#and the hashtags are too long

[tysoninatoragain]

I'm so sorry to tell you this but Jason is NOT coming back in TSATS, it would literally make no sense for his arc and Apollo's arc

[sentate]

SENTATE - The Sunset Collection

Blending beach days with date nights; The Sunset Collection is fresh set of romantic dresses that can be kept casual for the day or glammed up for the evening. Whether its a cheeky sheer mini dress or a showstopping silk gown, your sims are guaranteed to be sizzling by sunset!

This 8 item set comes in my 30 swatch colour palette plus 15 new print swatches.

8 Items Total / 30 Plain Swatches (+15 prints)

DOWNLOAD - Free on Patreon

MORE DOWNLOADS  |  TERMS OF USE  |  LINK TREE

[kelpreee]

Bro couldn't believe his eyes (quite literally)

[bloumiiss]

“The hands that cradled your face and tilted it upward to kiss your forehead are soaked in unfathomable quantities of blood.”

“But they cradled me, yes?”

I got really into the theory of the apple (from that one image from the beast yeast chapter 7/8 leaks) being the fruit of knowledge. And I thought, what if Pure Vanilla takes a bite out of it? (*^▽^)/★*☆♪

So here’s an artwork where Pure Vanilla is slowly going insane after taking a bite, and all Shadow Milk can do is hold him as he succumbs to the same insanity that claimed him so long ago. Fun stuff, am I right? ((o(^∇^)o))

[missnotstarry]

[fittlebottom]

Timeskip shenanigans my beloved

Also finished girlycard doodle from yesterday .

[sammygull]

[milquetoast27]

Subtext in The Creeping Man

I find that this story of Arthur Conan Doyle's Holmes canon features some of the most complex subtext we've had aside from A Study in Scarlet. But rather than being complex early-on because of our lack of knowledge of the characters, it is rather complicated by the fact that we both know too much and too little of their relationship. This story, with astonishing subtlety, conveys the cooperative relationship between Doyle's two characters — the nuance in their limits and strains, but also the joys that they work to reach, together. It emblemises the beauty of the Canon, where it all ties back to the joy and complexity of human understanding and belonging.

This story opens in "those latter days" (1903, near to Holmes's retirement) where Watson describes their relations as "peculiar". The word certainly feels like a euphemism from the ever-polite Dr. Watson, when it is soon made clear that their relations were far from amenable. Watson has become one of Holmes's "concentrated habits", and apparently is as good as a piece of funiture, as all of Holmes's remarks would have been as "appropriately addressed to his bedstead." It's given through snapped sentences; "I was a whetstone for his mind. I stimulated him. He liked to think aloud in my presence." This "irritation" and discordance between them is extremely concentrated in the early pages of this story, but drags through it, as well. Take, for example, the "laconic" (or perhaps iconic?) message:

"COME AT ONCE IF CONVENIENT — IF INCONVENIENT COME ALL THE SAME. S.H."

Watson gives us the original of Holmes's telegram to demonstrate to his readers just how "long-suffering" he is. A true exhaustion is apparent in how he simply shows the telegram, rather than politely referring to it. Compare this with the unendingly civil telegram sent to Watson in The Boscombe Valley Mystery, and you can see the great shift that has taken place in their alliance.

"HAVE YOU A COUPLE OF DAYS TO SPARE? HAVE JUST BEEN WIRED FOR FROM THE WEST OF ENGLAND IN CONNECTION WITH BOSCOMBE VALLEY TRAGEDY. SHALL BE GLAD IF YOU WILL COME WITH ME. AIR AND SCENERY PERFECT. LEAVE PADDINGTON BY THE 11.15."

While long-term and intimate relationships will remove need for over-courtesey, there are two very different reasons for why Doyle has shown both of these telegrams at a point in time. This accumulation of Holmes's ungrateful behaviour not only imparts Watson's utter despondancy, but also, importantly, Holmes’s — and this is something that Watson's ever-perceptive and intelligent heart does not fail to miss. It is important to note that this story nears Holmes's retirement, where he acknowledges that he has been "sluggish in mind". There is no doubt, then, that the great detective is out of his prime. Hence the temperementalness, taking his Watson for granted, and a heavier reliance on those "narrow and concentrated habits."

