#and then got all my screencaps together

[eddiestattoos]

"The phrase we're trained to offer them, 'I'm sorry for your loss', as we know now, doesn't offer much."

CSI: For Warrick (9x01)

[moominpopzz]

Me and the gang about to help dead people to save other dead people

+Close ups then Explanations of them all n how they met in this AU :3!

WARNINGS for PD spoilers and death talk! [also sadly if you’ve not watched Wonder Egg Priority I’m not fully sure how much sense it makes ^^”]

Ai Ohto -> William ; Fighting for Jade’s revival

Will had been a loner in his school, because of bullying surrounding his heterochromia, when Jade and Ruby are transferred and move in and he properly meets Jade. She’s the only person who actually makes an effort to talk to [bother] him. They become more or less friends and start hanging out around each other often. Jade dies after an incident with David and Will blames himself and is surrounded by grief - leading to the shutting in and eventual finding of the Egg Gachapon machine in a dream.

Neiru -> Ashe ; Fighting for Mrs Winters revival

Ashe’s only objective is getting her mom back so she’s distant from the group at first like in the show. Before they all meet, Ashe had been temporarily hospitalized after the first trickster take over because of the bodily strain and the fact her mom had hurt a bit while trying to protect herself - leaving her with some scars on her back and shoulders. While recovering she was hit with the memories of the fact she was the reason her mom was dead - leading her to buying the eggs to try and bring the woman back.

Will first sees her hanging around the egg machine and quickly goes up to the and pester her with questions about everything. She tries to shrug Will off and continue doing as much as she can but Will follows her around. She’s the first one Will meets but is the last one to properly integrate into the friend group

Rika -> Dakota ; Fighting for Katori’s revival

Dakota is still a hero, though less so because superpowers aren’t really a thing in this universe and they are treated more as paranormal activity. He still became one after the death of Katori, only he didn’t fall with her and had to watch from the rooftop. He fully blames himself for it and became a hero to protect people. He’s dyed a strip of his hair a black color in honor of Katori though he has a really hard time mentioning things about her otherwise.

He does the same thing Rika does in the show when seeing Will at where the Eggs are gotten and follows him home, trying to become friends with him, and not at all realizing how weird he’s being. He’s the 2nd one Will meets but is the first to actually befriend him

Momoe -> Vyncent ; Fighting for Mynerva’s revival

Vyncent and Mynerva are friends for a time before the start of everything. She was one of the only people he could actually connect with, coming from similar backgrounds with the same sorts of problems and so, especially with the constant struggle of other people describing Vyncent as some sort of monster for not completely looking human, Mynerva’s the only person Vyncent feels understands him. One day, Mynerva mentions to Vyncent maybe running away together, to go refind his mom, and Vyncent denies it. They get in a slight argument and soon after, Mynerva’s found dead. Vyncent blames himself and believes if he’d agreed that she’d still be there.

They properly meet when Will finds him crying and Vyncent asks what Will sees when he sees him, which Will replies with “Looks like a crying person?” and Vyncent is brought into the group quickly. He’s the last one to actually join the group

[booasaur]

The Trades - 1x05

[zayadriancas]

“Just because you kissed Eli on the lips doesn’t mean you have to stay with him forever. Breaking up with him wouldn’t make you a bad person.”

“Listen to you he’s killing the happy rational Clare that I know just like in his story.”

[thelassoway]

Is this the weekend that I should finish my long TL theory....?

[bonyato]

I already couldn't choose wether to watch the 2001 or the 2021 anime adaptation....and now I wanna switch to the manga too......Ughjoegh—!!

[niuxita21]

Madre Solo Hay Dos - 1.09 // 3.05

AKA Cinematic parallels pt 2

Bonus: Mariana.EXE has stopped working

[charcubed]

I saw Challengers earlier today and I decided to start a running doc of some of my feral thoughts in an effort to not forget what's currently marinating in my brain after my first watch

I want this movie to get a long theatrical release/run because it deserves it, but that's unfortunate because I also NEED to have it accessible to me in my home ASAP so I can pull on all its threads and take screencaps. Alas.

EXTENSIVE SPOILERS BELOW

might add to this later as I remember things, idk

-The parallel of Art spitting his gum in Tashi’s hand and in Patrick’s hand… My jaw dropped soooo early on. Anyway they obviously both act as Art’s “coach” at different times in his life in different ways. (The jerking off teaching?? Scream???) Art craves their guidance and approval as a form of love (which is also directly responsible for his confidence issues) and initially likes to follow their leads in every situation

-The parallel of Tashi making out with both Art and Patrick up against cars… delicious

-Patrick’s car is his “bed” and it’s where he and Tashi fuck. Nice

-Wait now I’m sad because… lowkey Patrick is homeless because Art and Tashi are his home…………….

-The storm = Patrick and Tashi having sex = the reason why Art’s half of the giant poster/ad on the side of the building falls down so only Tashi’s side is left up. Iconic, loooove a good visual metaphor, especially shown nonlinearly

-The parallel of the forehead kisses??? Art and Patrick on the court at the start when they won the doubles, and Art and Tashi in the sad almost-sex scene towards the end??? I will throw up

-Disclaimer and reminder I’ve only seen this movie once and might reform any of these thoughts later BUT…

One of Art’s main things is, as he tells Patrick towards the start, not wanting to be “left out.” He loves and he wants both Patrick and Tashi (but he doesn’t fully want to acknowledge the extent of his want for Patrick for years, and that repression is part of his problems…). He gets “lit up” about the thought of them together not because he’s jealous of one of them but because he’s jealous of BOTH of them; he wants to know it all, he wants to be in the room, he wants to be with them both, he despairs at the thought of losing either of them (but, at the start, especially at the thought of losing or being of lesser importance to Patrick. Obviously he’s a fucking idiot as evidenced by how Patrick goes to see him FIRST at Stanford. Ugh). We see all of this at the start when Art wants to know if Tashi and Patrick fucked. We see this in Atlanta when he witnesses Tashi cheating on him with Patrick but doesn’t directly confront either of them about it; he only skates the edge of confronting it with Patrick in the sauna while also lashing out at him. Patrick tells Art at Stanford “it’s nice to see you so lit up about something, even if it’s my girlfriend” during the homoerotic churros scene because Patrick’s clocked all of this about Art, too. He clocks it further in Atlanta when he shows up to Art’s practice with Tashi and his mere presence makes Art hit the ball harder. It obviously all comes full circle; the cocktail of emotions that Patrick and Tashi being together gives Art coalesces again for him on the court in the Challengers match: Tashi’s threatened to leave him if he loses… and she’s maybe got one foot out the door with Patrick of all people, who Art already “lost” in the past as the love he’s been mourning for 13 years. But what’s important is that THIS time, unlike Atlanta, Art learns about Tashi cheating on him with Patrick not by accident but rather because Patrick actually tells him. Patrick understands the significance of how this will get Art lit up again and make him play the way he needs to for all of their sakes, and it’s fucked up, but… what this means is Patrick doesn’t leave Art out. He TELLS Art – and he tells him in a way only they understand while they’re on the court together again. Of course Art goes through several stages of emotions in response to that fucked up information… but ultimately that moment of honesty and realization between the boys is what Art needed and puts where all 3 of them stand into sharp relief, shedding a light on who they’ve all always been and what their individual needs are.

Art’s always wanted to play tennis, but that desire is framed around his relationships. Tennis is only something he truly enjoys or that fully makes him happy when he’s experiencing it through his connections to other people: he wants to impress, earn the approval of, or celebrate with those he loves who are watching (like his grandmother or Tashi) – which is partially why he wants Tashi to be his coach in the first place. And of course, tennis all began as something Art found joy in because he was always doing it with Patrick. It’s clear Patrick feels the same. At the start, neither of them cared much about winning for the sake of winning unless it was doubles because they competed as a team and that was “really fun” for them. With the singles competition, they kind of cared less about the wins at the start; Art assumed Patrick would win and didn’t care back then, and then Patrick was willing to let Art win so he could impress his family, and they were both fine with all of those sentiments. Tennis was first and foremost something they did with and for each other. As Patrick later tells Art in the sauna, “I miss playing with you” – and, of course, at that point he’s definitely not only talking about tennis. But in that final match, after so many years, Patrick and Art finally understand each other completely again. It’s like they’re in love (because they are and always have been), they go somewhere really beautiful together… etc. They finally reconnect on the court and feel that thrill as they become synchronized again, which is what tennis was always about for them.

