#and the concept of it was really interesting too!

[deathbxnny]

May I request some headcanons about Victor, selika, Vander and Vi about caring and being with a S/O with ADHD.

Please and thank you

Arcane characters with an s/o that has ADHD. | Viktor, Sevika, Vander and Vi

Thank you for your request, and I hope you'll enjoy this!<3

Content: No spoilers for season 2, season 1 Viktor, established romantic relationships, fluff, sfw

Reader has no set pronouns.

((Not proofread))

》VIKTOR

He was the first to notice and accommodate to your ADHD, mainly as he knew what it's like to live with something that makes life a little harder in general.

Viktor is very patient and gentle with you when you're having a hard time focusing on tasks or are procrastinating on projects. He understands it just fine and works with you to find strategies that make everything a bit easier. Whether it's studying with you or helping you out on research papers, you both spend a lot of time together, to say the least.

You two enjoy working on your own things in eachothers presence, as it helps you get over your lack of motivation and gives you a chance to talk his ear off freely. Thankfully, he's good at multitasking when it comes to you. Some may think your talking is excessive, but he finds it cute.

Whenever you're a bit more fidgety than usual, he'll hold your hand or give you a reassuring smile, yet doesn't stop your body from regulating itself naturally.

Viktor takes your diagnosis as a simple fact, nothing that defines or undermines your ability to be his s/o. If you need a little help, then he's very clearly okay with that.

》SEVIKA

She doesn't initially understand the concept of ADHD and doesn't care much about it either. Sure, she gets that it affects your day to day life, but she was going to help you out with anything either way even without the diagnosis. So, in other words, she's ready to learn and do as you please.

Your fidgety nature was something she definitely had to get used to, as she mistook it as fear or nervousness rather often. This typically meant that she'll ask you if you're alright a lot or if there was someone bothering you. Over time, she learns to look past it and see it as a natural part of you. If you can't sit still, then she'll let you roam around whilst her eyes watch you closely.

Your endless ramblings and deep interests about the most nichest topics also needed some time for her, but what got her the most was your procrastination issues. She did get not want to do things at all, but she would still attempt to make work as fun as possible in her own way. She'll accompany you everywhere and take care of the heavy lifting.

When she said that she was loyal, she was definitely not kidding around. Your ADHD changes nothing about the way she views you, and so she doesn't make a big deal out of it either.

》VANDER

Probably the most patient and understanding of your ADHD and its symptoms by far. He sees them as a part of you in a good way and simply accepts them as they are.

Whenever you procrastinate on chores or work, he'll try and make it more enjoyable by either helping out or promising you a nice treat after. If it's really bad, though, he'll just do things himself to not stress you out about them too much.

He's the same with your lack of focus, although he sometimes does get concerned about you zoning out when things get serious. Vander will still find his own innovative ideas on making you focus when he needs you to.

He loves listening to you talk to him about the most random things possible, mainly as it shows him that you're comfortable enough with the care he gives you. He also just enjoys weighing in with his own opinions about the many various topics you bring forth at rapid speed.

Either way, he skillfully navigates your diagnosis with ease and doesn't ever let you feel like you're burdening him with it.

》VI

Well, she certainly may have outlandish ideas at times when it comes to working with your ADHD, but she definitely at least has the spirit for it!

Your natural fidgeting and inability to stay still gets interpreted in you just needing to power yourself out. This makes you often find yourself in front of a punching bag with an excited Vi telling you to go ahead and let it alllll out. Whether it works or not is up to you, but you appreciate the effort even after you had explain it wasn't that easy.

Vi will make it her mission to help you out on projects or with work whenever the procrastination gets too bad. She'll also help you out with simpler tasks when she can but will otherwise try to make things fun, at least.

You two enjoy rambling away with each other, and it is her favorite thing. You're both bad at focusing on one topic at a time, so your talks can go on for hours, which she loves very much.

Your diagnosis is just a part of you that she very much loves, even when it gets difficult at times. She never wants you to feel left out or liked less because of it and does her best to never let you think that.

[milktiicup]

Can you make a Mr. Silver or Mr.Machete fic. I've barely seen any fics of them :(, just kinda been consuming what I can for a fic. The most common ones I encounter are Mr.Crawling and Mr.Scarletta (which I've finished all of them possibly)...

Any tag is good, fluff, angst, uh... smut? I'm just gonna read anything since I'm so content-deprived 😭

anatomy of feeling

He saw you as a research subject, and you doubt he even saw you as a friend. And yet, you let him cut you open, spread you apart and put you back together. The least he could do is kiss you in return, right?

‧₊ ᵎᵎ 🌊 ⋅ ˚✮ hhelellooooo have this mr silvair fic realising he actually kinda likes u lol

warnings. AAAAAAAANGST, unrequited feelings (kind of), mr silvair typical research (u know what i mean), hurt/comfort, HAPPY ENDING! :D

You don’t mind being a test subject- you were too far gone to even consider going home anymore. You were human, you were monster- and now you’re somewhere in between that you don’t have anywhere you can exactly call home, but Mr. Silvair was ‘kind’ enough to lend you his room, a bed to sleep on, all in exchange of hacking your body to a mushy pile of meat from time to time!

It’s not an ideal situation to be in, head over heels on the guy who researches your body inside out- and it’s not like he even likes you- you’re not even sure if Mr. Silvair is one to understand romantic feelings, anyway.

You remember the first day he indulged you- missing human skin to skin contact, missing a real connection to somebody. Mr. Gap had so kindfully lent you a magazine from the human world, and you can only imagine he gave you it free of charge because you were so down. Of course, it just had to be a magazine promoting some romance movie, the lead couple all snuggled up and kissing on the front page.

You broke down crying. You mean, of course Mr. Gap meant well, but really? It was an embarrassing state you were in, fat tears running down your face and dropping onto your legs.

Mr. Silvair had found you, obviously. Your new home was a research room. 

“You okay?” he asked, lips tugging into a frown. “Pain? Hurt?”

“Sad,” you corrected, using your raincoat sleeve to dry your eyes. Your cheeks flushed with embarrassment. “Me sad. Miss home. Want home.”

Mr. Silvair kneeled down in front of you. “This home.”

You bit your lip, and looked away. “Miss…” Stuff? Things? “...stuff from home.” You gesture to the magazine. “Humans. Touch.”

“Miss this?” he questioned, taking a seat beside you. He picked up the magazine, eyeing the front cover through his bandaged eyes, and flipped through the pages momentarily. “What miss?” 

You pointed to the front page. “...This ‘kiss.’”

“Mouth touch?”

You nodded. “Mouth touch.”

“Kish?”

You shook your head. “Kisssss,” you hissed the words out. 

“Kisssss,” he repeated, your hiss echoing.

You giggled, cheeks still wet from your tears. You wipe your eyes once more. “Miss kiss. Miss hug. Miss… human touch.”

Mr. Silvair set the magazine down and faced you. He patted the spot next to him, and you scooched yourself over. He tilted his head at you, a smile on his face. “Me kiss you?” he asked, and you froze. “Kiss you, you happy. Interested in kiss.”

The weight of his words settled over you like an uncertain storm. You studied Mr. Silvair’s face. The suggestion caught you off guard, yet his sincerity was unmistakable.

Your lips parted to speak, but no words came. Could he even comprehend what he was offering? Did he understand what kissing meant to humans, or was he simply trying to imitate the concept based on your longing? He had always been practical, clinical even, in his interactions.

Who were you kidding? Of course he doesn’t understand. He saw you as a research subject, and you doubt he even saw you as a friend. And yet, you let him cut you open, spread you apart and put you back together.

The least he could do is kiss you in return, right? 

You nodded, and Mr. Silvair didn’t make a move to kiss you at all.

“Teach kiss,” he said.

Oh. Right.

His lips, cold as they were, carried a surprising softness, almost cushiony. It was strange, almost surreal, feeling such a delicate part of him when so much of your life in his presence had been sharp edges, instruments, and prodding hands. There was no pressure in the kiss, no demand- just a willingness to learn. It was methodical, curious, like an experiment he was determined to get right.

After that moment, his kisses were a frequent part of your life. He sliced you, diced you, and put you back together and kissed you so softly afterwards that whatever remaining pain you felt was an afterthought. 

