#and the concept of it was really interesting too!

[meanbossart]

Curious about your interpretation of Cazador's old master Vellioth

My partner has a comic called DE RERUM NATURA about Cazador's origins and Vellioth's eventual death. I assign to his personal canon and love his take on Vellioth's design as a gigantic human man ala Doré's Bluebeard, as well as the really rough dynamic he thought up between them.

To give a really quick summary: Vellioth is turned by Cazador's mother, who naturally mistreated him in all-too-familiar ways until Vellioth eventually killed her, became a full fledged vampire himself, and turned her son into a spawn and kept him around specifically to spite her memory. Making a mockery out of Cazador's entire existence while telling the world that he was his sole, charitable caretaker; and Cazador a simple dullard in need of constant supervision since his mother's passing.

As DRN kind of implies, while Cazador's hatred towards Vellioth requires no justification and his ascension to power is definitely a practical priority, he does do it first and foremost because he is moved by the death of his mother. I really, really like this, as it clears the way for Cazador's future obsession with the concept of family - as well as holding the thread far into the past for this cycle of abuse in the hands of authority figures and relatives, since Vellioth very much occupied a "step dad" sort of role in his life for so long.

Like... Slight pivot, but I am so much less interested in endless torture and physical humiliation than I am in the gut-churning dread of a man who has to look into the face of another, for hundreds of years, with the visceral knowledge that he devoured his mother piece by piece like a roasted porkloin - a dehumanization so speakable, and yet so simple. Yes, all of the spawn in every generation suffered, but I don't think anything they went through is worse than the mind-games and the severance of their lives from community, love, and family - and I think that this version of Vellioth & Cazador story illustrates that really well.

[anxiousapplepie]

Hey, just wanna know if Cook!Siffrin is aware of his pineapple allergy? Cause if not, it would be cute if he brought it for Researcher!Bonnie if they mentioned missing their favorite fruit. Honestly I can see Cook!Sif peeling fruit for his party to show that he cares like an Asian mom who has a hard time verbalizing that kinda stuff. Heck, he could probably do those bunny apple slices now that I'm thinking about it.

Cook!Siffrin is NOT aware of his pineapple allergy!! (that's a fun surprise for later) And that is actually the sweetest thing ever to imagine him getting a pineapple for Researcher!Bonnie, especially if the kid mentioned it in passing. Pineapple Quest Mode activated!! And Cook!Sif would cut up and peel fruit all nice-like for the party cuz he does find it the easiest way to communicate his undying loyalty to the people that gave him a chance to belong in a group.

[atleastpleasetelephone]

Kinktober Day 29 - Masks/Costumes

A/N: Okay so this came about because of a conversation with @jhoneybees and a tiktok about imagining Elvis doing a Calvin Klein advert. This is basically set now, but imagine it's 1969 Elvis, don't ask me how that works it just does.

Pairing: 69!Elvis x photographer!reader

Word count: 2.1K

TWs: This concept is maybe too hot to think about for too long so be careful, masturbation, p in v sex, dirty photos, kinda public sex. There's a mask but honestly I just shoehorned it in there.

Kinktober masterlist

“So if you could just strip down to the underwear, and then make yourself comfortable on the chair. We’ve got some props in the box too.”

Elvis frowns a little at the word “props”, but does as he’s told. He’s nervous about this photoshoot. He never thought he would do anything like this, but here he is. He starts to strip, feeling self-conscious under the hot lights. He’s never really been a big fan of underwear but these new Calvin Klein boxer shorts are pretty comfortable. They don’t leave much to the imagination, though, and he sits awkwardly on the armchair, shuffling his legs about. 

“Can you put one of those masks on, please?”

He starts at the voice. Female, honeyed, with an air of authority. Looking up, he’s confronted by you and your camera. He’d been expecting the female set helpers but not a female photographer. Becoming even more aware of the way his dick looks in his pants, he crosses one leg over the other. He pulls a mask out of the box of props and puts it on over his eyes, feeling like this must look absolutely ridiculous but trying his best to be amenable. The lights are beating down on him and he feels like the entire room of people is staring at him. He’s usually happy to be looked at, encourages it almost, but this is different. He feels naked, exposed. 

“Um… uh… is this okay, honey?”

You sigh. “Uncross your legs. And stop calling me honey, Mr Presley.”

“Ah I-I’m sorry… Miss…” he stumbles awkwardly over the words. “Ya…um… ya don’t have ta call me Mr Presley. Elvis is fine.”

“Uncross your legs, Elvis.”

You watch as he slowly does as you tell him. Men calling you pet names annoys you on principle, but he’s much less cocky than you’d expected. There’s something endearing about the way he stumbles over his words and seems a little unsure of himself. 

“That’s great, thanks. We’ll take a few shots for the lighting now. Try to relax.”

Elvis tries his very best to relax, but he can’t help but feel a combination of terror and arousal. You’re gorgeous but he can’t seem to charm you like he usually would. You don’t seem interested. Maybe you’re just being professional, but it’s still off-putting. He puts a hand on each of the arms of the chair and tries to keep his expression neutral. You take a few shots and ask the lighting technicians to make one or two changes until you’re happy. Then you actually look at his face and realise he looks terrified. 

“Really try to relax, Elvis. You look like you’re about to be eaten by a grizzly bear.”

There’s a moment of silence and then he bursts out laughing. His whole face lights up as he belly-laughs and you grin back, taking a few photos of him looking natural. You take a quick look at them and decide you can do without the mask. It was something that the stylist had suggested for the shoot, and you’d wondered why anyone would want to cover up such a gorgeous face, but they’d done a relatively good job of persuading you. Some kind of eyes wide shut theme or something like that. But it doesn’t work, and you aren’t one to stick to things just for the sake of it. 

“That’s better! Get rid of the mask too, that’s not working for me.”

He smiles, pulling it off and throwing it onto the floor. “This working for you, honey?” He asks, cheekily, leaning back in the chair and spreading his legs wide. 

You find yourself biting your lip to stifle a moan. He looks damn hot. But you have to be professional. You’ve done plenty of these photoshoots with attractive men, and you haven’t lost your cool yet. 

“That’s great. Let’s have a few of you smiling like that and then a couple of serious ones.”

His brain works overtime as he follows your directions. Are you interested? He swears he saw you bite your lip just then, but your voice is even and professional and you’re not flirting back at all. 

You keep snapping away with the camera, directing him and the lighting people until you get what you want. Your eyes are drawn to his hands, the glittering rings and the length of his fingers… you clear your throat. Have to keep things professional. 

“You getting what you need, honey?” His eyes are sparkling and there’s a little smile playing about his lips. 

“What did I tell you about calling me honey? It’s not 1973.”

Elvis raises both eyebrows and then lets them fall again. Does he detect something different in your voice? The tiniest quiver?

“You didn’t answer my question. Are ya gettin’ what ya need?”

He runs his tongue over his lips and you have to work hard not to lose it completely. 

“Yes, thank you, Elvis.” 

Your eyes involuntarily shift to the bulge in his pants. Luckily the camera is against your face so he can’t see where you’re looking, but you just stare. It’s definitely been growing over the course of the photoshoot. 

“Just one or two more. Give me your sexiest look.”

