [Warning for typical 60's language regarding disability]. It usually includes what an audio description would just typed out.

Another thing you can do is see and look around for anyone who is fluent in the local Sign language that your show is in and see if anyone could record and interpret it for you too, if you want to have that option for people as well.

You could also do kinda like comics and Manga do where they mark the sounds/actions on the panel/animation it self.

[Manga panel from the Manga "Shino-chan can't say her name"]

For instance in this manga panel there's no dialogue but the author gives us multiple cues which the translator also translates as well. There's the foot steps with the text getting bigger and bigger letting us know that the sound is getting closer and the direction, then in the next panel we have two exclamation points letting us know she's alarmed and aware. The text of the foot steps is now darker and bold and we see the streaks around the characters hands letting us know that she hurriedly wrapped up her box. Then we have the word "Sneak" in bold lettering against the wall where the character is pearing over.

Now I'm not sure what type of nonverbal communication your using so I'm gonna go over things a little vague.

Sign Language [Mostly in ASL because that's the sign language I'm most familiar with and can understand the most]

Here's two animations by @scoliwings and they're both in ASL and the way the person made them is with captions into the animation (also they're very cute and lovely). The show ThisClose also does this with their entire Pilot episode but then only does it with their ASL scenes moving forward in the series. The people who wrote and produced the show note that while they made the show surrounding the deaf community and about the deaf community they wanted the show to reach their hearing audience.

This scene that is with a translator has no captions whatsoever. While this scene between the two main characters using ASL does have captions. Then this one does have captions that go away when the characters communicate verbally.

This is a constant thing of multiple different medias is they kinda choose between which audience they want to pertain to. And whoever they choose, it usually ends up leaving the other out or not 100% involved usually at the fault of accessibility on streaming services/wherever the media is being hosted.

If someone Deaf/Hoh wanted to watch this show and there's no captions available on whatever platform is hosting it then it wouldn't be accessible to them. And if they are fluent in ASL, those parts have captions all the way through. For instance those videos on YouTube, not all of them are accessible because they don't have the toggle on Closed Captions. So the moments where there's characters who speak English and don't sign ASL, especially if the camera isn't on them when they're talking, it's just not accessible.

In the episode "Into the Mystic" on Supernatural, they introduce Eileen's character. This is the only episode that she uses ASL by itself, every other episode she is in uses SimCom and she code switches or uses English. Again captions are in the episode Everytime ASL is used except for scenes where she's signing in the background for instance this scene. From This Gifsets by @winchestergifs

[Gif of Eileen from Supernatural. She's sitting across from an older woman on a couch and she signs in American Sign Language "You" while pointing at the older woman, then she forms her fists into a 'S' shape one on top of another and moves them to the right, she then finger spells "Bait".]

It's never translated, not even in the script or the transcript. Even while this show is targeting their hearing audience they still gloss over things like this. (I also want to note that me and Mod Rock spent a while trying to figure out the second sign and came up empty handed as well 😅)

Now when it comes to Audio Descriptions, it's usually "[Character name] signs [dialogue in Verbal Language]". If it's the first time introducing the character or the character is switching languages, then specify what Sign language off the bat, ASL, BSL, ISL (SEE, SSE,) etc. It's the same as in writing that you write the character dialogue followed by "[pronoun/character name] signed". The shows that I know of that have characters using Sign language and have Audio Descriptions is The Boys (kimiko's scenes), ThisClose also has them, Bridgerton (episode 1 scene in s3, it's one scene in BSL but it's there!), and I'm pretty sure Echo does too (it should, I'm looking at you streaming service) but I've yet to watch that last one. Listening to them might help you with getting a grasp of writing them if you have any signing characters.

Ex. Eileen signs in ASL "You sure you don't want both?"

Another thing with Sign language though is body language and expressions and even things like story telling are there also. So describing an action can give a lot of context of feeling and what is going on in the scene. Here's another ASL animation that is in the works and they go more in detail of how they are animating body motion, face expressions and such. Craig of the creek is an animated kids show that also has BASL and ASL in it (and I love how they go about the characters dialogue, the signs are so well animated, and the friend translating and the others learning for him too.)

There's also Pro-tactile & Tactile Sign language. Granted I've never seen or do I know of a show/movie/short with pro-tactile in it or Tactical Sign Language but if anyone were to do that the audio description would probably be like "[Character A] puts their hands over [Character B]. [Character B] signs [dialogue]". That would be for the Hand over method which is Tactile Sign Language.

For Pro-tactile, this involves other forms of communication such as back channeling, mapping, haptics. It should be translated much the same I believe because these certain elements of the language are used to portray emotional tone, contact/interaction, as well as directions.

Here's some examples of pro-tactile and tactile sign language since I know it's not largely known: (all ASL)

Pro-tactile: Video 1 (Captions & No Voice Over), Video 2 (Captions & Voice Over) and it goes further into specifics of Hand placement, Back channeling while Standing & Sitting, Video 3 (Voice over & Captions). Here's five vlogs in PTASL also, no captions or voice over so Fluency in ASL is needed.

Tactile Sign Language: I was having a hard time finding videos (for some reason) but Here is a segment in a video where they show it. Here is another short video too!

Of course you don't want to describe every movement when it comes to Sign language but you want to describe the base movement. If someones Tracking, (this is where a person holds the wrist area of the other person who is signing so that it's in their field of vision) you might describe that before the dialogue. "[Character] puts their hands over [characters] wrist" and so on and so forth.