And you still weren’t happy. His kisses were to keep you in check, to keep you from being a sad little subject. And of course, your body may not be human, but your feelings and heart were. It just reminded you that no matter how much he touched you, or when he learned where to put his hands as the kisses deepened, that he was still unattainable. He still wasn’t yours, but you were his. 

“You okay?” he asks, offering you a hand off of the table. “Mind flawed? Shape flawed?” 

“I’m okay,” you reply with a shake of your head, and grasping his hand. “Mind good.”

Mr. Silvair smiles, wrapping an arm around your waist and interlocking your fingers together. His head ducks down, silver hair falling off of his shoulder and presses his lips to yours. You close your eyes, indulge in the moment, and move your lips against his.

It hurt.

It was like pressing against a bruise you couldn't stop prodding- painful, but addictive in its familiarity. Because no matter how much you wished otherwise, you couldn’t forget that these kisses weren’t rooted in love or desire. They were a kindness, a calculated gesture to keep you "fixed," to stabilise his research subject.

And you couldn’t bear it anymore.

It wasn’t his fault. He didn’t know what his closeness did to you- how much it fed the ache of your loneliness while also making it worse. He didn’t understand the depths of your feelings, and he never would. For him, this was just another experiment, another connection to study and emulate. But for you, it was everything.

So you decided, silently and painfully, to stop kissing him.

The next time he leaned in, tilting his head expectantly, you pulled away ever so slightly. “Not now,” you murmured, offering a small, strained smile. He tilted his head, confusion flickering over his face, but didn’t press further.

At first, it seemed like nothing had changed. He continued his work as usual, observing, dissecting, and repairing you with the same meticulous care. But when the moments came- those pauses where he’d normally press his lips to yours- you’d shift away, redirecting the moment with a comment or a question.

And he noticed.

At first, he didn’t say anything, but you saw the way his brows furrowed whenever you turned away, the way his hands hovered near you, uncertain. He started lingering after procedures, watching you with an intensity that made your chest tighten. You could tell he was waiting, expecting.

One day, after yet another procedure, he hesitated longer than usual. His hand brushed against yours, his face mere inches away as he whispered, “Sad again?”

You shook your head quickly, forcing a smile. “No. Not sad.”

He frowned. “No kiss,” he said, more a statement than a question. His voice carried a weight you hadn’t heard before. 

You swallowed hard.“I don’t need it,” you said softly, though your heart screamed otherwise. “I’m okay.”

He stepped back slightly, his expression unreadable. For a moment, you thought he’d let it go. But then he spoke, “Kiss… make you happy.”

Your chest ached at the simplicity of his words, the sincerity behind them. He didn’t understand. He didn’t know how much more it hurt to keep pretending, to keep grasping at something that wasn’t real.

“It’s not about that,” you said, your voice trembling. “I’m okay. Really.”

Mr. Silvair didn’t respond. Instead, he nodded slowly, and turned away.

In the days that followed, he grew quieter. His usual precision faltered, his movements distracted. He still cared for you, still treated you with the same careful attention, but the pauses- the moments where he’d once leaned in for a kiss- were now filled with silence.

One evening, after he injected the medicine into your arm, you heard him speak from across the room. “No kiss… you not happy.”

Your breath caught in your throat, and you turned your head to look at him. He sat at his desk, his hands clasped tightly together, his head bowed.

“It’s not that simple,” you whispered, tears stinging your eyes. You blinked them back. Just how much more of this could you take before you break fully, and he couldn’t put you back together anymore? 

He looked up, his bandaged eyes meeting yours as though he could see straight through you. “Me not enough?” 

The words broke something inside you. Because he wasn’t enough- not for what you wanted, not for what you needed. But the truth was, you weren’t enough for him either. You couldn’t make a man who doesn’t understand like you. Any attempt was futile. 

So you stayed silent, letting the weight of your unrequited feelings hang in the air between you.

Days passed, and the silence between you and Mr. Silvair grew heavier, though neither of you addressed it directly. You carried the weight of your feelings alone, trying to convince yourself that distancing was the right choice. Meanwhile, his quiet melancholy lingered, each unspoken word from him carving a deeper ache in your chest.

But then, one evening, everything changed.

You sat on the bed, fiddling absentmindedly with the corner of your raincoat. Mr. Silvair had been working at his desk for hours, his silver hair catching the faint light as he scribbled notes and adjusted instruments. You thought he was too absorbed in his research to notice you, but suddenly, he turned.

“I…” he began, his voice hesitant, and he stood up, walking toward you with slow, deliberate steps.

You glanced up, startled. “What is it?”

He stopped just in front of you. Your legs hung off the bed. “You… stay sad,” he said, his voice quieter than usual. “No pain. No hurt. Shape good. Mind good. Why?”

The question hit you harder than you expected. You took a shaky breath and shrugged. “It’s… hard to explain.”

“Explain,” he pressed, his tone more insistent. “Want you happy.”

It was as if someone had dumped ice cold water on top of you. Want you happy. Why? He shouldn’t have cared in the first place if you were happy or not- he should’ve just cared that you were sound of mind, and not trying to kill everything in this place. Your hands shook. Your breathing picked up. Your heart hammered uncomfortably against your rib cage.

Your fists clenched. You scowled. “Why care?” I’m nothing but a subject. “Me… only research.”

Your question caught him by surprise. He frowns, and takes a seat next to you on the bed. Mr. Silvair is silent for a moment, processing, thinking. “Not-...” he stops himself. You gaze at him from the corner of your eye, his fists clenching and unclenching in his lap. “Not only research.”

Great. Friendzoned. 

“You don’t understand,” you say, “You don’t feel like I feel, Mr. Silvair. You can’t understand.” And under your breath, you utter, “Told me that a million times already…” 

“Teach me,” he said simply. 

Your breath caught at his words. They were so simple, so stark in their honesty, yet they cut through all your swirling thoughts. Teach him? How could you possibly teach someone like Mr. Silvair something as complex, as human, as love? Did he even have the capacity for it?

You stared at him, analysing. Was he being… for real? His bandaged eyes stared intently at you as if he could see straight into the messed up web of your emotions. His lips, which had been both your salvation and your torment, were pressed together in a slight, thoughtful frown.

“Teach you…” you repeated, your voice trembling. “How?”

He tilted his head. “Teach ‘kiss,’” he pointed out softly. “Teach this. This feeling.”

You knew better than to believe in it. He didn’t know what it meant to love, not in the way you felt it, not in the way humans could. He was a scientist, a researcher, so lost in his experiments that he’d forgotten what it meant to simply feel without measuring it, calculating it, dissecting it into pieces. He wanted to understand, yes- but could he really? 

“Can’t…” you mumbled. “I don’t think I can. Cannot learn to feel. You don’t feel like me.”

Mr. Silvair’s frown deepened, and he reached out, his cold fingers brushing yours. The touch was hesitant, almost unsure, but it made your heart ache all the same. “Feel... something,” he said, voice low. “When you sad, me… don’t like.”

You stared at him, startled. It wasn’t a declaration of love, not by any means, but it was more emotion than you’d ever heard from him before. More than you thought he could express.

“Why?” you whispered. “Why do you care if I’m sad?”

He hesitated again, his fingers tightening slightly around yours. You half expected an Me interested in you, but… “You… important,” he said haltingly, as though the words themselves were foreign to him. “You hurt, me feel wrong. Dislike. Interested in you… care you.”

Your heart ached. “You’re serious?”

He nodded. “Want you happy. Interested… learn. Want learn.”

For the first time in what felt like forever, hope stirred in your chest. It wasn’t perfect, and it wasn’t the fairy tale romance you’d dreamed of, but it was real.

“Then… let’s figure it out. Together.”

A faint smile tugged at his lips. “Together.”

This time, when he leaned in, you didn’t pull away. The kiss was still awkward, still unsure, but it carried a warmth that hadn’t been there before—a promise, fragile but genuine.

And for the first time, you felt like maybe, just maybe, you’d found a place to call home. Not in a room or a world, but in the arms of someone who wanted to learn how to care for you as much as you cared for him.

