#and the other person isn't quite who they thought

[citrustan]

dating girl (jjk)

pairing: jungkook x reader

summary: you try to convince yourself that you're really okay with 'casually dating' your crush.

genre: college au, fwb kinda thing but more than friends ygm? angst!

"Are they allowed to cancel an entire day at college? That can't be good for anyone..." Your mother ponders out loud as you walk around the city hand-in-hand.

"There's not much you can do if someone decides to paint over every projector lens on campus." You nod.

"Lucky for me, I get to spend time with my little baby," she nuzzles her nose into your hair, squeezing you in a side-hug, "Still can't believe we have to schedule our hangouts now."

"Yeah, there's that..." You smile half-heartedly.

You stop near a flower stall, taking in the hustle and bustle of the city. It's especially crowded because of your university abruptly cancelling a bunch of classes.

After your day had freed up unexpectedly, you had invited your sorta but not really boyfriend, Jungkook, to go cafe hopping to find where all the good teas are because you knew he'd bee available. But he never responded.

So your mood has been a bit damp all day.

You had just stepped out of this store that sold handmade sweaters and yarn balls. Not even a good shopping spree could lift your spirits.

What definately doesn't help is randomly seeing said sorta but not really boyfriend who didn't respond to your texts out and about with some leggy blonde girl.

You've never seen her around.

Not that you know every single person on campus, but if they've crossed Jungkook's path, you know them.

They're dining together al fresco, at one of the cafes you had literally listed in your text to Jungkook.

Talk about a slap in your face.

For a second, you think she might just be his sister or something.

That thought bubble is quickly shot at with a razor sharp arrow when you see him kiss her knuckles.

Your eyes involuntary darken, and your mouth forms a pout. The kind one has when they're trying to hold back a cry or a sob.

All the while, your mother had talked about your grandparents' separation, the local diner having caught fire, and matching mother and daughter shoes she had bought for your birthday.

You were listening passively so you didn't quite catch everything.

"You're still seeing him, aren't you?" She tilted her head in confusion.

When your mother notices the look on your face, she frowns, following the line of your vision.

At spotting Jungkook and mystery girl, she gasps angrily, "Oh, no, he sucks." She turns back to you, "Honey, I'm so sorry."

"No, mom, this is normal," you smile weakly, "And it's okay."

"Yes." You nod, "I am."

"But then he's there," she points at the pair with her chin, "seeing her. How's that okay?"

"It just is, mom! Really," you attempt to convince your mother (and yourself) that you were 100% fine with witnessing Jungkook out with other women. "We're keeping things casual. Very... casual."

"And that's a mutual decision?" She confirms.

"We both agreed." You concur.

Your mother's still unsure about your choices. "Well. Okay then."

You glance at Jungkook and mystery girl one last time.

The picture isn't pretty. He's leaning into her ear and has his large hand placed over her bare thigh as she caressed his arm with her much smaller hand, thoroughly enjoying his attention.

Your mother watches your expression go stiff, "So, how does this work?"

Snapping you out of your daze, she pushes a few strands of hair away from your eyes.

When you frown at her she sighs, "Sorry..."

"Oh. Um..." You exhale, "Well, we see each other and we see other people, and that's that. We're cas-" - "Yeah, casual, I heard." Your mother interrupts your blabber.

"It's ok." You look down at your feet, kicking a few stray pebbles out of the way.

"I just--- I thought you guys were sleeping together." She blurts.

"Mom!" You exclaim, looking around to see if anyone had heard her, "It's not that big of a deal. I want this too. And I need to learn to date too."

Again, you try to ease your mind about your decision.

You lightly cringe and look around, "Uh... Nobody yet. But this guy from one of my extras--- his name's Hoseok but we call him Hobi, or Hoba, depending on how close you are to him--- anyway, he asked me out to a halloween theme party next week."

"So who else are you dating?" She asks pointedly.

This is suddenly getting very exhausting.

Your mother gives you a knowing look, deciding to play along anyway, "Oh! You've never mentioned him before."

"Mhm. Because it's new." You hunch your shoulders nervously.

The party was hosted by the student body to raise funds for, you don't know, collegiate stuff.

You had imagined going with Jungkook, with matching Dentist and Tooth Fairy couple costumes. But he hadn't asked you yet and you definitely weren't going to bring it up first.

Maybe you can do the look with Hoseok instead.

It's less than a week away, so you're not expecting anything from him either. He probably already has another date lined up.

You wonder if it's the blonde he's with now.

"So, are you gonna do it?"

"Do what?" Was she in your head?

"Go with Hobi or Hoba." She makes air quotations for 'Hobi or Hoba.'

"Oh, yeah. Yep. Definitely." Suddenly remembering, you add, "Oh and can you make me my costume? I want to be the Tooth Fairy?" You softly ask her, knowing it's a little last minute, but also knowing she wouldn't deny you.

"Why of course! Does... Hobi need a costume too?" She asks carefully.

"Oh, no. Probably not." Well, you don't know. You don't know if his offer even stands now and you might end up not going at all.

Your mother rubs your shoulder, "Ask him and let me know, 'kay?"

You force out an uncomfortable smile and nod, "Thanks."

Although your mother's not convinced, she decides to drop the topic all together.

"Well, that's good," she smiles down at you warmly, "Do you want to get that sweater exchanged?"

It was vague, but you appreciated her attempt either way.

"Mhm. Back to the store we go." You narrate with an airy laugh.

Your mother was in the lead, already making her way to the store you had just walked out of.

Once again, your gaze falls on Jungkook and his date, and to your surprise he was staring right back at you.

You want to give him a little smile. To show him you're unbothered. But you couldn't seem to force one out this time.

So you settle with giving him a small wave, which he returns, mirroring your expression.

His date follows his line of sight and spots you too, giving you a tight smile. It's not passive aggressive, just... decent. Not polite either. But why should she be?

Jungkook blinks at you as you hurriedly leave trying to keep up with your mother.

Maybe you should focus on Hoseok for now.

note: nobody asked for this but i was feeling a little silly :p needed some angsty ouchie with the possibility of a favourable conclusion so i indulged!

hey bonus points if you can tell what inspired this! and if you read all this lmk what you think regardless :D

[mrsunder]

Ever since I made that post about Alone with the little joke about him being Ghoap baby I haven't been able to stop thinking about it.

Like imagine Soap (who isn't dead because fuck activision) finding this hulking monster while doing zombie clean up and thinking it's Ghost at first but Laswell swears up and down (and even shows him proof) that Ghost is safe. After he sees his own familiar tattoo and the unmoving arm he thought was just shadowed behind its back was actually darker skinned... he realizes what it is and is both SUPER PISSED and hesitant.

He knows what these monsters can do… but he can't bring himself to kill Ghost even if it's not actually him. He'd never sleep again if he had to put a bullet between Ghost's eyes himself. (he didn't think about the arms, didn't want to think too hard about what they were trying to do that resulted in a three headed monster and signs of the entire 141 on its body) So he just sits down in the room he found it in, stays close and lets the thing engage first while trying to be as little of a threat as possible. (It's the STUPIDEST thing he's ever done and Ghost absolutely tell him that as loudly as possible when they eventually meet up again) It takes a while, but when it sees his tattoo and realizes they share a mark on their skin Alone decides that Soap is clearly Like Him and now Soap has his very own Giant Murder Child. He goes back to the 141 because he can't keep doing what he's doing while also trying to care for Alone with just the hands off help Laswell can provide and the only reason they have a Calm Discussion and they don't all throttle him for faking his death is because said murder child doesn't quite understand different levels of violence and would just assume they're attacking him. It obviously takes a while for them to really get behind having Alone around (especially Ghost for REALLY OBVIOUS REASONS) but eventually they all realize he's got some kind of humanity in him. He was able to be taught to use a gun and doesn't just run around killing everyone he gets his hands on like the other monsters they were shown after Soap's return. While he has issues speaking because of damage to his body and how the side heads attach to the main one, they're able to teach him to read, write, and how to use BSL. It's slow going, but they make progress. Soap retires to a nice secluded place after a while so he can dedicate more time to helping Alone. Ghost follows along behind him because he's not going to let Johnny out of his sight ever again. (Price and Gaz visit often because Ghost wasn't the only one waking up from nightmares of Soap's "death") Alone will be as close to a fully functional person as he can be (what with the multiple heads, arms, random body jerking, and being a literal monster making it a bit hard to just go get a normal 9 to 5). He just needs to be taught what he missed because he was "born" fully grown. He'd probably either take up Soap's place with Laswell and get to go happily rip zombie heads off or join Kortac because they make a him a damn good offer (and if he threatens to tear out the throat of anyone that so much as looks at the 141 wrong, well that's just between him and his fellow operators).

[simpjaes]

i feel like a stalker reader fic with a plot twist of sunghoon being a stalker even before reader was obsessed with him (kind of like a mastermind where he plotted how and when they would meet first) AND A FREAKY ONE AT THAT is only a fic that you could possibly write

and you're right about that bc i do believe i'd slay that shit if I ever got around to it.

a/n: this was meant to just be a thought but i got a lil lost in it lmfao.

