#and the thing is that I do like Nia as a character

[yourqueenb]

I do not think it’s a good idea to keep Nia’s situation from the rest of the group. But the bitchy side of me is glad she doesn’t wanna tell anyone because I know the moment we do, it’ll become all about her again and MC’s issues will get pushed even further into the background 😑🤷🏽‍♀️

[lepeltge]

Hopefully this uploads with good quality bc this was a BEHEMOTH of a piece (mainly bc I made my file size too big lol). Anyways, here’s my rendition of @nnnnnnnothingtoseehere ‘s pirate/mer ateez au!!! I REALLY enjoyed their fic and highly suggest it!!

Admittedly, I got a bit carried away with this and have wayyyy too many pirate pictures saved to Pinterest and my phone, but alas! I will never escape my love for historical clothing (with some anachronisms for aesthetics of course).

I thought way too long about colors and outfits, but it just goes to show you how in depth N’s writing is (thanks for the extra answered questions)! I kept on finding myself having so much fun thinking about the why behind the outfits lol.

Lastly, this is my first fanart in a while, and moreso, my first fanart of Ateez ever!!! I tried to do them justice but if you can’t tell who’s who, well… my bad 😅 Hope y’all enjoy bc I know I sure did!!

[waytooinvested]

Small Problem... Chapter 3

You can find the full story on AO3

..................................................

Lena woke abruptly from an unintended doze to find her cheek stuck to the pages of her grimoire (damn it, she REALLY had to start treating this book with more reverence), Kara standing on her out-flung wrist, and the rest of her friends gathered around her work bench in a loose semi circle.

She sat up slowly, careful not to move her Kara-arm too much to avoid knocking her over, but unwilling to remain in such a vulnerable position with everyone staring at her.

‘What is it, did something happen? Does the world need saving?’

‘No Lena, the world doesn’t need saving, but we’re worried that maybe you do’ Alex replied.

‘Lena, we’re all here because we love you, and we want to help you. It’s been five days now, and you’ve barely left this room. You’re hardly eating, you are apparently only sleeping when you crash out at your desk, and you aren’t talking to any of us. We all know how much you want to help Kara, but you need to let the rest of us help you.’

Lena blinked back at Kelly, trying to collect herself from the haze of sleep and her sudden awakening.

‘Why does it sound like you’re holding an intervention for me?’

‘Because we’re holding an intervention for you. Sorry Lena, but Alex and Kelly are right. You barely even laughed at the photos we took of Alex’s face when she realised she’d spent the last ten minutes talking to a doll. And it was a REALLY funny face. You need help.’

Alex tutted. ‘Alright, thank you Nia, lets not get off topic.’

‘Well it was’ Nia muttered back at Alex before putting her Serious Face back on and turning her full attention to Lena.

Lena looked around the semi circle at each of them, hoping to find someone on her side, but they all looked back with the same expression of sympathetic resolve, and she knew it was hopeless. She dropped her gaze to her best friend instead, still standing on her wrist in Supergirl stance.

‘Kara, surely you’re not part of this? You know why I have to keep working. I’m doing it for you.’

‘I know, but...’

Kara dropped the hands on hips pose and shuffled her feet awkwardly (which tickled, but she was getting used to it).

‘I’m sorry Lena. This is so difficult, but you’ve been here for me ever since this happened, and I need to be here for you now. You’re my best friend, and I love you, and you need me to tell you this: you need a shower.’

‘...oh.’

Thinking back, Lena actually wasn’t sure when she had last made it home to shower. Yesterday? The day before? Longer? The fact that she had to think about it probably meant Kara had a point, but a full intervention about it seemed excessive.

‘Okay… I will go and take a shower. Thank you all for telling me, I guess. I’ll be back in an hour or so.’

‘NO you won’t.’ Alex protested. ‘This is not about the shower, it’s everything. You need to sleep, and eat, and take a break, and then you need to join the rest of us so we can work on this together. We miss you.’

They all nodded and added their own words of encouragement, and it was too much for Lena. Did they think she wanted this? She was doing it for them. She made to fold her arms defensively across her chest, but couldn’t help feeling like the gesture lost some of its power when she could only do it with one arm lest she topple Kara. She compensated with a glower.

‘You must see that I can’t do that. I still don’t know what I did to shrink Kara. What if it happens to someone else? You need to keep away from me until I figure out how to control it!’

There was silence in the room as everyone stared at her, jaws hanging slack. Apparently they didn’t see. Had none of the rest of them put two and two together about what must have happened? Alex took a step towards her, reaching out a hand as if to lay it comfortingly on her arm until Lena shook her head adamantly. Touching might be dangerous.

‘Is that really what you’ve been thinking all this time? Lena, this wasn’t your fault, you didn’t cause this!’

‘Alex is right Lena. My calculations suggest a 96% certainty that the miniaturisation was caused at least in part by an external force. It may have interacted with your magic in some way, but there is a 78.3% probability that it was entirely unrelated to you. In any case, the likelihood of a causal relationship between you returning to physical proximity with the rest of the group and a similar incident occurring is barely 0.004%.’

‘You’re wrong.’

‘That is statistically extremely implausible.’

‘I’m with Brainy. I know a thing or two about magic Lena, and what you’re saying doesn’t follow the pattern of yours. You’ve had your powers under pretty tight control for months now, and even when you were just starting out nothing like this ever happened, so why would it come up all of a sudden with no provocation? It’s not even like you were in a really intense emotional state or anything.’

‘But I was. And I was touching Kara just when it happened, so-’

Shit, she hadn’t meant to say that, but Nia had pushed, and it just slipped out.

Nia gave her a quizzical look, and although she didn’t turn to look Lena could feel everyone else doing the same, the heat of so many gazes making her cheeks burn.

Don’t ask, please just let it drop and don’t ask…

‘How come? Were you and Kara having a very quiet fight?’

Trust Alex.

‘No, we-’

They had been standing hip to hip, leaning over the book and idly discussing what spell Lena might practise next. They reached a page about a draught that would give you courage to confess true feelings to the one you loved, and Lena had felt a spike of adrenaline just at the sight of it. She had reached too quickly to turn the page just as Kara had done the same thing, and their hands collided. Their eyes had met. The butterflies had surged. Kara had shrunk. Here they were.

