#and then my 4th and 5th was me making another dnd character but decided to change the race of them

[snipstheskeleton]

minor veilguard spoilers for the end lucanis’ quest line in the last two paragraphs

been thinking about this for a bit because i swore i heard him say this on my first playthrough and then got confirmation recently on a new one plus i just watched the princess bride

when asking lucanis/spite to make a path somewhere, one of the voice lines he’ll say is “as you wish” and i’m not saying this intentional, i have no idea, i’m just pointing it out and you can decide wether or not you think there is a connection i do think lucanis would love the princess bride considering he tells harding at one point that he likes romance novels

i mean, what’s not to love? it’s got fencing, fighting, torture, revenge, giants, monsters, chases, escapes, true love, miracles /ref

i’ve also read a couple fics where when lucanis talks about at what point he fell in love with rook it’s after the ossuary, though i don’t remember exactly when, and some where he says after the ossuary but maybe even during, for me, the first time he said as you wish was in his recruitment quest, the ossuary, so if you’re a ‘lucanis fell in love with rook during the ossuary’ truther, there you go

anyway, my reasoning for why lucanis said as you wish, yes as i said before, it could just be a coincidence, maybe as you wish is just a thing he says, or maybe, when he first says as you wish it could’ve just been a habit, maybe it is just something he says, maybe he says as you wish to caterina or illaro like the grandfather does at the end of the movie, it doesn’t have to be romantic, though it could be that too, he mentions liking another crow/viago, maybe he said it to him or someone else, just his way of saying i love you without actually saying it, maybe when he first meets rook there’s already that attraction there, he might not plan to do anything with it but there’s no denying it exists, so when he says as you wish, regardless of the why, he realizes the hidden meaning there and it just becomes a thing to himself, because he’s not going to tell rook this, the likelihood that they feel the same is very rare, obviously, but even if that is the case it’s not like anything’s going to come out of it, and it’s not like he’s going to tell them he’s been saying i love you this entire time

as time passes as he falls deeper in love with them he’ll continue to say it, the hidden meaning becoming the real meaning the more he says it and now that’s just his way of saying i love you to rook like it is westley’s to buttercup but what if he says it around the crows, surely one of them knows the reason why he says it, i imagine teia and illaro know, though they would probably have different reactions (teia gets all excited and goes to point it out to viago but he’s still oblivious, maybe afterward teia explains and he’s just like “wait, he said that to me once, didn’t he? didn’t he?!” and teia just laughs and shakes her head)

also when watching the movie i thought it was cute imagining rook and lucanis in the scene where buttercup finds westley after the wedding but he’s still recovering from being mostly dead so he tells her to be gentle but of course she does not, with the dynamic between my rook and lucanis either one of them could easily be buttercup or westley, though i don’t know who humperdinck if you continue the scene, i first thought of illaro because of lucanis’ questline but then realized that complicated things, first if rook is buttercup then that means illaro was trying to marry her and i just can’t see that happening, and then if lucanis is buttercup, i don’t feel i need to explain that, though i do like rook/lucanis threatening someone “to the pain” over the other, it’s cute

and again with the movie when inigo is getting his revenge, asks rugen to give him money, power, anything/everything he desires just to say “i want my father back, you son of a bitch” i saw that as lucanis and illaro but of course it’s “i want my brother back” or maybe even “i want my grandmother back” though caterina would have to be dead for that, a more dramatized version of what happens in the game i believe, i spared illaro on my first playthrough and haven’t gotten that far on the others yet though i think illaro just goes to jail, as my boyfriend can tell you though i do like family angst, i have at least two ocs with both parental angst and sibling angst :)

[aroacedm]

here’s 12 pictures of my art! context after each and my references at the end

tgcf spoilers!

12th

redrawing of the official art from tgcf volume 4! shi qingxuan is my favourite character and he xuan is a close second

this took me a while until i liked it but i wanted to recreate how the original created the ominous feeling and had so much detail and contrast while being in greyscale

11th

from the tgcf manhua, fengqing! i think their my favourite ship, and i hadn’t drawn them before so i tried to give it a go. not a big fan of the proportions but i think it turned out ok.

10th

@oceantherat (this is their favourite character from rain code) showed me the reference picture and i decided to try drawing it as perspective practice. it ended up a little bigger than i though so i couldn’t fit the whole reference, and the mask doesn’t feel rounded, but overall i like it

9th

same guy again! i wanted to try drawing him again but i think the shadows got a bit messed up. my cheap pens smudged a bit but overall i like it

8th

also from the tgcf manhua, this was from a meme that’s become an bit with me and ocean, just felt like drawing something and saw this in my photos

7th

after a dnd session with ocean and some other friends, i drew a scene from ocean’s character’s (also called ocean because that’s not their irl name) flashback! this guy killed her family! he’s one of her relatives! but i really wanted to focus on how dark the scene was, with almost everything being pitch black. i wanted to recreate the scene that left my players going D:

6th

here’s a younger ocean and her cousin that’s more like a brother! i hope nothing bad happens to him… i wanted to draw a picture that helped me as a reference for the backstory, to help build the character relationships and motivations

5th

it’s another character from that dnd campaign when they were younger with their brother figure! except this one is an NPC helping them out! i wanted to try and make the effect of torn paper but didn’t want to risk anything, so i left a bit of uncoloured paper to imitate a layer of partially torn paper. this was also to help when i was writing backstories