You have no idea why you decided to play with fire like that, and you regret it immediately. He smoulders, blue eyes staring at you as he rests his chin in his hand. Your panties are definitely getting damp now. You take a few more photos and then bite your lip, hard. 

“That’s great. Thanks. That’s a wrap!” 

Elvis blinks. He doesn’t want this to be over. He’s having far too much fun.

“Could ya do one or two more? I’m not sure I gave ya my sexiest look…”

Your stomach flip-flops. If that wasn’t his sexiest look you’re not sure you want to see what is.

“Well, okay, maybe one or two more.”

The lighting technician sighs audibly. It’s well past lunch time. You look over at him. 

“Why don’t you go for lunch? The lights are fine.” You look around at the other one or two people in the room. “You can all go. We won’t be much longer.”

Elvis watches the scene with interest. You’re refusing to make eye contact with him and he swears you’re blushing. Everyone else is just happy to be allowed to go, grabbing their things and making their way out. It’s just you and him now, and the room is quiet.

Elvis breaks the silence. “We won’t be much longer, hm?” 

You look up, awkwardly, suddenly wondering just what you thought you were doing when you sent everyone else for lunch. 

“N-no, just…uh… one or two more shots.”

Elvis chuckles. “Relax, baby. You look like you’re about to be eaten by a grizzly bear. And I ain’t that big.” But I will eat ya, he thinks. 

The tension in the room defuses for a minute or two as you laugh along with him. You pick up your camera again. 

“Okay, come on then. Really give me your sexiest look this time.”

You can hear your heart beating in your ears and feel your whole body getting hot. He runs his fingers through his hair, closing his eyes for a moment, and then you watch as they spring open and he fixes you with the most intense stare. Propping his head up again on the back of his hand, elbow on the arm of the chair, without any kind of warning he puts a finger in his mouth and bites on the knuckle. You almost faint on the spot. 

“Fuck.”

His eyes widen and his lips curl into a smile. 

“What’s that, baby?” Noting that’s the second time he’s called you baby and got away with it.

“N-nothing. That’s good. You’re right, that is sexier than what you were doing before.”

Your heart is pounding in your chest, your panties are ruined and you’re actively suppressing a moan. He can see the effect he’s having and he knows exactly when to strike. 

“Come closer.”

His voice is so syrupy you can’t help yourself, putting one foot in front of the other until you’re standing right in front of him. You shakily move your camera from your face. 

“I-I think I’ve got what I… um… need,” you babble, trying to keep your eyes on his face but finding them wandering down to his boxers again. 

“Nothing else ya need?” He teases, moving one of his hands to rest on his clothed dick. 

You swallow. “N-no, Elvis.”

“No?”

You just stare at him, unable to speak. 

“Nothing else ya want to take a photo of?” 

Part of him can’t believe he’s being this bold, but he finds himself staring right into your eyes as he rubs his dick through the boxers, letting out a little breathy sigh and biting his lip. 

The tension is unbearable. 

“What are you offering?” You whisper, your eyes darting down to his hand on his dick and back up again. 

He smirks. “Just sayin’ ya can take photos of whatever ya like.”

You step back and bring your camera back up to your face, snapping a photo of him with his hand so obviously touching himself through his pants. 

“Take it out,” you find yourself instructing him. 

He grunts, shifting the boxers down a little as he reaches inside them for his dick, pulling it out and stroking it a couple of times.

“Can you… move the boxers down… further?” Your mouth feels dry and you try desperately to swallow. 

He pulls them down a little more and you gulp, seeing his balls exposed under that big, thick shaft. You take a few more photos. Elvis’ chest heaves. 

“Touch yourself again.”

He does as he’s told, slowly moving his foreskin up and down, staring right into the camera as he does it. You adjust the lens, take more photos, squeeze your thighs together. 

Your hands shake as you move the camera away from your face. He looks so good. 

“You got what you need?” He asks, still lazily stroking himself. 

You shake your head, trying to put the camera down carefully before walking the couple of steps it takes to reach him. 

“No. I need your dick inside me.”

He groans, watching as you pull your pencil skirt up around your waist and position yourself on his lap, pulling your panties to the side and sinking down on his length. 

“Fuck,” you murmur, feeling him stretch you. 

“You okay, baby?” He asks, as you gasp at the feeling of him filling you up completely. 

You’re surprised at the tenderness, at the way he pulls you into a kiss when you tell him yes. Your arms snake around his neck and his fingers grip your hips, thrusting up into you from underneath. You lean your forehead against his, panting as you roll your hips too, both of you holding each other. 

“How long have we got?” He asks. 

“I don’t know,” you breathe, cursing yourself for not checking the time when you let everyone else go. “We better be quick.”

He nods, his grip on your hips getting tighter as he fucks you from underneath. You start to bounce on him, matching his pace, both of you moaning against one another’s skin. 

“Baby, you feel so good.”

You bounce faster, your fingers finding their way into his hair. “Fuck me harder,” you murmur. 

His hips snap up obediently, driving his dick even deeper inside you. He can feel himself getting close but he wants you to cum first. 

“You close?”

You nod, pulling one of his hands down between your legs. He doesn’t need any further instructions, his thumb rubbing your clit as he keeps pounding you. Your fingers grip and pull his hair as your orgasm builds in the pit of your stomach. 

“Fuck. Fuck.” 

Elvis grips you more tightly, feeling how close you are. His thumb rubs harder and faster and you feel yourself start to unravel. 

“I’m cumming… ohhhh….” 

He watches you as you arch backwards, riding him through your high, desperately wishing he could take a picture. Your walls squeezing him tightly push him over the edge too, and without thinking he cums inside you. 

“Fuck. Honey. I uh… are ya on the pill?”

You lean your sweaty forehead against his again, one hand wrapped around the back of his neck. 

You smirk. “Yeah. Don’t worry.” Pressing a kiss to his lips. “But what did I tell you about calling me honey?”

***

Taglist:

Please let me know if you want to be added or removed:

@vintagepresley @arg-xoxo @from-memphis-with-love @msamarican @blursedblegh @returntopresley @another-identityofmine @eapep @everythingelvispresley @i-r-i-n-a-a @sissylittlefeather @arrolyn1114 @jhoneybees @cattcb @polksaladava @lookingforrainbows @jkdaddy01 @ccab @epthedream69 @lustnhim @elvisslut @pomtherine @that-hotdog @ladelinee @angschrof @fairybloodsucker @deltafalax @makethemorning @elviswhore69 @ilovequeen978

[diangelodork]

OKAY HERE IT IS FOLKS!!! - thank you to @chaotically-gay and @paraphwrites for giving me permission to quote them :3

(i couldn’t figure out how to get the actual word doc in here without doxxing my email and real name so sorry for the shit formatting lmao 🧍- also let’s hope my prof doesn’t decide to look through my page and figure out who wrote this 😟😟)

also, the end is a bit EUGH bc i was nearing the deadline so pls pls don’t judge me too harshly 😬

also also, it was meant to be 2-3 pages… it’s 5 🧍 LMAO DONT ASK ME TO WRITE ABT MY POOKIES IF YOU DONT EXPECT THIS LEVEL OF COMMITMENT 😭😭

Sociological Concepts as They Relate to Netflix’s “Dead Boy Detectives”

Netflix and Steve Yockey’s Dead Boy Detectives is a TV show that effectively addresses several different sociological concepts such as sexuality and gender, race and ethnicity, and deviance, in a very refreshing and enlightening way. This program was released for streaming on April 25th, 2024, and its popularity skyrocketed among adolescents and young adults in particular, as it follows two boys who are eternally 16, living their afterlives as phantasmic detectives with a strong and diverse supporting cast. One of these protagonists, Edwin Payne (played by George Rexstrew), was alive in the mid-1910s whereas the other, Charles Rowland (played by Jayden Revri), lived in the late 1980s, yet they navigate the modern world as they interact with people from the current times, such as the primary supporting cast, Crystal Palace (played by Kassius Nelson), and Niko Sasaki (played by Yuyu Kitamura). 

