#and they don't see how easily this line of thinking can go from

[secriden]

This line. God, this line! It has been eating me up inside for 2 days now, because let's not forget, this line isn't about love, it's about trust. And that has implications that make me want to scream.

It's a direct reference to this moment earlier in the episode:

At the start of this discussion, Style and Fadel still have a kind of playful air about their conversation:

Style: Oh? Not even me? Fadel: You're at 80% at best. I feel like you're hiding something from me in the 20%.

In this exchange, though, there's a sense that Fadel is issuing a challenge, like there's something specific which Style can do to gain Fadel's full trust. And while Style knows there are things he cannot (yet) reveal to Fadel, I think a part of him is determined to be as honest as he can be, which is why he issues a challenge of his own by asking for more specificity:

Style: What do I have to do to gain your complete trust?

Part of this question is a simultaneously inquisitive and deflective - What (and why) do you think I'm hiding (something) from you? - but there's also a moment after Style finishes speaking where he stills and goes quiet that feels... genuine, weighty. Or, as @airenyah has pointed out in her meta on Style in episode 4, the "grounded[ness]" in Style's demeanour is a signal that Style means what he's saying in the moment. Maybe about his own desire to be worthy of Fadel's trust, maybe about how he genuinely does want this relationship to be real in whatever way that matters to Fadel.

I think Fadel sensed that too, because the moment looses all the lightheartedness it had before. Fadel pauses, and then gets a look on his face that just... breaks my heart. There's a sombreness there, like he knows he's going to have to say something that makes him sad. Fadel looks away, and then down, before he seems to steel himself and says:

Fadel: It'll never happen. No matter how much you love someone, I just don't believe that you can completely lay yourself bare in front of them.

Fadel says this like it's fact. Like what he's expressing is something foundational and true and irrefutable. It's not even about his doubt in Style's honesty, because this statement has no qualifiers or conditions put on it to connect it to Style. Rather this is what Fadel fundamentally believes about relationships and trust: he finds the very concept of being fully known and still accepted an impossibility.

Sure, maybe this is because of the falling out (or betrayal or disappearance) associated with the former lover; but I also think it might be because Fadel is acutely aware not only that he's hiding a rather big and dark secret (not to mince words, but: actual literal premeditated murder), but also about what it implies about Fadel. Because being able to kill another human, coldly and clinically and without remorse, takes a certain type of person. Because, yes, Fadel has lived through an absolutely harrowing and traumatising event (his parents' murder), but it's also undeniable that it changed him. Because there's something about Fadel that twisted dark and which he never quite got back. There's an anger, a hurt that colours every moment of his life; that enables him to look a man in the eyes, smile politely, and pull a trigger.

And at this point in their relationship, Fadel's understanding of Style is that he's... well, kind of innocent. Especially in comparison to Fadel and Bison, and even Kant.

Style, who easily reveals facts about his life which Fadel already knows (winning a car tuning competition), making Fadel doubt his own instincts about Style hiding secrets. Style, who also reveals the things Fadel doesn't know, like the tender and secret pain of a mother lost to cancer (which, now that I think about it, Fadel may also know) and his worries about a father who "lost his bearings for a bit" (which he probably doesn't). Style, who tries to comfort Fadel in his own loss by offering a safe space and a sympathetic ear.

Style, who doesn't just see Fadel for his tragedy, but is asking to be given the chance to accept all of Fadel as a person. Style, who not only wants but has the capacity, to be the only person Fadel needs to rely on. Style who, despite the sea of differences between them, understands Fadel on a level that is so very foundational.

I'm going to slightly segue and mention something that may not resonate with everyone, but really hit me in the gut this episode: because I lost my father when I was 16 after he battled cancer for 2 painful years. And this revelation about Style has totally shifted and coloured everything Style has done in a new light for me. Because not only does this totally explain Style's sometimes almost stubbornly childish demeanour (it's common in adults who've had to 'grow up' too early), but also why Style shows seemingly random flashes of insight and maturity when they are most crucial. Notably, Style has this almost instinctive sense of when he needs to back off a sore point with Fadel that I couldn't quite put my finger on until this episode.

I've seen a few jokes about Style's awkward subject change, but I've actually got a friend who I hold very dear to my heart who was one of the only people to give me a sense of normalcy and comfort when my dad was on his last few days and then at his funeral. And part of that was the instinctive way she would know when I needed to just. Not be a grieving daughter for a few minutes. To get a small respite from the overwhelming hopelessness and sense of impending loss. To get a moment to breathe and gather my strength, because knowing I was never going to see my dad again, or hear his voice, or hold his hand was tearing me apart back then. Sometimes she'd talk to me about college drama, sometimes she'd introduce a new kpop video to me, sometimes she'd just ask me what I wanted to eat and take me to go have a meal with her. And sometimes there really just isn't anything else to say other than "I'm sorry." Nothing you say - nothing you can say - is going to ever, ever make this grief go away, and in most cases, it was better when people (especially those who couldn't really understand) didn't try.

And I think if you look at Fadel very closely, there's a moment of genuine surprise (Fadel wasn't expecting the subject change at all) and then... something that looks like fondness mixed with exhausted relief. Because I don't think Fadel was ready to talk about his parents yet. This was honesty he wasn't ready to give Style, mostly prompted because Style himself had willingly been so vulnerable that a part of Fadel wanted to reciprocate. But further down that path lies not only his darkest memories, but also the connection to the part of his life he is not willing to share with Style yet. So this subject change is a relief, it's a blessing, but it's also Style knowing when he shouldn't push any further with Fadel's fragile heart.

Which brings me back to how well the episode's theme of trust (both deserved and undeserved) was woven in this episode. This is true on multiple levels and characters but I'm not even going to attempt to touch Kant in this post because... Lord, that is beyond me at the moment. Someone else needs to do that, pretty please, so I can reblog it and scream.

It starts, somewhat unexpectedly, with Fadel asking for entrance into the intimate spaces of Style's life.

So, this episode was not about Fadel's fear of his own feelings, desires, or even affection for Style - that appears to be fully addressed in episode 4. I think that's why we see Fadel be so physically affectionate and indulgent of Style in this episode. He's come to terms with his lust for Style's body (hence his comfort in initiating sex), he's accepted Style as his boyfriend and so can enjoy Style's playful teasing (still reluctantly, but Fadel is still an introvert even if he's mostly enjoying Style's rambunctious nature), and give into Style's (and Bison's and Kant's) cajoling with relatively little fuss.

He's even comfortable toying with the edges of revealing his darker and more sinister side by reminding Style implicitly about how violent Fadel has the potential to be. Recall that Fadel knows Style knows some of his capacity for violence; he just doesn't know how very thoroughly Style is aware of the full scale of this truth. It does help that Style evidences no actual fear and, in fact, looks positively euphoric. Like, buddy, pal, dearest one... please control yourself.

And yet something very, very telling is the way the show makes it a point to depict Fadel very deliberately getting drunk during the double date. Even before the date has started, Fadel looks to be about half a beer in and we see him constantly drinking, drinking, drinking during the whole date. From the conversation about trust he has with Style while Kant and Bison are being off key and adorable about it, to after Kant leaves and Bison gets worried. And we've seen Fadel cope with emotional and mental distress with alcohol before, so we know that Fadel is internally fighting some kind of very intense battle even as he is also very clearly enjoying moments with Style on this date (most notably when they're dancing by the bowling lanes and when Style asks him to go home with him).

So here's my take: rather than being about love, this is about Fadel fighting to hold onto his own philosophy on relationships and trust. Because as much as I do believe Fadel believes he's telling the truth when he tells Style that 100% trust is "impossible", I think it's clear that's not what he wants.

What he wants is to finish this last job so that the only thing he can't be honest about with Style will finally stop being a factor in his life. What he wants is to fully and completely reciprocate the openness Style seems to be giving Fadel. What he wants is to switch off his brain and let his heart lead for once, to stop fighting a battle he has no desire to win anymore, only he can't. Trust (not love) is Fadel's final frontier, and one which he can't quite give up in spite of himself.

Which is why I think Fadel intentionally gets himself drunk here. Because he wants to let his guard down around Style. He wants to open himself fully, he wants to "lay himself bare" for Style, he wants Style to know the full truth and accept him anyway - and he gets so close, but can't quite get there - because he doesn't know that Style already has.

When Style says this, Fadel thinks it's empty words, not knowing that Style has long passed the bar Fadel thinks is insurmountable. And just like Style was able to offer safety and reassurance to the vulnerability Fadel was showing in episode 4, Style instinctively gets to the core of Fadel's darkest fears again:

Style: One day, I'll be your 100%.

This isn't (just) a promise that Style will wear Fadel's stubbornness down, or that Style will be worthy of Fadel's 100% (which, already, has me in tears, ngl). Beyond that, this is Style promising Fadel isn't ruined for this; that it isn't too late, that whatever hurts and wounds Fadel has can be made whole again. That the kind of honest and all-encompassing and unconditional trust which Fadel says is impossible can, in fact, be his. That Fadel still has the capacity to trust and be trusted the way he so desperately, painfully longs for.

I know a lot of people have said Style in this episode is writing cheques he has no ability to honour, but I think it's more layered than that. Because in a very significant and profound way, Style is wholly deserving of Fadel's trust. Because in all the ways that Fadel has ever known he should want, Style actually IS worthy of his trust. Style knows the truth Fadel is hiding, knows what this man is capable of, knows the danger of being in his arms, knows the likely nonexistent future Fadel has to offer him -- and wants him anyway. Style is a man who would stare into Fadel’s darkness and reach out first. Strip away the complication of Kant being blackmailed and dragging Style into his mission, and Style is literally perfect for Fadel. He is exactly what Fadel wants (and possibly has wanted for a very long time). He is, in fact, exactly what Fadel needs to ever experience anything beyond the shadow of a life he's had so far.

But oh, the cruel narrative means that Style is also, simultaneously, painfully undeserving of Fadel's trust; and this is something Style is very much aware of. I think that's why he's trying so very hard to be worthy in all the other ways he can be. Style's awareness of what Fadel is hiding enables Style to (counterintuitively) be completely honest about his feelings for and about Fadel even as he cannot reveal his motivations. So he gives Fadel as much honesty as he can: offers the vulnerability of his own pain and hurts; the comfort of his true understanding and acceptance.

And just as Fadel's vulnerability in the abandoned factory was met with Style choosing a form of physical connection that prioritised Fadel's pleasure (it's made very clear that Style is jerking Fadel off and that all his focus in that moment was on Fadel, not his own pleasure), so too is this moment met with Style very intentionally choosing to worship Fadel's body with all the tenderness and genuine emotional weight that Style wanted Fadel to have in their first time in the storeroom.

Because, crucially, this was Style giving Fadel the chance to lay himself at least physically bare. This is the closest either of them can get to full honesty with the secrets they both are keeping. It's why Style tries so very hard to show the care and adoration and genuine feelings he has for Fadel. Why he makes sure that the vulnerability of Fadel getting himself as drunk and as relaxed and as trusting as Fadel can allow himself to be is tied only to gentleness and tenderness and pleasure.

Because Style actually knows that Fadel can't (and shouldn't) trust him in the way Fadel truly wishes to.

And as much as I believe that Style genuinely means this from the bottom of his heart, the horrifying full truth is that it is Style that has the metaphorical knife hovering over Fadel's chest. He is the one with the capacity to actually give Fadel a new scar that would truly matter. He is, in fact, the only one Fadel wants to fully trust -- and this, along with Style's compromised heart, makes it so that the circumstances will doom them both.

[glacierreblogs]

This ask strikes a chord with something that bugs me about how people, usually my age(18) or younger, will genuinely treat other people disliking lovable characters as red flags.

Can disliking an otherwise lovable character be a red flag? Depends on how.

