#and they weren't in my drafts

[hisdarkconsort]

[mellohiizz]

found a sketch and decided to finish it... i think i had a moment where i was thinking a lot about uu ken and wifies and this was how i coped

[jellicle-chants]

Casa Mañana CATS Show Notes

I am seriously so glad I got to see this amazing show in person! I have all of my detailed song-by-song recollections under the cut, but up top I just want to shout out @miasiegert's AMAZING costume and wig work, it was such a pleasure to see the bright colors for myself (and the wigs are just so poofy y'all wouldn't believe). Congrats to the whole cast and crew for making this show come to life, it was really something special.

Before I start, I feel like I need to preface this whole thing by saying that this was my first time seeing Cats live, period, and I also only saw this show once, so if I remember something wrong it's because half the time I was desperately trying to get any actor to make eye contact with me lmao. Also if I don't mention something you're curious about, feel free to drop me an ask or just reply with whatever your question is and I'll try to answer as best as I can! I also still haven't seen all the show footage online, so IDK what's common knowledge or not. I'll put a heading for each section so you can skip around if you want.

Jellicle Songs through Invitation

Sadly, the overture had nothing special going on :(

Jellicle Songs opened with a human worker at the stockyards being watched by the cats as they came onstage one by one, before she "turned off" the lights and left

The singing only started once she left and the lights turned back on after "can you see in the dark," which I thought was a really novel and fun interpretation of the lyrics

Since the cast was limited, Jellylorum sang all of Cassandra's lines, and Jerrie and Teazer picked up the twins' as expected. (They have Jelly listed as "Jellylorum/Cassandra" in the program but it's not a split track or anything, she's just normal Jelly singing Cass' lines)

The "flying trapeze" was replaced by some sort of leather harness(?) on a rope that the actors would stick one foot in and swing on (I have no clue what it actually is but Misto uses it during his song as well. Maybe a stirrup to cat-scale?)

The boot drop was replaced with the railroad crossing light going off, which I was hoping for ever since I saw it before the show

They made the "mystical divinity" section a bit of a national anthem analog, with the actors putting hand over heart and the two big US and Texas flags coming out

Naming went pretty much as expected. I'm not really a fan of when productions overemphasize pointing out who is who and I didn't notice it here, so that was appreciated (although I did think Skimble was Plato for most of the show, so maybe I need it more than I think lol)

Jelly and Gus had a cute moment during "some for the gentlemen, some for the dames" where they did a little bow/curtsy to each other

Victoria's solo was split up among all the girls one by one, starting with her doing an abridged White Cat with a pink cowboy hat

The hat was quickly stolen by Teazer, and they had a little fight over it which Jenny had to break up (loved the bratty vibes of this moment, which was their only big interaction I noticed)

Eventually it got passed along to Demeter, who seemed hesitant to take it, but was urged on by the other girls.

Going into the invitation/Munk's monologue, Raphe played him as serious and dramatic as ever (minus the accent), which was a departure from the other actors who tended to play a bit looser and more relaxed. (Not a slight against anyone of course, it was just interesting to observe.)

Gumbie Cat

Before the song started, Munk got a little distracted with a big spool of rope he was playing with 🥺

The same thing happened with Jenny and one of the hanging string lights on the walkway at the back of the stage during his first verse, which got a big audience laugh

As the trio were getting set up, there was a little (staged) moment where Deme fell over and had to quickly sit back up, which added to the idea that she was supposed to be a new member of the tribe and a little unsure of herself

Jenny's tap costume was SO cute, and she kept the US boots on for the rest of the show, which is a good way to identify her

I was definitely surprised that the cast soft-shoeing in their boots (instead of using tap shoes) was audible from the audience, but it worked like a charm!

Munk and Jenny had a little duet at the end (not quite a tap-off like it used to be, but from what I've seen of the recent Oasis prods Munk doesn't get to tap at all :( so it was nice to have him involved)

The song ended with Jenny going "thanks, y'all!" which I am formally requesting become the button for all non-British versions of the show from now on

The Rum Tum Tugger

The staging and setup of this song was pretty much as normal, but as with all good Tugger stagings, the real gems are from the rest of the cast's reactions

Demeter was very into it and leaned over to tease Misto a couple of times, who was very flustered and kept throwing his hands over his eyes — he delivered the "terrible bore" line like he had something to prove. (I didn't know about the cast headcanon until after the show, but from what I saw, you could read his actions as romantic or "ew Dad, gross" equally easily depending on your preferences.)

