#and these refs are usually my time to practice anatomy

[pookiethebloodsucker]

New girl alert!!! New PC for a new campaign!

(Pose references from @adorkastock)

Lineart and full res found over here!

[bazookaboi]

[*inhale*] GUESS WHAT??? IT APPEARS THAT I HAVE FORGOTTEN HOW TO DRAW THE SIMPLEST OF SEMI-SIDE PROFILES FOR MY CHARACTERS!!!!! CURRENTLY, I CANT DRAW SHIT!! I think this may be art block. WELL WHATEVER IT IS, WHAT THE ACTUAL HELL, THE AUDACITY THAT MY ARTING SKILL HAS RIGHT NOW IS ABSOLUTELY ATROCIOUS!!!!! HOW DARE IT!!! ! IT S. AN EXTREMELY EASY GODDAMN SEMI-SIDE PRFOILE OH MY GOD A I AM GOING TO FUKING BIRD SCREECH IN RAGE

Normally I am able to 3D everything. All of their facial structure. All the anatomy when I draw them semi-realistically. Without references a lot of the time. (Unless I wish to specifically get into the muscular structure because that’s more difficult to memorise) BUT NOW……? HAHAH MY BRAIN JUST SAID, NUH UH!!! NO VAS A DIBUJAR UNA MIERDA PARA LOS PRÓXIMOS 1P2303334 MESES, QUE TE JODES!!!

worst thing is that I have AN UNBELIEVABLE AMOUNT OF IDEAS THAT I NEED TO PRINT FROM MY MIND ONTO THE PHYSICAL WORLD BUT I CAN’T NOW

Oh my… sorry about that long rant, I got a bit carried away…

Anyways, take some anatomy studies of feline faces for now as I try to COMPLETELY ANNIHILATE this bothersome artblock.

[hattiestgal]

SHAKES YOU how do you draw taurs. i need help i genuinley cant wrap my head around the anatomy of it. optionally i need help with fat taurs but any kind of taur is okay

Ooh, I love these sorta questions!!!

So there are two main things folks usually struggle with when it comes to drawing taurs as a whole. 1, they struggle with quadrupedal anatomy and 2. connecting the humanoid upper body to the quadrupedal lower body. Obviously there's no shame in either of these things, drawing four legged animals, especially if you're more used to the anatomical structure of something more humanoid is quite tough! And finding the sweet spot where humanoid and quadruped meet to make a taur is a bit of a struggle for folks who're still figuring it out.

So! The first thing you wanna do really is just familiarize yourself with quadrupedal anatomy. Look at the skeleton of the creature you're trying to taur and see how things like their limbs bend differently or how they're just differently naturally posed as compared to someone who walks upright.

This is a very simplified skeleton of a cat, but you can pretty immediately see how differently everything bends. And I'm not saying it's something you have to perfectly master to know how to draw a taur (especially when you get to drawing fat taurs), but i highly recommend becoming familiar with how a quadrupedal body is structured, the silhouette of most animals is quite misleading! And absolutely use reference!

Heck, our first go at drawing taur Riley was super heavily referenced (I'll even share the ref image if anyone is interested!), and this still came out real jank. Practice makes perfect!

As for connecting the upper body to the lower body, this is a little more subjective and up to you, but I'll lay out some general guidelines.

Generally speaking, you wanna put the humanoid torso where the base of the neck is, the front of the torso kinda merging with the rest of the taur body just after the tummy, basically just before the crotch starts.

As for the back, you're gonna want to shoot for just shy of where the butt starts, waist having curved back outwards. It gets a little awkward if you go higher or lower than that. And obviously, you wanna make sure the torso is firmly planted in the center of where the neck should be, ehehe.

That's pretty much the basics though! As always, i recommend looking at how your favorite taur artists draw the creatures and studying off of that! Familiarize yourself with quadrupedal anatomy, and use reference!! You will absolutely get it down with time. I will absolutely cover fat taurs if there's interest in it, and ofc, lemme know if there's anything I missed or need to go over! I hope this helps!

[milkman-zahhak]

OC ref sheet + slightly better writing/fic

-> Part 1 Part 2 (prequel to part 1) (think of it like a flashback scene, seen as Leo and Cal drift asleep in part 1) Part 3 (sequel to part 1)

Made a visual for those OCs I made, attempting to flesh them out a bit. The art is messy, the anatomy is wack, I know.. I just wanted to get the basic info out there. Anyways, here's a different (hopefully better) story.

And as usual, WARNING, THIS IS A KINK POST, A FETISH POST. IT WILL CONTAIN FETISH CONTENT, SUCH AS BELLIES FULL OF FOOD AND WHATNOT, CHECK THE TAGS FOR THE WHOLE RUNDOWN.

Brief overview: The first character is a college boy named Cal. He's naturally thin, he doesn't overeat very often. And maybe that's for the better because he's lactose intolerant and has a sensitive stomach, prone to bloating. He's shy and antisocial, but has a very close friend named Leo who is his roommate. Leo secretly has.. well, a "thing" for bloated tummies and things of the like.. he would never push this onto anyone, much less ADMIT it. Cal has grown comfortable around Leo over the years, even though he's usually very self-consious and shy, he trusts Leo and is willing to open up to him more. ----------

It was a boring day off of work for Cal. He had no plans nor any means to act out any plans he might have. Not to mention nothing to snack on, and Cal wasn't about to make himself a whole meal. He was counting down the minutes until his roommate Leo came home from work, hanging out with Leo was always fun for him. Eventually, it was about 30 minutes past the time he expected Leo to return.

"Im so boooorreeeed…" Cal mumbles. But as soon as the words leave his lips, the door slams open. He turns around to see Leo and brightens up immediately. Leo informs him that hes sorry for being late, he won some gift cards to the local pizza place in a raffle at work and used them all at once. "I thought i might as well use 'em before I lose 'em. Or forget about them. Theres a bunch, so we can share!" Leo tries to cheer Cal up as he brings the pizza boxes to the little coffee table in the living room. Cal follows Leo to the pizza to grab a slice. "I've been so bored out of my mind all day, and hungry too. This is gonna be so kickass, huh?" Leo chuckled "Yup! Just us chilling all night. We can watch movies too, let me get one ready." Cal leans back, "hell yeah! Ok, choose something silly and fun."

Cal watches from the kitchen as Leo boots up youtube on the TV in the living room "Dude, something else please. Leo frowns, questioning "aww, not y-" Cal interrupts "NOT youtube documentaries about lost media or unsuccessful video game film adaptations, God dammit! That's all we watched last time.. don't you have any actual movies?"

Leo gets up and looks through a box of physical media he has, most of which are youtube series he's burnt onto DVDs, until he finds an actual movie "Uh. Umm. I've got one of the original copies of the Postal 2007 movie on dvd?.."

Cal sighs, giving up on being able to chose a normal movie "...Yeah, sure. Zach Ward really carried that dumpster fire"

Cal leans forward over the kitchen table to pluck a slice from the box, the stringy cheese stretching and tearing. "I could go for some soda, too," he murmurs, and Leo springs to his feet, nodding "Good call. I'll grab some." As he heads for the fridge, Cal takes an excited bite and settles back. He's practically inhaling the slice at this point, almost choking on the huge bite he took as he does so. Leo hears him cough and laughs, "God damn, Cal, chill. There's plenty of pizza, haha. It's not gonna run away from you."

Cal rolls his eyes "yeah, thanks for the advice." He takes another big bite and speaks as he chews "you have no idea how hungry I've been all day. I swear I could eat all of this pizza by myself if I could!" Cal was obviously joking and exaggerating, but Leo blushed imagining such a scenario… he shook away the thoughts quickly. He doesn't want to make Cal feel uncomfortable, he doesn't know about Leo's fetish, and Leo felt guilty for thinking of his friend as the unaware center of his fantasies. Leo's cheeks burn as he returns to the living room with the sodas. Cal had grabbed a second slice by then, but was struggling to keep up with his conversation between bites. The pizza pretty much disappeared before his eyes.

He must be starving, Leo thought.

Leo places the sodas on the coffee table within arm's reach and flops down onto the living room floor, propping his back up against the couch. His eyes scan Cal's body thoughtfully from across the apartment, but he remains silent. Cal is oblivious to Leo's silent admiration, focused solely on demolishing the pizza. In just a minute, he finishes his second slice and reaches for a third. Leo is putting the DVD in when he remembers he needs to eat too "Oh, wait let me grab a plate".

Leo walks into the kitchen to see Cal still at the kitchen table scarfing down pizza, his hands come away greasy and covered with sauce. He doesn't care. He devours the fourth slice like he's had no food in days. Leo playfully hits Cal on the shoulder, "cmon, man save some for me.. and don't eat it in here. I wanna watch the movie! Here, we can even bring the pizza boxes in there too." Leo meant that they should move to the living room after Cal finished his slice, but as Cal agrees and gets up, he shoves the whole slice into his mouth at once as they carried pizza boxes into the living room.

They settled down for the movie. Leo reached for a slice of pizza and realized quickly that it was already half gone. Cal had eaten maybe 4 slices already. He looks over to see how Cal managed to pack it all away when he realized he couldn't see his belly. Cal was wearing a loose zip-up sweatshirt and it gave nothing away.

The two watched the movie, eventually the first box was finished. Leo's eyes drifted back and forth between the TV and Cal. He can't help himself. Cal is too damn irresistible. The way he devoured that pizza—no shame, no second thought. Cal rarely even took a moment to breathe.. And there must be a reason Leo can't see his belly when he's been gorging himself, right? Cal's belly must be distended and swollen beneath that sweatshirt. His jeans must be so tight right now… Leo internally scolds himself after looking down and realizing it was in fact HIS pants – not Cal's – that were tight, albeit not because of his stomach.

He really shouldn't be thinking of Cal like this, Cal doesn't know what this is doing to Leo, he's not doing anything on purpose. Leo tries to shake these intrusive thoughts. He glances at Cal for a moment and finds him staring right back, mouth full of pizza. "Hey man, you good?" Leo tilted his head "What? Yeah, why?". Cal shrugs. "I dunno, I asked you if you thought Uwe Boll ever actually played Postal himself or not.. And you just were kinda staring off into space.." Leo blushes "oh, haha my bad, I think I just zoned out.."

Shit

Leo continued, "..Sorry, I get pretty engrossed in movies and stuff sometimes, you know?"

Cal grins bashfully and takes a big bite of whichever slice he was on now "Ah, well, I tend to talk over 'em a lot, so..." Leo waves him off, "Nah, Cal, don't apologize. I like hearing the shit you have to say about movies. Makes it more interesting." Cal grins and turns back to the screen, his eyes fixated on the television in front of him as he grabs the last slice in the third box, dropping the empty box to the floor. "Dude this pizza is soooo good. Im like, full, but I can't stop eating it."