Despite the turbulent roads of their life, we see Watson's undying devotion co-exist with it. Past all the irritation, Watson closes, "Such was my humble role in our alliance." It is more than clear that he consciously makes the decision to remain at Holmes's side, to be his ally. Such has always been Watson's role in their alliance. His "humble" service extends to his practice as doctor and soldier. His pride is in his duty to others, and to Holmes as his assistant.

There is something that shines through Holmes's unsocial behaviour when we look closely at the text.

I sank back in my chair in some disappointment. Was it for so trivial a question as this that I had been summoned from my work? Holmes glanced across at me. "The same old Watson!" said he. "You never learn that the gravest issues may depend upon the smallest things."

We know from the Canon (opening of DANC and RESI) that Watson's emotions are like an open book to Holmes. This 'sinking in some disappointment' is not missed by Holmes's 'glance'. "The same old Watson!" he says, and I feel it important to note that he compliments one of Watson's most distinguishing features; his stability and fixture — the "one fixed point in a changing age." Yet, we may miss these details, because Holmes, ever in his own insecurity, must back-hand every praise with a teasing chide. We could say that an attempt was made to cheer Watson up, though not very successful.

Developments continue, as Holmes tryingly says "I had hoped to have a longer chat with you", then parades him with compliments before their client, "Dr. Watson is the very soul of discretion". But mixed indications continue to come as he flips back to patronising language; "You will appreciate it, Watson, when"—. Doyle further cements Holmes's particular unbecoming behaviour on this day as he further also annoys their client, who speaks in a "tone of reproach" when Holmes does not listen, and is "clearly annoyed" at irrelevant interruptions — to which, Holmes only smiles in, what I believe, is pure self-importance.

Here we find a shift — a greater effort on Holmes's part, a second round of appreciation for Watson's stability, even when his opinion is faulty. "Good, Watson! You always keep us flat-footed on the ground". He's then included in his bubble; "We were gradually coming to that conclusion, were we not, Watson?", and even a sordid attempt at bringing Watson with him on the bait of the Chequers in 'Camford' where "the port used to be above mediocrity and the linen was above reproach." (Which he follows up on!)

And, despite these attempts, their connection still does not rekindle. Watson is clearly irritated still with the inconsiderate easiness with which Holmes was able to leave London, leaving only difficulty on Watson's end to join him. It's an indicator from Doyle that nothing's remedied, yet.

Here is an interesting passage for study.

"Have you the effrontery necessary to put it through?" "We can but try." "Excellent, Watson! Compound of the Busy Bee and Excelsior. We can but try — the motto of the firm."

Burstive praise from Holmes at the merest utterance of a phrase — a phrase which has only ever been used one other time in the Canon; the previous story, The Problem of Thor Bridge. This suggests it may be some small motto of Holmes's, though one not often seen in Watson's records — this makes his use of the phrase a very Holmesian approach. This participation, no doubt, is nothing but a delight for Holmes, who is trying to restring their relationship, and continues to overenthusiastically affirm Watson's sturdiness.

Yet it's made clear that superficial praises are not a true apology, as we see signs yet again of Watson's dispassion. As they sit to their meeting with Professor Presbury, Watson writes:

Mr. Holmes smiled amiably.

This sentence may seem unassuming, but be assured it is one of the coldest in the Canon. This usage of "Mr. Holmes" is entirely unique within the Canon. In other times, when Watson has used "Mr. Holmes" or "Mr. Sherlock Holmes", it has been when speaking directly to his readers, since they would be using the honourific. This moment is the only exception, where Watson has intentionally used "Mr." to create distance and convey undesire for intimacy with Holmes (rather than any professional effect). Why has Watson used the line here? Well, Holmes is 'smiling amiably' — in a way that forces a friendly manner, one that attempts to create a good impression with Professor Presbury — which also didn't work out, by the way. Considering all the superficial means up to now employed by Holmes on his companion, Watson no doubt feels cheapened and no more important than Holmes's investigative objects; as if his trust is just as easy to gain as anyone else's, with nothing but an 'amiable smile'.