Deme almost got a moment with Tugger before Bomba cut in on her

At some point Jenny snuck back onstage to "nap" through the rest of the song

Surprisingly, they didn't go with the overexcited kitten gag — I thought it would've fit great with the setting, but I'm sure they had a good reason to cut it out

Grizabella

Rumpleteazer was the last one of the kittens to approach Grizabella (she was a little more timid, I think she was meant to be one of the youngest) and Griz delivered the first verse of her song directly to her as she was shivering in fear on the ground in front of her. Afterwards, she ran over to hide with her brother — I also saw Jenny huddled over Misto and Victoria

Old Deut made a surprise appearance to lead Griz out with a handkerchief over his hand (which I thought was about the "no touching" thing but he also did it at the end, so I'm a little puzzled about that)

Bomba put her hand on Deme's shoulder for comfort as she was leaving

Bustopher Jones

This song was literally so funny, y'all. They made up for the lack of lyric changes (none of the place names were changed) with a bunch of physical humor and gags that were pitch-perfect to the Texas vibe

Everybody was split up into little groups that each wanted to give Bustopher their food (or at least Jerrie and Teazer, who had the corn dogs, really did)

The first thing he picked up was a Whataburger cup from Munkustrap — for those not in the know, Whataburger has basically the same cultural relevance in Texas as In-n-Out has in California, except you can only get it in-state

I'm so sad I got spoiled about the Real Corn Dogs, because watching him take a bite out of them onstage(!!!) was a thrilling experience

Mungojerrie & Rumpleteazer

The song started started with them coming out from behind the cat wanted posters on either side of the stage and sneaking towards the middle (including a moment where Jerrie stuck only his leg out from behind a post which was a great image)

Their solo costumes (raggedy overalls with a bunch of mismatched patches) were so cute

Behind the low wall at about mid-stage were a couple of trampolines which the actors used to do fun tricks and bounce in time to the music. I get the feeling the actors weren't as acrobatic (or the cowboy costumes/boots didn't allow that) so this was a great way to introduce some big energy to the number in a different way

After getting off the trampoline, they did a bit sitting on the edge of the wall where they stacked their legs threaded over each other (I'm bad at describing it but it's like when you and a friend try to stack your fists/hands alternating between each other)

At the end they pulled out a barrel and laid it on its side — both my sister and I thought they were going to walk around on top of it, but instead they made a seesaw with it which was also fun

The barrel ended up having some kind of illusion from which they pulled two big foam cowboy hats (in Texas colors of course). Honestly I'm still not sure how they pulled it off

Surprisingly, there were no loot bags (I think they were supposed to be more like rascals or kids goofing off and trespassing than actual thieves), so they skipped the playoff entirely

I think this was one of my favorite songs of the whole show. I really like this song when the actors are doing something every beat, and I honestly don't mind big props/gimmicks like these as long as they don't take up the whole song. This version threaded that needle really well and it was a great time!

Old Deuteronomy through the Jellicle Ball

Not much to say about Old Deut's song. I did notice a lyric change to "married nine wives" but I think that seems to be par for new shows post-2019?

After the pre-ball Macavity scare, Misto and Vic were huddled together downstage right and Sillabub downstage left to segue into the Song of the Jellicles

Tugger got the line "Jellicle cats are rather small" because there was no Alonzo, but otherwise I didn't make notes on who got which line

The ball had a lot more partner dancing than usual (no lifts unfortunately), which fit the theme really well! I don't know much square dancing lingo but I definitely saw them do a grand left and right at one point, I'm sure there was a lot more but I was too awed to really be picking things apart lol

They did pantomime tipping cowboy hats (which I hate a lot less than the weird crown pantomime Andy came up with, mostly because it's already a thing in Western dancing)

I think at one brief pause there was a small Skimble/Victoria moment? (This may have contributed a lot to the Plato mixup lmao)

There was a whole section where Old D stepped down and everyone was trying to reach for his handkerchief as he waved it around (and yeah, still don't know what was happening with that whole thing, sorry y'all 😅)

At the end of the ball (I think at the "Ecstasy" cue if you're familiar with Gillian's choreo names) the lights swept up over the audience like a field of stars and it was honestly the most magical moment ever

Memory (first time) through Moments of Happiness

For some reason in my program they have "Grizabella: The Glamour Cat" listed as "Entry of Grizabella" and Glamour Cat moved down to where this first Memory iteration goes, which gave me false hope that they were going to do the Jelly reprise. Very mean >:(

Before Griz came out, Old Deut almost presented Victoria with the pink cowboy hat from the white cat solo (which I think means she was about to be the Choice), but then she saw Griz coming and everyone got scared away