Like, the idea of Sunghoon being obsessed with you since fuckin' senior year of high school because he transferred there. He was vulnerable when he transferred due to home life stuff forcing the move, and he had close to no one save for a dad who was never home. You were the first person to say hello to him and that singular greeting made him grow attached.

and he'd like, watch week after week. sometimes you'd greet him in passing but never really approach him or anything. he would be too far attached already to approach you himself too, because he feels socially awkward. he is socially awkward. No one back at home liked him much either so his confidence isn't quite high enough to peruse you.

anyway, shoot to college. maybe....he's been like...yknow....doing his research on you since he transferred back in highschool. maybe he's doing the same degree path as you.....maybe he did some snooping to land in the same university, taking the same classes....at the same times as you.........

he's grown very smart about this tho bc like, you'd never second guess why you're always seeing that handsome guy everywhere. maybe you guys are just more alike than you could have thought. and you wouldn't grow your own little crush turned obsession until he you noticed how he ignored you.

you never saw him glance or stare. he'd brush you off any time you try to greet him, he'd always speak in class with confidence, making you feel like he's...very very very intelligent. and it's like, woah, he acts so different compared to high school. you're into him kinda....there's nothing wrong with a lil crush right?

lil crush turns HUGE crush when he ends up at all the same parties you attend. always lurking in a corner by himself looking handsome and untouchable, sometimes with other girls approaching him. these are the moments you'd catch his drunken eyes on you from time to time. Or maybe he's just catching you staring. you're not sure of yourself anymore by this point.

still he wouldn't make any moves or efforts to talk to you. little crush turns to big crush. big crush turns to you wanting to learn more about him...and learning more about him turns to you consistently checking in on his social medias that he rarely updates....asking about him around campus when you manage to land in a room where he isn't, hoping he shows up to more parties..etc.

you wouldn't realize the stalker behavior you're exhibiting til it was too late. he'd be all too fond of it though, knowing he's managed to catch your attention by giving you none at all. what a needy little doll.

It's not until you dead ass find out where he works part time and you're filling out your own application before you realize that maybe you're going a bit too far. when he ends up being there during your interview though, you're a bit too blinded by wanting to know more about him to think too hard about it.

and so, the two of you are working together, going to classes together, attending parties together...except separate. and it's driving you up a fucking wall because surely it's because he has a girlfriend right? but you never see her. you can't find any trace of someone he's with on social media. never on campus, at work, no where. so, lets say you guys end up at a party again and you really do lose it.

lots of alcohol in your system, sunghoon looming in a corner, side eyeing pretty girls who stare at him. you'd be the one staring the most, walking up to him while forgetting how to breathe, only realizing you might actually be in love with him when you try to reach for his shoulder with a brain so empty you forgot what you wanted to say. "Hm?" he'd hum at you with a raised, unbothered brow. His skin prickling at the way your shaking hand grabs at him. He calms himself through it though, having jerked off enough to the mere thought of these hands on him nightly since he met you. He knows how to calm down now. "I'm like, in love with you, maybe." You'd slur out, stupidly with an embarrassed but hopeful expression. Sunghoon's unbothered demeanor wouldn't change, but the setting would. He'd take your hand and guide you without a word, outside, into his car, and he wouldn't say a anything to you through it until he'd driven and parked somewhere entirely secluded. [He's sober btw, you make him drunk enough.] "Do you even know how much I want you?" He'd mumble so quietly you wouldn't be able to hear him over the thumping of your heart, but you stare at him, watching his lips move as he tries to speak. You watch him the whole time, feeling safe in this secluded spot with a man you've grown obsessed with. Your body reacts and moves on instinct as he sits there. You can't fucking stand being so close yet so far from him. "I don't know what you're saying to me." You'd mumble and slur out to him, far too drunk than you originally thought now that there is no loud and booming music to drown your thoughts out. "You never do." He frowns, leaning towards you and practically pinning you to your seat by energy alone. His entire body feels like it's on fire, cock twitching, heart jumping. "You want me?" You nod, breathing softly and deeply as you look at him. Of course you want him. "How bad?" He follows up. "As badly as I've wanted you?" You nod again. "You sure?" Another nod.

His eyes go vacant now as he stares at you, adjusting his body on top of yours in the cramped space of his car. You feel his nose nuzzle against your neck as he inhales deeply. He groans slightly at the scent, never able to smell you so fully except for in passing. This alone could satisfy him for life if he wanted it to. "Show me then." He nearly demands, wanting you to be the one to prove all of his work to get to this point is truly coming to fruition. Wanting you to make all of the first moves. Wanting you to do it all for him.

And, well...you do.

[rekino2114]

Would you do domestic headcanons with fem sukuna and reader as parents

Fem. Sukuna and you as parents

A/n:Thank you for requesting this, soft villains give me life energy

Sukuna did not want a child and she told you that clearly whenever you showed interest in it, she didn't want to deal with the burden of having to take care of a human being, not to mention what an eventual pregnancy might have done to her fighting prowess, it was much better to just stay only with you for eternity.

That was until she started noticing something. Whenever you two were walking around other people, the mothers always hugged their children in hopes of protecting them, she thought it was foolish. If she truly wanted to kill them, then their parent's protection would have done nothing to shield them, so then why did they do it?

Did they love their child so much that they were willing to do any possible thing to keep them safe and alive even when they knew it wouldn't work?.....even throw away their own life. Sukuna's parents had never given her any kind of love, and as such, she couldn't understand why mothers would do that. Why did they not run? Why were they willing to do that? She was truly confused

Sukuna watched from afar as mothers hugged their children as they smiled when they spoke, as they gave them soft praise and affection whenever they listened....was this true love? She could see it in those women's eyes they felt very similar to how she felt around you it was love that she had never received as a child herself

She eventually realized that she wanted to be like those women. She wanted to have a child, maybe because of a subconscious wish to fix her own mother's mistakes in raising her or maybe because she wanted the gratification of raising someone who could continue her bloodline, nevertheless one night while you were in bed together she told you her desires and you agreed giving her what she wanted right there and then.

In general, sukuna is......not the best mom. She takes a rather...spartan approach to parenting, raising your child to be a fighter more than a person, but thankfully, she has you to fix that, reminding her to show her love to them which was unusual at first but as she got used to it she took quite a liking to it, hugging your child tightly with her four arms as she did to you often made her heart flutter and feel nice in a way she thought only you were capable of.

She often just leaves uraume in charge of taking care of your child. They always cook for all of you anyway and are actually quite good with children. You always help them whenever you can, especially when sukuna is outside, probably fighting, if she isn't though then you practically force her to take care of your kid, it's not that she doesn't want to she's just kinda bad at it.

While she may call them brat a lot and be mad at them when they lose a fight, you can still see she's genuinely trying her best to be a good mom, giving them affection and smiling with genuine happiness whenever around them (you should have seen her when they said mom for the first time, she swear she didn't cry but her four swollen eyes say otherwise) she loves your child as much as she loves you and she wishes nothing but to make them as strong as she is while still making sure they have a good upbringing and life.

[another-goblin]

Doc and Gambler: An essay A disjointed musing

I've been thinking about the words they use to address or refer to each other. Gambler and Doctor are rather special nicknames. I can't think of other characters who talk to each other a lot but avoid calling each other by actual names so deliberately.

First of all, of course I can see it as a sign of their relationship. They are old friends, so it makes sense that they have cute special names for each other.

Can there be other explanations?

1. We never see them use each other's actual first names.

It's understandable with Aventurine. If he's ever comfortable being called Kakavasha, it's definitely not now. And I can understand if he'd prefer Kakavasha to just remain a happy, innocent child in his memories forever.

It's more interesting with Ratio. Nobody calls him just "Veritas" (I think?..) He's referred to as Veritas Ratio in some official situations in his character stories. Even his elderly professor, who talks about teaching Ratio when he was a child, only calls him "Ratio."

Actually, I remember a theory that "Veritas" isn't a personal name but a kind of honorific. Maybe a title that Veritas University gives to its most distinguished members. But if Veritas is his actual first name, then I think it's quite significant that nobody seems to call him that. Especially while all of the other characters who have identifiable western-style first and second names are mostly referred to by their first name. (I'm sorry, I don't know how the Xianzhou characters' names work.)

A little off topic, but is Ratio even his real name? According to the wiki, his full name means "truth of the matter," and his Chinese name means "doctor truth." What a coincidence that a person with such a name became a famous scientist. Although there can be other explanations too.

2. They do use each other's more commonly used names sometimes (I think Ratio called him Aventurine once in the game when discussing him with us, and Aventurine addressed Ratio by name a couple of times). But it's mostly nicknames. Mostly Doc(tor) and Gambler, but also "learned professor," "knowledgeable friend," and a hundred of silly ways Ratio refers to Aventurine. I made a whole post about it long ago.

3. Can it be because all of their direct interaction happened in Penacony, in the middle of a murder mystery somewhat reminiscent of the board game Clue, with our little "Mrs. Peacock" and "Professor Plum" here just imitating the naming conventions of such a game? Like archetypes from a classical detective story, where most characters can be described with one word like that. But it's a bit of a crack theory.

4. The only situation we saw them talking to each other was when they had to play their roles for Sunday.

It's interesting that Sunday later proceeds to call Ratio just "doctor" or "learned doctor" too, the way Aventurine did. I mean, strictly speaking, there isn't anything unusual in calling a doctor "doctor", but it's funny in an awkward way. Imagine two close friends having special names for each other. And then a complete stranger who's been eavesdropping starts using these names too. Umm, that's "Dr. Ratio", Mr. Sunday, thank you very much.