Leo almost wishes Cal knew how he felt about these kinds of subjects so he wouldn't be so open about it, but how do you begin to tell your friend "hey this normal thing? It actually gets me rock hard, so unless you're trying to encourage that, maybe we could change the subject from you stuffing your belly with unhinged amounts of pizza, thanks". Leo takes the few seconds that Cal has his focus on the movie as an opportunity to gaze again at his now noticeably distended belly beneath his sweatshirt. The fabric is stretched taut, and tauter by the minute. His posture slowly changing as more and more pizza filled up his gut and weighed it down. His belly must be huge right now. Is there any way the shirt could hide it for much longer? Leo wondered.

The movie is almost over. Cal leans back in his seat, subtly sneaking his hand beneath his sweatshirt to try and sneakily rub his belly. He quickly stops as if trying to hide his discomfort. Maybe he's embarrassed? Leo tries not to think about it until during a quiet moment in the movie he hears a "grrgrgrrrrrrrrlllllee….." from beside him. "Woah Cal was that you?". Cal grins "yup, I think I'm *hic* getting full." Oh god. Leo was practically throbbing.

"O-oh, haha yeah I bet. You ate like 3 boxes right?" Cal looks at Leo like he's crazy for a moment before looking down at the empty boxes on the floor "no way, I only… I.. hm. Fuck, I guess I did!" Leo sees a flash of regret and fear on Cal's face for a split second before his fun attitude came back "I wasn't paying attention to the food, I was just eating while I watched the movie.." there were a few moments of silence. Cal's belly grumbles loudly again, interrupting the silence. His face is slightly flushed as he tries to hide how full he's getting from the pizza. He rubs his arm with nervous energy. "Man do you think we could crank down the heat a bit? I'm kinda hot" Leo nods and gets up, turning down a dial on the thermostat. As Leo is in the other room, Cal lets out a small burp into his fist and continues to rub his belly. Leo definitely heard it, but he wasn't gonna bring it up since Cal seemed to be trying to hide it anyways.

Back in his seat on the couch now, Leo shifts his legs and glances at his friend out of curiosity. Cal is still watching the movie, but Leo can hear his tummy churning as it tries to digest copious amounts of free pizza. He also hears Cal swallowing down burps as they rumbled up his throat. Maybe Cal thought that Leo couldn't hear these things, because he stayed outwardly confident and continued to act like he wasn't very full at all. Cal's belly rumbles loudly again, loudly enough that theres no denying what the sound was. "damn, haha" he plays it off casually before hiccuping, swallowing air as he did so and accidentally belching at the end. "hic-uRP-" his eyes widen. Leo is glad the lights are dim because hes sure that his face is probably red as a tomato right now.

"Sorry," Cal says "I guess I got a little carried away" He rubs his belly again not hiding it very well anymore, it's distended just above his belt, stretching the fabric as he stretches out on the couch. After a few moments, Cal shifts slightly, as if he's trying to find a comfortable position to relax. The movement does nothing but draw his sweatshirt tighter around his bulging belly as he leans back. The pressure is obviously becoming uncomfortable for Cal, he can't help but give a soft groan as he feels the distension of his gut. Leo looks away for a second as he feels his eyes almost roll back in his head. This CAN'T be real life. He turns back and takes a deep breath. He shouldn't be here, he feels bad. Cal is unintentionally acting out some of Leo's deepest fantasies and he doesn't even KNOW he's doing it..

Eventually the movie ended and the credits rolled. Leo yawned, it was getting late. They could probably just crash here on the couch and sleep like they usually do. Conversation continues as normal, both the boys winding down as they prepare to sleep soon. Another burp rumbles up Cal's throat and it's a wonder he can even keep up the facade. This happens a few more times before eventually, an especially forceful belch broke the barrier of silence.

"…. .. brUUUUUUURHP-Urp… urp…" Leo's head spun around, both boys' eyes were wide in shock. Leo tried to lighten the mood, he knew his friend seemed uncomfortable about letting on that he had overindulged, so Leo followed Cal's demeanor and decided to also play it cool.

Leo scrambled to think of what a normal person who isn't aroused by bloated belly aches would say in this situation. "Damn that was a big one haha, sick!"

Cal avoided eye contact and forced a small laugh "Ha, you know it… sorry though for real, that was gross of me" Leo tries to reassure him without making it obvious that he is MORE than okay with what's going on. "Dont worry about it, you're so self conscious about so many things that really aren't that big of a deal. I promise, I don't find you annoying or gross." Cal stayed silent, appearing to be studying Leo's face before sighing and sitting up slightly "Can I… be honest with you?"

Leo tries not to laugh "Dude, you can ALWAYS be honest with me, you're my best friend!"

Cal opened his mouth to speak before grimmacing as a loud airy gurgle broke the silence, followed by an involuntary soft and equally as airy burp… "I- *uuuorp*, god, my stomach is so full." He brought one other hand to the top his stomach and the other to the bottom, holding it with both hands weakly, unable to find the strength to hide it anymore "Leo, I'm not really fine, my stomach actually hurts really bad and I didnt *hic* I didn't wanna fuck up movie night so I didnt say anything." He quickly blurts out. That gets Leo's attention.

Leo is frozen for a moment, staring at Cal's tummy, bulging beneath his sweatshirt, creating a huge bump as if he were hiding a basketball underneath it. It was a wonder that his sweatshirt wasn't tearing apart from the seams. In fact, it looked like it was about to. Even with the dim light and the position he's in, it's almost impossible to hide it.

"Cal.." Leo's voice almost cracks. "You didn't ruin movie night, I don't think you could if you tried. I like hanging out with you and I like you for who you are, I don't want you to feel scared to tell me things and I'm sorry if I did anything to make you feel that way-" Cal cuts him off "no, no, it's not you.. urgh.." he paused as an overstuffed rumble made its way up his throat, he went to release it as a burp, but it got stuck in his throat. "*sigh*… it's me, I don't wanna get into it but I promise you, there's something personal about me and it's my own thing to deal with, sorry if I came off as apprehensive or unusual about it, I'm just stubborn.."

Leo put his hand on Cal's shoulder. That's what friends do, right? He assured him "Man.. As long as you're happy."

The mood seems to have lifted after that little talk. Cal sighed out loud "*sighh* but for real my stomach hurts so bad, it feels like I'm being stabbed in the gut!" He said as he slowly rubbed back and forth on the upper curve of the bloated mass in his lap covered by his sweatshirt. Churning could be heard as well as bubbles in the back of Cal's throat just barely making it up before getting stuck. Cal groaned under his breath. Leo tries to contain his own excitement at the situation. He doesn't know how long he can keep his cool if Cal keeps making sounds like that.

Another quiet moment between the boys, their conversation drifting to a stop. Leo's attention is entirely directed at Cal's body, specifically his ever inflating abdomen. He could see the pressure taking a toll on Cal. The sweatshirt was getting hard to keep down as the tightness and heaviness of the distended flesh pressed on his lap. Cal tries his best to relax for the time being, not able to do anything about his situation at the moment. The sweatshirt's fabric continues to be stretched, but still it can't hide the growing bulge of stomach.

"G-god it hurts.. fuck…" Cal suddenly whispered under his breath, breaking the verbal silence. "Leo, I can't sleep, I feel sick.." Leo had long since pulled his shirt down to cover his own crotch, he was past the point of no return and had nothing left to do but hide his shame, and his main goal now was to either relieve himself or stop being horny, and one of those was near impossible in this situation. The other coming naturally.

He still tried to give helpful advice though, "Dude, it's probably the gas. You're probably bloated from all the cheese, not to mention the stuffed crust. You just gotta get the gas out"

Cal raises an eyebrow "how? I don't know how to burp on command, and I can't seem to get anything up.." Leo rolls his eyes and resists face-palming, "You.. by rubbing your stomach? Do you need me to do it for you?" He teased playfully. Cal leaned back, "oohg.. if you're offering, go ahead.." Leo's heart practically jumped into his throat as Cal gave him permission to touch his stomach. "Really?" Cal gives him a genuine nod. Leo got up onto the couch and moved behind the other boy, his hand going from Cal's shoulder to the front of the bulging sweatshirt, his fingers lightly pressing onto Cal's belly. He was immediately greeted with a low, loud rumbling that was probably from all the pizza, cheese, and soda, as well as the gas that had been accumulating throughout the night. He could feel the vibrations even through Cal's sweatshirt and undershirt "Holy shit, dude. You really are bloated". Cal's body shook and his voice trembled "Y-*..grrrr* oulgh.. yeah I usually never eat that much. I don't know how I even fit all that in me." The noises and vibrations sent a shiver down Leo's spine. Cal was almost like a giant, fleshy drum that he could feel vibrate when he touched it. He pressed his hands onto it again, but this time he gently rubbed circles into Cal's gut, listening to the rumblings as he did so.

The sensation and the noises made him euphoric. Cal suddenly spoke up "Hey I don't want to be weird or anything but are you like, into this?" Leo's heart sank and he felt his life flash before his eyes, his hands lifting up off of Cal's belly as he froze in place. "Wh… uh. What."

Cal repeated himself "like, are you into this?" Leo doesn't know what to say. How did Cal even know? Was he being too eager, too straightforward? He knew he shouldn't have actually offered a belly rub, surely Cal was just exaggerating when he made the offer. "I'm.. what made you think that?" Cal exhaled out of his nose jovially "because I can feel your boner on my back dude." Leo's eyebrows furrowed ashamedly, he wanted to crawl into a hole and die. Cal noticed and quickly added "It's okay if you are! I just.. I wanna know and make sure that's the case because I.. uh" Leo didn't dare look up but his ears honed in on what Cal said as he continued to speak "..I am."

Leo let out a deep sigh and leaned on Cal, resting his head on his shoulder "ohthankgod… Well in that case, yeah. Uh. Was it.. really that obvious?" Cal shook his head "Not really, I was actually really worried that I was the one going over the top by using this as an opportunity to stuff myself silly, I wanted to take advantage, since it's not like we have a surplus of food to be eating on the regular." Leo lifted his head "That's kinda clever. Yeah, you went apeshit on those pizzas, how many did I bring, 4? There's only one box left and there's already half a slice eaten from it."

Cal groans, the thought of food making his stomach churn even louder. Leo put his hands back on Cal's stomach and continued to rub it again. Cal suddenly tensed up and made a painful, scrunched up face, Leo could feel a particular pocket of air beneath his hands and massaged the side of Cal's hard distended tummy. Cal began to groan before he was cut off by a huge belch that sounded like the damned and digested souls of every pizza slice he's shoved into his gut. "Ugh-hUUUUUUURRRRP..'' There was a small moment of silence from everyone and everything including Cal's raunchy belly before everything shifted back into gear. Leo had to look down and check to make sure he didn't cream his jeans.