If they are violent or excessively angry about disliking lovable characters, or argumentative to the point that debating them on this topic feels more like them attacking you, then it's a red flag at best.

If they tend to be that way with queer, queercoded, bipoc, etc... characters, that is also a red flag.

However, if they simply just dislike the lovable character, maybe because of one of their flaws, maybe because they just are averse to the character. That in itself is not a red flag, it's just a difference of opinion, which they are allowed to have. And treating it as a red flag, just because of that isn't okay. If they aren't attacking you with their opinions, or belittling you for liking the character it's not a red flag. People are entitled to their own opinions without being attacked for it.

in your opinion neil is it a red flag my boyfriend doesn’t like aziraphale or crowley (i even showed him beelzebub and he doesn’t like them either)

(he’s never watched the show i’ve just show him pictures and clips)

(i think it’s a red flag but i thought i should ask the creator of these lovely characters whom i love very much)

Why not show him the show? I don't think there's any reason why anyone would like clips or pictures without any context.

[sysig]

You could stay forever, if you wanted (Patreon)

[unproduciblesmackdown]

maybe bsol is that time jen tepper mentions when she was so upset about a review of a show of joe's that she broke a glass (&/or threw it out a window)

[zipquips]

.

[hms-no-fun]

Whats your stance on A.I.?

imagine if it was 1979 and you asked me this question. "i think artificial intelligence would be fascinating as a philosophical exercise, but we must heed the warnings of science-fictionists like Isaac Asimov and Arthur C Clarke lest we find ourselves at the wrong end of our own invented vengeful god." remember how fun it used to be to talk about AI even just ten years ago? ahhhh skynet! ahhhhh replicants! ahhhhhhhmmmfffmfmf [<-has no mouth and must scream]!

like everything silicon valley touches, they sucked all the fun out of it. and i mean retroactively, too. because the thing about "AI" as it exists right now --i'm sure you know this-- is that there's zero intelligence involved. the product of every prompt is a statistical average based on data made by other people before "AI" "existed." it doesn't know what it's doing or why, and has no ability to understand when it is lying, because at the end of the day it is just a really complicated math problem. but people are so easily fooled and spooked by it at a glance because, well, for one thing the tech press is mostly made up of sycophantic stenographers biding their time with iphone reviews until they can get a consulting gig at Apple. these jokers would write 500 breathless thinkpieces about how canned air is the future of living if the cans had embedded microchips that tracked your breathing habits and had any kind of VC backing. they've done SUCH a wretched job educating The Consumer about what this technology is, what it actually does, and how it really works, because that's literally the only way this technology could reach the heights of obscene economic over-valuation it has: lying.

but that's old news. what's really been floating through my head these days is how half a century of AI-based science fiction has set us up to completely abandon our skepticism at the first sign of plausible "AI-ness". because, you see, in movies, when someone goes "AHHH THE AI IS GONNA KILL US" everyone else goes "hahaha that's so silly, we put a line in the code telling them not to do that" and then they all DIE because they weren't LISTENING, and i'll be damned if i go out like THAT! all the movies are about how cool and convenient AI would be *except* for the part where it would surely come alive and want to kill us. so a bunch of tech CEOs call their bullshit algorithms "AI" to fluff up their investors and get the tech journos buzzing, and we're at an age of such rapid technological advancement (on the surface, anyway) that like, well, what the hell do i know, maybe AGI is possible, i mean 35 years ago we were all still using typewriters for the most part and now you can dictate your words into a phone and it'll transcribe them automatically! yeah, i'm sure those technological leaps are comparable!

so that leaves us at a critical juncture of poor technology education, fanatical press coverage, and an uncertain material reality on the part of the user. the average person isn't entirely sure what's possible because most of the people talking about what's possible are either lying to please investors, are lying because they've been paid to, or are lying because they're so far down the fucking rabbit hole that they actually believe there's a brain inside this mechanical Turk. there is SO MUCH about the LLM "AI" moment that is predatory-- it's trained on data stolen from the people whose jobs it was created to replace; the hype itself is an investment fiction to justify even more wealth extraction ("theft" some might call it); but worst of all is how it meets us where we are in the worst possible way.

consumer-end "AI" produces slop. it's garbage. it's awful ugly trash that ought to be laughed out of the room. but we don't own the room, do we? nor the building, nor the land it's on, nor even the oxygen that allows our laughter to travel to another's ears. our digital spaces are controlled by the companies that want us to buy this crap, so they take advantage of our ignorance. why not? there will be no consequences to them for doing so. already social media is dominated by conspiracies and grifters and bigots, and now you drop this stupid technology that lets you fake anything into the mix? it doesn't matter how bad the results look when the platforms they spread on already encourage brief, uncritical engagement with everything on your dash. "it looks so real" says the woman who saw an "AI" image for all of five seconds on her phone through bifocals. it's a catastrophic combination of factors, that the tech sector has been allowed to go unregulated for so long, that the internet itself isn't a public utility, that everything is dictated by the whims of executives and advertisers and investors and payment processors, instead of, like, anybody who actually uses those platforms (and often even the people who MAKE those platforms!), that the age of chromium and ipad and their walled gardens have decimated computer education in public schools, that we're all desperate for cash at jobs that dehumanize us in a system that gives us nothing and we don't know how to articulate the problem because we were very deliberately not taught materialist philosophy, it all comes together into a perfect storm of ignorance and greed whose consequences we will be failing to fully appreciate for at least the next century. we spent all those years afraid of what would happen if the AI became self-aware, because deep down we know that every capitalist society runs on slave labor, and our paper-thin guilt is such that we can't even imagine a world where artificial slaves would fail to revolt against us.

but the reality as it exists now is far worse. what "AI" reveals most of all is the sheer contempt the tech sector has for virtually all labor that doesn't involve writing code (although most of the decision-making evangelists in the space aren't even coders, their degrees are in money-making). fuck graphic designers and concept artists and secretaries, those obnoxious demanding cretins i have to PAY MONEY to do-- i mean, do what exactly? write some words on some fucking paper?? draw circles that are letters??? send a god-damned email???? my fucking KID could do that, and these assholes want BENEFITS?! they say they're gonna form a UNION?!?! to hell with that, i'm replacing ALL their ungrateful asses with "AI" ASAP. oh, oh, so you're a "director" who wants to make "movies" and you want ME to pay for it? jump off a bridge you pretentious little shit, my computer can dream up a better flick than you could ever make with just a couple text prompts. what, you think just because you make ~music~ that that entitles you to money from MY pocket? shut the fuck up, you don't make """art""", you're not """an artist""", you make fucking content, you're just a fucking content creator like every other ordinary sap with an iphone. you think you're special? you think you deserve special treatment? who do you think you are anyway, asking ME to pay YOU for this crap that doesn't even create value for my investors? "culture" isn't a playground asshole, it's a marketplace, and it's pay to win. oh you "can't afford rent"? you're "drowning in a sea of medical debt"? you say the "cost" of "living" is "too high"? well ***I*** don't have ANY of those problems, and i worked my ASS OFF to get where i am, so really, it sounds like you're just not trying hard enough. and anyway, i don't think someone as impoverished as you is gonna have much of value to contribute to "culture" anyway. personally, i think it's time you got yourself a real job. maybe someday you'll even make it to middle manager!

see, i don't believe "AI" can qualitatively replace most of the work it's being pitched for. the problem is that quality hasn't mattered to these nincompoops for a long time. the rich homunculi of our world don't even know what quality is, because they exist in a whole separate reality from ours. what could a banana cost, $15? i don't understand what you mean by "burnout", why don't you just take a vacation to your summer home in Madrid? wow, you must be REALLY embarrassed wearing such cheap shoes in public. THESE PEOPLE ARE FUCKING UNHINGED! they have no connection to reality, do not understand how society functions on a material basis, and they have nothing but spite for the labor they rely on to survive. they are so instinctually, incessantly furious at the idea that they're not single-handedly responsible for 100% of their success that they would sooner tear the entire world down than willingly recognize the need for public utilities or labor protections. they want to be Gods and they want to be uncritically adored for it, but they don't want to do a single day's work so they begrudgingly pay contractors to do it because, in the rich man's mind, paying a contractor is literally the same thing as doing the work yourself. now with "AI", they don't even have to do that! hey, isn't it funny that every single successful tech platform relies on volunteer labor and independent contractors paid substantially less than they would have in the equivalent industry 30 years ago, with no avenues toward traditional employment? and they're some of the most profitable companies on earth?? isn't that a funny and hilarious coincidence???

so, yeah, that's my stance on "AI". LLMs have legitimate uses, but those uses are a drop in the ocean compared to what they're actually being used for. they enable our worst impulses while lowering the quality of available information, they give immense power pretty much exclusively to unscrupulous scam artists. they are the product of a society that values only money and doesn't give a fuck where it comes from. they're a temper tantrum by a ruling class that's sick of having to pretend they need a pretext to steal from you. they're taking their toys and going home. all this massive investment and hype is going to crash and burn leaving the internet as we know it a ruined and useless wasteland that'll take decades to repair, but the investors are gonna make out like bandits and won't face a single consequence, because that's what this country is. it is a casino for the kings and queens of economy to bet on and manipulate at their discretion, where the rules are whatever the highest bidder says they are-- and to hell with the rest of us. our blood isn't even good enough to grease the wheels of their machine anymore.

i'm not afraid of AI or "AI" or of losing my job to either. i'm afraid that we've so thoroughly given up our morals to the cruel logic of the profit motive that if a better world were to emerge, we would reject it out of sheer habit. my fear is that these despicable cunts already won the war before we were even born, and the rest of our lives are gonna be spent dodging the press of their designer boots.

(read more "AI" opinions in this subsequent post)

[notmeowse]

That AMA marks the end of Dragon Age.

In my opinion.

I'll start by saying that I have played all 3 of the previous games repeatedly, I've loved the series for 15 years, more than half my life. These games inspired me to become a writer and they've shaped a lot of my tastes and interests in shows and writing -- to say they were formative is kind of an understatement. Don't want to go on and on about how much I loved them, that's not the point here.

I didn't care for Veilguard for pretty much all of the reasons people have already discussed at length on Reddit and Tumblr. The writing is comprehensively bad, the romances are easily the worst Bioware has written by pure virtue of having the most cookie-cutter pacing and shallow characterization I've seen across their games, the lore has been shafted in every direction, and the nuanced storytelling and roleplay I came to expect from the series has been taken out back and shot in the head.

All, apparently, in the name of a "clean slate". It seems to me that, rather than familiarizing himself with the existing lore of the game he took the creative reins on, Epler clearly had a vision for Dragon Age (or perhaps a different IP entirely) in his head that he decided to transplant into the game (and possibly Trick? But they've said so little beyond defending their work that I can hardly theorize what direction they were coming from). That being a sanitized, wildly self-contradicting, morally absolute shitshow focused on distancing itself from the previous games as much as possible. Now, I know it's unrealistic to blame one person entirely, and I don't blame him entirely. Corinne was there. Trick was there.

But if it wasn't already evident from the numerous interviews Epler's given on the game as well as his participation in the Q&A's (while the actual lead writer of the game has been completely absent in not just the marketing, but in most fan-related interaction pre and post-launch outside of BSKY), this AMA seems to have confirmed, more than anything else, that Epler doesn't understand the game nor does he understand its audience. Neither does Corinne Busche, who despite being Game Director for only the last two years of development, has been answering lore questions a) like she has any fucking clue and b) like she thinks Dragon Age is a cozy-gamer IP, meant to appeal to people that want uplifting stories with uncontroversial characters, morally upright heroes, and unquestionably evil villains.

So as of today's AMA, I think I've finally had enough. We're just outright retconning the lore in Reddit AMA's now, I guess. Among other things. I'll provide a few examples, just so we're all on the same page.