4th

this is the npc from the last picture in present time, i wanted to make canon designs for all the characters to help me visualise everything. i hid a few lore elements in this but because ocean is going to see this i can’t explain

3rd

i tried to redraw a picture of me and a friend on a ride together but in a more simple style (no eyes and mouth, ect) i haven’t shown the friend yet but i will soon. i’m the person looking at the camera. i really loved the photo and wanted to try drawing it

2nd

i drew this a while ago, but i still really like it. i used my own hand as reference (for some reason i used the hand i was drawing with) i’ve always been fairly good at drawing hands and when i sent this on an art group chat i’m in, i was quickly accused of being a witch. i can only draw to a level i like when i have a reference, and i always have my hands so it’s the thing i’ve drawn the most. i didn’t have the colour for my hands, but i think it turned out good

and finally,

i’m really proud of this one, i was sick and really bored when i drew it. this is from tgcf vol 6, but i’ve always been really impressed by the tgcf official art and how they look hand drawn but also digital. (you can see brush strokes but they look too perfect). i didn’t have all the different shades of grey, but i think i did well.

thanks for looking at all my art, here are the references i used and where they’re from

i don’t have the reference for number 9 but i’ll reblog with it when i find it

also i plan on showing more of my art but i need to find the original authors of the references

[let-me-iiiiiiiin]

I was messing around with dnd stuff again, and guess what? I decided to make mana. That's right. I hate "spell points" because no the fuck it isn't. it's Mana. it's okay you can say it. Mana.

but my mana? my good fellow, my mana system is unbalanced as shit. that's how you know it's fun. so without further ado...

Crappy (but Fun) Mana System

You Use Dice For This. (Although, honestly, what else were you expecting from a dice-rolling addict? Less dice? Lmao.)

Every time you cast a spell, you roll a dice corresponding to the chart I made up. The result is the amount of mana the spell requires. (This makes casting less threatening because you will almost certainly get fewer than the maximum possible amount of required mana.)

At some spell levels (5th, 6th, 8th, and 9th) you can choose to roll a different set of dice, but this is riskier. Usually the lesser dice have a lower mean value than the greater ones.

An example of this: At a level 5th spell, the dice set to determine the amount of required mana is 2d4. You could instead choose to roll 1d8. The maximum possible amounts are equal, so there is no clear benefit to choosing one or the other, other than the different mean values, which make the original set more advantageous.

This is where things get exciting. You can run out of mana and still cast, but you need to "sacrifice" something. This concept can be used in a flexible manner and provide your characters with the incentive to interact with the world, because if they do not, they might end up having to sacrifice HP until they end up a lifeless husk.

Or I guess if you don't wanna sacrifice something you can weaken the spell effects etc instead. Cowardé.

A reason to choose to roll with the alternative dice set might be that you are at 1 mana, and you have nothing to sacrifice. The minimum you can get at spell level 5 is 2 mana, so you may choose to accept the risk and roll 1d8 instead, which has the possibility of landing on 1, letting you cast your spell safely.

As added incentive to use the high-risk-high-reward dice, I decided to increase the reward and lower the success threshold. After rolling the original set, you can choose to roll the alt dice, and if the result you get is lower than the first result you got, your spell gets upgraded in some way. (I don't know in what way. I can't be expected to come up with every fun thing, okay???)

You start off at Level 1 with 6 mana. every time you level up, you gain 2 mana. At levels 10, 15 and 20, you get extra 6 points along with the usual gain.

Level 10 - 32 Mana Level 15 - 48 Mana Level 20 - 64 Mana

As for the spell mana cost chart:

Cantrips - 0 Mana 1st - 1d2 2nd - 1d4 3rd - 2d2 4th - 1d6 5th - 2d4 // 1d8 6th - 2d6 // 1d12 7th - 2d8 8th - 4d6 // 2d12 9th - 4d10 // 2d20

another reason to use this system might be to enhance the Wild Magic Sorcerer. go ahead and tell me those maniacs would NOT love a chaotic, unbalanced casting spree!! i dare you!

I need to try this with a solo adventure or something. urgh.

anyway. bong apetite or something. i need to do chemistry homework

[fimflamfilosophy]

“Is DnD Still Popular?”

To some of you giant nerds, the question, “Is DnD still popular,” is probably one of the stranger things you’ll read today, but within a specific context it makes a lot of sense. Speaking of, the show “Stranger Things” presented a popular, physical look at what DnD beasties might feel like, even if it didn’t present an honest view of what DnD games really play like. Along with more online media referencing the game and sites like Roll20 making it easier to join a group, it makes sense. Is this a temporary boom or has the roleplaying community seen a lot of permanent additions to its nerdy hobby?

I wouldn’t have numbers to say, myself, but for what it’s worth, roleplaying is always a very personal experience. And for a few of us, the question isn’t, “Are people still playing DnD?” Of course they are - it’s all anyone plays! The question is, “Can you get anyone to play anything else?”

What Is DnD?

For some people, Dungeons & Dragons has become so intertwined with the concept of roleplaying that people think DnD and roleplaying are synonymous. If you roleplay, you play DnD. Originally, this had a kernel of truth. There are articles about the history of the system, and during its inception the game had a hard time taking off. Fundamentally it was asking people to play make-believe, but with a system of mathematical rules and designs. We know now that this type of thing is like catnip to massive dork-faced neckbeards, but at the time it wasn’t expected to have much appeal.

