#and they all express those issues differently

[clemworld]

"taking in bad faith"

you put 'genderfuck' shit on a transmisogyny board.

• if you mean degendering, say that! You didnt say that though.. your words have meanings. you cannot say a different sentence then be upset when people read it as the words mean.

• Again, say that. Because I see it in MANY contexts.. People who think you shouldn't imposed a girl v boy mentality to the trans community, people who enforce a gender binary in trans spaces, shit! not even about trans shit! People say this shit when lesboys exist!! It is a commonly said phrase.. Again, if you mean something, say something. Because you are criticizing generalized things that can so easily be miscontrued to be used to be a dick to people.

• It is slang. People use slang how they use slang. Using slang is not inherently transmisogynistic and its a weird hill to die on. The important thing it acknowledging some people may not be comfortable with it and asking. And if someone messes up, telling them. It is such a non issue. Like putting it on this board is the equivalent of those storyline plots that exist only cuz people don't communicate. People are capable of communicating their needs and asking boundaries.

Now, disrespecting this boundary could go on there no problem!! It happens a lot.. But someone who grew up in a region where that simply is the slang and uses it like that is not the same as someone who goes 'well thats a dumb boundary i use it like XYZ!!!"

Two different scenarios.

• How is TME/TMA misused? I am so glad you asked:

It should be a self descriptor, for starters, because you don't know other people. No, just because that person is a transmasc bigender person you don't know if they've been affected by transmisogyny or not.

The term has basically been co opted for online discourse that boils down to "afab (aka FEMALE) trans=transmasc/trans man and they are tme and amab trans people are all transfem/trans women and are all male and amab and are tma".. which is dumb. People have perverted these terms to mean whatever the fuck they want instead of using it to actually start a conversation about transmisogyny.

You cannot tell TME/TMA by agab, gender identity, expression, (asumed) sex, pronouns, etc.. However certain 4chan-lite people have completely ruined the terms usefulness and it is.. upsetting

A lot of people DO define it by AGAB! And it is a real issue! And it harms any actual discussion because it makes people associate these terms with gender/sex binaries instead of them being useful.

Now, i AM pro use of these terms when used correctly.. but at the end of the day, they really aren't.. especially since how many people just see words used one way and assume thats Just How They Should Be Used. There needs to be a real discussion of the misuse of this term, and people criticizing how its used in the wider community should be allowed to..

... But, yea, people equating them to meaning agab or sex or identity or whatever the fuck IS misusing and it happens a lot. I do not think its impossible to reform these words to what they naturally should mean, but I don't blame people for how they're used

(I can go on but I am ill right now and Cant)

• "the transandrophobia crowd" tells me everything I need to know about you.

i could SMELL the "transmisogyny is when online trans discourse" from that fucking bingo. If you are a self described TME then maybe stay out of conversations about transmisogyny becuase all you're doing is pointing to trans discourse, portraying the 'other side' in not an accurate light, and calling it transmidogyny. THIS is why conversations on this topic are so impossible. People cannot fathom actually talking about issues, its only about 'who is more oppressed' and its bullshit

wanna know WHY people feel they cannot talk about their issues? becasue they are harassed, sexually or violently, called slurs, cyberstalked, etc.. for daring to talk about their own experiences. all in the name of talking about transmisogyny

its basically fuckung radical feminism at that fucking point. do whatever you want as long as you can scream (trans)misogyny you have an excuse! its fucking bullshit.

So, yea, theres a huge community of people who cannot talk about their experiences.. are we forgetyibg the 'transandrophobia crowd' gets harassed to attemtling suicide and then harrassed EVEN MORE because how DARE people create words for their experiences? Being willfully ignorant of this doesn't make it any worse

Also... are we forgetting how many trans women who don't agree with this shit are told they're secretly men and/or transmasc and evil gender traitors for supporting other trans people? It's ridiculous. This discourse does nothing but create an Us Vs Them mentality in the efforts of shitting on the 'acceptable' queer groups to shit on. It doesnt help trans women, these types of bloggers literally revoke trans women's woman card whenever they dare disagree. its 4tran shit.

Like.. has it ever occured to you people say these things for reasons and not outta the blue and portraying it that way just makes your whole post a bad faith argument?

• "trans women are more oppressed than trans men"

anti trans bills harm EVERYONE. ALL trans people. even intersex cis people! like jfc to go "this oppressed minority isnt as oppressed as me😢" is bullshit, the oppression pyramid isnt real and you do nothing but harm your own community by pretending its real

Like imm not even going to explain this to you because no doubt youve SEEN the cases of transmasc people being listed as 'female violence' or the fucking people beaten to death in bathrooms that arent transfem or the intersex people harassed and forced into invasive procedures because they are 'secretly trans' or some shit like jfc

play blind to oppression all you want, us here in the real world will actually be fighting for something

• this point still doesnt make sense to me. you cannot just add "nonbinary people" then make some random excuse. its still weird.