‘We weren’t fighting.’

‘So what were you- oh.’

Kelly was looking at her with an expression that betrayed far too much understanding, and a moment later Alex looked from her wife to Lena and her eyes widened too.

‘Oh.’

Lena’s heart was pounding now and she wanted to bury her burning face in her hands, but her wrist was still pinned by Kara and her friends were between her and the door so she couldn’t just storm out of there without first awkwardly edging past everyone. She shook her head in frantic denial. It wasn’t meant to happen this way.

‘It wasn’t. You don’t- you’re just-’

‘Lena? What was the intense emotional state you felt while we were looking at your book?’

Kara spoke as softly as she could given the level of projection required to make herself heard at this distance, and Lena reluctantly dropped her eyes to meet her friend’s. She was pretty sure her cheeks were hot enough to boil a kettle by this point, and there was no way it didn’t show. Somehow the intensity of Kara’s expression was undiminished by her tiny size, and the butterflies – god, the traitorous, ill-timed butterflies – started dancing again.

She opened her mouth to reply, and found she couldn’t make a sound. Not like this. Not in front of everyone. She just couldn’t.

‘Okay, everyone out except Lena and Kara. They clearly need some time to talk.’

Kelly started herding the others to the door, and Lena was so grateful she could have kissed her, if she wasn’t too caught up with the thought of kissing Kara to have eyes for anyone else (and also Alex would probably have murdered her if she did, but that seemed like a lesser concern right now given that Lena was kind of hoping that someone would, just so that she wouldn’t have to deal with talking about her feelings). The door was halfway shut behind the last of them and Lena was steeling herself to look back down at Kara, when Nia suddenly popped her head back into the room.

‘For the record Lena: 1. I knew it and I am super happy for you, and 2. I still think you’re wrong about what happened because if that sort of strong feeling was going to cause accidental magic, I don’t think it would be to shrink Kara. It would have done something way horni-’

‘NIA! Leave them be!’

Nia rolled her eyes, but her head retreated back into the corridor and they heard the sound of her whisper-arguing with someone, then a door banged and Lena and Kara were properly alone.

‘That girl is becoming a menace. I remember when she was so sweet and shy…’

She was trying for levity to diffuse the moment, but Kara refused to be distracted, her eyes never leaving Lena’s face.

‘But was she right? Do you… have feelings for me?’

‘Kara, I’m not sure this is the right time to have this conversa-’

‘I’m in love with you Lena.’

‘What?’ Her voice was a cracked whisper, barely there past the lump in her throat, because she had to have misheard. This had to be a dream… didn’t it?

‘I’m in love with you. I didn’t really realise until I thought I’d lost you for good, and then when I finally got you back I couldn’t bear to risk what we had by pushing for more, so I never told you. But now here you are devoting everything to helping me like you always do, and you just had to go through that in front of everyone and it was kind of my fault for being part of the whole intervention thing instead of just talking to you privately, so it’s only fair that I’m the one who says it. I am in love with you. Completely, desperately in love with you. And I want to know if you love me too.’

Lena closed her eyes, and a tear spilled down her cheek. She wanted to pull Kara into a hug. She wanted to kiss her until she forgot the feel of anything except Kara’s lips and her body pressed against hers, until she forgot her own name. But she couldn’t do that now, so instead she whispered ‘yes.’

‘Yes, I love you. I’ve been in love with you for years.’

The slight weight on Lena’s wrist disappeared as Kara lifted into the air, then there was the soft brush of fabric against her face, and Kara was wiping away tears with her cape. She came closer still, wrapping her tiny arms as far as they could go around Lena’s cheek in the closest thing she could manage to a hug. Lena laughed shakily, bringing her own hand up to cover Kara very gently. It wasn’t what she had imagined. But it was more than she had dared to hope for.

When Lena went home for the much needed shower, meal and sleep, Kara came too. She didn’t actually come into the shower (that was very much a full-size-only activity, though one she hoped to experience in the not too distant future), but she was hovering outside the bathroom door when Lena emerged and immediately settled back onto her shoulder the moment the door opened, despite her still-wet hair (as it turned out Kara was better than a blow drier, and used a moderated burst of heat vision to dry it in seconds).

They ate together, talking of small things as if everything was still as it had been between them, then Lena gave in to her exhaustion and went to bed. She did her best to make a comfortable bed on the night stand for her tiny friend (girlfriend?), carefully arranging a small cushion as a mattress and the softest sweater she could find to form a makeshift blanket, but when she woke in the night it was to find that Kara had abandoned it and was instead burrowed against her neck, cocooned in her hair like she had made herself a nest. It would be a pain to brush out in the morning, but Lena didn’t care. She raised one hand to cup around Kara’s curled form, and drifted back off to sleep.

From then on, Kara rarely left Lena’s side.

They still worked on spell options, but Lena no longer locked herself away to do it. She discussed the possibility of building some sort of de-shrink-ray with Brainy. Talked about the nature of magic with Nia. Alien powers with J’onn and Alex and what species might have traits that could be helpful. And she talked about everything with Kara.

They still didn’t have an answer to what was causing Kara’s tiny size, but they had found another answer to a question neither of them had dared ask each other for years. And now they had, Lena knew that whatever had caused this didn’t stand a chance against her. Because there was no way in the universe she was going to let some random mystery malchance magic keep her from getting to kiss Kara Danvers full on the mouth.

[cuteniaarts]

The weight of the world is a heavy burden

Especially for a child

(Or, in slightly less dramatic terms – I imagine that the first of her past lives that Avatar Suiren [who is the Avatar after Aang instead of Korra in my AU, and also Ghazan and Ming-Hua’s daughter] gets to talk to is Yangchen, because she is too plagued by memories not her own [including Jetsun’s death, fun fact]. And Yangchen wouldn’t want another child to go through what she did on their own)

(Or maybe someone just needed an excuse to draw @katkastrofa’s latest obsession in a context that interests them as well, just in time to maybe cheer her up a little? You can’t prove anything)

[cuteniarose]

what if vaatu got midori instead??