[thursdays-adult]

You know I never shipped Zutara back in the day. But I've been thinking lately about how it would have looked for the disgraced prince that's been banished for three years; who briefly returned only to become a traitor again; helped the avatar topple the current regime; and then ended the 100 year war to also start courting a girl from the water tribe. I mean yeah Zuko is likely cleaning house of all the Ozai loyalists and many people were likely exhausted by the war and glad to see it end. But still that's a populace who's been fed propaganda for over 100 years on the righteousness of the war and the superiority of the fire nation and who now has a fire lord speaking against all of it. A fire lord who seems more comfortable with earth nation and water tribe dignitaries than his own people, including his choice of a bride . In a way Mai seems like the more politically sound choice. A way to reassure the fire nation that they're still a priority and that not too much will change. Fire Lady Katara could possibly only stoke the flames of civil war. But then as Iroh said water is the element of change with a deep sense of community that holds them together through anything, and I think it'd actually be really interesting to see Katara step into all of that political upheaval and change because she might actually be the perfect person to lead them through it. And now I'm really fascinated by that concept.

[straynoahide]

semantics come from linguistic convention, basically words mean what they do because we agree they do out of customary usage.

every word has an etymology, or origin, but semantic change is a constant of language. so etymology is insufficient to explain a word's meaning. the word "sake" (as in, "for god's sake!") meant "thing", now it doesn't. "vagina" meant sheath, now it doesn't.

depending on what demographic, community, you may have different conceptual systems for the same terms, even during the same period of time. nowadays, some are cross-cultural and cross-linguistic with the advent of multinational 'internet culture', so it is harder to keep track of these things.

"sentience v sapience v sophonce" actually is an interesting elaboration, a three-tiered distinction over the two-tiered distinction if you collapse any possible distinction between sapience/sophonce.

sophonce is a neologism with a greek root, although it is latinate, coined by a collaborative worldbuilding project called Orion's Arm, and "a project by nerds" doesn't quite translate it. it's a sci-fi fictional setting and their webpage is a bit old styled but it still includes thousands of articles expanding history, culture, 'galactography', etc, for tens of thousands of years into the future. it is a treasure trove of interesting ideas, some very original and philosophically relevant now with the development of AI.

many deal with a branch of philosophy called "noology", the study of the mind, thought, and knowledge.

they have developed terms like hypersophont too and tiers of possible levels of super-human intelligence based on what makes human intelligence different from animal intelligence, including the intuition that this is not like a linear ascension.

so the three-tiered distinction conveys something like this

sentient = could include literally invertebrates, sensory functions, but not necessarily able to form thoughts. subjective experience can go from vivid and detailed to very rudimentary (like a jelly that only "notices" light and dark)

sapient = intelligence, but not at the level of human intelligence. canids, felids, corvids. more importantly, primates, great apes. because there are currently important ethical questions that ponder what "personhood" and non-human personhood in particular is. is an ape that knows itself is itself and can do sign language* a person? maybe not, but they're not just sentient like a grasshopper is.

(*animals can sign, althought it's not really 'language' because animals can't really do grammar/syntax)

the current best estimate for that threshold, scientifically, is self-awareness btw. self-awareness is the ability to have, in one's mind, the notion of self. self-awareness is also called "autoscience". some non-human animals are able to do this.

sophonce or whatever word you wanna call it, would imply something more, something currently only humans possess. metacognition is not just self-awareness.

but metacognition takes it a step further, it implies associations around that, the ability to form knowledge about oneself, to turn oneself into a concept, and think about it.

this conversation would reveal someone is self-aware:

+hey you spilled your coffee -ah right, i see the spot, i hadn't noticed. i wondered why suddenly my knee felt hot. the fact they can associate an internal feeling (hot, cold) with the experience observed by someone else, as happening to them- that requires a concept of the self as the thing that experiences things. but only this conversation would reveal someone is metacognizant: +hey you spilled your coffee -oh fuck, i actually love coffee, now i have to get another one +do you really love coffee, though? -hm i guess you're right, i actually have a caffeine addiction, but i don't want to say it because i feel bad about it. only humans can form knowledge about the self and know things about the self, and have "recurrence" in thoughts. they aren't just thinking about coffee, they're thinking about what they're thinking about coffee (they're reflecting on the fact their euphemism reveals an avoidance to admit a problem).

that's what is so far human-only in terms of intelligence.

i am on my knees tears running down my face knuckles raw and bleeding and BEGGING people to learn the difference between sentient and sapient

[genericpuff]

Looking back on it, Rachel really should have called Lore Olympus something else. It really doesn't seem to want to focus on 'lore' or 'olympus' and would rather be a romance with her self insert and celebrity crush. So many plot points and characters got thrown away for her two characters. It reminds me of Twilight having interesting background characters (Rosalie deserved better) and an interesting supernatural world. Yet Stephanie just focused on the dry ass romance of Edward and Bella.

I mean, the title totally worked in the beginning, the comic just lost the plot after its first season and became more like what you're describing, a weird May December romance about a girl who's only empowered enough to wait until marriage with the first guy she ever crushed on before having sex 💀

And yeah true that, a lot of fantasy dark romances like Twilight suffer from the issue of getting too hyperfocused on the main couple doing stuff and not paying enough attention to the actually interesting stuff going on around them. Though I will say, in Twilight's case, a lot of the "interesting stuff" was grossly misrepresented from Indigenous tribes and beliefs so... maybe it's for the best Stephanie didn't expand too much on it all in the end LMAO

Of course, the same can be said for LO, there were some really interesting plot hooks happening around H x P, but by the time S2 rolled around, all of those hooks got shoved under the bed until it was time to hastily wrap them up for those of us who were waiting to see them resolved. I think the Hera and Echo plotline was one of the worst culprits for that, you can tell in S2 she had an idea for some kind of "double agent" story with Echo where Echo would slowly come around to Hera's side and have to choose between her and the job Zeus clearly hired her for (to spy on Hera) - but then it just wound up skipping all that so we could watch Hades and Persephone play golf with diamonds, go shopping, and fuck around in the Underworld, until Rachel had to suddenly wrap up the entire Hera x Echo story in the most rushed, confusing way possible just a handful of episodes before the end.

LO had a lot of interesting concepts and ideas especially with the added benefit of it being based off myths that many readers were already familiar with, but unfortunately they were in the hands of a terrible writer working for a terrible company that didn't provide her with the resources she needed and could have really benefited from to tell a better story. It clearly needed a more involved editing process, more drafts to work through and scrap and work through again, more time to really plan out the full skeleton of the story, but what we got instead was more like a rushed first draft that spent more time on the bland uninteresting DDLG couple because they were clearly the easiest things Rachel could write about - fantasy shipping scenarios of them talking romantically to each other, making out, and having sex, boom, plot 🥴

[fortuneravine]

posting my process/concept sketches too because there's a lot of them and probably at least one person will find them interesting!!!

this is the cleanest art you're gonna see here since at this point i thought the one on the left would be the final art. then i thought it'd be really funny to make more work for myself and render them all. not included is one billion deleted sketches of the final evo because i was struggling with the pose

fire guys. as you can see i wrote fusengi on the canvas the second i thought of that name so i wouldn't forget it and i never erased it.

THIS GUY. as you can see i've given up on coloring within the lines. i don't know why but i couldn't figure out a color pallete to save my life here. i think the orange was the problem i kept wanting to include it since real draco lizards come in orange. briefly tried out a more autumn leaf look but i couldn't deal with the orange. i had to kill it. and then the second i cut out the orange i liked it to much more. sorry orange (although i did manage to bring it back a little bit in the final art)

[tow-bees]

Yes!! I did address this in another reblog, but yes!! I don’t have an inherent problem with the concept of adaptations of a story! If a live action filmmaker got some spark of inspiration from an animated film, that would actually be incredible! (Not to mention that so many beloved animated films are adaptations of existing stories themselves!)

The problem is that live action remake filmmakers aren’t doing (or more likely being allowed to do) anything new or interesting with them.

Filmmakers should be allowed to go wild with their artistic vision, and be allowed to tell new stories (not ONLY adaptations) AND be allowed to adapt preexisting stories in a new and unique way!!

