#and then that scene is literally the first fucking thing that comes up if you google bootstrap paradox

[cometblaster2070]

ranting for a bit because the entire scene where elphaba tells glinda her secret makes me go rabid and actually makes me want to chew concrete because not only is it actually absolutely heartbreaking to see just how deeply elphaba believes all the horrible things her father reinforces; how she thinks she's responsible for her mother's death and is the reason for nessarose's disability even when it's literally not her fault in any way and is actually DIRECTLY her father's fault.

and just the fact that elphaba tells glinda all this and tells glinda her father hates her and that everything's her fault and glinda looks at her and she's absolutely heartbroken to hear elphaba saying all these things and she becomes the first person in elphaba's life to look her in the eyes and tell her that none of that is true and that it is NOT her fault, it was NEVER her fault despite whatever anyone said.

ik a lot of ppl see glinda's "it was the milkflower's fault" line as a very sort of shallow take by glinda (I'm explaining it poorly but ik some ppl wonder why she didn't just call out governor thropp directly) but I've got to disagree with that take because personally I think glinda heard elphaba talking, heard her describe her secret and heard how her father forced her mother to chew milkflowers constantly during her pregnancy all because he was afraid the baby would come out green like elphaba and she heard all this and she hears how elphaba thinks this is all her fault.

and yk they're roommates. glinda sees the way elphaba talks about her father and how even though she says that he hates her in an almost casual manner despite how she says he's justified for hating her, elphaba still loves her father and she still wants to do right by him and she still wants him to love her.

so glinda knows that elphaba will not listen to her if she straight up tells her that her father's fucking mental and completely wrong and that it was all his fault and that she's probably going to bludgeon him to death. she knows that elphaba will never accept this and she knows that right now it won't do any good for anyone.

so instead she tells elphaba it was the milkflower's fault. and she looks her in the eyes and she tells her this was never your fault you shouldn't think this was ever your fault and anyone who ever told you that it was your fault was completely and totally wrong and I need you to know this.

because the primary concern isn't about telling elphaba she's got a shitty dad the primary concern is telling elphaba that it is not her fault for simply existing. and to let her know that there is nothing wrong with her and that there is someone here, right now, who loves and cares for her so so much and wants her to know that. that there is someone who will hold her hand and who will tell her that they are there for her and that she is fine the way she is. that she is loved.

[ropebunnykant]

Hi!! What are your thoughts on the confrontations at the empty pool vs the ocean? Obviously the ocean is relevant to kant's past but the juxtaposition of the two is so interesting to me but I can't really figure out if that was just an aesthetic choice or if there's actually something to it.

Looking forward to your thesis about the boat scene!!

omg thank you for asking and i will absolutely be writing an in depth post about the boat scene probably later on cause it was sooo chock full of things and first kanaphan deserves every fucking award possible for that scene

i will say, i think when it comes to analyzing media, there are so few things that are done and chosen "just for aesthetic." i've had other people comment on that when i've talked about the religious imagery, and while yes, aesthetic is important in media and often times can be reason enough for directors and designers to choose them, i would say more often than not there is also meaning behind big choices like set. they put fadel and style in an empty pool for a reason, just as they put kant and bison on the boat for a reason.

now, the boat was likely a very obvious choice for bison because like you said, it's relevant to kant's past and kant told him on their first date that he was scared of the ocean. so, of course tying him up and putting him on a boat surrounded by water to confront him would be the exact sort of psychological torture bison would want to inflict on kant.

but when you compare it to fadel and style, i think it's also a way of representing openness, and in a way it's a representation of each couple.

because fadel confronts style in an empty pool, and he's stripped style almost completely naked. style is laid almost totally bare, and that's true in a literal sense as well as a metaphorical sense, because fadel knows he's a "snitch." and the thing about fadel and style is that while yes, there's been lies and deception there, style has also been very earnest in every way he can be. it was only more recently that he had to start lying for real, and even then he still sneaks in as much truth and openness with fadel as he possibly can. and it's exactly what he does here - even with a gun to his head and fadel telling him not to say he loves him, style still says it because it's true and style doesn't know how to be anything but open and honest with fadel.

and then when it comes to the bison and kant of it all, there's a lot more lies and deception. kant is not laid bare in the same way - bison even has him in essentially a costume by putting him in the patient scrubs. but at the center of it all is the fact that even with all the lies, even with the murky waters, kant has been honest with bison. he's been vulnerable with him. and that's how bison knows putting kant on a boat and telling him to jump overboard is the cruelest thing he could do to him. it's fair game to bison because of what kant did to him, but it also shows that even if bison thinks everything was a lie, there was always some amount of truth to it. because kant never had to give an assassin his biggest fear, but he did it anyways.

i also think the empty pool vs the ocean says a lot about bison and fadel's intentions in the scene, even on a subconscious level. i don't think fadel at any point planned to actually hurt style. maybe he told himself he would, but i think deep down he knew he would never be able to go through with it. so, he puts him in an empty pool where yeah, he can get hurt if he pushes style into it and he hits the floor of the pool, but those injuries likely won't be serious enough to kill him - and he won't drown.

whereas bison, despite likely also knowing he can't actually hurt kant himself, took him somewhere he could make kant do it for him. and even then, it's clear he regrets it as soon as kant hits the water, because he's calling out to him as soon as he jumps off, as if he didn't expect him to actually do it. bison wants to hurt kant but he knows he can't, whereas fadel wants to want to hurt style and knows he can't. and those are two very different things.