Eventually it did get off the ground, and it became the standard for the entire concept of a roleplaying game. And as with all “firsts to the market”, there have been many competitors and copycats, but it’s difficult to pry the audience away when you need everyone to use the same system. In economics they call this “network utility value” - that is, a fax machine is useless if only one person owns one. You can only send faxes to other people with fax machines, so if another company tries to invent their own offshoot of the fax machine, they’ll never get anyone to adopt it because everyone is already using the existing fax machine network. Everybody knows DnD, which means that if you go to a convention or look for games online, you know you’re going to find more players for that system than any other.

Why Does DnD Continue to Work?

In early editions of DnD, there were a lot more rules, and as a result more freedom to design your characters. When I first started roleplaying, it was during the 3rd edition of the system, where you could still allocate skill points to become better or worse at specific skills like lying, climbing, forgery, or crafting. This meant that with good planning, you could play a sub-optimal wizard and make up for it somewhat by investing a lot in your “persuasion” skills to rely on talk more than magic.

But being the system that everyone has to learn isn’t enough to stay on top forever. Other systems like GURPS have taken hold by now, and some types of popular nerd media have introduced their own completely unique systems designed to simulate their specific media universes. The owners of DnD had two choices: either make the game more open and try to eat the lunch of other companies, or make all of DnD easier to play in general to capture a broader audience.

So they released 4th edition! We don’t talk about 4th edition. And then they quickly released 5th edition (and a few mumbled apologies), which streamlined a lot of things about the game to the extent I’m not sure why they even let you control your character stats at all now. Skills became baked in with your level, and most of the game is about choosing abilities when you level up. It’s become very similar to playing an MMO, and I believe that’s the point.

One of the big things you always see in a complicated roleplaying system is players spending hours putting together a character. For your experienced player, this is a labor of love. You really care about the small details and want to make sure you get it right, or you’re a Win-At-All-Costs type who wants to make sure you’re rolling the biggest numbers. Either way you’re familiar and know what you’re doing, but it presents a hurdle to new players, and that hurdle has been largely done away with in 5th edition.

No matter how old you are, how experienced you are, how creative you are (or aren’t), or how much you know about any aspect of the game, you can play 5e DnD. I think you could play as young as seven years old and have minimal problems, because all you have to do is choose a job and virtually everything else is filled in for you, as if by a program, as if a video game. An experienced player can help a new one whip up a character within fifteen minutes, and that new guy will be rolling dice at the dragon about as well as everyone else.

DnD is the Worst System

But DnD’s accessibility is also its greatest downfall. Because everything is sort of programmed out, you find a lot of players eventually growing bored with the same-old, and they try to find ways to inject new life into the system. They invent new races, new classes, new abilities, and so on - they call this “homebrew”. yet many people are bad at creating balance and fairness for something they personally intend to play, and DnD recognizes this problem. It has a lot of supplemental books telling you all you need to know about other races and classes you might want to play, and in theory they are as fair and powerful as anything in the base system.

Yet no amount of homebrew or supplementary material will solve DnD’s core problem: it’s rigid. If you want to play, you need a battle mat, because every spell, every action, can travel or act within a certain number of squares and you always need to know exactly where you’re standing. Players are expected to be able to take a certain number of actions per turn based on their level, and do an expected amount of damage. Monster encounters are built loosely around the concept of “Challenge Rating”, which is meant to imply a group of four players will find a CR of 5 suitably challenging if they are all level five. Basically it plays like “X-Com”.

And as you lock people in these mechanical, video game-styled designs, you find people champing at the bit. Not everyone wants to choose their abilities at level up or have their skill proficiencies dictated by what level they are. Some people want to express truly outlandish concepts, or play something that isn’t specifically designed around the idea of walking room to room blasting monsters. You’ll see people in roleplaying communities often asking, “Does anyone have any good ideas to homebrew [this idea] and make it work?”

Fans of DnD argue the homebrew approach works. Yes, it’s complicated and frustrating to invent entirely new classes and races for a single game where you don’t know how long you’ll play or what level you’ll reach, but DnD’s strict rules and design philosophy is a perk to those people, not a drawback.

Yet a fact of note is that a quote from a game I run got into a popular “Out of Context DnD” blog. The quote was, “ Mecha-Jesus unleashes a barrage of flames from his palms, but the train-snake martially dodges out of the way!”

It received 337 notes, and I was a little surprised by that. The game is a post-apocalyptic Road Warrior setting where the team boss decided to kill God as revenge for one of the gang members dying. Also featured in that day’s session was a battle between two men operating bucket cranes in a duel to the death above a giant grain silo, among eight other equally implausible events based loosely on Dante’s Inferno. For me, Mecha-Jesus is not a 300 notes event - it’s literally every other Friday.

What Do You Want to Play?

In my view, DnD often poses the question, “Are you even roleplaying?” I mean really. A lot of players feel like they are because they do an accent and come up with a backstory, but if you set yourself next to another player who has the same character stats and you’re playing together in the same game, has the system really given you the tools to solve problems all that differently? And the answer is is broadly, no.

I understand the counter-argument. Every player is unique. But in their way each Paladin in “World of Warcraft” is unique too. They have different gear, different competencies of player, and may take different abilities, but fundamentally they’re expected to crash dungeons and use what they’re given to kill monsters. The only advantage DnD has is that the GM can allow his players to interact with scenery items or talk to things, and you’ll see debate on exactly how much leniency a GM should give his players to act outside DnD’s base mechanics.