This show not only has a supernatural aspect to it, but it details stories of love, loss, and goodness despite the bad that must be faced. These themes hold significant relevance to the current times as we actively witness human rights lying up for debate. This show helps to teach people to remain kind in spite of the evils of the world.

One such example of the use of sociological concepts is the majority of well-represented queer characters. Many fans have reported feeling a sense of accuracy in the queer representation within this show far surpassing that of other queer content in media, as Tumblr user @diangelodork states, “this show exemplifies queerness through a queer light, and it’s very clear who the intended audience is for dbda” (dbda being a shortened form of Dead Boy Detectives commonly used by fans). Another user, @chaotically-gay, added to the sentiment within the same thread, writing, “i don’t really know how to explain it, but it’s like hs and rwrb have QUEER characters, while dbda has queer CHARACTERS,” when discussing this sense of representation in comparison to shows in the same vein of queer stories (hs standing for Netflix’s Heartstopper, and rwrb referencing Amazon Prime’s Red, White and Royal Blue, being a rather popular queer show and movie, respectively). It is very evident that the fanbase feels strongly about the importance of this show. It represents several different queer relationships, attractions, and identities whilst also never labeling a single one. One of the primary protagonists, Edwin Payne, has several different love interests, all of them being men, and he very clearly struggles with the implications of that, having been born in a time that oppressed him so heavily that his cause of death was, undoubtedly, his queer identity. Edwin was sacrificed to a demon for his lack of conformity and is even called an offensive term from the time period whilst being sacrificed, even though his queer identity is not given an explicit label. The Cat King (Lukas Gage) is another character that effectively plays with both his sexuality and gender presentation, acting as a symbol of desire within the show and wearing a skirt in nearly every scene he appears in. It is important to note that we see him acting as a symbol of lust and desire for Edwin, despite also having a romantic subtext with the female antagonist Esther Finch (Jenn Lyon). The difference here, once again, is the way that the show never forces stereotypes or conformity onto these characters, providing a more genuine and honest feel to the queerness exhibited within this show. 

It also has a rather large focus on feminism, with a significant portion of the characters being strong and willful women who have explicit motivations that drive their characters rather than being considered flat supporting characters to the protagonists. There are several subplots that follow themes of female justice, power, and vengeance, especially within the character of Crystal Palace. In one episode of this show, episode 6, “The Case of the Creeping Forest,” Crystal enlists the help of all of the women in her bloodline, tapping into the feminine and mystical powers of all those women she descends from. Furthermore, the primary antagonist, Esther’s power, comes from a deal she made with a Goddess of wronged women to take vengeance upon those who harmed her in her past, harming young girls in her desire to maintain her power. She is then defeated in the name of justice for the young girls she took advantage of, which tells us that the focus on feminism is prevalent in both the motivation for the antagonist as well as in the protagonists and their eventual success.

Another sociological concept addressed within this show is the implications and mistreatment of individuals based on their race and ethnicity. One of the most prevalent characters, Charles Rowland, died because of his decision to stand up for a person who was part of a racial minority group. He saw a boy of Pakistani heritage being berated and physically assaulted and stepped in, the bullies redirecting their abuse onto him. He eventually died from his injuries. He himself states that it “Just didn’t seem right. Letting that kid get beat on ‘cause he’s from Pakistan. I mean, I’m half-Indian. Why am I so different?” To which Edwin replies that this is “…a fair point. They were the same country back when [he] was alive.” In this exchange, we see the boys break down the barriers of ethnicity and showcase how unimportant a thing like ethnicity is in relation to a person’s character when it can change in a matter of decades. Despite their generational gap, they can still connect and understand the lack of importance of their backgrounds. Furthermore, of the main four characters that we see, Niko, Crystal, Charles, and Edwin, only one of these is a Caucasian person; although, like how they treat the sexual and gender identities of the characters, they never play into any racial stereotypes. Their ethnicities make a small impact on their characters here, too, never shying away from the fact that Niko was born and raised in Japan, that Charles is half-Indian, or that Crystal is Black, but it never affects the plot in a significant or archetypal way. They are very clearly and adamantly racially diverse, but it is never made a spectacle or a show. Another Tumblr user, @paraphwrites, said, “he's lonely because he attends a boarding school [with] rich racist pricks. he's lonely because never once in his life has he admitted how the intersection of all his identities puts him in a situation where he is completely alone,” in reference to how Charles deals with the aspects of himself that isolate him. They touch on a very important aspect of his character, which is his intersectionality. The main topic of their original post was how this show caters to the lonely, discussing several instances in which the characters feel isolated and alienated from the world, Charles’ race and ethnicity are one of many reasons of this within his character in particular. They also discuss the parental abuse he faced and the subtext of his mother not doing anything to stop it. There is some subtext that the abuse he and his mother faced from his (White) father may have to do with his mother’s heritage and that they also faced suppression of expression of their culture by their father and husband, respectively. 

Finally, the concept of deviance is represented in just about every aspect of this show. Edwin was murdered for his deviance from the norms of masculinity the times forced onto him, further deviating when he escapes Hell not once but twice, defying the institution he is forced into and having to resocialize into society. Charles deviates not only from the racial norms of the school he is in but also in his style, wearing punk clothing and an earring and refusing to follow the rules placed onto him by the Afterlife institution. Crystal is a deviant because she is neglected and ignored by her parents, causing her to lash out and cause problems for herself and others. Niko is a deviant because of her interests and her more childlike and whimsical nature. Jenny Green (Briana Cuoco) is a deviant because of her style, donning a neck tattoo and dark clothing in this somewhat conservative town. 

All of these different concepts and ideas are well represented within this show. Marx’s conflict theory would have interpreted the show to be an indicator of the social change that happens through societal conflict. Had deviation in the same vein that the characters Charles and Edwin exhibited not occurred, society would be far more regressed than we see now through the more modern lens of characters like Niko and Crystal. Marx would say that all of these different characters, especially Charles and Edwin, experienced inequalities and that these inequalities gave power to the individuals who placed these boundaries on them, allowing for their groups to be pushed down even further. Postmodernist theory would likely have a stronger focus on the differences between Edwin and Charles in comparison to the characters like Niko and Crystal, looking at the way that they interact and especially at the way that they were/are treated in their respective time periods. Postmodernist theory would highlight the differences in the treatment and identities of the boys in comparison to the girls because of the times in which they were born, also looking at the differences between Edwin’s time period and Charles’ and how their different identities would have affected how they were raised. 