I feel like there was an extra 8 or 16 counts of dancing music for Griz before the song started, during which she did part of the partner dance choreo from the ball by herself :(

They used "silence" instead of "midnight" which I'm so mad about (ALW I'm gonna get my revenge one day just you wait old man)

Korie is such a beautiful singer, like he really fits the role to a T. Very old-school brassy bari/bass voice, a lot like Ken Page

Since there were no twins, Sillabub just got up and sang on her own, but it wasn't that jarring

At the end of the song, Rumpleteazer got a little sad and slid over to snuggle up at Old D's feet

Gus the Theatre Cat

Before you ask, yes, I did cry a little at this song (knowing that Michael had played Gus before back during the first Broadway run made me tear up, ok?)

Before the song started, Jelly gathered all of the kittens in front of her (unfortunately with the way the blocking ended up Gus was right between us and her for a lot of the song, but he had a much bigger stage presence than replica Guses so it wasn't a big loss)

As Jelly was beginning the first verse, Gus came onstage with a guitar, which he fake-played throughout his verses

Munk got to be Gus' friend at the pub, and they had real beer bottle props which was literally the cutest thing ever

During Gus' verses Michael sang with a much more lyrical tone than normal (as in he was really singing, not talk-singing), and the country accent really fit well with his song

At the Firefrorefiddle part Munk came back and handed Gus an actual fiddle, and how has NOBODY done this before??? It was literally so perfect y'all (I don't think the instrumentation was even changed but it just felt like the exact right thing)

I remembered to check back in on the kittens during their little moment, Rumpleteazer was aptly offended/embarrassed

One of the best lyric changes was definitely "in the days when Hank Williams reigned," I have a feeling if they could have changed more they would but alas

Between the end of the normal song and the lead-in to P&P, Gus ate up the applause (there was a lot!) and sang the next verse like it was an encore

Pekes and Pollicles

Not sure if this is as expected, but Gus sang "the awesome battle" instead of awful (and there was the "heathen" to "foreign" change that I've discussed elsewhere)

Before getting into full Rumpus Cat gear, Gus was dressed as a football referee (complete with real working whistle that he used a couple of times). He also did a coin flip during one of the early verses to decide which cornhole team would throw first

Yes, the actors were really playing cornhole onstage, and they were quite good at it too! I assume a lot of practice was involved lol

During the first barking sequence, Rumpleteazer was on her hands and knees playing one of the dogs and literally jumping off the ground barking, it was so silly-looking

Jenny played the police dog, complete with beer bottle. I think she was off to one corner fake-drinking for most of the song

I think the whole Little Tom Pollicle section was cut, including the bagpipes section

When the Rumpus Cat came out, the "dogs" flipped up the cornhole boards to hide behind. I also spotted Jenny as the police dog with a white-knuckle grip on her beer lmao

All in all, it was a very fun version of the song and I didn't even mind so much that it was moved out of its original spot in the show because it was SO goofy silly

Skimbleshanks the Railway Cat

This staging was a little less dynamic than the normal, they made the fake train very early on in the song and then just basically stayed there the whole time. Skimble was bouncing around as normal though

The train's "smokestack" spouted real steam at one point, which was really cool

Misto and Jelly were the card-players, complete with real oversized cards. At one point Skimble stopped to look at both of their hands and swapped some of their cards to complete the game, which I think is just *chef's kiss* perfect characterization for him

Instead of the fake train falling apart at "Skimbleshanks would help them to get out," there was a gag where Jelly was almost falling over and Skimble had to rush over and help her catch her balance

Macavity (scare, song, and fight)

Macavity used a literal lasso to kidnap Old D

This was totally just a personal thing, but I was definitely thrown off at first by the hard-T American pronunciation of Macavity

I can't remember if this happened here or somewhere else, but I feel like I should mention that at one point Bomba slid into a split so smoothly that I didn't even process it was happening until she was all the way down in it 😅

The fight was much different than normal — everyone got in on fighting Mac. I remember Bomba got a big moment getting him in the stomach before he got away

Instead of the jumper cables, Mac swiped at the "Cattlemen" sign and took out all of the lights except the ones that said "Cat"

After the fight, Deme and Bomba took a beat to clean each other off with some casual acrobatics

Magical Mister Mistoffelees

One change I thought was really sweet was at the beginning of the song, the rest of the cast were really disbelieving of Tugger and rolling their eyes at his claims, which I think pairs well with the cast headcanon

For our performance, Misto was not wearing the brown jacket he had in the promo videos — he may have had a black vest on or just his normal chorus outfit, but he still had his sheriff star :)

They had a couple of cans for Misto to knock over as part of his sharpshooting bit, but no squibs or anything onstage

During the "curled up" line, Misto went and cuddled with Vic for a second

There was a moment post-conjuring turns where the actor did a one-handed cartwheel with the toy gun still in his hand and I was just the tiniest bit afraid for his life (he pulled it off though!!!)