Also as a side note I want to address everyone in the notes saying the problem with live action remakes is the use of CGI over practical effects

And like, yeah I also really like practical effects and think it’s a shame they aren’t utilized more BUT!!! CGI artists ARE ARTISTS TOO and ALSO could do really amazing things with their craft if given the opportunity! CGI artists are just often underpaid and overworked and are often chosen over practical effects BECAUSE studios can get away with underpaying and overworking them

If CGI were to be utilized as a deliberate artistic choice and not just because studios can get away with treating the artists like shit, it would be so much better for everyone!

CGI artists are not the problem or an enemy of art, they are yet another victim of shitty corporate practices and I think it’s important to recognize that and not just throw them under the bus

Ngl I think live action remakes are just as much of an insult to live action filmmakers as it is to animators,,, because like

In addition to basically saying animation as a craft isn’t taken seriously and isn’t a good enough medium to tell a good story…

Live action remakes also imply that live action filmmakers aren’t good enough storytellers on their own and need to use animated works as a jumping point to make anything iconic…which just…sucks bro

I’m an animator and I’m super out of the loop on iconic live action films, but live action film is a really cool medium! And forcing it to just be a soulless copy of animated films is quite frankly insulting to live action filmmakers, who could probably make new and something super interesting that would utilize the medium better.

And like I know that as a whole live action film is taken more seriously than animation, and that to some extent live action filmmakers might be allowed more freedom than animators yadda yadda but like

My point is

Filmmakers, animated and live action, are super awesome and shouldn’t have to live in each others shadow, live action remakes are an insult to both mediums (as well as a waste of resources and talent), and all filmmakers should get to be the little freaks they are and make whatever weird shit their little heart desires

[raven-at-the-writing-desk]

Hello, Miss Raven!

I hope you are having a nice day ^^

I was wondering since you don't have a Yuusona, have you ever thought making your own Yuusona like what traits, gender and personality would you have for them?

And how would their relationship be with Miss Raven would they be friends?

Sorry if I'm asking something you don't feel comfortable answering just feel free to ignore it. I'm enjoying your work and I'm new here so I hope I wasn't a bother! Love your work 🫶

I’ve thought about making a Yuu of my own on more than one occasion. However, I’ve never been a fan of the roles designated for self-inserts… It’s hard to commit. Even if I were to make my Yuu less of a Yuusona (ie just Me but in the Twst world) and more of an OC (an entity totally separate from myself), I always lose motivation somewhere along the way.

That’s of course not to disparage anyone who has a Yuu though!! I just personally find it a struggle to design around a somewhat predetermined identity. There’s less freedom in a Yuu because they have to meet certain parameters in order to “make sense” in the story. For example, Yuus are generally from our ordinary world and magicless. I don’t like having those limitations (and though I could go against it, I’d refrain in order to not break canon lore). That’s why my first Twst OC is very far removed and exists as her own thing.

For fun, here’s some of my scraped Yuu concepts, including doodles. They're not really "Yuusonas" though, more like original characters that happen to be filing in for Yuu:

Yuu 1: Mad Scientist Yuu

The earliest iteration.

This Yuu is ~16, male. Considered nonbinary at one point too.

The notes in the image basically describe him. Germaphobe, has lots of band-aids (because he is accident-prone), constantly tired + has dark undereye circles due to excess stress and lack of sleep.

Frequently seen in face mask, lab coat, and latex gloves.

“Don’t bother me” energy. Very curt with people and just wants to be left alone.

Claims to be an egalitarian because he “hates everyone equally”.

As the story went on, he would have learned to lighten up and work with others too. Basically, the same arc the NRC students have.

I didn't think too deeply about what his relationship with Miss Raven would be like... Most likely, he just dislikes and avoids her like he does the rest of the NRC population.

Yuu 2: “Robert Philip the Divorce Lawyer” Yuu

Twisted from the divorce lawyer love interest in Enchanted 😭 YES, I SAID WHAt i SAiD…

This Yuu is 35ish, male.

Has a very girly young daughter back home. She is basically his motivation to return.

His ex-wife left him. (YES I AM KEEPING THIS LORE.) Has sworn off love since then but is dating another woman for practical reasons.

Very anti-romance and anti-fairy tales.

Somewhat grumpy.

Logical, pragmatic. Some would say calculating.

Constantly arguing with Crowley because he knows his rights and how many laws Crowley is violating/j

He wouldn’t have been a student but more like a faculty member and father figure to the NRC students. By being in Twisted Wonderland, he helps to mentor the boys as though they were his own children, and the boys in turn teach him about magic, imagination, and believing even in seemingly impossible things.

Had an idea about him finding true love in Twisted Wonderland too; this would basically be his Giselle. Maybe a kind lady from Foothill Town??

Robert!Yuu was going to be sort of a secondary father figure to Miss Raven. Crowley is her real guardian, but he's usually not fulfilling the typical duties of a guardian so Robert!Yuu has to step up. In a lot of ways, Miss Raven reminds him of an older version of his own daughter so he has a soft spot for her. He also tries his best to advise her on life and boys. I imagine that he and Miss Raven have that Hades and Megara scene where she's gushing about Hercules and Hades goes, "Please. HE'S A GUY!!"

Yuus 3 and 4: Twin Yuus

The bangs they have are borrowed from Robert!Yuu because I liked them and was too lazy to try something new out—

They’re brother and sister, both 17. I wanted to play around with the concept of multiple Yuus in Twisted Wonderland at the same time. Twins because they are supposed to be “a mirror image” of the other.

The theme these two would explore is gender, particularly expectations vs reality.

They come from an old money family; each twin has very traditionally gendered expectations placed on them but their secret is they swap places and pretend to be the other twin so as to get out of their own responsibilities, as the girl is tomboyish and the boy is more feminine.

They continue this act in Twisted Wonderland in order to "protect" one another, but their relationship becomes strained with each OB. For example, the male twin would become increasing protective, feeling like it is his responsibility to keep his sister safe. This would earn him his sister's ire since he never smothered her before. The twins would eventually reconcile and come to reach a middle ground regarding one another's expression of their gender and how that informs their behavior toward one another.

In another variation, only the male-presenting twin would be isekai'd to Twisted Wonderland. It would later be revealed that "he" is actually a "she". The explanation that she provides for acting masculine is to rebel against the expectations of her family (who had arranged a marriage for her prior to her being isekai'd).

... But then there's ANOTHER twist 🤡 and it turns out that her "masculine self" closely resembles her actual twin brother (who is now deceased). The idea is that she partly acts this way as a trauma response and relies a lot on "speaking" with her brother for advice on how to move forward in Twisted Wonderland. Like, she has pretend conversations with him in her head.

Her character arc would have been centered around detaching herself from the expectations placed on her, as well as learning to let her brother go and become her own person.

ASDSBDABSDOSA I feel like Miss Raven would be so confused trying to keep track of the twins and/or the single twin's dramatic backstory. She'd be pretty cordial with them though! Maybe even tries to counsel them when they're fighting or closed off from others.

Yuu 5: Ara Ara Onee-san Yuu (WIP name is Sumire -> Suu -> her variation of “Yuu”, lol)

The best designed one, probably.

The only one with a proper name, too :v

She's 18 and female!

Started off as a joke between me and a friend. We were talking about how we think many of the first year students would be into "onee-san" types.

As you may or may not be able to tell by the design, she's meant to be a caring big sister character. Sweet, patient, and motherly. Even gardens and bakes! The type you know you can always go to when you need advice or comforting.

YEAH I GAVE HER DEAD ANIME MOM HAIR, SO WHAT???? The bangs swooping over one side of her face gives her sort of a mysterious air!

She looks very kind (and that's because she is), but she is also very air-headed. Like she'll pick up a worm and hold it in your face and ask you if you think it's cute.

Has a secret sadistic side. Not malicious and won't go out of her way to cause problems, but she'll gush about how she thinks you being frustrated or struggling with a task is "cute".

The arc Sumire would go on is one revolving around her status as the "older sister" of the group and finding a "pure" way of loving her friends. There's nothing wrong with having that role, but her issue is that she relies on it to be her personality and often gives away too much of herself at the cost of her own mental and emotional wellbeing.