Cal let out a relieved sigh "oh Jesus dude, that helped a lot" he sounded thankful as he took another deep breath. Leo felt a sudden surge of confidence after giving such successful belly rubs, he'd never done this before! He wasn't sure this was real life. If it was a dream he didnt ever wanna wake up.

His hand kept moving, circling and rubbing across Cal's bloated midsection, the soft fabric of his sweatshirt stretched over his stomach felt almost like a nice soft stress ball to Leo… more like a dollar store stress ball made of hard foam that's near impossible to squeeze comfortably, so you mostly just hold it and caress it. Except Cal's belly wasn't made of cheap foam, and was safely confined within his clothes. His very tight clothes. Every now and then his fingers would graze lightly against the bloated boy's chest when he would rub a bit higher up, drawing soft gasps from Cal. The sweatshirt was baggy but it wasn't all that thick, Leo could swear he felt Cal's nipples, now hard, through the layers of fabric after accidentally brushing past the area a few minutes in.

Leo didn't say anything, there was really nothing he felt he needed to say. He just kept rubbing and listening to Cal's belly gurgle and his occasional burping- none rivaled that first one though.

Leo eventually began to think aloud "So now that everything's all out in the open, I'm kinda curious, if you're okay with sharing.. uh. What do you specifically.. enjoy?" Cal leaned his head back slightly, shifting the rest of his body closer to the boy behind him in the process "honestly I just like to indulge once in a while. I- *urrrp* ah.. 'scuse me, I'm not a health freak or anything but I like keeping a slim figure and eating healthy. Mostly 'cause even small amounts of junk food upset my stomach. Not to mention my favorite junk foods usually contain dairy, and I'm lactose intolerant. So if I ate like this every day I would probably spend all my free time in pain anyways." Leo nodded sympathetically, "Yeah that sucks, man". Cal continued "s'not all that bad, it would just be really inconvenient. That's why I only go all out like this on special occasions, a few times a year."

Leo hummed and continued to rub in a circular motion across Cal's belly "Makes sense. So.. are you just enjoying yourself now or is there anything else you're uh, 'into'?" Cal let out a small groan as Leo's hand brushed against his chest again "ghh-*buhurrrp*.. mm.. I don't think so. I can't think of any better way to go about satisfying my cravings. I like to feel full every now and then, push my limits and see how far I can go. I usually get full after eating even just small amounts, but I've found that if I keep going beyond and just continue eating anyways, I can actually pack away a whole lot more before my body starts to stop just hurting and starts physically rejecting and ejecting it" he hiccuped after he spoke and giggled before finishing his sentence "..so I'm just kinda relaxing right now.. and.. the company is nice too." he added in with a small smile. "Why, what about you? You into anything else?"

Leo was still shocked that his friend happened to not only accept his freaky fetish, but SHARE it, he didn't want to move things too fast or sound too eager.. but Cal basically admitted his secrets for him just now, and Leo feels like Cal deserves the same honesty from him. "Well.. I'm into people doing what you do. I'm not really into it when it's my own stomach or anything for some reason, but I don't really mind. I wouldn't really be opposed to it, I think I'm just more into… experiencing it uh, secondhand?" Leo, lost in thought, pressed down harder than usual for a second as he rubbed, Cal let out a muffled burp into his fist "*grrrrph*.. no, that makes sense, I get it."

Leo, feeling more grounded and comfortable, added onto his explanation "I've never done anything about it before, but I.. fantasize.. a lot, and I'm really into the idea of feeding y- someone. Like being the one to help you push your limits." Leo felt a tingle run down his spine as he finally admitted his fantasies out loud, he felt Cal sit up a little bit. Worried that maybe that freaked him out he added "Sorry if that's too weird.."

Cal laughed, then sat up completely, beginning to speak before the air that had been trapped rushed up as he sat straighter, "*BUUURP* agh, phew! It's okay, Leo, that's hot". Leo blinked. Very blunt... but he wasn't complaining.

Cal put his own hands on his stomach, feeling it for himself before looking back up at Leo "I'm still super full, but my tummy doesn't feel like it's being stabbed anymore! Like, I don't feel as full anymore!" Leo smirked "It's cause I burped you like a little baby"

Cal shoved Leo lightly "Oh c'mon, you loved it! Hey, there's still some pizza left right? We could do your feeding thing!" Leo's face brightened but he hesitated to accept the offer. "I mean, we could always do this another time. I could wait however long you want until you're ready to dedicate a night to this, besides, aren't you really full?" Cal technically was full, his stomach had stopped churning as hard and thus wasn't in as much pain at the moment, but that just meant the food was sitting in his stomach undigested.

Cal's expression stayed the same as he answered unexpectedly confidently, "But I'm less full now! It hurt earlier, but I wasn't really at my limit!" Leo was skeptical "You sounded like you were gonna projectile vomit on the carpet earlier if I hadn't rubbed your belly" Cal scoffs, "No, I was just psyched out! I was caught off guard 'cause you were here with me and I didn't know if I would have been freaking you out or not. Really, I've been doing this for years" Leo stood up and sighed "If you say so 'mr professionally licensed glutton', but I'm new to doing any of this and I really don't want to push you too far and have to clean up undigested pizza out of the carpet. At least not tonight."

Cal shrugs. "I'll be fine, at least this time. I promise." Leo looked unsure, but in the end he sat down behind Cal again and started to slowly rub his hands over the mass of Cal's distended midsection once again.

Truthfully, Cal was still pretty sensitive, and the light brush of Leo's hands felt like a very comfortable massage. "Alright, Cal. I'll do this, but I want you to tell me if it's getting uncomfortable, and we can stop. Don't make me feed you until you puke, that's gross". Cal chuckled, "I won't puke if you make sure to rub my tummy!" Leo sighed as he got up to grab the last box of pizza. "Alright but I'm grabbing the trash can just in case. Get comfy, Cal".

Cal held his still quite full belly, realizing now just how bloated he was, how his sweatshirt stretched to fit over his overstuffed stomach. He carried its weight in his hands as he shifted over to one side of the couch, propping himself up against a pillow on the armrest, letting out a low airy belch as he did so. He called out to Leo "Hey grab some more soda too, I'm thirsty!"

Cal shifted slightly as he settled in on the couch, his legs stretched out in front of him. To Leo, he almost looked like he was getting ready to watch television rather than stuff himself full of greasy, processed pizza for his friend's enjoyment. Leo walked into the room holding the box and a 2-liter bottle of orange soda. He sat down beside Cal in the same manner, making as little noise as possible while he settled. The air was thick with anticipation - both boys knew what was about to happen, but neither of them dared acknowledge it outright. Cal decided to break the awkward silence and be the first to step up, lord knows Leo won't.

Cal reaches for the box to grab a slice, but his round bloated tummy is preventing him from bending that far. He recoils and grabs his stomach, "oof.. oough.. I don't think I can keep leaning down and over to grab slices.. you're gonna have to feed 'em to me.."

Leo blushed, flustered, as if this isn't exactly what they had both agreed and planned to do mere seconds ago.

He was about to be the one to fill up Cal, and he wanted to do a good job. He held the slice up to the eager boy in front of him, sitting between his legs and reaching over his hard bloated tummy. His crotch just about touching Cal's as he sat there on the couch between his legs and overstuffed stomach. Cal looked at him hungrily.

"O-open wide," Leo says quietly, holding the greasy slice of pizza toward Cal's mouth. Cal, his expression eager and expectant, opens his mouth taking a large bite. His chewing speed slower than before. His stomach was already packed full, it was a struggle to force himself to choke down even MORE food, but he was determined to try. He chewed more thoroughly, as if his body was trying to delay the inevitable. He grunted and a small burp slipped out though his full mouth while he chewed. He really was stuffed to the brim. He swallows, and continues this process until the slice is gone. He looks to Leo for more.

"Another" he says, his mouth still full of his previous bite. Leo pushes the next slice close to Cal's mouth wearily "You look really full, dude. Your tummy feels tight as a drum.." Leo mumbled as he gently rubbed around the warm surface of the sweatshirt, massaging the churning belly underneath. Cal chews and swallows, before cringing, and speaking up "urgh.. wait.." Leo froze cautiously as Cal continued "..I'm thirsty, hand me the soda." Leo rolled his eyes as Cal chugged down a few gulps of the fizzy soda, resulting in almost IMMEDIATE burping.

After this, Leo was sure Cal would be finished, but alas..

"…and more," Cal commands after his belch-break, swallowing and panting as Leo continues rubbing his belly gently. A low moan escapes his lips, his gaze glued to Leo. The bulge under his tight stretchy sweatshirt shifting slightly from his breathing. Leo was getting ready to reach for another slice when Cal groaned "Wait, just a second.. for real this time.. hng.. cramp. My tummy…" both his hands flew to his belly which was rumbling ominously. His hands moved upwards to his chest as they were quickly replaced with Leo's, "We can stop now if you want, you look like you're gonna burst!"

Cal shook his head in protest, "Just a cramp, just need a break.." Leo felt the sickly churning through the sweatshirt as he rubbed it, and without even pushing, a bubbly fart escaped from Cal's behind, rumbling on Leo's crotch right in front of it. Leo winced "Oh that smells terrible.. somethings up in your belly, I think you should-" Cal interrupted Leo, "another slice!"

It was quite full in there and this whole thing was making Cal feel hot, uncomfortable, sick, and horny all at once. "Ooh, man… my stomach is just.. bulging with all this." He took the remaining crust and devoured it in a single huge mouthful. He paused for a moment, the weight of the food in his stomach shifting as he let out a stream of airy farts, every single one preceded with a vibrating rumble from his belly. "*Pfffft*… *pfffffttttt*.. oh god.. *buurp* oh- *pffft*…*pfftt*… *prrt*.. fuck.. Im sorry, I can't even stop it." Cal said. Leo held the last slice of pizza in his hand, "okay… last slice… don't pop, man.."

Cal's stomach bulged obscenely inside his snug sweatshirt as he ate the last slice of pizza. He was in such a state that when his mouth was busy chewing, several burps forced themselves free through his nose in rapid succession. He moaned after each one. Leo didn't seem to mind, though, he just stared at Cal with eyes half-lidded and a bulge full-mast. He was practically shaking at this point, Leo felt his heat radiating onto the poor stuffed boy. Cal's stomach, already full and distended from the prior intake and now the last slice was working overtime to digest said pizza. His body was heating up from all the churning. Leo could feel every bit of it, his crotch was also getting hot.