[tenderjock]

I’m with you, my love The lights shining through on you Yes, I’m with you, my love It’s the morning and just we two

[cator99]

out of curiosity, would you consider yourself butch?

used to be a blonde underweight twink and now I'm a based jock still got the chanel bag and the sick albeit matured mind of a suckpig to prove it so I'm gonna let you decide whether you wanna call me that word just cuz I got a pussy and short hair. I promise you that there have been enough advancements made in the art of lesbian sexual dynamics in the past 50 years to broaden the vocabulary used to describe the plethora of types of masculine females.

[rintinningvt]

Started watching the Bayverse movies with my besties and... Are we just too gay for these movies??? Admittedly we only finished the first two and got through a quarter of the third, but the second one was such a drag to sit through at times and it probably doesn't help that we do NOT care about Sam that much. I hope that there is a character arc for him in the rest of the third movie. Because so far he has not been fun to watch in that one. He just comes off as a slight manchild to me, like... I can see why he would be frustrated with where he is in life but the way he acts with others and lashes out does not help him in the slightest. I do have to admit though that seeing him go to Cybertronian Heaven in the second movie was the funniest part for me and my besties lol.

I'll just hope that the other guy in the next movies will be at least a bit more interesting. Doesn't even have to be a good guy, just an interesting guy for me lol

[hanzajesthanza]

don’t let me reread because i saw this

and an image of reynevan pleading innocent like the crying cat meme flashed across my mind

[songforten]

you google the bootstrap paradox -> you watch twelve talk about the bootstrap paradox -> you're told to google the bootstrap paradox -> you google the bootstrap paradox

[designernishiki]

as much as a i understand and respect ace kiryu truthers, i really feel like kiryu is the type to really take the idea to heart that sex is something vulnerable and meaningful and thus reserved for someone completely trusted and special to him– someone who feels right. after years and years he’s still never legitimately voluntarily slept with someone, always tries to turn women away or is at least apathetic when they try to get physical with him, never feels that deep and specific bond with a woman– nothing compared to some of his bonds with other men throughout his life. and maybe, hopefully, one day it’ll hit him that there’s a pretty big, glaring reason why no women have ever felt “right” to him.

[psalmsofpsychosis]

I dont think at this point i can even start on classic literature if i tried, like, i have absolutely zero patience for stories that take their goddamn time "building up" to things. "give exposition talk and show your characters doing everyday things" girl only if the everyday things contribute to the theme of the story! I dont have an ounce of interest in traditional idle starting points, "this story takes awhile to warm up and nothing happens for 45 pages" lmao bye

[cinnabeat]

i love how kh games are just sometimes psychological horrors

[ranger-kellyn]

finished the scarlet dlc epilogue :)

it was. without exaggeration. Horrible :)

[todayisafridaynight]

i'll probably be skipping stream today & tomorrow on account of my personal challenge to finish JE before you (<- absolutely not going to happen)

but while i'm here SHUT UP your headcanon is not icky :) though i can't really talk since i don't bring my own up very often either, and i honestly haven't even put that much thought into the logistics around it. anyway trans masato 🤝 trans wagi as personal coping mechanisms

DAWG you gotta finish it... idk how long youve had it but prob longer than me cmon now gamer i know you can do it ✊

trans masato is just funny because Like Everything I Do it just started as me joking about scenes from the game and then the ending happened and i was like Oh Lol It's Not A Joke Anymore I Think

I DONT USUALLY SUBSCRIBE TO TRANS HCS EITHER THAT WHY IT ICKY TO MEAJLWKJL but thank you. i promise to only mention it once every five months

[kikuism]

just finished jade war. Um ‼️

[astudyintheburningofhearts]

YOU GUYS. YOU GUYS. THE FIRST EPISODE OF HEARTSTOPPER SEASON THREE I'M SCREEAMINGGGGGGGGGG OMG (SPOILERS IN THE TAGS BTW PLEASE JUST SCROLL PAST) FEDJHWKQJ

[boogiewoogieweeb]