That’s a mentality. Some people like the safety of the system. They like to know what all the monsters are, what the risks are, what the rewards are, and have it all neatly lined up where you can see it. They want to join an Adventuring Guild that will bureaucratically assign a dungeon for them to attack so they always have something to do and a sure reward for doing it. The GM went through the trouble of drawing that dungeon out, after all. DnD is extremely safe.

And then there’s the alternative. I actually learned to roleplay among theater nerds who were already big into the concept of improv and narrative. One of them used to joke, “If you think DnD is the best system for the game, you know it’s not character-driven,” because any time you’re fine with trying to build an actual human around a set of level-up choices, you’re probably not designing the strongest possible personality.

Going back to media making DnD more popular, the first televised introduction to DnD I can personally recall is an episode of “Dexter’s Lab” where they address exactly this conflict. In it, Dexter runs a game where he forces his friends to play by his rules, where he wins. When Dexter rolls poorly, he turns the dice over to a better number and declares his evil wizard “fried” the team of adventurers. Then his sister, Dee Dee, takes over, and with no knowledge of the game’s rules at all, embarks on an improvised session of pure roleplaying where the guys tell her what they do and she tells them what happens. The sheets are just guidelines for them, and if they say they can do something Dee Dee accepts it.

Dee Dee’s roleplaying is open. It’s a void, and for some people, when you look into the void it looks back. How do you control everyone when they can do anything? It requires a certain level of trust that some players have a difficult time not abusing, yet weirdly everyone I’ve ever known who would lie and cheat during a roleplaying game actually preferred DnD, and I think I know why.

Rules Can Be Broken, but the Suspension of Disbelief is Immutable

The grognards that break the rules in DnD do so because the rules are so strict that they ironically can be easily broken. If the system says people take a certain amount of damage when they fall, and you find a way to throw to them that elevation consistently, by gum they’ll damn well take that damage. It’s in the rules! A friend I know combats this by saying if his players exploit the rules, then the monsters will start exploiting them too, to discourage arms races of bullshit.

What I’m describing is often called “rules lawyering”. So named because it involves finding a rules passage, interpreting the rule so the wording sounds like it favors an exploit, and then leveraging that into a powerful ability players were not meant to have. Because DnD requires you to know absolutely everything about your relative locations and words like “Attack” can have important diverging meanings depending on context, it’s a system extremely vulnerable to lawyering.

But with a more open system based on narrative and characters, it becomes harder to lawyer something you shouldn’t. In an open system, you build what the game calls for without consulting a bunch of charts and level guides. If you’re super heroes, you build super heroes. Cyborgs are cyborgs, Orcs are orcs - it’s whatever, and if you try to do anything outside the believability of the game, the GM tells you no. He has more authority in a more narrative game because the GM leads the narrative.

I’m personally fond of the Hero System, which ascribes massive ranges to all forms of weapons (a gun or eye laser can reach you down a long hallway) so the only general questions that need to be asked are, “Are you close enough to punch a guy?” and “Are you bunched up close enough to all be hit by this grenade?” You don’t need battle mats and the games play a lot more intuitively. There are two books of rules in Hero and they can be specific, but most of the rules revolve around character design rather than how to play, and fiddly things like physics or bursting through walls are meant to be decided depending on the type of game, at the GM’s discretion. There are guidelines, but they’re only that.

So if someone tells you they can punch through a wall in your noir investigator game, you tell them no, because the rules are just guidelines and in this game you can’t just drive your fist through a concrete brick even if you can find figures in the book that say maybe you can, because the book also says maybe you can’t - you’re expected to play the narrative, not the game. You can punch through walls in the super hero game where that’s typical, but not in this one.

From DnD to Anything Else

Of course, the open systems also present an opportunity for players to be very different in skill sets and abilities. You could imagine DnD is like “Power Rangers”, where everyone’s a different color and has different weapons but they’re basically all pretty much on the same level. An open system will wind up more like “Avatar the Last Airbender”, where one player is going to be Toph and someone else is going to be playing Sokka. 

It’s important in DnD that everyone be the same, because a lot of the game is spent in a 20ft x 20ft room full of skeletons (or Putties) - Toph would single-handedly dominate every challenge. Whereas in a narrative-driven game the ability to crush everything with a rock doesn’t actually solve half your problems and whoever’s playing Sokka probably winds up more active than the person playing Toph.

At the end of it all, that’s why the question for me is whether you can take the players out of DnD and take DnD out of the players. Everyone plays DnD, but can you get people to play Sokka and have a good time if Toph is in the party? Personally I think it helps to start people on systems other than DnD, and then they can go into DnD if they like being in small rooms full of skeletons.

Of course, trying to start people on anything but DnD is usually defeated by the network utility! Everyone knows DnD! It’s THE system synonymous with the hobby! A few too many times I’ve seen people play a DnD game and say roleplaying just isn’t for them because it’s boring. All you do is wait for your turn and then roll dice at goblins.

But all I can say to that is, you never roleplayed, man. You joined a pen-and-paper video game. I agree, throwing dice at goblins sucks. I used to have a friend who would compulsively roll dice when he got bored waiting for turns in games like that, and when asked what he was rolling for, he’d joke, “I’m killing the dragon! I’m killing the dragon!” Him, enjoying the experience of DnD combat in between other people’s turns.

In many groups that’s all DnD is, silly accents and go-nowhere backstories aside. Acting is hard. But if you’re very lucky, and you know just the right people, it’s possible to land in a game that is pure story and character, and those things are a rare treasure and a real blast.