And Tashi, who’s irrevocably connected to them both and whose primary love is and always has been the sport itself, gets what SHE’S always wanted: to “watch some good fucking tennis.” It’s why she pitted the boys against each other vying for her number at the start. Though she needs/wants both boys in different ways on an individual level, she doesn’t particularly need or want anyone to ~be in love with her~; she wants the men who are in love with her to entertain her and challenge her and give her a show. So that’s what she tries to accomplish again in the end by telling Art she’d leave him if he lost the Challengers match… but the missing piece in her making that threat – the element that would get Art truly fired up – was that she’d potentially leave Art for Patrick. That final piece of info, when Art finds out about the cheating, is what reconnects them in all of the above ways. Because it’s about all 3 of them and their triangular codependency. They’ve all been broken for 13 years because they all need each other and tennis to be fully functional. Split any of it apart and they just don’t work.

-Literally this is a film where from the moment of the injury they’re all constantly mourning. They all lose their greatest loves that day… Tashi essentially loses tennis, Art loses Patrick, and Patrick loses the two of them. Everything after that is just them being affected by how they’re all mired in various grief and feeling incomplete… until that synchronization at the match when they finally become whole again. Going from that bed scene that was breaking my heart to the final match was HEALING. Things are still fucked up and in progress, but they’re fucked up in a way they all understand, which gives them a path forward. This movie has a fiercely happy ending in that regard… and what I’m saying is that… after the match, once they communicate further, and much later down the line… Art and Patrick should go back to playing doubles and Tashi should coach them as as doubles team. God they’d eventually all be so happy I wanna CRY just thinking about them doing that. It would take them awhile to get there — because yeah, Tashi is living vicariously through Art’s career as an individual player and maybe if Art retired she’d then want to live through PATRICK’S career for awhile — but I think if they worked out their relationship then their tennis could come to reflect the needs of that relationship too, and doubles can still be “good fucking tennis” in its own satisfying right, y’know? I think they could get there and it would be a beautiful collective restart.

-I gotta say, I can't imagine Tashi pregnant. Wild to me. Sorry to their daughter. Oooo also... I think Patrick would be great with kids... when he gets to meet Lily and become "Uncle Patrick" they're gonna hit it off so fast. Help me

-*holds up Tashi watching them kiss after she orchestrated it* *holds up the Challengers match* It’s the same picture. Except the kisses were kisses whereas the match was actual sex. The moaning and grunting… I’m insane. Also Tashi’s “COME ON!!!!” is arguably the sole orgasm/climax we witness in the whole movie perhaps? Though you could argue the hug is too. In this essay I will, etc.

-Art begging for Tashi’s love/validation saying “Tell me it doesn’t matter if I win tomorrow” vs Art telling Patrick in the sauna “this is a game about winning the points that matter” / Patrick saying “I don’t matter?” AAAA oh my fucking Goddddddd I’m gonna die

-Thank you Luca Guadignino for your dedication to having Art and Patrick hold phallic drinks and food in each others’ presence. Specific shout out to Patrick at the beach party holding the beer bottle on his crotch

-Patrick = comfortable with who he is and secure in his bisexuality; honest and open Art = repressing his queerness and his overall desires Tashi = hiding who she is aka her dissatisfactions with life and the lengths she’ll go to because tennis is her true greatest love and always has been

COMPRESS, REPRESS... REPRESS, COMPRESS... AND THEN JUST SURRENDER, ONE TWO THREEEEE

-I need to rewatch to catch the dialogue because it was difficult for me to hear it over the music, but I think in the 3am Atlanta scene Tashi tells Patrick that Art’s grandmother had a stroke. IF that’s what she said (and if there’s no reason to believe it’s a lie Art told; like I said, I need to rewatch)… my immediate impression was that it’s a nod to Patrick being the voice of accuracy and prediction in this movie. Towards the beginning he tells Art (jokingly) that he hopes Art’s grandmother dies of a stroke, and that’s seemingly what literally comes to pass. He repeatedly clocks both Tashi and Art’s behaviors, describing them brashly to their faces (and to us as the audience), and he was right about his predictions. He’s the one who’s not repressed or unaware of who he is out of the 3 of them: when Tashi first asks if there’s something between him and Art, he looks away because he knows the answer is yes; he’s openly bi on dating apps; he tells Tashi he won’t be her lapdog unlike Art which we see later ends up becoming literal; he clocks how Tashi is hiding some of her true motivations when she seeks him out in the storm; and even from afar he predicts Art’s mindset about wanting to retire. For the most part, what Patrick does / says either seems to be or becomes truth. Hmmm, wait, as I’m typing this… something to look out for: the “I TOLD YA” shirt. Working theory: Tashi briefly wears it, she’s the voice of accuracy; then it blatantly switches over to Patrick and he wears it throughout the film and [waves to all of the above]

-Head in my hands thinking of how the word “love” is used in these tennis matches. Also something I need to make detailed note of when I rewatch

-Patrick grabbing Art’s thigh when they first watched Tashi play… oh my GOD

-Patrick pulling Art’s stool close and Art just smoothly sitting on it with no reaction… the way they kept looking at each others' lips... oh my G O D

-I just remembered Tashi referred to the boys being known as as “fire and ice.” What the fuck even.

-Tashi going to Patrick asking him to lose the match for Art… she’s literally like, "do this because I love tennis and if I lose Art then I lose the way I live tennis through him. Do this because if he loses this match he'll lose himself." And she's really like, "Do this because I know you’re in love with both of us." And Patrick is like, "A) fuck you because you know I’ll say yes precisely because I'm in love with both of you so how dare you ask this of me, and B) you’re kidding yourself if you think you don’t miss the challenge I give YOU simply by being myself because I don’t take your shit." Something something they're peers, you know

-Tbh for 13 years when Patrick gets his rare opportunities he’s @ both Art and Tashi like “you want to fuck me so bad it makes you look stupid.” And the thing is that he’s RIGHT. He’s right! Art in particular doesn't want to admit it because he's trying to convince himself he outgrew being bisexual / outgrew Patrick but it's obviously bullshit

-Realizing some of the sounds in the soundtrack intentionally emulate the sounds of tennis balls and rackets???? MADNESS

[userpeggycarter]

hi! someone requested me to do a tutorial based on this gifset!

this tutorial requires an intermediate knowledge of gifmaking. i won’t teach you how to do gifs from scratch, there are other tutorials for that out there.

[tutorial under the cut]

THE BASICS

AN INTRODUCTION

first off, the gifset in question is based on this gifset by @/eddiediaaz and i got permission from them to explain the process. i won’t be sharing the template because it’s a near replica of theirs (that isn’t shared to the public) and i don’t feel comfortable doing so, but you can recreate it by yourself just like i did!

also, ESL, so please pardon any mistakes.

THE FONT

Circular ST (Medium & Black). download it here & here.

CLIPPING MASKS

clipping masks are the way i put images and gifs inside of shapes. i used that method in the first and second gif of the Spotify gifset as you can see here. what does a clipping mask do? basically, it links two or more layers together in a way it follows the “shape” of your base layer. ie, everything that is shown follows the “shape” of your main layer and nothing more. your base layer can be anything: a shape, an image, a gif, a text, an adjustment layer, really everything. let’s see an example:

CLIPPING MASKS & SHAPES

the original image (Gun 'n' Roses logo) is intact, as in, it’s not cut like a circle, something that cannot be undone. instead, everything outside the limits of the blue circle is just hidden. if i delete the base layer (the circle layer), the original image will appear as it originally is, as an rectangle. talking about layers, let’s see my layers panel (some things are in Portuguese, but i think you can understand):

notice the little arrow pointing downwards to the “circle” layer. that is the clipping mask symbol. the base layer always needs to be below what is being clipped. if the base layer is deleted, the chain is broken and every layer clipped will now act independently and have its original shape. you can have as many clipped layers as you want. you can also have multiple chains going on in a .psd, each one with its own base layer. to clip a layer, you just need to press ctrl+alt+G or cmd+option+G while having the layer you want to clip selected (NOT your base layer). or, you can go to LAYER > CREATE CLIPPING MASK.