#he's good at his job! #crozier likes him! crozier chose him! #and any enabling of crozier happens because he lives and works in one of the most strictly hierarchical systems to ever exist #where dissidence can be a hanging offence! #and he's so! fucking! angry! about it #also having to deal with a spirit bear on top of everything #that makes you question the very fabric of the assumptions you once had about the world #also his cabin door is stuck!! #we talk a lot about jopson finally snapping and beginning to bite and kick #i really think he should invite edward to the inevitable breakdown - @maedhrus

listen i don't think edward little was actually a bad first lieutenant. when we see him in the first episode he's calm and confident. he does not say much but he's amiable enough. crozier likes him, and i don't think crozier would like anyone he doesn't think capable in some way. generally he's dependable and knows what he's doing. however unfortunately for edward he has these qualities because he has a major case of eldest daughter syndrome, which means he both wants to please his mum (crozier) and has an overdeveloped sense of responsibility for his younger siblings (crew), so when they get stuck in the ice and crozier starts going (more) alcoholic, he enables his mum bc he doesn't want to disappoint her even if he doesn't agree with her, and he has to pick up the tasks and care for his siblings she's not doing, but he can't let his siblings know about their mum's situation because they'll get worried and restless. and like a true eldest daughter he has to bear the brunt of mummy's anger for being a disappointment but he also doesn't want to seek refuge with the man she divorced (fitzjames) because that feels like a betrayal. also while this is going on there is a giant bear who hunts his siblings for sport so they're dying left and right and also a changeling master manipulator who's making his siblings mad at their mum and who wants to fuck said mum before eating her like some sort of praying mantis. anyway i think i would start being miserable and anxious too.

[libraford]

It is possible to interact with people whom share opposing views and no this is not about pineapple on pizza. In fact, it is imperative that you learn how to be civil with some people who you may find difficult to agree with.

At work, Youngin would often tell me that the guy that trained him (Ginger) was a misogynist. I had never met Ginger, and I had very little to say on this matter. But I would ask Youngin some questions about him because I like to know the other seasonal workers a little. I ask about Ginger- first words from Youngin's mouth 'he's a misogynist.'

I asked him why he thought that. (There are many misogynists at this location, as someone that is woman-shaped I see it often, I am comparing notes.)

"We were on our way to a location and a driver was going really slowly. When he got around her he said 'fucking women drivers.' Like he was going out of his way to prove that the driver was a woman."

The last month or so, Youngin worked exclusively with me because I knew that it was a matter of time before he said something that pissed off one of the guys. He was not going to get along with people here, it just wasn't happening.

When he left, everyone wanted to know what he was like to work with. And I finally got to have a conversation with Ginger.

"I'd like to ask you something a little strange- he said that on his first day there was an issue with a driver going slowly. Can you tell me about that?"

"Oh yeah! She was going super slow and when I got around her I said 'yup- little old lady driving.' And he was like 'what's that supposed to mean?' And I just kind of dropped it, but I hear he was saying I was a misogynist over it?"

So I give Youngin some grace because he's young, he's got a social bubble that's very liberal, he has not met very many people that weren't part of that kind of scene. But he often talked about how every person here has said something that pissed him off and he seemed really surprised that I (woman-shaped queer liberal) would be okay working with all these sexist homophobes.

And I give grace to Ginger because he had no reason to think that his words would be interpreted like that. What he was saying was normal to him. This is... somewhat the culture of landscaping jobs. And its not even close to the worst thing I've heard out of these dudes mouths. (Literally had one of the dudes comment that he would like to 'motorboat' one of the pedestrians.)

It was weird for Youngin to carry that with him for the whole two months that he worked here, over a very... small comment.

Every single person I've worked with here has said something that has given me pause and I tuck it away to rant about later and then I let it go. If it gets out of hand, I talk to one of the bosses about it. I know how to contact HR. I came into this place knowing that I was going to disagree politically with most of the people that I work with because I'm coming in to a culture that is fundamentally different from my own.

If I am being frank, I find the overt bigotry somewhat better than the corporate bullshit of 'we value your contributions, but won't be granting your accommodations request out of fairness to other workers' or the glass cliff or literally being fired for my sexual orientation but phrased with 'oh you just weren't a good fit for the culture here.' I at least know what I'm getting into when I come to work. I know what not to talk about. Last time I thought I was safe to talk about something queer with my boss she blindsided me with some transphobic garbage.

Its admirable to stick up for the marginalized people in your life, but part of changing minds is knowing the time and the place to comment. I think I've changed more minds at this warehouse by being a visibly out lesbian at work than I have by making carefully crafted speeches.

That is fine. It is fine to disagree. Sometimes you have to work with racists, homophobes, and assholes. That is part of being an adult. You talk about things like... sports or TV or weather or some cool bug you saw. Finding common ground with people who are different from you in many ways is an important part of socialization and it sucks to think you have anything in common with a jackass but look- you're spending 7-ish hours with these people and at some point some of them are going to say stupid shit. You are going to say stupid shit also. I have said my fair share of stupid shit. Deal with the fact that you're all stupid shits.

And for fuck's sake, wear your hardhat.