Haptics/Mapping may also be very similar but they're mostly used in describing the layout of an area someone is in, directions to somewhere, how to navigate the surrounding area. This is gonna be just explaining how they are moving. The same can be said with Visual Vernacular. It's movement to describe something or to tell a story it's not Sign language but a movement of general understanding. Here is a video where an interpreter details Visual Vernacular alongside ASL. Here's the one without the voice over as well.

AAC

The movie Come Play is a horror movie centered around a non-verbal boy with autism who uses an AAC app on his phone. His device is the one where speech is generated from the different buttons that correlate with the words he clicks. I couldn't find an example of an audio Description for this movie anywhere but it might be similar to the next example.

The Boys again also has scenes with Kimiko where she uses her phone to communicate and such. And the audio description usually sounds like "Kimiko types on her phone, it reads [dialogue]". The only difference in Come Play would be that the Dialogue wouldn't be narrated because it's already done so by the AAC device in the movie, but subtitles would be needed.

Speechless gives a lot of examples between low-tech and high-tech examples. This scene in particular where all the characters are in one scene. The main character (JJ) uses a laser pointer and a word/alphabet board with the assistance of an aid. In this instance the aid reads aloud everything that JJ communicates. If you're one on one though, much like with sign language, you wouldn't really read aloud everything they say especially if it's a private conversation. Instead the pov would probably show the characters AAC method they use whenever they communicate. For the audio description it might be something along the lines of "[Character] points and says [dialogue]".

I've never seen other types of AAC in media so it would probably be the same when it comes to Audio Description when describing another method like print on palm. it might be something like "[character] grabs their hand and writes [dialogue]".

In the show In The Dark the scenes with braille are described as "[character] runs their fingers over the braille, it's read [dialogue/text]". And on that topic, In the show All The Light We Can Not See, it has a really (really really really) good basis of what an Audio Description should be like. It also has multiple featurettes and an audio introduction with it that goes more in depth to explain the costumes, settings, the characters, and other visual information that is often important but left out in the audio descriptions due to the pacing of the show/film.

Immersion was the goal, much like with the production of Romeo and Juliet in PTASL that was performed. Introducing your characters and settings in a little short animation before hand or at the begining as a little segment may be something you can do/consider.

This video details some other forms of communication that I may or may not have left out (Auslan & Voice over). Finger Braille (Video of one handed with translator), Lorm Method, Touch Glove alphabet Method, and some other methods I think can all be described relatively the same. You want to describe the base action of what they're doing (writing, pointing, typing, grabbing, lifting, touching etc) and then focus on their dialogue.

Also I don't use any form of AAC to communicate so if anyone who does finds error, please correct it. Or even if there has been a discussion on this before among the community please reiterate or link to it so we have first hand experience and voices as well.

Known problems with audio Descriptions

Here's a Small history and more in depth article written by someone who needs audio descriptions. They primarily talk about its lack of rush to be used in cinema and primarily the UK.

Describing everything but the characters race: I've heard that this is an issue specifically for Netflix that the audio descriptions are good but they never mentioned the race of the character which some people have made note about. (I don't know much about this I will say just I've heard it around here and there)

Here is a post that goes more into detail about Audio descriptions as well by @accessibleaesthetics. And here is an all around really Good source as well called The Audio Description Project.

Forgetting character entrances & exits: This is important because people need to know what characters are in the scenes. Much like in a play with stage directions you need to know who comes in and when they exit.

Over describing/under describing: I read a debate about the use of over describing and under describing when it comes to AD's. The example given was when describing facial expressions. Option one is to just say "[Character] is surprised". Option two is to describe the facial expression in all its little details "[Character] opens their mouth, their eyebrows raised and eyes wide". Under describing in general seems to be a issue but when it comes to things like body/facial expressions it's best to keep it simple and to the point for another reason that I list down below.

Forgetting small details: the audio descriptions of All The Light We Can Not See, and The Boys do a fantastic job of small details. For others some things are glossed over but then don't make sense later on in the scene. For instance, if the character picks up a knife and this isn't narrated but then the part of them stabbing another person is then, it's kinda like "Oh well I guess the character picked up a knife at some point" but the exact moment isn't specified. In this article, the person who makes Audio Descriptions tells that he had described someone as Smoking a cigarette when he was in fact smoking Weed. He says the reason he realized the difference is because these are two separate substances that change the perception of the character. The little details matter because of the implications and importance to who is doing it and why, when gathering all the information and understanding a character.

Misnaming/mixing up characters: The same article I listed right before also says how mixing up characters is an issue sometimes too.

For audio descriptions in general I think listening to a few different ones might help with getting a grasp on how to do them/better do them. AudioVault is one place that if you can't find audio descriptions of your shows or movies, they might have it there. In this instance, maybe listening to your favorite movies or shows with the audio descriptions on might help you. Most shows/movies that are original to Netflix have them, the same with other streaming services like Peacock and Amazon Prime.

I don't use audio descriptions a lot because my tinnitus makes it difficult but I sometimes turn them on (when available) to understand scenes that are confusing to me. Certain actions and how the cameras frame them don't make sense to me sometimes, or even I can't see because of the lighting of the show or movie and so I need to know what's going on. This brings us to that beside people who are low vision or blind, many other people use Audio Descriptions for different reasons too. The same points can all be made for people who use Subtitles/closed captions as well.

Issues with captions/Things that need to be more common with captions

Names: Some captions have the names of the characters next to their dialogue. A lot don't do this. I think it should be done because of many reasons but mainly it makes it easier to follow along for everyone who uses captions.