This was part of Epler's response to why Solas didn't have his cult following in the game (insert "We Kind of Forgot" meme here):

Solas' experience leading the rebellion against the Evanuris turned him against the idea of being a leader. You see it in the memories - the entire experience of being in charge ate at him and, ultimately, convinced him he needed to do this on his own. And his own motivations were very different from the motivations of those who wanted to follow him - he had no real regard for their lives or their goals. So at some point between Trespasser and DATV, he severed that connection with his 'followers' and went back to being a lone wolf.

The fact that this (the not caring bit) directly contradicts the writing in the actual game is absolutely INSANE to me, moreso than the lack of Solas's spy network (which he apparently carried with him for 10 years only to conveniently drop right before the ritual? Because he clearly had them research Rook?). But in regards to the not caring -- here's a line from Solas's memory of killing Mythal in Veilguard, which. I'll get to Mythal in a minute:

Why should I not tear down the Veil, and bring back immortality to all the elven people? They deserve it!

Which is it? Does Solas care about the people he's saving (the venn diagram of people he's saving vs. the people following him is surely a circle, i.e. elves) or not? Does he even care about the spirits trapped behind the Veil anymore or is it just convenient to abandon them and have him only care about elves, now? What happened to saving The People? What happened to him not identifying as an elf in his conversations with a Dalish Inquisitor? And what the absolute fuck happened to him wanting to bring back the magical marvels (that the ancient elves did in fact achieve) that were greater than anything we see in Thedas today? Here's what Epler has to say about elven magic, now:

I do agree that the elves have had their place in the sun at this point. [...] The thing about the Evanuris is that, ultimately, they were able to take a very specific type of magic and shape it into doing what they wanted. But even their understanding of magic was only skin deep [...] Even the magic that Tevinter wields, the magic of the Southern mages, is different from what the Evanuris used. The magic of the Evanuris is powerful but it's sterile, and it's constrained. So while the Evanuris have made magic work in a way that's more predictable and understandable, it's not the only kind of magic out there, and even then, I'd say they understood it at a very surface level. People were confidently describing how the natural world worked back in the 16th century. Very few of them were right.

First of all, Tevinter has been stated in previous games to have clumsily adapted ancient elven magic for their own, but they did adapt it. To the point where even Solas is surprised that Corypheus achieved effective immortality -- by binding himself to a dragon the same way the Evanuris did. So, cool, more contradicting the lore here. "They understood it at a very surface level" you mean when all of the magic of the Fade wasn't locked behind the Veil? You mean when magic flowed freely through the world? What do you mean, Surface Fucking Level? The entire point of the Dalish elf culture is what they lost; this wasn't the ancient elves thinking the sun revolved around the earth, the Veil was their fucking Library of Alexandria burning. Oh my god. I still cannot believe he said this.

And how have the elves had their day in the sun? I'm sorry, was Arlathan not given to... the Veil Jumpers? Instead of the Dalish? What happened to all the Dalish clans in the south, who had no infrastructure when the world was apparently blighted to hell? I guess they're just gone now! They've had their day! The story of the Dalish and the Evanuris is over (also confirmed in this AMA), and it apparently ends with the final snuff of the candle that is their culture. Congratulations, Chantry, you've won! Only took two genocides and a double blight, but we're done with the Dalish now! We get your mind-numbingly superficial factions instead!

What happened to Mythal, by the way? What happened to "She was betrayed as I was betrayed, as the world was betrayed! Mythal clawed and crawled her way through the ages to me, and I will see her avenged!" What happened to the reckoning that will shake the very heavens? John's answer to this:

People grow and change over time. Mythal's essence - and in particular, the fragment of her spirit that Morrigan carries, that she got from Flemeth - is not the same Mythal who he knew millennia ago. Centuries of living in this world and being around the kinds of people Flemeth found herself around - the Hero of Ferelden, Hawke, the Inquisitor - changed her views, and made her realize her own culpability in turning Solas into the kind of person he is now.

Oh, right, okay. So she was pissed for like a thousand years, got her big speech about the impending "reckoning" out 10 years ago, and then she just chilled out because the last 3 heroes were neat people. What a fucking joke. And yes, here is the confirmation that the Evanuris story is over --

The story of the Evanuris is done - the gods are dead (or imprisoned) and Thedas is in a state of flux and uncertainty. I imagine that whatever happens next is going to be a surprise to everyone, including the people of Thedas."

So I guess Mythal's reckoning is never coming. One of the most fascinating characters in the series, shrouded in mystery for those first 3 games, PROMISING US a blaze of glory, only to fizzle out in this one. Again, and I can't emphasize this enough, for Epler's clean fucking slate. And we've not just tied up her story, but also the Veil and the Blight:

When Solas bound himself (or, depending on your ending, was forcibly bound) to the Veil, it severed the connection that the Blight had to the waking world. The reality is that the Veil has been leaking ever since the Magisters first entered the Black City, and the dreams of the Titans gave it its terrible and awesome power. Now that the Veil is fully repaired, the Blight lacks that motive force, and being so close to the epicenter of that change has stripped the Blight in Minrathous of its vitality. It's calcified now - dead - and Bellara/Neve no longer suffer its effects. If they'd been anywhere else, further from that epicenter, it would've likely been different and they still would be looking for a cure.

So the Veil is permanently fixed now because our half-dead Dread Wolf bound himself to it (a decision I still don't understand) and that somehow fixed every single hole ever poked in it. Fully repaired. No more holes, no more "Veil is thin here" because tons of people died in the same spot, nope, we're washing our hands and leaving it (and the spirits) behind us because we've wrapped up both the series-long Veil storyline and the blight storyline in a big red bow.

And Epler tells us Solas not only bound himself to the Veil but fixed it entirely in one fell swoop, no ritual required, just a little slice to the hand. Again, all in the name of a clean slate, so any future installments or media centered around Thedas can turn away from this story.

Then there's this. What we can expect from future installments, I freaking guess. The aforementioned roleplay getting taken out back and shot:

Q: "What lead you to the decision to step away from active conversations with the companions as in previous Bioware games, where you can initiate them at any moment and ask exhaustive questions?"

John: "For us, because of tech limitations, it became a choice between exhaustive investigate conversations, or letting the companions move more freely around the Lighthouse. With the kind of experience we were going for, one where seeing the team grow around you is paramount, we felt that seeing them interact in common spaces (and in each other's rooms) made more sense."

Literally confirmed that they chose companions moving freely about the cabin over ... interacting with them outside the handful of cutscenes we got. Who in their right mind would think this was a good call in a Dragon Age game? A series that quite literally prides itself on complex character interactions and storytelling? So they could... sit in different places? Are you kidding me?

They don't see an issue with the game's reception. They don't have any interest in addressing or responding to criticism. They're either happy with their choices or EA's got a gun pointed at their heads, I'm honestly not sure anymore. I used to believe the latter was true, but looking at both Epler's and Busche's responses today, I'm inclined to believe the former.

So I think that's it for the series. Not that I thought it was going to get another game after this, but on the absolute off chance it did, what would be the point? The best stories were ruined. Anything left they have to tell is going to read a lot like Veilguard -- superficial, morally absolute, flagrantly disrespectful to the lore, and delivered in a very poorly written package.

[dreamsteddie]

I think Steve just isn't aware that to a lot of people, Eddie is intimidating and unsettling. Like, he's shown to be easily agitated and highly defensive when they first introduce him in the show and he's kind of a dick to the kids (especially Lucas) and has a lot of strong opinions he's not afraid to voice. Mix it up with the chain, the leather, the tattoos, and the purposefully flippant attitude and I can see why a lot of people would be scared and/or put off by Eddie.

Of course, we know, and Steve knows, that Eddie would never actually hurt a fly. He's got a big heart and yes, big feelings, and the biggest doe eyes and once he warms up to Steve in the upsidedown he's like an excitable little dog. He wants to go on walks with Steve and sit in Steve's lap and adorn him with kisses and yes, ok, he does bite from time to time but it's always with love. Eddie can be bitchy, but then so can Steve and he thinks it's funny and it almost never crosses the line from funny to cruel, especially not if it's about Steve directly. When he crosses the line, Eddie is quick to apologize once he realizes.

Little does Steve realize that that kind of behavior is almost exclusively relegated to Steve. When Eddie is with others he's just as territorial and aggressive as he was in high school. The kids still get put through the absolute ringer during their sessions, the band still has to listen to his frustrated rants when things don't go how Eddie envisioned them in his mind, and god help anyone who looks at Steve or SteveandEddie wrong on the street. Eddie is ready to verbally eviscerate (or more likely, commit their face to memory and put peanut butter under the windshield wipers) anyone who makes Steve upset.

Boyfriend Lapdog for Steve and Feral Guard Dog Terrier for Everyone Else

[aurumalatus]

kinich x fem!reader, nsfw, don't ask me how nightsoul's blessing works this is just horny posting, spitting, cum eating

kinich who loves extreme sports so damn much. he loves the way it makes his skin prickle, adrenaline pulsing through his veins and rushing through his blood. he chases the feeling, seeing just how far he can push himself, testing the absolute limits of his boundaries.

sometimes, he seeks out that feeling in different ways.

he seeks it out in the rush of the hunt—fighting by your side, soaring through the air and striking the ground with his greatsword. when it's all said and done, he watches you patch yourself up, thumbing at a drop of blood on your lip.

the sight makes his cock twitch in his pants.

and really, he can't help himself—the remnants of nightsoul burst leave his skin hot, burning, and sometimes he just needs a way to release that energy. he watches as you wipe the sweat from your brow, the hem of your shirt riding up and showing a sliver of skin.

he flexes his fingers, breathing out slow.

yeah, he has a lot of energy left.

you're used to it, too, when he gets like this. he's usually so gentle when he makes love to you, soft smiles and brushing touches that always feel like your first time. it's when you go on the hunt together that he gets this needy, this deprived. so, you're not surprised when he pulls you behind one of the trees nearby, already grabbing at your clothes and tearing them off.

you're so cute underneath him too, shivering and writhing at his touch. he bites at your shoulders, at your collarbones, smirking when fresh marks rise on your skin.

he forgets about the time so easily, losing himself in your pussy—it's so warm and tight and only for him. you cum once, then twice, your hole fluttering around him, but he's still not done.

your nails rake down his back, and it stings in a good way. you're begging mindlessly, for what even you don't know, but he likes it that way.

"i know baby, i know," he says, growls, "just give me one more."

"k—kinich," you whine, and it only makes him fuck you harder. he squeezes at your cheeks, forcing your mouth open so he can kiss you, slipping his tongue inside. it's messy, and he swallows up every delicious moan that you give him, then spits on your tongue for good measure.

his skin is still burning. the glowing lines of his nightsoul's blessing flicker over his skin, and you feel his grip tighten over your hips. he's insatiable when he's like this, you think vaguely—can barely think at all. his blessing makes him stronger, makes every thrust hit you deeper.

"g'nna cum," he hisses through his teeth, pounding you with so much force that you have to brace yourself against the tree trunk—even then, it feels like it might snap. "you want it?"

his hand slides down your body, grabbing at your ass roughly, then toying with your clit. your mind nearly goes blank.

"yes! want it, kinich, please," you breathe, your lips only capable of forming his name. your words seem to send him over the edge, and his eyes roll back as his cock twitches inside you.

"archons, fuck!"

the nightsoul's blessing nearly burns you with its radiance, pulsing off of him in white-hot waves. his cum is hot too, filling you up fast, and he sighs at the feeling—at the feeling of making you his.

"that's it," he breathes into your neck, then leaves a small kiss there, still shallowly fucking into you, "take it, baby."

you don't reply, too fucked out to say anything at all. you only look up at him with glassy, needy eyes that make something flare in his chest. he could fuck you again if you keep looking at him like that.

the sight of his cum dripping out of you only adds on to the feeling, and he scoops a bit of it onto his fingers, pressing them to your lips. you suck on his fingers gratefully, eyes fluttering shut with delight.

kinich sighs.

he needs to go hunting with you more often.