It's like... codependency. She loves you because (whether she knows it or not) she NEEDS validation from others. And because she wants that validation so much, she forces herself to be someone she's not at her core. Someone agreeable and sweet. That becomes very taxing for her.

If she feels as though someone is going to leave her, she'll either love bomb or have a mental breakdown in private. TO BE CLEAR, this is not healthy behavior and she's supposed to grow out of this obsessiveness over the course of the main story.

By that logic, she's more manipulative and selfish than she seems at a glance. I guess you could describe her true personality as being yandere or even menhara?? But she usually masks it well.

Miss Raven has a history of falling for pretty smiles, so I think she'd also be a victim of this one. She would look up to Sumire as like "the peak lady" and the big sis she's always wanted. REALLY feeding into her secret ego there, Miss Raven... and Sumire, being herself, would just giggle and pat her on the head to keep that toxic relationship going.

[lottiesgrl]

𝗰𝗵𝗿𝗶𝘀𝘁𝗺𝗮𝘀 𝘄𝗶𝘁𝗵 𝘁𝗵𝗲 𝘆𝗲𝗹𝗹𝗼𝘄𝗷𝗮𝗰𝗸𝗲𝘁𝘀 (𝗹𝗼𝘁𝘁𝗶𝗲, 𝗻𝗮𝘁, 𝘀𝗵𝗮𝘂𝗻𝗮, 𝗷𝗮𝗰𝗸𝗶𝗲)

cw: n/a

𝗹𝗼𝘁𝘁𝗶𝗲

❅ lottie is one of the biggest holiday fanatics there is, and she will not shy away from it. she's preparing weeks before it's socially acceptable, however she doesn't mention it to anybody because she doesn't want to have to hear "x holiday isn't for two months" for the twentieth time

❅ however, she prefers decorating for the holidays to actually celebrating, which is mostly due to the fact that her parents are rarely every home for the holidays. she's always seen the holidays as lonely, which confuses you and fills you with sorrow. after all, she deserves to experience the holidays full of the same love and light that she always shows you

❅ this is fantastic news for you, as you have no problem practically moving into her house. the second both your parents give you permission, you're packing the biggest suitcase, preparing to spent the entire month of december living with her 

❅ HUUUGE decorator! i don't think she'd like really flashy decorations, but she definitely likes to put decorations all over the place. one perk of her being incredibly rich is you two have a practically endless bucket list of holiday decor and no budget

❅ she doesn't really care about receiving gifts, as the fact that you'd give your time to spend the holidays with her is the biggest gift she could ask for, but she will be spending far too much money when giving gifts. expect every single item you have ever expected interest in to be under that tree, whether it's $5 or $700

𝗻𝗮𝘁𝗮𝗹𝗶𝗲

❅ nat has never been a huge holiday person. similarly to lottie, she's never had a great family experience during the holidays, so it's safe to say that she's pretty bitter around the holiday season

❅ you're trying everything you can to make the holidays exciting for her. you're pulling out every stop - buying her ridiculous matching pj sets, making her help you put ornaments on your family's tree (since her family never had one), dragging her out to drive-in light displays, etc. you even manage to get her to wear a santa hat, which was a huge win in your eyes

❅ and, ok, she's starting to get the appeal. just maybe. she still has her reservations, but she's starting to open up to the concept 

❅ by far her favorite holiday tradition with you is watching absolutely godawful hallmark christmas films and mocking them relentlessly. you both absolutely drag the shit out of each and every movie you watch. she claims they're all stupid, but you've sworn you've caught her crying at one particularly emotional family scene 

❅ you try to get the two of you under a mistletoe for the entire holiday season. she's conveniently dodging all of the mistletoe you've put up around your houses, to the point that you swear she knows what she's doing. eventually you get so fed up that you sneak one into your pocket, distract her, and then when she looks back you're holding a mistletoe over your heads while puckering your lips. she scoffs but rules are rules, aren't they? 

𝘀𝗵𝗮𝘂𝗻𝗮

❅ shauna, similarly to nat, is not really a holiday person. she doesn't dislike it, necessarily, she just feels otherwise indifferent about it (especially given her short-lived catholic phase) 

❅ she is a big fan of autumn and winter - they're her favorite seasons, and she absolutely loves doing seasonal things such as drinking everything peppermint-flavored and sitting by the fireplace. it fills her with joy when you want to do these things with her 

❅ snow is beautiful to her, but only when she's inside. the second that you drag her out in the snow, she will be complaining about how cold it is (which you counter with "yeah, duh! that's the point!") despite being an avid snow hater, she'll kick ass in a snowball fight. you learned your lesson from the one time you challenged her to one and after a few minutes of complaining, she absolutely pelted your ass

❅ much more of a fan of meaningful, handmade gifts than store-bought stocking stuffers. with every gift she gets (or makes) you, she writes a letter explaining what it is and why she wanted to buy it for you. she also writes a long letter telling you how grateful she is to have you in her life, and how you've made the holidays so much more fun for her

❅ she does NOT play about ugly sweaters. she used to think they were the dumbest thing and that the whole concept didn't make much sense, but after being gifted one by you, her opinion has shifted quite a bit. if there's an ugly sweater contest, she will be in attendance, and she will be mogging everyone

𝗷𝗮𝗰𝗸𝗶𝗲

❅ oh. my. god. have you seen jackie? she is possibly the most excited person on this planet earth about the holidays. she has so much holiday cheer that it's infectuous. i mean, how can you not feel festive when she's decked from head to toe in tinsel and bows? 

❅ part of me wants to say that she's horrendous at wrapping presents, but let's be real. you'd think she belongs at santa's factory the way she wraps those damn presents. she is so particular about her wrapping paper and she will throw a fit if her bows don't match the color of the wrapping. however, the process of wrapping leaves the entire space looking like a christmas hurricane made direct contact

❅ SNOW!! ANGELS!! she does hate the cold and whines about getting her shoes wet, but that won't stop her from running out the second there's enough to make a snow angel, dragging you with her as she goes. she definitely tries to make your snow angels kiss, or at the very least, draws hearts around them in the snow

❅ the biggest snuggler. the second the temperature drops beneath 40°. she will be wrapped up in your arms (and also about 5 separate fuzzy blankets) for the entire month of december and if you dare to even think about moving, she'll pout at you until you settle back into her. even if you have to get up, she'll stay wrapped in her blankets and attached to you the whole time. so what if she's holding onto you like a koala while you try and make yourself hot cocoa? 

❅ she 100% has to stop herself from getting you up at 6 am sharp on christmas morning. her parents never let her get up before 8 in the morning on christmas, so she feels giddy whenever you get up to presents at an obscenely early time, even if you're still half-asleep as you rip the wrapping off your gifts. you genuinely think you notice her look upset when you tear her wrapping off, but you could've just been imagining things

[dufferpuffer]

Tom Riddles orphanage is interesting.

1920s/1930s The idea of not putting children to work was quite new. In fact there were still Workhouses until 1948.

Victorian's commonly thought that people were only poor because they are lazy, plus the well-blossoming ideas of eugenics meant poor people were probably just worse genetically. It was 'Christian values' to at least dress and feed poor children, but if you were too supportive of them they would only grow up to continue to be lazy, probably like their stupid poor lazy parents. They will go off and join the workforce at 14, so you shouldn't coddle them too early or else you'll spoil them.

Most orphanages were set up and funded by whichever rich fuck wanted to boast about how many little kids they 'help'. Some really were trying to help - but yknow... eugh. Rich people. Nothing was particularly regulated and abuse against children was accepted and even encouraged.

Plus its fresh after The Great War, poor street kids fending for themselves were hardly rare, infant mortality was high... Lots of kids and not much demand for them. If they could hurry up and grow up to join the workforce... that would be swell.

Experience of the common orphan in a common orphanage: + Crowded eating halls where they usually didn't eat well. + Beds lining the walls, no privacy, everyone in the same room. + No individuality - kids often forgot their own birthdays or names... adults rarely use them, there's too many kids to remember and they keep dying and shit, honestly who cares - if they get adopted maybe they'll be renamed anyway + Education was often light, just the basics + Sometimes they were also put to a little work beyond their own laundry and cleaning etc. + Sundays they get dressed up, cleaned up - to try and get them adopted. Trot them out like little show ponies to try and tempt some rich person. ''They aren't dirty street shits, they're nice and handsome little children who won't embarrass you.'' + In many places child abuse was just... awful. Being made to eat their own vomit, pushed down stairs, locked into rooms and forgotten about, straight up being murdered by their caretakers... if you can imagine it, it probably happened.