Cal was sweating. He looked almost delirious from pleasure- and pain. His face was flushed, his eyes glassy. Leo comforts him as he finishes chewing and swallows, his stomach rumbles again. Cal tilted his head back, trying to relax his cramped muscles. A long wet burp shot out of his mouth before he had time to react, and he moaned aloud. Leo, worried, suggests "Hey maybe you should.. take your sweatshirt off. You seem really hot, like you're sweating. That has to be making you even more nauseous.." Cal groaned, hiccuped and replied "y-yeah. Guhhh… gonna.. take it off.." he weakly pulled at the zipper, struggling to get it over the bump of his aching belly. He whimpered as dangerous toots slid out. Once the zipper got over the curve of his belly, it practically unzipped itself the rest of the way down on its own. He wiggled his arms out and Leo helped toss the sweatshirt to the side. Cal was just in a thin elastic tank top now. He whined "m- *muuurp* shit, my belly hurts.. so full.. *frrtt..phhhtttrrft*… hng, *bur-URP*- ugh! I don't feel good.."

Leo was rubbing faster now. Another fart, another groan. The smell was intense and made Leo's eyes water. Cal's eyes werent any better, they were glazed over, his head lolled back he let out a silent puff of air from his mouth, his belches were getting risky, some of them he was forced to swallow down to avoid anything else other than air coming up, and he only had the tingle in the back of his throat to warn him. His stomach churned angrily, gurgling and undulating in time with Leo's rubbing. His belly was still distended and full, his white tank-top riding up just above his belly button. Leo listened as Cal's stomach emitted queasy grumbles and overpacked noises that would eventually be desperately released through either end. "I told you you were gonna feel sick, dude.. you look 8 months pregnant"

Cal laughed "I sure feel like it…. *hic-bRUUUP* mnnppph god… how am I supposed to walk after this? I think I'm *hic* too bloated for my own good. Ooooh… nnnngh.. and it feels like my stomach is doing an impression of a washing machine. *UURRRPPPP* oh- don't stop rubbing.. or.. I'm gonna have a premature birth!" Leo couldn't help but laugh. Cal turned his head and looked up. They locked eyes a moment as Leo was rubbing a sensitive spot just above Cal's belly button.

Leo's eyes widened as he blushed and unconsciously grinded his hips into Cal's crotch in front of him. His breath was hot and fast. Cal noticed, and warned his friend "My tummy hurts.. I feel so gassy, I think I need to fart.. uhm.. I'm not gonna *hic* warn you anymore, mostly because I don't think I can hold in anything anymore.." Leo never broke eye contact "That's okay, you're like a blimp. Let it all out, I'd rather you gas the place up than shit your pants on me".

Cal smiled and went to laugh before he was cut off by a sick burp, followed by a stream of wet, shorter burps.

Leo looked like he had gotten exactly what he wished for and more. In the face of a belching, gassy Cal he remained undaunted. He had a gleam in his eyes and a bulge in his pants that were both growing by the second. Cal was so full that he needed more than Leo's hand rubbing him. His own two fists were working him over in between big belchy moans and groans. His stomach was grumbling ominously, begging to get it over with sooner rather than later. "*bUUUURRRRRP* ooohh.. I feel queasy.." his statement punctuated by short, painful, but constant little farts as his stomach fought with the contents inside of it.

"Your tummy is gonna feel so much better after this, Cal." Leo said, rubbing and humping with more vigor, the rubbing on both Cal's belly and.. elsewhere.. helping things move along inside of him. Leo is on his knees, rubbing Cal's distended belly with both hands, spreading Cal's legs apart with his own as he worked. Cal's own hands were working higher up on his own gut, massaging and kneading. His belly was an air filled balloon ready to burst. Cal lets out a low moan and squirms as another deep and wet burp erupts. All the while, Cal could feel tingles of pleasure building up in his bloated guts, but the queasy, sick feeling was still going strong. This whole thing was making him feel strange and oddly arousing in a way he'd never felt before.

Leo saw the look on his friend's face and his hands gripped his swollen tummy. "It's okay, mnff... you can... let it happen... anytime."

Cal nodded, his hands rubbing his engorged belly in time with Leo's rhythm, as the blonde boy sacrificed a hand from belly rubbing duty to help keep himself steady above Cal.

Cal grunted as he continued massaging his distended gut. Leo's other rubbing was growing much more intense now. He was almost shaking Cal as he did so. Cal's mouth hung open and he was moaning with a slightly desperate tone. "Come on, dude.. hurry it up.. I'm so…" his moan was cut off by another wet belch. His body shook with the force of it and he clenched his teeth in an effort to relax and hold back the next one. It was no use. Another belch, and another, and another, with rapid, short gaps in between. Leo was now the one groaning, reaching his peak. "I'm.. unf.. hah.. Cal, I'm close… just hold on.." Leo was delirious with pleasure he'd only ever dreamed of experiencing.

Cal felt his body both nauseously ache at one part and throb with desire in another. An unusual mix that left him feeling like he was gonna puke regardless. He got himself into this willingly though, and has nobody to blame but himself, and he certainly doesn't wanna ruin Leo's night. He whines and puts all his focus into keeping his food inside of him.

Cal was struggling as he massaged his distended belly in time with his buddy's increasingly feverish rubbing. He let out a long, wet belch, "Hnnnnnnnghhhh my god, my stomach is so… *huuu-UUrrrpppp*- so full, I'm… I'm gonna be so sick."

Leo was getting close, very close, and he could feel his friend's stomach and other… parts… tensing up as he got ready to finish. Leo was breathing almost as hard as Cal at this point, gripping the stuffed boy's thigh with his one hand and holding himself steady with the other, trying not to jostle his buddy's tummy.

Leo is panting like a dog, his face bright red with effort and excitement. His body was flushed and his breath was heavy with the scent of the pizza they ate. Sweat trickled down his temples and forehead as he finally finished.

Suddenly, Cal lets out another long belch as all of that food starts moving again like a train. His stomach rumbles in discomfort at the pace Leo was pushing things along, but there's no stopping or slowing it now.

Cal's face grows more and more flushed as he moans and tries to keep his guts in its place. Leo rides out his climax, barely even worrying about how he's ruined his underwear in the process.

Snapping back to reality, he realized the true state that Cal was in and swiftly grabbed the trash can, "f-fuck. I'm sorry dude. You're gonna be okay. Just let it out, don't worry about accidents, I have the trash right here.. hold on.." he shifted Cal over slightly so that if any… spilling.. happened it would be in the trash can instead of on the floor. Cal's stomach was round and rock hard, the contents inside swirling like a greasy, bubbly storm. The movement caused a rancid fart to seep out slowly from Cal, the smell making him feel even more sick.

"Ugh.. god, *hic-HURP-" Leo… I'm so full…" the smell was terrible, the pizza obviously having not digested properly. Cal tried to hold on. But he couldn't hold it in for much longer. His hands resting on the impossibly bloated tummy that lay heavily in his lap.

Between queasy, wet, uncontrollable belches that forced their way out of his system, he tried to apologize "Leo.. grrrroowl ungh.. you w- *UUUR*ere right. It was too *urp* much.. fuck! *bruuuup.. burrp.. hurp* gah.. I should have listened.. to you…" he just couldn't stand the pressure anymore and stopped trying to speak when a series of loud, wet belches forced their way out of him. The distended mass in his belly seemed to vibrate and throb in rhythm with his digestive noises.

Leo tried to reassure him, "It's okay, I shouldn't have gone along with it.. we were both caught up in the moment, just breathe.." Cal gasped for air in between belches. "Ohhh fuu-*URP*… I'm gonna… gurggl*urp* Ughhhnnn…!" Cal couldn't hold it in anymore. His full belly convulsed as the undigested remains of the greasy pizza seamlessly flowed out of his mouth. He didn't even get the chance to burp again before a second wave brought up even more. As soon as he could, Cal cried out and gasped for air… before promptly being sick once more.

It dribbled into the trashcan as Cal struggled to remain upright on the couch; he was so sick. After the first few times, every heave was followed by a long, wet belch, the air that had been mixing with everything coming up in between. Cal gripped Leo's arms tightly as his stomach cramped and growled and heaved, the force of which made his whole body jerk and shake.

Cal was too nauseated to even protest being held and rubbed by Leo as he continued to puke. As sick and unpleasant as it was, Cal felt oddly grateful. Cal continued to vomit, his face flushed and heaving as more wet belches spewed out of his mouth. "Ughhh… *hic* I'm not done.. *gurp* I know I'm not.. god I ate so much!" The next few waves felt almost like they would never pass as Cal struggled in pain, and pleasure from relief. Leo almost felt sick himself seeing just how much came up, thinking of how much went IN and how full Cal was. Cal's eyes began to look droopy as he felt his mind slipping away. He definitely reached his limit tonight. He was still sick, but moreso spitting up in the trashcan and gagging than full on vomiting anymore. His mind cleared up just enough to make a mental note to himself: 4 whole pizzas over the course of one night. That was his limit.

Leo, feeling queasy himself from having to witness Cal spewing inches away from him still let Cal rest his head on his lap, trying to avoid laying on his stomach or adding any nore pressure to it. He looked down at his friend, face flush, skin glistening with sweat, nose running, exhausted from the exertion. He couldn't imagine being in his shoes, but at least he could help him, even if it meant cleaning up the result.

"Are you okay, Cal? Do you think you're done?" Leo asked, stroking the hair out of Cal's eyes that were already starting to close. "Maybe… *hic* .. I'm getting sleepy." He mumbled, resting his head further into Leo's lap. Leo would enjoy this a lot more if his lap wasn't uncomfortably hot and sweaty, and parts of it wet and sticky inside from using them as friction to help bring him to his release earlier.

He grabbed a pillow from behind him and carefully moved it under Cal's head as he slipped out from underneath his sore, sleepy buddy. "I'm gonna go empty the trash can, I'm gonna run to the dumpster, I'll be like 5 minutes MAX, do you think you'll be fine until I get back?" Cal hummed "mmhmm.. *hic* I feel so much better… that needed to come out so bad…. oh my god I really overdid it…"

This experience, as repulsive as it sounded, was far from unpleasant to Cal. His body was still slick with sweat and fluids, and his stomach felt sore, but the relief of having gotten everything out was more than worth it to him. He didn't even mind being held and rubbed as his body expelled the contents of what he had eaten with such gluttony. He felt bad for involving Leo in it, if anything.