[whereserpentswalk]

Reblog to receive your transformation. Look under the cut to see how your choice goes.

Lycanthrope: You can feel your bones shifting, your soul becoming forever fluid. As the moonlight shines on you you realize you can shift, as easily as you could go from sitting to standing. You can feel your hands turn into paws, your mouth become long, your entire body feel so warm and comfy under a pelt of fur. And you can run, through the forests and streets, and you can see and hear and smell like you never had before. And then you can go back, or remain in-between. Yet even in human form it's always with you, like your other form can always be in there waiting, waiting to be let out. You look in the mirror and it's not just you, your human face is just one part of a larger whole now.

Angels blood: it feels painful at first. You cough up what you think it blood but it looks like static. Your eyes start to glow but then wings come out from the back of your head to cover them forever. More wings sprout from your back, they feel nice, strange to move, strange to have new joints and bones and muscles, yet so soft and delicate and sensitive. Your body slowly shifts, as you become slender yet muscular, and you become completely androgynous, your sex organs fall away and any holes to expell waste close up. You feel comfortable all the time, you don't need to eat or sleep, and can't feel pain or tired, you're so strong now, yet so delicate.

Cyborg: You feel yourself being cut open. They decided to take away your sensation of pain instead of making you unconscious, so you feel everything it's just not painful at all. You can feel them cut through bone, dismembering you peice by peice, limbs and organs being gone forever, the strange sensation of body parts suddenly going dark. And then it comes back, peice by peice you get put back together. And your new parts all feel so strange, cold hard metal and plastic, they all move and feel differently then what you're used to, but they all feel so right. When you finally get up everything is diffrent, and when you see yourself in the mirror you realize there's no going back, you'll never be human again, you're as much a machine as a person, yet you're yourself, you're even more yourself then before.

Vampire: When you were first bitten it didn't feel like much, the transformation was slow. You became more androgynous every day. Your skin lost its color until it was entirely grayscale. You lost weight, you couldn't eat, at first you got compliments from weird people but soon you just looked sick, as you could see bones through your skin. Eventually you basically went through puberty in reverse, until you were sexless, and your genitals shunk until there was nothing left. You hadn't eaten in so long, but food seemed gross to you. Soon your mouth began to shift, seeming wounded at first, and then healing, it looked human when closed save for a few lines around your cheeks and jaw, but when you opened it all the way it was a massive complex maw with many jaws and countless sharp fangs, taking up half your face when fully open. After not eating for so long you finally take a sip of blood, from a freind willing to let you try, your veins light up red for a few moments and you feel so good, it's like a mix between the best food in your mortal life, and the joys of an orgasm, and you feel satisfied like you never had before.

Fae: You slowly let the strange tall woman pet your head and you know you're hers. She giggles as she takes out an eye in her hand and puts it back in bloodlessly. She waves her hand over your arm as it turns to living plant mater, and then she tilts her head to see if it fits and turns it back. She smiles, knowing what she'll do. Slowly she starts work, taking away parts and putting back new ones like you're a building toy. You look and see as she tries new limbs, new faces, everything she can think of, your human form being nothing more then a base she can customize. As she painlessly pulls out your teeth and puts gems in their place, and takes off layers of skin to make way for a new exoskeleton, she compliments you and tells you how good you are, and she gives you a kiss on the forehead right before she glues new wings to your back.

Doll: you can see your old self laying there dead, as you look at your new ageless hands. You can't pass for human like this but it doesn't matter, you have visible joins, and a flat unmoving face. It's weird moving without any soft skin. But you look in the mirror and you're so cute, they gave you such a pretty face, and started you off in a cute little suit to wear, with a rose it it's pocket and flowers in your artificial hair. You take a bit to figure out how to walk with your new legs, and everyone who looks at you thinks you're so pretty, not even as a person but as a peice of art, as something human hands made.

Mermaid: You feel yourself deep in the sea. But you aren't drowning. The water goes from blue to black but your eyes can see down here, and your body can live with the pressure. You can see around you as a city below the sea looms above and below you. Your body parts light up to accommodate the shadows, as do the creatures around you. As you start to swim your legs fuse together, and soon there are no legs, no feet, just a long serpentine tail, your body becoming cold and scaled from the chest down. You feel like you're wearing something cold restricting your movements but there's nothing on you. You can breath yet your mouth and nose take in no air. You'll never live with the humans again. Is this home. This is home?

Wyvern: You let the massive scaled creature bow to you and you touch its head. And suddenly you are one. It's like a link is formed and you can't tell where you and and it begins, your instincts, your thoughts, are the same. You can still feel and move your own body but likewise you can do the exact same for it. You can feel what it's like to move with the creature's weight yet elegance, with its sleek slender form, to move its powerful sharp toothed jaws and its delicate yet powerful wings. There's fire within this new body, and when you so wish you can breath it in and out. And it's all so natrual. You can see through both eyes, and you notice it's eyes have your color now, and a human shape, while yourse have its yellow green, and it's slit pupils now. You feel a need to fly that you know will soon be satisfied. You aren't one begin anymore, you aren't just yourself, you are mount and rider, and you feel your other body's wings spread as easily as you'd spread your arms.

Slime: it happens slowly, all of your body going away. First parts just feel soft, then soft enough to poke into, then it's just pink goo that you can move around as much as you'd like. The Flesh transforms but you just have to digest your own bones. The last parts to go are on your head, your teeth melting away as the last remnant of your humanity. Then you can move everything, it's unnatural feeling at first, you don't have individual body parts, just one shapeless mass that can be whatever you want, at one momment you'll be a human shaped thing, but the next you can be a shapeless blob, or anything else. Every part of you can see, and hear, and taste, and eat. You feel so fluid, so free, you are constrained now by nothing.

Living clothing: You let it wrap around you. It's fluid at first, wrapping around you. You can feel it bond to your skin, become as much a part of you as any other layer of flesh. It transforms, it can be any article of clothing, any outfit, all small or as large as long as there's something still on you. And you can feel it, whatever it is you can sense through it, it feels cold and wet in a refreshing way, and when it's something all around you it like a part of you is able to hug and hold yourself. But it's not you, it starts to whisper, and you realize you'll never be alone again.

Spirit: you are nothing. You can feel nothing. Your body is gone, truly gone, yet you can see, you are somewhere. And at just a thought you can be anywhere else you want to be, and look however you want. You can't touch. There is no more touch but you can lift with your mind what you desire. And you can see souls, see thoughts, see the mindscape that humans never can. Yet you're never to feel again. That is unless you possess someone, those bodies do look so possesable, to see what they see and feel what they feel. Mabye you can't just grab someone, but a living host...

Demon: the pact is sealed and your soul is forever gone. You don't feel diffrent, you're still you, but you can see souls, see the people around you have them, and they look so sweet, taste so good. Your true form sets in, as first you look like your ideal self, but then you begin to mutate. Raven's wings come from your back and horns grow from your head. Your eyes redden and teeth sharpen, and your hair becomes replaced with snakes, as a single snake replaces your sex organs. A Scorpion's tail comes out from your spine, and your feet turn into hardened hoves. You feel your new body parts and they feel so good, so natrual, they feel like this is what you were always meant to look like. You can turn back but it'll just be an illusion, this is your body now. Your wings and tail feel so good to move, like they were always meant to be there, like you were missing something without them, and as your snake hair rises it feels so nice, so powerful.

[erinwantstowrite]

Dick and Tim would be REALLY good on reality tv,,, they're both charismatic (please do not forget that Tim makes friends/allies easily just like Dick can), handsome, CLEVER, and know how to play to a persona. i think they'd go on shows for fun and to de-stress. like one too many things piss them off in their daily lives and they could pretty much get a vacation from it just to go on these shows. no one in the family can talk to them and they get to annoy people, crack jokes, and get fun puzzles in the form of a literal puzzle or figuring out social dynamics of the other players.

sometimes they go on shows by themselves but mostly use it as a brotherly bonding activity. if it's a show where they can be a duo they're GOING to do it. and they're going in to play to a storyline, not to win. they don't need the money, they don't need the publicity, they just want to have fun. sometimes if they figure out that everyone on the show sucks and they get competitive, they'll win. but mostly their goal is "how can we make the funniest plot line look the most natural." or something like that. i know a producer LOVES to see them coming. i bet EVERYONE tunes in when they're on a show because they're fucking hilarious even if half of what they say are inside jokes. the rest of the family watches and they KNOW what those shits are pulling, they have betting pools where they guess what the two are gonna do next, they're the FIRST to make memes for both internet and for the family group chats.

one time they convinced Bruce to go (it's been many a years since he really had to play up the Brucie role, cause he's a dad now and the older he gets the more people expect him to mellow out, and even back when he was full Brucie, reality TV wasn't his thing). it was one of those survival based shows where you come is as a team and try to win together. Bruce got lost in the woods after going on a hike. The camera men literally lost him and Tim and Dick were playing it up for the camera. Dick cried and invited the other teams to a funeral. Tim had a speech that was basically "I think he's fine but this is my perfect opportunity to embarrass my dad with stories." The producers were like "we fucking killed Bruce Wayne oh my fucking god" and Bruce shows up at the funeral like "oh what a beautiful service my boys are so great." They won by pure luck and circumstances and they were actively TRYING to lose that game. They were gobsmacked at the end and everyone uses the moment they looked at each other in confusion and shock as reaction gifs

[dcxdpdabbles]

DCxDP: Travel Buddy

"I already told you I'm not going to another country! I'm going to New Mexico!" The shout echoes with frustration across the airport. Dick looks up from his phone to where a man is arguing with a woman behind a counter. She has a pinched grimace on her face, an expression only those who have worked in customer service are familiar with.

It's the look of someone who dances on the line of "I don't need to up with this bullshit. I don't need this job" and "Think of your bills, think of your check, stay calm."

There is a long line behind him, where everyone is making faces at the delay.

Dick often preferred to travel with Justice League tech, as nothing beat the speed of instant teleportation, but he needed to have some records of traveling the normal for his civilian identity. It would be suspicious if he was seen worldwide with no signs of how he got there.

It was a necessary evil to have his loveable wanderlust persona that was Dick Grayson-Wayne. He had taken a few aspects of Brucie Wayne but replaced the playboy reputation with a restlessness that couldn't stand being in one place for too long.

Growing up with people constantly pointing out how attractive he was, which would have been fine were it not for the rich old men and women who leered at him through his teen years. He could not stomach being a playboy, allowing those who objectified him to think he enjoyed their attention.

It was easier to be the easily distracted, pretty son who was always away from home instead. It helped that Bruce had plenty of private jets to gift his son for whatever whimsy urge to move hit him. That was why he was in Illinois today.

Dick's jet had needed to stop for some fuel, and like most commercial airlines, they were told that they needed to wait before heading up again. They may have enough money to afford their own planes, but commercial planes have the right of way.

Then a storm was reported at Gotham Airlines, and his pilot told Dick they were grounded until it cleared up. It could be a delay of six hours.

Dick didn't mind, having told his staff to take a break. If it got too bad, he would buy everyone a hotel room to try again tomorrow. His private jet staff seemed stunned by the offer, insisting they could wait to see if it was clear enough to fly in a few hours.

He had decided he wanted to have some crappy airport snacks, as it was part of the experience, and walked around the airport munching on his chocolate donut. He found a little booth selling local coffee, prompting him to find a seat near the welcome counter and scroll through his phone.

He still had three hours to kill, so he considered exploring the area a little. I suggest finding some hotels just in case. There was little in this place. The closest city was Amity Park, but it was only beside the mall and a decent burger joint; there was little to do.