[raeynbowboi]

How to Play as Violet Parr in DnD 5e

To be fair the Invisible/Force Fields power combo is a surprisingly common trope, so you can also view this as how to plays as the Invisible Woman Susan Storm among other characters with this power set, I was just introduced to Violet first, and I’m a bigger fan of Disney and Pixar than I am of Marvel.

First up for Race, we’re mostly human but genetically mutated. It’s never made clear how supers came to be, but it seems to just be a genetic mutation, so Violet is a Variant Human. Variant Humans get +1 in two stats of their choice, we’ll choose DEX and INT. Luckily for this build, we only need 2 stats to be as maxed as possible so the rest can be dumped in the trash where they belong. Variant Humans also get to pick up a free feat, and here are your best options: Defensive Duelist - While wielding a finesse weapon, when an enemy makes a melee attack, add your proficiency bonus to your AC. A high AC means stronger forcefields which means fewer attacks are going to hit you. Also, because Abjuration Wizards get Spell Resistance which not only improves spell saving throws but reduces damage taken from spells, this melee-exclusive dodging aid is a fantastic option to further capitalize on her forcefields by reducing the odds of spells working on her and on melee attacks getting past her defenses. The only drawback is that Violet does not canonically use any finesse weapons. However, if your DM is willing to handwave the finesse requirement by letting Violet use a shield for this feat, it could still be in character for her. Fade Away - Okay, this is a Gnome exclusive feat but it works very nicely for her. Immediately upon taking damage, Violet will turn invisible, allowing her to run away or recuperate herself. As Violet’s invisibility is a little harder to incorporate into her build, this is a great way to give her another route to becoming invisible during combat.

Medium Armor Master - Only if you have proficiency with medium armor, you no longer have disadvantage on stealth checks which is great for an invisible girl with a knack for stealth. Your AC increases by an extra +1 when your DEX is 16 or more.

Moderately Armored - You gain proficiency with Medium Armor and Shields if you don’t already have it, and +1 STR or DEX. Not necessary if Violet takes a few levels in Cleric, Fighter, or Paladin.

Shield Master: You can use your shield to push enemies away, add your shield’s AC bonus to DEX saving throws, and Uncanny Dodge becomes Evasion.

Violet isn’t above defying her mother and sneaking on the plane, but then later on, Violet is the one advocating for following their mother’s instructions and doing as they’re told. Thus, I’d label her as Neutral Good. She does what she thinks is right, which isn’t always following the rules, but not always breaking it either.

For background, City Watch has been my standard go-to for super heroes. However, she’s dealing with a secret identity and is technically a criminal since super heroes aren’t currently legal. Secret Identity variant Charlatans get proficiency with Deception so you can bluff to your boyfriend that you’re totally normal and Sleight of Hand so you can sneakily take evidence about criminal activity.

The Class Weirdo

Let’s get this out of the way first, you are an Abjuration Wizard of at least 14 levels. By 14th Level you get temporary hit points equal to 2x your Wizard level + your INT mod when you cast an Abjuration spell. News flash, Mage Armor and Shield are both Abjuration spells. Literally any time you raise your AC, you’re getting an instant, automatic base 33 temp HP points, and 45 if you go maxed out Wizard. But more importantly, at 14th level, you not only have advantage on resisting spells, but when they do hit you, they deal resisted damage, leaving only melee attackers as a viable threat. Trust me, you want to be a 14th level Abjuration Wizard. However, there are a few other multiclass options to consider.

Cleric     Protection: Your Wisdom score won’t be very high, but then, you’d mostly use your Cleric levels to pick up non-damaging spells like Sanctuary, Shield of Faith, Warding Bond, Spirit Guardians, and Guardian of the Faith. You pretty much get handed the Protection Fighting Style, and Radiant Defense which gives you or an ally radiant armor that, when struck for the first time, deals 2d10+your cleric level radiant damage. Too bad you need to be 14 levels in Wizard, so the absolute highest this can be is 2d10+6 for anywhere from 8 - 26 damage. You also get proficiency with Medium Armor and Shields, which is important.

Fighter     Psychic Warrior: You tap into your inner reservoir of psychic energy. With augmented defenses, you can reduce any damage you or an ally takes by 1d10. You also get mage hand but big woop you already picked that up as a Wizard Cantrip.

Fighting Style Options:     Defense: Increases your AC by +1     Interception: Reduce damage meant for an ally within 5 feet by 1d10, however distance can be discussed with your DM.     Protection: Impose disadvantage on attacks meant for an ally within 5 feet.

Paladin     Redemption: You can punish those who take violent actions against those other than you in radiant damage equal to the damage they just dished out with your Channel Divinity. At 7th Level you can take damage for your allies, but by 7th level, you’re a little out of luck, since that makes 21, and is therefore not viable. Also, Paladin requires CHA to multiclass and Violet is awkward and insecure.

Rogue    Okay, so this one doesn’t offer shield proficiencies, but on the other hand, it does offer Uncanny Dodge, which becomes as good as Evasion with Shield Master. You also get Expertise so you can be unbelievably good at Stealth, Sleight of Hand, Deception, or Investigation. There’s no real recommendation here, as none of the Roguish Archetypes really seem to scream “yo, this is so Vi”, but Rogue is still a useful class to consider for her build. However, I suppose the best is Inquisitive as it lets her detect lies and makes her better at perception and investigation out of combat to find clues so she can solve crime.