Tonal Cues: As I mentioned before Tonal Cues in Captions would be so very helpful for a lot of people.

Don't censor: Don't censor swear words, slurs, anything, write it as it's said. Unless it's actually censored in the audio (which is usually done for comedic reasons) then do that.

Lyrics/music/background sounds: So not only making sure to include the songs that are playing over certain scenes but also making sure to include the soundtrack and background music that is playing. Almost every movie and show uses music as an indication for tone, often times characters or certain situations have their own theme too. These are all important to note when writing captions. The caption writers of Stranger Things did amazing when it came to background noises, writing every creak and bang is important especially if it's being heard and reacted to by either the characters or the audience.

Include language changes: This has long been an issue when you're watching something in one language and then when they switch languages it just says "Speaking in [language]". Instead write out what they said in that language. So instead of "Speaking in Spanish", actually write out "Sana sana colita de rana". If the character knows what they're saying because they speak the language you can also put another set of subtitles under it translating it. If you're doing a sorta comedic scene where the audience needs to know what is said but the character doesn't, then do the same, write it out in the language "Ay dios mio!" And then under/above it put the translation "Oh my God!".

Include different speech patterns: If the character has a stutter write it, if they're slurring their words together write it.

Auditory/Visual Learners: Some people just do better retaining and understanding information when it's in an auditory form. For some people, they're able to retain information more by reading it rather than hearing it as well.

People Who Have Trouble With Social Cues: Okay so a continuation to the "Over Describing/Under describing" bullet points above. For people who have trouble reading body/facial cues, the audio descriptions help by describing it as The character is happy, scared, shocked, surprised etc. This is part of the reason why it's best to use those words instead of describing every movement that goes into a person's expression/body language. Like wise Closed Captions with Tonal Cues would also help and serve much of the same purpose but those are rarely ever seen (in my experience).

Help People Learn The Connection Of Words And Actions: a lot of people are always learning new languages and being able to connect the word to the action helps with the understanding of new languages. Again the same for closed captions, being able to look at how words are spelt while listening to them helps grasp a better understanding.

Overstimulation: For some people looking and listening to something at the same time can be too much and it becomes overwhelming. I know I often turn off the sound to a lot of movies I watch and just use subtitles because sometimes commotion/yelling especially in like action movies is a lot. For some people, a lot of visual movement and constant rapid actions can be overwhelming as well.

Dark Screens: As I mention, especially more recently in the media industry, things are a lot harder to see nowadays. The same can be said with dialogue and why a lot of people may opt-in for subtitles and captions because things are just so hard to hear now.

The Busy Bees: Some people just like to multi-task and much like an audio book, you can do something (chores, crafting, homework etc) while listening to the show and not miss any visual information. Multi-tasking also helps some people concentrate better on what they're working on too much like music helps some people.

People With Other Medical Conditions That Make Viewing Screens Inaccessible: If your having a migraine or headaches, a screen is the last thing you want to look at, and for some people, noise is a trigger for them. They're also a known trigger for many people with epilepsy/seizure disorders. People who have photophobia also may AD due to the light sensitivity. People with ADHD, autism, Prosopagnosia, Processing Disorders, and many many other things that I can't possibly list them all, all may use Subtitles or AD's for multiple different reasons.

Okay, that was a lot, got a bit long, but hopefully I covered everything! Things could be more organized but it works so hopefully this helps! I'm not very familiar with animation so anyone who is, please feel free to add on in a reblog to share a few tips and tricks!

~ Mod Virus 🌸

#mod virus #and a very thank you to mod rock with the translating and helping with describing the AD on PTASL #writing descriptions #interroblog #writing audio descriptions #nonverbal representation

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musicalmoritz · 3 months ago

Note

Could you do more of the kids/ parenting head canons??? Can I ask for like Aoiaoi, Natsuteru and Kounene also yamabuki lemon as a single parent and whoever else you want??

Another one let’s gooooooooo

AoiAoi

• Out of every couple these two are the most likely to get married and have kids

• They would have an insane amount of kids. Like they’d be on the news for how many kids they have. Poor Aoi

• Buuuut she’s just as eager to have a house full of kids as Akane is. She gives them flower names and they probably have at least one Harry Potter ass kid who’s named smth like “Teru Nene Aoi.” She doesn’t have to be as strict with them bcuz Akane takes over most of the parenting, trust tho she’s still very involved in her kids’ lives. She probably has a binder to keep track of what’s going on with each of them

• I mentioned before that I see Aoi becoming a florist in the future, I see Akane becoming a therapist. He uses a bunch of psychology tricks to parent their kids, but he has a habit of using too many technical terms when he gives advice. “No honey, you just need to develop an internal locus of control.” The kids and Aoi are both very tired of it. He would absolutely love being a dad tho and be the biggest family guy ever

• They have a sign on their front porch that says smth like “Home of Aoi Aoi Aoi Aoi Aoi Aoi Aoi Aoi Aoi Aoi Aoi Aoi Aoi Aoi & Aoi❤️”

• Their home life is very chaotic and stressful at times but it’s built on so much love and dedication. Akane and Aoi are both living their dream lives (likely with a lot of nannies) (or with Akane quitting his job to be a househusband after him and Aoi rock-paper-scissored over who got to do it) (Aoi didn’t speak to him for a week after he won)

Natsuteru

• Oh wow it is hard for me to imagine them as parents

• I say they would have two sons (I’m loosely basing this off a series one of my moots @/teru.kisser made on TikTok)