• point 8 is interesting to me. i think in a way we are all affected, i mean, i don't really believe certain people's experiences are 'less than' because its 'misdirected', but also I dont have a strong opinion on that and i respect yours. i tjink there should be more discussion to it. i think saying 'everyone is tma in some way' could be used to be like 'the patriarchy affects people all in some way' but i do understand your pov🤔

anyways yea idk i think i read u wrong when i wrote that one. again, no problem with tme/tma being used correctly! especially as self descriptors which is where i feel it is most useful

• i don't like how you worded pt. 9.. also, again, my main issue with all of these is that these phrases can also be used to miscontrue what people are actually saying by twisting their words.. idk :/

but also i just wanna point out the irony of 'i cant hate trans dudes i am one' cuz its literally on your bingo card to say stuff like that.. /lighthearted

• pt 10, im not misreading shit. you just admitted right there! it isnt that "misandry isnt real". that is exactly the dogwhistle you fuckers use to ACTUALLY MEAN "trans men dont have their own issues. its the same phrase. all of these phrases are innocuous enough but are the same parroted phrases to put words in peoples mouths when they talk about transandrophobia .. nobody has ever said misandry is real (in the way that its an actual societal issue, self described misandrists exist everywhere)

but what people HAVE said is "no, i don't have male privelege because thats not how oppression works and i suffer my own unique experiences with oppression as well, on the basis of being a trans dude"

but people HEAR "wah i am a dude and im oppressed" because people are incapable of letting others speak they lives

and im not replying to 11 more because i am not on what exactly is being replied to where

• no 12. you have seen trans discourse and decidded to make a bingo. as a TRANS WOMAN, yk, TMA, i am telling you this bingo is bullshit and filled with weird logic. and i know many trans women online and offline who agree with me. a small bit of trans people make a discourse on something, it does not mean they speak for everyone. and as a trans woman i reserve the right to disagree with this and its weird tones to my trans brothers.

Like yk how many trans women on trans twitter used to harass passing trans women cuz theyre "passoids"? doesn't sound like a real issue that shoulld be a big issue. passing vs not. but it was to them, but that doesnt mean every single trans woman out there agreed that this was even something to be arguing about. this is nothing more than trans discourse

same with the 'toothpaste flag' or 'the term achillean is bad' discourse. it will blow over in a few years and everyone will think how stupid the online harassment over queer dudes existing was, and people will go onto the next target.

So, tldr, if you really wanna talk about transmisogyny, do that. but dont parade around your discourse opinions as an actual conversation about it.

going to start using this for every dipshit post i see on here

[auraee]

This maybe potentially controversial, but I’m choosing not to take part in the Lnd boycott. My reason behind this is as a poc fan of the game with criticisms towards the very same game, whenever someone like me speaks out on this various issues regarding the fandom (the racism and colourism) and the company itself, we get ignored, blown over, pushed aside, told that it’s not that serious, and told that we’re lucky that we even get to PLAY the game.

Lnd is a game that’s accessible to EVERYONE. The very least they could is people of colour to be able to self-insert and immerse themselves fully. And Infold hasn’t even done that fully. It’s not right that you lot tell us that we should consider ourselves “lucky.”

Not only that, but I’ve also noticed the obvious difference in engagement between black/brown content and white content. For a fandom that claims to be lovely and peaceful you can tell there’s distain. We get a fraction of the engagement that white fans get and that much is obvious. With that being said you want us to support you with this boycott? Nope, count me out.

We’ve been pleading to have our, frankly , more serious issues acknowledged for aeons only to receive crumbs and you expect us to bend over backwards and help out? No.

Is the fact that it’s increasingly harder to be f2p? Sure. Is Sylus being tried unfairly? Potentially yes. Is the fact that there’s no option for curly coily hairstyles for poc to use horrible? Obviously. Does it suck that there’s only one body type? Also yes. Is it weird that there’s no diversity amongst the npcs in Lnd’s world? Definitely.

I’ll only consider it fair when ALL issues and acknowledged and acted upon. Not just some, just because it doesn’t affect YOU personally.

Edit- I’d also like to add that the guys who also play the game had a right to want a male MC. Again, they should be able to express themselves and their frustrations, without being told to “stop complaining” or to “not play the game.” The same issue occurs when some problems are acknowledged because it is convenient for a prominent group in the fandom and not everyone else when it should be everyone.

Edit 2 - I've also had another thought. I think the reason why people have been saying Westerners are entitled is because it comes from a mindset of having everything catered to them from baseline. Do you have white skin and straight hair? Well, you can find that in customisations in every game. You've never had to reach out or felt uncomfortable about being unable to express yourself in customisable games. However, if someone with coily hair comes along and asks for options to include them as well, it's now viewed as an entitlement. That we're suddenly demanding too much. I don't think asking a company that makes an obscene amount of money off of their audience and who's catering to the same audience, for additional hairstyles and body sizes. I think it's because those who are in the default category (except for a few) simply can't fathom not being included in things. They literally can't or refuse to even attempt to see things from another's perspective and likely don't care for those who are constantly excluded. Which is why they create excuses for these companies.

[asnowperson]

Takemiya Keiko interview about Kazeki OVA (1987)

Here's another short interview from platypus's stack of old magazines with cool interviews: Takemiya Keiko talks about Kaze to Ki no Uta Sanctus: Sei Naru Kana in the 1987 December issue of Puff.

Translation is under the cut, and please let me know if you spot my mistakes.

Kaze to Ki no Uta – OVA is finally on sale!

Takemiya Keiko Interview

“It will not ruin your image of the work, so please watch it!”

Let us first hear your thoughts on finishing this project.

Mr. Yoshikazu was sitting at the director’s chair. That alone assured me that everything would go smoothly, and I left everything to him. He read the manga thoroughly and gave the work his own interpretation. I had nothing to worry about. I didn’t have to ask him not to do a certain part in a certain way, or to avoid including too many “risqué” scenes. I can feel that he gave the work the treatment it deserves. Even the animation style was not too flashy and anime-like. The movements were more orthodox. Everything worked out perfectly, so I have nothing to say.