Overall, this show successfully represents several different sociological concepts and is reflective of both this time period and the ones represented by the characters in the show. This provides for a very sociologically active show.

References

holy shit guys.

my assignment in my sociology class is to fucking write an essay on the sociological aspects of a favorite piece of media of mine.

THATS LITERALLY WHAT I DO EVERY NIGHT. I GET TO WRITE ABOUT THE IMPACT AND WAY THAT HUMAN SEXUALITY, GENDER (the emphasis on the feminine characters being well-rounded and dynamic as well as tck’s gender non-conformity), THE WAY RACE AND ETHNICITY (mainly charles’ death/the bullying of the pakistani boy that he stood up for), AND DEVIANCE (edwin going to hell for his orientation and then escaping hell which is an institution and how he has to resocialize into society as well as the way that the antagonists are presented) ARE REPRESENTED WITHIN DBDA. FOR A GRADE. I DO THAT SHIT FOR FUN ALL THE TIME. THIS IS THE BEST ASSIGNMENT EVER I LOVE COLLEGE 🗣️🗣️🗣️‼️‼️‼️

[yanderes-galore]

Jujutsu Kaisen Maki concept!!!

Sure! Decided to keep it Pre-Shibuya Incident to make things simpler. Maybe another time I'll do Post-Shibuya Incident since she changes then.

Yandere! Maki Zenin Concept

(Pre-Shibuya Incident)

Pairing: Platonic/Romantic

Possible Trigger Warnings: Gender-Neutral Darling, Obsession, Manipulation, Overprotective behavior, Slight controlling behavior, Slight stalking, Social isolation, Violence, Dubious companionship/relationship.

Maki is a character who would probably lean more platonic, yet is capable of romantic feelings even if she doesn't show it.

She's a stoic woman, always repressing her emotions based on how she was raised.

She's headstrong, straightforward, and capable.

She was always told by her family that she's weak.

Yet she's always been determined to prove them wrong, even if she can't see Curses by normal means.

Maki is shown to come off as cold or harsh at times.

But she's still caring for those she works with.

She'd care for her obsession and would want them to be strong.

Many yanderes prefer a weaker obsession to control.

Yet Maki doesn't want to control her obsession much.

She wants them to be capable just like her.

Which ends up being obsessive as she feels you need her to learn correctly and be properly protected.

I feel she's another protective yet stoic yandere towards her obsession.

There's times she's harsh yet she'd tell you it's all for your own good.

She's used to being called weak... so she wants her obsession to become strong beside her.

She seems like she'd be a mentor for a lower classman obsession in Jujutsu High.

She probably doesn't focus on romantic feelings a lot.

So she shows her feelings towards you through overseeing and training you.

It's probably one of the only ways she knows how to act on her feelings.

When you first meet her she's rather harsh.

She supposedly does it because she cares according to your classmates.

You probably can't even count how many times she's pushed you into the dirt during training.

There's times you've been bruised and bleeding.

Although, afterwards you're usually well taken care of.

Her obsession is subtle and you may even get the wrong idea about her.

Especially when she starts going harsher on you.

You may think she's targeting you or even hates you with how harsh she goes during training.

In reality, it's just Maki being concerned for you.

She has trouble expressing herself, always being told to bottle it up.

When she experiences these new feelings towards you, she expresses them in the only way she knows how.

Rigorous training to make you stronger.

She's been shown to want those under her to grow strong with her.

Which would be her reasoning for making you fall on your butt so often.

Maki isn't devoid of care...

She just often gets misread and... doesn't really want to show emotion.

She doesn't like others worrying about her and struggles to let others be close to her.

She simultaneously wants her obsession close and at a distance.

It's conflicting to her.

Which makes her struggle to process it.

Maki isn't possessive or easily jealous.

She quietly observes you and is a critic of your training.

In a way, your bonding is through training.

To be a Jujutsu Sorcerer is a dangerous task.

One you could easily die in.

Maki wants to not only be strong herself for a variety of reasons... but she wants you strong too.

She'd never lock you in a room, yet she'd be close to your side all the time.

She wants you both strong and often insists on being the one to help train you in your techniques.

She wants to be strong not only to spite her family... but protect you, the one she truly cares about in this world.

There's times you can tell she doesn't hate you eventually.

Small smiles when you're near or say something she approves of...

That or her being attentive towards your wounds after training or battles, showing concern over the scratches on your body.

Those close to Maki can tell she's interested in you in some way.

She just struggles to admit it.

Mostly because she doesn't want to admit how she feels.

It's an awkward conversation she doesn't need...

So hopefully just protecting you will help?

Yet... How far would she go to see you safe?

Maki already pushes herself quite a bit.

She pushes you, too, just to see you succeed and be okay.

There's times she even follows you in the halls, eyes watching you like a hawk as you go about your day.

Her fellow classmates comment on this odd behavior of hers.

She seems a bit too... focused on you?

Maki always gets defensive or brushes their concerns off.

She isn't too focused...

She just wants to make sure you're settling in fine.

In a way she's like an overprotective upperclassman.

If she had romantic intentions, she'd be more flustered when others confront her.

But the truth is, she herself may not even know if she's just being protective... or if she's strangely in love.

She just knows she wants you safe and capable of defending yourself.

She also wants to be by your side during that....

Maki personally doesn't view herself as controlling.

Although, ironically, she can seem controlling since she occupies so much of your time.

She has a tendency to work you too hard.

She often calls you for private lessons and has a tendency to run you ragged.

While afterwards she apologizes, she never seems to explain herself.

She just does it again once you've recovered.

When you bring it up, she brushes it off.

She's just helping you become your best self.

In reality she's doing it to not only be close to you... but ease her worries.

Maki is... conflicted by her behavior.

She isn't sure if what she's doing is right.

But it's unknown if she really cares, honestly.

Your bonds with your friends end up weakening as Maki takes most of your time.

You comply reluctantly due to how stern Maki is.

After all, she just wants to make sure you're capable...

Yet it feels like she doesn't think you are already at times.

Her training you and tending to you ends up taking most of your time.

She doesn't kidnap or murder, but with how much you're around her... You're pretty isolated.

Others try to ask her to go easier on you.

But she says if she does, you can't take care of herself.

Although, even she begins to doubt her reasoning....

She finds herself increasingly flustered or nervous about you.

Sometimes she even stays close to you, her touch lingering as she patches you up.

At some point she's come to realize she feels something for you, right?

Her feelings certainly aren't normal...

But she isn't going to admit that.

Won't she look weak?

She's definitely a yandere who seems harmless to her obsession.

She just seems like she wants to try and help, that's why she takes all of your attention.

Yet that's precisely the issue.

You think her behavior is normal, in reality she's monopolizing your time together.

Especially when she no longer is in denial of how she feels.

She feels she needs to help you no longer be seen as weak, and feels she's the only one who should do it.

For the most part, you trust Maki since she's your mentor in a way.

Surely all this training does have its benefits...

Why would she have ulterior motives with you, right?