Instead of having a volunteer, they just had two people hold an old blanket that they used to cover Old D from one of the wings back to center stage

Misto looked away like he does sometimes after the Old D trick, but sadly they didn't get to hug after :(

During the final chorus Rumpleteazer got back on the trampoline and was bouncing along to the music

Rather than slowly making the spotlight disappear like in some productions, Misto shot it out before making his exit which was a cute touch

Memory (Reprise)

After Munk's monologue, Old D was ready to make Gus the choice, which this time was represented by a spotlight casting a circle on the ground. I was ready to be disappointed about the whole "wrong cat died" situation, but I was pleasantly surprised when Gus stepped back and invited Griz into the spotlight to make her case, it felt like a really good resolution to the issue some people have with that point

Right after Gus gave up the spotlight, he and Jenny had a little mimed conversation where she seemed a little upset/confused at what he did

Jackie did great as Grizabella — you could definitely tell she had played Elphaba in the past too lol

Interestingly, there were a couple of moments where it almost seemed like Skimble would be the first cat to touch Griz after her song, but he ended up backing off so that Vic could give her the pink cowboy hat :)

Journey through Ad-dressing

My sister and I were speculating before the show started where Griz was going to leave the stage (there wasn't a lot of infrastructure up above the stage itself so we were curious), and it ended up being the piece of scaffolding with "Mule Alley" written on it! Totally unexpected

I wish I had caught more of the cast interactions during this song, but I did definitely notice Bomba and Gus arm in arm

Old D was much more lively and light-hearted during The Addressing of Cats than normal (again, really reminding me of Ken Page's Deuteronomy, but even more jovial. I think there's footage of this so if you haven't gone to check it out definitely do!)

Not quite a lyric change, but the address in question was changed to something pronounced more like "aw, cat"

And that's about it for the show! Like I said at the top, feel free to send me asks if there's any part of the show you'd like to know more about! I tried not to assign romantic/platonic designations to any of the pairs throughout the show because it went by much too fast to tell one from the other (which is basically my way of saying go wild with it, y'all — the cast certainly sure have!).

[chewyhanniebug]

it's a thinking-about-jiseodehan-tummy day

[actual-changeling]

An angel and a demon walk into a bar.

It sounds like the beginning of a joke, one that would have annoyed Crowley greatly before- before. Maybe it would have been mildly amusing, were it not for the fact that it is a pub, not a bar (a mere technicality that somehow still mattered), and it is the first time in seven months that he is looking Aziraphale right in the face.

He chose the place, walked right out of the bookshop and across the street the second Aziraphale looked at him with his stupid purple eyes and opened his mouth. Same table, same drinks. New silence.

A demon leads an angel into a pub so he does not kiss him again.

Less of a joke, more like the beginning of a nightmare he has had every single time he tried to sleep, woken by whispered words either confirming his worst fears or greatest desires; both incite fear, one way or another.

The low table between them is enough of a barrier to prevent a repeat of their last interaction, it has to be, although this time Aziraphale is looking at him with violet-coloured longing and an apology on his lips, no longer pleading, no longer angry. He is asking for forgiveness, and if that isn't a deeply ironic twist of fate.

Before either of them says a single word, Crowley finishes his drink and raises his hand to order another one, clinging to the familiar sting of alcohol in his throat to burn away the questions lingering on his tongue.

An angel followed a demon into a pub because he loves him.

Aziraphale wishes he could tell himself Crowley looks like he did seven months ago, that he hasn't changed, but he is done lying to himself, to either of them. Behind his shades, dark, darker if that is even possible, he can feel his golden gaze heavy on his face, familiar and the answer to an empty longing in his chest.

His drink goes untouched as Crowley downs one, then another, and it is after the third that he finally begins to talk.

"What do you want?"

Bitter, sharp, spit at his feet with an anger he expected and yet doesn't know how to react to. Underneath it is pain—more pain than any being should ever have to experience—and instead of trying to carry some of it for him, he only added to it.

"I want to apologise."

"Fine." Crowley shoves his empty glass away and gets up. "I don't forgive you."

Reflexively, Aziraphale reaches out and curls his fingers around his wrist when Crowley tries to walk past him, blinking up at him with eyes the colour of dying Myosotis.

Forget-me-nots.