Cal sighed as he settled more into the pillow beneath him. His stomach still churned routinely, but he no longer felt dizzy with nausea, and he was once again in that familiar state of just being very, very full. He was in a pretty comfortable position though, it had to be said. His body felt oddly relaxed and yet, his stomach was still swollen and achy. He felt lighter, like his body had been cleansed. He also felt something… else. He turned his head as much as he could without moving his body. His eyes were drooped as his gaze was stuck forward, fixated on the doorway that Leo was to return from. After a few minutes he heard footsteps. He tried to force himself awake out of a half-sleep. "Leo?…" he tried to ask, but with the way his head was positioned and how sleepy he was, he only managed to croak out a few barely audible words.

"Leo? you back?"

Leo returned from outside the apartment door, the trashcan now empty and the trashbag inside replaced. He set it down and sighed as he crouched down to be level with Cal, who was still laying on the couch with his head against the pillow. "You awake?" He gently wiped the sweat off of Cal's forehead. Cal smiled sleepily. "Mm… sort of.. uhm. how are you feeling about this whole thing?" Cal was referring to both the pizza and their rather intimate session as a result.

Leo thought for a moment "Hm.. I feel tired, but probably not as tired as you." There was a pause before he continued "…I don't want you to feel bad, if I was in your position I think I would be so embarrassed that I would die.. I wanna be all 'I told you so' but that can wait."

Cal laughed in the form of exhaling through his nose. He understood. Leo kept talking, "I could have lived without you puking your guts out, that kind of ruined it.."

Cal was awake but still dazed enough to not think twice before speaking, "but you came, right?". Leo blushed. Cal was always so straightforward about these things. "Uh. Y-yeah. Absolutely I did. It was immediately cancelled out within like a minute, but up until then… I think I liked it." Cal grinned. "I liked it too. I mean, I definitely hated it at some moments, specifically the ones where I was barfing, but that's over now and I'm not past-me so overall I count it as a success. I found my limit!" Leo grimaced "You sure did.."

Cal continued "and I wouldn't have pushed myself to even go that far without you!"

Leo resisted the urge to lightly shove his friend in fear that he might jostle him too much. "Then maybe I shouldn't have, if this is what happens when I feed you and help you then maybe I'll just stick to watching you gobble down pizza from afar like I used to" Cal giggled. "Well now you don't have to, because my limit is 4 boxes of pizza, just never push me beyond that! Easy math!"

Leo shook his head "I just gotta say.. if this is like a yearly thing or maybe even a once-a-month thing I would be more than happy to help you push your limits.. but now that you know the result I'm not sure about 4.. maybe 1…" Cal playfully groaned "ughhh fine!", then laughed and then turned his head to face Leo. He was smiling as he looked at his friend while trying to keep his eyes open. "Hey, Leo.. thanks for indulging me. You're always there for me and I don't know if I thank you enough for it." Leo shook his head, "Don't worry about it. Thank you for not judging me. You're never afraid to be yourself and you make me want to do the same."

The two fell asleep in the living room, Cal on the couch, and Leo on the floor. They grew much closer that day, and their bond will forever be strengthened, all thanks to surplus pizza.

[xuune]

I'm a pretty young artist and I'm not sure what I need to start off with.

Anatomy or color?

tl;dr there's no correct answer for this.

but you can start off by asking yourself what do i want to draw? what do i want to draw right now? depending on your subject, what style you want to learn/do (painted, linework) then that can determine how you think while you draw.

however, you won't and never will learn one thing into completion and then move onto the next, its a continuous process of learning and relearning.

you can learn either anatomy or color one at a time, or dedicate time split for both. imo, you learn both best together. either way, you learn both continuously for the entire time that you will ever engage with drawing. there's always a lot to learn.

i feel like a lot of beginner artists get wrapped up on thinking that one should be prioritized over the other, so my answer to this question is long:

the usual route people go to for this question is to focus on fundamental studies. in the few semesters of fundamental courses i had, our structure was this:

learn solid forms, shape, lights, grayscale values, perspective AND gesture/figures

continue building on gesture/figures AND start learning color(traditional painting)

continue with gesture/figure + start learning anatomy AND continue learning color (digital painting)

we start off with many other basic building blocks first before getting to anatomy/color, but those basic blocks are essential to building up how you think when practicing both. but where do you put this in practice while drawing for fun? this is time dedicated for studying fundamentals, after all. schooling helps, but a majority of us start out as self taught, especially since there's a multitude of free learning resources online.

if your preference of learning is to do things one step at a time, then maybe dedicating your time to fundamentals is the way to go. there's lots of educational resources out there to help build these fundamentals. at the top of my head, here's a few resources for anatomy: proko, sinix design, glenn vilppu (great for gestures). if there's anything to take away from this regarding anatomy, its to practice perspective, form, gesture, and figure first and foremost. anatomy dives deeply into more complex forms. start simple before you get overwhelmed.

unfortunately, i dont have many resources to give you in terms of learning fundamentals for color. i primarily learned off of experimenting and studying off of other artworks. i've already covered a lot on my thought process behind how i think when painting, so that post might be insightful the moment you get more into using color.

now, im gonna assume that you haven't had formal schooling in art (either not yet, or won't), but you spend your time drawing for fun. and now you want to dedicate a bit more time and practice into anatomy/color. i started off self taught, so i can relate.

earlier, i mentioned this question:

where do you put [fundamentals] in practice while drawing for fun?

when looking at your question again, i think of this: do i want to practice fundamentals as i draw for fun?

there's definitely a difference and spectrum between "going balls to the wall crazy and drawing for fun" and "using my drawing time for studies/practicing fundamentals."

if your answer is yes to that question above, then you're on the right track for seeing how this works in practice the moment you participate in both "drawing for fun" and "practicing fundamentals" for self practice.

in any drawing i do, i want my subjects to be posed as [xyz], but i also want the final illustration to look like [xyz] for color.

i gather references for both posing and color, and while drawing i look to study both at the same time. with posing, im looking at refs to study anatomy as i draw. sometimes i may only use one ref photo, or multiple, but either way im checking for various information like what are the proportions, how might the skin fold, what areas of body have soft/hard edges, what might these limbs look like when foreshortened, etc. with color refs i study them to analyze how another piece of artwork is doing something that i'd like to achieve in my own art. this goes back to things i've mentioned here.

in short, the time drawing for fun is also a time to put fundamental practice in place that helps build your skills as an artist. either way, my advice is to learn as you go and have try to have fun while you practice.

in the end, this is my perspective when i look at this question. others may disagree and have a different opinion, but at the end of the day, everyone has a different process on how they practice and grow as an artist.

this was lengthy, but this is an extremely broad question that goes beyond choosing one or the other, and there's reasons why that is. i hope i explained this well enough and that it answered your question in some way!

[pbeltarts]

I've admired your work for a long time and personally love your art style, it looks so top-tier and professional! I'm trying to get back into drawing, do you have any tips on how to develop art skills? Maybe your journey as an artist?

My journey has been going since I was a little kid. I've always drawn, so a lot of it is self-taught stuff building up on itself. However, I think these things can really help speed up understanding art as a process: 1. Use references, please god. I did not use refs for a majority of my life as a self-taught artist and though I got there in the end, references saves a world of headache in both anatomy placement and just posing. You don't have to draw 3/4 standing poses for all your practice/sketching!

Gesture drawing is a rly nice way of also getting faster while learning to dissect a reference quickly. You understand what makes the pose readable in a few strokes, vs trying to nail down every muscle and bone placement. They're good to warm up to (which you should always warm up, be nice to your poor hands.) 2. Don't just admire, learn. When you see someone's art you like, take the time to think about why you like it. Why is it affective, what parts of it are clicking with you? If it's sketches and comics of someone's ocs or fanart, why is it resonating outside of being about a special interest you have? What about the ART is doing something? If it's a finished illustration or painting, there's usually choices the artist is making to get ideas or moods across. Being able to dissect and pay attention to art that we admire and like builds skills in doing it to our own. When we're unhappy with something, we can critically ask ourselves why instead of just saying it's bad. Just saying something is 'bad' or 'good' is ineffective in learning anything.

3. Be optimistic in learning! It's perfectly fine to enjoy drawing just as is, and not to constantly analyze what you and others make- but being open to studying, critique, and learning new and old concepts makes us better artists. Being receptive to knowledge is a good thing, always! So try, when studying, to enjoy the process of making the art and learning about art as much as the final product. If you hate making the thing, or just find it as a means to an end, you're gonna burn out quickly. Fall in love with the act of making something. Because it's a labor of love! Fall in love with learning about it, discovering new ways to do it, and so on because you can enjoy it more.

[haejjoon]

Hiiii

First of all I want to say that I love your art and I really admire it. It has kind of make me want to go back to drawing again. I used to draw a lot a few years ago but I stopped because I became unhappy with my progress. Now I want to go back to making art but I'm insecure about it because I'm worried I'm too old to start again (I'm 19) and whether I'm capable of relearning it properly. Do you have any tips about where to begin to learn art basics (specifically anatomy)? I would appreciate any advice.

Hello!!! Firstly thank you so much for the compliments, it really does mean so much <333

I'm nineteen, too! Of course you can start art again. I've taken a lot of breaks in between my own art, too, and it's only very recently that I started enjoying making art again (after .... like.... a year or two. lord) so I really do understand how you feel. But we're nineteen years young, and have so much time ahead of us to get back on our feet.

In my experience, improving comes quickest when you focus on one very specific skill at a time—and I mean SPECIFIC. Practicing gestures with torsos only, the muscles of the upper arm, skeleton heads in different angles. I've been studying arm anatomy (and only arm anatomy) recently, and I'm already miles ahead of how I used to draw arms in the past.

If you want a specific step by step on how I personally draw anatomy, I don't mind sharing a quick tutorial! But for general advice—form follows gesture, and gesture follows movement. The biggest mistake someone can make while drawing a body is focusing on the accuracy of the muscles/bones before getting the flow of the gesture down.

Even if the anatomy looks a bit wonky with the gesture, it's important that you capture the movement of the pose first, and then build muscle on top of that. Proko on Youtube has a very good quick drawing series on this, and explains it way better than I do, but that's the gist of it.

Also, PLEASE always use references! I know that hearing that gets old, but it's really important. If you'd like, I can make a quick tutorial on how to use references properly, too. Reference everything—pose, lighting, even art style if you're looking to switch things up (i have about 10 different tabs open on my computer with different artists I admire so I can reference their art religiously).

Speaking of referencing art styles, it's important to gather a bunch of artists you like in terms of style, and not just one. The trick is to separate them by skill—"this artist is for lining refs", "this artist is for anatomy refs", "this artist is for face refs", etc, etc.

