#and they always mean well
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clotpolesonly · 6 months ago
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i have a very specific character Type™ and that type is big brothers who are honestly trying their best it's just that their best is really not very good
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endusviolence · 8 months ago
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Rowling isn't denying holocaust. She just pointed out that burning of transgender health books is a lie as that form of cosmetic surgery didn't exist. But of course you knew that already, didn't you?
I was thinking I'd probably see one of you! You're wrong :) Let's review the history a bit, shall we?
In this case, what we're talking about is the Institut für Sexualwissenschaft, or in English, The Institute of Sexology. This Institute was founded and headed by a gay Jewish sexologist named Magnus Hirschfeld. It was founded in July of 1919 as the first sexology research clinic in the world, and was run as a private, non-profit clinic. Hirschfeld and the researchers who worked there would give out consultations, medical advice, and even treatments for free to their poorer clientele, as well as give thousands of lectures and build a unique library full of books on gender, sexuality, and eroticism. Of course, being a gay man, Hirschfeld focused a lot on the gay community and proving that homosexuality was natural and could not be "cured".
Hirschfeld was unique in his time because he believed that nobody's gender was either one or the other. Rather, he contended that everyone is a mixture of both male and female, with every individual having their own unique mix of traits.
This leads into the Institute's work with transgender patients. Hirschfeld was actually the one to coin the term "transsexual" in 1923, though this word didn't become popular phrasing until 30 years later when Harry Benjamin began expanding his research (I'll just be shortening it to trans for this brief overview.) For the Institute, their revolutionary work with gay men eventually began to attract other members of the LGBTA+, including of course trans people.
Contrary to what Anon says, sex reassignment surgery was first tested in 1912. It'd already being used on humans throughout Europe during the 1920's by the time a doctor at the Institute named Ludwig Levy-Lenz began performing it on patients in 1931. Hirschfeld was at first opposed, but he came around quickly because it lowered the rate of suicide among their trans patients. Not only was reassignment performed at the Institute, but both facial feminization and facial masculization surgery were also done.
The Institute employed some of these patients, gave them therapy to help with other issues, even gave some of the mentioned surgeries for free to this who could not afford it! They spoke out on their behalf to the public, even getting Berlin police to help them create "transvestite passes" to allow people to dress however they wanted without the threat of being arrested. They worked together to fight the law, including trying to strike down Paragraph 175, which made it illegal to be homosexual. The picture below is from their holiday party, Magnus Hirschfeld being the gentleman on the right with the fabulous mustache. Many of the other people in this photo are transgender.
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[Image ID: A black and white photo of a group of people. Some are smiling at the camera, others have serious expressions. Either way, they all seem to be happy. On the right side, an older gentleman in glasses- Magnus Hirschfeld- is sitting. He has short hair and a bushy mustache. He is resting one hand on the shoulder of the person in front of him. His other hand is being held by a person to his left. Another person to his right is holding his shoulder.]
There was always push back against the Institute, especially from conservatives who saw all of this as a bad thing. But conservatism can't stop progress without destroying it. They weren't willing to go that far for a good while. It all ended in March of 1933, when a new Chancellor was elected. The Nazis did not like homosexuals for several reasons. Chief among them, we break the boundaries of "normal" society. Shortly after the election, on May 6th, the book burnings began. The Jewish, gay, and obviously liberal Magnus Hirschfeld and his library of boundary-breaking literature was one of the very first targets. Thankfully, Hirschfeld was spared by virtue of being in Paris at the time (he would die in 1935, before the Nazis were able to invade France). His library wasn't so lucky.
This famous picture of the book burnings was taken after the Institute of Sexology had been raided. That's their books. Literature on so much about sexuality, eroticism, and gender, yes including their new work on trans people. This is the trans community's Alexandria. We're incredibly lucky that enough of it survived for Harry Benjamin and everyone who came after him was able to build on the Institute's work.
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[Image ID: A black and white photo of the May Nazi book burning of the Institute of Sexology's library. A soldier, back facing the camera, is throwing a stack of books into the fire. In the background of the right side, a crowd is watching.]
As the Holocaust went on, the homosexuals of Germany became a targeted group. This did include transgender people, no matter what you say. To deny this reality is Holocaust denial. JK Rowling and everyone else who tries to pretend like this isn't reality is participating in that evil. You're agreeing with the Nazis.
But of course, you knew that already, didn't you?
Edit: Added image IDs. I apologize to those using screen readers for forgetting them. Please reblog this version instead.
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brainrotcharacters · 3 months ago
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the easy grip on the knife. the leg over the seat. the hand over the other seat. the sassy "come get it" move. you know the bitch is smiling behind that mask even as he said the line.