CLIPPING MASKS & TEXT

let’s see the same example, but with text instead:

A TIP

because adjustment layers are clippable, you can completely gif by using clipping masks. this is very useful when you have more than one gif inside a canvas and don’t want an adjustment layer to affect everything besides a certain layer/element.

let’s take my first gif of the Spotify gifset as an example.

the circle is the base layer. the “Carol smiling” layer is my gif converted to a smart filter. above that “Carol smiling” layer, there is a black and white gradient map and two color fills of white so i can achieve the coloring you see. all those layers are clipping onto the circle layer, making my now b&w gif have the shape of a small circle as well. those layers are in a folder in the .psd of my first gif, so i don’t have multiple files sitting on my PC to assemble just one gif. i could have giffed that small gif separately and pasted it onto my canvas as well, but i like to do this way so i can adjust everything i want in real time instead of redoing a gif over and over every time i want to change something.

HOW TO MAKE EACH GIF

all gifs are 540x540px.

THE FIRST GIF

the first gif has 6 elements. the elements are: a big gif serving as a background (a close-up of Carol), a smaller gif inside a circle (a b&w gif of Carol smiling) as a profile picture and four static images for the featured artists. i giffed as i normally do (loaded screencaps, resized the gif, sharpened the gif, etc) for my background gif. to achieve the coloring, i’ve added a gradient map (layer > new adjustment layer > gradient map) purple to pink. to the profile picture, i made a 160x160px circle in the top left corner. the color of it doesn’t matter. the next step is a matter of taste: i giffed the smaller gif in the same .psd thanks to clipping masks that i explained earlier, but you can do it in a separate canvas too. for the featured artists, i made four circles with 98x98px each. for the images, i had to check Spotify for their selected PFPs. after that, i googled “[band/artist] spotify” to find the images. the PFP of bands and artists in the Spotify app are displayed in black and white, so you might have to make them b&w if you happen to find them only in color. to make the artists PFPs pop a bit more, i transformed them into smart filters and added a bit of sharpening to them (intensity 10 x radius 10). you can adjust the colors and the brightness if you want, too. the sizes of the texts in the gif are: 58px (username), 20px (top artists of the month), 15px (name of the artists), 12px (only visible to you + show all + profile) and 11px (following and follower numbers).

SECOND GIF

for the chart, i created a black rectangle (490x308px) that i set its blending mode to lighten (thus making it transparent) and i added an internal white stroke. i added the text and the little squares next to the top 6 numbers. the font sizes are: 17px (top tracks this month), 11px (only visible to you), 14px (song title, show all, top 6 numbers), 13px (artist/band, album title, length of the song). i added the album covers — that i made b&w — by clipping images onto 32x32px squares. for the coloring, i added a gradient map (dark purple > light purple).

THIRD GIF

there are three types of playlists in this gif: a Spotify original playlist, a playlist made by a user and a Mix. you don’t have to follow this formula if you don’t want to, but in the case you do, here’s how i did it: browse Spotify for an original playlist of theirs. chances are, if you google the playlist’s name, you can find its cover on Google Images. at least, i found the “All Out 80s” cover that i used in my gifset. you can also create your own. for the user playlist, just pick four songs and find their (album) covers, also on Google. create a square canvas on Photoshop and make four squares, each in one quadrant of the canvas. paste your images onto your canvas and clip the images to each square. then, add a gradient map (black + whatever color you want) to all those images and title your playlist (font size: ). save that collage as a PNG and load to your gif canvas or merge all the layers+transform into a smart filter and drag the smart filter layer onto your gif canvas. now, the trickiest one. while you can invent your own Mix, i wanted to use a real one, but i had no idea on how to find them. thanks to reddit, i discovered that, if you search “made for you” on Spotify, you will find their Mixes! some of them are very whacky and specific! i just picked the Mix that made the most sense for Carol from that (gigantic) list. before doing the next step, i would advise you to google the name of the Mix you picked to see if you are able to find the cover of it with good quality. i wasn’t able to find mine (Karaoke  Mix), so i just screenshotted my Spotify app, pasted that screenshot into Photoshop and cut the Mix cover and pasted that onto my canvas. the quality wasn’t great, so i transformed the cover into a smart filter, added a bit of gaussian blur and then sharpened it (intensity 10 x radius 10). the color wasn’t what i wanted either, so i used Hue/Saturation to change the hue. because the original image for the Mix was smaller than i wanted and i stretched it to make it bigger, the quality of the text and the Spotify logo was botched. i painted over the Mix cover and created a text with the font i linked earlier to replace its now pixelated title. i also painted over the little Spotify logo, found a logo in the internet and pasted over the Mix cover about the same size of the original logo. to achieve the “3D effect” of the gif, i made my b&w gif, the base. then, i duplicated all layers and added a gradient map (black > pink) and merged all the layers of that duplicate. i made a second replica of my gif, now with a different gradient map (black > blue). i set both replicas to the ligthen blending mode. you will notice that the replicas will "disappear" and only the original b&w gif will remain. if you move the replicas a bit, that colored border will appear. this doesn't work much in very bright gifs without a lot of dark areas, btw.

FOURTH GIF

this gif used an altered (by me) version of this template. (i changed the fonts to match the rest of the gifset, too.) for the color text effect, you will have to gif with the timeline bar. take your gif’s length and do the math to find how many frames are ⅓ of it. take your lyrics’ layer and cut it into three equal parts or close to it by using the scissors icon in the timeline panel. in each third, change the color of just one line, line by line. when you play your gif, the colors of the lyrics will change like in Karaoke. you can do the same thing with frames iirc, though. i explained the timeline method because that’s the one i used in this gifset and use in general gif making. for the coloring, i added a gradient map. to make the colors pop a bit more, i add two gradient maps: the first one is in black and white, the other is in color. that adds depth to the blacks and darker colors of the gif.

FIFTH GIF

like in the Top Playlists gif, i wanted for my Daylist to be real as well. to achieve that, i listened to my Carol Danvers companion playlist (that you can listen here) for a long time until my Daylist refreshed itself. (Daylists refresh in certain times of the day — don't worry, Spotify will tell you when.) then, i just copied what it told me — the title and the genres i listened to generate such a Daylist, plus the genres i should check it out. you can invent your own Daylist if you want, but because it is generated by AI, i find very difficult to mimic its crazy titles, but you can try! you can also search in the web for other people’s Daylists if you want, but usually people don’t tell you what they listened to to get those playlists and nor what was recommended for them to listen to and i, at least, find that information important for the gifset. be aware that Daylists aren't available for every country yet (like in mine), but i found a way to work around that. the browser Opera GX offers a free "VPN" — not exactly a VPN, but it works close enough — so you can set your location to the US and listen to in-browser Spotify. i recommend not log into Tumblr while using Opera's VPN as there is a myth (that could easily be true!) that Tumblr terminates people's accounts that use a VPN. font sizes: 43px (daylist title), 13px (text), 12px ("daylist" & "made for"). for the flare effect, i searched for flare overlays on YouTube and downloaded one of those videos with 4K Video Downloader, a free software. i loaded the overlay into Photoshop and added a gradient map (purple > pink) over it, thus changing its color. i pasted the overlay onto my b&w gif and set its blending mode to screen. voila!

that's it! i hope you liked it and that i was able to express myself well. if you have any questions, feel free to contact me, i love helping people about their gifmaking questions! 💖

[timdoubleyou]

i found jay’s black jacket (an ID guide)

This black jacket is worn by Jay about 9 times throughout Marble Hornets, including his final appearance. And after some weeks of on-and-off research, I think I know the exact make and model.