We are shown time and again that Watson isn't pleased with Holmes's desultory attempts at reconciliation, until finally, a shift happens. One that is not identifiable in the text, and so is reasonable to assume happened unpenned. We find Holmes acknowledging that "Dr. Watson has his patients to attend to", when before this information seemed completely irrelevant to him. Holmes even sent Watson a "short note asking [him] to meet at the train"! The greatest change is when we finally have Watson using "my friend" and "my comrade" for the first time in this story. Now we see Watson taking real excitement in the case, in the "assurance of [his] comrade". Self-teasing also makes its way into their dialogue as Holmes cries "Oh, Watson, Watson, what a fool I have been!" The emphasised address seems to suggest an apology for something more. It's as if he cries 'Look how wrong I have been Watson, how imperfect and daft I can be!' It's adorable, really.

All semblances of reproach towards Holmes disappear as they steal together in darkness, come to the dénoument of their adventure, as Holmes philosophises on science and nature, and described admiringly as "the man of action". Our story ends in a light-hearted resolution, as always.

"There is an early train to town, Watson, but I think we shall just have time for a cup of tea at the Chequers before we catch it."

To conclude, this story presents so much so subtly in its pages; a reflection of the small, nuanced and unseen processes between human beings, but those which we must be attentive to in order to find fuller understanding between each other. Yet, there is still much uncertainty in my inferences; which also shows the uncertainty of language and communication. We simply must be clear of ourselves, as we can only assume Holmes and Watson were, off-page, for them to have found that resolution, rather than fleeting smiles and compliments. Arthur Conan Doyle, with this story, further cements the triumph of bonds and connection, perhaps far more than any other of his stories.

[somethingaboutmint]

Quick ugly doodle of cassidy contemplating her sexuality at some dump somewhere

[sleepyflowershead]

forever sleep. rest well

will awoken if call…

but for now..

dream, my lil cookie…

like you were never existed.

[nikkisbread]

i DONT KNOW how to render his clothes but have this Val while im still drawing somethonf else

theres also a mini version of this fucker i lov him

[jasluminary]

So.. ahem.. heres the run down. *Flips though a couple pages* I thought the previous art would be it and I'd move on from dandys world, somthing happened and oops! My hands slipped. Ahahah! Oh me and my delsusion... *sighs* what have I done.

[plounce]

my emoooootional issues and my physical iiiintimacy issuuuues

[acididk]

AAAAA I FINALLY FINISHED IT!!! I'M SO HAPPY IT LOOKS SO GOOD!!!

I'M LIKE SO SURPRISED THAT IT DOES IT LOOKED LIKE A PEICE OF CRAP AT THE BEGINNING!!!

Also it apparently took 34 hours...

hoo boy

[deathnotearchive]

Hi after almost nine months I am finally making an introduction post.

Welcome!!

The goal of this blog is to find and reblog as many Death Note related fanworks as I can.

The Death Note fandom is full of passionate, talented, and creative individuals whose contributions deserve to be shared and appreciated, and I want to help share and appreciate said contributions as much as possible. Also the knowledge that someone’s fanwork could drop off the face of the earth never to be found again because it was deleted or something keeps me up at night and I want to make sure those works can still be accessible to others.

I predominantly reblog from blogs who have posted recently, but that is purely because they are the easiest to find. If you know any older blogs that used to post any form of Death Note fanworks, I would appreciate it if you sent them to me.

In order to make this blog easier to navigate, I have created a google doc containing links to all of this blog’s tags relating to characters, formats/types of fanworks, relationships (both platonic or otherwise), and years. If there’s anything wrong with the links, please let me know.

As my aim is to archive as many Death Note related fanworks as I can find, when looking through this blog, there is a good chance you will find something that makes you uncomfortable. If that bothers you, then I recommend going through the google doc and filtering any tags that contain anything that will cause you discomfort (you can filter tags by going to settings —> account —> content you see —> filtered tags). Please do not harass me or anyone else over fanworks that personally make you uncomfortable, all you will succeed in is making others uncomfortable in return. If you don’t like something, just don’t engage with it.