The background art was amazing. Did you ask them to draw them that way?

Both Mr. Yoshikazu and I thought that she’d be a  good fit, and suggested having the same person who was the art director for “Natsu e no Tobira”, but we couldn’t get a hold of her. We found out the reason later: The producer thought she was too slow, and we should give up on working with her (laughs). But when we said that she was the only person who could draw the backgrounds, she was hired to work in the project. However, she was too late to turn in the drafts. We really were in a tight spot. She might have been slow, but she really is an artist. When she can’t draw something, she just can’t. She gave it her all… Even though it was something that’d only be on screen for two seconds… If we couldn’t ask them to do something, I said I should go ahead and do it myself.

So, I gather that you drew some key animation yourself. Are manga and anime too different to draw for?

Both mediums are used basically to capture “movement,” so I think they are the same. You go with the flow, trying to capture “movement”… You think about how original you can express it. That’s a really fun undertaking. For example, even if it’s just a scene of a character turning to look back, if you strive to give it a little touch, you can really bring out an erotic feeling. That’s the stuff I’m talking about. If I had a lot of money, I would dabble more in in-between animation. I now understand why Otomo Katsuhiro-san was so obsessed with it (laughs).

I’ve seen the OVA. It felt like reading one of your works.

Do you think so? I didn’t ask him to do it, but to keep close to the atmosphere of the original work, Mr. Yoshikazu outlined the key points. He put the same things as my drawings in those scenes. But if you looked closely, you could tell that they were different. When I saw the whole thing, I thought “wow, it’s the same!” However, upon closer inspection, I found out that such scenes did not exist in the original. I even thought maybe something was wrong with me. The same also goes for the lines. “Did he ever say that? He might have said that…” But when I re-read, I see that no such line was uttered. I had so many moments like that.

What was the fans’ reaction to this OVA adaptation?

When I said it was happening, I received an equal amount of positive and negative reactions. Well, that’s only to be expected. So, like I thought, only when I said that Mr. Yoshikazu was the one directing it, I saw the real opposition. The animation director was decided on, but the VAs weren’t cast yet. When news of the production got out, I received letters saying “it’s too late, I give up!” (laughs) They said stuff like, “Here we are, so against this idea, but you still say that you’ll do it! I don’t care anymore!” I can say that there are people who definitely won’t watch it. It makes me happy to see the work being loved that much, but when people are that obsessed with it… It’s kind of scary. I sometimes go as far not seeing it as something I myself created. But well, there are still a lot of people who say “I might cry and whine, but I’ll still watch it.”

Can we have Ms.Takemiya, the creator herself, do some advertisement for the OVA?

The OVA didn’t embarrass me, so I’ll keep promoting it. I don’t think it’ll ruin your image of the work. But I know that there are people who are too nitpicky and say stuff like the lines of a character’s profile is kind of off and they hate it, or that their legs are too thin  or that their feet look weird (laughs). In that sense, we paid extra attention to the movement itself and tried to animate the characters in a natural manner. “The Poem of the Wind and the Trees” makes you think of subtle movements, right? We can’t have them move too briskly, and even the fight scene is nothing too serious. Because Mr. Yoshikazu didn’t want to create too vivid of a scene. Rather, he didn’t want it to stink of “masculinity” that much. And people who’ve only seen the character designs might think that they look nothing like the manga, but when they are in motion, they do look like their manga counterparts. As for the voice of the characters, I don’t know the actress of Gilbert, but we have Nobita-kun for Serge (laughs)! People who are into anime will recognize her voice, so they might be a little bit of put off by that, but she doesn’t sound like Nobita-kun here. Not at all! The more you listen to her acting, the more you enjoy it! There are parts that reflect Serge’s character, so I’m really content with the result.

Can we consider this as “episode 1” of a series? Do you have plans for a continuation?

If this OVA sells, it might happen. If this one gets a positive reaction, I think we can make another one. The producer said that’s what he thought would happen. If you ask Mr. Yoshikazu, he says it’ll be at least 6 episodes long, but I doubt that. I can’t bring myself to believe that we can make that many episodes. Anyway, to think that we won’t be working with the staff who brought it to life with such resemblance feels so sad. But I also think that if we ask them to do it again, they’ll simply run away (laughs). We’ve already done Yoshikazu-san’s favorite part right off the bat, so what remains is the hard part. He says he can’t decipher a character like Augu (laughs). Maybe another director might do better.

And what about the future of the story in manga?

There’s the stuff about marriage and children problems, how to reach enlightenment, and everything in-between until Serge’s death. But even if I drew that, that would have no meaning for people who are only here for what Gilbert and Serge had (laughs). I don’t have any plans to draw any continuation for the moment, but one day, if I ever get the chance… If the are conditions right, I think I’d like to draw it.

Can we have your final message for Puff readers?

Watch the OVA. Please do it. I believe that if you watch it once, all of your worries will be washed away.

[nylloth]

First of all, you're talking about a very specific political critique, while most of the actual criticism has nothing to do with that.

Personally, I know very little about American politics, so I’ve never criticized the show on that basis. The show has its own internal city politics, which were established in the official game lore. I know the official lore, which is why my expectations for this aspect were completely different. This has nothing to do with the real world.