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inkskinned · 28 days ago
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"don't make it political!" .... what proportion of death and suffering must occur before politics are involved. if this isn't political, what is even the point of any politics, ever. of democracy. the words are "by the people for the people." if i am going to be left alone by my elected representatives to "figure it out" - to undergo damage, hardship, fear. what the fuck did i elect them for. what was their job. the entire point is that they handle this shit. this is why we were supposed to be electing leaders.
poverty is political. misogyny is political. gun control is political. climate change is political. how much aid a community gets is political. what the fuck are you talking about. it's been political this whole fucking time.
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ash-and-starlight · 1 year ago
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The world needs more Yue and Zuko friendship, I squeal just thinking abt the parallels. They deserve a life changing field trip together and if u have abt ideas I’m all ears 👀
Hiii anon this ask fermented in my inbox and in my brain for so long,, so take this??? Post canon yue lives/no war au arts?? Anyway aside from the Parallels and their political position & their duty before hoes grindset I think they could learn a lot from each other. With zuko learning the gift of patience & diplomacy from yue & Yue learning that allowing yourself to feel anger and speaking up can actually be Good.
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anyway hypothetical life changing trip outcome: zuko takes an intro gender studies class and yue says fuck
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(oh and also must not forget the crush on sokka)
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technically-human · 3 months ago
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St. Hilarion's ghost story
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catmask · 11 months ago
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if you ask me. being a good storyteller and love are inherently entwined. you cannot tell a good story without loving the people in it and loving those you tell it to. because to tell a good story is to understand it and its impact. to love is to understand how something moves through others and how to deliver it the way it would be best received. and how to breath life into something that did not exist before. storytelling is an act of creation sure but i do believe in all creation, there is love too. that there must be
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anothersuperstition · 7 months ago
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my chemical romance albums but make them (a24(ish)) film posters
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elvyn · 5 months ago
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Welcome back, master of the worst plans.
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fuckmeyer · 6 months ago
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the choice between Edward & Jacob is not a question of which relationship is healthier or which partner is best suitable for Bella. neither is correct. neither is best. neither produces a happy ending for Bella. at the end of the day this is still a vampire novel. any choice Bella could make would yield, at best, a bittersweet happily ever after.
if she chooses Edward, she gets the terrifying Breaking Dawn ending: a girl who rejected her call to grow up has hung her love & her eternity on an emotionally stunted partner who hates himself marginally less than he loves her. she's a teen mom with a kid she never wanted who perpetuates the generational trauma passed down from her parents. by keeping this child, the Cullens have set the stage for an uprising/cold war against the Volturi who are likely to take revenge in order to maintain power. Bella is living in a tenuous "dream come true" wrapped in a nightmare & doesn't realize it.
choosing Jacob is the true coming-of-age ending that rips the stitches out of a wound that never fully healed. even if we ignore the fact that she ends up with a man who sexually assaulted her (we must bear in mind Jacob's character is influenced by smeyer's racism, but it did happen), they can't have a secure romantic relationship. based on the high imprinting rate of the pack, Jacob will likely find his imprint in his lifetime & will lose himself to the imprintee. he will no longer be her Jacob. he will inevitably abandon her (whether he wants to or not), & she must reconcile with the reality that she will always be inadequate to Jacob's imprint. & say he never manages to escape the vampires? he will presumably not age for a long time, meaning the relationship Bella always feared with Edward (her being an old grandmother while he stays forever young) remains a possibility. this is the story of a girl who slaps a Band Aid on an open wound & calls herself healed while flinching every time she sees the shadow of the knife that cut her.
if she chooses neither (team therapy), her healing requires her to lose or be at least partially disconnected from everyone she cares about. Bella must spend the rest of her life shut out from one world while never fully existing in her human world ever again. she must always keep secrets. she can never go back home. even in the unlikely event that she manages to escape the Volturi, the threat of being hunted by vampires will never leave her. in addition, she must face her worst fears (aging, losing Edward) while always keeping in mind the immortal life that could have been hers, if only.
even the "healthiest" option produces scars that will never quite heal.
Twilight is a horror. Twilight is a vampire novel. Twilight is gothic. Twilight is fiction. neither Edward nor Jacob is a "bad" choice because neither will give Bella her happily ever after. the choice between Edward & Jacob is simply a matter of which horror story you prefer to read.
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starrywangxian · 1 year ago
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spanish jackie has the best lines, including:
"my noses!" (i quote this on the daily)
calling stede the genital pirate
her flirting with any person she finds remotely attractive
"so you're spanish jackie?" "yeah" "are you spanish?" "no" "then why do they call you spanish jackie?" "i don't know!"
"why are you dressed like a dirty ass orphan?"