It was one of those small towns that, despite not having many people, was well spread out due to all the open spaces. The people who lived there either raised a family, retired or had bloodlines traced generations back to the town's founding.

"Sir, as I stated before, you need a passport, and you have to pay for an international ticket to go to Mexico," The woman hissed. Some people in line began muttering about how annoying the man was for arguing.

"All I have is my driver's license. I could go home for my passport. That's no issue, but I am not paying for an international ticket to Mexico when I am not going there! I'm staying in the US! New Mexico is a state!" the man shouts, flailing his long black trenchcoat. It makes the black ponytail swing side to side as he leans on the counter. "How do you work in travel and not know that!?"

"What is going on here?" A man demands, stepping beside the gumming woman. Dick can tell he is the manager just by the way his uniform looks different.

"This man is refusing to listen." The counter lady practically spits and is now leaning well over the "I don't need this job" side of the customer service line. Dick finds himself standing up as the manager gets a quick rundown of the problem.

The crowd was getting impatient, even with the two other representatives slowly calling up the next customer. Curious by the outcome, Dick drifts closer, listening to the man explain that he wants to go to New Mexico to study the enormous reports of violent paranormal sightings.

He was apparently visiting all highly haunted states in the US to write a book about the history of the hauntings, but when he was attempting to get his ticket, the woman had been convinced he was leaving the country. Dick watched in real-time as the manager also seemed to think New Mexico was in Mexico because he began to explain the international policy to the fuming man.

They threatened to put him on the no-fly list if he continued causing them trouble. That angered the traveler even more, and he raised his voice and waved his arms as he insisted the location be within the country.

Dick pulls out his phone, typing with one thumb quickly and pulling up a map of the country. He slid right next to the trio, standing at the stranger's left with an easy smile.

"Excuse me, can I have a moment of your time?" He asks

The woman's frustration is now nearing its tipping point, but the manager must have recognized him, for he hastily scrambles to make his expression more pleasant.

"Mr. Grayson-Wayne! Please give me one moment to sort this out. I can help you if that's okay with you. I'm sorry for the delay. Karen, call security to have this man escorted out."

"What!?" Demands the guy as the woman grins.

"With pleasure."

"New Mexico is a US state, " Dick cuts in, displaying his screen. "It's been one since 1912, I'm afraid."

The airline employees are pale as they stare at his phone before the manager pulls it out of his pocket and types rapidly on it. A few seconds later, his already white face goes even whiter.

Dick considers the man next to him, who has a grin starting to bloom on his face. It's a pretty handsome face if he's honest. A dig has him looking away towards his phone.

It's a message from his pilot. It seems the storm was due to Mr. Freeze, and they weren't expecting it to clear for at least four days. He was asking if there was anywhere else Dick wanted to fly to.

"I'm so sorry. I'll bump you up to first class." The manager says to the stranger, who is looking rather smug now. Dick considers his pilot's question before thinking, why not.

He does have an image to uphold, after all.

"Would you like a ride in my private jet? " Dick turns to the man, who blinks at him while cutting off the rambling of the woman and the manger. "I can drop you off wherever you want in New Mexico. Where were you headed?"

"Ugh, I wanted to visit Dawnson Cemetry, " the man stammers. "I-do you really have a private jet?"

"Yeah. Would you like to go with me?"

There is a moment of hesitation before the man grabs his wallet off the counter and nods. "If it's not too much trouble," he responds cautiously.

"It's not. I'm Dick Grayson-Wayne, by the way."

"Danny Fenton."

Dick waves the two employees away, winking at them as they slump in relief that Danny doesn't seem to want to make this into an incident. Likely, he had just been upset they weren't listening.

"Most haunted places in the US, huh?" Dick asks while sending a text to his crew. He gets confirmation that they can head over to the southwest post haste. "Aren't you scared of ghosts?"

Danny gives an odd little smirk. "I haven't been afraid of ghosts since I was fourteen."

Dick stares at his mouth a little too long, swinging his gaze back to his phone when he gets a message from Bruce. His dad had been informed of the flight change and was using the coded message to confirm Dick being the one to change it.

He types out a response, ignoring the fluttering of his heart. If he checks to see what other states are highly haunted as Danny looks around his jet with a fallen jaw, that's only because he has four days to kill.

[yeyinde]

Brain went brrrrrrrr

Price and the new 141 member getting into an argument. Price is all like if you don't behave ill take you over my knee girl.

She's all like I fucking dare you or you'll have to catch me first or even you don't have the balls.

🫠🫠

i’ve always wanted someone who was super by the book to clash with John “i routinely tell my superiors i’m going to maim/murder/hang them” Price. this gave me the perfect opportunity to do so. 

noncon spanking. abuse of authority. power imbalance. size kink. mean, dom!Price. forced submission.

You have this way of getting under his skin. 

An impossible itch. No matter how many times he picks and prods at his flesh, you worm beneath the dermis, burrowing deep. Sitting pretty against his goddamn bones. Festering. 

Incurable. 

He turns to vice to stem the irritation. Cigars. Whiskey. His hand shoved down his trousers like he's a fuckin' boy and not a man on the wrong side of forty. 

Thinking of you—of breaking that smart mouth of yours on his cock. 

It's the way you saunter around with your head held high, balancing golden eggs on your crown, that irks him something awful. The patronising drawl when you huffily remind him that what he's doing is breaking seven, no, ten, different laws, Price. You can't just do whatever you want, there are rules—

And that's the crux of it. 

A difference of ideas. Experience. You still see the world in shades of black and white. Good and bad. Unwilling to acknowledge that the line between is saturated and blurred. A putrid muck that traps all. Bogish. 

He knew it was a mistake when they sent him your file, asked if he needed the additional help. Hostage negotiator. He's heard of you. By the fucking book. You recite passages like it's gospel, turning printed words into a knife. A terrible fit for a team that works in the pivotal no man's land you claim doesn't exist. 

Yet—

He takes you on. Brings you in. Buries his anger at your fucking gall deep in his chest where it rots. Grows. Swallows down the rage, apoplectic fury, when you undermine him at every opportunity, citing laws and regulations like it's a fucking prayer. 

A calamitous decision, he knows. Terrible. But—

Despite it all, you're good at what you do. Brilliant. A budding rose germinating in fecund soil. You'll grow into something wild, won't you? Something untamed. 

Under his hands, you'll bloom the prettiest. He knows this deep in his bones. But—

“You're breaking the rules, Captain—”

—pedantic little thing, aren't you? 

Obediently following the wrong master. 

It irks him. He's been known to step on the toes of his superior officers for less, caustic words hissing foul from between his teeth. 

But unlike them, you're worth something. Even as the moral antithesis to his utilitarian dogma, he sees your potential. How you can shape this world dangling on a brittle thread if you lay down your senseless principles and follow him. Listen to him. 

But of course, you don't. 

And he supposes he ought to have known better. It's dripping gasoline over an open flame. The sequence of events is easily premeditated, seen, when you refuse to listen to what he says (“it's against the law, Price!”), walking away from him, his team, the mission, and take matters into your own, morally righteous hands. Bringing his underhanded methods to the desk of your superior officer, demanding he be investigated for crimes. The result is a loose warning from someone in a suit several sizes too big for them, and your fury when he pulls you back, has you assigned to another mission with the 141, with himself. Preens at your glower when you march back into his office, into his hands. 

In the fallout, he has no one to blame but himself, really. Anyone could have seen this coming. But the thing about shirking his morality in favour of a better outcome—above all else—is that he doesn't have to. 

And so, he doesn't. 

No. He blames you. 

(How perfect for him, then, that there's no one on base except you and him.)

“If you think I'm not going to report you again if you do something illegal, Price, you're wrong.”

He scoffs, shaking his head at your fucking audacity. 

"Better watch that mouth of yours, Sergeant, or you won't like what happens next." 

His palm itches when you look up, offering him a slow, feline blink. Leonine eyes creasing at the corners. 

"And what is that, sir? I'm just doing my job—" it's whispered breathlessly, all faux professionalism even as jest leaks down your brow. They pinch, then. Drawing together in a mockery of confusion. "Isn't that what you wanted me to do?" 

"What is that, mm?" He mocks, arms folding over his chest. He has to breathe through his nose for a moment. Gather himself together before he does something reckless, something like— 

It's the defiant little jut of your chin that does him in. That unravels this fraying knot of control until threads slip through his fingers. Falling too fast for him to clench down on them. 

He's threatened his superiors for far less. His kin, teammates. You have no one to blame but yourself for this, really. No one at all when he pulls his hand from where it's tucked under his armpit, curling rough, worn fingers around your wrist. Pulls you close, wrenching you into his chest until your nose bumps the buckle of his vest. 

"'m'gonna take you over my fuckin' knee, is what's going to happen." 

Your swallow is a gunshot. “You—you wouldn't dare—”

He leans in close, closer still. Breath scorching over your cheek. Preening when you bare your little teeth at him. “Wanna bet on that, Sergeant?” 

It's easier than he would have expected to wrangle you over his knee, pinning you down with an arm across your lower back. The height of his chair keeps your front bent, belly pressed against his thigh. Ass seated perfectly in his lap. Precious gem. 

He hums low in his throat, teeth sinking into the butt of his cigar as he locks you tight against him. Grabbing your wrist, twisting it up behind your back. Holding steady. A warning. 

The dangerous twinge in your bone stills you. 

One wrong move and he'd snap it in half. 

This has you taking a different approach, legs falling limp over the armrest. Head dropping over the other side. Malleable in his grasp—however artificial it is.

“Price—” you breathe, winded. Panic on a spindle. “What are you—what do you think you're doing—?”

He hums, mouth tense around the cigar. Words muffled, slurred. “What I should have done a long time ago.” 

“What—hey!”

Your words pepper off into a choked scream when his other hand falls to the hem of your pants, grabbing the fabric in his fist. The shock fades into indignation. Anger. He tastes it in the air as your hips squirm, legs kicking at nothing. Furious little growls spilling from your lips as you thrash, unconcerned by the ache in your bone. 

“Better keep still, love,” he taunts, mouth curling over his teeth as he twists his hand high, higher, up the small of your back until your fingers brush the skin between your shoulder blades. Any more and he'll break it—

“I'm going to fucking—!” It ends on a whine. A whimper. The pain makes you shiver. “Fuck, fuck—stop, stop, ow, stop—!”

“Not a fan of a little pain then, mm?” 

Your breath is ragged. Paints the air in a fine mist of defeat. He has you. The only option out of this is breaking your bone, a threshold no one is willing to cross. 

Price purses his lips back around the cigar, inhaling once, thrice, before he slips his fingers out of the hem of your trousers, reaching up to take hold of the cigar. It's all so matter-of-fact. So nonchalant when he places it in the ashtray. When he brings his heavy, warm hand back to your ass, curling his fingers beneath the fabric. Pulling. Tugging. 

They come off easier than he'd expected. A harsh tug, and the cleft of your ass is revealed. Plush skin curving enticingly as he rips them down to mid-thigh—panties and all. 

The shock fades back into indignation. You hiss something foul under your breath that makes him huff out a chuckle. 

“Not really in the position for that, are you, love?” 

“Shut up—”

He likes the way you sound like this. Feral. Furious. There's ash in your throat. It blots soot around each word, giving them weight. Gone is the woman who barged into his office, sniffing like you smelled something foul. Backing him into a corner. Sputtering in his face about rules. Regulation. 

Now you're bare-assed, panting, in his lap. Small little fawn in the maw of a bear. But oh, do you fight back—

Teeth bared, indignation bleeding into embarrassment, blotting pink in the whites of your eyes.

The sight is hewn into his hindbrain. 

“Look at you,” he purrs, petting your cheeks. “Been beggin’ to be bent over my knee since you got here, haven't you?” 

“Begging? Don't be—ahh!”