And to jump off of That: I find that with anatomy, looking at other peoples' anatomy studies on pinterest is also very helpful. Obviously you should be referencing from real life too, but with art, it can be difficult to pin down what to put on the page and what to leave to the imagination. You wouldn't want to actually draw every single muscle in the arm individually, right? So I go and look at other artists' anatomy studies to see what they keep and what they don't keep.

(usually i find them on pinterest, and they look smth like this. the color coded ones especially help me.)

I'd recommend learning gesture and anatomy first, then building off of that to learn how to draw faces, then lining/coloring, just so that you have a solid base to work off on when it is finally time to color. (also because coloring/lighting requires a fair bit of how body anatomy works as well!!)

But yes, that's all the advice I can give from laying in my bed. I hope it helped somewhat, and if you'd like tips on how to do something more specific, I'm always willing to draw it out or go more in depth ^^ Best of luck on your art journey!

[pocketwei]

Hello !

As a fellow artist, I really admire your style, and would like to study it.

In that spirit, would you be OK to tell us a little bit about your process ?

I hope you have a great day and I look forward to seeing your future pieces !

Woah, this is high praise, thank you so much 🥹 And thank you for allowing me to nerd abt process hahaha, I love to talk abt this stuff! Drawing is so much fun honestly

For process, I'm not sure if you mean more the actual process of crafting the art, or rather the thought-process that goes into it, so I'll briefly cover both! I'll just talk abt my personal/fanart practice since I think this is what the "style" part refers to? As in, I won't mention process for, say, storyboards or backgrounds I make for animation.

Under the cut bc long answer!!

A piece usually begins with an idea, it's often inspired by something I see or hear, by something that comes up in a conversation with friends, by something I read in a fic, etc. And imo, the most crucial aspect of my creative practice is narration; it's the thing I strive to perfect and polish the most. What do I want to say with this piece, which story do I want to tell. Before I even start sketching, I usually have an idea of the intention I want for a piece, and with enough experience, at some point you start guessing what "visual devices" you should use to render that mood. E.g. if I have an idea that involves a really suffocating mood, a feeling of tension, one of the basic ways to go about it is to crowd your piece, have it more zoomed-in and in longer focal length so the perspective is flattened. Similarly, you'll often choose not to show your character whole (especially not their feet, with which they could flee!) or the floor (which is a way out for the character), you have many overlapping objects, etc. Knowledge of these "visual devices" honestly come with time, and sometimes they sound super basic, but they do the trick, and they're not hard to spice up and make more original when you keep your mood/intention in mind.

Then comes storyboarding/sketching! It's the most important part to me, because this is where you decide how you're going to tell your story. Sketching is the most exciting part, you can let your mind speak and find creative ways to spice up the "visual devices" you've figured out at the initial thinking step. I think one of the greatest advices I got, ever, was from my storyboard professor, who told us to always keep in mind that a picture (moving or not) is ALWAYS a 2D surface, and that it should be treated as such when storyboarding. I.e. when you board, think of your image as an arrangement of shapes on a flat surface, rather than a 3D scene. You can figure out the logistics and the perspective in lineart, but for storyboard, composition has to be prioritised over a well-constructed room, bc otherwise you'll just draw the same things over and over.

It depends on the pieces, but nowadays I prefer to just clean up the sketch rather than do a whole clean line on top of it, as not to lose the spontaneity and dynamism of the sketch. Lineart is about making things look pretty and nice to look at, but it's also a step where you can reinforce your initial intention with details. It can be details of anatomy (giving an expression, working on your characters' anatomy to make it expressive (what story does this body tell)), or of environment (what does this place mean for my characters, why are they here, what does it tell about them). For this I use truckloads of references!!!! Super important. Either from other artists, especially for anatomy details or line efficiency (matanai_ke, nisir0, nonebrainer on twt, whose styles I've been really digging recently), or from pictures/real life for enviros. No one's born with the ability to come up with a plausible baroque interior so get those refs! Lineart is honestly one of the steps I enjoy most, I spend the longest time on it because I need it to be perfect and tell exactly what I want to tell. I'm working on improving my linework quality because I feel terrible abt it ahjdsf

Then I do a coloursketch. My approach of colours is painterly (applying colours directly as they appear) rather than the neutral flats + coloured filters workflow, which do work great for beginners however, and I did my time in the mines with it as well asdjfh...... I usually apply an underpaint layer as shown below, usually then place lights first, and then work my way through all the elements.

Sometimes my underpaint is bright and saturated, sometimes it's more muted and darker: again, it all depends on the intention of the piece! I do this to visualise better and to contextualise the colours I'll paint on top of this base. The yellow in the top-left screenshot gives a warm touch to the wood-browns, even though they're not actually super saturated! With the bottom-right, the pink gives a colder aspect to the teals/greens and makes them more "aggressive", as it's their complementary colour. It also bears a narrative purpose: on the bottom-right screenshot, I wanted pink to seep from the edges of every shape, and purposefully left the edges jagged and rough instead of cleaning up the painting perfectly. Bright pink like this is not only a crazed colour, but it also represents Doflamingo, and in this case, it fit the intention to have him and this madness as the backdrop of a scene that doesn't involve him, but to which he is the unspoken key and center (Monet is hallucinating/projecting that it's Dof looking down on her, when it's actually Law). As if his presence was underlying the very materiality of the scene.

God that was long. Then comes rendering, which I hate with my guts because I don't know how to do it and if I could get away with only colour sketches for the rest of my life I would!!!! I hate spending time on colour details and rendering materials and polishing brushwork I just hate this step :')

And finally, compositing!! Slap some grain* on this bad boy, slight chromatic aberration in the corners if we're feeling fancy, perhaps a bit of field blur... chromatic aberration is to mimic cameras! it's a physical effect of the lens, and having it on illustrations give them a more cinematographic quality.

*in a non-destructive way I BEG!!!! Quick grain tutorial for the poor souls who still merge everything -> filter -> noise!!! 1. Create a gray layer with HSV at 0, 0, 50 2. filter -> noise as you'd normally do 3. set blending mode to overlay so your grain is more visible the darker your colours are (like for a real camera! grain is an artifact created when there isn't enough light in your captor) (I won't get into the maths of overlay but it's quite fascinating, basically it multiplies the value of pixels that are V>50 and "divides" the value of pixels that are V<50, while pixels that are V=50 like our initial grey layer, it doesn't change the value of the pixel underneath it) and 4. set opacity to ~20% depending on what you want or need

and tadah! you have an illustration. how cool!! there are still many things I need to work on, but it's a very fun exploration everytime :'D I feel glad that I've reached a point where I somewhat know what I'm doing, it made drawing so much more fun in the past year. Good luck w your own endeavours!!!

[raisinbunn]

Can I ask where you get references and inspiration for your nsfw poses? Your art is literally so gorgeous it's motivating me to draw it too. <3

aaahhh tysm 😭💗💗 hate to break it to you but i rarely ever use refs!! only when i can’t figure smth out for the life of me or when i’m doing studies!! i don’t like using refs for regular art bc i always make it look stiff when i use them 😭 so i usually just construct my poses using simple shapes for the main body parts and landmarks (like collarbones, joints, hipbones, the lowest rib etcetc) while keeping in mind the perspective and how muscles behave depending on the direction of movement!! i studied bridgman and lauricella a lot and i’ve done tons of studies, loomis did constructive anatomy too but i don’t like loomis 😭 i prefer bridgman bc i like the shapes and the way he shows the twists and bends of the body!! ive learned a lot from sinix and moderndayjames on youtube too, they have really good anatomy tutorials!! other than that it’s just tons of practice and analysis, im ngl it took years to get where i am now but it was 100% worth it i hate wasting time searching for refs and it’s so hard to find exactly what you’re looking for too 😭 so i’m very happy that i can construct poses without them like 99% of the time!! i could do like a study stream sometime if anyone’s interested in seeing my process!!

[toughbunnyforever]

So I came from your insta and saw that you improved quite a lot over two years. I’m in an art rut right now and was wondering your tactics for learning to draw different positions and poses? And fabric? I’m just curious since you don’t have speed draws on YT.

oh thank you!

in the past two years, i think what's helped me improve the most is learning the balance of keeping consistency without taking myself too seriously. i find that when i'm in a rut or i feel like i've stagnated, it's bc i'm too in my head and i'm forgetting to have fun. bc yes, technical skill is good to acquire, but creativity is, in my opinion, more important of a priority because that's where the art comes from. the technical skill is just the tool to help the art get made, so hone it, but don't treat it like it's everything. it's no good being able to draw a bunch of cool stuff if you don't have the spoons to draw any of it or if you're so burned out, you can't even come up with ideas.

on the more technical side though, for me, study and practice time are when i focus on repetition so i can build muscle memory. if i'm studying from references (and not feeling lazy lol) i'll draw each ref at least 2 or 3 times to get those reps in, drawing fast and sketchy, just doing as many as i can. this really helps with things you'll draw over and over again like clothing folds. my hand will start to just have a better intuitive sense for the shapes instead of agonizing over each one cuz i've drawn it enough times. when i'm sketching, it helps me to fall back on that muscle memory so i can put more focus to other aspects of whatever it is i'm drawing.

it's about finding a balance really.. if i study too much, i never actually implement the things i learn but if i study too little, then my work stagnates and all looks the same. finding that balance for yourself will go alone way! when i'm in an art block, what i need just really goes back to remembering to enjoy the process and finding that spark again. if i'm not enjoying my art, then i gotta switch something up.

here are some other things i like to do for practice:

redraw screenshots/stills from my fav shows or manga (good way to study poses, anatomy, and scene composition w/o it feeling too serious.)

or pick a show/movie/comic and choose a character i like. draw them 3-5 times, copying the art style to a T then draw them again in my own style to see what elements i wanna take away from it. (again, a good way to study without Studying. i end up leaving the experience with new staples for my art style)

find fashion photo references and draw my ocs in the outfits.

switch up what i'm drawing with. like if i'm mostly draw in pencil, switch to only pen. if i'm doing digital, i put my go-to brushes in a new folder, don't touch them, then sketch with a brush i never reach for. just change one little thing and see how it affects the process. usually i discover something new.

i wrote a list of things i like to draw on the front page of my sketchbook (just stream of consciousness, wrote down like 100 things i like to draw. ex: oranges, apples, snails, leaves.) and when i don't know what to draw, i close my eyes and point to something then draw whatever i comes up.

hope this helps!!