They both freeze, the point of contact a crack in the walls they have spent centuries building and seven months rebuilding, and he knows he has made a mistake immediately.

Crowley stares at him, still as stone, until he suddenly rips his arm out of his grasp, almost cradling it against his chest. With dawning horror, Aziraphale realises he is shaking, tremors running through him like waves breaking apart on a rocky shore.

"Don't you dare touch me." Panic, not anger. Pure, unfiltered panic blooming beside a mountain of fear that could outlast an eternity.

"I-" He doesn't know what he wants to say, what he is trying to say, what he needs to say to make him stay. Oh, the irony of it all.

Crowley leaves the pub, and the Supreme Archangel stays behind.

Not a demon anymore, not technically, he is done with sides, and deeds, and choices; he never makes the right ones anyway. His wrist hurts with the ghost of a kiss, and he cannot get the glint of purple where summer sky blue should be out of his head. 

The Bentley is waiting for him, providing an escape from the noise, the people, him.

Apologies instead of I'm coming back.

A sickening aura of holiness tinged with the burn of ozone instead of books and dust and soft, silly angel.

Seven months of waiting, of pleading with God, of cursing Her, cursing him, cursing the entire fucking world for taking and taking and taking from him without pause, without even a fragment of mercy.

For this.

An angel returns to heaven. Crowley curses the stars and cries.

[zencaia]

Market trip~ (part 2 - end)

After buying everything on the list, they opted to enjoy some delicious crepes before heading back. :>

Fan art of @hpowellsmith's Crème de la Crème

[notdysfunk]

ART BY @ilsole!!!!!!!!!!!!!! NOT ME!!!! I know I did the "assume things abt him" thing before with Callisto,,,.... and I know some of those were left unanswered sorries!!!! bbbbut y'all are more than welcome to send more asks about him if you'd like to know more things about him!! 💖👀 I love my boy dearly and would like to try answering asks a bit more LOL And to those who have already sent asks or will because of this post, tysm I appreciate your curiosity about Calli heeehehehehehehe 💕

[kiwiwinjindouche]

Com'ed @tramweye for another Kirin and I'm actually in tears yall I might pass out

[hawkeykirsah]

50 Things I Love About Kaidan Alenko

I love that little smile he gives Shepard in the med bay after Eden Prime.

I love his slip of the tongue on the Citadel in ME1 when he indirectly tells Shepard he thinks she’s beautiful.

I love his dry comments when you take him along groundside in ME1 and his snarky remarks when you talk to him back on the Normandy.

I love how annoyed he looks when Joker interrupts that almost-first kiss in front of the lockers.

I love that tentative smile he gives Shepard at the beginning of ME3.

I love that strut when he comes to Shepard’s aid in the Citadel DLC together with that smirk and the “Looks like you’re having a bad day, Shepard.”, and his smirk after asking the volus to open the gates for them on the Cision Motors skycar lot.

I love the entire Citadel DLC dinner.

I love his “Next time … wake me.”

I love the love and admiration you can see in his eyes when he comes to Shepard’s quarters before the assault on Cerberus headquarters. 

I love his “I lied. I didn’t come here for a quick drink”, and the grin on his face when he carries Shepard toward the bed.

I love how his voice wavers but doesn’t break when you talk to him in London and how he doesn’t care that everybody can see them when he kisses Shepard good-bye. 

I love his “Don’t Kaidan me!” on Mars.

I love how he turns half around and looks over his shoulder when Liara asks Shepard how they manage.

I love his incredulous “Me?” after Shepard tells him he’s always been stubborn.

I love how his voice drops at “ … can be the difference between success and sitting at home in your PJs taking red sand” when you talk to him at Huerta. (I’m certain he’s speaking from experience.)

I love how he places his hand over Shepard’s briefly after they tell him they care about what happens to him.

I love the determination on his face in the elevator during the Coup before he encounters Shepard and their team.

I love that short laugh of relief when Shepard tells him they couldn’t imagine facing the Reapers without him.

I love the moment you walk into the Starboard observation after he rejoins the Normandy and you see him staring into space.

I love how nervous he is on that first date on the Citadel.

I love his “I love you, Shepard. I always have.”

I love how he takes Shepard’s hand and presses it against his cheek.

I love his banter with Tali aboard the geth dreadnought.

I love his worried “Shepard!” when they step on that first mine on Rannoch.

I love how concerned he is while Shepard is in the geth consensus.

I love how he places his hand on Shepard’s shoulder on Mahavid.

I love his “Let’s make sure we never let time just slip by us, okay?” after returning from the mining facility.