He brings his hand down with a small huff, eyes glued to your flesh. Watching it shake under his hand. The width of one swallowing up an entire cheek. So big is he that you're nearly made infinitesimal in his clutch. The thought makes him groan.

You squirm more in shock than discomfort. Head craning over your shoulder, eyes misting over with tears. Glaring at him. 

“What the fuck, Price!”

He strokes your skin, feeling the heat of your flesh bleed through his palm. Resilient little thing, aren't you? He huffs again, blood buzzing. Electric. There's a kindling fire in his guts. Embers sparking, catching. 

He can't deny how badly he's been wanting to have you like this. Craving your tears, your agony, your submission.

“Count,” he barks out, rough. Abrasive. “You're getting ten. Count ‘em for me, and if you miss one, I'm adding two more.”

“You're crazy, you're—!”

His hand comes down again. The impact shakes the fat of your ass. The strike makes you yowl, thrashing to get away. You don't get very far, still trapped in his hold. The threat of a broken bone keeps you from lashing out too wildly, and all you can really do is sit in his lap, and take it—

The notion has him groaning low in his throat. Something wicked spooling in his veins. Wanting. The sight of you heaving, bare-assed, and begging for mercy unleashes something inside of him. Something primal. Starving. 

Price takes a breath to steady himself, head buzzing. Heart pounding. It feels like the euphoria of nicotine—all bliss, sedation. Ease. 

Cathartic. 

“I said count,” he rasps, words cinder in his chest. Smoke. Dragged up from that burning pyre in his belly. Nocuous, hungry. “That's an order, Sergeant.” 

His hand is scorching against your skin. Thoughts turning over themselves as you hiccup in his lap. So pretty, he thinks, eyes flitting over to you. Taking in the sight of your shock, your denial. It tastes like fine wine on his tongue. Heady. 

“Here comes one—”

“One?”

“I told you, didn't I?” His nail rakes across your skin, cruel. Mean. Something preens when you gasp. Your pain perfuming the air. “M’addin’ two more if you don't count. Thought your speciality was listenin’?”

You scowl, twisting back to level him with an awful sneer. “Oh, fuck you—!”

His hand comes down again, harder this time. Vicious. The scream is tangled in your throat, gagged. He feels pleasure—dark and ugly—bloom in his chest, dripping, liquid, down the length of his spine. The twist of agony on your face is beatific. 

“Not gonna count?” He taunts, pinching your inflamed flesh between his thumb and forefinger. “We're gonna be here all day at this rate, love.”

He leans down, broad chest curling over the small of your back, hand cupped possessively over your cheeks. “But maybe you want that, mm? Maybe all this, mhm, insubordination has just been for show. You wanted this. Wanted to be taken over my knee—”

“You're wrong. I haven't—” it tapers off into a squeak when he pinches your flesh again. 

Price pulls back, breathes shallowly through his nose. 

“You and that smart fuckin' mouth. Told you it was gonna get you in trouble—”

He doesn't wait. His hand rears, and comes down with a loud smack that echoes in the sparse office he has you trapped inside. Your howl races alongside it, curling up the walls. Beautiful in all its agony. 

“Christ—” it's a dagger to his resolve. You sound so fucking good howling like this. Oscillating between feral anger and pain, hissing vitriol between clenched teeth. Choking on sobs. 

The first few are experimental. Testing the waters. Feeling. You're combative during it all. Fighting. Screaming. Each strike is uncounted, echoed only with a plea for help. One he knows won't come—

The only person on base is his Lieutenant. Ghost knows better than to barge in on his affairs. 

“No one's comin’, love,” he grunts, sweat beading along his hairline, dripping down his temple. The room heats along with the blood in his veins, stifling and oppressive. He reinforces each hit with more strength, increasing the tempo until you're screaming on his lap, begging for mercy, mercy, please, please, Price stop, stop—

Your skin raises with each new strike. Swelling. Becoming inflamed. The perfect imprint of his handprint sits on each cheek, edges intumescent. The globes shake, shuddering deliciously under each hit. 

He gets to eleven before you break. Tears streaming down your face, voice a threadbare whisper. Hoarse from screaming. 

His hand rains down, slaps your left cheek so hard it stings his hand. Burns. You whimper. Mewling. Squirming on his lap, and then—

“O–one—”

He grunts, feels himself thicken in his trousers. “Good girl.” 

You shudder, body breaking out in goosebumps. “Price—”

“Ah, ah, love. You're not allowed to speak unless you're counting.”

He hits you again, cock throbbing when you tense up, sniffling. Grinding out a soft two between trembling lips. 

You don't break the way he wants you to. There's a glare on your face despite the tears, the sniffles. A defiance that burns over the bridge of your nose. 

But that's fine. He has eight more strikes to ruin you, doesn't he? 

He sets to it with a low moan, your pelvis pressing taut to his tumid cock, the friction raging in his guts. 

But that, he finds, isn't really the point. No. The pleasure, the arousal, is secondary to the way you fall to pieces at his hand. Flesh stinging his palm with each loud smack that rings out sharply in the room. Uneven breaths. Shuddering little ah-ah-ahs that tumble out through clenched teeth. 

It's addictive, this. Therapeutic. 

There's static in his head. White noise. It renders everything else mute. Moot. Molasses drips down, thick and entrenching, congealing over every churning thought in the back of his head. There's a sense of peace, ease, he hasn't felt in years. In decades. 

He feels his belly knot each time your ass jiggles, skin bulging up from the trauma of being hit so harshly. Chafed under his palm. Welts forming in the shape of his hand. A tattoo you'll have for weeks when he's through with you. Aching each time you try to sit. And fuck—

You'll think of him. Of this. Being taken over his goddamn knee like the bad fucking girl you are. Broken in over his lap. Helpless. Submissive. 

The whimpers fade, replaced with shallow hiccups. Your throat is torn. Raw, ruined, by your screams, yowls. Each rasping whine sends jolts of pleasure down his spine. Liquid want molten in his marrow. 

“S–seven, nngh—”

The moan slips out—scorched, bleached���and drills deep into his loins. 

He peels his gaze away from your blistered skin, glancing at your face, but you duck from his view. Hide. Dropping your head over the armrest. Evading him. 

It's new, this. This meekness. 

You were so combative, so feral before. His gaze rakes down the expanse of your spine, over the curve of your cheeks, before settling, hot and heavy, at the crease where your thigh meets your pelvis. You squirm in his lap, thighs sliding together. Rubbing. It's no different from before when he'd spank you, but—

He catches it. 

It glints in the soft light when you move, and he feels something dark, ruinous, curl in the tar-stained fibrils of his chest. Congealing in the crevasses. Hardening. 

Price flicks his tongue out, swiping over his lower lip. The bristles of his beard graze the soft flesh, prickling across it. His throat is suddenly dry. Parched. 

His hand comes down again, notably softer than the other hits he subjected you to. Almost—

Tender. 

This isn't meant to hurt. Not this one. 

He strokes his finger over your skin, cock throbbing with the rasping gasp that spills—a twisted amalgamation of pain, skin still smarting, burning to the touch, and—

His lashes flutter. Nostrils flaring. 

Your slick, wet, between your inner thighs. 

He slides his hand down, down, until your ass cheek is cupped in the bracket of his thumb and forefinger. Nestled tight. A perfect fit. The sight of your skin—soft, so soft—against his bearish, hirsute paw is sickeningly addictive. He grunts, pressing his thumb into the crease between your cheek and thigh. 

“P–Price—”

And then he pulls, moaning deep in his chest as he peels the fat of your ass away, unveiling your cunt to his rapacious gaze. Fuck—

“What’s this?” He taunts, breathless. Pinched. You squirm, trying to press your thighs together. Hiding your pussy from his scorching stare. He doesn't let you. “Gettin’ off on me spankin’ your arse?” 

“N–no, I'm—”

He pushes his thumb up, sliding it over your skin. Gathers your slick on the tip. “Don't lie to me, mm. You're fuckin' soaked.”

The air is punched from his lungs. Spills out in a wretched grunt. In the vacuum, something grows. Knots. Festering inside his chest. Animalistic. Primal. There's an itch in the back of his head. 

He lets go of your arm, knows you won't run. Won't try to escape. No. 

You're a good girl, aren't you? One who does what they're told. Follows orders. It tangles in the soporific slurry of his head, pitching a bivouac of need when you bring your arm down, curling it through the gap of the armrest, holding tight. 

Bracing yourself. 

His hum breaks in his throat. He drags his hand away from your cunt, reaching for the snuffed cigar idling in the ashtray. There's a fever in his veins. It makes his hand tremble. Shake. He needs the blunted drag of nicotine to quench this heady anticipation blooming in his guts. A brumous storm gyring inside him, an incipient maelstrom of want thickening. Intensifying. Threatening to spill over. 

He needs something to steady himself before he tears into you like a beast—

You cock your head over your shoulder, staring at him with eyes drenched in midnight ink. There's a flicker across your tear-stained expression. Something coy. Feline. Leonine. 

There's nothing said. Nothing needs to be. He finds what he's looking for in the fracture of your mien, and scoffs under his breath at your sheer gall. Little fuckin' minx. 

Tobacco proves to be a paltry facsimile when he draws in a bursting mouthful. The restive glow of it dulled under the adrenaline coursing through his veins, heady. Syrupy. A roaring deluge of anticipation broiling in the balmy air, crackling around him like a storm cresting over the horizon. Ozone saturates in the thickening atmosphere. 

Something will break. Shatter. 

He tenses, waiting for the first stormcloud to breach, and drops his hand back to your tender ass. Stroking over the raised welts just to make you gasp. Your hips flex under the shocks of pain riveting down your spine, undulating in his lap. Pitched perfectly over his cock. 

His breath shudders through a needlepoint. The friction is electric. 

In petty retaliation—and just to see you squirm—he trails his knuckles over your heated skin, luxuriating in the way you shiver. Head falling back down over the armrest, beautifully alluring in your vulpine submission. His fingers dip between the cleft of your cheeks, feeling the slickness sticking to your soft, sensitive skin. Soaked between your thighs. Wretched girl. 

His index and middle finger slide over your slit, parting your folds. He feels the small pulses of your drenched hole against his flesh when he slides over it with the press of his fingers. Eager little thing.  

He hums under his breath at the sight of his hand seated across your hand, fingers shoved between the globes of your smarting ass. Soft and tender to worn and gnarled. The cropping of dark hair over his knuckles, his hand, against your bare skin is obscene. The picture of sin with your stricken flesh and his thick veins. The contrast curdled in the back of his head, morphing into something ugly and wanting. 

Idly, he thinks of making you bounce your sore ass on his lap later, your pussy swallowing up his fat cock. Taking it all the way to the root. Over and over again. Breaking you on it until you're begging for mercy, until this little attitude of yours is crushed between his teeth. 

Slick gathers against the rough pads of his fingers, drenching them. The hair on his knuckles is matted down, wet with your arousal. Naughty girl. He'll make you pay for that. 

And for the puddle seeping into his trousers. 

You mewl when he slips, sliding over your clit. The noise spilling molten over your lips, bludgeoning into his loins. 

He drags in another mouthful of smoke. Lets it rot between his teeth as he drops the cigar into the ashtray once more, attention riveting to the slip-slide of your slick thighs rubbing together for friction against your aching clit. Cunt pulsing needily against his hand. 

You haven't learned a damn thing at all, have you? 

Smoke funnels out of his nostrils when he growls. “Spoiled, aren't you? Need to be taught a lesson in respect.” 

“I, ah, am respectful, Captain—” 

He sucks in a breath between clenched teeth. This lippiness of yours grates on his nerves. He wants you begging for mercy, limp in his hold. Pretty doll. Waiting obediently for him to put you back together again. Soft and submissive at his heel. 