[ladyloveandjustice]

Someone's been in the Revolutionary Girl Utena rabbit hole for a bit 👀

I don't even know what it's about, I just see it and get happy

Mind telling me a bit on what it's about? I might watch it myself if it sounds like my thing, bc you seem to have great taste in anime and games

I do have good taste thank you! *flips hair* lol just kidding,

Revolutionary Girl Utena is a surreal and wild queer feminist deconstruction of fairy tale romance and shoujo tropes and it has a lot to say about systems of power, cycles of abuse, the ways people cling to an ideal of innocent childhood which may have never existed anyway, the concept of purity, fear of change and loss, and whether becoming an adult inevitably means being corrupted in some way. Lots and lots of gender, lots of queer characters struggling with compulsory heterosexuality... but over all, it's a deeply meaningful story about the human condition and growing up in an imperfect world.

But also people turn into cows sometimes, there are elephants of surfboards at one point, and one character has a very emotive pet monkey in a tie. at least we think it's a monkey. It can be very silly, is what I'm saying.

The basic plot is that a girl named Utena lost her parents at a very age, but a prince came and comforted her, giving her a ring and telling her to never lose her strength and nobility. Rather than taking that as an engagement offer and aiming to be his princess though, Utena actually admires him so much that she decides to become a prince who saves girls in trouble too. She's determined to find the prince who changed her life though, and her search leads her to a very fancy and phallic looking Ohtori Academy.

Then, when this shitty popular guy makes her friend cry, Utena challenges a guy to a duel to make him pay (as you do). ONLY to find out that the student council of her school are all secretly dueling each other to be engaged to "the Rose Bride", a girl who is supposed to give whoever's engaged to her the power to revolutionize the world. As part of the student council, the shitty popular guy assumes Utena wants to "win" the Rose Bride too.

So next thing Utena knows, she's been dragged into a duel to "win" the "Rose Bride" (who is actually just Utena's classmate, Anthy). Utena thinks that fighting to possess a girl like she's an object is pretty screwed up, but on the other hand, she IS devoted to saving girls, and that shitty popular guy IS treating Anthy pretty badly....

Could be that she'll end up engaged to Anthy, whether she likes it or not....

It covers a lot of dark topics, from misogyny to abuse (sexual abuse included) to child predators to incest (never framed as healthy or okay though, in one case it initially comes off as a joke thing for a character, like the typical anime comedic brother/sister complex, but throughout this characters arc it becomes clear that no, it's really not, and it is not good for the character in question). It's not a graphic show by any means, it handles its subject matter tastefully imo, and the way it explores these things is very effective. It takes a while to build up to where it's going, but the journey is worth it.

If you're interested at all in queer anime or like...queer western cartoons even because odd are they'll have a Utena reference-- it's a must see because it was massively influential. It was made more than 20 years ago and really holds up still.

I also did a review series about it here a while back that people found handy!

[boba-pearl-writes]

Amortentia - 11/8/24 - word count: 613 - @rosekillermicrofic

Evan was not enjoying Potions. 

This wasn’t quite a surprise, as he never enjoyed Potions. Usually, this had to do with him not being able to make Potions as well as Slughorn demonstrated, ending up with him at the end of Slughorn’s judgemental, disappointed looks. He didn’t really care. Barty and Pandora were way more skilled at Potions, and he usually partnered with them anyway.

This time, they were making amortentia- Evan hadn’t done the required reading before the class, but he knew what it was. One of the most powerful love potions in the wizarding world, and not too easy to brew, either. It was supposed to smell like your soulmate or the person you loved most.

Evan had never been really interested in the concept or the meaning of soulmates. In his view, Barty was the only right person for him, the only person he’d felt strongly towards, and not even fate would change that. If fate agreed with him, then… Well, that was alright. 

The only problem was, Barty had refused to partner with him this Potions class partnering with Regulus instead, and Pandora had already partnered with some Gryffindor girl. Evan was happy to leave them to that.

Dorcas wasn’t even in their year. Evan had ended up with Mulciber, something he’d never forgive the rest of them for. It was well known that Mulciber was absolutely helpless at Potions, and, combined with Evan’s lack of affinity towards this class- they were going to end up doing something wrong.

By some miracle, after the last ingredient and the last stir, the potion took on the pearly color it was supposed to take, no thanks to Mulciber, who’d just been chatting with Avery the entire time. The potion looked almost hypnotizing with its silvery color and its swirling smoke. What was the most entrancing about it was its smell. It smelled like the smoke from a blunt, green apple lollies, and something else that could only be described as Barty. He looked over at the person in question and found that he was already staring back.

Their eyes met. Evan sucked in a breath. Barty looked away, a flush of red on his face.

What’d that mean? Could it be…?

Barty didn’t look over at him for the rest of the class. Evan cornered him after class, and Barty tried making several excuses to get away. Evan knew for a fact, though, that they both had a free period.

“What’d you smell in the amortentia?” He asked, getting right to the point. Barty looked down, not meeting his eyes. 

“What’s it matter to you?” Evan frowned. Barty wasn’t this hostile, not to him.

“Barty,” he said, softer this time, and Barty looked up at him, eyes shining with unshed tears. “I smelled green apple lollies and blunts.” Evan tried to emphasize the smells, tried to get Barty to understand. Barty’s eyes widened and Evan knew that he’d understood. 

“I… I smelled roses… and a small bit of blood,” Barty said. Evan had suspected but hearing it, actually hearing it, was an amazing feeling. 

“So it’s… me?” Barty’s face brightened and he reached for his hand.

“It’s you. It’s always been you,” Barty said, breathlessly. “It’s always been you and me.”

Barty and Evan leaned into each other as one, meeting in the middle for a kiss that, even though it was broken apart by giggles moments later, was unlike anything Evan had ever experienced. 

It was perfect, or, at least, as close to perfect as he could imagine. That was enough. 

They walked back to the Slytherin dorm hand in hand, Potions and studies the furthest thing from their mind. 

[graillore2point0]

Sadly, I'm too afraid of getting abandoned by everyone I've ever known over this, but I suppose that's what the hornyblog's been for from the beginning.

I wholeheartedly agree, to start things off. Gushing is a series that truly, well, gushes with love for Magical Girls as a genre and a concept and wants to explore it. To deepen what a Magical Girl is without actually subverting it beyond the obvious of Utena as a protagonist.

I am someone who can and will wax poetically about the themes and characters of Madoka Magica and while I'm generally too afraid of consequences to give Gushing the honour it deserves I very much want to do the same.

Now, a lot of the backlash against Gushing is over the ages of the characters, with everyone so far appearing in the anime being 14 other than Lord Enorme at 20 and Korisu-chan at 9. (The Shio-chans don't really change this, though they're 17.) People are getting up in arms over this.

Now, beyond presenting them with the obvious issue of writing a story about 'coming of age' and self exploration as a teenager (When most people start getting interested in such things) without having the main characters, you know, early teenagers, as it would not at all work as well with them above 18 due to various factors...

There's also the fact that Gushing is far from the only series presenting young girls in such a way? It's just actually open about it, and does it in a far kinder way than typical as well.

Gratuitous butt and boob shots, random slips and upskirts, hells even Magical Girl transformation sequences typically depict characters cloaked only in an unnatural light. It's a staple of comedy, slice of life, school and more action oriented genres (Look at BnHA, the average Isekai, the entirety of the Gacha Game scene, even many well recieved Magical Girl series).