Well.. "got" is kinda the wrong word here because honestly, I don't see Vaatu willingly fusing with a human in most circumstances, the exceptions being Adumbration by @katkastrofa – which barely counts since it was less fusing and more him being inside her already by virtue of growing inside Raava – and my Avatar Suiren AU, in which it's done on Vaatu's terms and Suiren doesn't remain fused to him a second longer than she has to, as much as she loves her little emo kite (may or may not be falling under the influence of both Kat and @shadelorde by implying that whatever the fuck Unalaq was doing with Vaatu was coerced and barely consensual since Unalaq was the one who had the most power in that sitiation. Do with that information what you will). And if he were to, I doubt Midori would be his first choice, nor would Midori herself wish to be the Avatar, Dark or otherwise

BUT if we operate under the assumption that it does somehow happen, Vaatu would have access to all of Midori's inner workings and I'm afraid that listening to her anxiety-ridden internal monologue of "I will forever be inferior to my gorgeous, powerful and capable sister. She will always be better than me, more beloved by everyone whose opinion matters, unaware of the inescapable shadow she casts. I'm doomed to remain the pathetic, useless little sister who can't even stand up for herself" will hit way, way too close to home and he'd yeet himself out of her within five minutes

[daringdarlingdt]

Out of Sight, Out of Mind is such a good episode. Maybe I just like it because it’s so totally Hawkeye-centric and those are my favourite but I love him being passed off from person to person, I love his general cheery demeanour despite the circumstances, and explaining to BJ—who’s projected his own coping mechanism of ~running away~ onto Hawkeye,��how the experience has actually taught him a lot and that even though he’s scared, especially given that being a surgeon is such a huge part of his identity and has always been a top priority for him, he has discovered that there’s an advantage to being blind.

I love how restless he is as well, because it’s classic Hawkeye characterization that he bores easily and personally I hc him as adhd and like the scene with Radar where he’s mid-letter then wants to try to juggle then gives up after one try and goes back to the letter in contrast to him explaining to BJ how he spent 2 hours just listening to the rain… like actually his temporary blindness gave him a chance to just be at peace and focus entirely on one very simple thing and spend the day being hyper-conscience of his surroundings. I love him forming a connection with the blind soldier in post-op as well. When he gets nervous after Potter leaves him alone in a room with no warning. Him entering the ER and being able to Smell a perforated intestine. The B-plot of Frank listening to the game in an earlier broadcast and then gambling on the result and cheating the rest of the camp out of their money, and Hawk and gang faking a broadcast to expose him. I also feel like the amount of nurse-flirting was in a sweet spot of being kinda fun and cheeky without being the harassment that it usually was in earlier seasons and thats fun.

Nothing really happens all episode except Hawkeye floating around camp hanging out with everyone, experiencing the inconveniences of his condition, gaining a new appreciation for lots of things he takes for granted, and just like. being himself and it’s a really fantastic episode. It’s funny and sweet without focusing on silly antics or having a heartbreaking anti-war sentiment. I love both those types of episodes but this works really well as a meaningful yet comforting character episode and I really appreciate it for that.

My only criticism is that the way he is temporarily blinded is so contrived. NO WAY is Hawkeye the only one in camp handy enough to fix the stove come ON we all know that man couldn’t tell a screwdriver from a wrench

[allseeingdirt]

everytime i think about kath for too long especially when considering the wider picture im like. ngeremes plastik

[specialagentartemis]

godddddd i have disliked becky chambers' work since long way to a small angry planet and I agree that that fish scene is SO much of what is wrong with contemporary SFF especially queer SFF. refreshing take, great review, thank you. would love to hear what authors or works you think of as the antidote to that sensibility.

The thing is, I enjoyed The Long Way to a Small Angry Planet when I first read it - it was a fun, light adventure, clearly a debut novel but I was excited to see where Chambers would go from there. And I actually really do think the sequel, A Closed and Common Orbit, was good! It did interesting things with AI personhood and identity.

... and then Chambers just kinda. Did not get better. She settled into a groove and has a set number of ideas that I feel like she hasn't broken out of, creatively. And they I M O kind of rest on an assumption that "human nature" = "how people act in suburban California."

As an antidote to that sensibility, I'd say... books where people have a real interrelationship with the land they inhabit, a sense of being present, and reciprocal obligations to that land; books that recognize that some things can never be taken back once done; books with well-drawn characters, where people have strong opinions deeply informed by their circumstances, that can't always be easily reconciled with others, and won't be brushed aside; books where these character choices matter, they impact each other, they cannot be easily gotten over, because people have obligations to each other and not-acting is a choice too.

And it's only fair that after all day of being a Hater I should rec some books I really did like.

Piranesi by Susanna Clarke - A man lives alone in an infinite House, over an equally infinite ocean. Captures the feeling that I think Monk & Robot was aiming for. Breathtaking beauty, wonder at the world, philosophy of truth, all that good stuff, and actually sticks the landing. The main character's love, attention, and care to his fantasy environment shows through in every page. (Fantasy, short novel)

Imperial Radch by Ann Leckie - An AI, the one fragment remaining of a destroyed imperial spaceship, is on a quest for revenge. Leckie gets cultural differences and multiculturalism, and conversely, what the imposition of a homogeneous culture in the name of unity means. (Space sci-fi, novel trilogy)

Machineries of Empire by Yoon Ha Lee - An army captain's insubordination is punished by giving her a near-impossible mission: to take down a rebelling, heretical sect holing up in a space fortress and defying imperial power. She gets a long dead brain-ghost of a notorious criminal downloaded into her head to help. Very, very good at making you feel like every doomed soldier was a person with a past, with a family, with feelings, with hopes and dreams and frustrations and favorites and preferences and reasons to live, right before they brutally die in a space war. Also very much about the imposition of homogeneity of culture as a force of imperialism. (Space sci-fi, novel trilogy)

The Fortunate Fall by Cameron Reed - Maya Andreyevna is a VR journalist in high-tech dystopian future Russia, and she decides to investigate the truth that the government doesn't want her to. She might die trying. It's fine. Also has digital brain-sharing, this time in a gay way. It's bleak. It's sad. It feels real. Not making a choice is a choice. Backing out is a choice. And choices have consequences. Choices reverberate through history. About responsibility. (Cyberpunk, novel)