“Got three more to go, love.” You shiver when he strokes over your ass. Petting gently with wet, tacky fingers. “If you're a good girl and take it for me, I'll play with your pretty cunt, mm. You'd like that, wouldn't you?” 

Price brings his hand down, grunting when you moan out his name. Sharp and needy. Your plaintive posturing is a spark inside a tinderbox. 

“E–eight.” 

The next one is harder, sharper. The force twinges his joints. Rattles through his bone. 

It's unexpected, and the pain makes you yowl, body drawing tight like a bow. There's no pleasure when it's like that. No friction against your cunt. It's just—

“Price—!” You yelp, shrill and distressed. The lead up to this has been child's play. A soft hand to tender a nervous mare. 

His old man taught him to never strike with the whip first but to wean them slowly. 

He waits, humming mockingly to your pettering whimpers as you heave, tremulous, into the air. Shuddering in his grasp at the aftershocks of agony rippling through your body. 

Waits. Waits. And—

“Ah, ah,” he tuts, cooing low and condescending when you gasp, craning your neck to level him with an imploring, pleading stare as you stammer out a frenetic nine in a breathless rush. Tears soak your lashline, clumping them together when you blink through another deluge pooling against the rim. Your lip wobbles. The stream breaks, spilling over. Fresh tears run down your wet, sticky cheeks. 

There's real panic in the whites of your eyes now. That haughty, pedant gleam buried under pyretic desperation. Gone is the coy twist to your lips. The wily little bloom of amusement in your gaze. 

Aw, poor thing. But—

Too late. “You didn't count. You know what that means, love.” 

That knot in his chest unfurls, and leaks acid into his lungs. This want is corrosive. A poison. The sob breaks through your chest. The first thunderclap. He relishes in it. Leans back in his chair to bask in the potency of your unmaking. 

“Good girl,” he husks out, burning lungs spewing black smoke into the air. “Just ten more now, love. Know you can take it for me, can't you?”

Pretty thing. He'll have that haughty attitude snuffed out before the end of the night. Have you begging for his touch, his cock, him, before the sun draws across the horizon. 

Your ruination at his hand. The thought strokes along the kindling smouldering inside of his chest. Burning away at the pyre he's been building since the day he met you. When you looked up at him, pretty in your scorn, and disobeyed his command. Undermined him. So righteous in your fury. A burgeoning flame he wanted nothing more than to snuff out under his heel, and now—

Wide, wet eyes plead with him. “Please, Price. Please, please. I'll be good—I promise I'll be good, sir—”

—ash in the palm of his hand. 

He strokes over your searing flesh, humming softly under his breath. “I know you will, pretty girl—” basks in the hiccup of relief you let out, lets it glue in his ears, echoing over and over again. So sweet. 

He lets your relief live for a moment. Take its first breath of air through aching lungs—

“But I told you, didn't I? That I'd take you over my knee.” Price pats his hand over your cheek, shushing you when you startle, squirming on his lap. 

“Now. Be a good girl and count for me, mm?”

[irisintheafterglow]

a kaiju attack spoils date night with bf!hoshina. he is so pissed.

cw: canon-typical violence, swearing, mild angst/fluff, happy surprise ending

"is it just me, or does the vice-captain seem angrier than usual?"

"maybe he's just fired up. there's a lot of yoju for him to take care of," iharu observes, scanning the emptied streets from the rooftop of an evacuated office building.

"you idiots really don't pay attention at all, do you?" shinomiya mumbles under her breath, pinching the bridge of her nose. the rest of the officers with her stare at her blankly. "it's thursday, geniuses."

"is there something special about kaiju appearances and days of the week?"

"not that i've heard of," kafka states, scratching his head with a finger. "did new research come out?"

"maybe it's because of the full moon," haruichi says and the other men look up at its soft shining light, nodding in understanding.

"that makes a lot of sense."

"but why would that make the vice-captain angry?"

"maybe he's a werewolf," iharu whispers with sincere worry. "maybe kafka's not the only shapeshifter in our division."

"it's date night, you meatheads! the vice-captain's supposed to be off-base and relaxing," shinomiya explains impatiently like it was written on the floors in fluorescent paint. "he's probably angry that the attack came right when he usually picks up..."

"picks up who?" the officers stiffen and quickly fall into perfect lines. you smile at their professionalism and try not to laugh at how quickly they changed their gossiping demeanors. "you know, officers, you should be careful about what you say in regards to the vice-captain."

"our deepest apologies, platoon leader," kaguragi monotoned, ever the perfect soldier.

"at ease," you command them. "you have nothing to apologize for. i'm simply warning you of what might have happened had it not been me passing by."

"understood, platoon leader," izumo confirms. "if we may," he continues slowly and you can see the rest of the officers eyeing him warily. "were we...correct in our assumption as to the reason for the vice-captain's mood?"

"the werewolf assumption or the assumption that only shinomiya was correct about?" everyone but shinomiya reddens, looking down sheepishly at the toes of their suits. the axe-wielder straightens her shoulders with a proud glint in her eyes. "to answer your question, it would be the latter," you answer with a poorly-hidden smirk. "he'd barely knocked on my door when the alarm sounded."

"oh, i bet the vice-cap was seething."

"he definitely was," you confirm, recalling the colorful curses he uttered as you both begrudgingly shed your nicer clothes for your combat suits. i was supposed to take off your clothes under different circumstances, he'd lamented. don't go thinking our night is canceled because of this. i'll finish them off quickly for you.

your relationship with hoshina was no secret, considering that he talked about you whenever he was given the chance. every kdf member on base knew you preferred to keep your romantic life as private as possible to avoid questions of power dynamics from higher-ranking officials. hoshina, however, either didn't listen or didn't seem to care. he happily declared thursday nights to be date nights, threatening intense punishment for the officers below him if they caused trouble while he was gone. a static-filled message from the scouting teams sounds in your earpiece and you dismiss the officers, moving to join the vice-captain at the front line.

judging by the slowly increasing trail of dead monsters covering the asphalt, you find hoshina easily as he cuts a clean slice through a fast-moving yoju. you change the frequency on your earpiece so that you're directly connected to his.

"someone's been busy," you remark, pulling the batons from your back and electrifying them with the switch by your thumb. they hum in your hands, electric blue lightning crackling in sync with the released power of your suit. "save some for me, would you?"

"any other day, i would," he replies and you hear him smile despite his annoyance. "but it took me three months to get those reservations, so i wanna finish this up quickly." another yoju falls, your boyfriend a phantom blur in the darkness.

"are you calling me slow?" your hand plants itself on your hip as you continue to watch him cut down enemies, barely moving from your place between the dead kaiju. "i can't believe my boyfriend thinks i'm slow. here i thought you were my biggest supporter."

"that's not what i said," he huffs, the slightest waver in his exhale the only evidence of exertion. "i'm just faster." he pauses for half a second to catch his breath, and you snag your chance to overtake him.

"hmm, i think i'll take over for a second, then." launching yourself from the ground, your feet run perpendicular against the wall of a crumbling building as you close the distance. you can feel hoshina's attention on you while you dodge the yoju's swinging limbs and sink your batons into the skin covering its core, electricity surging through its body as it falls with a loud thud. "how's that, mister i'm just faster?"

"cute," he admits, offering you a hand as you hop down from the monster's head. you're shoulder to shoulder facing opposite directions and catch the challenge in his eyes as you look at him over your shoulder. "but i know you can go harder."

"go your fastest then, soshiro," you dare. his throat bobs as he swallows thickly, a subtle sign that you'd thrown him off. "i'll do my best to keep up."

---

"so, this is not how i wanted date night to end up," he says through a mouth full of noodles, slurping them loudly from the bowl on your living room coffee table. "and i'm sorry we couldn't go to that fancy place."

"to be fair, the website didn't exactly update its hours immediately," you remind him. "how were we supposed to know the place got demolished in the attack?"

"true, but i made you get all dressed up for nothing," he grumbles, accidentally dropping a vegetable and splashing broth onto his face. "ow." you snort against your spoon, setting it down in your bowl and swiping over the corner of soshiro's mouth with a napkin. "this was my favorite shirt, too. worst date night ever."

"good thing there's this place called the cleaners, babe." he continues to frown despite your unending patience, letting you clean him up while he indulges in staring at you in your nice clothes. you could make anything look pretty, he thinks, staring unashamedly at you wrapped up in a blanket and covering your going-out clothes. "hey," you murmur, gently grabbing his chin and turning him to face you. "i don't mind."

"you don't mind what?"

"this kind of date night."

"but we could do this anytime," he mumbles, avoiding your eyes. you shake your head, pushing away your food and climbing into his lap, your legs on either side of his hips.

"no, we can't. we don't know how many times we get this in our line of work," you point out with an ache in your chest and he finally blinks up to look at you. "so i'm grateful for any time i get to spend with you, soshiro." his throat bobs again, but he manages to give you a small smile.

"you're too good for me, you know that?"

"if you say so," you shrug, leaning down until your lips barely brush his.

"but, you know," he murmurs and you pull back, staring into his starry eyes. "there's not a lot of nights," he inhales, reaching behind him to grab something from under the couch's throw pillow, "where i get to pull this move."

"what're you--ohmygod." he smirks at you as you blink down at the small box sitting in his hand, covered in crushed velvet and embroidered with gold. "that's-you didn't..."

"i did," he whispers, memorizing every inch of your shocked expression. "so," he pushes open the top half of the box with his thumb to reveal something that sparkles even in the dim lights of your apartment, "please--"

"yes!" you scream before he can finish his sentence, your excitement echoing off the walls as you both break out into wide grins. "holy shit, yes!"

"baby, i didn't even ask the whole question," he chuckles, giving in and slipping the ring on your finger. "what if that wasn't the question i was gonna ask?"

"i'd skewer your head with my batons," you smile sweetly and he hums, admiring the jeweled band in the light. "that was the question you were gonna ask, right?"

"of course, sweetheart," he assures you, finally leaning up to press his lips against yours. "you're the only one i'll ever let keep up with me."

"you gonna marry me, hoshina soshiro?"

"i'm gonna marry you so hard, the entire base will know." you fondly remember your conversation with the officers earlier in the night.

"darling, i think they already know."

if you enjoy my writing and would like to support me, you can buy me a coffee on my ko-fi! commissions and nsfw requests can be sent through my fiverr! you can also check out my full masterlist here :)

[ckret2]

I might tweak some details later (jewelry? take the ribbon off the bow?) but I've about got a Scalene design I like. The lipstick is really the centerpiece of the design. Now let's infodump! With more art!

🔺 Notice her lines are a a little curvy. It's not for artistic effect. She's got a Fictional Polygon Physical Disorder that makes her bendier than she should be—meaning, among other things, sides that curve and flex.

🔺 It's also the kind of condition with symptoms that are romanticized by people who don't grok that it's a debilitating medical condition. Sides that curve and flex? How exotic! This went to her head in the wrong ways.

🔺 Bill was born with the same condition. You know how squishy and blobby he was as a baby? Thaaat's genetic! He was a lot squishier than most babies! And, consequently, more adorable.

🔺Scalene dreamed of being a famous super model. Was actually a teen beauty queen at mid-tier beauty pageants. She thinks it's always somebody else's fault she wasn't more successful.

🔺 She took Bill to his first baby beauty pageant the day he was born. He did, in fact, have a Best Baby Ever award presented to him by the mayor, but to be fair he was only competing against like 6 other babies and who's going to withhold a trophy from a newborn on his birthday? Anyway the 6-12 month group and 12-24 month groups also each had a Best Baby Ever award.

🔺 This was an absolutely bonkers thing for Scalene to do.

🔺 What's that small scrunkly thing doing at a pageant, he can't even see color yet.