(Also where are they finding these 18+ not secretly ancient anime girls? Grab ten of them and six will be 14-17, three 100-10000, and if you're lucky the last is 22 at the very oldest.)

Anyways, back towards topic, it comes down to this perception that to make or watch something that at all depicts younger characters in a more overtly sexual light is some unforgivable sin. That anyone who does is a pedophile biding their time (Which is a whole other matter they probably need to introspect on) who'll act at any moment to bring their depraved tastes into the real world. I could talk more about that in particular but not now.

The thing is it's not. It's not something morally wrong to watch or write something like Gushing or Prisma Illya. These are, in our world, fictional characters. They do not have an age, they do not have an observable will, they are not real on our dimensional plane, to watch or draw or write about them does not harm them in any way.

It's this... Christian puritanical obsession with everything needing to be Clean, to be Acceptable and Uncontroversial. It demands that nothing is explored, that nothing is considered, that nothing is made without first being judged Pure by the twelve most Racist, Homophobic and Misoginistic people on the planet.

I feel like I have more to say but I'm running out of steam so I suppose I'll call this here for now.

So, Gushing Over Magical Girls Is The Best Thing To Happen to Magical Girls

Gushing Over Magical Girls get this bad rep. For all the wrong reasons. I’ve seen it be called an insult to Magical Girls, I’ve seen it be called “gooner bait” a term I absolutely despise but that’s a thing for another day. I’ve seen it insulted for everything and anything under the sun.

I first got acquainted with it when I was scrolling through Twitter and I saw someone complain about the PV. However, as an avid Magical Girl Fan, I wasn’t disgusted. I was intrigued.

I decided to read the manga, and oh god.

This is one of the best things I’ve read.

The story follows Utena, a shy girl that loves Magical Girls, tricked to become the evil general that will defeat the Magical Girl team “Tres Magia”.

And it’s a delight.

I binged all the episodes available to me in the manga, and had fun in each and every chapter.

The same, however, couldn’t be said by half the people who watched the anime. And I was extremely baffled. As a queer woman, this was the first time in my life, in which I had seen something so deliberately catered towards me. I saw tell-tale signs of someone who genuinely admires the genre, and is simply using it as an outlet for exploring deeper and more interesting topics that a SFW version of it would not be able to.

Yet, I turn around and I see people calling it the most horrendous stuff, and accusing everyone who likes it of being monsters or men.

Genuinely, I’ve had enough.

Gushing Over Magical Girl is not the Devil. In fact, I think it’s the best thing to come don’t even like Magical Girls AND IT SHOWS.

PART 1: “Magical girls are for little girls!”.

The first criticism you’ll see aimed at “Gushing over Magical girl” is the amount of sexually charged content it has. And it is true. It borders on straight up porn in many instances and it just gets wilder as you go on. By chapter 30, we’re way past PantyShots. Like, I’ve seen some of these girls’ vaginas, and I’m not joking.

Personally, I don’t see anything wrong with it, but there’s people who might disagree.

“Magical Girls are for little girls” some people say “and you’re corrupting it!”

Which genuinely makes me laugh.

This is because this type of argument could only be done by someone with no real concept of Magical Girls aside from maybe Sailor Moon and Sakura Card Captor.

out of the Magical Girl genre in a WHILE (Ignoring Precure, because they just gave us a magical boy and that’s my win of the decade).

People are just, you know, stupid. And reactionary. Enough that they see a boob and lose their minds like a Karen at a Christmas Eve Mall.

My point is, I love this manga. And I’m willing to risk my reputation to defend it. Cause genuinely, half the people who are clutching their pearls over this show - Magical Girl Anime haven’t always been PG, or aimed at girls.

Cutie Honey is a great example. It’s one of the most famous Magical Girl Anime you will find - and it’s a shonen. With the protagonist, Honey, being constantly naked, groped, put in suggestive situations and have outfits that show her cleavage.

And it’s one of the most famous, most popular takes on Magical Girl there is. Yet, I never see any amount of outrage towards it. (Part of me wonders if it’s because the fan service is aimed at men, rather than involving yuri).

There’s also Lyrical Nanoha, one of the most popular serial franchises there is. It spans several seasons and spinoffs, and it’s beloved by many.

And it’s aimed at older men. Yes, it’s a Seinen.

In fact, its origins are far from PG. It’s actually a Spin-off of an erotic game named “Triangle Heart”. It was most definitely not created with little girls in mind, and themes it tackles reflect as much.

There’s Fate/kaleid liner Prisma Illya too, a spinoff of the Fate/Stay Night VN, very obviously aimed at older men, it’s a Seinen. It has a lot of fanservice and scenes where the characters are half naked.

Day Break Illusion is also a Shonen.

And as much as I adora Madoka - I’ve been stating for years now that it isn’t a show meant for little girls. You could argue it’s for everyone, regardless of gender, who’s a little older. But it most definitely wasn’t for little girls.

So, no. This was never an “only girls” club. Trying to paint it as such, is not only wrong but ignorant.

Magical Girl shows can be for anyone. Men, boys, girls, women and I find it infantilizing to consider it “only for little girls”.

No one says “super heroes are ONLY for little boys”

Well, some do. But they’re, you know, bigots. Who don’t want girls playing or adults o have fun.

So no, Gushing Over Magical Girls being a sexually charged anime in the Seinen category isn’t “corrupting the genre”. In fact, I would argue it’s doing exactly what the genre has done in the OVA shadows for a while.

Not to mention, many people have screamed from the rooftop how they want “more mature Magical Girl shows” referring to the success of Madoka. But as soon as an actually mature take on Magical Girls shows up, tackling issues of sexuality and love, you all don’t want it anymore.

(We all know why, though. Americans, and western culture in general, considers mature themes, only that which involves violence. Anything close to discussing issues of sex is no longer “mature” but “Pornographic” and deserving of being shoved into a corner. With all queer themes, gender studies, and any nuance that could be had regarding these issues).

And speaking of sexually charged, have you watched so called “wholesome” magical girls? They’re still very much sexy. Not in the “on the nose” ecchi way Seinen and Shonen are - but they still are.

You’ll find transformations were the girls are naked, zoom in to their breasts, you’ll have panty shots every now and then. Even themes of growing up, having crushes, and innuendos about sex. Inappropriate relationships, taboo romance, and the likes.

Sakura had Rita and a professor’s relationship (mutual in the manga), Sailor Moon had Chibiusa and Elliot’s romance, Sugar Sugar Rune even having an element for ‘lust’ and other different types of love, and let’s not forget Mermaid Melody which has several instances of the girls naked, in compromising positions with other men. And I’m pretty sure Tokyo Mew Mew likely opened a whole bunch of doors for girls to be into CNC.

This is, by the way, normal.

Completely so.

These stories often talk about the girlhood experience. And girls and teenage girls are interested in all of these things. They’re interested in sex, romance, their bodies growing up, their own sexuality and the likes. It’s no wonder same-sex relationships and romance get included, they’re part of what experiencing the world through the eyes of a young girl is like.

And subsequently, it stands to reason that as people who engaged with MG grow up - they find comfort in exploring their sexuality through Magical Girl themselves. There’s a reason why there’s a growing section of “Magical Girl” in your local hentai site.