...Why do I say all this? Because barely any of that seems to apply to Tom's experience. That doesn't mean his Orphanage was a nice place for him to grow up... but my god, it sounds like a DREAM compared to the norm-!!!

+ Tom Riddle... had his own fucking bedroom. WOAH. + Privacy. Access to books to read. He could READ. + His own WARDROBE, where he could KEEP HIS OWN THINGS. + It's assumed other children could ALSO keep their own things, as he had stolen their stuff - and some even had PETS??? + No real sign that he is put to any grueling work. + He was calm and impolite in his own room - he isn't terrified to talk back to adults. + Though it did anger and scare him, experts were being brought in to try and evaluate his health. + He looked well. Well fed, healthy, clean, normal.

Mrs. Cole the Matron - though she says judgemental things she says and the mention of 'whacking on the nose with a rusty poker' (which I assume is basic physical abuse...?) - seems shockingly involved with the children. She knows their names, their preferences, their backstories... and despite the orphanage being poor, they take the children on a holiday every year. Even Harry thought she seemed alright.

It is BONKERS how nice it is at Wool's Orphanage. That is an intentional writing decision. They author is British, she knows basic recent British history - the 'suffering orphan' is baked into her very bones as a concept.

He COULD have been depicted as: + Just one dirty face in a room of many beds, many children, that Albus had to weave through to take him somewhere private and tell him he was different from them, he was special. + Keep the smaller rooms - but he has to share with five or so other boys... who have all moved their beds as far from his as possible. + He could have only barely even remembered his own name - there's nobody who cares to call him it anyway, so he dislikes it. + A "Yes Sir, Sorry Sir, Of course Sir" little boy - who then breaks out in joy over going to Hogwarts + ...just straight up could have been in a workhouse.

It wouldn't be far-fetched for it to be described like Oliver Twist (set in 1830s, but there was actually higher child mortality in 1930s) Or more of an Annie situation (set 1930s New York - probably better conditions than 1930s England) The Author has never shied away from displaying child suffering before. Just look at Snape and Harry... and even Neville! Yet Tom Riddle very much has an air of being the Top Rooster. + Even the adults don't know what to do with him. + He is rather comfortable as long as doctors aren't being brought in. + He has gone out of his way to MAKE that comfort for himself, through enforcing a harsh pecking order amongst the other kids. + He is, especially for the time, a bit of a brat. Talks back, snappy, sneering and scoffing, talks over adults, snatches...

That's not unreasonable of him, by the way. He IS treated unfairly due to his powers, he is a poor orphan in a world with an abundance of poor orphans... and he's just a little boy. Of course he acts out.

But he could have been made more sympathetic - and more believable, honestly - with only a slightly more harrowing depiction of his living situation than simply 'a little shabby - and the over stressed but tries-to-care Matron likes a drop of Gin.' Instead he is living better than most of the lower class.

Which to me can only mean he isn't supposed to come across as too sympathetic. He isn't a suffering orphan, he isn't miserable, he isn't abused (too badly), he isn't lonely, he isn't any of the things Harry was... despite being in a similar situation, at first glance. He is still sympathetic. Harry and Albus both thought so. But the reader isn't supposed to see his childhood as terrible. Just sub-par. We are happy he gets a chance at life at Hogwarts... ...but aren't thinking 'Oh man, of course he murdered people, he has had such a harrowing life' Snapes life was worse. Harry's life was worse. Neither of them kill.

[missgenesis]

So creepy, everything keeps moving around inside my soundcloud

Hmmm.

Am I crazy?

Lmao

Whos got more slices tho

Last time I checc'd

Make sure you secure that window, you never know who could be peering in.

I've been living like today's my last for a long time now. It's why my life is the way it is. Thinking there was a hitman coming for me at any moment. Now I just don't care. It's not up to me.

I think that's really interesting, the concept of the electric soul. I wish I could understand it better. Sometimes I feel like that, too. I guess that's why Im on lock or whatever that means. News to me. There's so much I dont know.

Likewise, between the two towers, I think we would both benefit from the knowledge on the other side, dont you?

'To understand is to be free'.

Omg 🔥 thx for the name change btw

Only person whos done something like that

Stepped off of my toes for once

[blueikeproductions]

Ok since @halenhusky309 and I were talking about it, my pros and cons of TFONE.

Pros:

As I’ve said before, this is the ONLY time so far that a story finally made the Aligned backstory of Optimus and Megatron being former friends work. Their friendship is believable you can tell they care for each other, but they also needle each other as some do. Compare that to stuff like Prime and Cyberverse, where it’s very unbelievable these two used to get along. If anything Optimus feels more concerned about it in Prime than Megatron does, and the only time Megatron does show some concern it’s only so he can benefit from it.

The system on Cybertron being whittled down to an easy to understand Cogs vs Cogless system. Older stuff like IDW over complicated the caste system with stuff like Functionism and Empurata, making it hard to understand and it becomes too meta. So simplifying it to robots who can and can’t Transform makes it much easier to follow, and makes more sense for a society of shape changing robots.

The Autobots and Decepticons having a better origin story. The Aligned stuff that IDW, WFC and Cyberverse copied all made the claim the Decepticons arose from an oppressed lower caste, and imply the Autobots rose from those benefiting the system, and as such the concept of Heroic Autobots vs Evil Decepticons doesn’t make sense anymore if the roles are reversed. TFONE instead casts the miners as future Autobots, while the corrupt High Guard and entitled punks benefiting from the system like Darkwing and Airachnid become Decepticons. In particular, the High Guard being made up of typical Decepticons and led by Starscream helps with this, and despite having served the Primes, Starscream isn’t much better than Sentinel, craving power, not taking crap from anyone, and scoffing at the idea of truly united Cybertron. This is the Starscream we needed like Skybound, not the domestic abuse Starscream of EarthSpark or the clumsily repenting IDW Starscream.

The artwork is gorgeous, and the animation is really well done.

Orion Pax and D-16’s personalities. As much as some people don’t like the absence of the gladiatorial stuff, I kinda prefer it not being here. I like the idea that originally Megatron preferred being a cog in the machine that benefitted Cybertron and its people. He took great pride in his work, and idolized the Primes, Megatronus and Sentinel in particular. His downfall and distrust of authority outside his own makes more sense here, the sense of betrayal is believable as he genuinely believed in the system with his self loathing for believing in it and his frustrations at the truth fueling his downfall. Orion meanwhile is a bit more rebellious, eager to bend the rules and find ways to prove to other Transformers that he and the miners are more than just Energon diggers. There is a mild bit of selfishness here, but Orion is still looking at the interests of his fellow miners and all Transformers as he wants to find the Matrix to benefit everyone, and he rescues Jazz when Elita was content to abandon him to his fate for protocol’s sake. Older material tended to have this in reverse, with Optimus as the reserved bookish one, while Megatron was the impulsive, break the rules one. TFONE’s reversal actually makes this concept work so much better, and better complements Optimus and Megatron’s more traditional roles.

A lot of the older Prime drama is absolved, instead putting Sentinel as the sole reason the Primes fell.

Cons. -cracks neck-

A lot of this is more nitpicky but it still sticks out.

The world building doesn’t make sense.

Why did the Quintessons attack Cybertron originally? Their motives vary in past series but G1 specifically sees them want to reclaim Cybertron from their rebellious creations. It seems they specifically want Energon here, but it’s never explained why. Do they have their own problems on Quintessa or is Cybertron just simply one of the planets they have claim on in their own empire. Did Quintus Prime create them here too? They seem to have no interest in him or the others beyond Energon.

Why are the Transformers living underground in the first place? The film never gives us a reason, and while it’s implied the Quintessons are the reason, it’s not really a good explanation. It’s not clear if they regularly prowl Cybertron’s surface; it feels like that’s the intent, but it also seems like the Quints just periodically appear and give Sentinel a reminder they’re coming. Did Sentinel convince the others the Quintessons made the surface uninhabitable? It feels like a huge leap in logic to move the entire populace underground just to mine Energon deposits only.