Secondly, my main criticism is about the writing. Arcane didn’t win its writing award.

Here’s what I’m criticizing: the characters have forgotten their own motivations from Season 1. Viktor’s arc is a blatant retcon—his motivation was death, not disease. The show always tackled social issues and inequality, but in Season 2, those themes were erased. The dialogue was drastically reduced. The creators chose the "show through animation, don’t tell" approach, but you can’t use it in every situation—otherwise, we’re just left staring at Caitlyn’s microexpressions. Vi’s dialogue was cut by 60% compared to Season 1. That’s not how good storytelling works.

Is it because of the episode count? No, because Season 1 managed it just fine. Instead, the writers crammed in too many music video sequences, which anyone can interpret however they want, and which often fail to convey the characters' thoughts and relationships.

The pacing is breakneck, making serious decisions feel unearned—especially Viktor’s, which change every five seconds. He becomes a god and loses faith in his vision all in one day.

Jinx’s "revolution" basically didn’t happen.

Pacifist Viktor suddenly decides to team up with Ambessa and considers it the right choice. And Ambessa, a brilliant warrior and strategist (as established in Act 1), agrees to a highly questionable alliance with someone she can't control.

The weapons conflict between Viktor and Jayce, which was a major theme in Season 1, is completely dropped. Why? Because Jayce fell into a pit and broke his leg. As if that somehow helps him understand Viktor, who lived with a disease, was dying from it, and was part of the lower class that no one cared about.

The core dynamics of the show—family relationships and social inequality—shifted to a Marvel-style formula with lots of action and a big bad villain.

See? It’s not about real-world politics. It’s about how it was written.

Moving away from writing: Viktor’s original lore was far more complex and morally engaging. He was never purely evil or just a victim of magical manipulation. Turning him into an "evil god" is an incredibly dull choice. Of course, you might not know this if you haven’t read the original lore.

Caitlyn poisoning the city? Completely brushed aside.

We have two "women in freezer"—Sky and Isha. This is one of the worst, most lazy, and disgusting writing choices. Cheap, especially for Sky, who was already treated this way in Season 1.

Viktor’s time loop raises countless unanswered questions.

Episode 207 is pure fanfiction, eating up screen time for the sake of the Time Bomb ship. It serves no narrative purpose. We don’t even see how Ekko talked Jinx out of suicide. Why? Because it happens off-screen. And ask yourself—why is it off-screen? Because the writers had no actual dialogue for that moment.

Now the most interesting part. I watched the leaks. Dialogues were rewritten and cut at the last moment! This means the writing was incredibly raw. They were re-recording lines just months before release. Sevika’s lines were cut from the final episodes.

And while I can accept Act 1 with all its flaws, Act 3 is a disaster.

As a standalone Marvel-style show? Maybe 8/10. But as Arcane’s second season—compared to Season 1’s writing, storytelling, themes, and character arcs—it’s really bad.

I feel sorry that so many of you aren’t trying to analyze these issues. That you think slowing the show down and staring at the characters’ facial expressions is the right way to understand their shifting motivations. I feel sorry that you don’t see the obvious difference between Season 1 and Season 2. But it’s there. Otherwise, there wouldn’t be so much criticism. And that criticism has nothing to do with real-world politics.

The first season never received this much criticism and for good reason. It was simply better written.

People don't understand that we criticize s2 because we genuinely love s1 and we were disappointed. basically what speaks to us is the grief of losing potential or “what could it be…” it's not the same as being a hater

[babybearnation]

yuki and gn!reader where they are both sighted but they ignore it bc they think the other doesn't like them (like rivals to lovers)

oli, i fucking love this idea

red sighted!yuki tsunoda x red sighted!rival!f1 driver!gn!reader

cw: arguing, miscommunication, crying, suggestive ending

you and yuki met back when you were kids and therefore your red sight hadn't fully developed yet

what developed instead, however, was your rivalry

you and yuki raced together in every league from karting all the way up to formula 1 and your rivalry never once ended

in fact, once you both developed red sight and realised you were each other's soulmates, you both seemed to dislike each other even more

whilst you never outright hated yuki, you were positive he loathed you

you sometimes found yourself thinking he was cute, and a little bit charming, but his temper and the way he treated you on track made those feelings quickly fizzle away each time they appeared

when you get to the big world of formula one and fellow red sighted drivers like esteban, pierre, max & alex notice the string connecting you two, they assume the rivalry is simply playful fun and that you two are a happy couple

until an actual argument within your rookie seasons ends with yuki telling you that he wishes he wasn't soulmates with you and you end up bursting into tears

because really.. you do kind of like him?

the yuki you see interacting with pierre and max and liam is so sweet and kind, but the yuki that interacts with you is so different

but you cant separate them in your brain and now you're really torn

obviously, all the other drivers are confused because what the fuck but when you shakily explain everything to them, they soon send pierre off to speak to yuki

it doesn't work

you two spend a couple more years fighting on track and denying your connection before you're signed to join vcarb alongside yuki for the 2024 season

you and yuki end up having another argument that ends with u tearfully screaming that you like him and you just want to know what you did wrong to make him hate you

at this, yuki expresses complete and utter confusion

you see, yuki thought you hated him because you always tugged at your soulmate string like you were trynna tear it off

so he started to reject the idea of ever being with you

he spent ages researching if soulmates had ever been unhappy with each other, but he found nothing, so even when he thought you hated him, he still found himself falling for you