This post will detail exactly how I found it, and serve as a guide for anyone that wants to find the jacket, whether that's for cosplay purposes, or if you're just keen on collecting items related to MH.

Main post under the cut

Intro

The first step to identifying the jacket was to gather as many references as possible.

I went back to the web series and took screenshots from any entries the jacket makes an appearance. (shoutout to mg549′s very comprehensive MH wardrobe guide, without it this would’ve been much more of a pain)

Jay's jacket is, for the most part, very plain. It's a solid color, full-zip jacket, without any particularly eye-catching logos or other details. I had to look for moments where even the slightest distinction appeared clear on camera, at least as distinct as it can be. Even if it was just close-ups to get the shape of a zipper, or how many buttons are on a sleeve, it was the best I got. While I did manage to find a decent amount of these, there was just one crucial detail that would've made finding it near-impossible; the brand is never shown. Thankfully, I had another resource.

In 2018 Troy Sold a Lot of Stuff

In early 2018, Troy officially announced that MH would be continued in a comic series. To fund the first issue, he held a number of auctions for production items used during the web series on Ebay.

These included items such as Jay’s camera, Brian’s hoodie, A Masky mask, and Jay’s black jacket.

Lo and behold, the jacket listing includes a picture with the brand in clear view. It's from Gap.

Ebay does not archive sold listings older than 90 days. However, Worthpoint, a website for valuing and pricing collectibles, does. Using Worthpoint I was able to find all of these items, (and a lot more, which can be found in this doc I submitted to Archive Hornets)

Identification

With the picture from the listing and the series screencaps, I had a complete ID list.

(Top image is from the Ebay listing, with the contrast adjusted a little for easier viewing. The bottom two images are from Entry #79)

The Gap logo (This specific logo dates the jacket being made anywhere between 1986 and 2009, when it first appears).

Front Zipper (Note the shape)

The two front pockets

The two buttons and pointed cuffs on each sleeve (Second one is a little hard to see but it's jusstt peeping out at the side)

The blue piping in the inner lining

The zipper in the right side inner lining

The gray mesh inner lining

With these in mind, I could now go to the next and longest step-

Finding the Jacket

I combed three resell sites; Ebay, Depop, and Poshmark. My main goal wasn't to actually purchase the jacket, (although, I would like to at some point) but to find a jacket listing that had every identifier, and have a more definite baseline for finding others. I needed to be sure what I had was enough to properly ID the jacket. The references I had stitched together were decent enough, but I wanted to see if there was something better out there.

After tons of page scrolling and tab-switching and comparing and contrasting, I finally got lucky.

(first two images are from crashthecloset's listing on poshmark, last six are from shannfo-76 on ebay)

I haven't bought one myself as of posting, but I feel pretty confident this is it. The jackets were already sold, but every marker seemed to be accounted for. It also revealed new ones, like the reflective pattern and pockets on the inner lining, (zipper on the right side pocket, button on the left pocket) and the materials tag.

With that, here's some final notes that may be helpful if you try looking for the jacket yourself:

Online sellers often describe it as a light jacket, a windbreaker, a 2-in-1, or 3-in-1.

"Gap Mens Black Jacket" is the search phrase I used the most since it yielded a (very) broad result pool.

Most of the jackets I found came from Poshmark or Ebay.

The exact size of Jay’s jacket is unclear. My best guesses are either a US Men’s S or M, since Jay was pretty skinny and of average height. I’ve only been able to find maybe 2 jackets that are a size M, one of which is the first pic in the photoset above.

Gap has sold other black jackets that look remarkably similar to Jay’s, and they do pop up on resell sites. One of these was so similar, the only discernible difference was the style of the logo. I highly recommend making sure it matches the exact one Jay had before purchasing. (It's also more than fine to ask/msg me if you have any doubts!) As long as you know what to look for, you shouldn’t have a problem finding at least one.

One detail that confounded me was this sleeve poking out of Jay's jacket. At first I thought he was wearing a long sleeve underneath, making this shot a continuity error since he appeared to Only be wearing the green short sleeve under the jacket.

@hivemite pointed out that this might be a two-in-one jacket, which has multiple layers for different types of weather. While I have not been able to see the sleeve outside of two shots in entry #79 and #80, one listing I found did describe it as a 3-in-1.

that's about it! hope this helps :)

[confirmeddead]

Lover, Will You Look At Me Now?: An Armand & Daniel Theory

Armand and Daniel were in a relationship in the book The Queen of the Damned and have been a fan favorite for decades. Many fans were excited to see how the show would adapt this companionship.

Armand makes several appearances throughout season 1 in disguise as the servant Rashid. He reveals his true identity in the season 1 finale.

A lot has been said on how the show will approach their companionship. It’s definitely up in the air with so many things having been changed regarding the two already!

Have we seen anything that has definitively hinted at them forming a companionship? I could talk about faulty memories, a possible purple shirt, or vermouth in Daniel’s cocktails; but is any of that concrete proof?

Let’s look at the unsaid- literally. The looks and stares between Armand and Daniel.

Throughout season 1, Daniel’s attention is consistently on Louis’s servant Rashid (Armand in disguise). We see the camera (Daniel’s eye) follow him constantly. Daniel is an investigative journalist but he’s taken a keen interest into the person serving his drinks.

Daniel does a lot of looking at Rashid. We know it’s his job to investigate, so it makes sense he analyzes everything and everyone. But often times he’s distracted by Rashid’s presence, even prior to having the San Francisco dream. Daniel looks at Armand so much throughout the show, but has anyone noticed how intimate some of these moments are?

Thank you to @mirrorhouse for the Magnolia screencap!

Rashid prayer, which is interrupted by Daniel.

Louis feeding on Rashid in front of Daniel. Staring at one another (and the act itself) is very… personal? Uncomfortable?

Look at the framing of the scene by the magnolia tree. It’s intimate, beautiful, and dare I say romantic!

Most times they’re alone, it feels like the viewer is almost intruding on something (or like Daniel is). Should he be talking to Rashid while he prays? Should he stare at him being fed on? Dare they speak alone while Louis is resting?

I realize they have to look at each other during an interview, but we can see these looks are there for a reason. I think they’re trying to tell us something.

It’s easy for us to look at these things, point, and say FLIRTING! But shipping stuff aside, real people in my life (who don’t read the books or follow socials) who have seen the show have talked to me about the flirting they’re seemingly doing.

Okay, let’s see what Eric Bogosian says regarding the looks:

“I’m looking at him. I’m trying to figure something out and they can show us that and they do show us that. And we do a lot of looking at each other. Like, I do a lot of listening to Jacob, but we do a lot of looking- checking out each other as this relationship continues to go through quite a lot of changes in the next-in all the episodes.”

(Source) 2:00 mark

Wait… checking out? Like checking someone out? What an interesting choice of words.

This is where my theory comes into play.

We all know Eric’s tendency to spoil things about the show, right?

I think that term, which is mostly exclusive to someone interested sexually/romantically, was in the script!

Making a note here to say only the Pilot and the season 2 finale scripts have been released.

Remember the photos I included of the constant moments of Daniel and Armand exchanging looks and eyes tracking each other?

What’s the likelihood it was written in the script (or at the very least directed by the episode directors and Rolin)?

Wait- there’s a quote on that as well!

(Source)

So it was happening in both seasons.

We’ve got our scene moments and the quotes from Eric and Assad. Was “checking out” literally Rolin’s or the scripts words? Was that what he was telling them even back in season 1?

Spoiler Eric strikes again.

I’ll end this off by saying this is all just for fun! We’re all having to wait through this hiatus together so I figured I’d keep up the discussions on my faves. In no way do I think this theory should or is correct- I’m just yapping and love discussing these characters! I’m totally OK being wrong 😅 but it’s all in good fun.

And my asks are open!

Sources otherwise not mentioned:

Title from “I Walked” by Sufjan Stevens

Screencaps take from here (x)

[buckysxgal]

I'd Let The World Burn - Eustass Kid x Reader

Picture I got from Pinterest - It's a screencap from One Piece

Summary: Just a little snippet of you and Kid during the Raid of Onigashima.