[tomatoart]

mwah your art is good and nice :>

can I ask for some advice? no worries if u don't want to answer.

do you have any tips on how exactly to practice art? everytime I ask for art advice everyone always says "practice" but idk what to practice first! do you have any strategies for learning how to draw something? do you do excercises? and if so how do they work?and are there any beginner mistakes I should look out for and change specifically?

thank you so much!! have a wonderful week :>

thank you so much! im ok w answering! i dont want to speak as if i am an expert on how to draw things in general as i am learning as well and definitely am not completely learned, so i might not be the best person to ask since im not very professional w my art as I do it as a hobby (and I can only speak on mostly digital cartoon matters) but i reallly hope to try and help u out even a lil ! im really happy that you’re eager to draw :] I wish you so much luck muwah muwah

i also hated when ppl told me “just practice” and i dont wanna inflict tht on u EITHER LOL but also thats just what i ended up doing for awhile but i tried to find some things to help ^_^

tips for practice: My number one rule is that practices should be challenging but still fun, I know it can get frustrating trying to redraw a pose over and over trying to get it perfect. And over time it rlly is all about muscle memory, the longer you draw the more your eyes will pick out specific shapes in everyday life and convert them into its own vision of them! or at least its good to look at life that way, try to pin point key shapes and stress less on details in practices. after you look at key points, THEN you can go over what you have and draw in and over it to make it more “complete.” To stop practices from getting too stressful I recommend starting out drawing what you want a little more simple looking than ur desired finished product. This helps eliminate the pressure of everything not looking “perfect” and keeps your art more loose and fun. Doing this a few times is gonna get ur brain to recognize patterns in art and how things look/flow in anatomy and such. dont get stuck in ur own head abt perfecting everything to the point you either 1) give up bc ur not at a level capable of it being 100% “perfect” or 2) focus so much on making it perfect that you end up saying the work looks “wonky” or stale in dynamics, So while I do think studies help, don’t get too lost in them. I always practice with media I enjoy too, whether it’s characters or fashion I enjoy.

Strategies learning to draw something: people get mad abt this one but I think tracing reference photos is great. its been awhile but When I tried learning to draw hands better at first I would trace them then put the traced image to the side of the canvas, then try and replicate what my mind saw as its most important angles and aspects. Same for clothing folds/hair/etc! I think it’s maybe not the best idea to trace the ref and use the tracings as is, because you learn more from tracing it then trying to replicate and simplify what u learned into the style you’re working in. Find what shapes you like from them and don’t over detail it. you may have to go by eye and think “what parts of this ref photo should i simplify to fit my style” and for me, its usually adjusting the length of the torso and then the limbs by associations. i dont recommend feeling like u need a reference for every art you make though, its ok to let ur own head try out its own sometimes too while trying to learn this, see if it remembers any call bad from the past referenced sketches! over time ull remember where everything goes more, these days i rarely kick myself to use refs but im sure they still would help to use, but figure drawing simple blobby figure in a bunch of random poses was a big thing i used to do as well to get better at full body art + overall dynamics (still does this). also paying attention to silhouettes is great 

Exercises and how they work: I WANNA HELP U SO BAD BUT to be honest, all the works on my blog ARE exercises! i rarely actually do finished pieces, if u scroll thru my posts ull notice most r sketches. i usually just fill up a page and call it “warm ups” then i get attached to some of them, take a few, and just line them up pleasingly on a smaller page, then color them in (or sometimes fix the lines to be more clean too). im not rlly a person who “exercises” to practice, it more so happens from just me drawing a lot for fun as a hobby! but i really should. i will tell u this has humbled me a lil i need to start practicing too 😭 LOL but a good exercise is to look at what ur inspirations do, and study it. Make a collage and write out what you like most abt their styles/what u want to gain from them. For ref Here’s a page I did awhile ago when someone asked me abt my insps:

i also look at fashion magazines and as well as anime figures and take insps from that sometimes with learning cool poses and compositions to convert into my own things

Beginner mistakes to look out for: its hard for me to pin point “mistakes” beginners make, as sometimes we cant avoid all of them or even notice them, progress comes from growing out of old ways. some mistakes are even the foundation of ur future amazing cool style! but i think some things to look out for could be these, from my own old art experiences

Hands were the first thing I learned bc i liked drawing them. I don’t know if that is the best way to go but I think it is smart to practice sooner than later, here is a lil guide thingggyyy wingyyy from awhle ago

i see beginners shy away from drawing signs of age in people, sometimes adding too much detail on an older person in cartoon art makes it look weird, so i try and hit the key markings on ppls faces of age.

Too thin of lines. sometimes its a stylistic choice to use thin lineart, and it can look amazing ! but sometimes it can flatten an image if ur not familiar with its flow. im not saying use thick line art, but more so to keep in mind the weight of ur strokes, adding depth with a thick thin combo of line art can do SO much for the simplest of pieces. heres a visual from a while back when i talked abt my brush + more abt lines:

but if ur desired style is thin lineart that is cool too! tbh it was just harder for me as a beginner

sometimes artists think they need to do full lineart for everything and then hate how it looks compared to the sketch, do not fear i will introduce u to my bff: painting over a sketch, extractinging the lines, then calling it line art. i only do this sometimes but its a fun exercise-ish thing to do in a pinch. example:

finding what shading fits ur art. sometimes ill see ppl starting out who have a style thats very simple, but they use a very detailed rendering process on it. this is not something id ever police of course, art is each persons own choice! And it CAN work. It can be so cute! but sometimes mixing two very contrasting mediums of art can throw off the “put together” look of it. i use to abuse the airbrush tool thinking it made my simple style look super cool and detailed, but looking back on it now those pieces looked a little off, having such a simple style have somewhat more realistic shading. dont get me wrong the ability i see ppl use rendering like that is so insanely talented! but i found cellshading to be a good match for cartoony art like my own. a tip i learned way too late abt that is rather than shading each layer by color picking a darker color, instead use a clipping mask over the entire art (above line art too as I color my lineart) and lasso tool the areas u want shaded + fill it w a saturated purple then set to multiply + lower opacity. also, sometimes coloring can come out chalky looking when u meant for it to be smooth and transitional, i think this comes from overshading and overlighting pieces without reason. pay attention to where the light source is, and focus on making the shaded and lighter areas nice shapes that cover the necessary areas, then u can add additional shading to the smaller details of what should have a casted shadow/light  

its good to spice up ur art now rather than later, focusing making ur art pop more w backgrounds will help ur coloring skills look better too! i dont mean detailed huge backgrounds, a small lil color pallet and design rather than a blank white bg. like this will make u feel better abt it or at least it helped me *sweats* yeah:

beginners tend to draw blank faces like “:)” but I think a good thing to do is try and get silly with expressions early on. It’s okay if the mouth hangs off the face cartoonishly with joy or shock, it’s ok if the eyebrows are super high in surprise.

tracing and pasting it as is (already said this but I’ve seen ppl do it a lot with hair styles and it makes it look alienated from the rest of the style) (final fantasy fans found critically injured) n if need a ref for a pose, using a real humans anatomy as-is doesn’t look quite right on a cartoonyish drawing. Shortening torso and legs usually comes out of this for me!

flip ur canvas i promise u it’ll be less embarrassing over time!

using guidelines for perspective and foreshortening is GREAT. Do it stylistically rather than realistically to add some groove to it...yay. Having silly perspective in art can make it look like a 10 so easily opposed to a normal front facing sketch. Look at cool poses from fashion magazines! Don’t be scared to draw something you don’t feel confident in conveying perfectly, this is why progress redraws exist :)

Drawing the hairline b4 u draw the hair is great, it helps u understand where their hair flows from, where it starts and stops, AND prepares u for drawing bald ppl. Also don’t make the head too big, the skull IS bigger up top, but sometimes I see an alien head affect.

Anatomy is an interesting mistake that beginners make a lot, but it’s one they find harder to notice! When I started out, all my art would be SO wonky, but I didn’t even realize it! It still happens today too! specifically though I see beginners struggle with the arms in this department. My advice is to try and measure them out and make sure they don’t go past the knees, and are the same length as each other when Unfolded. asking for criticism is hard but it helped me realize when i would make something bigger/longer than it should have been in my art, and stuck with me being able to go “oh... i see it LOL” 

clothing wrinkles- do not over do it! Too many wrinkles and shading can look unpleasant and wirey- like a plastic table cloth all bunched up which isn’t exactly what ppl wear. pay attention to gravity too

I hope this helped even a lil im sorry tht I’m not very good at explaining or didn’t have much to sayyy! If u have any troubles no guarantee I’ll have the answer, but ur always free to ask!

[minquiec]

min WHEN I CATCH YOU MIN‼️ MIN WHEN I CATCH U.gun pointed in your head until I see how u draw anatomy and how u color

Your lovely jia lover 😉

HI I hope ur the anon that asked it earlier cause I was dumb and deleted it by accident 😞 I literally had the whole thing written out to

But anyways

Disclaimer this isn't rlly a tutorial cause half the time idk what I'm actually doing so this is more what my art process is

1. Basic shapes (❓)

I legit dunno how to put it into words so have a visual interpretation

So like most of the body is broken down into shapes especially for the torso

Because I have crippling anime style syndrome the leg proportion are often longer than the torso

Also for the torsos, when I draw more feminine bodies the hips are usually as wide as the shoulders and for masculine torso the shoulders are wider that the hips

But in the end it really depends on the art style and the body type cause like I said I have anime style syndrome so I don't include variations in my art alot (even though I rlly should)

2. Poses n stuff

For poses I usually start with lines that vaguely look like the pose I want like it literally looks like this

I don't put a lot of thought into the anatomy at this stage because if I worry too much about the anatomy here, I end up spending too much time trying to fix it and never actually getting the pose out of my mind

The examples here are rlly shiet cause I literally sketched it under a minute but I then try the properly solidfy the shapes and only after that I start agonizing over the anatomy and correcting it

But I won't show it here for the sake of my sanity and hand

3. Refs + practice

I feel like a hypocrite saying this bc I don't use alot of refs but refs are rlly helpful

Like seriously

The only reason I don't use refs that much is cause half the time I can't find the one I want but when I do photo studies vs pieces that I don't use refs in, the art that uses refs definitely look more natural

And ik literally every artist says this but practice is such a big part like I literally drew everyday for 3 months after watching atsv and my anatomy was just so much better

Bc I drew so much

But yea idk if this is actually helpful cause I'm so sheit at explaining cause even now I still don't know wtf I'm doing so I just wing it and pretend the art looks good (ie. delusion)

I might make a separate post for colouring but idk how that will go cause once again, idk what I'm doing hehhehwhhahah 🤡🔨

[asarigg]

Hello,

Your art is absolutely amazing, and your nsfw…🥵🔥. I’m curious, do you use references for the lewd poses (mainly asking about your most-recent post), or are you just that well practiced? Love your art either way. Thanks for continuing to bless the KouAo nation 🙏

thank you so muuch 💕😳

mostly i don't use reference, altho i do save stuff

i just always forget to go and check it 😭

But the reference I keep are usually general anatomy stuff, and when they are poses, it's sfw cuz it's not my fav thing to go through random people's nudes and videos, and most of the time they are either not the type of perspective i'm looking for or they're usually repetitive and stuff that I already can draw 😭

sometimes i use ref pics of myself, but usually they're small parts, i haven't tried doing a full body pose yet