yuki even explains that, as silly as it sounds, he thought this rivalry had turned so bitter because you hated him for being your soulmate

after much, much explaining, the two of you realise that you'd just been accidentally feeding each other's delusions

yuki never hated you - he found you so incredible and inspiring and he really looked up to you as a fellow racer - but he assumed you hated him because you'd always complain about fighting him on the radio, so he started acting bitter in retaliation

in reality, you thought he hated and targeted you on track, so that's why you complained on the radio - you admired his strength and adversity in the face of red bull's bs and wished you could give him what he deserved

despite that, you were both so hurt that neither of you could quite jump straight from rivals into being lovers

you needed to learn to be friends and co-operative teammates first

so you two slowly learn how to work together over the course of the 2024 season, working through years of communication issues to finally nip all nasty feelings in the bud

it all comes to a head when, after the signing of liam to red bull for 2025, yuki comes to you for comfort, crying

you'd never seen him cry before so you were shocked but you quickly pull him in and calm him down and just when you think he's gonna make you promise not tell anyone and that you should get lost or something, he doesn't

instead, he leans up to kiss you, pulling back just as fast

you pull him back in though, kissing him softly before it turns passionate

when you and yuki are finished, curled up in your bed after your shared shower, yuki shyly asks you to be his

even though you're both red sighted, you wrap your right pinkie around his left middle finger and kiss the back of his hand

"'m all yours, yuki"

© all rights to babybearnation 2025.

[mangionebabymama]

hey there! it’s “lulu feels too hard” anon back with another mini rant (not really a rant, more like an observation haha)

It’s in the same vein of him feeling emotions hard, but i think one thing that needs to be emphasized in this dynamic is how much he’s tried to subdue his emotions – and i don’t just mean recently. in many clips from his prep school days, like when he’s getting an award for example, you can see him smiling like a bit, but then cutting back to this neutral expression. Funny enough, it’s his eyebrows that always give him away loool. It’s similar to how he acts in the court hearing, full of expression, but then immediately goes back to a stoic, neutral expression. There’s even moments like this in some of the clips from Hawaii.

I guess my point is, how much was he taught to mask his emotions, and put up a front. It seems to me that he was brought up in a collective environment where the saying goes “always put your best foot forward, regardless of the circumstance”. I can understand this, coming from a family with similar values of “you represent the family name, your success is our success.”

i think though, that this seems to be what makes lulu resonate with so many of us: he’s empathetic, despite trying to be stoic. There’s a duality about him – the confident Ivy League scholar and the vulnerable, empathetic people pleasing boy who seeks affirmation one way or another.

but I think under this guise of putting your best foot forward, combined with a sense of always showing your masculinity that many guys of that age are pressured to do (and let’s not forget that for most of his schooling he attended an all boys school so there is that sort of “our boys” culture that’s pervasive in these realms), he had to hide the other part of him which felt so deeply, so hard.

it reminds me of one of his Reddit posts talking about his issues with Brain Fog, and how he initially never thought to talk about it with his friends, and instead masked it under this idea of “oh well, marks don’t matter for computer science majors” even though he was hurting and feeling so disappointed in himself to the point of contemplating dropping out. But the part that sticks out to me the most is what he said after in the post about even if you do end up telling them, if you wait too long, it’s almost like they won’t believe you (or something along those lines). And idk, that’s just such a heartbreaking way to think and it makes me sad for him. He internalized so much it seems. And truthfully, I’m not blaming anyone in his circle (family/friends) because I think part of it was also lulu never wanting to seem weak, which unfortunately clouded his vision of seeing that there were people who probably may have wanted to help. It’s just an all around sad circumstance :(

Sorry for the long write up, don’t feel like you need to provide a long response too! (haha i guess in some ways, i relate to lulu too :)

No, no, please don’t apologize for writing this, you captured this so well! 🥺 I wish I had more to add on, but you literally took all the words out of mine and emphasized on this beautifully.

I also think there’s that duality of having an internal vs. external struggle, where he could easily show and offer empathy towards others like it was nothing, but when it came to himself, it was a completely different story to extend grace. I know he had to internalize a lot, and the physical exertion of carrying all that weight on him had to have shown. I remember somebody mentioning how when he’s in deep thought in some photos, you see all the lines on his forehead—and there’s a lot of them, and once you notice them all crinkled, you’ll never not look at them in other photos. So, he literally has/had so much on his mind.

Reading that part of about his brain fog, about the irony of opening up too soon to your friends, fucked me up, to be truthful. I similarity dealt with this about two years ago, when I experienced two close familial deaths within a month before I started my senior year of college, and I was grieving hard. So many people that I know looked at me and considering my bereavement with the “strong Black woman” trope because I do have a strong personality, and I’ve experienced a lot of hardship in my life, so some felt like that I was gonna be alright, regardless, and kind of brushed off my grief like, “Oh, she’ll be alright, you’ve always managed to go through things” but no, lol. It’s the reality that I think, that many of the “strongest” friends in the group more often than not, face, surprisingly, contrary to belief—it happens all the time. When you’re commended to be a strong, resilient person, people don’t consider you to be weak, as in, you can’t persevere through struggles, but if you do, you’ll be fine, and the suffering won’t take much of an effect on you. But, like anyone else in this world, it still hurts, and it’s still acceptable to just give yourself the space to say that it sucks, and it hurts to be hurting. It’s sort of like, you have that universal perception of what it means to be hurt, but you can’t express that you’re hurt in the same breath.