Word Count: 870

Details: Set in Wano Arc (specifically in Onigashima). Established Relationship. this is during the Big Mom fight. Kid saves the reader (and Nami, Usopp, and Otama by association). Kid calls reader 'Doll'. I tried to keep specifics about Reader (gender, race, etc.) out, if i missed something please let me know and I can fix it! I want this to be readable for EVERYONE. I listened to LET THE WORLD BURN by Chris Grey while writing this.

Also posted on AO3

Floral Banner and Support your Creators banner from @saradika

“WHERE ARE THEY?!” A voice bellowed out. The voice could be heard all throughout Onigashima. Currently, I was running with Nami, Usopp and Otama through the hallways of the castle. 

“Who the hell was that?” Nami said, startled, looking around for a person to match the voice while we ran. We turned right down another hallway only to bump into Big Mom again. She was now targeting Otama because she was ‘going against her’ by running away from her with us.

“I don’t think we have time to question that Nami.” I said while pointing up to Big Mom who was gearing up to attack. “What should I do about the ones I hate?” Big Mom started, speaking to her sword, the cloud and the sun floating around her. “I should kill them!” She screamed, lifting her sword up to strike.

Nami held the child closer to her body, and Usopp fell to the ground with a shout. I stepped closer to Nami and Otama, spreading my arms out and bracing myself with my eyes closed. Nami, Usopp and Otama’s screams were suddenly drowned out with the sound of metal scraping together. I looked up in awe, seeing my lover’s metal arm shooting out above us and hovering it in front of Big Mom’s face.

“You’re…!” Big Mom started before Kid attached his arm to her face and lifted and slammed her into the floor, cracking the floorboards with a call of Punk Gibson. His figure outlined appeared in the dust behind us as we all turned around to face our savior. Big Mom’s ally, the cloud that she called Hera, flew over to her asking if she was OK as she sat up.

“Kid!” Big Mom growled out. Kid came to a stop in front of us. Nami and Usopp let out simultaneous breaths of relief.

“Captain Kid!” They shouted, tears of joy and stars in their eyes.

“Go away, Straw Hats. This bastard…” Kid lifted his metal arm once more, metal from around the room latching onto his arm.

“Is my prey!” He continued. I smiled up at him as he looked down on me from my spot behind Nami, Otama, and Usopp, now noticing that I was here. He blinked a few times, staring at me processing my presence. 

“I’ve been looking for you all over.” He stepped closer to us and held out his non-metal arm beckoning me over. I stepped around the group and got closer to him. His hand came up to caress the side of my face, his thumb sweeping across my cheek.

“You hurt Doll?” He said gruffly. I shook my head ‘no’ and allowed him to press his forehead to mine. He stayed liked that for a moment before pulling away and shoving me behind him.

“Stay out of the way, Doll. I don’t want you getting hurt.” He muttered over his shoulder. I beckoned Nami, Usopp and Otama closer to me, stepping back from the fight. We started to run towards the performance hall I turned to look behind me and saw Kid cracking his neck gearing up to fight. 

“Kick her ass babe!” I yelled as I turned back to face Nami and Usopp. Nami looked over her shoulder to me and smirked at me.

“Doll?” She giggled.

“S-shut up.” I muttered as my cheeks grew hot. 

Time Skip to after the Raid - still on Onigashima

We had watched Kid and Trafalgar Law fight from a room off the performance hall. As soon as they cast Big Mom down that hole the two pirate captains fell to the ground, exhausted.

I ran down the steps towards where Kid was laying on the rubble. Nami, Otama and Usopp followed me, but stopped to fall in with the crowd surrounding the two exhausted pirate captains.

“Kid!” I screamed out, flinging myself onto his body, letting sobs wrack through my body.

“Please don’t scare me like that.” I whispered as I  let my hands curl into fists in his red fur coat. His non-metal arm came up and rested on the back of my head, stroking my hair as the sobs lessened. I could hear murmurs in the crowd, namely from the other pirate crews, wondering who I was.

“Don’t worry Doll, I ain’t going anywhere.” He whispered, placing a kiss against my hair. I smiled and lifted my head to look up at him. He sat up, lifting me with him and keeping me on his lap as he looked over me, assessing me for any injuries.

“What’s this?” He asked, pointing towards the scratch on my cheek. I lifted my hand towards it, remembering what happened.

“We were running from the fire, and I leaped out of the way of a burning piece of wood, landed on the floor, not gracefully, and scuffed my cheek.” I chuckled. He let his thumb graze it gently.

“I’m glad you made it out of this alive, Y/N.” He wrapped his arm around my shoulders, bringing me into his embrace again.

“Well of course Kid, can’t leave you behind can I?” I said, smirking up at the man, who returned the gesture. He placed a small kiss on the side of my forehead.

[privateolives]

This moment from my playthrough keeps coming up with friends, so why don't I share the time I accidentally did Aymeric so dirty with my outfit choice for the dinner scene.

So for those of you not aware, my WoL is supposed to be a sweet Thanalan country boy type. Think desert Clark Kent-vibes man but from the burning cliffsides of Thanalan instead of Kansas. And I play a paladin besides, so of course my mildmannered Lambard went through most of Heavensward looking like this:

Covered head beard to toe in steel.

But of course, when Aymeric finally invites you do dinner, that won't do. Showing up in armor would just be impolite! So I pull my ff14 bestie in for an emergency glam sesh trying to figure out what a traditional thanalan lad might wear to a fancy occasion. We end up putting this together, which I was quite pleased with!

Straight Oughtta Ul'dah looking outfit. Looks good right? It's fancy! It's traditional! It's in-character! It's just perfect.

Bit chilly for the road there, so we figure he would have used the supplied Ishgardian coat on the way there. (I didn't get a screencap of that in time sorry)

So I slam the glam on just before the cutscene and go in happily unaware of what I'm about to do to this poor catholic boy and he greets us in a similar coat to what we got... as indoor wear. Which really should have been our first warning of what was to come.

Anyway, we come in and if you, unlike myself, are a nice, observant allosexual, you might already spot the problem.

Because as it turns out, Lambard's beautiful Ul'dahn coat has one major issue when being sat at this type of dinner table.

That being that between the coat and the table, there is now a perfectly triangular window towards the BIGGEST, FATTEST pair of sword-swinging steel-carrying hobby-mining sun-kissed pair of tits to ever grace the frozen lands of Ishgard.

Keep in mind that our poor Aymeric hasn't been lord speaker for long at this point, he's yet to leave Coerthas completely (as far as we know) on any diplomatic missions. He was recently still the knight-commander, polite son of the Pope, from the isolated lands of French Warrior Catholicism, who's grown up and only ever seen tall spindly Elezen people, wearing 50 layers in -oof° degrees celsius weather all day every day every month whole year.

EDIT: It had, in fact, only been 5 years of -WillToLive° outside, thank you @maeljade

And now he's sitting at a private dinner, doomed to look at THIS

for several hours whilst his elderly butler, last remnants of family he has, hovers about the whole time serving that appears to be unseemly amounts of wine

And I took

SEVERAL

HOURS

after the cutscene to realize what I'd done to this poor man.

... Though in my defence, my ace ass was busy laughing my head off at the reaction they give your WoL to the butler mixing you a cocktail.

[p-redux]

Follow up to my last post regarding Sam Heughan allegedly going camping last weekend with a mystery woman...

So, it came to my attention that another blogger connected the dots between Sam Heughan posting on Instagram from the Scottish countryside and a woman posting she was camping in what looks like the same exact spot. The other blogger went on to say something along the lines of not liking Sam's behavior due to who this woman is. And that she wouldn't post the woman's name as a result. This understandably created a lot of chatter and curiosity. People bombarded me with Anons and DMs about it. Certain people on my Team had a suspicion of WHO the woman is. The other blogger loves to claim that she's neutral and simply posts info. But the reality is she is very judgmental of Sam, and more importantly, she surrounds herself with CONFIRMED Sam haters, disgruntled ex-shippers, and Purv aka me haters. That's a FACT and theres no denying it. All anyone has to do is look at the bloggers who leave comments and likes on her posts--all KNOWN Sam haters, disgruntled ex-shippers, and long time haters of moi. The narrative this blogger perpetuates is that Sam is a man whore, and in this instance, a pervert for being with this woman. (She's young. Legal, but young.)