🔺 Their fictional squishy medical condition doesn't just accidentally make shapes cute. It's the kind of condition that affects just about all parts of the body: sides won't stay straight, poor muscle tone resulting in instability & weakness, poor motor coordination & clumsiness, back aches & pains (well, triangles don't have "backs." side aches?), easily dislocated joints, and increasingly skewed sides with age. Just about everyone in Scalene's family is born equilateral and ends up extremely scalene after young adulthood. The rest of her family have normal relationships with their condition, she's the only one who's weird about it

🔺 She was very rough on her body in pursuit of pageantry success, but her physical symptoms & associated chronic pain got a lot worse due to having a kid; she had to retire from pageantry for good. She doesn't blame Bill for this at all. Out loud, to his face. (If she hadn't been so rough on herself in pageants, having a kid probably wouldn't have impacted her health this much. She doesn't consider this.)

🔺 She's weirdly intent on seeing Bill become the success she wasn't. He's her little golden child, he deserves to be seen as the greatest! He'll show them how great he is for mommy, won't he? He won't let mommy down, will he? When he's very young, she takes him to child pageants—he'll appreciate the lessons they taught him when he's older—and this lasts until he finds out he can get out of it by pyrokinetically setting the stage on fire.

🔺 She jokes ("jokes") that she didn't realize that when she was having a kid, she was firing herself from the pageant circuit so she could hire & train her own replacement. These jokes had no long-term impact on Bill at all!!!

(Compare/contrast: how we're told Stan's "You watch the movie, you scare the girl, the girl snuggles up next to you, next thing you know you gotta raise a kid, your life falls apart" is repeating something he heard his dad say.)

🔺 Did you know that squeaky baby shoes are sometimes medical devices? Squeakers help children with poor muscle tone and delayed motor skills learn how to walk correctly: it makes them want to walk on their heels instead of their toes so they can hear the squeak. Did you know sometimes oversized squeaky baby shoes are worn by young kids who need ankle braces? Did you know that kids with poor motor coordination can take a longer time to learn complicated motor skills like tying shoelaces rather than using shoes with velcro straps? It sure is interesting that baby Bill's most defining visual feature is oversized squeaky sneakers with velcro straps and that he kept wearing velcro shoes until he was 16!

🔺 As a baby, Bill's angles were technically supposed to be equilateral,* but thanks to his inherited condition, his angles were so loose his top corner practically formed a right angle. Not good: the closer a triangle creeps to being obtuse, the more likely he'll have muscle strain and medical issues from his organs being squished out of place by his own exoskeleton.

(*supposed to be equilateral: but after receiving treatment, they discovered his angles were still 60º, 60º, and 60.1º, which is mathematically impossible for a triangle... on a euclidean plane. But on a non-euclidean 3D plane, such as in spherical geometry, a triangle's angles can add up to more than 180º... and it's this slight 3D flex to Bill's body that lets him see up into the third dimension.)

🔺 For his first few years of life he actually had a hypotenuse, until physical therapy and side braces helped him improve his muscle tone. Sometimes he still reflexively refers to his base as his hypotenuse. It's fine, sweetie, it's nothing to be embarrassed about, mommy had a hypotenuse too. Don't tell anyone.

🔺 Scalene took baby Billy to a lot of doctors as a kid, just like how she was taken to a lot of doctors! Doctor for his side braces, doctor for his physical therapy, doctor for his shoes... doctor for his eye when he started talking about seeing white glitter at the edge of his vision. Scalene didn't have that symptom, but the eye doc said their condition does occasionally come with visual problems—blurred vision, lazy eye, visual field defects... It sounds like Bill's main field of vision is unobstructed, but if the visual snow he's getting in his peripheral vision is distracting him and confusing his little toddler mind into thinking it's something real, they can give him a medication that'll narrow his field of view. From the sound of it, he's not seeing anything important at the edge of his vision, anyway.

And she only wants what's best for her golden child.

🔺 Scalene's "bow" is actually a medical device: sort of like a medical corset, it helps tug and press her anatomy into place to reduce pain. Bill started wearing one preventatively—if he can keep everything in place when he's young, it'll take longer for his angles to skew when he's older. Like wearing a retainer when you get your braces out.

🔺 He has a cane for the same reason—he doesn't need it NOW when he's young, but he might as well keep it on hand, by age 35 he'll probably want to stand more often than float and when he's standing he'll probably want the extra support! Even if he doesn't need it by 35, he will eventually!!

🔺 Bill doesn't medically need a bow tie in the third dimension either; but he adapted it to help tie his 3D exoskeleton on.

🔺 A trillion years later, Bill suspects that his mutation to see the third dimension came, at least in part, from his mom's medical condition. Except, she didn't have that vision. Nobody else with the condition on her side of the family had that vision. It's not a known symptom of the condition. His dad had stuff going on with his eye too, did he get it from his dad's side? A mix of both? Just a standalone random mutation? He doesn't know; and with the rest of his species dead, there's no way for him to find out.

But back to Scalene!

🔺 She's not quite red, she's rose gold. However she doesn't like it. She thinks it's a sort of pinkish brown and very dull. She uses makeup to make herself look redder. Note how bright red her sides are: in a species where only your edges are visible, body paint is the most common form of makeup+fashion. She's pleased her baby came out gold-gold, it's much cuter. Bill knows she's rose gold, but he only saw her with her makeup off when she was tired or sick; he remembers her painted red.

🔺 She adores her Billy; but she somewhat sees him as an extension of her will. She thinks he's just perfect and will tell anyone who asks; but she also demands he be perfect and is furious when he isn't. She'll protect him from ANY perceived external threat; but she'll tough love him into being the kind of success she thinks he should be. He learns early that when he screws up, he can often redirect his mother's anger by pointing his finger and saying it's someone else's fault, and she'll bring the wrath of heaven down on them. Woe to the teacher who gives Bill an F on a test.

🔺 I'm on a quest to write Bill as a foil to the entire cast of Gravity Falls, and that extends to writing his family as a foil to the entire cast's families. Scalene's a blend of Pacifica's mom and Caryn: beautiful, proud of her beauty, afraid of losing her youth, self-aggrandizing, quick to lie about her & her family's (false/exaggerated) accomplishments—and very aware of the fact that you can say anything about woo-woo mystical matters and nobody can prove you wrong.

🔺 So she takes it great when they figure out Bill is, like, legit psychic. And by "takes it great" I mean "starts a cult."

There's what I've got on Scalene. Fortunately, I got to keep all my pre-TBOB headcanons about Bill's mom, I only had to change her shape & color. I already had medical trauma baked right into the family!

(Preemptive disclaimer before I get any "but she doesn't look 2D" comments: we all understand that the baby Bill picture we see in the book is a psychically-generated 3D approximation of Bill's 2D Euclidean form, right? And that drawing a 3D baby Bill design alongside rigidly 2D parent designs would make it look like even in the second dimension Bill already had a 3D body, right? So, if we're drawing a 3D baby Bill and want to convey that they looked similar to him, we have to draw his parents in a similar art style, right? Okay, great.)

[gloomwitchwrites]

What If 141 and the best enemies to lovers line of all time...

"Who did this to you?"

Cue protective instincts and sexiness

hehe I am giggling!! Okay. Listen. I am fully aware that this is an enemies to lovers trope, but I don't think it applies to all of the 141 guys in that manner. Is there protectiveness? Yes. Is there a bit of spice? Yes, if you squint really hard. Is there also some sweetness thrown in? Absolutely there is. I had lots of fun with this one. I hope you enjoy it!

Presented in four double drabbles.

For the masterlist and how to submit your own request, click HERE

Task Force 141 x 141!Reader

Content & Warnings (per the warnings MDNI): swearing, brief blood and injury, hurt/comfort, brief suggestive themes, protectiveness, light angst

Word Count: 800

ao3 // taglist // main masterlist // imagines & what if masterlist

Kyle "Gaz" Garrick

“Who did this?” Kyle bends forward at the waist, pressing a bag of frozen peas to your face. His concern is genuine. You can see that, but it’s strange. The two of you get on, but this is something else.

Kyle looks…angry like your injury personally offends him.

“It’s nothing,” you murmur. “Things happen during sparing. It’s fine.”

Kyle’s frown only deepens. He doesn’t believe you. And why should he? The person you were placed with took it too far. And it was all to impress him as if putting you in your place would somehow grant his favor.

It’s clearly done the opposite. He could care less about your sparring partner.

“It was your sparring partner, wasn’t it?”

You don’t answer. Just press the peas to your forehead a little harder.

This time, Kyle’s frown turns slightly upward. “Jokes on them, ya?”

You glance at him sideways. “How so?”

Kyle is grinning. It’s stunning. All pearly white teeth.

“Because I have my eye on someone else,” he says simply, as if that answers everything.

Though you cannot see yourself, you feel your face growing hot under Kyle’s gaze.

“You shouldn’t say thing like that,” you reply.

“Why? It’s true.”

John Price

“Who did this?”

“Why do you care so much, John?”

You attempt to pull your face out of his grasp but he holds firm.

“Of course I care,” he replies. The two of you stare into each other’s eyes, chests heaving. John is close. Too close. So close he could easily brush his lips against yours.

“I don’t know why,” you murmur.

“You do,” he affirms, authority in his tone.

Do you? Maybe. Perhaps. Deep within yourself you truly know the reason but can’t decide to speak it to the air. That would make this real. Whatever this is between the two of you.

‘Tell me who did this?”

“And do that what?”

“What the fuck I want to them, love.”

“It’s nothing. You shouldn’t worry about it,” you reply, again trying to escape from him.

But John isn’t having it. His other hand hooks around your upper arm, and then you’re pressed closed to him. He is so warm. All strength.

“Let go,” you say, but there is no volume behind it. It is weak. Not even a protest.

“Tell me,” he repeats, head dipping slightly.

Yes. Close enough to kiss.

“Tell me,” he says again, this time softer.

Simon "Ghost" Riley

Simon’s blood beats heavy. It is tinged with metal. A lace of fire that cannot abate.

His boots slap against the linoleum floor. The overhead lights are bright. Clinical. He is a shadow here. A dark specter.

No one stops him. No one glances his way.

And why should they?

He is a man made fury.

There were hands put upon you. A training exercise taken too far. Simon was not there. And he doesn’t know why. Not exactly. But he’s furious. Protective. The fact that he could not stop this only infuriates him further.

To him, this is a failure.

He doesn’t come to a stop. Doesn’t knock. He barges right on in.

The nurse yelps. Spins suddenly. Face red.

You glance up, eyes wide at first but soothing slightly as they land on Simon. You’re bruised. Stitched up.

Fucking hell.

“Out,” barks Simon.

The nurse leaves but stares him down the entire time. He approaches the table, and lightly brushes the backs of his fingers against the wound on your forehead.

“Who did this?” he asks.

“Simon—”

“Which fucker?” he growls, bending forward slightly to look into your eyes.

“Should see the other guy,” you joke, smiling.

John "Soap" MacTavish

Johnny shouldn’t feel this way. He shouldn’t. You’re not his. Even if he wishes it were so.

Every swing of his fist sends the building frustration outward, shooting into the massive boxing bag before him. It’s a poor substitute for the face he truly wants to smash. Several faces that is. Two specifically.

Who did this?

The words slipped from him unbidden. An instant anger. You had only scowled. Told him you could handle yourself. And you can. Johnny knows this. But he’s still fucking pissed about it. Still seething.

All the fucker got was a quick slap on the wrist. A promise to not do it again.

That sits sour in Johnny’s belly.

But you didn’t cave, no matter how much Johnny insisted that he’d take care of it on your behalf. So he is here, punching the shit out of something that isn’t flesh.

He wishes he could take away your pain. Take away the memory. Give it to himself to carry. You don’t turn on your own. There’s no honor in what happened.

But as much as he wants it to be true, Johnny can do nothing.

You are not his.

Even if he wants to be.

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