The Vanished Birds by Simon Jimenez - Nia Imani is a spaceship captain, a woman out of time, a woman running from her past, and accidentally adopts a boy who has a strange power that could change the galaxy. Spaceship crew-as-found-family in the most heartbreaking of ways. Also about choices, how the choices you make and refuse to make shape you and shape the world around you. How the world is always changing around you, how the world does not stay still when you're gone, and when you come back you're the same but the world has moved on around you. About how relationships aren't always forever, and that doesn't mean they weren't important. About responsibility to others. It's a slow, sad book and does not let anyone rest on their laurels, ever. There is no end of history here. Everything is always changing, on large scales and small, and leaving you behind. (Space sci-fi, novel)

Dungeon Meshi / Delicious in Dungeon by Ryoko Kui - A D&D style fantasy dungeon crawl that stops to think deeply about why there are so many dungeons full of monsters and treasure just hanging around. Here because it's an example of an author thinking through her worldbuilding a lot, and it mattering. Also because of the characters' respect for the animals they are are killing and eating, their lives and their place in the ecosystem, and the ways that humans both fuck up ecosystems with extraction and tourism, but also the ways that you can have reciprocal relationships of responsibility and care with the ecosystem you live in, even if it's considered a dangerous one. (Fantasy, manga series)

Stories of Your Life and Others by Ted Chiang and How Long 'Til Black Future Month by N. K. Jemisin and Everyone on the Moon is Essential Personnel by Julian K. Jarboe - Short story anthologies that were SO good and SO weird and rewired the way I think. If you want the kind of stuff that is like, the opposite of easy-to-digest feel-good pap, these short stories will get into your brain and make you consider stuff and look at the world from new angles. Most of them aren't particularly upbeat, but there's a lot of variety in the moods.

"Homecoming is Just Another Word for the Sublimation of the Self," "Calf Cleaving in the Benthic Black," and "Termination Stories for the Cyberpunk Dystopia Protagonist" by Isabel J. Kim - Short stories, sci-fi mostly, that twist around in my head and make me think. Kim is very good at that. Also about choices and not-making-choices, about going and staying, about taking the easy route or the hard one, about controlling the narrative.

The Murderbot Diaries by Martha Wells - Security robot with guns in its arms hacks itself free from its oppressive company, mostly wants to half-ass its job but gets sucked into drama, intrigue, and caring against its better judgement. This is on here because 1) I love it 2) I feel like it does for me what cozy sff so frequently fails to do - it makes me feel seen and comforted. It's hopeful and compassionate and about personal growth and finding community and finding one's place in the world, without brushing aside all problems or acting like "everybody effortlessly just gets along" is a meaningful proposal. also 3) because it is one of the few times I have yet seen characters from a hippie, pacifistic, eco-friendly, welcoming, utopian society actually act like people. The humans from Preservation are friendly, helpful, and motivated by truth and justice and compassion, because they come from a friendly, just, compassionate society, and they still actually act like real human beings with different personalities and conflicting opinions and poor reactions to stress and anger and frustration and fear and the whole range of human emotions rather than bland niceness. Also 4) I love it (space sci-fi, novella series mostly)

[iinryer]

so. i have been saying since the top of the season that this feels like a reset, and a reintroduction to the characters (which makes sense for a new network!)—i know others have talked about to being a transitional and setup season as well, which i agree with.

ive been thinking about parallels and mirrors and what it might mean to overlay season seven over season four, the things that could possibly imply…

[ID under the cut for easier legibility than alt]

(self indulgent honorable mention parallel: eddie’s blood in buck’s mouth, tommy’s soot on buck’s lips)

season four is the only other non-pilot season to have less than the full 18 episodes. season four is also the only season that ends on a life-altering arc-beginning injury for a member of the 118 (which also makes sense for a shorter than usual season, big hook to make up for the fewer episodes).

at the end of season four, eddie and bobby both end up dramatically injured (sniper). the end of season four also has the first mention of the will. now, i cannot say for sure that either of these are going to be mirrored, BUT. looking at the roadmap they’ve already given us… i have some feelings and predictions :)

and i’m not even going to begin digging into the vertigo references, others have more eloquent things to say, but i wanted to at least mention it because i DO think it’s going to come into play…

(if you can think of any other 4/7 parallels i would LOVE to hear them)

———

IMAGE ID: a three column spreadsheet with the categories “PLOT POINT” , “SEASON 4”, and “SEASON 7”. the text reads:

Buck learns something life-altering that makes things about the rest of his life make sense in hindsight

- S4: Daniel reveal

- S7: Bisexuality discovery

Eddie meets a woman and ends episode 7 of the season on a date with her

- S4: Ana

- S7: Kim

Maddie and Chimney have a major milestone in their relationship

- S4: Jee is born

- S7: They’re getting married

Something horrible happens right before they do

- S4: Albert’s accident

- S7: Chimney gets sick and goes missing

Buck makes a fool of himself on a first date

- S4: Veronica, and the “double date”

- S7: Tommy

Hen and Karen have struggles with the foster system and how to best protect and provide for their foster kids

- S4: Nia

- S7: Mara

Athena and Bobby have trouble communicating, putting their relationship in a rocky spot

- S4: Bobby sponsoring the woman from the pileup and hiding it, Athena telling Bobby that she had considered retirement but never talked to him

- S7: The cruise ship and Athena being unable to tell Bobbby why she's so uncomfortable with the prospect of down time together

Someone talks to Eddie about following his own desires in a relationship, not what's expected

- S4: Bobby about Ana, Carla about Ana

- S7: Bobby about Marisol

Buck has a heart to heart with Christopher about the anxiety he has towards the fragility of relationships with the people in his life

- S4: Shannon and people leaving him, feeling isolated during the pandemic

- S7: Shannon and the girls he's leading on

Hen and Karen meet another parent related to their foster children

- S4: Meeting Nia's mom in the park and having lunch with her and Nia

- S7: Finding Tyson and reconnecting him with Mara

Someone with the initials TK that Buck met in relation to a helicopter, kisses Buck in his kitchen after Eddie gets hurt and then has to leave

- S4: Taylor

- S7: Tommy

[blazethecheeto]

Things Supergirl Characters Absolutely Have Said Pt.3

Alex: We’re playing Scrabble. It’s a nightmare.