As an Abjuration Wizard, Intelligence is the #1 priority. It’ll provide us with more temporary hit points when we use our Arcane Ward. Dexterity determines our AC. This can be one’s knack for dodging attacks (as was the case with Itachi) or it can be the deciding factor for how hard your defenses are to bypass. Considering a multiple ton robot had to drop its entire body on Violet multiple times to break her shield, I’d argue her shield must be pretty durable, so a high AC is in order. After that, we’ll pick up Constitution. While it’s fair that Violet herself isn’t super tough, her high CON stat could be seen as an extension of her force field powers. After that, the other three can land wherever you want to put them. This is one Fighter who doesn’t care about having a high STR stat, and Violet doesn’t need WIS or CHA outside of multi-classing.

Name: Violet Parr Race: Variant Human Background: Secret Identity Charlatan Alignment: Neutral Good Class: Psychic Warrior Fighter (4)             Abjuration Wizard (16) Base Stats: Strength: 8 (-1) Dexterity: 20 (+5) Constitution: 14 (+2) Intelligence: 20 (+5) Wisdom: 10 (0) Charisma: 8 (-1) Saving Throws: Strength: +5 Dexterity: +5 Constitution: +8 Intelligence: +5 Wisdom: 0 Charisma: -1 Combat Stats: HP: 132 AC: 19 Speed: 30 Initiative: +5 Proficiency Bonus: +6 Passive Perception: 16 Dark Vision: 0 feet Proficiencies:   Athletics (Fighter)   Deception (Charlatan)   Insight (Fighter)   Sleight of Hand (Charlatan)   Stealth (Variant Human) Skills: Acrobatics: +5                   Medicine: 0 Animal Handling: 0            Nature: +5 Arcana: +5                         Perception: 0 Athletics: +5                       Performance: -1 Deception: +5                    Persuasion: -1 History: +5                         Religion: +5 Insight: +6                         Sleight of Hand: +11 Intimidation: -1                  Stealth: +11 Investigation:+5                Survival: 0

Equipment   Leather Armor   Shield

Damage Resistances:   All Spell Damage

Paladin Feature: Fighting Style   Interception: When an ally creature within 5* feet is attacked, use your shield to intercept 1d10+ Proficiency Bonus amount of damage.

Spell Slots 1st (4) 2nd (3) 3rd (3) 4th (3) 5th (2) 6th (1) 7th (1) 8th (1)

Violet’s Spellbook*

Wizards can learn ore spells than this, but we’re only focused on shielding and invisibility spells. Even her teleportation spells are a reflavored way for her to disappear and reappear somewhere else.

Cantrips                          2nd Level                            5th Level    Blade Ward                     Blur                                       Arcane Hand    Friends                            Hold Person                         Hold Monster    Mage Hand                     Invisibility                              Intellect Fortress    Message                         Levitate                                 Wall of Frce    True Strike                      Misty Step                             Wall of Light  1st Level                        3rd Level                              6th Level    Feather Fall                     Counterspell                        Globe of Invulnerability    Mage Armor                     Magic Circle                        Guards and Wards    Pro. from Evil & Good      Nondetection                   7th Level    Shield                               Protection from Energy        Teleport    Ten’s Floating Disk     4th Level                                8th Level                                              Greater Invisibility                Antimagic Field                                              Mord’s Private Sanctum                                              Ostil’s Resilient Sphere

Actions:

Action Surge: Take an extra action once per rest.

Bonus Actions: 

Second Wind:  Recover 1d10+4 HP once per rest.

Features:

Abjuration Savant: Spend less time and money copying Abjuration spells. Arcane Recovery: Recover 8 or fewer level 5 or lower spells on a short rest. Arcane Ward: Get temp HP equaling 2x Wizard Level + INT Mod on first use, and 2x spell level on subsequent uses until you finish a long rest when you cast an abjuration spell of 1st Level or higher.  Defensive Duelist: Add your Proficiency to your AC against melee attacks. False Identity: You have a legally recognized second identity as a super. Improved Abjuration: Add your proficiency to checks for abjuration spells. Interception Fighting Style: Reduce damage on allies by 1d10+6 within 5 feet. Projected Ward: Your Arcane Ward can shield other creatures within 30 feet. Psychic Armament: Reduce damage of you and others within 30 feet by 1d10 Shield Master: Use your shield to push, add your Shield’s AC to DEX throws. Spell Resistence: Advantage on spell throws and take resisted spell damage. Telekinetic Hand: Cast invisible Mage Hand without components.

Between your high AC and your Arcane Ward bolstering your Temp HP, once you start getting to higher levels, your actual HP bar will hopefully start to see dwindling instances of being reduced. Pair her with a dedicated healer, and your team should be nice and secure with her around. How do you feel I did building Violet Parr? Would you build her differently? And as always, I take requests.