Btw, that's another point to the theory that Sunday only knows (and tries to use against them) the things they deliberately fed him through their conversations.

So it might be that they did it deliberately for Sunday to hear. Like, see? we are so not friends that we don't even call each other by name. But then we see them using similar words when mentioning each other while talking to other people, and in Aventurine's thoughts too (in mission descriptions during Double Indemnity).

5. Although it might still be the way for them to try and distance themselves from each other, at least verbally, trying to deny the obvious special connection between them.

6. Or maybe it's about their "masks". They both have public personas to hide their real selves behind. (Ratio directly tells us about it and wears a literal mask to hide behind, and Aventurine's whole Harmony ordeal was basically to show his inner self, so unlike the confident and cocky Aventurine other people know.)

But they know each other better and see deeper than just their public personas of "Aventurine" and "Dr. Ratio". And it's still too early in their relationship to prod deeper ("Kakavasha" and "Veritas"). So a secret third thing it is.

[maowives]

this isn't a coherent thought yet but I'm like fairly certain that the proliferation of the framework of fictionkin is rooted in the fact that for many people (in particular, children who have not been given the language to identify and articulate the underlying phenomena animating their experiences), these identifications with characters provide a mythological scaffolding upon which they can start to build a way to make sense of the difficult interpersonal and intrapersonal experiences they've undergone. this may seem trivial to some, especially to those who participate, as it's clear that part of the draw of "Fandom Culture" broadly is that it affords an (ostensibly) unified theory of analysis and engagement for intimate interpersonal and intrapersonal experience, by way of storytelling and the curation of particular fictional experiences which resonate with the reader. it feels evident to me that this is more often than not, designed both as a method of communication, seeking to provide (relatively) broadly legible shorthands and handholds for articulating painful or otherwise important personal experiences which would otherwise be complicated or simply emotionally difficult to express, as well as a form of identity-crafting, in which these characters form the building blocks of an internal symbolic language that, when rearranged and ordered in a particular manner, enable the user to understand their experiences and their internal responses to those experiences. frankly I think it's quite an elegant solution, and one which I understand the utility of. in particular, I think it's relevant and understandable that these kinds of frameworks arise in the particular political contexts in which they do. further, it seems clear to me that many of the more reactive and reactionary elements of these kinds of contexts frequently arise from a deeply felt defensiveness about the sanctity of these internal frameworks and spaces, not because of the sanctity of the thing itself, but rather the ways that these symbols act as placeholders for particular individual experiences of particular and deeply felt narrative relevance and importance. said in another way, the sanctity of the particular reading of a character or a story are not valuable in and of themselves but rather for how they act as stand-ins for The Self. an example might be in the ways that "Fandom Discourse" tends to produce heated conflicts between different people who interpret different characters as having different kinds of essential moral qualities, as these characters do not function as characters in a text but rather as placeholders for either the reader or other people relevant to the reader's life, whether they be loved ones or agents of harm, or both. it becomes easy to understand why contending understandings of a particular character's "moral quality" become very high stakes very quickly, as the coherence of the individual's particular meaning-making system, and therefore, the integrity of a particular narrative about one's own life, depends on a particular reading of that character.

and, while, as I mentioned above, I do think it makes sense for this framework to function the way it does, and while I do think it is, broadly, an elegant solution to a difficult problem, I think it is hobbled by a few factors.

Using other people's fictional characters as a mythmaking device requires necessarily having inconsistencies and misalignments as well as implementing an active practice of Character Curation.

Conversely, using one's "OC's" as a shorthand for personal experience and expression requires other readers to be heavily invested in, and acquainted in, this particular idiosyncratic mythology.

These frameworks, while undoubtedly valuable for their legibility to others within the shared fandom space, are both imperfect, in that they never are able to communicate exactly what an individual sets out to communicate, as well as incomplete, in that their explanatory power borders on nil.

Because of the previously discussed contending interpretations of given individually relevant characters, these frameworks tend to promote intense and heated conflict between contending camps who, all in all, are most likely fighting over some relatively inconsequential quibbles of personal idealist moralism at worst, or just simple miscommunication and misunderstanding at best.

Because of this fact, ingroup compliance is heavily, heavily policed, and the space becomes more and more encouraged to adopt increasingly draconian and reactionary methods of control.

these observations are not intended to be a moral condemnation of these practices, as savvy MaoWives readers will know that OP does not traffick in idealist moralisms or other such quibbles. however, I do think that identifying the particular gap of where a unifying theory with explanatory power may come in handy for encouraging people to make sense of their own lives in terms that they have more control over, and which have more robust analytical tools. again, savvy MaoWives readers will be able to see the predictable turn to articulating the value of using a dialectical materialist and Marxist-Leninist analytical frame for these kinds of things, but further, perhaps more particularly, I could see a place where family abolition as a framing device may be significantly more helpful in encouraging interpersonal abuse survivors to make sense of their experiences, rather than the readily accessible, but inevitably incomplete, frameworks of using particular characters as social signifiers of experience, and mythmaking devices for intrapersonal awareness.

[I apologize for the length of this post. I did not have the time to write a shorter one.]

[brotherwtf]

has anyone done this yet? Gale who makes androids for people who are lonely, usually for their pleasure, until he's commissioned to make an android named "Bucky" and can't help but fall in love with him

he made Bucky for a lovely woman, one who smiled and said she longed for someone like her husband, a pilot whom she lost, wanted someone she could grow old with

she requests someone tall and broad, charming and has an easy smile, laughs at her jokes no matter how stupid, has the ability to keep up with her when she's drinking

Gale thought this would be like every other android he's made, it definitely starts off that way, but when he has the shell made, something quite handsome, and he starts to program a personality does Gale start to notice something going wrong

Bucky talks easy, that's what his client wanted, he was brave, his hardwiring had him as a pilot, but that also meant he had the bravery to talk to Gale whenever he was working on him

Bucky would ask Gale how his day was, would offer advice if he noticed Gale's shoulders getting tense or his expression going firm, would try to make him laugh when Gale was silent for large chunks of time. It made Gale's heart bloom in a way he wasn't sure he should feel

Almost everyday Bucky found a new thing to compliment Gale on, told him he was a genius for making him, said he was really strong whenever Gale lifted his frame towards his workbench, commented on how the setting sun made Gale's hair look especially beautiful

Gale tried not to let it get to his head, this was all his programming, Gale had made him like this, but he still couldn't stop the effect it had on him

One day, Bucky asks Gale what will happen when he's fully built, and Gale has to sadly explain that he has to give Bucky to his client, he was paid to make him. This of course makes Bucky sad, he mopes for the rest of the day and doesn't talk to Gale, which makes him nervous

before Gale turns Bucky off for the evening, he asks him what's wrong, and Bucky kisses him, grabs his head clumsily and presses their lips together. Gale's shocked and he pulls away, looking at John with wide eyes

"why did you do that? Bucky, you can't do that," Gale says and Bucky's expression turns exasperated again

"isn't that what humans do when they love something? that's what I've seen, did I do something wrong?" Bucky asks and Gale can't breathe

"yes, but Bucky you can't..."

"I love you, I love you and I want to kiss you. is that wrong? Gale, is it wrong?" Bucky asks.

Gale wants to scream that it's not wrong, wants to beg Bucky to touch him, but he knows that he can't have him, knows that he has to give him away to his client, so he averts his eyes and turns Bucky off, can't look at him as he goes to bed

anyway thinking that Gale has some hella conflicted emotions bcs Buckys not backing down, keeps trying to flirt with him and tries to kiss him like Gale never turned him down, and he has to face the fact that he's also falling in love with Bucky

so when his client comes to get Bucky, he has to make a choice. She hasn't paid, so Gale can turn her down, say he's keeping Bucky, but risk never getting another client again, or he could give Bucky away and lose what he's fallen in love with.... decisions decisions

[thefirst3chapters]

Thinking about the car accident aftermath in "Teach Me Tonight" again:

Luke is understandably all over the place in the episode where Jess is sent to town. He's simultaneously buying Frosted Flakes and explaining to a skeptical Lorelai that all Jess needs is someone to "give him a little space" and "treat him like a man." Luke resists Lorelai's overreactive but not entirely unreasonable questions and advice until he responds to Jess's defiance and declaration of not wanting help by pushing him off the bridge. Then, he goes right to Lorelai as he panics about not being cut out to raise a kid (he's made a big mentality shift here!) because of having "no patience for jam hands." She reminds him that Jess isn't a toddler, but this situation is going to take work.

Fast forward to "Teach Me Tonight." The first two things Rory tells Lorelai over the phone in reference to the accident are "I need you to be calm" and "I'm alright." Rory has already buried her own reaction and is trying to put Lorelai at ease as much as she can; for not the first or the last time, she has to be the more mature person in their relationship. Lorelai demands that Rory have extra tests that the doctor didn't recommend, and then she leaves Rory at the hospital to hunt Jess down. It isn't Lorelai's intent to make Rory carry both their emotions by herself, but that's what ends up happening even though Lorelai is extensively focused Rory's physical injury. It says a lot about how Lorelai and Rory function as each other's peers and as each other's parents. The only person who will offer advice that matches the injury Rory actually has, listen to how she feels about the accident, and validate her perspective is Luke.