[moonlit-typewriter]

The gods: we have made Demigods. Heroes.

Chiron: you fucked up perfectly good children is what you did. Look at them. They’ve got abandonment issues

[stoicheincat]

PART 1

Not gonna go over everything discussed in the original post but I want to go over some of it. Also nothing said here is meant to be a attack against any specific creator and is only my experience in the spaces. Want to make sure I specify cuz I'm want to be frank.

On the Normie divide

There isn't more of a marketing issue. Indies don't do a great job of using simple language and pitches to get people interested in games. A consistent issue I see is the use of ttrpg specific acronyms that are hard for those outside the space to understand. Then throw in the algorithms that section people off and new players are mostly pushed away. I think this can be somewhat eased by better marketing with clearer pitches with more visual elements. Tom Bloom's lancer is a good example. It's cool mechs and the art shows it. [Tho the gameplay is less streamlined then a new player would prefer cool art can push people through the bullshit. It get's people excited to play and GMs hyped to run it.] This leads to some common shit that fucks interest from a casual player.

WALLS OF TEXT:

This one is gonna sound hurtful but writers, the novel is not poppin'. This issue can be somewhat smoothish with art but is expensive. When I as a casual player see you bragging about your 200 pg+ Magazine sized book with minimum art it doesn't make me want to read it. Not saying there aren't those who would but if we're going for a general audience then let's make onboarding easier. This can be somewhat eased with a good layout but no guaranteed. We need to think of shorter books with better macro world-building. [Save the micro for extra books focused on it.] Assume that your world's concepts should be the only thing being kept by the GM.

Basically walls of text are a scare for new people. Players latch on to the broad strokes of your world not the specific. [Tho there is a type and it generally becomes the GM. Different books for different players are helpful because it separates info based on need to know.

MECHANICS AS A SELLING POINT

Again targeted more at the writing. Sorry guys. If a more normie audience is the goal. Mechanics probally aren't gonna sell your game and might even harm them. I haven't heard of people that aren't playing ttrpgs ever say how the mechanics was why they wanted to play DND or any other ttrpg. It's usually focused on the setting and then the stories they want to play out. You can do mechanics as a selling point but understand at that point you are going for existing players that have games they like.

LACK OF SETTING VIBE AND OR NOVEL WANNABE

I see this more with artists. The world build is all over the place or incoheret. Basically cool drawings over anything put together. Artist tend to focus on art and often leave out info to make things make sense and even skip writing stuff. I don't know how to express my thoughts on the issue I'm trying to point out but I'll finish it another time if that's all right. Basically artist make unfun mechanics or worlds because they skip writing mechanics. I don't know I need to think this over more when it's not late.

ON INTERNAL CREATOR DIVIDE

Basically people tend to stay away from pushing each others or collabing due mostlish to the reasons bellow.

EGO: Common and we all have atleast a little bit of it.

LACK OF COLLAB EXPERIENCE: Or how it'd work aka contracts, work division, trusted fellow creators, or pay division.

ANTISOCIAL ARTISTIC TENDICIES: I have this one. Basically for some of us most of our creative life has been alone and it's generally just easier.

COMMUNITY VIBES: Basically some spaces can be either to corporate or bad vibes. [Bluesky indie TTRPG creator space gives off corpo networking vibes. I do enjoy people there but it is defo more corpo.]

LIFE RESPONSIBILITIES: Some of us can't really go out of our way to focus on networking due to this being a side thing. [I would like it to be more tho but I'm married with a kid so I got to be smart about how I make that happen.]

Welp I'll make a part 2 when I can but I got shit to do and it's late. Also thanks for tagging me mate.

Let’s Grow the RPG Hobby

Inspired by this post and the conversation surrounding it.

So the RPG world is facing a multitude of interconnected problems. Let’s talk about them, shall we?

---

1: The Problem(s)

Writing this, I find it hard to pinpoint a way to frame the subject of this post as a single thing. But it’s also impossible to treat it as it it’s a collection of separate problems. In reality, the issues facing the indie RPG world are A Hydra; a many-headed conglomeration of related issues, which each require organized, dedicated work to solve. A few examples:

The Normie-Indie Divide

A problem close to my heart, The Normie-Indie Divide describes the gradient between the mainstream of an artistic hobby and the really independent stuff. I compare this to movies a lot, but the more apt analogy is video games. The N-I-D in the videogame industry is so small as to be virtually nonexistent.

We can see this via a number of factors – one example being that the same outlets which cover massive blockbusters & sequels like Assassin’s Creed and God of War, also cover popular indie titles like Celeste and Hollow Knight. Then, freelance journalists who write for those publications (Jacob Geller is an example) go on to cover much smaller games on their own time, and so on. There’s a smooth gradient between the media coverage of the huge stuff, all the way down to a thriving (if still underserved) super-independant industry.

The N-I-D in RPGs feels uncrossable. The most well known RPG is so big it’s currenly riding the high of its second major hollywood adaptation in 20 years, and the second most popular – Vampire the Masquerade – is an unknown even to some indie RPG fans.* This hobby is shockingly impenetrable, even to those of us who spend our days swimming in the deepest end of the pool.

The Supply & Demand Problem

This one’s simple: People are pumping out RPGs by the truckload, and there are just too many! Not only does this make it hard to sift through everything to find the thing you want to read, play, or review, it also makes it nearly impossible to get anyone’s eyeballs on the cool thing you just released!