[kiingbiing]

bro Please show us ur ocs what

gladly

just know that names will change bevause i have too many characters woops (im a bad character maker lol)

i made them children who murder but now i dont know what to do with them, soon i will make a story for them

king and jester raise a baby and fall inlove :]

theyre originally humans but with a potion gone wrong, they end up as animals and now they have to work together to turn themselves back, also the snake works with the law and the mouse is a crook

dnd character, but i never got to play him cause i never played dnd, lol, one day, i will

ethan works at a cafe and got turned into a vampire, carter is a monster hunter and wendy is his assisstant. carter has the hots for ethan and ethan doesnt want to acknolwedge his existence. maggie and callie is ethan’s friend, barry LIKES wendy

the triplets were inspired by moosop ngl, but i do remember making triplets in 5th grade lol

inspired by tarzan, but i changed the story cause i made these characters when i was younger and i cant abandon them. meriam raised talia (i changed her name) when she decided to leave london and live in the jungle. talia barely speaks because her speech isnt good. mark comes to visit his mother and to try and see if the island can be used for good money, mark and talia hate each other for this fact.

made this in 4th grade cause my first lesbian ship was bubbaline and i was like, i dont have enough lesbian ships, gotta make my own then,

no name for them but its set in the philippines, inspired by our monsters :]

a fellow monster has to be in love with their food

fairly odd parents oc, josh and penny got adopted by this rich couple, and everything was fine till they figured out that they only got adopted because the parents would get more money from their parents if the wanted kids, this warrented a god parent and francis is here. francis HATES children and is onyl doing this because its good money. penny is too energetic, josh is the quiet kid and francis hates kids, but he can handle one, hes not gonna be able to handle 2

theres 2 stories for this, bt judas and merith were in an arranged marriage and percy became merith’s crying buddy when judas is mean, they can be in a threesome, still dont know. still have to upadte this story

dominic goes savage during the full moon and his sister is the only one who knows this secret. the two rodents have a thing for dominic

these were just random ocs with no actual plot line, dino and cloudy are buddies and they go everywhere together

the colony of ants have a thing for the ant eater, not the tables have turned lol

dad is forced to raise a baby and he cant cause hes sad depressed, and he just doesnt know what to do but he can abandon her. jerry is like, buddy, BUDDY, if u let me crash, i can help out, hes helpful, 

used to be an adventure time oc but i scrapped it, 

princess aya runs away from the royal family to find her missing sister cause she doesnt want to be queen 

she meets with red, a thief who dabbles with magic, which is illegal, 

due to unfortunate events, red helps aya find her sister

animal crossing ocs. kenny and lola are dating :]

one and two are childhood friends? one was mean and two got depressed, but now one is trying to make up for it

kylan is failing his class, so richard has to tutor him to make sure hes on the right track, kylan just doesnt want to do anything with him, and when he realises that richard has a hard time making friends, he makes it his task to help him make a friend, in return, richard has to leave him alone

just two teenagers coming to terms about their feelings for each other.

braden never gave romance a thought until he reached middle school. he started to crush on george hard and he doesnt know how to handle this and he tries to deny it.

george is straight and is just vibing, and he thought things were fine until braden confessed his feelings.

braden is demisexual (im demi, hes very special to me)

this ones old, (also i made another oc thats named carter WOOPS)

no name (teddy) got kicked out from home when his mom figured out hes gay, and carter is a rich art student that needs a model and he ask teddy to become his model. carter pays teddy a good sum of money, (i need to work on this story woops)’

melissa is a rich blind girl and shes not allowed to party and go outside if she doesnt hire a body guard (thanks dad), she hired danny, an ex underground boxer to help her around the city. 

in this world, magic welders are getting killed because only officials are allowed to use magic. momma summons demote, a demon, with a deal that he keeps her daughter safe. demote and harper hate each other and they have to tolerate each other in order to get away from the hunters. dewey is a forest entity that latched onto harper

my little pony oc 

madison loves flowers, she tends flowers and honestly? flowers only.

valentine is a match maker and she stumbles upon madison, and her match making skills dont work on madison, just ponies being ponies :]

characters made with my friends but i lost contact with them and one day, ill work on their stories

david is in his first public school and he meets molly and he doesnt vibe with her cause she doesnt talk to him and it didnt settle with him right, so he bullies her, and when he figures out that shes deaf and maliciously bullied her, hes just, not happy and tries to make it up to her, and shes not having it

life and death, my friend wanted me to make a comic bout life and death,

just ur standard life and death ship

used to be an adventure time oc but i changed it

andrew grew up in a religious household with strict parents, making him study. hes not allowed to be with friends

margee is raised by her uncle because her dad died in a car accident,

dally has a strained relationship with his dad, his dad being an alcoholic and not taking care of his health

they were all childhood friends and then they got seperated, when they got older, they all saw each other and got together for support

(ok imm a fool and i try to make a webcomic but i keep not not finishing it so, woops)

bunny ocs when i was younger, i need to work on their stories, sorry, no other info except they want to beat each other lol

cupid accidentally shots an arrown at ching and now they fell inlove with mar, and mar just wants to vibe and be ignored but with ching contantly trying to woo mar, cupid thinks thats enough and tried to help mar because that wasnt suppposed to happen lol

girl realises that the monsters under her bed and in her closet are real and tries to get her mother to help her.

her mother abuses her and the girl is just scared and she doesnt know what to do

(im getting lazy)

baintly wants to be a good wizard but she sucks at everything

butters(the broom) is accidentally made when she tried to summon her animal

she was about to get kicked out of school but out of sepretation, she promised her school that she’ll go get a gem from a feared dragon in order to prove her place in the school

she got lonely and got a pet bunny and fox

terry accidentally summoned perry and she doesnt know how to handle a demon in her room, ralph is terry’s friend

set in space and theyre all animals

the top are a bunch of criminals and the bottoms arer in the police forces

and they both have to work toegether to get rid of a dangerious villian set to destroy the galaxy

ok so i lost their names but basically, big demon goes to the human world and befriends a child. other demon is the right hand and he follows his master and hes just a ball anxiety. the older sister is a monster hunter and she tries to kill the big demon living in her house

[gwydionae]

I am posting this to show 1.) how big of a nerd I am, 2.) what KIND of a nerd I am, and 3.) just how much I went through to end up in complete agony, lol.