When Luke finds Jess hunched over on the bridge, Jess doesn't say anything about his own safety or ask Luke to stay calm. He just says, "I made sure she was okay." This is of course reflective of how much Jess cares about Rory and how devastated he is about her getting hurt, but it also strongly suggests that it doesn't even occur to Jess that his own well-being would matter to Luke. One could understand why Jess might've thought that way; Luke is openly, sometimes extremely, protective of Rory and continues to be when Rory is years older than Jess is here. He confronts both Dean and Logan unprompted on Rory's behalf. He wants to intervene when Rory decides to leave Yale and maintains a warm relationship with her even though he avoided addressing Jess's school/work situation directly until he kicked him out and later yelled at him for returning for his car. We know what's in Luke's heart here, though, because he just explained it to Lorelai at the cost of their relationship. He won't rest until he knows both kids are okay.

Luke could've in this moment screamed at Jess for being reckless with Rory, damaging property, smoking, and throwing a wrench in his friendship with Lorelai. He could've demanded that Jess be a man and stick around to repair the damage and face the wrath they both know is impending. He doesn't do any of those things, though. He sees how anguished Jess is and realizes now that he shouldn't have to be a man quite yet. Luke offers the precious comfort of immediately believing that Jess took care of Rory with "I know you did," and that's that. Of all the choices Luke could've made here, he chooses a quiet sort of mercy, so there they are in calming silence with their matching postures and green jackets and emotional repression in the same place where Luke shoved Jess into the water months earlier. Yes, there's an argument to be made that Jess going back wasn't the right way to handle this, but at the same time that choice has incredible compassion behind it.

The variety of parent/child relationships on this show is just so fascinating; it's a snapshot of families living in the same time and in the same place, and no two dynamics or perspectives on how a child should be raised are the same. These relationships are all deeply flawed and are sources of immense harm at times, but they're grounded in so much love.

[hollowed-theory-hall]

ok since we’re discussing harry’s appearance and you’ve already clarified what you think he looks like from the neck down, now i’m wondering about his face. obviously, the books provide quite a generous description of him — green eyes, black, messy hair, etc — but i’m more curious about whether you envision him as having delicate features? is his face longer and more masculine or a bit more rounded and doll-like? would he be described as being attractive? handsome? beautiful?

since he’s a carbon copy of james, i’d assume that he genuinely is an attractive boy/man, but since we, as readers, see things so much more from his obviously subjective perspective, we also can’t get a very good feel of these things because harry himself isn’t interested in them. and, well, he is quite oblivious to other’s attentions in general.

i’m just curious what your perception of him is from canon, since i’ve seen so so many variations of his character in fanfictions.

Hi 👋,

(Anon is referring to this post regarding Harry's height and physique)

So, we actually have a ton of little details about Harry's facial features in the books. And, contrary to what many characters say, he isn't really a carbon copy of James, especially if he removes his glasses because some of his prominent facial features are described to be Lily's.

Harry is a kid who has his father’s hair, height, and glasses, so when people look at him from afar he looks like his dad. But if you look at him closely, or he removes his glasses, their faces share similarities, sure, but they are nowhere near as similar as you thought they were a moment ago when he had his glasses on. Like, that's how I see it, and the books support this:

It was as though he was looking at himself but with deliberate mistakes.

(OotP)

Harry is one of these kids who's a pretty equal mix of both their parents in his face. So, if he stood next to James, anyone looking would say they look really similar. If he stood next to Lily, they'd say he looked really similar to her (especially without his glasses).

Harry is mentioned to have his mother’s eyes, not just in color, but also in shape:

it was one of the girls from the lake edge. She had thick, dark red hair that fell to her shoulders and startlingly green almond-shaped eyes — Harry’s eyes.

(OotP)

So, Harry has green almond-shaped eyes like Lily. Almond-shaped eyes look something like this, apparently:

We also have details regarding Harry's nose. Since his nose is more similar to Lily's than James', at least, I think so:

his [James] nose was slightly longer than Harry’s

(OotP)

I imagine Harry to have a more button-shaped nose since it's what I imagine for Lily (James has a straighter nose in my mind). I don't have any quotes for the nose shape though, so it's just my headcanon.

What is canon is that Harry's nose is smaller than James' and Ron's.

As for other features of his face:

but they had the same thin face, same mouth, same eyebrows. James’s hair stuck up at the back exactly as Harry’s did, his hands could have been Harry’s

(OotP)

And Harry is consistently described with a thin face:

Harry had a thin face, knobbly knees, black hair, and bright green eyes

(PS)

So, from these two quotes, we can compose the rest of Harry's face shape (sorta). So Harry has a thin face, thin faces usually look more elongated. I assume his jaw is sharper than Lily's since he takes after James there.

We know his mouth and eyebrows are shaped like James', but I couldn't locate other quotes that were more specific, I take it to state his lips are on the thinner side, and his eyebrows are more masculine in shape since it's what I assume about James' appearance.

Now, I know some of the fandom headcanons Harry as not white, but I personally don't think it's the case in the books. JKR mentions very clearly when a character isn't white, with the expectation that any character that isn't given an ethnicity would be assumed white. It's how she writes, and you can say what you will about that, but it's not what I'm talking about. Additionally, contrary to popular belief, Harry's skin color is mentioned in the books to be white and pale (so is Hermione's actually).

I found a few quotes that outright mention Harry being pale, and therefore, white (this isn't an exhaustive list):

“Harry, dear, are you sure you’re all right?” said Mrs. Weasley in a worried voice, as they walked around the unkempt patch of grass in the middle of Grimmauld Place. “You look ever so pale... Are you sure you slept this morning? You go upstairs to bed right now, and you can have a couple of hours’ sleep before dinner, all right?”

(OotP)

“Are — are you sure you’re okay, Harry? You’re still very pale...”

(OotP)

Their eyes met over the basin, each pale face lit with that strange, green light. Harry did not speak. Was this why he had been invited along — so that he could force-feed Dumbledore a potion that might cause him unendurable pain? “You remember,” said Dumbledore, “the condition on which I brought you with me?”

(HBP)

Both Harry and Dumbledore are mentioned to be pale-skinned.

The word "pale" is used by JKR to describe skin quite often, and even when someone is "pale" when they are scared or stressed, it's because their skin is pale. I haven't seen her use the word for any of the dark-skinned characters (Like Dean Thomas, who was shown to be scared on occasion, but never described as "pale"). Besides being described as "pale", Harry's face is described as white on occasion as well:

Harry had gone very white. As soon as he found his voice he said, “Blown up? You told me they died in a car crash!”

(PS)

Breathing very fast, he turned slowly back to the mirror. There he was, reflected in it, white and scared-looking

(PS)

And considering Tom, who is repeatedly described as very pale and white, says:

We even look something alike ...

(CoS)

It's clear Harry looks very English, and therefore, very white. I'd go further and say he's likely quite pale considering how often he is mentioned to be pale + his resemblance to Tom. You can obviously headcanon whatever you want, I'm not stopping you, I'm just saying what the canon is.

I'd note that in general, Harry is pretty handsome and good-looking. In books 5 and 6, he's mentioned to be of interest to many girls, among them the good-looking and popular ones (even if he doesn't realize they are good-looking). Being the Boy Who Lived, rich, and famous gets some of this attention too, yes, but Hermione tells him the fact he is hot helps. Which it does:

“Oh, come on, Harry,” said Hermione, suddenly impatient. “It’s not Quidditch that’s popular, it’s you! You’ve never been more interesting, and frankly, you’ve never been more fanciable.” [...] “And it doesn’t hurt that you’ve grown about a foot over the summer either,” Hermione finished, ignoring Ron.

(HBP)

I know she just mentions he's tall (Ron is there, after all), but the implication is that he's hot and has no idea.

Besides, both James and Lily are described as good-looking by various characters, JKR said of James: "James was reasonably good looking, though not as good looking as Sirius" and considering Sirius is one of the most attractive characters in the series, this is one hell of a compliment. As Harry is a decent mix of both their features, he is likely good-looking. He probably looks pretty cute as a tiny, scrawny kid with bright eyes, and he grows to be more handsome and attractive as he grows. Like, I don't think that many girls would be interested in him in 6th year if he wasn't also handsome, so Hermione is right. Harry isn't as smoking hot as Sirius or Tom Riddle, but he is still very good-looking.