I love his “I’m not too crazy about this plan” on Despoina followed by that little nod he gives Shepard after Shepard tells him they’ll be fine.

I love his worried “Never do that again” in the shuttle after Shepard talked to Leviathan and his “You scare the hell out of me with those risky stunts …” back on the Normandy.

I love his “Nah” on Eden Prime after Liara realizes he was joking.

I love his enthusiasm back on the Normandy after finding Javik.

I love his level of snark on Thessia. (”Reaper convention”, all his “… looks like a Prothean” comments at the temple, etc.)

I love his comment about liking a challenge when Shepard tells him Joker has a terrible poker face.

I love his reaction to James “Flawed implant” comment during the party.

I love his “Wow, Shepard. Did you really just say that?” if you side with James at the party.

I love watching him and James doing push-ups (and that Kaidan wins even without Kasumi sitting on James’ back).

I love his “You’re the boss. Except when you’re not. And in that case … find me later”.

I love the wake up-scene after the party.

I love the once over with that predatory smirk he gives a male Shepard in the romance scene.

I love that he wants to be Shepard’s rock and soft place to land.

I love the look on his face when Shepard runs their fingers along his cheekbone and then down to his chest before gently placing them on his chin and giving him a kiss after waking from their nightmare.

I love his “Yeah, that’s not gonna happen” after getting injured during the run for the beam. (Stubborn, remember?)

I love his “I love you, too. Be careful.” (Just rip out my heart and stomp on it why don’t you?)

I love his “And I’m not leaving, either!” at the beginning of ME2. (*cough*stubborn*cough*) 

I love his integrity.

I love his friendship with Ash.

I love seeing him and Shepard remembering Ash’s sacrifice after disarming the bomb on Tuchanka.

I love his “Why can’t it be both? Ow, my heart!” before entering the casino and his disappointed “And here I had this good cop routine all planned” after finding Elijah Khan.

I love his apology for tripping at the Ardat-Yakshi monastery.

I love his shoulders. Seriously. They do things to me.

[bell-swamp-fitzjames]

Chad VanGaalen songs are not safe from me and my mind's eye. I really dig this one.

Poisonous Heads by Chad VanGaalen x The Terror

[ishgard]

"Apologies! How very discourteous of me."

The words trip over themselves and he scrambles back a step, face heated. She gawks a moment, and then - laughter. For a split second it nearly mortifies him, but then that feeling passes and it is a balm - a comfort.

How long has it been since he last heard her laugh?

"You've been playing it so cool this whole time, it's good to see you're still the same Alphi in there." She says it teasingly light-hearted, but he notes the relief in her tone.

A relief he shares.

Somehow her words are more comforting than he could have imagined. Even if it comes at the cost of his embarrassment, he is still... him.

[rottmnt-residuum]

Sorry if this is too unrelated or something, but do you have any tips for comic composition? I absolutely adore how you frame everything, from the backgrounds, to the bubble placement, to the way the colors seem to fit together in each panel, and I've always been curious about how you do it

if this is too vague/overcomplicated I understand, I love your work and hope you're doing well <3

Hm... well. Honestly, most of my composition comes from transcribing the animation of residuum that's happening in my head. Which is why, if any of y'all've noticed, residuum is framed a bit like a movie. So if you're looking to do something similar, I'd recommend either studying camera techniques, or watching movie analysis with a focus on camera work. I'm unfortunately a bad person to ask, as a lot of what I do just comes via practice that's turned to instinct.

This is a really good resource on page compositions in general, though I mostly do panel by panel stuff for my own ease:

The background style is actually directly inspired from @meandtheyeehaws, it's fast, easy, and doesn't require too much thought on my part. You spend a lot of time on comics, so you take shortcuts where you're willing to.

Bubble placement... I've noticed that people tend to laser focus on dialogue. So, the dialogue bubbles are how you lead the reader's eyes. They are the very base of the reader's eye path. All this means is that you should just map the eye path you want and then frame everything else around that. Either to bring notice to stuff or to hide something in plain sight.

Honestly, I have no idea for the color thing. It's one of the things I actually wish the comic was better with. All I do is have set color swatches for characters, and do a transparent color mask to the background color. I love to color, but color itself isn't really my strong suit.

[melonyfelonyfellonme]

Imagining Davrin waking up in the middle of the night and hearing Assan chirping a bit more than usual, and someone trying to shush him.

He walks through and finds Rook sneaking him extra treats and Rook's just like, "...I can explain"

[calamitoustide]

Lily, oh Lily I just loathe you lately...

microfic - jegulily/regulily - 1.7k

  It started with a kiss. 