I, on the other hand, believe ALL dating is good, as long as it's between CONSENTING ADULTS. Sam is SINGLE. He can date whoever he wants and as many or as little women as he wants. And like I said in my previous post, Sam isn't deceiving anyone. Unless these women just landed on the planet, they all have social media and know how to use Google Search. They can SEE and READ about who he's dated or dating. I don't know about you, but every woman I know, the second they're interested in a guy, the first thing they do is conduct an extensive Internet search on him. Women are more efficient than the F B I when they want to find out info on a man. 🧐 Facts. And, on my blog, I don't use initials, for the most part, I write out full names, so any woman Googling Sam's dating history has LOTS to read about. 😉

I don't think Sam is doing anything wrong: he's dating multiple women, it's all consensual, and they are all of legal age. WHAT IS THE PROBLEM? Nothing, dammit, absolutely nothing.

So, if you want a blog that supports Sam and is glad he has an active love life, this is it. For the love of God, he's so fucking hot, who would turn down that golden delicious Scottishness? Not I, lasses, not I. Amirite? 🤗 If you want to be a prude with your panties in a bunch over consensual dating between a hot actor and the women who clearly can't resist his charms, the Sam hater blogs are waiting with open arms to brainwash you. Go there.

Okay, so onto what the other blogger posted. I was sent these screencaps. Sam posted this a few days ago. 👇

Closer shot of the mountains and sky. 👇

The mystery woman in question posted this. 👇

Here it is lightened up by me. 👇

Seems like the same place. The other blogger said she was sent screenshots of the mystery woman posting from the same place. And the caption in the top right stating she was camping. The other blogger cropped out most of the pic, except the top of the back of the woman's head. 👇

I lightened up the pic. It looks like she has blonde hair pulled back in a ponytail. 👇

Someone on my Team obtained some info that led her to the account of a young female Scottish athlete. It seems that the other blogger is outraged with Sam's "behavior" simply because the woman is 19 years old. Yes, that's young, but again, she is a legal adult. And Sam is famous, there's ton of info online about him. I'm sure the woman Googled him before she got in a tent or camper with him. JS. She and Sam mutually follow each other. 👇

It was also pointed out to me that the only set of pics of his that she liked on Instagram is the one he posted when they allegedly went camping together. 👇 What a coinky dink. 🤔😊

She's an accomplished athlete, college student, blonde, Scottish. What's not to like? Again, two single, CONSENTING ADULTS. If that's a problem for anyone, then that's literally YOUR problem. Sam seems verra happy with his life. And any woman who spends little or lots of time with him, I'm sure is happy as well. Again, what is the problem? None that I can see. But, hey, I love sex, and camping, and Scottish lads who look like this. 👇🤷‍♀️

PS. I'm not going to post her name FOR NOW because there is no concrete confirmation it was her. It's all circumstantial evidence at the moment. If I get something more concrete, then I'll post her name. In addition, I've gotten other DMs wondering if the outrage is because the woman isn't this athlete, but is one of the new cast of Blood Of My Blood. But, outrage over two actors on parallel shows dating would be weird since it happens all the time. Who knows...

That's what I have for now. If it's not the athlete in question, it doesn't really matter, the point is Sam is dating around, enjoying life. Sounds good to me. If you figure out who she is, please, don't be an asshole, and go harass her. Thanks.

As for the haters already frothing in my Anon Asks, keep 'em coming. I LOVE to laugh and laugh and laugh at your idiocy. Go ahead, make my day. 😘

[shadyvoxtruth]

How ShadyVox Threatened Myself & Others For Years

My name is Martin Billany but I am also known as LittleKuriboh in the YouTube sphere/Yu-Gi-Oh fandom.

I am posting this here for posterity in case all of my other posts elsewhere about it are removed. Also because there has never been a single unified place to find all of this information presented in sequence.

Patrick, also known by his pseudonyms of ShadyVox or Scratch21's Matt Robinson or Blake Swift, spent the better part of 2019-2023 both threatening me and manipulating a group of real victims.

A brief history - for those who don't know, Patrick/ShadyVox and myself were heavily involved in the "abridged series" world in the late 2000s/mid 2010s. I myself started the whole abridged parody nonsense with Yu-Gi-Oh Abridged, and Patrick would follow suit by doing a Yu-Gi-Oh GX Abridged. We met through content creation and formed a friendship through it. Not best friends or anything, but friendly enough.

Patrick would later leave the abridged series stuff behind and start over making music, working in original animation for popular internet channels, etc. Stuff he was genuinely very good at. It was a strong choice to move away from parody content, as it likely would have held him back at some point.

At a certain point in 2018, I received a communication from him that requested I remove certain YouTube comments on my videos that featured him. These comments were demanding to know why Patrick was following various right wing channels and were calling him alt-right, etc.

I agreed to remove the comments because I considered him a friend and automatically assumed there was some big misunderstanding. As it turned out, he was subscribed to a few channels that caused me to confront him.

I was emotional and upset, admittedly. Things politically were at a fever pitch and I had been swept up by it. I have included screencaps of our conversation.

Later I would apologize to him for my outburst and try to make amends. You're probably wondering why I would include this since it doesn't seem to involve Patrick threatening me, and it seems if anything to suggest I got upset at him.

That is because I truly believe this is the moment Patrick decided he was going to find some way to come after me. I believe that Patrick had spent a lot of time creating a mask for himself, and had worn it very well, and the moment someone saw through it for even a moment he decided I had to be dealt with somehow.

At this point - mid 2018 - Patrick and I were not close. We hadn't worked on anything together in half a decade. We really only kept in touch in a cursory fashion. So I imagine this interaction stuck in Patrick's craw something awful.

I was, however, closer with the person Patrick had worked in conjunction with on his abridged series, X. These days X is my best friend. Back then, I don't know how close we were. But definitely closer than either of us were with Patrick.

One day in 2019, entirely out of the blue, Patrick messages me privately to inform me that X once slept with a girl who was 17 when he was in his early 20s.

My own spouse was sexually assaulted before I met them, and as a result I have a no tolerance policy on anything that even could resemble assault. So I immediately ended my friendship with X.

And as I was doing so, Patrick told me repeatedly that I was overreacting.

As you can see, by Patrick/Shady's own words, this was a long time ago. Just under a decade or so, by my count.

And most importantly, Patrick had been aware of this for the whole decade or so and chose this very moment to tell me that this happened.

I want you to keep that in mind, especially the fact that when I said I was ending my friendship with X, Patrick's actual response was "it was a long time ago, he's gotten better."

It was painful to end my friendship with X, but I did. I told him that if he could provide satisfactory proof that what Patrick had said didn't represent the facts of the situation, I could be his friend again. Until then, I cut off all communication from X.

A week or so later I received specific evidence that pointed to a situation wherein Patrick was intentionally misrepresenting what happened, or the alleged victim's story. The alleged victim VERY specifically disagreed with Patrick.

You'll note that I'm not including screen caps of these conversations - that is because the alleged victim, and other involved parties, DO NOT WANT to be part of any of this and have needed actual therapy because of Patrick's behavior in the past. Not just here.

Anyway.

I returned to Patrick/Shady and told him there had been a misunderstanding. I wanted to clear the air and give him a chance to say something along the lines of "oh okay, obviously I had my facts wrong." I mean, as you yourself have just read - he said himself that this was a long time ago. Maybe he got some wires crossed.

This is how Patrick actually responded:

The screenshots were taken on different dates, hence why his twitter icon looks different suddenly.

But yes. His response to me explaining that the alleged victim disagreed with his stance, was to insist that the alleged victim must be lying and that I should be absolutely infuriated.

After he'd tried to tell me that there was no point in being upset about this information that he had sat on for the better part of a decade.

Patrick continued to scream at me via dm, repeatedly requesting that I give him my phone number so we could talk about this. I assume this is because he didn't want any kind of text evidence of what he was going to say to me, or what he was doing.