We see the High Guard living on the surface, so do other Transformers take their chances up there too? Is everyone else on Cybertron underground? Sentinel typically just addresses Iacon specifically, but do other cities exist? Tarn, Darkmount, Kaon, Vos, Simfur, Cybertropolis, Tyger Pax and other places are never mentioned, but if they exist, do they have Cogless Miners too? Do other sub leaders exist in these other cities that Sentinel works with?

Where do Beast Mode Transformers fit into this? We see the deerbots on the surface, but it’s not clear if they can Transform or are considered sentient. Early concepts show RiD15 Aerobolt and a dinosaur-dragon Transformer assisting Orion and friends, but it’s not super clear if they were sentient either or had humanoid Robot Modes or their own Vehicle Modes like RiD15. Alpha Trion is the only one to Transform into a Beast on screen, though Airachnid was intended to originally have a spider mode, which explains her toy. Alpha Trion becoming an Aslan like space lion fits his role in the story but it does ask the question if other Primes, besides Onyx, had Beast Modes too. Was Solus a space ankylosaur? IDW went hard in the idea Beast Types are the lowest of the low on Cybertron, but media outside of that dances around it. It might help if we saw guys like Nightstrike, Swoop, Divebomb, and Cheetor in the Iacon race or see guys like Grimlock and Headstrong as beasts of burden. It’s what makes Soundwave unusual here as he curiously lacks Ravage and Laserbeak, especially Laserbeak since he’s a flyer like the rest of the High Guard. Was this before he got his animal buddies, or did he not think to use them?

Elita and Bumblebee are the worst things about the film. While Elita living up to her name makes sense, she’s too much of an entitled modern girl boss to be fully likable. Her telling Orion she’s better than him in everything when he’s at his lowest is the worst thing she’s done. In fairness, she does lighten up and seems to genuinely become friends with Orion and Bee, it didn’t feel earned or organic, and nor do I see these two becoming believably romantically inclined. Bee being partly insane from isolation and the reoccurring Badassatron gag feels more like an insult to the character. It’s like they combined TFA Bee and Cyberverse Bee’s worst character traits and cranked them up. I’m more surprised Shockwave didn’t just shoot him, since Starscream wanted to kill Bee, Orion, Elita and D-16 anyway. They forced Bee to be the comic relief way too hard that it makes him repulsive, and his hyperactive behavior here coupled with his 40 something voice don’t fit, he really needed to be voiced by a younger actor like Tom Holland or Finn Wolfhard to make sense of it.

Going back to Soundwave, as much as I do enjoy Airachnid as Sentinel’s intelligence and surveillance assistant, shouldn’t Soundwave have been in that role? IDW initially showed Soundwave as RatBat’s assistant on prewar Cybertron when the bat bot was a senator, so would’ve assumed they would’ve gone for a similar role here too. It’s not a deal breaker, I’m just surprised they didn’t do that.

The Matrix of Leadership is tied to the flow of Energon on Cybertron in this universe. Past media typically tied this to the Allspark, with its launch dooming the planet to bring energy starved. In this version of events, the Matrix instead just evaporates in front of those it/Primus deems unworthy. So… what happens to Cybertron when the Transformers inevitably go to Earth? Does the Matrix make exceptions if Zeta Prime had to leave Cybertron for a political matter? Will the Matrix just vanish again if Megatron or Starscream attempt to take it from Optimus? Megatron knows that will happen, so would he even bother trying to steal the Matrix? Are there other means to control Energon on Cybertron that were not privy to yet, let alone that Sentinel wasn’t privy to? I feel like the Matrix being connected this directly to Cybertron causes an unintentional problem once the characters have to go to Earth. Like they have to come up with a new idea that forces them off Cybertron if we’re not doing the Allspark anymore, and the Matrix here clearly doesn’t operate on the same logic.

Why does organic life appear to exist on Cybertron? Is it partly techno-organic from the start or is this some form of terraforming by the Quintessons. Cyberverse and IDW have depicted Cybertron as having forests and wildlife, making Cybertron feel more like a robot Earth which is annoying. It kinda made more sense in Beast Machines and Galaxy Force where incorporating organics was part of Cybertron’s evolution.

Does Unicron exist here? The cave where the Primes’ corpses lie is dubbed the Mouth of Unicron in ancillary media. This is a reference to the Primes’ original role to fight Unicron, but TFONE seems to simplify this into them fighting the Quintessons. Given Hasbro and Paramount’s interest in Unicron overriding common sense, if a sequel DOES get made, I fear they might try to shoe horn in the Monster Planet, derailing once more a good opportunity they have to follow up on the Quints and Megatron.

The heavy reuse of Miner models makes it a bit confusing on which characters are where. Like I think Arcee was both in the audience big the Iacon Race, but also still in the Miners’ bunker… with others that made up the stadium crowd. The confusion of the robot racer that’s clearly Mirage but is considered Chromia doesn’t help, considering a Miner more closely resembles the G1 Chromia…. But we ALSO have a Miner that is very clearly G1 Mirage. Like I do understand asset recycling but this is not a particularly good look either. Also a Dr. Ratchet is referenced, but one of the Miners is clearly meant to BE Ratchet. Frankly this could’ve been easily fixed if the pager asked for First Aid or Fixit instead. Red Alert would make sense too, but one of the Miners is clearly G1 Red Alert, so more confusion. Ugh. -rubs temples-

Part of me thinks the Quintessons should’ve been the villains here with the Decepticons forming in a sequel. Streamlining it to have Sentinel Prime being a selfish little greed bag is more fitting, but I’m left feeling confused about the Quintessons, and why they’re here. It feels like we should’ve had something where they’re more obviously in power, and Megatron gets to shoot one in the face.

[desmon1995]

Light It Up, Fox!

I think reunion square has to be one of the saddest members from the Warriors concept album and it gets set of every time I listen to it.

I think a big reason for that is that this song really does cement that Fox truly is the youngest of the group (I'm going to as soon as Fox is anywhere between 15 to 18 years old)

In the beginning of the song after she and the others escape the Bizzes she says " God, half of us are gone" and she later lashes out at Victor after he cat calls the Warriors.

What I find really interesting about her rant is that it shows that Fox (presumably out of every Warrior besides Cleon) has truly taken Cyrus's word to heart as she assertively points out that Victor and his ilk are the reason they've had to suffer not only here but throughout life.

She asks why can't they go back home and has eternalized herself as the "Quiet Girl" that isn't gonna make it.

What's cool though is that she flipped this on her head and ends ups truly realizing what the Hurricanes were actually was trying to say.

When you're stuck in the darkness you have to do your own life sometimes not just for you but for the others in your life that may not be able to burn as bright.

This realization causes Fox to LEAP into action realizing that if Victor calls his boys they'll be able to stop stop the train and potentially arrest/kill the Warriors.

Something of note here is that this song takes cues from The World was Wide Enough where we see Fox's life flash through her eyes.

Queens- You can do 99 things right,but meet the wrong Cop at night and it's braapt on site ya dig?

Manhattan- survival all depends upon the corner you run to.

Ajax- I'm sick of running

Warriors- Only the strong survive

Ajax and Rembrandt- Anybody tussle with these hands they'll see static

The battle between Fox and Vic is brutal and he beats her so badly that she breaks something and starts bleeding.

Another thing that I noticed after some repeated listening is that it seems that out of all of the Warriors, Fox seems to look up to Swan and Ajax the most (Rembrandt too apparently).

She laments that Swan could have taken Victor out but she's not her and not too long after that the cop puts his foot on her throat and kicks her into the incoming train.

I think what's beautiful about this tragic moment is that Fox ends up embodying the other sentiment of Quiet Girls and ends up becoming an arc of light both literally and metaphor.

It's actually quite a clever nod to me that Fox herself it's played by an Asian actress ( Pippa Soo) because been Chinese, Japanese, and Korean mythology there is a creature known as the Kitsune.

Kitsune are basically Divine foxes that more often than not typically take the form of females to live amongst humans.

They act as a guide to the afterlife and use something called foxfires to communicate with others throughout the night.