Kara: Scrabble? Scrabble’s great.

Alex: Not when you’re playing with Brainy, it’s not. He put words like “ephemeral” and I put “dog.”

-

J'onn: What’s your greatest weakness?

Brainy: Interpreting the semantics of a question, but ignoring the pragmatics.

J'onn: Could you give an example?

Brainy: Yes, I could.

- Kara: Look, I know you think my judgement's a bit clouded because I like Lena a little bit.

Alex, holding Kara's notepad: You doodled your wedding invitation.

Kara: No, that's our joint tombstone.

Alex: My mistake.

-

Lena: This bloodline ends with me.

Alex: That's the fanciest way I've ever heard someone say 'I'm gay.'

-

Kara: Do you mind if I slyly mention that you're single?

Nia: Do not do that.

Kara: You won't even notice!

Brainy, entering: You wanted to see me?

Kara: Nia's single

Nia:

-

Kara: I'm sorry. Please talk to me.

Lena:

Kara: Hello? World's most amazing person?? Sweet pea? Precious cinnamon roll that's too good for this world, too pure?

Lena: 'Sorry' doesn't bring back my fucking M&Ms.

-

[bookuce]

Change My Mind (Jey Uso)

SUMMARY: Josh and Alina are great friends most days. Other days they want to tear each other apart. Some days, they’re in love with each other, but neither of them will admit it.

*DISCLAIMER: This is a multi-part series. I do not own any of the characters in the writing except for the OC. The book also uses the real names of the wrestlers. Josh is Jey Uso, Jon is Jimmy Uso, Trinity is Naomi, Alina is just Alina. The book is not realistic and does not take place during real events, but some actual events could pop up in the story eventually*

PAIRING: Jey Uso x Black OC

TROPE: Friends to Lovers

WARNINGS: Language

WORD COUNT: 1,445

PART ONE

The sound of Alina’s heels clicking against the concrete floor beneath her echoed throughout the semi-empty hall. She was following chatter with a mic in hand. She was due to do an interview with Trinity about her upcoming championship match. She’d turn the corner, spotting the blue interview set down the hall. “Hey, Alina.” Greets one of the crew members as she arrives on set. She would flash them a quick smile, wiggling the top of her fingers at them.

Over in the corner, adorned in glowing green lights and neon hair, stood Trinity. She was deep in a hushed conversation with her husband Jon. “Alright, Alina is here, everyone! Places!” Exclaimed one of the producers. Alina would move to stand on a blue X tapped to the floor. Trin gives Jon a quick kiss before rushing over to her.

“Hey, Alina!” Jon sings. “How you doing?” He waves, flashing a goofy smile at her. Trinity looks over at him before looking back at Alina.

“Ignore him, please.” Trinity begs.

“It’s what I do best.” Alina sings.

Trinity glances down at the floor, making sure she’s standing on her designated X before looking back at the tall interviewer next to her. “Speaking of ignoring—.”

“Starting in five, four, three, two!” Count down the producer.

“I’m standing by with Naomi ahead of her match with Bayley tonight for the Smackdown Women’s Championship. Naomi, you’ve been on a roll the last few weeks, getting a huge win over Nia Jax last Friday that got you this opportunity tonight. What’s the strategy for tonight?” Alina asks, moving the mic towards her friend.

“The strategy is to go in focused, and be aware of my surroundings. The only reason Bayley even has that title is because of Damage Control. And that’s okay because they, just like Bayley will, can feel the glow.” Trin would skip off camera, leaving Alina to end their interview.

“Thank you, Naomi. You heard it here first, Naomi is focused and ready for her championship match with Bayley later tonight.” There was a five second pause before the producer called for the scene to end. Trinity comes back over to me, linking her arm with the interviewer’s.

“So, have you talked to Josh?” She asks, pulling them over to Jon.

“Don’t plan on it.” Alina says quickly. She’s been avoiding him since last week. He called on the hour, every hour for the first few days, but now he’s dialed it back to text messages. Her inbox says one hundred and twenty unread messages now—eighty-five of those belong to him.

“Ay, You gotta quit stressing my brother out, Uce.” Jon says, earning a gasp from Alina.

“Oh, I’m stressing him out?” She shouts. “He’s the one that chased my date off with that weak ass intimidation tactic he uses. I was fine!”

“That man was not finna last, Lina. Hell, the last one didn’t.” He says. “If anything he did you a favor.”

“Jon.” Trinity pushes his shoulder.

“Don’t Jon me. I’m right!” He points his hand out at Alina. “What was his name again? Bill?”

“William.” She says, folding her arms.

“Square ass name. See, that was destined to fail.” Alina scoffs gently, shaking her head at him. The date with William went great or so she thought. Things started to change when they came home to Josh on her doorstep. Josh and William didn’t see eye to eye immediately. “He just wants the best for you, Uce. It’s all love.” He explains. “Ain’t that right, lil bro?”

Alina’s heart dropped into the pit of her stomach. She turns away from her friends, only to catch Josh approaching them. His eyes were fixated on her. She slips her arm out of Trinity’s. “I gotta go.” She said, turning to walk the opposite direction as Jey. He would stop, watching as she tried to put distance between them again. Something about that pissed him off.

“Girl, if you don’t bring your ass back here.” He said, storming off after her. “Alina, you hear me talking to you!” She doesn’t respond to him, her eyes flitting around the hall. Suddenly arms snatch her up, lifting her into the air. “I’m not chasing you, damnit. We finna talk this out.” Josh would glance around him before moving into a random dark room on his left. He places her back on the floor and turns on the lights.

“I ain’t got nothing to say to you, Jey.”

“That’s not my name.” He scolds her.

“Jey!” She presses on. He sucks his teeth at her, closing the door behind him.

“Man, you something else with yourself.” He says. “What I do, hm? Since I’m always pissing you off.” Josh knew why she was upset, but he wanted to hear it from her mouth instead of everyone else's.

“Boy, I do not have time for this.” She says, moving to walk around him. He steps in her path, blocking her from going any further. “Jey, if you don’t get out my way.”