• No matter who he’s with, Teru is gonna be a helicopter. His parental instincts come before anything else in his life so he fully dedicates himself to the kids. He either has some cool ass job like a private investigator or he’s a stay at home dad, no in between (no he’s not an exorcist in this I’m letting him be happy). He dotes on the kids all the time but can be overly strict in order to keep them safe

• Natsuhiko tries to be the fun dad but he’s so aloof that the kids don’t know much about him. Some kind of super secretive job. His and Teru’s parenting styles tend to conflict so they essentially parent separately. They argue a lot bcuz of their differences but they manage to make it work because both of them are deeply in love with each other. Their kids frequently question how they ended up together

• They take the boys to amusement parks a lot

• While the household can be a bit tense and they could definitely use some family counseling, they all love each other a lot. None of them know how to express it bcuz they’re all so secretive in their own ways but they care about each other more than anything. It’s a weird life but a charming one

Kounene

• Old married couple Kounene save me…old married couple Kounene…save me old married couple Kounene

• Two sons and a daughter. That’s the vibe I’m getting

• Kou has some deep-seated issues he’s unwilling to address but he makes up for it by loving his wife and kids Gomez Addams style. Mans is fully devoted to his family and he makes sure to tell them that every day. I might let him go the exorcist route bcuz I want to see him suffer a lot little. He’s there at every sports game his kids have yelling at the ref. He makes Nene breakfast in bed every morning. One thing abt Kou is he’s gonna spoil the ppl he loves

• Writer!Nene is still a thing in this universe, she has her own trauma and writes to make sense of it. She’s a bit better with the kids because when they need her help, she focuses more on understanding why they’re upset as opposed to Kou who solely focuses on solving all their problems. She has a hard time keeping up with all their extracurricular activities but she supports them nonetheless

• All of Kou and Nene’s friends admire them for being high school sweethearts

• They’re a stereotypical sitcom family. Corny life lessons at the end of each day. The kids get into shenanigans. They probably have a dog too, a golden retriever. It’s a whole bit

Single Dad Lemon

• I love this one, we need more single parent rep

• I’m gonna say he has a son

• I really want to go with some tropey story of how he was living a rough lifestyle and found a troubled kid that he had to look out for and eventually he had to fix up his life to adopt the kid bcuz they changed each other’s lives but would that be too corny?? Maybe he just up and decided he wanted to be a dad someday. Maybe his baby mama left him. You decide

• He would be one of those dads that acts like an older brother at times but in a good way. Instead of rising to his rebellious son’s bait, he meets him halfway, confronting him abt his bs without putting up with it. One of those parents you can swear around but he will throw in a half-hearted “Language.” It’s rocky at first but they end up super close, a rare instance of finding a parent who is genuinely your best friend

• Their house is a mess but it’s a home <3 Similar to the Kounene family they’d probably have a sitcom type lifestyle, the Boy Meets World to Kounene’s Full House. The kid throws a party while Lemon is a way and they have to have a heart-to-heart about it. Cue the tears

I hope you enjoyed these, I had a lot of fun making them!! I’m pleasantly surprised I’ve gotten so many asks about this, I thought most fans hated fankid stuff so I’m happy to see I’m not the only one who like to imagine what these characters would be like in the future

#ask #ask me anything #lemon yamabuki #headcanons #aoiaoi #natsuteru #kounene #aoi akane #akane aoi #kou minamoto #nene yashiro #natsuhiko hyuuga #teru minamoto

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ggukkiedae · 10 months ago

Text

Yoonmi’s Relationships with BTS

(updated as of february 2024) (mentions of hangouts are all indicating before the members’ enlistments)

JIN (Kim Seokjin)

Since Yoonmi had become an adult, Seokjin had taken to treating her like an equal and rarely using his “oppa” card, which is a stark difference from when she was younger. Yes, she still goes to him for advice, and he is the one who still helps her with adult matters such as bills and taxes and lifestyle, but he also becomes a friend that she can mess around with like she’s with other friends around her age. In his mind, she still is a baby, but he understands that she’s matured, wants to be seen as more mature, and that she’d still see him as a parental figure no matter how old she gets. He likes to think this is her finally acting out since she’s always been a good kid.

Jinmi in ARMYs’ eyes: They enjoy witnessing how Seokjin always “cries” about how she’s grown so much. The shift in their dynamic was over the pandemic, and suddenly everyone could see that Yoonmi was more comfortably roughhousing with Seokjin, and he was responding more like he would to Jungkook rather than his previous shrugging off and fond smiles. Seeing them become more like similarly-aged friends really made ARMY realize how she had grown.

Iconic Moment: It was revealed through the BTS documentary on Disney+ that Yoonmi was the one who initially started cutting his hair off. She was given the shears by her stylist, and she was so hesitant while Jin just kept encouraging her with “How will I know if I look okay bald unless you start?”. So she cut his hair, only getting distracted a small bit when Yoongi and Jungkook came, then listened attentively as their stylist carefully explained what to do with the electric razor. She, with assistance from the stylist, evened out Seokjin’s shave until she stepped back, staring at him. “It looks good.” “Of course it does, look who you’re talking to”. The video cuts there, but the next of her seen in that context has teary eyes and is gripping tightly onto Yoongi’s hand.