[pomefioredove]

since my little dorm post has been getting a lot of notes(?!) I wanna explain why I feel I'd get sentenced I mean sorted into diasomnia ^^

the thing about twst dorms is that while there are superficial traits (ignihyde students being introverted, savanaclaw students being athletic, etc), those are more like stereotypes, and are not why you would be sorted into one of those dorms

the dark mirror reads your soul, not your hobbies. it's not a quotev quiz that'll ask you what your favorite color is. it's about you as a person: your values, beliefs, dreams, wants and needs, etc

like, epel felmier is a rough 'n tumble rural boy who swears and picks fights. but he belongs in pomefiore, because pomefiore isn't actually about looking pretty and doing fancy things, it's based on the fairest queen's tenacity. no, epel isn't proper or polite, but that's not what the dorm is about. he's a goal-oriented, determined, hard-working young man who embodies the spirit of persistence. that is why he's in pomefiore, and not savanaclaw or what have you

so when talking about diasomnia, I am never saying "oh, I think I'd be a really powerful mage" because that's not what the dorm is. that's just a stereotype. etc etc

(I feel like what we actually know about diasomnia itself is quite limited. at least compared to the other dorms. the thoughts I have of it could be completely non-canonical, but I have thoughts, nonetheless. so)

I said somewhere on this blog that I put a lot of value on things like politeness and civility and respect, and that I consider myself a polite person. I was raised to mind my manners and put aside my personal feelings for the sake of formality. I have never started a fight in my life, but I do get very upset when I feel as if I'm being disrespected. my family observes a lot of old traditions that are rather outdated

ex:

if you are invited to something but don't attend, you still send a gift

if you are invited to something, you invite the host to your future events

you always say thank you after receiving a gift

if you don't have anything nice to say, then you can complain about it at home. but you never, ever insult a host to their face. it's so uncouth and terrible it's like a deadly sin to me

things like that. lots of rules about hierarchy and respect. doing something disrespectful or impolite (especially without an apology) is enough to create schisms in my family. we hold grudges here

when I think of the thorn fairy's "nobility", this is the sort of thing that comes to mind. the high emphasis on the hierarchy of respect, on civility and graciousness. the value of tradition, and doing things the old-fashioned way (and the dislike, or fear, of change seems to be a common theme in diasomnia)

you could surely look at the things I just said and say, "well, you would also fit in at pomefiore" because, sure, I would! I can do the rules, I can respect the housewardens, but I lack the tenacity and the want to be something that makes the dorm what it is. diasomnia may have some similarities, but its reluctance to embrace change is what makes it so different

I, as a person, do not have dreams. most of my life has been spent just trying to get by whilst at the level of this hierarchy I was born into. I couldn't be in pomefiore because, unlike epel, I don't have big goals to work towards. I feel more comfortable being a follower than a leader, and I have a tendency of structuring my life around the lives of others rather than my hopes and dreams. I do not live boldly

and it doesn't bother me. I've found that there are benefits to staying in the shadows, and I'm comfortable with my socially nocturnal life

that is why I'm diasomnia, and not pomefiore

my favorite fairytale, which is not sleeping beauty, is very much about social structure. it's about a heroine's malicious compliance to that structure and how she manages to turn it in her favor

ironically, it also is about a spinning wheel

[thestrangesthell]

Afterlife Jobs and Civil Service

Seen a few theories and "plot hole" accusations flying around after Beetlejuice Beetlejuice and thought I'd add my own hypothesis on what the deal is with jobs in the afterlife.

This will contain spoilers for Beetlejuice Beetlejuice.

TW: This post will discuss suicide. Please only proceed if you are comfortable.

The short version: I think (for the most part) jobs are a choice and available to those who need to hang around due to unfinished business (even if they themselves don't know what that is). I think those who commit suicide do have to work for some time as it wasn't their time to die yet. They can't just board the soul train and move on to better plains. Instead, (and though rather sour in the mouth), they're met with the shock that it isn't over. This is Beetlejuice, after all. Death and life is hard.

Now, for the long version (and it really is long), read on!

Despite the fact I do personally think it's canon that those who commit suicide end up having to work (at least for a while) in the afterlife, we can't believe that purely because Otho said so. Firstly, the guy is living, pompous and has zero evidence for that statement. Secondly, he's not a credible source. He may have been "one of New York City's leading paranormal researchers until the bottom dropped out in '72," but his interest in anything can be boiled down to obsession with image and aesthetic more than a desire to get into the nitty gritty.

What we as the audience do see is people working in the afterlife that could have died by suicide.

There's the Road Kill man ("Thanks, I've been feeling a little flat!"), Juno (*who I will come back to) and most obviously, Miss Argentina. These people are working and likely (if not outright confirmed) died by suicide.

It's a weird thing to pick up on, but what about the skeleton workers?

Besides being a great visual gag, there's not really a clear indication of death by suicide here. We could, of course, suggest they died this way and have since been "worked to the bone" - as this is the Beetlejuice franchise after all, and lord knows pun-based humour is...well, pun-damental - but no other ghosts seem to have permanent alterations to their state. In the Beetlejuice universe, once you're dead, you're stuck that way. (Unless you get your soul sucked that is).

Well, that clears things up, right?

Maybe not.

For a long time, a lot of us in the fandom accepted the whole "in the afterlife they become civil servants" thing because, well, that was what we were told. But with the recent instalment of Beetlejuice Beetlejuice this is now dubious.

Why?

Betelgeuse himself.

Betelgeuse was largely assumed by many to have died by suicide. Various headcanons over the years include strangulation, hanging, poison, drowning, electrocuting himself - the list truly goes on. part of his charm is the mystery. But with the sequel, it is suggested that he died by poison from another. Delores.

Why is this an issue?

Well, if Betelgeuse didn't commit suicide, why was he Juno's assistant?

I have two theories for that.

Firstly, in line with this entire post - he died after Delores poisoned him and then chose to work up from the bottom to become Juno's assistant. He claims himself that his heart was pretty much blackened before he met Delores, so what's to stop him from wanting to take over in the afterlife after finding himself there ahead of his time? He probably feels robbed of life and hella opportunistic. It would support the theory of unfinished business and explain the random jobs we see him doing in Beetlejuice Beetlejuice. From Guide to working Immigration, man's got one hell of a resume.

Then there's my second theory, which muddies the waters quite a bit.

We didn't actually see him die after he was poisoned.

I'll let that fester for a bit...

Ready to move on?

Let's talk about *Juno!

Juno, my beloved.

Despite recent questions surrounding her cause of death, I do personally feel the cut on Juno's throat was self-imposed. The issue fans have with how deep the cut is can be answered fairly reasonable. This is more practical rather than an effort for believability. Beetlejuice is high camp and smoke pouring from the throat of a ghost only adds to its ridiculousness. Plus, it helps back up my theory that those who commit suicide are required to do some type of work in the afterlife to make up for their shortened time on earth.

The reason I believe this is that Juno seems to really hate her job - or at least hate the crap that comes with it. If she had chosen to be a caseworker, (or been given a job similar to what she did when living), we'd perhaps see her be a little more understanding to everything that was going on. Instead, she's burdened by her paperwork, sick of having to deal with issues from baby ghosts and their "routine hauntings," and the poor woman is constantly haunted by the knowledge that Betelgeuse is out there.

(While we don't know their history, we do know that Betelgeuse ended up with a bit of a liking for Bio-exorcisms. I don't think she believes him evil any more than she considers him a nuisance, so we can only assume he got caught up in trouble that threatened Juno's line of work, leading to him getting fired.)

The real reason I can suggest that jobs are largely a choice are the recent additions to the Beetlejuice universe. I'm talking about Richard, Wolf Jackson, the Shrinkers, the Janitor and all of Wolf Jackson's squad, (plus a handful of others). They all have jobs, with some having more legitimate jobs than others.

This is where my theory really comes into play.

I think all of the above characters (possible with the exception of the Shrinkers) chose their jobs. Why? They have unfinished business - just as Barbara and Adam had unfinished business in Beetlejuice.

(Of course "they found a loophole and moved on" but this is more-so to explain their necessary absence in Beetlejuice Beetlejuice. From a lore perspective, they could very well still be haunting the house for another 89 years. I (like many others now) believe the loophole was unfinished business. They had the family (Lydia) that they wanted all along and when she moved on with her life, they felt complete. Next stop: The Soul Train and The Great Beyond.)

When looking at these new characters, here's what I theorise for each of them:

Richard - Unfinished business: a family reunion. Richard died in the Amazon, away from Astrid and likely didn't get a proper goodbye. After saving her, thus seeing her once more, he could move on. It's possible too that he's not going to move on after Beetlejuice Beetlejuice due to waiting on more family to see again. But we don't know that, so I'll keep it short.

Wolf Jackson - Unfinished business: "keeping it real." Wolf Jackson seems slightly in denial about his situation. Janet has to continuously remind him that he in an actor because he gets too into the bit he's currently doing. I think the man gets completely convinced he is a spy/detective/investigator/whatever it is he is hyper-fixated on becoming. He's method, dedicated to his craft and won't move on until he feels he has fulfilled every cast-type possible for his range. He's gunning for a Gross-cer.

Wolf Jackson's squad (including Janet) - Unfinished business: supporting cast. Judging by how useless they all are, I'd hedge bets that they are actors too, waiting for their "big break" or recognition to feel satisfied with life (or death). In the Toonverse, celebrities are canon. If these universes are more aligned than previously thought, this could be a possibility.

The Shrinkers - Unfinished business: think big. These poor sods got on the wrong side of a witch doctor (although I really do think a certain B-man is to blame for this). We saw what happened when the portal to the living world opened. Those suckers saw a bid for freedom and went for it. I'd wager that they're somewhat forced to work for Betelgeuse. Maybe he's promised them 'head' (not that kind) if they do his dirty work. After all, he got his head back to normal size. Who's to say he hasn't promised them the same if they work for him? (Let's hope they read the fine print in that contract).