As others have pointed out, this problem is exacerbated by the fact that relative to some other art media, it’s pretty quick and painless to whip up your own zine or one-pager and publish it on itch. This disincentivises even the most invested of us from looking at a ton of new games, and means that sharing your work can feel like you’re being ignored by a huge crowd.

A Road To Solutions

If all of that is making you feel pretty bad for the future of this medium, you’re not alone. It can feel pretty hopeless facing all of these problems as an indie designer when all the tools you have at your disposal are a tumblr account and a few indie friends to complain to.

But the truth is, I think that this Hydra is eminently slayable. I just don’t think we can do it alone. That in mind, I’ve spent a large portion of my day putting together…

The Call to Action

I think there needs to be organized, persistent effort put into the future of this hobby and this industry, and I think it needs to start the way all good movements do: with a lot of petty, semantic argumentation over definitions and implementation. And to kick things off, here’s my step zero: If you’re reading this post because I’ve tagged you in it (or because I’ve sent you a link to it), my Dms are open. I want to put together a discord group chat† of my peers within RPG tumblr who are invested in tackling The Hydra, such that we can start brainstorming plans of attack to disseminate into the wider community.

The issues I wish to address are these:

The Normie-Indie Divide: How do we go about cultivating a casual audience of indie RPG fans who can bring sustainability and longevity to the industry?

The Supply & Demand Problem: How do we minimize the cognitive load of sorting through the huge volume of work extant in this medium, and more generally encourage peer-to-peer interaction within the community, like news coverage, reviews, and marketing?

The Cognitive Frontload Problem: How do we make it easier to actually engage with a given RPG, considering the amount of cognitive & temporal investment needed? Further, how do we make RPGs, both general and specific, more accessible to readers with a wide variety of abilities, preferences, and available time?

The Insular Community Problem: How do we better connect this hobby with itself, such that it feels a little less like several dozen cliques across 4-6 platforms, and more like the growing, evolving single hobbyist community that it is? Further, how do we make this hobby more accessible to newbies outside the influence of The Hegemons of the Coast?

And more. I’m positive I haven’t thought of everything, and that’s exactly why this needs to be a group effort.

As a last note: Please tag other people! The folks I’ve mentioned here are just those who I personally feel I know well enough to tag; let’s get the rest of the community involved! If you know someone who would be interested who isn’t on tumblr, they can email me: sabrinahawthornegames@proton.me.

*I’m not kidding. Multiple times within the last four months, I’ve introduced VtM to people who I would consider pretty in the sauce of RPGs. I’m talking folks who’ve played Heart: The City Beneath or Wanderhome. It’s bizarre.

†I need to stress that this is only a start. I’m not looking to start a big public discord unless that’s what a group of folks decide is the right call. By “group chat,” I mean “a chat which exists for long enough to hold 1-3 group voice calls to discuss and hash things out, before it’s dissolved in favor of the execution of whatever plans we devise.”

@theresattrpgforthat; @omophagic-beast; @ladytabletop; @rowansender; @monsterfactoryfanfic; @arsene-inc; @toyourstations

[fellhellion]

god i could gnaw on conchata's Issues forever. when miguel is like mom stop pretending to be terminally ill to get us to visit it really upsets gabriel and me, and conchata - who hates the thought of hurting gabriel and believes miguel is too self centered to care - utterly dodges thinking on the fact she's hurt gabriel, because she doesn't want to believe she's hurt him, and then accuses miguel of not being affected at all. the dysfunction is so fucking tasty.

not even touching the fact miguel genuinely has been ghosting conchata because he sucks at emotional vulnerability yeah, but because he thinks talking to his mother is futile, that he innately hurts her by virtue of being too much like his father.

[goldentigerfestival]

Yuri's dialogue (JP) is so fascinating to study, like... the repetitive use of certain words/phrases that others use sparingly but he uses constantly. the way it feels like his vocabulary is more expansive than what he uses, but he defaults to a "comfort" level of speech. the way it mixes in with his sort of "street talk" words and the sheer level of informality. the way his "street talk" phrasing is contrasted by the tone of his voice (on that note, people I know who also know JP are also very endeared by these aspects of him so I KNOW IT'S NOT JUST ME!!!).

'cause the thing is, he uses phrases that yeah, other people do use, but he uses a handful over and over and over (contrast to other characters' sparing use of repetition). it's actually... really refreshing? it sounds more relatable and less "video game/anime/JRPG/RPG" writing or something, idk. like closer to how a real person would speak.

I do my best in my translations not to make things sound too stiff across the board, but Yuri makes it so easy. it's why I'm so interested in translating all his lines in Vesperia, like... the actual, original tone for him with his original wording because it's smth Eng only players don't get to experience ('cause even if you listen with JP audio, if you don't know the language, ofc you're gonna miss out on context. it's nobody's fault for not knowing, just... they unfortunately miss out). the thing is, there are a lot of times when the lines in and of themselves are not contextually incorrect in the English ver (usually the situation for smaller scenes, because they altered the text outright for more important stuff which was the stuff that originally set me off, but there were also plenty of cases of just vocal tone shifting with the correct context that still gave off the wrong impression), but Yuri's tone is shifted away from the original in Eng even though it's completely and perfectly translatable.