SUGA (Min Yoongi)

Yoongi is still very much her dad, that never changed The only thing that changed over the years is how they both actually address the fact that Yoongi is her father figure, second only to her adoptive father, and on level with her adoptive brother. Even the other members sometimes address Yoongi ad “Yoonmi’s dad” at this point. Yoongi and Yoonmi remained each other’s silent comfort person, the person who takes their side and hears them out first, and the person who they can go to when they feel overwhelmed. He’s there to hold her hand when things go wrong, and she’s there to give him a hug when things don’t go as planned.

2yoon in ARMYs’ eyes: Yoongi and Yoonmi is everyone’s comfort duo. When they’re together, there’s an air of warmth and calm, so everyone feels better after a long day when they watch 2yoon content. They find Yoongi’s care and the way Yoonmi looks up to him to the point of taking after him endearing, especially knowing Yoongi is the one Yoonmi never fought after their mysterious conflict in 2018.

Iconic Moment: Yoonmi went to all three days of the D-Day Tour finale. She, of course, did her feature on ‘Seven’ for Jungkook. During the ment where he kept them with him on stage, he thanked and praised Jungkook for ‘Burn It’ and ‘Seven’ before turning to Yoonmi. “And our princess, my daughter. She has something coming out this month and surprisingly didn’t want to spoil it—” “Surprisingly?” “— so she had a special request. As you all know, our Miya did the demo vocals of one of my previous mixtapes. I got to perform this song with our vocal line, but never with our princess. Until today.” So they performed ‘So Far Away,’ and the proud look on Yoongi’s face by the end as he looked at her made every ARMY feel like their troubles all disappeared.

J-HOPE (Jung Hoseok)

Hoseok and Yoonmi treat each other like their own personal powerbanks. They could be tired, but, once they’ve spent time together, their energy levels go up. Yoonmi says that’s why she gravitates towards Hobi when drinking, because she’s usually a sleepy drunk. They like to escape together, as well, hanging out in the practice room or either of their studios where they experiment with different styles, genres, or just mess around to fuel their creativity. Of course, Hobi never stopped seeing her as his little prodigy, teaching her old school hiphop and openstyle dancing and watching her proudly while they learned new styles together.

Homi in ARMYs’ eyes: The two sunshines, that’s what they’re known as. Hobi brings in bright energy while Yoonmi makes everyone smile, making them everyone’s favorite duo to turn to when they want to laugh and get a pick-me-up. ARMYs love seeing Hobi treat Yoonmi like the little sister he’s never had but always wanted, too! Everyone knows both Hobi and his noona see Yoonmi as their youngest sibling at this point, which is why she even got Yoonmi to sing in her wedding reception.

Iconic Moment: Yoonmi vlogged her Lollapalooza experience, so some behind the scenes were uncovered there. Hoseok got Yoonmi to rehearse Chicken Noodle Soup with him while they were waiting for Becky, and the two ended up having so much fun that the band kept vamping the song, making it longer so the two could enjoy their mini cypher. “Oh, Yoona, you haven’t forgotten your basics!” “I have the best teacher!”

RM (Kim Namjoon)

It used to be just Namjoon sitting to absorb and analyze the way Yoonmi’s mind works when they’re together. Now, she does the same to him, curious about his inner thoughts. They spend a lot of their time together having deeper conversations, whether it be about life, work, music, or just their thoughts. On the other side of things, they’re both clumsy dorks who geek out over their recent reads or watches together, actively showing interest in each other’s preferences because Namjoon wants to stay as someone who understands her almost best and Yoonmi wants to stay someone he can be proud of. Especially with Yoonmi, she wants to make her leader proud of her.

Joonmi in ARMYs’ eyes: Though ARMY initially thought they were awkward, that image disappeared. ARMYs see Joonmi and see a little sister looking to her older brother for validation, and him happily giving her that validation. ARMYs also enjoy the fact that these two together can go from 0 to 100 real quick, on any end of the meter. From just having lunch they can either go to talking about their plans for the future to being stuck in a laughing fit on the floor over a plastic utensil they’ve broken.

Iconic Moment: During the live with just the five of them, Yoonmi was a lot quieter compared to how she usually is. Namjoon kept glancing at her and tapping her leg to get her to talk. At some point, he bent to whisper something to her, then, when Taehyung opened his mouth, Namjoon quickly pushed a piece of pizza there. In his efforts to do so, he knocked over three cups. He looked at Yoonmi, who was now laughing, and he just nodded at himself in satisfaction.

JIMIN (Park Jimin)

Yoonmi has not changed in Jimin’s eyes in the way that she’s still his youngest Busan Baby. Whenever she tells him she’s an adult now, he always pouts at her and goes on a spiel about how she’ll still be his baby even when they’re in their 80s and beyond that. He invites her over to his apartment a lot, or he just stays at her’s (partly because Jungkook and her niece are usually there as well) because he genuinely enjoys her company and being able to sit with her. He also takes every opportunity he can get to give her princess treatment because he believes she should always be treated like Bangtan’s princess (even though she’s trying to shake off the delicate image that had somehow formed over the years)

Minmi in ARMYs’ eyes: Minmi are both very very affectionate, with their habit of holding onto each other unknowingly. ARMYs have so many compilations of them sharing the tightest hugs or exchanging the softest forehead kisses, naming them the mythical siblings due to the way they treat each other. Everyone also loves how these two speak either in pout or in giggles, no in between!