One Regulus wasn’t even included in. He wasn’t even there, he didn’t see it, and yet he replays it in his head almost constantly. It’s the first thought he has in the morning, he carries it with him through lunch. White knuckles braced against the table as he stares longing towards the other side of the hall, his ears ringing and he can’t hear anything anyone is trying to say to him. His friends all make comments but he doesn’t notice them. His mind is too loud, thinking of soft skin and eyes that bite. He forgets his notes, it doesn’t matter, they’re not even there. He lays awake at night unable to close his eyes without thinking, thinking, thinking. 

He should be thinking about James. He should be obsessively counting his every step. It’s how this whole thing started. James is everything, he hung the moon, and every single star in the night sky. He walks around the halls calling out to everyone by name, his smile hung wide across his face. And yes, Regulus thinks of him. He thinks of his sweat covered skin as he skips off to the locker rooms after practice. He thinks of him drunkenly coming up to him, leaning close to his ear to whisper nonsense. Even if he can’t understand it Regulus clings onto every single word. He thinks of how he looks in the morning, a sight Regulus has only seen a handful of times and yet he cherishes it like it’s the world. He thinks of his hair all messed up, and his eyes wide and soft like an infant. He thinks of him stretching out his exhaustion and the little moment his shirt lifts up to reveal what’s underneath. He thinks and he thinks and he thinks, but he’s not looking over at him. He’s looking at her. 

The rumors of James Potter and Lily Evans finally working it out spread like wildfire. It’s embers branching out until there wasn’t a single person who didn’t know about it. Their kiss happened in the middle of the Gryffindor common room, apparently no one was there, but there are always sources. Always whispers. Regulus woke up to a burn to his cheek, and a crackling outside of his window. His friends looked over at him, pity drowning in their eyes, but none of them said anything. None of them knew how. It was Pandora who finally brought him over, holding his hands gently as she broke him the news. He can’t remember his reaction. He just remembers the moment his face dropped, but he wasn’t thinking of him, he was thinking about her. 

He never minded Lily Evans before, he barely gave her a second glance. He saw her sometimes in the library, she always sat alone, pushed in the back. Even in the darkest parts of the castle the sunlight always tended to reach her. It covered her and highlighted every freckle on her face. Her eyes were always soft with contemplation, but Regulus didn’t care for her much. He always heard about James’ crush on her, of course he did, but he never cared. He didn’t think it would go anywhere. He thought to himself Lily Evans was as blind as a person can be for rejecting James. He could never understand it. How could she get James to even so much as look at her and not truly understand what that meant. How much other people would die for him to look at them like that. Resentment climbed in his liver, it overwhelmed him. Before it was a scoff at any remark. It was an eye roll at the stupidity of Lily for thinking James would just be there when she realized how daft she was truly being. 

Though the only stupid person truly was Regulus, for James was there waiting for when Lily finally opened her eyes. He was there to chase after her, like the tail-end of a shooting star. James ran circles around her, watching her like she was everything, like she was his entire world. He held open every single door for her. He’d make himself bleed for an ounce of her attention, and she never never cared. She never cared before now, but Regulus has been here. He’s been here and Lily just walked the epitome of angel dust to smile and beckon James over to her like he’s a dog on a leash she’s holding. 

“Regulus,” Pandora’s voice catches him out of his retched mind. 

“What?” Regulus snaps, not taking his eyes off her. Her with her perfect skin. Her with her perfect everything. 

“You’re going to drill a hole in her head, you know,” She comments. 

Regulus finally releases his gaze, “What are you talking about?” 

It’s just the two of them. Barty and Evan ran off somewhere, and Dorcas well she’s always with Marlene now anyway. Pandora looks over at him softly, her eyes filled with pity, “You don’t have to pretend you’re looking at James when it’s just me.” 

Regulus furrows his eyebrows, shaking his head, “I’m not just looking at her.” 

“You’re looking at both of them?” Pandora suggests. 

“Yeah,” Regulus answers, lies dripping from his mouth. 

Pandora smiles, “James walked away five minutes ago.” 

Regulus head whips aside to find her right. It’s only Lily, laughing at something one of her friends are telling her. She throws her head back like she’s a little kid. Coated in innocence in a kind of nostalgia not many people can reach towards. Sunlight nips at her face as her nose crinkles in a laugh. Her beauty endless, it’s like a knife to Regulus’ skin. Every perfection he finds in her is a scar on him. 

“Regulus?” Pandora calls out again, as if she’s talking to a child. “Is there something you need to tell me?” 