I am by no means about to translate the entire game because let's face it, I really don't care that much for Vesperia on the whole. I'm kinda stuck with it because Yuri's there lo and behold I actually am WAY more engaged in his stories in Rays, Link and Asteria because it's an amazing character put into circumstances where he actually gets to shine and feels more alive, which Vesperia did not provide nearly as well with its very disjointed story. also, Tales gachas have banger stories that are arguably better than the mainline games, and they regularly make Yuri a very central character to the gachas. Crestoria was also about to do it until they pulled the plug on that game and I'm pretty confident something interesting has been lost to the world. also I just generally don't have the energy or motivation to do that, so... I'll only be focusing on Yuri's lines, especially because his stuff is where the bulk of the messing around was. he's just insanely fun to translate for and I love burying myself head first into his speech.

will I actually finish this project? dunno. will I get around to posting it? whatever I get done (so all of it if I complete it), and if I decide to call it quits then I'll post what I have at the time I decide that. will it take a long time? probably, but I can always mention stuff along the way...

[betty-bourgeoisie]

Said something about Hetalia and Star Trek being my two longest hyperfixations to a friend and he goes "Yeah, it's cus you like bright colors and diplomacy" and damn, that really is it huh?

[tinogiehd]

are you seeing op on twitter

anon I am losing my MIND over op on twitter like why are you dying on this hill

[eterniityblooms]

updated my rules to include shipping info + a bit more about my monster muses specifically, since shipping with at LEAST one muse on this account is probably inevitable at some point

[clinically-not-straight]

If I had a penny for the number of times I've seen people explain how the "there's this many genders" thing works and end up explaining what a personality/interest is instead I may have enough to buy a twix or possibly even a large cadburys bar.

[stillfruit]

it's so difficult to articulate the feelings i get when i see my friends engaging in healthy and good behaviors like asking for emotional support and taking the time they need to arrive because i just can't and i know i'm wrong for it but it still feels incredibly isolating

[staff]

A message from a few of the trans staff at Tumblr & Automattic:

We want trans people, and LGBTQ+ people broadly, to feel welcome on Tumblr, in part because we as trans people at Tumblr and Automattic want it to be a space where we ourselves feel included. We want to feel like this is a platform that supports us and fights for our safety. Tumblr is made brighter and more vibrant by your presence, and the LGBTQ+ folks who help run it are fighting all the time for this, for you, internally. 

A few days ago, Matt Mullenweg (the CEO of Automattic, Tumblr’s parent company) responded to a user’s ask about an account suspension in a way that negatively affected Tumblr’s LGBTQ+ community. We believe that Matt's response to this ask and his continued commentary has been unwarranted and harmful. Tumblr staff do not comment on moderation decisions as a matter of policy for a variety of reasons—including the privacy of those involved, and the practicalities of moderating thousands of reports a day. The downside of this policy is that it is very easy for rumors and incorrect information about actions taken by our Trust & Safety team to spread unchecked. Given this, we want to clarify a few different pieces of this situation:

The reality of predstrogen's suspension was not accurately conveyed, and made it seem like we were reaching for opportunities to ban trans feminine people on the platform. This is not the case. The example comment shared in the post linked above does not meet our definition of a realistic threat of violence, and was not the deciding factor in the account suspension.

Matt thereafter failed to recognize the harm to the community as a result of this suspension. Matt does not speak on behalf of the LGBTQ+ people who help run Tumblr or Automattic, and we were not consulted in the construction of a response to these events.

Last year, the "mature" and "sexual themes" community labels were erroneously applied to some users' posts. An outside team of contractors tasked with applying community labels to posts were responsible for this larger trend of mislabeling trans-related content. When our Trust & Safety team discovered this issue (thanks largely to reports from the community), we removed the contracted team’s ability to apply community labels and added more oversight to ensure it does not happen again. In the Staff post about this, LGBTQ+ staff pushed to be more transparent but were overruled by leadership. The termination of a contractor mentioned in the original ask response was for an unrelated incident which was incorrectly attributed to this case. We regret that the mislabeling ever happened, and the negative impact it has had on the trans community on Tumblr. 

Transition timelines are not against our community guidelines, and weren’t a factor considered by the moderation team when discussing suspensions and subsequent appeals. We do not take action against content that is related to transitioning or trans bodies unless it includes violations of the Community Guidelines.

When it comes to the experience of trans folks on Tumblr encountering transphobic content, and interacting with bigoted users, we understand and share your frustrations. Tumblr’s policies, and Automattic’s policies, are written to ensure freedom of speech and expression. We prohibit harassment as defined in our Community Guidelines, but we know that this policy falls short of protecting users from the wider scope of harmful speech often used against LGBTQ+ and other marginalized people.

Going forward, Tumblr is taking the following actions:

Prioritizing anti-harassment features that will empower users to more effectively protect themselves from harassment.

Building more internal tooling for us as Staff to proactively identify and mitigate instances of harassment.

Reviewing which of the tags frequently used by the trans community are blocked, and working to make them available next week.

We’re sorry for how this all transpired, and we’re actively fighting to make our voices heard more and prevent something like this from happening again in the future. We know firsthand that having to deal with situations like this as a Tumblr user is difficult, particularly as a member of an already frequently targeted and harassed community. We know it will take time to regain your trust, and we’re going to put in the work to rebuild it.

We appreciate the space we have been given to express our concerns and dissent, and we are thankful that Matt’s (and Automattic’s) strong commitment to freedom of expression has facilitated it.

We will continue to fight to make Tumblr safe for us all.

— This statement was authored by multiple trans employees of Tumblr and Automattic.