Iconic Moment: Nobody thought Yoonmi would be able to make it to Jimin’s fanmeet due to her solo promotions, but, while he was going to take a photo with the attendees, the “staff” who came on stage removed her padded long coat, revealing Yoonmi. ARMY started cheering while Jimin’s jaw dropped, then he rushed up to hug her really tight. “Yah, how long have you been here?” “The past hour? I had this in my schedule, oppa. You didn’t think I would miss your documentary screening, did you?” “You’re really something else, aegi.”

V (Kim Taehyung)

Taehyung and Yoonmi both matured a lot more visible than the other members, so their dynamic shifted a little bit from overly-doting big brother and complying baby sister to a pair of siblings more along a similar wavelength. While they’re still quite playful and he still dotes on her, their age gap isn’t as prominent in their actions. It’s clear that they both see how each other have grown, and it’s something they like to just observe when they’re with each other. They’re proud of each other’s growth, but more proud of how they managed to keep their friendship completely intact despite both of them changing over the years.

Taemi in ARMYs’ eyes: Taehyung and Yoonmi started posting more content together, which everyone enjoyed since they used to keep their off-screen friendship mostly to themselves. Now ARMYs enjoy seeing their posts when they meet up to go to jazz clubs, have coffee, or just do anything together. ARMYs also love seeing how they shifted from over-excitable kids to more mature youths who support and take care of each other.

Iconic Moment: An ARMY saw them in a jazz club together. Allegedly, there were a few cocktails on the table, and the two of them seemed to be exchanging stories the entire time they were there, never once letting there be dead air. Apparently Tae also tried to play the saxophone and let out a really out of tune note, but Yoonmi just cheered him on. The ARMY was able to take a picture with them, saying that they were both happy to see her yet politely asked to not post anything while they were still there. She promised, and the two were said to have continued their night of stories and jazz music.

JUNGKOOK (Jeon Jungkook)

If anything can describe these two, it’s the phrase ‘ride or die’. Yoonmi and Jungkook would drop everything if the other called them and said they were in need. Almost thirteen years of friendship and growing up alongside each other really molded them into being two peas in a pod, especially since they both hit their twenties. They would see each other every other day and talk to each other at least once a day. Jungkook had gotten less overprotective (especially now that she has a boyfriend), and he has increased his role as the main mythbuster of Yoonmi’s delicate image. Yet, even with all their bickering and squabbling, they remain each other’s support systems and hypemen, connected in a way where they can work with and around each other without even needing to talk. Their friendship is further solidified by their matching tattoos (aside from the group’s matching 7 tatts) which they successfully kept between themselves for over a year. (The only people who saw these right after they got them were Mark and Namjoon. The tannies found out by accident)

Jungmi in ARMYs’ eyes: Ever since Bangtan first debuted, Jungkook and Yoonmi’s friendship has been something so many people, whether ARMY or not, have admired and set as a standard or wish for in their own best friends. ARMYs specifically love how they’re not afraid to roughhouse or bite back at each other but still have each other’s backs no matter what. Also Jungkook biased ARMY all have Yoonmi as a bias wrecker or vice verse because of the amount of content these two have and the amount of time they spend together. Everyone already knows when either of them get married Yoonmi would be Jungkook’s best man or Jungkook would be her Maid of Honor.

Iconic Moment: Jungkook hosted one of his early morning Weverse lives from her kitchen, cooking himself something to eat. At around four AM, the sound of a door opening and closing made him look to the side where he froze and smiled brightly. You hear her go, “Oppa, again? When did you get in my house?” and he just, “Three hours ago. Ramen?” “I’ll just grab some water and go back to sleep. Don’t wake Yoonseol.” And everyone was surprised. It was common knowledge that they went to each other’s apartments often, but they just revealed Jungkook goes to her place just whenever he wants because either he knows the code or has his fingerprint in her lock.

-previous-

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jamiesfootball · 1 year ago

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After careful consideration and a lot of angry tags, I think I have pinpointed for me where Ted Lasso, especially season three, fails to succeed all the way at the themes it explores.

The narrative uses the deconstruction of toxic masculinity to paint their characters as being stronger for having let go of their preconceived notions of acceptable behavior - but the narrative also never lets their characters be weak or fragile without having toxic masculinity to blame. And there are a lot of situations in this show where you would expect someone to go ‘hey man, are you okay? Are you doing alright? because that was a shit thing that happened. it’s okay if you’re not okay.’

And it never does.

There’s an undercurrent in how scenes play out that suggests that the male characters should be strong enough to deal with hand they’ve been dealt. The narrative suggests that they’re the ones who need corrected. They can act better, but they can not be treated better themselves as a result. The male characters are allowed to express themselves, but they are not allowed to ask for anything back from the situation.

Which is why you can have a fight with your assistant coach, but when he comes back to apologize you don’t articulate how it made you feel. You don’t tell your friend how he hurt your feelings. You just accept it and move on.

The Diamond Dogs give advice on how to handle external problems with emotional roots. They never discuss how they feel internally on its own merit.

The closest we got to a male character just having a bad one and expressing it without a clear source of external conflict? Jamie in the boot room. And that was played for laughs.

Which is why you could be in a deep depression over losing your career of twenty years and part of your mobility, I guess. But also maybe that’s a problem of you not being able to let go, and maybe you should apologize for not moving on sooner? We should pity Roy for getting so stuck in his own shit all the time. Not because the man has lived an incredibly stressful and emotionally isolated life in a high pressure environment for so long he doesn’t have the tools to deal with it, but because the narrative would like us to know if he just stopped getting in his own way all the time, this wouldn’t be a problem.