“Or what?” She steps to the right of him and he follows. “Nah, We finna have this conversation like two grown ass adults, Lina. That’s what we are right?” She gives him a stern look. “Mad at me over some boy that wasn’t gonna make the cut anyway.” She takes a step back.

“He was a great guy!”

“Shit, couldn’t be if you mad at me.” He says. “He looked like a fucking square anyway. What was his name? Bill?”

“William!” I exclaim.

“Man, same thing.”

Alina crosses her arms over her chest, moving to sit down on the couch. When Jey saw she was calming down, he moved to sit down on the coffee table in front of her. They sat there in silence for a moment. Josh watched her while she watched a wall. He knew what she wanted; an apology, but like always, she was gonna make him work for her forgiveness. “So what was his excuse?” He asks, finally breaking the silence.

She would remain silent for a few more moments before finally speaking. “He assumed you were my man and didn’t want to be in the middle of it.” Hazel eyes would glance over at the Samoan sitting in front of her. This was the third—no, fourth time a man dipped on her because of him. It was starting to get out of hand. Josh looked down at the floor at the answer. He would sniffle, the right corner of his mouth twitching as he did so. He wasn’t her man but he did wish he was. This has been a feeling of his for a few months now.

“He wasn’t the one then.” He said this to her often. She was probably tired of hearing that come from him, but it was true. None of those dudes were the one. Him on the other hand…

“I give up then.” She sighs. Josh looks up at her at the statement. “The love I require is unrealistic and I know that now so I'll stay to myself.”

“Nah, we don’t give up around here. You gonna find someone…just be patient.” He pleads quietly. He presses his fists to her bare knees. If she was to guess he was speaking for himself, she would be true. He, just like her, didn’t want to fuck up the dynamic of their friendship. If things didn’t work out, it would trickle down into their friend group and they didn’t want to make things weird for anyone; not even for themselves. “Are we good?” He asks finally. “I don’t like when you’re mad at me.”

She stares at him, pretending to be deep in thought. “I didn’t hear any apology.” She says.

“I’m sorry, Alina.” He says quickly.

“I don’t like the way—.”

“Alina.” He snaps, causing her to laugh out loud at his irritation. “You’re lucky I love you.” He says, standing to his feet. Alina would stand shortly after him, their fronts now touching. Eyes watch eyes for a moment before awkwardly venturing off in opposite directions. The interviewer would shimmy to the right, freeing herself of his suffocating energy.

“I should get going.” She says.

“Yeah, me too.”

Alina walks over to the door, her hand outstretched for the knob. She pulls the it open, catching Trinity and Jon standing near it. The couple steps back from the door, trying to make it seem like they weren’t prying.

“We were wondering where y’all went!” Trin says.

“Y’all together yet?” Jon asks, getting straight to it. That was Alina’s cue to leave the scene. She squeezes by Trin and Jon, making her way down the hall.

________________________________________________

A/N: Hi! this is my first time writing fanfic in FOREVER. Let me know what you think or if I should write more! I have a lot of cute little drafts with Roman and Jey! If you want to be added to the tag-list just let me know! ☺️

NEXT PART

[writers-potion]

Do you have any nicknames? Not stereotypical ones like “honey, sweetie”, but ones that maybe a character won’t like at first but grows to love??

Character Nickname Ideas

Hmmm this is actually a tricky one to answer.

Each character will have their own set of cultural backgrounds, quirks, strengths, weaknesses and relationship dynamics, which can all contribute to a nickname.

Here are some common things writers do for nicknames:

Shorten their given name. Mireya becomes Rey. Christopher becomes Chris.

Alter their given name. If you add a “y” sound, it implies the person using the nickname thinks of the character as young or childlike. So Alexa becomes Lexie. William becomes Billy.

Base their nickname on a physical trait. This can be straightforward or ironic. The large man is Tiny. The pretty girl named Honor is Bell/Beauty.

Pick a personality trait. School kids might call your main character Sassy Cassy. The con man might be called Prince Charming because of his smooth-talking skills.

Base their nickname on their profession or an accomplishment. So many characters are called Doc, Prof, or Chairman.

Base it on Monsters: ie. Balrog, Loch, Golen, Orthros, Baal, etc.

Base it on Mythology. Lots of authors have used names from Greek/Roman mythology, and readers have loved it!

Here are two personal examples:

Use initials. My name is Junhui Lee, and those who aren't familar with Asian names struggle to pronoun it correctly. So I just go by "JH"

In Korean culture, (1) people's names are usually three chracters: ie. Jun+hui+Lee and (2) We put surnames in front, not at the back of our names: ie. Lee Junhui, not Junhui Lee. Close friends would address each other as "surname + first character of the given name". So my friends would call me Lee Jun.

A character not liking their nickname

Doesn't necessary mean it has to be a funny nickname. They can dislike it because they somehow feel like only their parents/siblings call them that, or they feel childish, or the tone in which the other person says it is too teasing.

Depends on the origin and meaning behind the nickname. Was it made up by bullies in primary school and its just happened to stick? Was it given to them by their late grandparents? The anme

That said, here are some examples!

Vivienne: Vivvy, Vienne, Viv, Vee

Niamh: Nia, Neeve, Iya

Athena: Ath, Thea

Hazel: Haze, Zelly, Elle

Bloom: Bee, Bloomy, Blommer, Bloo

Coral: Cora, Coralie, Cori, Coral-B

Alaric: Larry, Lars

Ulysses: Ollie, Ulie

Adin: Ade, Ad, Bin, Dinny

Nicolas: Nick, Nico, Nicky

Daniel: Dan, Danny, Dannyboy, Niel

Adreil: Ad, Adri, Riel, El

Louisa: Lulu

+ this list because I've been trying to come up with nicknames for my bloothirsty character...

Steelshot

Crank

Rigs

Skinner

Skull Crusher

Wardon

Zero

Ironclad

Iron Heart

Billy the Butcher

Mr. Blonde

K-6

Hell-Raiser

Harbinger

Finisher

I hope this helps :)

[spookberry]

i know this pic is pretty old and canon may have changed since then but do you have a more hd version of the lineup of the color guardian generations over the years? its from 2022 on your deviantart but dA compressed it! id love to hear about the older teams, like anita's first squad

You mean this thing??