He would later, mid-conversation, tell me that he was deleting all of his dms to me. Not sure why. It doesn't remove them from my side of the conversation, so I still have access to all of them. I have not shared the entire private message thread yet, because it's sensitive and involves people beyond just myself. But if the dms ever do need to be made public entirely, I have them.

I ended up blocking Patrick during this very conversation because he had begun screaming at me, behaving extremely unhinged and in a frightening manner. I honestly think he had hoped that I would initially try to defend my friend from his accusation, in which case he was going to fly off the handle then. But because I had genuinely believed him and removed my friend from my life, only to then learn Patrick's story didn't hold water, he had no choice but to lash out now. When it didn't make any sense to suddenly be irate about a thing he had told me about, and had literally just said "it was a long time ago."

Within 24 hours, Patrick had sent me a threatening email saying he was going to expose me for everything I was doing. I have attached the highlights of the email, parts that don't involve other people's names.

Some of the references in this email - specifically about how I've associated with others and ignored people calling me out for it - are related to a podcast I was on, alongside Patrick. Until recently I had indeed tried to move on with my life after a number of the people involved had revealed themselves to be toxic. I had made efforts to separate myself from those people. It had been years since I'd really had any direct connection to any of them.

I do indeed regret not speaking out about it sooner.

Having said this, Patrick himself was equally as guilty for not speaking out - and had in fact spent a significantly larger amount of time talking to/working with the people in question.

As such, I believe a lot of this is some form of bizarre projection on his part.

I ignored the email because I was a) worried that he had suddenly snapped, and b) I didn't think any of the content warranted a response.

A day later, I received this email from Patrick where his tone has changed entirely:

As you can see, this is more in line with the reality of the situation. He is apologizing profusely and insisting I didn't actually do anything wrong, and that he was the one in the wrong.

You'll also note that he signs this particular email "Patrick." That is because it is his real name, and I believe he was possibly appealing to my humanity and the part of me that might still have seen a friendship worth salvaging. Otherwise I could not tell you why he signed his real name - he typically hates using it.

I still did not reply because at this point I was confused and scared and wanted him to leave me alone. And to that point, he had specifically stated at the end of his email that he was the problem and he would not "involve himself in my life any longer."

The police were contacted and they told him to stop. I had hoped that my part in all of this was over.

Later that very month, Patrick announced on his ShadyVox twitter account that a new GX Abridged was coming out for April Fools.

When it is posted on April 1st - less than a month after he had sent his email saying he would remove himself from my life, and not long after the police have visited him - the video contains many references to our conversations, and specifically the fact that the police got involved.

Yes, after being told by the police to stop - and after writing an email that insisted he knew he was the real problem and would be getting help - he decides to make a mockery of the situation publicly, in a manner that nobody else will understand. Except the people it is targeting.

The tweets about this video are the only thing remaining on Patrick's twitter account, as he had purged it some time ago.

(An aside - I do recall someone attempting to call Patrick out for being toxic previously on twitter, and his response was to spam them with the words "PROVE IT. PROVE IT. PROVE IT." until they gave up. I would include screenshots of this, but like I said - he purged his entire twitter except for this specific GX Abridged video he'd thrown together in a week to respond to the fact that the authorities had intervened to get him to stop)

One other important element of this video - which is where, I believe, this whole thing veers into genuinely disturbing territory - is that it is interspersed with garbled footage intended to look like some sort of creepypasta/vhs effect. At the end of the GX Abridged video, it is clear that Patrick is using this video to allude to some upcoming song tracks he is producing.

Songs that are tailored to threaten me in cryptic, indirect ways that very few people pick up on.

But I'll get to those later.

During 2019, Patrick reaches out to actual victims of the toxic individuals from the podcast I used to be on more than half a decade before any of the stuff chronologized in this post. He tells them lies, and demonizes me to the point that it convinces them that I am still both defending/supporting the toxic individuals, and actively mocking their victims in private.

I am aware of this because Patrick tweets about it - before deleting the tweets entirely. He even attempts to throw popular abridging group TeamFourStar under the bus, which I assume was merely out of spite because they had absolutely nothing to do with any of this.

I wish I had screengrabbed the tweets when they were still up, but there is still remaining evidence that they did exist.

Here is someone posting on Reddit about it - he only references one tweet, but this was around the time Patrick was posting and then immediately deleting what he'd said. I honestly can only assume - but I think he was fishing for people to latch on to what he was saying and contact him privately.

Not to mention the fact that the police had specifically told him to stop, so that was likely in the back of his mind also.

Here is someone replying to a since suspended twitter account that was discussing what Patrick was saying about TeamFourStar. Obviously I have no clear way to prove it, but please know that I have no reason to make that much up and point to a random ass tweet.

I imagine Patrick (not the suspended person in the above screencap) realized the best way to not seem directly to blame or involved at all was to remove any and all posts he'd made. Admittedly it would have worked if I didn't have the dms and these emails.

Speaking of emails, I received a third one in late 2019 - as you can see, Patrick's promise of leaving me alone forever didn't even last a year.

You'll note that he's speaking as though the second email never even happened. He's also just plain lying through his teeth for a significant part of it, but I think it's most important to note that this email requires you to assume the second email never got written.

He has gone from pages and pages of "of course it wasn't your fault, I'm the problem, you're good, I'm bad" to "I told you..."

Also, I think the words "You tried to damage me" should be highlighted here as it reinforces my theory that all of this was about me insulting him for all the right wing channels he'd subscribed to. Which, to me, was barely even a thought in my mind at this point.

So I choose to ignore this email also. Because y'know, why would I even humor responding to the guy at this point? I decide that I will only speak on any of this if it becomes public conversation. Until then, anything that happens would be because of Patrick's actions.

I do let my friends know about all of this - including TeamFourStar, who through this entire thing have been blameless and didn't even do anything to Patrick to begin with. And every time Patrick does something, I make sure people in my circle are aware and to be cautious.

Meanwhile Patrick alludes to all of this indirectly in the songs he posts to his YouTube channel. Yes, a situation that involves actual victims and one alleged victim that Patrick hadn't spoken to in years. He chose to make reference to all of this in videos where he raps, amongst other things.

There are a number of songs that feature references to this, it's mainly these two that I want to focus on

Birdy Boy is a song that is explicitly referencing Patrick's issues with me, without actually going into any details about what the issue is.

It is so clearly about me that people pick up on it - and rather than confront the issue or have a dialogue, Patrick decides to pin the comment about it to the top of the comments page.

Of course, if Patrick made any attempt to directly describe the issue or explain himself, it would likely result in the police becoming involved once again.

So he sticks to singing about the whole thing.

This next song is the most upsetting one.

Patrick/Shady writes a song called "Joker" about a psychotic individual murdering someone who "used to be funny." This is, specifically, the song that he teases at the end of the GX Abridged Episode 21 video he posted earlier in 2019 for april fools.

He has teased it multiple times on his twitter, and elsewhere, with the words "Coming Soon." The very same words he used to title his third threatening email.

Here is the email, placed next to some lyrics from the song Joker.

He is seemingly very specifically trying to threaten me without anyone noticing, in plain sight. I was unable to watch the video in full until after all of this stuff came out into the public. It was only through reading people's responses and the lyrics that I realized what he was doing.

Again, at this point I am doing and saying nothing publicly. Just watching this behavior and waiting.

Meanwhile in 2021, a videogame based on the web series TOME gets fully funded and Christopher Niosi - the creator of TOME - reaches out to the voice cast to see if they'll return. I myself was the voice of Nylocke, one of the main characters, and Patrick was the voice of THE main character.

As such, I told Christopher no and explained my reasons.

And here is Christopher's response.

Please pay careful attention to the fact that Christopher Niosi flat out says he already knew Patrick was doing this stuff - it isn't just me imagining it.

As a result of this interaction, I do not reprise my role as Nylocke and Christopher Niosi chooses to just recast every single character. Please note that he could have just recast Patrick, but did not. As a result, I feel responsible for all of the original cast losing out on work. It hurts to think about. But at least I feel like I did the right thing.