“Like what?” Regulus grumbles, looking back down at his plate, trying to fight the pull to look over at her. It’s like he’s under a spell, he’s certain she’s behind it. She wants him to look at her. She wants for all of this. She’s out to get him. He looks up again. She’s still sitting there. Why is she still there? Shouldn’t she be off chasing after James? Shouldn’t she be at his feet beck and call? Shouldn’t she be giving him the world right now? Why is she still just sitting there? 

Pandora hums, “Nothing.” 

Regulus looks over at her, “What’s your problem?” 

“You’re torturing yourself,” Pandora tells him. 

Regulus hesitates, he opens his mouth to speak but no words come out. In any other world this would be torture. He’s staring off at the girl who’s got the one thing he’s been begging for his entire life. He’s never wanted something as much as he’s wanted James. Looking over at Lily should be torture. It should kill him. It is. It’s the sweetest kind of torture. It’s a twisted lullaby. It’s a stinging on his cheek. 

“Unless,” Pandora starts, “You want to be looking at her.” 

“I don’t know what you’re talking about,” Regulus says quickly. 

Pandora reaches out to grab his hand,  “I’m gonna hold your hand while I tell you this.” 

“Shut the fuck up,” Regulus tries to cut her off but when Pandora gets something in her mind it’s hard to resist it. 

“I did it with James,” Pandora explains quickly. “I’ll do the same now. You’re in love with Lily Evans.” 

“I am not in love with Lily Evans,” Regulus argues. 

Pandora narrows her eyes, “You’re not?” 

“No.” 

“Why are you staring at her?” Pandora asks. 

“She’s with James,” Regulus answers weakly. 

“Why aren’t you watching him then?” Pandora questions. “Do you even know where he is? You used to always know, you used to have his schedule perfect.” 

Regulus shrugs, “I’ve gotten busy.” 

“Right,” Pandora scoffs. “So you wouldn’t mind if I called her over here.” 

“Pan—“ 

Before he can even finish Pandora is raising her hand. Shouting out across the hall, “Hey, Evans!” 

Regulus scrambles for something to hold, to bring Pandora’s hand down and stop her from this, but it doesn’t do any good. Lily’s already looking over, her eyes dazzling in the sun. The rest happens like a dream as she leans over to her friends explaining that she’ll be going. She walks over on clouds and then she’s in front of him. His stomach ties itself together. His mouth opens but nothing comes out. 

“Hey,” Lily says, leaning across the bench to put her hands on the table. Her perfume reaches Regulus’ nose and it’s overwhelming, it’s making him slip back, like he’s in an ocean, drowning in all the waves. 

“Hi,” Pandora replies. 

Both of their gazes go towards him, but Regulus is only looking at her. 

Lily smiles with his silence, he wants to kill her. She looks away and he wants to kill her even more, “You still working on that potion?” 

“You know it,” Pandora tells her. “It’s close to being done now.” 

Regulus doesn’t care what they’re saying. He just watches Lily. He can’t look away. She’s the greatest thing that’s ever existed, and she’s got James Potter wrapped around her finger. Its should be him. 

She doesn’t stay long. Before she leaves she looks back over at Regulus, “Goodbye, Regulus.” 

“Bye,” he forces out, his tongue resting uncomfortably in his mouth. 

She laughs, it’s as soft as fresh daisies and she’s doing him in, “You’re cute,” she says, like it’s nothing, like it’s not eating Regulus whole. “I’ll see you two around.” 

Then she’s gone again. Walking down the hall, her hair blowing behind her like a fucking magazine ad. There can’t be someone that perfect. She’s just a person. She’s nobody. She’s the one James wants. She won his heart over. She’s the one lying beside him. And all Regulus wants is to lie when she lies. Lily Evans is poison and it’s slowly driving Regulus mad. She’s everywhere, like a call of the wind. He’s nothing worshipping at her feet, it makes him uneasy. 

“So,” Pandora breaks the echoing silence. “Not in love.” 

Regulus swallows thickly, his eyes still stuck in the last place she was, even if she’s moved on, “Not in love,” he forces out. 

The ache is endless, and bullets line his skin. A scar for every beauty, for which Lily Evans has infinite. 

[ponyrepress]

I never see anybody ever talk about this page, but Jesus is it viscerally upsetting to me. Like. They weren't fucking kidding about that demon/abuser allegory.

[reading-bleach]

My respect for Chad keeps growing. He's the unsung hero in his friend group; keeping them together and lifting their spirits up. He shined in that aspect during the fullbring arc.

And I mostly realized this here when he tried (and failed) to be a wingman

Also I really like how he realized where it went wrong and was ready to advise Orihime against the outfit.