The Janitor - Unfinished business: a taste for revenge. To be honest, I think this guy either died by suicide or totally on accident. Either way, it was from ingesting something toxic. He's got a hankering for bleach and chemicals, who's to say this was just in death? I think he was content working in the afterlife, consuming these deadly toxins with zero repercussions.

Much of the same can be said for the Dry Cleaner. People need their clothes cleaned, he was good at it in life. Why not carry on if you're not ready to go?

Speaking of ready to go...

All aboard The Soul Train!

Another key point in Beetlejuice Beetlejuice is that (aside from Astrid, who was semi-forced to board), The Soul Train is something you board when you're ready to depart. Maybe some people are forced here and there, as there are guards stationed, but we are also reassured that Hell is an option for those who do truly fucked up shit.

(It's worth noting also that The Soul Train has other stops. The Pearly Gates, Elysium and another stop (my memory fails), all of which were DELAYED. Time works differently in the afterlife; maybe some people get jobs because the wait is truly an eternity.)

WOW, you made far! Congratulations for enduring my ramblings, here's a beetle for your trouble 🪲

After all that, here's what we do know:

If you died within a certain radius of your home, you're left to haunt it for 125 years.

If you died by suicide (and if Otho is correct), you have to work for an unspecified amount of time as a civil servant in the afterlife.

If you died via a horrific accident (Wolf Jackson, Janet and Richard), jobs are there for you and you don't even need the credentials to back up your experience.

You cannot leave the afterlife unless you are confirmed "dead dead", board the soul train, attempt to swap souls with a living person or get sent to Hell.

In summary:

Jobs are available in the afterlife. There's no expectation to "work" but there's not much else to do. If you're not ready to leave the afterlife, (perhaps you're still processing death, waiting for loved ones to meet you on the other side or even enjoying the weird and wonderful atmosphere), why not get a job?

Well...unless you're forced into one by a horny poltergeist. But that's a whole other post.

But hey, what do I know? I'm only living.

[nikethestatue]

Elriel theory time:

Something I thought about.

I am going to try to make it make sense, but I am excited about this so my mind is racing and scattered.

We have potentially THREE Made objects in Elriel's possession.

And I think that their reaction to them is very interesting.

Elain's engagement ring--she was wearing it when she was thrown into the Cauldron. it, by definition, has to be Made.

Truth-Teller--Made.

Elain's Necklace --quite possibly Made as well, by Elain's powers and through her emotions. *Just like HOW and friendship bracelets were Made by Nesta.

Now, what's interesting, is that Elain, even after Graysen broke up with her, couldn't get rid of the ring. We know that she held on to it, and wore it for at least a few months after she was Made. Yes, possibly harboring futile hopes for a reconciliation. However, interestingly, we know that Elain also kept the ring, even if she no longer wears it.

Whats more, Graysen demanded that Elain give him the ring back. She refused, again, possibly for sentimental reasons, but it was RHYSAND who stepped in and put Graysen in his place, telling Elain to keep the ring.

The question is, did he realize what it was? And did he want to prevent Graysen from having a Made object?

Does it remind you of another person--he couldn't get rid of a piece of jewellery after a break up?

Azriel found Elan's necklace in the pile of presents and took it with him to the snowball fight. Afterwards, he had every intention to return it, but as we know, he couldn't bring himself to. In the end, he ended up, as if in some daze, in the Library.

But he didn't go to Gwyn or any other priestess. He didn't go upstairs to his bedroom and he didn't shove it in a cupboard. He went to Clotho. Clotho, who, like Rhysand, very well might be a daemati. She takes the necklace, and of course we know that she didn't give it to Gwyn, because there is never any mention of Gwyn possessing it.

So the question is--does Elain, and by extension Azriel, now have their own little Trove of Made objects? We have a ring, a necklace and a dagger. What's interesting though with these items, is that at least two of them (dagger and necklace) were handled by both of them.

Unlike Nesta's swords, and friendship bracelets, and even HOW, which were specific to her and Made by HER, for HER, there is a sense, at least in my opinion, that the Elriel Trove is much more of a unified and combined sort of thing. Azriel who is just as involved in this exchange of Made objects as Elain.

I wonder how all of this will come into play later or, but it makes me think that the next book will be much more of a duet, like Feysand, than just "elain's story' or even 'azriel's story'--like that of Nesta, and Bryce.

Azriel and Elain are inexorably linked, not just in affection, but magic too. The magic is a bridge between the two of them. Like TT was--a bridge between dark and light.

There two MORE items that I am wondering about.

The headache powder and the ear plugs.

Now, interestingly, Elain tells everyone that 'I had Madja make it for me'--and it is quite possible that Madja made the actual powder. But did Elain also Make the powder? Which, by the way, is another thing that Azriel treasures and keeps by his bed, unable to actually utilize it, because...perhaps, he feels that now isn't the time yet? Might this potentially Made medicine come in handy at a later time? Just like the ear plugs?

Are Azriel and Elain, unbeknownst to them, building a treasure Trove of Made items, which will come in handy in their own book?

[yandereunsolved]

Yandere Castiel pining over Jimmy Novak's best friend (S4)—why do you care for his vessel and not him?

Yandere Castiel became aware of your presence the day he became aware that Jimmy Novak was the person who would be his vessel. He didn't think much of you, simply another human amongst all the others. However, all humans are his father's creations. You seemed like what could be called a good friend—loyal. That is something he could relate to. A loyalty that in the beginning he respected wholeheartedly.

A positive beginning that aged like hard cider into a celestial being's desire of possession and obsess.

Yandere Castiel first met you face to face after possessing Jimmy's body. You had heard about his vessel's troubles and had come rushing over. It's an experience he will never forget.

You parked your vehicle in the driveway and ran out of your car in a panic. He could feel your heightened anxiety and panic, and he almost felt something. It was so peculiar. It made his eyebrows furrow and his nose scrunch up.

He was planning on simply leaving, but you stood in front of him and pestered him with questions. When Jimmy's daughter came out, you told her, 'Me and your daddy are just going for a walk. He isn't feeling well, so we are going to get some fresh air.' Which Castiel thought was ludicrous. He tried to rebuff by telling you 'He is an angel of the Lord and that Jimmy Novak is his vessel—to which you promptly clamped your hand over his mouth and scolded him. 

He isn't entirely sure why he got in your human vehicle. He could have simply whisked himself and continued on the mission heaven gave him. He was supposed to. Still, with this unfamiliar reaction to you, he couldn't help but rationalize it as you being important to the celestial plane somehow. 

So that's how he ended up in a human hospital with you filling out papers that pertain to Jimmy.

Yandere Castiel found no need to pretend, so that's how he ended up dragging you into angelic affairs. Or perhaps it was the other way around. You were quite insistent on staying near him after he explained the situation to the extent he was allowed. There wasn't even a hesitance on your part. You were simply protective over his vessel, despite the fact he is the multidimensional being inside the vessel.

That's when that odd sensitivity popped up once again.

It was almost like you were just as concerned for him as you were for Jimmy. It was quite a useless emotion for you to have, but he was still... flattered? by it.

Yandere Castiel reluctantly separated himself from you to an extent. You had attracted attention from both heaven and hell, so he had to. He had to. Right?

Heaven wasn't pleased with him getting distracted. They essentially wanted to allow you to wander back into the world with no angelic protection. It's like leading a lamb to the slaughter. Now Castiel is no stranger to that. He's watched his brothers and sisters slaughter humans for much less egregious acts. Though this time it felt wrong.

He ended up warding you from all angels, including himself, with your consent, of course. He left a specific engraving on your ribs that roughly translates to 'mine. touch this human and I will smite you where you stand.'

Yandere Castiel felt as if his grace had been ripped from him when he was away from you. Could God have created you specially for him? It was an impossible thought. One no angel should have for a human. That's how mighty beings fall. It is heaven's number one rule not to love anything, not even the humanity their God created.

He pushed himself into the mission he was given and tried to ignore the sizzling sensation all over his celestial body. It's a spiritual reaction to being left without your presence for an extended period of time.

He worked with Uriel, then had to kill his brother. He had to kill many more for you to protect you. He met the Winchesters and learned about them; grew attached. Anna tempted him into developing the capacity for human emotion. He was so lost. You were; you are the only thing that makes him feel found—safe.

He took that safety from himself in order to protect you.

Foolishly, he seeked you and, in return, your presence.

That's when heaven knew they had to reprimand him.

Yandere Castiel experienced things up there that would physically not only break a lesser being's psyche but erase it. If anything, it only made that sizzling sensation evolve into a scorching one. It was as if his feathers were being stripped off one by one. An unforgiving hand that forces him towards you. The heart he doesn't have broke and learned to yearn.

Like an obedient soldier, he listened to their words. He swore his loyalty once again, and he was allowed back onto Earth. He didn't go to Jimmy first, no. He scoured the earth and thought you were gone for good until you called for him. That was a rash human decision. You were only hidden unless you made yourself known.

Yandere Castiel had to come and see you. He had to explain himself and rid this fiery ache from his celestial body. Only when he came to your call, your first question was about Jimmy, not him. You looked past him. You ignored the agony that was everywhere on him.

Why? That feeling didn't ease at your lack of care for the angel in front of you.