"he fucks like a jackhammer"
and many many more
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abyssalzones · 5 months ago
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I'll always be glad I learned from an early age how to conceptualize and draw fat bodies motivated by my adoration for a fat character. because I swear to god half of all artists draw fat characters like this if they draw them at all
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exoexid · 5 months ago
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1973 daniel molloy:
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basketobread · 4 months ago
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would you guys be mad at me if i said lunara was always secretly a little... evil? weird? a bit deranged? but i mean. she's TRYING to be better. SHE'S TRYING. GUYS. WHERE ARE YOU GOING. GUYS WAIT. GUYS NO! SHE'S FROM MENZOBERRANZAN GUYS IT'S NOT HER FAULT. GUYS.
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shepscapades · 1 year ago
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[Part 1] [Part 2] [Part3] [Part 4] [Part 5] [Part 6] [Part 7] [Don’t Let it Reach the Heart]
Most of the words written here are again lyrics from Joywave’s Destruction, but throughout lyrics here and there, I plan to incorporate a little bit of dialogue! I’ve been playing around a lot with lighting and fun poses and stuff, so this has genuinely been a blast to work on :] Expressions have always been my favorite thing to draw but uh. There’s something particularly special about getting to draw chill/stoic characters like doc and etho um. Going Through It >:3 (Same with X but we’ll get there later)
Still don’t know how many parts this will be, but I’ll be updating each part as everything comes out! :]
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ominouspuff · 7 months ago
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No Man Left Behind / Something Worth Dying For
REQUESTS / BLOG EVENT
Request from @razzbberry - Palette #1 - Alpha-17, Cody - Death of the Cynic in Me
Notes and close-ups beneath the cut!
Notes: I think Seventeen would, both subconsciously and consciously, keep his cynicism as long as possible. It’s how he thinks the world works, but it’s also a survival tool. It’d be a very, very slow death.
It’s put to the test with Cody — not because Cody is special among his fellow clones, but because he’s one of the first that bothers to fight Seventeen on his own terms. The argument is always the same. Cody wants to talk about what he hopes to be, someday, after he is a soldier. Seventeen thinks he’s stupid to think that’s possible, or that he’d be capable. Cody knows it, and he, might not be. Seventeen thinks it’s even more stupid, in that case; what a waste of energy.
It develops. When they’re older, and in the thick of war, one day Cody risks his life for the chance to save a brother that was going to die anyway. Seventeen yells at him for fifteen minutes once he’s conscious about luck and stupidity and the trouble it’s causing Seventeen and the false hope it’s engendering in others. Cody says he can disagree all he likes, but he doesn’t give a fig, respectfully. Seventeen thinks Cody can go try to get blown up again, if he thinks so.
There’s no point fighting for a better tomorrow; they’re bought and paid for to fight for something else, FOR someone else. Seventeen is prepared for being fodder, as a result. He’s prepared for unfairness and the bleak life that they’re living. Instead he watches as Cody defeats odds time and time again, somehow managing to balance being an exceptional military leader with a secondary war to live for something more, running himself ragged and — inexplicably — gaining ground. Each of those little victories are a little death for Seventeen’s cynicism; a chipping away. A little seed of Cody’s brand of hope takes root, awkward and begrudging, fond and tentative.
Then Order 66 happens. Cody’s efforts for a better life are in vain, and Cody himself-
Cody may never know that Seventeen was right abut just how helpless they were. Now he only knows that Seventeen is a traitor, apparently, because Seventeen — for once in his life — was the lucky one and his chip malfunctioned.
And Seventeen could say ‘I told you so’. He could rest, vindicated and resigned, in the fact that every dream Cody built up and everything he thought was worth dying for is pointless, now — as he always suspected it would be.
But it isn’t fair, even by Seventeen’s standards.
“What are you doing,” Rex will rasp, caught in a strange role reversal as Seventeen paints an armor set with Cody’s golden colors. “He’s not coming back, Seventeen. He can’t. It’s pointless to keep going after him, you need to stop.”
“No,” Seventeen will answer, unbothered, “I don’t think I will.”
“We can’t — we can’t keep hoping,” Rex says, because he means he will probably have a breakdown if he imagines there is even a pitiful possibility he could save his brothers and then have to turn away from that scrappy chance for the greater good and Rebellion, and all that. “We’ve got to move on.”
“Go on.” Seventeen will invite sincerely, one brow raised because he knows Rex better than that.
“Do you want him to shoot you?” Rex will finally yell, all knotted up at the thought of losing Seventeen too, even though it’s funny because Seventeen was never kind to Rex.
“He can try,” Seventeen will say, touching up the last of the paint. He will stand, wiping his fingers, and pick up his pack. “See you when we get back, then.”
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