“Men get off on corrupting this wholesome girl targeted genre” is actually TERF rhetoric sneaking through the mainstream. It ignores AFAB ppl and gender nonconforming people, who grew up with Magical Girls, simply using a medium that originally started their journey of sexual identity, to explore more “grown up” aspects of that same identity.

In particular, I’m a Cis AroAce Woman. I wrote a lot of Magical Girl NSFW when I first started writing NSFW Twitter threads. They’re bad and they’re cringey. But it was something I needed.

Magical Girls were a huge part of my childhood and early teens. When I was mentally in the space to want to engage with NSFW content: it was obvious I would turn to what first sparked excitement.

So this idea that “men are corrupting Magical Girls with their sick fantasies” is nothing more than TERF-lite propaganda. People, including women and men, have been doing this for ages; for a variety of reasons. And doing so, doesn’t rob children of their spaces - but the gentrification of the internet is a story of another day.

The other argument I have heard is that GOMG is a mockery of the genre. Which is even more laughable in my opinion.

PART 2: Parodies and why I hate Earth Defender’s Club.

Gushing Over Magical Girls loves Magical Girls. It’s a parody, in a way, but it knows very well what it parodies. It’s not surface level in the slightest. And it absolutely is not mean spirited about it.

A lot of the time, shows that reference and parody the Magical Girl genre, do so in ways that feel like they view it as a lesser genre. They take generic images of cute girls in frilly outfits, swap the colors around, and have them chant over-the-top spells. You’re meant to laugh, not only at how silly they look, but people who would love it. Especially if they’re grown ups.

I do not like “Cute High Earth Defense Club LOVE!” For this exact reason - even tho many people praise it to all heavens.

Because

1) It feels surface level in its commentary and depiction of Magical Girls and

2) More mocking towards the genre than paying homage or doing anything with it.

The continuous use of the word “Love” is a very obvious jab at Magical Girls using these words, which feels mean spirited just for the sake of it. Their outfits are almost exactly the same, save for the colors. And they all use the same sticks as weapon, with no thematic link for the shapes of the scepters. The mascot too (a wombat for god knows what reason), I think it’s meant to be a joke of some sort for how ridiculous some of the mascots for the girls get, which rubs me the wrong way.

In general, it feels shallow and mean spirited. But no one calls this an insult to Magical Girls. Because people who like it don't actually care about Magical Girls. They see cute boys doing silly things and love it. Which is kinda sad.

Now, Gushing Over Magical girls has sort of that same problem on the Tres Magias…But they’re not the protagonists. And even then, in later chapters, they get power ups that are different in design, and thematically linked.

The protagonist, and the ones we follow, are Utena and the girls. And they all have very distinct outfits, all with motifs that are tangentially thematically linked, and speak of each character’s personalities in interesting ways.

Utena in particular has THIS outfit. Which a lot of people don’t like, but I actually do.

It’s very obvious it’s taking inspo from other iconic Bad Girls in the genre. Namely, Utau, Kraehe and Devil Homura. All “Enemy characters” that have unhealthy obsessions with other characters. In particular, I think the wings and the feathers resemble Homura - THE character known to have a massive obsession with a Magical Girl (Madoka), to the point of insanity.

There’s also Magia Azure. Who’s a clear reference to the Mean Tsundere girl that is iconic to the genre. She’s also a Miko. Which is a callback to Sailor Mars, arguably THE girl who popularized this archetype.

I also love what they do with the mascots. Unlike Earth Defenders, where the mascot is you know, a mockery of the archetype of a mascot - useless, only there to give power ups, and obsessed with food - the mascots of GOMG is taking a book from Madoka.

It considers the mascots both all-too-powerful and yet limited in their reach. Which is exactly what the mascots have always been in Magical Girls. Beings so powerful they can give mythical powers to girls, yet helpless to do anything on their own. So, they use magical girls as a vehicle to achieve their goals. Most Magical girls try to paint this as a good thing, but newer genres shine light on how dangerous that can be too.

Madoka tackles it with Kyubey as the main initial mascot, only later to turn out to be the villain of the series.

And in a Post-Madoka world, trusting the mascots is just the slightest bit more difficult. That’s why, from the get go, GOMG portrays their mascots as morally corrupt. He’s not a good character, he’s malicious and doing more harm than good. But for the majority of the series, he’s painted more as a useless harmless evil than anything genuinely terrifying or worthy of concern. The attention is focused on other things.

But I love the way that it’s heavily implied that they’re not good. It’s a very interesting take on the mascot and it helps with the themes of the series. Which yes, by the way. Gushing Over Magical Girls has themes.

Which lead me to-

Part 3: Yeah, uhm, Gushing Over Magical Girl has themes.

There’s this idea that Sex is an inherently violent act. In which a man humiliates and sodomizes a woman, and therefore the woman is exploited in some way. And 10x worse is any act that involves BDSM. It’s violence; born out of hatred.

This is TERF rhetoric. I’m not joking. This line of thought leads directly to TERF ideas.

Many on the internet have pointed out as much, and BDSM members have gone to be very vocal about it. In particular, people on the role of the submissive (or the bottoms) are loudly trying to explain the contrary. How they like the act of sex, like the idea of being vulnerable, or being humiliated. There’s also plenty of LGBT+ stories that talk about it, both in western and eastern spaces. Just jump into the section of dom/sub verse at your local manga browsing website, and you’ll find something.

That said, the same is not as common for people who like to “dominate”.

I can only think of two pieces of media that argue that, whoever is the dominant or the sadist, is also a human being. That whatever they’re doing is done, not out of hatred for the submissive or an act of violence, but love.

One, is the husky and the white cat. In which Mo Ran, among other things, has to come to terms that his love isn’t “pure”. That he cannot love someone without the want to have sex, and to completely dominate that someone.

The second one is Gushing Over Magical Girls.

It’s very clear to me that Utena’s sadism isn’t a violent act. It’s an act born out of love. She genuinely loves the Magical Girls, and most girls for that matter, and whenever she is inflicting pain and fighting with them - what she wants is to ultimately help them in some way.

She wants them to “be the cutest version they can be” and wants them to shine brighter than ever.

There’s this one scene I love, around chapter 20, in which Baiser (Utena) is fighting Magia Azura. And due to Baiser going a bit too far, Azura ends up being Mind-broken. She crawls towards her, calls her “mistress” and begs to become her servant.

In any normal Hentai you’ll find, this is a good thing. This would be the ideal outcome. A character being turned into nothing but a sex slave for the enjoyment of the dominant.

Which is why I found it breathtaking when that didn’t happen.

Baiser is horrified by this. She does not want to break the girls, she wants them to be powerful. She wants them to win. With her, the evil one, being nothing more than a vehicle for them to be even stronger than before.

This is the first time I’ve ever seen dominant or sadist characters being presented both sexually, and in such a positive light. Much less a queer woman in the same position.

It doesn’t treat BDSM sex as a disgusting taboo act, but something born out of genuine love - and a want to see the other person be or feel better.

This is reinforced around chapter 25 where Leberblume and Loco Mùsica are fighting Baiser. For context, Loco Musica wanted to be an Idol, but had terrible singing. She uses her evil power to basically force everyone to listen to her sing (which is so reminiscent of Mermaid Melody btw). When they fight, Baiser wins, and is then set to use her new found power to “punish” Loco Musica.