Honestly the other teams aren't super relevant outside of a few characters and I like the idea of leaving it vague enough that there could've been even more guardians embetween the ones here.

But yeah I can tell you a little about everyone!

-Anita was one of if not the first Color Guardians. She was actually very close to her Green specifically. They were Best Friends even before becoming Color Guardians(this leads to conflicts with Rin later because Anita tends to compare the two). Their group wasn't around for very long, no one knew the stakes or how serious everything was back then... That is until one colorless attack that ended with Robin dead and Anita having disappeared with a spark of light. Robin was cheerful and kind. Seeing him die left a bad mark on his teammates that they haven't let go of to this day.

-because of her disappearance Anita was assumed dead too. Both by Layla, the police and even her own family. Octavia showed up on the scene shortly afterwards. She never knew Robin or Anita, but Layla's trauma and the fact that it was just them two for the longest time left a deep impact on Octavia.

-Even after Octavia outgrew her role as Blue, she still worried for the next generation. She made a point to track down the next Blue to as soon as she could in order to teach him everything she knew. She's an adult now and teaches self defense classes to the general public, but also special classes for Guardians specifically. All the Blues have met her, and Chiyo even introduced her to Kimi so Kimi could get better at fighting. Layla wants nothing to do with the newer guardians, so Octavia avoids bringing them up, but the two do check in with one another still.

-The teams are generally organized by which Blue is active, because theres always an active Blue. I labeled him Remi up there but I eventually renamed him Russell, he's the second Blue. Much like Octavia, he spent most his time as part of a Duo, up until she was killed in the line of action. It was only near the end of his career as Blue that Nia and Charun became Colors. Nia met Sue a couple of times and can remember her fondly, but Charun never met her.

-Dimitri is also an interesting character. The only other Pink that anyones aware of, he was an active antagonist for most of his time. He often got in the way on purpose and would sometimes help colorless out just to see what would happen. With the power of friendship and gay tension he eventually turned a new leaf. Though not before Russell hit him with a car(they're married now).

-Marcy and Nia are the most relevant past Guardians to the modern group. Marcy has a tough start as Blue. Everyone on the team had been a Guardian longer than she had and already expected her to fill the leadership role that Russell had. Not to mention the youngest and littlest Guardian Veronica appeared right after Marcy. It was a lot of pressure to say the least. But the four of them developed a pretty intense bond cuz of it. Unfortunately much like the others, Marcy's time as Blue did not end without tragedy. There was a really hard fight once that they almost lost. Charun and Nia got hurt really bad to the point where Charun outright rejected being Green(a painful process) and now hardly speaks to any of them outside of the occasional pesters from Nia. Nia herself was already disabled, but the fight has made it harder to manage. She always knew the physical stress of being Red would have negative impacts on her but she doesnt regret her time as Red nor does she regret any of the choices she made during that time. Marcy broke a leg as well during this which permanently ended her dance career.

-More on Nia actually, she was always the heart of her group, encouraging everyone to keep face no matter what. Even after it all she still continues to push her friends forward and check in with all of them. Her younger sibling, Benny, looks up to her a lot, his Guardian form mimicking hers in many ways.

-The only one who came out unscathed physically was Veronica, though having watched the emotional fall out made her wary of teaming up with any of the Guardians outside of Benny for a while. Benny's a simp too so he follows her lead on everything.

-Marcy's only 20 when she meets Chiyo but immediately takes it upon herself to support and take care of the new team in a mentor-y role. The way Russell did for her and Octavia for Russell. This usually turns into more of an emotional support role than being active on the field. (She's had to talk Chiyo through her crush drama SO many times). Marcy isn't that much older, but when you're 15 but 20 seems pretty mature in comparison. Due to her own angst about what happened to her last group too Marcy tends to put a lot of the pressure of being The Adult for them onto herself. (no anita you dont count as an adult)

-Anita was gone for approximately 15 years mind you, so the teams are pretty spread out with the occasional overlapping member. She hasn't gone to see Layla yet since coming back to the right time. She's scared of all thats changed during her time trapped in the timestream tbh.

[cuteniaarts]

Greyscale Midori sketch because I’m low-key artblocked

[cuteniarose]

My and @katkastrofa’s shared OCs as random funny things I have saved in my gallery (specifying funny because I have a lot of angsty quotes saved to be repurposed as art captions and I don’t want this post to be one huge gutpunch)

Suiren:

Midori:

Zhi:

Aiza/Emran

Abyan @ Liba

Alasie:

Ikiaq:

Himman:

Mekhali:

And finally, while not technically an OC because she’s a non sentient animal, Lottie:

[fae-morrigan]

Someone put a post (where they admit they straight up dont know these characters lol, and also spell damian as 'damien' so like. yknow.) in the tags saying that if you're a fan of Jon & Jay, you shouldn't buy super son. Well, as the crowned CEO of Jay & Jon, I'm here to tell you guys that you absolutely should.

Super Son did the amazing thing of hitting several marks that I predicted while still managing to surprise me in how they hit them. Which is high praise for any story: A great narrative should be able to both meet reasonable audience expectations (i.e, staying in character, setup payoff) WHILE STILL throwing in curveballs that tell you something new.

There's a lot I want to analyze and get into, namely how I think the rooftop conversation between Jon & Nia is really brilliantly done in what it says about both characters, but mainly I've been thinking a lot about how great those last few pages were and how I think Sina absolutely nails how Jon & Jay's specific issues interact with each other.

Jay's always been a blunt person. From their first meeting back in SOKE 2, hes said what he thinks, and rarely does he try and soften himself. More than that, his bluntness is often a shield from vulnerability, which Jay struggles with the whole scene. It makes total sense, after what hes experienced (re-traumatization at the hands of a friend) that he's displaying that trait again.

Jon, however, is immediately vulnerable. This is the most poignant confession of the issue: Not even in the amazing sequence of Nia helping him make a place in the darkness (look, its back, thanks isabel!) do we get this admission of fear.

And Jay, like always, embraces him. Sidenote, LOVE how they got in the thing Jon does where he's constantly tucking his face in people's shoulders during hugs.