[huckleberryblossom]

hey can i ask for a tutorial or guide on how to draw a cat body? i've been struggling for days

just to get it out of the way since anyone you ask is going to say this, references are your best friend and will make this a lot easier

a friend of mine shared this site which has lots of good references, not just for cats but lots of things. if im looking for something specific, i usually google something like "cat curled up" and just scroll for a while or use multiple references to get what i want.

but as for how I draw a cat body, i use references but honestly a lot of what i do is a result of just having spent so long studying references (and how other artists drew them! sometimes studying what artists are doing can help you translate realism into whatever style you're going for) that i kind of just know where certain bones go/how the muscles would stretch or contract

this is how i tend to visualize the body at its most basic. the parts i highlighted are the pieces i use to ground the anatomy: the shoulder, the haunch, the elbow, the ankle, the paws, and the skull. their shape tends to change very little from pose to pose, which is why i exaggerate/define them so strongly. they're usually what i sketch first and use to get the pose the way i want it. everything else is stretchy and fluid to "connect" these pieces of the body.

here's an example of the parts using a photo from that site i linked

and the way it looks without the ref, vers what i drew by looking at the ref!

these are pretty standard walking/standing poses, but the idea works for more complex poses.

i havent really said much about it, because most of what i draw are refs, and they dont really have dramatic poses or difficult perspective, but its up to you to decide how much anatomy you're willing to sacrifice to get a more fluid motion, or a dramatic shot. i think this is where those guiding "pieces" of the body is helpful for me, because i can lay down those pieces and then do what i need to to connect them, so i may lose a little bit of exaggeration but the body doesn't look broken.

you can see that in action here, with this anniversary piece i did. my first sketch was only meant to get down expression, pose, and movement (i changed raven's completely, lmfao) and unfortunately i dont have anything for the steps inbetween because i think i refined on one layer. but i kept the vibe the same even after cleaning up the sketch and fixing the anatomy issues.

fur is one of the last things i draw when i draw cats. i like to get the body shape and movement down first, and then cover it with fur if i have to. i think this ref is a pretty good example of that

on the left is how i start most of my drawings, getting the pose down and everything where i want it. i make edits to this until i like the body shape (notice how the belly is much larger, and all of the limbs are thicker + the paws are big) then i use that sketch as guiding lines for all of the fur placement. the fur here ends up covering nearly all of the body, but it still looks fine because the anatomy was there to start with

i hope this helps anon skjfdhfkgjh ive never made a tutorial like this before. there's definitely better ones out there by other wc artists, but i dont have links to those posts on hand, maybe some of my followers can link them? good luck to you!! ill leave you with one last piece of advice you'll also hear a lot: just keep drawing! we all improve with time and practice, and are always learning and trying new things.

[gayluigi]

Drew my fiance's fursona for fun and anatomy practice!! I referenced this pose from some Stardew Valley fanart by fattlestacks on Twitter. Not traced, just referenced, but I wanted to credit them just to be sure. This pic isn't fat fetish art, though, I swear. xD I just googled "chubby man" or something like that for a pic to reference and that popped up lol!! This racoon is a thicc boy.

Also his top is supposed to be a binder but I don't really know how a binder wrinkles whenever worn by a guy this chubby so it just looks like he's wearing a very ill-fitting tank top xD Clothing continues to be a struggle for me.

Overall I'm pretty happy with how this turned out, since the anatomy is a lot better than stuff I've drawn previously. I took some advice from my boyfriend about anatomy. If you have a reference picture you're using and you're using a digital tablet, you can trace the ref three times to get a feel for it, then reference it three times to make sure you have it down, and that third referenced sketch is what you use. It helped a LOT! Tracing is usually one of those OMG NEVER DO THIS type of things in art, but it can be a great way to learn, so long as you're not using the trace as your final piece!!

Final parting thoughts: A fun fact about this fursona is that, to my knowledge, he doesn't have a name yet. I affectionately call him Nipples because the initial drawing I got of him reminds me of Knuckles from Sonic, and therefore the "Nipples the Enchilada" meme xD

This is what I had to work with xD I changed the "fuk popo" to "ACAB" in previous drawings, but I got lazy and didn't add it this time.

[lavender-annd-lilac]

Ok I kind of don’t understand how this is worse than going home and calling out her husband for being a cheater cheater pumpkin eater, but I’ve never had to choose btwn these two scenarios so what do I know lol.

Is she getting paid rn? Or is her “pay” basically coming off what she owes him for the car expenses?

😵‍💫

The amount of time and effort the jackass put into tormenting you is extra, almost desperate. You put that thought away.

Ya… hide it away and sharpen it occasionally… then pull it out and stab him 86 times when he least expects it!!! Like when he goes to the senate meeting where people usually don’t bring knives!!!

Hung from the wall is the kind of art that holds meaning only to those deluded in their own pretension

Me, super self conscious about my basic bitch taste in art: hahaha like what kind of art, for example???? 😅😅😅 asking for a friend 😬😬😬

(I have the following prints in my apartment, feel free to heap judgement upon me and/or eye roll at this “I like art!” starter pack lol 🥲: Warhol Campbell soup can AND banana, the Van Gogh cherry blossom painting, the drowning girl Lichtenstein, a fucking old timey looking map of Europe even tho I’m Canadian and it serves no practical purpose, that black&white photo of Audrey Hepburn in “Breakfast at Tiffany’s” 😫😫😫 I will draw the line somewhere though… idk like not quite at Banksy, but before it gets to Damien Hirst and definitely before it gets to Jackson Pollock 😅)

"Really fucking impressive, huh? Not a single Ikea screw in this place," he mocks.

U know what….if someone can assemble IKEA furniture from the instructional diagram that could basically be a visual captcha, the. it actually is very impressive!!!

Like, I EARNED this rickety ass shelf, bitch!!! I built it poorly with my own hands instead of dropping like $7k on some overpriced restoration hardware couch!!! 😤😤

labels listing designer names proudly

Lmao so Marc Jacobs isn’t rly designer but whenever I think of labels I think of this:

You back up and bend to untie the worn laces.

She has boots with laces 😯😯😯The heck?!? Is this the early 20th century or…

I know I just recently admitted to not having tied my shoes in probably over a decade (tie them once, double knot those suckers. Pull them off when you’re done, and jam your foot in the next time u need them 🥲) but BOOTS seem like something that should be zipper mandatory or u just step into them like moon boots.

Can u imagine having to tie laces for footwear that goes above your ankle every time you put them on??? That’s like, at least 2 shoes worth of laces per boot 😩

And if you like the aesthetic, fine. Put dummy laces on the front like they put fake pockets in women’s clothing, and then put the zipper on the side. There. Best of both worlds

My therapist: … would u describe this as a typical thought that runs through your head during the day? How often would u say these types of thoughts occur?

“let’s start… easy. I’m easy. Really. I’m sure you can handle me.”

The “beginner friendly” horse that’s about to buck u off and fucking trod over ur ankle like a nicotine fiend stubbing out a cig with their boot😓 (I witnessed this and it was horrifying lol)

snakeskin, tacky as fuck

Shit, I feel attacked 😂 😳😳. Is it the snakeskin material that’s tacky, or the print? Or both?

Idk haha I love the Python print stuff from Stella McCartney. I’ll stomp around in these fugly mofos all day 🐍🐍🐍

You swallow your disgust, just do it.

This should be Nike’s tagline to better market to those of us who hate exercising tbh

You slap his thigh as he doesn’t let up.

What a heel move 😡. Gonna generate a lot of heat with this…She tapped out of the submission manoeuvre and he kept going!! Where’s the ref huh???

BONUS CONTENT: (mini medium anatomy TED talk)

⚠️ warning, I discuss the penis and the structures within it, as well as what happens during an erection.

“Hey, don’t fucking break it.”

No one:

Me: so actually, it is possible to “break” a penis, and when this happens it’s called “penile fracture”!!(pls note, although the term “fracture” is used, this is not the same as breaking a bone.)

Think of the penis as an elongated maki roll. Now, if you took a transverse cross section of a California roll, you would see the crab, avocado and cucumber in the centre, surrounded by a sheath of seaweed, which is then surrounded by rice.

Similarly, a cross section of the penile shaft will show 3 main tube-like structures inside.

The smallest of these 3 is the corpus spongiosum. This is basically erectile tissue that surrounds the urethra (tube through which urine and semen exit the body)

The other 2 larger structures are the corpora cavernosa, which also contain erectile tissue. When a male becomes aroused, these two vessels will become engorged with blood, causing the penis to become erect - think of a garden hose becoming stiff when it has sufficient water pressure inside.

If the penis is suddenly bent or otherwise subjected to a sudden force, these vessels will burst under pressure much like a balloon overfilled with air. Yet, although one can bend/squeeze/fold a ballon without causing it to rupture (think: balloon animals), this is not possible with the penis.

The outer rubber of the balloon is elastic, so when forced is applied, the air can be displaced to other areas of the ballon, which will stretch (to a certain extent) to accommodate its new shape.

The penis, however, does not have the same elasticity. Remember the seaweed surrounding the filling of the California roll? The equivalent structure in the penis is called the tunica albuginea, and there are actually two layers that surround the corpora cavernosa. This covering is quite fibrous (eg a garden hose - it is stronger and less elastic than a balloon).

When the corpora cavernosa become engorged, they expand and “fill out” the inside of this covering; this is why the penis becomes erect (again, imagine the garden hose uncoiling and becoming a straight line when filled with water). Thus, the tunica albuginea is responsible for the rigidity of the penis during an erection.

Now, when a sudden force is applied, the corpora cavernosa will be subjected to increased pressure, but since the tunica albuginea surrounding these vessels is inelastic, it cannot stretch to ammodate, causing it to rupture/burst (sometimes with an audible “pop” sound). This is referred to as a ✨penile fracture✨

(I had to repeat anatomy one summer. 😵‍💫)

Unsolicited 8

Warnings: bad self-thought/talk, bullying, insults, low self-esteem, money problems, oral/noncon, coercion, cum, some untagged sexual and dark elements.

Wouldn’t mind some feedback! Lloyd was driving me nuts so I had to do it. Thank you in advance 💜

Masterlist

You scoff as you look around. The car ride was long enough to make you think, to make you wonder. The amount of time and effort the jackass put into tormenting you is extra, almost desperate. You put that thought away.

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