I really like facts, concrete evidence that something is true. I also like a good puzzle, being given some information and travelling down the rabbit hole to try and piece said info together. You know what else I like? Fictional universes and their concept of time. The Dice, Camera, Action! fandom might know me as the insane lady who carefully tries to construct a proper timeline for a DnD show with no official timeline whatsoever, going simply off of in-game clues.

You know what show gave me a character’s birthday, another character telling said birthday character “happy birthday” seemingly quite a bit after his birthday, and then proceeded to dump an actual, real calendar on me? Mob Psycho 100, of course! So what did I decide I wanted to figure out? Just how long HAD Mob and Reigen been apart during the “separation arc”?

Now, I actually DO have a pretty good guess! See, based on Reigen’s character profile from the manga, along with the email his mom sent him on his birthday, we know that he turned 28 on October 10, 2012 (if he was born Year of the Rat and is using a cellphone in present day, he had to have been born in 1984, thus it being 2012 on his 28th birthday). According to the above included calendar, this would be a Wednesday. He had already been separated from Mob for a little while previous to that, though. The first day could have been a school day as Ritsu came home in uniform and said that Mob was “home early”, but it couldn’t have been a Monday as the day before that was definitely a school day. So that would likely make it either Tuesday the 9th or Friday the 5th. We then see Mob in class/club, out shopping with Ritsu, and out again in a different outfit (this being Reigen’s birthday). If his birthday is on a Wednesday, their first day apart couldn’t have been Tuesday as there are at least 2 days in between their fight and Wednesday, so likely they fought on Thursday the 4th, meaning that October 5, 2012 would be the first day of their separation.

So! Reigen went 6 days before getting his serious Mob withdrawal symptoms. Ok, how much time passed after that? Well, I figured it couldn’t be TOO much, as while Mob’s belated “happy birthday” is said in the past tense, it’d be weird if it came, like, months later, but there’s only so much actual evidence to go on. We do know that Reigen started going all out with work, and one job in particular - the video game player killer - had him staying up “many nights”. But that one job made him go viral, essentially, and he got interviewed for a magazine. “And a few days after that” he got asked to be on the TV special, which took place “one week” from when he was asked. We then see people reporting on him being a fake the next day, and the day after that Mob is at school and being told about it for the first time. This gave me my first clue, making me think the special must have been on a Saturday night, with Mob finding out on Monday. After this, we get the line “in three days, being the ultimate evil had become Reigen’s public image”, which would put us on a Tuesday as the day he gets cornered into holding a press conference the following day (Wednesday). And, of course, that’s the day he finally sees Mob again.

So for sure we have 4 days since the night of his social collapse, and before that 8 days between which he got asked to be on TV and then he appeared on TV the following week. So we’ve got a confirmed 12 days total so far, but obviously that’s not counting the “many nights” playing the video game plus any work time he put in before or after. The earliest possible date that he could have been contacted for the TV would be Saturday the 20th. This would give him about a week and a half to get big, and it would put the spooky exorcism special the Saturday before Halloween. But that’s not a lot of time to build up his name, and it would put his press conference on Halloween itself which seems a bit odd to me (though maybe Japan isn’t too big on Halloween specials). So I figured the best bet would be to say he got asked to be on TV Saturday the 27th, appeared Nov 3rd, and held his press conference on Wed the 7th, exactly 4 weeks since his birthday, and a total of 34 days since he’d last seen Mob.

BUT WAIT! Why did I say I was in agony over this if I’ve got a pretty decent idea of how much time passed? Oh, Studio Bones. I love you. I love you a lot. I do. I really, really do.

But.

BUT.

*sigh*

You just HAD to put a REAL calendar in the very next episode, didn’t you?

Ok, so admittedly at first I was pretty excited about this! After all, at first glance, it actually seemed to line up pretty well! It looked like it could be a calendar for Oct 2012! But then I noticed that according to that screenshot, the date is supposed to be the 1st. Well, ok, fine, maybe my first guess was correct and Reigen actually DID get popular in a week and a half and held in press conference on the 31st. But... no, that couldn’t be it either because this month has 31 days in it - that doesn’t even work for November at all! Could it possibly be December already? Did that much time actually pass?? In what year did December 1st fall on a Mon- WAIT! NO! THAT’S NOT A MONDAY! THAT’S A TUESDAY!! THIS CALENDAR STARTS WITH MONDAY!!! That means that even my theory of “they had the right calendar for Oct 2012, but just marked the wrong date on it” is debunked, too!! Wait wait wait!! Hold up! Just what month/year IS this supposed to be a calendar of, then??

It’s January 2019.

They just used the dates from January 2019.

......................

How dare you, Bones.

I trusted you. I trusted that you would actually pull through for me, that you had given me concrete evidence to support my hypothesis. That you put so much care into your animation that SURELY putting in the proper dates wouldn’t be hard.

I was a fool to be excited. I will never trust your dates or calendars again. You have lied to me with false facts, and now every time I see that calendar, it makes me upset because it is simply factually wrong, and I don’t like it.

...THIS is what kind of nerd I am. XD

Now if you’ll excuse me, my sister is about to watch the latest episode, and I am going to make myself happy again by enjoying her pain, because she, like me, is an anime only, lol.