Fox being the one to truly embrace what the Hurricanes tried to tell the Warriors and becoming the light that guided her friends home through her demise is quite a common trope with kitsune, especially if they bonded with a human.

I just think it's a really cool way to not only lift a sort of nothing character from the original on the bed but also make them stand on their own.

[crazysodomite]

was just observing the taurs.... ur passion and enthusiasm for them, how much they mean to u emotionally-- seeing that made me feel better abt my strange interest in mass effect aliens, so i taurified my favorite salarian kallo jath as a tribute to u, pav! :] salarians r these very high metabolism warm-blooded "amphibians" so i dont think they would ever come to evolve w this body plan but its fun to imagine what this frog horse would look like. very flexible! he's the pilot on the ship and works 23 hour shifts... debating if just sitting like that on the floor would be a pro or a con in his situation hhhhh. thank u for making me feel more confident w my indulgences! ur a wonderful person, n u can come to chat anytime if u want!

Yay 😁 I really like your character! The sleeping/laying down pose is especially fun. I like taurs with unusual anatomy... I work 24 hour shifts too. It sucks.. but if I was a taur it would suck less.

I am very appreciative when people say they feel more confident in liking stuff openly because of me. I will protect you and your niche obsession. I used to be ashamed too but at this point what do I have to lose. Let's be obsessed with weird niche concepts... Together. ♥️🐐🦠

[sloppilyeatinggrapes]

This is my secret sideblog so I'm just gonna. Not do it as an ask game, I just want to talk about podcasts!

1.) what’s the first podcast you listened to?

Welcome to Nightvale <3

2.) what’s a podcast you’ve cried over?

So many, but recently, Unwell!

3.) Favorite podcast pet? (Idk if that’s worded weird but like if one of the characters has a cat or smth)

I'm honestly not the biggest fan of podcast pets but there is ONE EXCEPTION which is Dumptruck from Find us alive

4.) what podcast has the best soundtrack/music?

Aaah there are many I like... One some might have missed is Dreamboy, which have a couple of bangers, or In Strange Woods, which is a WHOLE MUSICAL and I listen to the songs frequently. But my go to soundtracks are Friends at the table (thank you Jack deQuit). Honorable mention to Wolf 359 and Hallowoods who I think uses their osts SO WELL, giving me VISCERAL reactions when I hear the music out of context.

5.) what’s a podcast that you really like but find it kinda hard to follow the plot?

I have tried to listen to What's the Frequence so many times, it seems so intriguing and interesting as a concept, but I still don't know what even the basic plot is. I think it starts with a murder?

6.) what characters from different podcasts do you think would be friends?

Maybe this is a weird combo but I do think Diggory would be great Friends with Kai and X from Girl in Space. It's something about identity and bodies and being made with a purpose, and somehow still ending up being a pretty chill person.

I also think the demons from Brimstone Valley Mall (especially the teens) would be best hatefriends with the Hrose camp polecule. They are opposite sides but same kind of mall kids. Maybe they wouldn't be friends maybe I just want to watch the world burn

7.) what characters from different podcasts do you think would hate each other?

hmmm. Elias TMA and Keppler Wolf359. They are boss middle managers who think very highly of their own competence, have VERY different ideological base and would kill each other with knives over a cornchip

8.) what’s a podcast where you mix up the characters voices?

I have had this problem with A LOT of podcasts in the beginning, it usually takes me a while unless they are very distinct. I remember it being a problem with Mabel (literally two characters and I couldnt tell them apart...) and Syntax with two of the women side-characters. It took me so long to understand what their personalities were supposed to be, since I couldnt tell who said what.

9.) what’s a podcast that you know the characters so well you can recognize their breathing?

oooh hmm. I mean, Nightvale. It's been like 11 years after all. And Deck the halls with Matrimony!

10.) what’s a podcast that you wish you could listen to again for the first time?

oooh maybe The Penumbra podcast, specifically Juno! I think I got a weird impression of it because I listened to the OG, much rougher version of arc 1, it was really confusing and I got a very different idea about the characters in my head. Now when it's finished, I think it would be a better listen to just go through all of it as a blank slate! I also liked the end, and I think it found what it is about during the journey.

11.) what’s a podcast you’ve listened to more than once?

Most... If I like it I'll listen AT LEAST twice. But I have listened to Deck the Halls SO MANY TIMES because it's short and wrapped.

12.) what’s a podcast you wish more people listened to?

Having many fans is a double edged sword, but right now, Hallowoods and Hymns for the road. I think both would be so visually inspiring for fanart and oc's.

13.) what do you like to do while listening to a podcast?

Draw! Always!

14.) who is a podcast character that you love?

Leon from Greater Boston!

Diggory Graves from Hallowoods!

Brnine from Friends at The Table!

15.) who is a podcast character you can’t stand?

Genuinely? I did not like Cassius from Syntax... sorry... I just think they are too stupid for me.

16.) what songs do you associate with a certain character/ podcast?

oh man, Hoziers Eat your young with Hallowoods, Moss by cosmo shelldrake (for obvious reasons) with Hymns for the road, Haunted House by sir babygirl with Friends at the Table

17.) what’s a podcast that you can’t stop thinking about?

Bluff city (friends at the table), Hallowoods, Greater Boston and The Silt Verses. It's something about imperfect communities

18.) are their any podcasts that you regret listening to?

Yes. We're alive. Zombie podcast. Was waiting for it to subverse all the boring and bad cliches it set up. It didn't. It was 100 eps a 40 min. I have never been more mad

19.) whose your favorite podcast couple?

In canon, of course Cecil and Carlos. The OG!

Shipping wise its Leon and Michael from Greater Boston, Harley and Lancaster and Love and Radager from Find us Alive, Brnine and Valence from Palisade, Heard and Hector from Bluff city.

I also ship Malik from World gone wrong with the alien replacement of his ex. I WANT TO BELIEVE.

20.) whose a podcast character that you think would dress really cool?

Actually cool? Probably Riot or Olivier from HFTH. Cool as in interesting/fascinating? Cecil WTNV again.

Podcast themed ask game cause I’m bored!

1.) what’s the first podcast you listened to?

2.) what’s a podcast you’ve cried over?

3.) Favorite podcast pet? (Idk if that’s worded weird but like if one of the characters has a cat or smth)

4.) what podcast has the best soundtrack/music?

5.) what’s a podcast that you really like but find it kinda hard to follow the plot?

6.) what characters from different podcasts do you think would be friends?

7.) what characters from different podcasts do you think would hate each other?

8.) what’s a podcast where you mix up the characters voices?

9.) what’s a podcast that you know the characters so well you can recognize their breathing?

10.) what’s a podcast that you wish you could listen to again for the first time?

11.) what’s a podcast you’ve listened to more than once?

12.) what’s a podcast you wish more people listened to?

13.) what do you like to do while listening to a podcast?

14.) who is a podcast character that you love?

15.) who is a podcast character you can’t stand?

16.) what songs do you associate with a certain character/ podcast?

17.) what’s a podcast that you can’t stop thinking about?

18.) are their any podcasts that you regret listening to?

19.) whose your favorite podcast couple?

20.) whose a podcast character that you think would dress really cool?

[loveisinthebat]

What's your opinion on vampires and fiction about vampires? Any favorites?

I found myself finding an appreciation for bats after getting into Castlevania, as silly as that is. Thank you, sad vampire show, for getting me interested in these cute lil guys!

As much as I love the 3 Species of vampire bat, I do think The connection is a bit too heavy-handed in modern media. It's a double-edged sword. on one hand raising bat awareness. On the other hand , tying Bats To this nebulous concept of ' evil' , and condemning them to Representation that consists almost entirely of being Low-level Cave enemies in RPG's that Don't want to do any research. Well, that or cheap halloween Decorations. Which isn't really much better. My relationship to vampires as a concept isn't as Pockmarked by my distaste for pigeonholed representation , but I do Enjoy studying the lore behind these things. The various diseases and symbolism of aristocracy as a parasite class Including how at one point people started mashing Autistic traits into signs of vampirism. ( Can't go somewhere without being Invited, dislikes being around Strong scents , compulsive counting, etc. )

Uh.. Ramble over, sorry. I do really like vampires but I wish we could divest of the association a little bit