Is your ex-wife seeing someone else, who happens to also be the person who was your marriage counselor? I don’t know man, relationships are hard. Don’t worry about how hard that must have shaken your trust in a profession that already made you feel skittish. Maybe you should stop obsessing over her and move on.

Your girlfriend can tell all your friends and coworkers how you’re too smothering. Yes, this is the ‘learn how to communicate better’ show, but that was on you, really. Good on you for apologizing for smothering her.

The women may have worrying relationships with people who love bomb them or turn out to be controlling, but Jane and Beard are just a bit weird. Don’t worry about it, Higgins.

You can take accountability for your actions, but if it was your email who was hacked - who cares? You apologized, and everyone is very proud of you. We won’t ever bring up how incredibly mortifying that must have been for you to realize, because something more mortifying happened to someone else.

You can show your emotions, but not the angry ones, not the bad ones - those you should get a hold on, no matter how warranted they are. The stronger you are, the more divorced from toxic masculinity you are, the less those things should matter.

Struggling with your abusive dad and how his relationship with you has literally scared you so badly that you keep looking over your shoulder, afraid he’ll be there? That is clearly the anger talking. This is definitely not a situation that calls for your pseudo-father figure to put his hand on your shoulder, look you in the eye, and say, “i’m really sorry to hear that, son, but you know we got your back. Ain’t nothing bad gonna happen to you while we’re here.”

No no, this is a you problem and you can correct it by forgiving that man who hurt you. In fact, you thank him for motivating you. It was the anger that got you this far. It wasn’t getting up at 4am every morning for extra training. It wasn’t your mentor, the one invested all his time in helping you. It wasn’t the coach who gave you a second chance when you blew your whole life up to get away from that man. It wasn’t your own drive and passion and love for the sport that pushed you towards succeeding in a career you only had a one-in-a-million chance of ever getting. No, it was the anger that carried you. You should let that go. And hey - what if hypothetically speaking, he might try to be better too one day? You can’t hold it against him. You should let that go too.

Breakdowns and displays of crying are fine, but expecting people to care or show concern afterwards? The narrative doesn’t know her. The narrative will not validate that. We don’t see what happened after Wembley. We don’t see what happened when Isaac came back to the locker room after blowing up. What the show will validate, however, is moving on. Just be a goldfish, or forgive and forget.

And finally-

Embrace your feelings, but not too hard - you can’t be trusted with them, actually.

Can you imagine that we actually got a scene of Roy telling Jamie that he was worried if either of them pursued Keeley it might ruin their friendship? Can you imagine? From the beginning they have butted heads. From the beginning, Roy has struggled to actually articulate his feelings, especially to the people they involve. And here is Roy doing exactly what the narrative has been teaching him to do - he voiced a feeling that was bothering him to the person who was involved in the problem. Unprompted. He did that on his own. After three seasons of being told that is what he should do when he has a problem, that should have been the moment of narrative reward. That would have been the audience’s release of tension: they’re still at odds, they’re still the same bull-headed people they’ve always been, but they’ve learned to talk about it. No matter what happens next, at least, they’ve gotten this far.

Instead the narrative rewarded him, and us, by having them fight it out in a back alley. Because they’re idiots, and they can’t be trusted to handle their feelings without someone else in the narrative (Keeley) setting them straight.

Yes, people backslide in real life all the time. But when the narrative backslides at the very end of the story - that’s just nihilism. That’s what this felt like - all that progress and promise that you can be better, and two of the people who struggled the most tripped at the finish line. The audience don’t even get to see them pick back up. I mean they’re fine now, I guess. They went for kebabs. I have to assume it worked out. I guess after that they found a way to be happy, but I would have preferred to see them find a way to be happy by way of their own actions. Not in a fanfic. Not by way of imagining how it went afterwards. Not by what’s implied in a montage. By the story actually showing me they could get there on their own.

And the worst part about all of this is that when the show gets it right? It fucking sings. The team coming together to repair Ola’s? That sings. Ted’s ‘ain’t nobody in this room alone’ speech? Wonderful. Trent telling Colin that ‘some people need time to adjust; it’s not fair, but they do’? So delicately wielded, so painful. Beard’s speech to Nate about stealing a loaf of meth? Chef’s kiss. Ted forgiving Rebecca when he learns why she brought him to coach Richmond? The tears in his eyes when he tells her ‘divorce is hard’?

The hug at Wembley.

That’s what I wanted, from start to finale. When the show knew how to wield its empathy, it wielded it like a knife, cutting into the deepest parts of your heart.

Which is why when it does mess up, it hurts so much worse. Because by season three, the show has sunk so far into the deconstruction of things that it’s forgotten that what it fixed were not the only problems those characters ever faced. The show zoomed in too close on the themes. It forgot that at its roots, the its biggest strength has been its empathy. And that to me is where the show failed.