Your demands to know where Jimmy was and if his family was safe fell deafly on him. He had to put you in your place. Yes, it was out of anger and hurt, but also a certain amount of righteousness he felt he had to regain. You belong to him, even if you don't like it.

"I learned my lesson while I was away. I serve Heaven, I don’t serve man. And I-I certainly don’t s-serve... you."

He's just an obedient little soldier who has been broken by you.

[kimberleyjean]

What did Adam change? (Part 1)

To follow up on my recent reblog about the baby swap, I'm going to take a closer look at Adam where we leave him at the end of S1. Because, by the end of S1, Adam had changed quite a few things... and I'm going to use both the TV show and the book to provide evidence.

To become the Young's real son, I don't think Adam really needed to change all that much. He just says the words to Satan, Satan disappears, and that should be it, right? But no, because Adam goes much further, and I think he does it because he can.

Because Adam has opinions, you see. Opinions on how the world should be and what he wants to happen. Except, unlike Agnes, who needs to write a prophecy and then wait 300 years for her descendant to enact it, Adam can just make it so.

The Other Two Babies

I originally thought about putting all the things Adam changes into a single post, but instead I'm going to make this a short series of posts, because he changes a fair bit. Let's start with where we left off with the baby swap, crack open a copy of the book and discuss the changes for Warlock and Greasy first.

Warlock

Here's some excerpts of Warlock flying home from Megiddo to America (my bolds for emphasis):

It was Sunday afternoon. High over England a 747 droned westwards. In the first-class cabin a boy called Warlock put down his comic and stared out of the window.

...

And now he was going back to the States. There had been some sort of problem with tickets or flights or airport destination-boards or something. It was weird; he was pretty sure his father had meant to go back to England. Warlock liked England. It was a nice country to be an American in.

...

And Warlock flew on to America. He deserved something (after all, you never forget the first friends you ever had, even if you were all a few hours old at the time) and the power that was controlling the fate of all mankind at that precise time was thinking: Well, he's going to America, isn't he? Don't see how you could have anythin' better than going to America. They've got thirty-nine flavors of ice cream there. Maybe even more.

So it's Adam who has sent Warlock back to America, despite Warlock wanting (even, expecting) to be on his way to England. And he's controlling the fate of all mankind.

Greasy

Likewise, he has changes for Greasy Johnson too (the discarded baby who grows up to win prizes for his tropical fish).

The plane was at that point passing right above the Lower Tadfield bedroom of Greasy Johnson, who was aimlessly leafing through a photography magazine that he'd bought merely because it had a rather good picture of a tropical fish on the cover. A few pages below Greasy's listless finger was a spread on American football, and how it was really catching on in Europe. Which was odd… because when the magazine had been printed, those pages had been about photography in desert conditions. It was about to change his life.

Adam is deciding here how to alter Warlock and Greasy's paths. Warlock wants to be back in the UK, but Adam thinks America is better, while Greasy's magazine is changed to American football, which I guess is implying he's going to become an American footballer.

Now, not everyone may be aware, but these parts weren't in the first release of the novel. It only came about later, in the American edition. Apparently the changes were in response to prompting from the American editor, but they got "carried away" making those changes (source).

Season 3 (warning: speculation)

So, do you think this could be relevant for S3? For me personally, the fact that these bits were added later makes me wonder if this was helping to set up for a potential sequel. It's certainly poetic - just like the baby swap that originally involved all three, we are now implying a potential adolescent swap of Greasy, who is interested in American football, and Warlock, who is interested to return to the U.K.

If you've read at all about the hypothetical plot of the proposed written sequel, you'll know that it involved a trip to America, ostensibly to look for a lost Jesus. So, if the next book was originally meant to be about going and finding someone (Jesus?) in America, then Greasy or Warlock could make sense. It would be a switcheroo all over again if Warlock had left for the UK and Greasy for America.

Another alternative is that all three could end up converging in America, since Warlock already lives there and both Adam and Greasy have interests in going there. But if that's the intention, why mention that Warlock wants to be back "home" in the U.K.?

So, those are my possible takes on how this passage can be interpreted. I know there are some theories that either Greasy or Warlock may be the Second Coming. I've also seen a theory now that Adam himself could be a contender (both spawn of Satan and spawn of God - it'd certainly be interesting!). I'm not placing bets on any of these outcomes just yet.

In addition to this passage in the book, we also see some interesting changes made by Adam which are featured more prominently in the show - one's that have implications for the ineffable husbands.

Part 2 coming soon!

Thanks as always to everyone at the @ineffable-detective-agency (including @noneorother, @embracing-the-ineffable, @lookingatacupoftea, @251-dmr, @somehow-a-human, @maufungi, @havemyheartaziraphale, @theastrophysicistnextdoor, @dunkthebiscuit, @komorezuki, & @ghstptats).

[rekino2114]

Hello! This is my first time requesting! I hope you write it later on! :D

 

How about the Chainsaw Man Girls Celebrating Their S/O Birthday? 

The chainsaw man girls celebrating your birthday

A/n:so this request was actually sent only a few days ago but I decided to anticipate it because today is actually my birthday and that's on theme. Thanks a lot to everyone who wished me happy birthday by the way

(I know today was supposed to be a drdt daturday but my birthday comes first)

Makima

Be prepared to have the best birthday anyone could possibly ask for, makima will literally do anything you want and make sure there isn't a moment where you aren't happy,from the moment you wake up to when you fall asleep together

She will give you the best cake money can buy, with your favorite flavors and decorate it however you want it to be (spoon feeding it to you, obviously)

As for the gifts she just brought you everything you expressed interest in during the year, from talking to her about how much you liked it to a simple glance in the shopping mall, she brought it. And don't even worry about how much it cost, she has enough money whatever it is

Makima never thought she'd truthfully celebrate a human's birthday let alone do this much, but you're the person who she loves more than anything, seeing you happy makes her heart swell with love she wants nothing but to celebrate the birth of the person who made her a human

"Happy birthday my love, I hope you get to spend another wonderful year of your life by my side, I love you so much"

Power

(I want you all to know I was this close to making a joke about "that scene," but I decided against it to avoid spoilers.....and also because every time I look at that panel I get the urge to stab makima 37 times in the chest)

She.....might have forgotten about it and only remembered when denji and aki mentioned it to her. In any other case she wouldn't care about a stupid human's birthday but since it was you she genuinely felt guilty.

Preparing your party was a group effort with her friends, she asked aki to bake you a cake and denji to put the decorations on while she.......she didn't really do that much, just kinda looked at them while they worked, which made the two guys mad at her

She didn't know what to get you (she said her presence was enough of a gift), but after being pressured by her friends, she just drew you a picture of you together and wrote you a letter with all of the love she felt for you written down

The drawing.....wasn't the best and her calligraphy was quite bad but you really appreciated the effort, you could tell she really loved you and wanted to express that.

"Happy birthday human! I'm happy you have survived another year to be with the great power......Hm....i-i love you, h-here's your gift...i-i put a lot of effort in it"

Himeno

She threw a straight-up party for you, inviting every one of your friends, including all members of division 4. You all had fun and laughed together, but she made sure the attention was all on you, it's your special day after all.

During the day she acts like there's nothing special going on, just being her normal self but not ignoring you so you don't get mad her but then in the evening she tells you makima assigned you two to a special mission but then she brought you to a bar where your party is being held before scooping you up in her arms and telling you happy birthday

She brought a classic cake and a gift she knew you wanted for a while (she might have also told everyone there to bring you a gift too) she also definitely sang happy birthday to you while everyone else (including you) was embarrassed

She tried not to get too drunk this time as she wanted to remember this amazing moment, and she actually succeeded. She spends all night near you being even more affectionate than usual and complimenting you every 5 seconds

"Happy birthday, babe! You thought I forgot, didn't you? Don't worry, I could never. I hope you enjoy the party cause it's just the beginning~"

Kobeni higashiyama

She was very ready for this day, she put a reminder on her calendar and prepared herself for it, she wanted to celebrate you and the fact that you loved her

She tried baking the cake herself, and it actually came out pretty good. She didn't know she could actually bake but she found out she was okay at it, that kinda raised her confidence just by a small bit though

She actually made you a handmade gift. Maybe she learned how to sew to make a shirt, or maybe she knit you a scarf, whatever you prefer, she specifically made it for you. The reasons why she chose to do this were 1:she didn't have enough money to buy you what she thought was a good enough gift, and 2: she wanted to show you how much you truly meant to her, she learned a new skill just for you.

She's just smiling the entire day, when you're eating the cake, when you open her gift and when you hug her telling her how much you loved it (she almost passed out from how much she blushed there)

"H-happy birthday y/n, i-I actually made you this, I hope you like it......oh y-you do? Thanks so much, i-i just wanted to do this, it's your special day after all"

Quanxi (and her harem)

They actually decided to throw you a surprise party with only the six of you, like himeno they tried to act like it wasn't a special day, quanxi was definitely the most successful at that as she doesn't show that much emotion in the first place, her girlfriends however had some issues....you saw them giggling to themselves and getting all nervous when your birthday was brought up

Quanxi took you out on a date while the fiends decorated your place and prepared the cake. When you got back, they all hid and jumped out, yelling surprise and laughing.