But the moment ends, and we get here. First of all, cold af. I could feel the aura before I turned the page.

Second of all: Jay is totally valid in feeling this way. And it makes perfect sense that he would.

Sara was his everything. Getting her back was one of his main motivations in SOKE. Because of Nia's actions, she died horribly (do you know what happens to a person when they fall from that sort of height? I do. Its AWFUL.) for an unjust cause. Of course he's glad she can't hurt anyone else!

And that's when we get to my FAVORITE PART! Oh how I love this bit. Because like. You understand why Jon's angry- Its a harsh thing for Jay to say! Nia was the one who kept him sane while he was trapped in his own mind! But Jay, like always, is RIGHT: Jon DOESN'T get it. How could he?

Jon Kent will NEVER, ever, be put in this position. Out of universe, his parents are Clark Kent and Lois Lane. They'll ALWAYS come back. Hell, the fact they'll always come back is something Ma LITERALLY says to Jon in SOKE. He will never, ever have to know this pain.

In universe, Jon's a white american. Despite being queer, despite being an alien, he'll never know what its like to be this kind of collateral, delegated as pawns in a greater war for 'freedom'. That is what killed Sara at the end of the day: imperialism.

This next bit hurts my heart. Great job, guys!

For one: Jon claims he's not excusing the mistakes Nia made, but by downplaying it like this... yes he is. But did you catch that part? Right at the start of that bubble?

"I'm going to fight every day to make up for my own part in this."

That's where it clicked for me. Something I had been hoping for since Nicole first called them twin flames.

He's projecting.

Of COURSE he's defending Nia. Of COURSE he wants Jay to forgive her. It isn't just about the fact that she gave him support, it isn't just the dreams, its the fact that... well. If Jay can't forgive her... how could he EVER forgive HIM?

THIS is where the fact that Jon and Nia are so similar as character SINGS. They become mirrors to each other, evaluating their own self worth through the other, at the unintentional expense of the people they've hurt.

Jay's right, though. Again. Its almost like he's the embodiment of the truth or something. He doesn't HAVE to do anything.

When he starts crying though, I immediately was RUINED. This is the first time we have EVER seen him cry before during his entire existence of a character. And its not really even because his mom is dead (though yes, that) and its not even because of the argument. Its because Jay fundamentally wants to be understood, and he's not getting that.

Which is important for the next bit:

I want to first backtrack a bit to Son of Kal El again, specifically, issue fourteen, right here.

Hello, two-panel sequence that succinctly describes these two as characters. How convenient you are for me, a guy analyzing a work that isn't written prose.

Jon isn't good at letting go, for better or for worse. The things he cares about stay with him, and when something or someone tries to exit his life, he clings to them with all his might.

Jay however, both selflessly and selfishly, is willing to let go first if he thinks its better for the other person. To me this line so effortlessly summarizes who Jay is- he's a person who's accustomed to not having things, and will leave before it hurts and he gets too attached.

And that thought is ALL over this scene. Jay, who begins to let go, Jon, who both literally and physically CLINGS to jay, practically begging him to stay.

(Sidenote. This is like, the third time Jay mentions breaking up when Jon starts acting up. Good for you king, keep that white boy on his toes, let him know he ain't all that.)

Every little detail of this four panel sequence is killing me. "My worst nightmare is not having a home with you in it." His greatest desire. The thing that kept tipping him off in every fake reality Nia constructed for him- Jay's absence. Him wiping the tear of Jay's cheek. Jay walking away from him.

But what really gets me is how on this page, Jon talks about them as 'we', while Jay is firmly stuck in 'I.'

This is what made me LOSE MY MARBLES at three in the morning. Just utterly fucking off my rocker in a straightjacket talking to myself.

Because this is what JON wants. But is it what JAY wants?

Jon never asks.

What about what Jay fears? What about the life that HE wants? What if he doesn't want San Francisco? What if the life he wants is the life he HAD before everything went wrong? Jon outright says he wants a fresh start. But Jay, Jay's someone with such deep connections to what he just lost, what he likely WANTS to get back. His country. His mother. His sense of self. But. He says yes.

(Sidenote. FIRST I LOVE YOU WOOOOOOOOOO) To quote my buddy Dami: Oh, the drama of needing a future with someone who can't get over the past.

It is left unclear, by the end, whether or not Jay is saying yes to this because he genuinely wants to, or if he's only saying yes because he doesn't want to lose Jon, too. Jon doesn't stop to question whether or not Jay's only reaching after him because Jon's walking away. We, the audience, are left to ponder that for ourselves.

How much of Jay saying yes is him just accepting that this is the best he's going to get? That he's never going to be understood because nobody wants to understand?

He's an afterthought to Nia, an obstacle at best, and to Jon he's a particularly handsome prop in this little fantasy he has of running away and starting new. He's either not thought of at all, or when he is thought about, it's in the context of how he can emotionally fulfill the other person And you get why Jon did this. He's desperate, he's hurting, he just got tangible evidence that the time he has with the people he loves isn't ever guaranteed. He's been needing space from Clark and Lois for MONTHS because god knows they haven't been fulfilling his emotional needs. In a very real sense, Jay is who he has.

But wanting someone to stay with you so much that you'll... Not even ignore, but just not ever consider what they may want. The intentional isolation, moving halfway across the country away from all support systems. The need to cling to someone.

It reminds me of... something. Someone.

Don't tell Jon I made this comparison. He'll kill himself. Jon and Ultraman ARE similar. They're both such deeply lonely people who cling very tightly and even though it manifests in different ways and even though they have different core thoughts about it. The effect at the end of the day is the same, isn't it?

Is loving Jay not a brutal act of destruction?

There's so many more details about this story I love. Jon & Nia's conversation being vague enough that you have no idea how Jon meant what he told her but you KNOW how NIA took it (girl you can do better hes literally ugly!). Jon breaking a pillar by bonking his head against it (LMFAO). The pretty lies vs ugly truth dichotomy of Jay vs Nia here.

But this one scene, man. This one fucking scene takes the cake. STELLAR work all around. Every panel counts.

This better lead into a full Superman & Gossamer run or SOMETHING or I'm going to have WORDS with DC's editorial staff.