Finally, if you have any questions/need to tell me something, please feel free to send an ask. I will try my hardest to respond as quickly and comprehensively as possible. You can also ask me to try and find a specific fanwork/creator, but there’s a very good chance I won’t be able to find what you’re looking for. Regardless, if I do find it, I will let you know as soon as I can.

[m0e-ru]

i know your blog mainly focuses on more of the “side characters” (?) from p4 but i was curious if you had a favorite member of the investigation team? :3

side characters AHAHAUAHAA i like that theyre to the side because it makes it less pressuring to think about them compared to like an izanagillion piranhas infesting a lake about a more popular character. maybe that's why I'm repellant to them <- ??????

anyway I love risegirl from the bottom of my heart I want to brush her bangs and kiss her exposed forehead and tell her she's doing amazing and we hold hands and run around in a circle lalalalala. I don't have any pictures but shes just so sweet to me.

her idol life and masking 24/7 absolutely crushing her I'm glad she made the decision to bail and actually chill for a while a be herself with people that love her, instead of trucking on and breaking herself like other poor child idols. she has the strength to let people into her life and know that they'll accept her back. it's absolutely astounding to me that she can be so cheerful and hype up others to be their best even after everything she's been through, or maybe that's where she got her willpower in the first place. her ambitions for being an entertainer are genuine as she just wants to make little girls like she once was, and still is, be the best that they can be.

the competition and drama in the entertainment industry is predatory, but I'm also so happy she can bond and be friends with kanami and the rest of the kitchen girls, despite the rivalry being forced on poor middle school scouted idol kids.

it's so fascinating to me how she has a navigator persona, a support persona. along with her endearing and cute nature, she's keen on reading people and reacting accordingly. of course, you can't blame her for her shit reactions, with naoto most notably, because she's literally going through puberty I mean she just turned 16 cmon guys cut her some slack. she can raise people's spirit whether or not she's in her idol persona because that's her power as Rise Kujikawa, that's just the kind of person she is.

she's free to express her feelings, whether her excitement, her playful infatuation with bancho, push her boundaries when shes unsettled and needs space, being angry or annoyed or stressed, and even crying tears nowhere near crocodile tears. she's a very genuine girl and a very genuine teenager of her age. she regulates her emotions accordingly, whether or not she actually does, but it makes her feel real in that regard. there are things she'll regret once she's older but I'm glad she's living and thriving the way she's supposed to: freely—despite her working as an idol.

speaking of genuine, I love her quirks. her laugh is so cute and the way she squeals is adorable, in the english or jp dub, so props to both voice actors. she's pretty athletic, being a great dancer with enough stamina to sing along. but she's kind of shit at songwriting, with that one flavor text I thought was funny. she spends her free time outside her classroom looking at the fire alarm, tempted to ring it. she knows so much about tofu and walks around the shopping district in her apron when business is slow. she goes to remedial with kanji during the summer because their autism lies in doing vocal exercises and crocheting NAWT the pythagorean theorem.

don't get me started with her beef with marie because I think it's the cutest and most hilarious thing ever. imagine you're the labeled tsundere of the cast but your category 9 autism transfers all your tsundereism to the girl behind you. marie is hot and cold about her feelings, just being embarrassed when she puts her guard down in front of bancho usually. but she's a curious and impressionable girl, so when margaret insults the girl on TV, Marie's just going to parrot that and rise starts pouting about it "that's not how the slogan goes!!" But when bancho's out of the picture, they can be normal girl friends, eating desserts and styling outfits for each other and singing duets. hell, in pq, theodore makes a lame haiku and marie and rise giggle in unison. well, maybe rise isn't a tsundere in these cases, but her seiyuu Rie Kugimiya is known for voicing tsundere roles, some I'm already familiar with, so it's funny hearing her in her element.

I could keep going on how I love risegirl but I'm going to sleeo goodnight I love girls