They each brought you a gift that they knew you'd like. Some of them brought it, and others handmade it. It's really sweet because they'll take turns giving you the gifts and making speeches about how much they love you while the other girls hype her up

They also each take turns kissing you and hugging you all resulting in a giant puddle of affection that make you feel so so loved and warm

"HAPPY BIRTHDAY!/HALLOWEEN!"

"I think I can speak for all of us when I say that the day you entered our lives was amazing, you made all of us feel even more loved than we already were, we cannot thank you enough, happy birthday y/n"

Asa mitaka

She was both excited and nervous for this day, excited because she got an opportunity to do something to show how much you truly changed her life and you meant to her but nervous because what would happen to your relationship if she did something you wouldn't like? Would you break up with her? These thoughts plague her mind often, but especially on occasions like this

In a surprising twist, it was actually yoru who helped her gain confidence, mentally slapping her (like actually slapping her in her mind) and telling her to stop whining because you'll definitely like what she did for you, it was pretty surprising for asa seeing the war devil actually being nice to her, but she thanked her and calmed down

She brought you a cake and something you told her you wanted but didn't have enough money to buy, she saved enough to buy it from doing part time jobs and other stuff only for you.

She also made a speech that she wrote down and studied the night before like it was a test. In that speech, she told you everything she ever wanted to tell you, how much she loves you, how just being near you makes her feel so much better, how you make all of the struggles in her life easier just by being there near her and how much she wants to spend the rest of her life with you.

"S-so did you like it? The party, the speech, everything,.....I just want to say....thank you, you make my life worth living, i-i truly love you"

Yoru

She doesn't fully understand the concept of birthdays. Why would a human want to celebrate the fact that they're one year closer to death? But this time she made an effort for you

She did threaten basically everyone who she needed something from, the bakery to get your cake and the store to get your gift, they should be thankful it was her partner's birthday and so she felt merciful and didn't kill anyone, she also forced asa to decorate her house but the girl doesn't mind that much since you're her friend

Other than the gift she stole brought for you, she also made you something herself, a shield shaped badge she made by turning a small thing into a shield with her powers, she told you to always wear it as it signified that she would always protect you

(I can't remember if she can actually make shield, I still consider them weapon so I feel like she could)

Even if she'd never admit it, seeing you happy over she did made her (asa's?) Heart flutter, she thought she only loved destruction and bloodshed before she met you but she found out she was wrong...she loved you too

"Hm? You like it? Oh thanks but it's nothing, I can literally make one whenever I want, oh... You're talking about the party, well you're welcome, I don't understand human customs but it's the least I could do for you, thanks I love you"

Fami

The moment she found out when your birthday was, she made a lot of reservations to every restaurant you like. You're getting a day full of eating, and you don't get a choice in it

You're having a literal feast for every meal of the day, whether it be at fancy restaurants or fast food or just something fami tried to make or ordered from take out places, all of it are all of your favorite foods that she shares with you, she had to stop herself multiple times from just devouring everything but seeing you enjoy the food was enough to make her happy

All of it culminated when she brought you home and gave you your cake. It was actually something she made, and it was pretty good. She wanted to make something special for you with her bare hands to show you her care. Even if she's not the best cook, the cake still tastes amazing to you cause you can taste all the love in it

This was probably the day you saw her smile the most. Just seeing you eating and looking at her, you looked so precious and amazing. She wants to see you like that more, the look of gratitude and love you give her feel more delicious than any food could ever be

" So what was the best food you ate today? Uh? My cake? It's really nothing special it was actually the first time I ever cooked something.....thank you. I'm glad you liked it, I love you Happy birthday"

[spaceorphan18]

The Lady Whistledown Papers : 1x08 After the Rain (Part 1)

Welcome back, Gentle Readers, to The Lady Whistledown Papers, where I’m taking an in-depth look at Penelope Featherington and Colin Bridgerton’s character arcs and romance within the show Bridgerton!

For previous issues, follow tag : The Lady Whistledown Papers

Last episode of Season 1 - let's do this!

Family Time

These big family scenes are some of my favorite - mostly because there's usually so much going on during them, and everyone gets a beat. Anthony's sulking (and throwing groundwork for Season 2); Gregory and Hyacinth are bantering, Benedict and Eloise are hyping up the Lady Whistledown plot, and Colin's in the background pouring over his maps, because after all the drama he is peacing outta there.

Violet enters exclaiming that Francesca will be returning (because it's the finale and we should try to have all 8 in the same room again). Colin snarks that she can update them on how great not being in London is. Glad to see Colin's continuing to add humor back in his life, but oh man is he ready to be anywhere but there.

Also, Violet recounts all the drama of the season from Daphne and Simon to Anthony and Siena, though she fascinatingly does not mention Marina.

Penelope and Marina

Meanwhile, back at the Featherington Estate, Penelope goes to check in on Marina. She is fine after her bout with the tea -- but now thinks she's magically cured herself of pregnancy. Ah, the medical information of the 19th century. Poor girl.

Penelope isn't so sure, but she really knows nothing about medicine anyway, so she kind of just lets it go.

Penelope then remarks that Marina caused 'quite a flutter'. And it's interesting - despite some of the friction that was caused between the two of them, I still believe that Penelope still likes Marina, in general, and while it's clear Marina is anxious to return home, I do think Penelope will miss her being around - she did add a little spice to their day.

I have to wonder, too, if Penelope does feels slight guilt for causing such a tizzy herself? But then, I don't think she does. I think she believes she did the right thing -- but still feels awkward about it with Marina.

Marina then apologies for the whole ordeal. And I do think she's sincere here. She did what she thought was best and in her own self interests to protect herself and an unborn child. And now that she thinks it's all over, she can go back to being her again.

Marina goes on to say that Penelope was right - that Colin is a good man with a good heart, and I mean -- the pride in Pen's eyes. She's almost bashful about it, but she's like - I know how good he is. I've seen it for years. Thank you for acknowledging that. It's a fascinating little look that isn't about her at all - but about someone else seeing what she does in him.

Marina then goes on to somewhat try to mend a cruelty. She doesn't have to say the next part, she could have left it at -- Colin is a good dude. But she makes it a point to acknowledge that not only is Penelope good to him, but that some day Colin will notice her. And, like, this is incredibly kind. Marina went out of her way to destroy all of Pen's hope for her own personal gain. And, maybe as an apology, or maybe as something she genuinely senses, she's restoring some of Pen's hope.

And, of course, this works as narrative foreshadowing. The show is taking a moment to say -- hey, the real love story is between these two idiots who are bumbling along on their road to each other. We're not there yet - but we're getting there. And I love that.

The scene ends with the arrival of Sir Phillip Crane, and this is where the narrative shifts. The story of Colin and Marina is done, and Marina is going to continue on with her own story into a new (and final) part. One in which Penelope really doesn't have anything to do - now that the Polin portion of the storyline is done (in relation to Marina).

Sir Phillip Crane

I really like how Penelope is kind of taking a caring and protective stance here. She and Marina are on the same side again, and while Penelope really doesn't have anything to do in this scene - she's poised as Marina's ally. She's holding Marina's hand, and has her back, and wants to make sure she's okay -- while also shooting Crane some very watchful looks.

Also, somewhat of an aside, since it isn't directly related to Penelope, we learn that George died on the battlefield, and Marina leaves -- and we get a genuinely emotional moment for Marina. And I think it helps frame her entire story, if you go back and watch it again. Marina encased her own feelings, her own heartache, her own heart. She did do everything she did out of self preservation, because she felt she was truly and utterly alone. And upon learning that George hadn't forsaken her -- she just breaks down and is able to grieve and it's a really powerful moment. I don't agree with Marina's choices, and I think it would have been a terrible thing if she and Colin had gotten married -- but I also understand her and her choices and I think she's a rather complicated character, too.

I do appreciate that this show does have more depth to it than just pretty people having sex on the stairs. There's a lot of emotional complexity in the Marina story line.

[This scene takes place six-ish minutes later, but I thought I'd lump it all together.]

Penelope is in the background here, so it gives me a minute to ponder about something... Phillip Crane is the male protagonist of book 5. Which is Eloise's book. And, I just wonder if this is really the show paying the long game here with Eloise's story? Or if they decided to just do something different? I have no idea! Marina dies from depression and attempts on her own life in the book -- and I would hate to see this character, whom we've grown to like meet that fate. Not to mention, show Eloise is sooo different than her book counterpart, it's hard to imagine her falling in love with this guy. It's all so weird. I really don't know what they're going to do with it.

Penelope has a couple of interesting reactions in this scene, however. The first being when Marina says that she cannot marry Crane because she does not love him. And Penelope is kind of nodding along in agreement here. Because she isn't there for her mother's assertion that you should just marry for the status and security of it. She does believe in love, and believes one should marry for that reason.

The other look, it's dark, and I can't quite get a read on it. But it's when Marina is telling Portia off -- stating that she's done with lies and deception and thinking that now that she's without a child she can be true to herself again. And I wonder if Penelope is somewhat envious of her gumption. How much would she like to stand up to her own mother but can't? But also - how much she feels she can't be her true self and has to use Lady Whistledown to express it? Idk what the intention of the look is supposed to be, but I do think it lends credence to the fact that Penelope is a deeply complex character, too, one whose motivations are not black or white, either.

And... that's where I'm stopping for now. :)