#i am upsetti spaghetti #and this has been rolling around in my noggin since the finale so- here #ted lasso meta #people don't care when bad shows mess up #they care because the show was good #oh and because i can't say this enough #fuck jamie's dad #i'm all for forgiveness and fuck jamie's dad are two sentiments that can should and do coexist

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i-never-forgot · 6 months ago

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thinking about dusknoir. (again.)

thinking about dusknoir sitting back once he’s (presumably) released from dialga’s service and feeling lost. thinking about dusknoir wondering what on earth he’s going to do now that he’s free and still alive with a big bright beautiful world to explore. thinking about how intimidated he would be at the thought of facing the repercussions of his actions but willing to embrace it since he was given a second lease on life. thinking about him not expecting to find forgiveness from those he hurt for so long—but grovyle and celebi are far kinder than he deserves and he spends much of his time trying to earn it despite them telling him he needn’t do so.

thinking about how dusknoir just about kills himself trying to repay all the debts he feels that he owes. thinking about how he doesn’t really know how to function in a world that isn’t decrepit and dangerous. thinking about how grovyle and celebi have to remind him that they’re not really sure how to navigate it either but they’re all in it together, for better or for worse. thinking about dusknoir realizing at some point that he doesn’t need to put on airs anymore, that he could just be himself—that how sincere he was while in the past could translate now.

thinking about grovyle and celebi slowly learning the real him, beneath the mask and the bravado and the fear he’d clung to for so long. he’s courteous, he’s considerate, he’s kind—and his knowledge and experience certainly help them immensely while they travel. he grows protective of them so fast they’re suffering a little bit of emotional whiplash, seeing how ruffled he gets when strangers approach and he’s gauging whether they’re friends or foes. (arceus help anyone that decides to attack, rob, or deceive them—I don’t know of anyone who’d wittingly incur the blinding wrath of a 7’3” mercenary ghost-type.)

thinking about dusknoir taking the brunt of hits in mystery dungeons without flinching, not even hesitating to put his own health and safety at jeopardy for their sake, since they’re more prone to type disadvantages. he seems surprised when they do the same for him or scold him for putting himself in danger, not thinking for a moment that they’d be concerned for him still, after everything he did. it’s an adjustment they all have to work through, and he discovers that it feels…nice, to be fussed over. really nice, like he was worth something more than the blood he’d shed.

thinking about them being reunited with lu, seeing him older and wiser and settled. grovyle and celebi are overjoyed and dusknoir is exceedingly glad (if overwhelmed) to see the boy all grown up and prospering. lu almost attacks him but listens to grovyle and celebi’s reasoning, thankfully. it’s a slow and painstaking process, but they make up with time. eventually lu admits without as many words that he looks up to dusknoir as a father figure. after that they grow closer than ever and if dusknoir thinks about it too long he starts to tear up (no he’s just got something in his eye look away).

thinking about dusknoir having such conflicting feelings over eliana not being there—relief and disappointment in equal measure. he wants to reconcile with her like he has with lu, but at the same time he’s terrified of facing the layers of complexity that colored their relationship. he considered lu a ward of sorts, an apprentice, someone to give advice to. but eliana was his equal, his contemporary. he respected her more than even chatot or wigglytuff. she treated him like a normal person and for the first time in his life he knew what it meant to crave domesticity. she almost made him consider altering his ways—and that’s what had made her so dangerous. he wants what they had back so badly, but he knows that she has every right to hate him and never want to speak to nor lay eyes on him again.

thinking about them forming an exploration team. thinking about them deliberating over a name for several days, grovyle struggling and celebi arguing and dusknoir finally proposing ‘sunrise’ since it was so integral to all of their lives (but especially his in particular). they agree unanimously and it’s set in stone, and grovyle and celebi are a little surprised by his capacity for poeticism. they primarily take rescue and criminal apprehension missions and work up the ranks quickly. their name becomes revered through the whole continent and even the most hardened criminals hesitate to commit crimes anywhere relatively close to treasure town. (it doesn’t matter. they still hunt them down. they enjoy traveling, so it gives them an excuse to do so. dusknoir can keep their bounties in his belly so hauling them back in to Magnezone is no issue.)

thinking about how time passes. thinking about how he grows comfortable in his own skin, how he starts to heal and learn and grow, how he comes to he understand what it means to be (mostly) at peace with the world, with those for whom he is fondest, and himself. thinking about how he doesn’t feel any true closure until he can reconcile with eliana. thinking about how conflicted he feels just at the thought of seeing her again, but how badly he wants to. thinking about how he would dwell on it for so long that he’s surprised when she actually shows up.

he doesn’t fault her for attacking him, for mistrusting him, for not wanting to be in the same vicinity as him. but he tries—by Arceus, he tries so hard to win her back over. he craves her good opinion so terribly bc she was really the one that started his journey to redemption. he remembers those lengthy conversations and late nights researching (even if, by then, he’d been in the middle of realizing his plot—but it hadn’t been easy by any means, admittedly) and wants for nothing more than for her to confide in him again. he’ll take what he can get, but…perhaps he goes a bit overboard.

he does everything he can to help her around her periphery that wouldn’t immediately set her hackles to rise. he leaves items or books for her to find, keepsakes or rocks or flowers that remind him of her. he offers to help her when she needs it but backs off when she inevitably refuses. he doesn’t protest when she insists on exploring with grovyle or Celebi instead of him even though it might be more convenient (or safe) sometimes. he takes her passive-aggression and snide remarks and hostility without a single complaint, even when grovyle tries to intervene or mediate for his sake. he feels he deserves it. if it’s part of his reparations to pay in letting her work out her anger, he’ll endure it gladly.

and once he does win her trust again, he’s all in. he cares about all of them, but especially her, so so much it aches. he would sooner die than see her come to harm ever again. he’ll spend the rest of his life making sure he earns it over and over again. she’s worth that and so much more to him. she changed him, for the better. he owes her his life, everything.

#this is #ao3: in the morning light #centric but maybe other people will like it too #idk man I just have so many feelings about this guy #pokemon #pokemon mystery dungeon #explorers of sky #dusknoir #fisara’s scrawlings #meta #grovyle #celebi

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