One member of the TOME production staff takes it upon themselves to reach out to Patrick personally. They discover that he is planning to write more songs/raps that target me. They ask him nicely to stop. He insists that he has to do this. Y'know, make vague allusions to extremely sensitive topics that he lied about in the form of song. Has to do it.

The member of production staff tells Patrick he should seek professional help.

Patrick ignores them.

Patrick continues to engage in behavior that, while not openly hostile or even specifically targeting anyone, is very clearly intended as mockery at best and a threat at worst until 2023 when all of this comes to a head.

In August of 2023, the real victims that Patrick has manipulated make a callout post aimed at myself and TeamFourStar. It specifically cites Patrick's testimony and the songs he has posted. They have been misled, but their anger is understandable.

Within a week, it becomes apparent to all sides that this is Patrick's fault. The person who posted the callout takes it down and apologizes to everyone. Not just me. They apologize to TeamFourStar, and to X.

And only then do I speak publicly about what Patrick has been doing.

I share all of the screencaps I've posted here, and give context. It's all a little muddled as at the time, my cat was dying of terminal cancer and so all of my posts are somewhat scatterbrained and aren't in chronological order. But it's still remarkably clear to everyone that Patrick has manipulated this whole thing, starting in 2019.

And that's only the stuff I feel comfortable sharing.

Since the callout post first dropped in 2023 and I began pointing people's attention toward Patrick, Patrick himself has been entirely silent. He has dropped off the internet with nary a word in defense. Not a single person directly associated with what happened has attempted to dispute my description of events.

This isn't my word versus his. It is my word versus silence.

I have it on good authority that Patrick is alive and well. I am grateful for that much. My attempts have not been to hurt him, but to defend myself. My efforts have not been to hunt him down and crucify him, but to make people aware of what transpired - and what could have easily been undone by Patrick/Shady just choosing to stop.

Instead a number of victims, and people who never did a thing, experienced a considerable amount of trauma as a result of his thoughtless and spiteful actions.

Patrick is a remarkably talented individual, and it makes me sad I have to be the one to show people who he is. I genuinely think all of this could have been avoided. It's so meaningless. It's just pain on top of pain.

And Patrick stood in the center of it all, not just pulling people's strings but practically uprooting them and then acting like he didn't do a thing.

I'm not expecting an apology, and I'm not asking for his cancelation, whatever shape that would take. But I do think it's important that people know this happened, that he chose this.

He did this for almost no reason to a person he considered a friend, who worked on videos with him.

It just seems like the responsible thing, to make sure people are somewhat aware that he could do this to them if they aren't cautious and careful and super aware.

I'm sorry to anyone disappointed and hurt by all of this information.

Believe me, I understand.

[duhragonball]

Akira Toriyama (1955-2024)

I wouldn't say I'm feeling better today, but I'm feeling less bad than yesterday. So let's see if I can put some words together.

In case anyone still hasn't heard, Dragon Ball creator Akira Toriyama passed away on March 1, 2024. This news was made public on March 7 or 8. I woke up early on Friday morning and found out while I was checking Twitter. I had a long, busy day at work, and I kept getting on my phone to scroll through fan reactions and tributes.

I think that, more than anything, is what's gotten me so worked up about his death. My Twitter timeline and my tumblr dashboard were just chock full of touching message and images about how Akira Toriyama's work has changed their lives. I wanted to write my own tribute, but I'm not sure what else I can say that hasn't already been expressed by Archie Comics, professional wrestling trio The New Day, and the Republic of El Salvador.

There's this immense, global community of fans, and it's easy to lose sight of just how big it is. It's easy to get bogged down in the infighting and petty squabbles. I saw one tweet responding to the criticism of Dragon Ball not being like this "entry level" franchise compared to other, more high brow anime and manga. It's popular with so many people, that critics will assume it's designed to appeal to the lowest-common-denominator. But the opposite is true! Dragon Ball is accessible, which is how so many people from so many different places and walks of life can get into it. The guy telling the story was such a master storyteller that he could grab an audience's attention and make it look easy. So easy that the haters would start to think that it was a trick, and he must be overrated.

Let me talk about this panel for a minute.

Last night I started going through the original manga, looking for panels to screencap. I wasn't sure what I wanted to do, but I thought maybe a selection of panels that really stood out for me might be worth posting. I'll probably still do that one of these days, but I got to this one, where Gohan tells Chi-Chi about Goku's death, and it hit me like a ton of bricks.

This was a powerful scene in the anime, of course, but in the comic it's even more profound. It's just one panel, no dialogue, because the reader already knows what's happening here. We know Gohan is telling his mother that Goku died in the Cell Games, and that he refuses to be wished back, because he thinks his presence on Earth will attract new enemies. It was hard enough to hear when Goku said it to Gohan and the others, and now Gohan has to relay that message to Goku's wife. All she can do is lie prostate on the floor and weep.

And look at the composition. She's surrounded by all that negative space. Gohan's there for her, but she still feels so alone, surrounded by her husband's absence. Pots of flour for food he'll never eat. An empty chair he might have sat in. Their son, who will have to grow up without him.

I saw this, as though for the first time, and it was so gut-wrenching that I had to post it by itself. I felt like it summed up my feelings better than any words could. We're all Chi-Chi in this panel, reacting to Akira Toriyama's death. And we're all Gohan too, each of us consoling one another with our own thoughts and tributes.

So what did Akira Toriyama mean to us all? Lots of people have answered this in a lot of different ways. Obviously his art, storytelling and cultural impact speak for themselves. I've seen people compare him to other luminaries like Jack Kirby and Osamu Tezuka. I'll try to add my own two cents with this:

I wrote a post about "Dragon Ball Daima" back when it was first announced, and I led off with this image of a note from Akira Toriyama. I guess this was from some big fancy presentation about Daima at a convention. I forget which one. In particular, I was skeptical that the Daima rumors were even true, and if they were, the whole idea seemed half-baked to me. Turning Goku into a kid had been done before, and it wasn't exactly successful the first time.

But this note from Toriyama was very reassuring to me. More than the trailer clips and character designs, this was what got me interested in the show. That's because he took the time to not only hype up the show, but also to explain what's going on behind the premise. He took the time to tell everyone that he's working on this show, and what "Daima" means, and why all the characters get turned into kids. It's "due to a conspiracy", and the good guys will have to "fix things". In short, he established a plot, conflict, and resolution to the story. He didn't just slap this together to sell new merch. I'm sure that was part of the motivation to make Daima, but there's more to it than that.

I think that's the loss I feel with Toriyama's passing. It's not that there won't be new Dragon Ball stories in the future. I'm sure others will continue telling their own versions long after I'm gone. I'm not that worried about the fate of Daima. I'm sure they'll figure something out, whether it's delayed, rewritten, or canceled. But we'll never see another message from Toriyama to promote a new project, and that's what I'll miss. From here on, his credit will just be an acknowledgement of his past contributions.

There's this great credibility with Akira Toriyama's name. Fans will argue about how involved he was in a project as a way of establishing how good or bad it was. Dragon Ball GT has his name on the credits, and he provided some designs and artwork early on, and for some fans that proves the series has his endorsement. For others, the sole problem with the show is that he wasn't directly writing the script. There's similar debates over Dragon Ball Super, where he was involved, but only writing those mysterious "notes". So if a fan doesn't like something in DBS, who do they blame? Did Toriyama lose his touch, or did his co-creators fumble the ball? Dragon Ball Evolution basically ignored all of Toriyama's advice and bombed, while Battle of Gods, Resurrection F, Broly, and Super Hero all put Toriyama's writing credits up at the very beginning, and each film made plenty of money. I read his comments on the Daima confirmation, and immediately thought "Okay, this should be pretty good. Akira Toriyama knows what's up."

That's gone now. I mean, there's still a lot of talent out there, but we'll never again have the little gas mask-wearing robot telling us that this story will be good because he worked on making it good. I don't think I really appreciated how much I trusted that guy until now. I still can't believe he's really gone.

I'll probably have more to say about this in the coming days, but I'll stop here for now. Thanks for letting me ramble a bit on this.