Originally, Loco Musica points out how Baiser’s sadistic tendencies are “the same” as Lord Enorme, who we’ve seen uses sadism as a genuine form of punishment. Something to avoid. You behave well, because you don’t want to get hurt or humiliated by her.

However, when Baiser uses her own unique type of sadism on Loco Musica, something happens. Instead of causing her physical pain by beating her or using violence, she forces her to get naked and perform her idol song like that. This causes her to get extremely embarrassed. And in the process, she actually starts to sing really well.

This is important for two reasons

1) Baiser is actually taking into account who Musica is. It’s later revealed that Musica wanted a more frilly idol-like outfit but Lord Enorme shut it down, for the sake of a more ‘unified’ aesthetic. Baiser is not just throwing around the same treatment and punishment for all girls - what one might like, the other might hate.

2) At the end of the day, while she did the punishment, it was both embarrassing, but ultimately something that helped Musica and made her feel better.

And that’s really the key here, and why I love the series.

Sadism, sex and kinks in general are not tools of degeneracy. They’re treated as part of our experience.

Also, it’s just fun?

Part 4: Gushing Over Magical Girls is just extremely fun when you don’t have a dumb bitch yapping abt how unholy it is to see tiddies on a screen

Yeah, GOMG just has one of the most creative depictions of the most insane of kinks you’ll see - I could spent hour gushing over Nero Alice.

Seeing all these different kinks being depicted as powers and abilities that these characters have - and seeing how they interact with other people is just interesting.

The sex scenes are both hilarious and kinda sexy. Specially if you do like to see women all hot and bothered. Personally I’m not into girls (or anyone for that matter) but I have to admit the scenes were pretty hot. And there is no shame in admitting as much. No matter what the puritanical Christian on Twitter crying abt “god honoring lesbian sex” Will tell you.

I cannot begin to explain just how hype and relatable it was to see Magia Baiser defeat Lord Enorme with the power of straight up delusion, we STAN.

So, yeah.

It’s been a while since I last saw a Magical Girl Show so unashamed of being a Magical Girl Show. Unashamed of being weird, of praising the genre and just enjoying it.

My essay is titled, in part, as a joking reference to my much more popular series “MLB is the worst thing to happen to the magical girl series”. Which I still think is true.

And while, yeah, maybe GOMG isn’t the best thing to come out of the genre…I still think it’s good that it came out.

A lot of people say they want a more “mature” take on Magical Girls but - this proved to me that just isn’t the case.

Gushing over magical girls proves that the Magical Girl Genre Can Be so much more than what people think. More than glitter and sparkles, more than vapid action scenes, or what little girls want.

Much like any other genre, it can be raunchy, it can be messy, it can explore things outside of the status quo. But it can still deeply respect the source material, and the origins of it.

GOMG proves Magical Girls can be fun. Just. Straight up fun. Regardless of your age. They can serve and connect you to parts of yourself you didn’t realize you could connect to.

I hope it proves to more people that the genre can be so much more than “just for little girls” that parodies can be more than pointing and laughing, and that it can have themes beyond just, “friendship”.

Magical Girls can be so much more. You just, have to have an open mind about it.

[plum-pitt]

X-Men Origins Rewrite

Ok I guess this is a follow up to this post i made not too long ago abt rewriting this shit, the brainworms rlly got to me here so you’re getting a follow up sooner than expected lol

Before I actually do any rewriting though I wanted to lay out the big changes I’d be making and why, mainly for myself as a guide and to organize my thoughts both about the original film’s issues and how these changes could potentially solve them, but also to allow anyone else with some ideas for possible changes to add their own thoughts or suggestions by engaging with the post.

As for what kind of final product you could possibly expect these ideas to result in, i haven’t quite decided if I want to just do an in depth outline for the story with my proposed changes or do like a full length fic novelization. It’ll probably depend on how motivated I still feel about the exercise by the time I’m finished and happy with the cleaned up outline, but I digress. Lets just go ahead and get into the changes I want to make:

Proposed Changes:

First off, I’m removing Blob and Gambit from this cut. I like both of the characters and think it’s cool they tried to include them but the cast is crammed enough as it is and those two serve very little narrative purpose that can’t be shifted to others just as easily.

Second, I’m adding Silverfox to Team X and letting that serve as the meeting point for her and Logan, it gives the audience more time to get to know her and come to care for her and Logan’s relationship, while also harkening back to the comics where she was also a part of the weapon x program. Also I know this isn’t a real film but let it be known that if it were i’d actually hire a Native American actress to portray her, i’m still shitty they whitewashed her.

Third, I’m removing the third act “Silverfox wasn’t really dead” twist. I really shouldn’t have to explain why, that shit was dumb and completely unnecessary, not to mention introducing a shit ton of plot holes with that whack ass mutant ability they pull from thin air. In my version she’s human(as far as we know) and when she dies she dies for real, full stop.

Fourth, we are GETTING a biblically accurate Deadpool. They did my bro dirty and I refuse to compromise on this. His role will be larger to compensate for his big ass personality and the fact that i’m affectively letting him take up Gambit’s role from the original in addition to what he already had. Also I just think he bounces off of Logan really well and could serve as a really interesting parallel with having such similar trauma and very different ways of responding to it and seeing the world. Like just imagine D&W if they accidentally traumabonded over their similar origin stories.

Fifth, I’m making Victor our stand in for the films Weapon XI! He doesnt get adamantium or new powers like Wade, only the dehumanizing psychological torture present in the original Weapon X comic. I think it works great for his spiraling arc, gives me a chance to squeeze a faithful weapon X adaptation in here without upending the entire film’s structure, and helps to better position his character on a trajectory towards his more feral appearance in X1 where he doesn’t seem to fully recognize Logan.

Sixth, I’d like to include Dr. Cornelius as the head scientist in Weapon X. My current concept is that he’s in charge of all the unethical mutant capturing and experimenting, working under Stryker’s supervision but still an outsider to the government, being sent in by Stryker’s most significant source of funding for his program in Nathaniel Essex. I know this has zero basis in canon I just think it sounds cool and makes sense for Sinister to have hands in a program aiming to create perfect mutant soldiers, as someone using mutants DNA to create a genetically perfect race of superhumans and become the ultimate life form. (Sinister would not play a large role, more of a looming presence pulling strings and fucking people over)

To get more overarching here, I wanted to hone in on the dynamics and themes present in the original that i thought had the most potential for further development. Victor’s spiral to madness and eventual complete loss of self under Stryker, Logan learning to let go of Victor’s influence and the violence that he let define his life only for both to drag him back after Silverfox’s demise. Really digging into that nature vs nurture shit, and adding more mutant politics (and their accompanying metaphors for the struggles of marginalized people) cuz honestly i feel like it’s absence in the original is very noticeable, and ties in really well with Logan’s arc of self acceptance and learning to see himself as more than the violent nature of his mutation.

Stuff I Still Want Changed:

Ok so here’s where I’m throwing my hat out for suggestions, because there are still a couple minor things present in the movie that i’m just not a fan of or don’t really know what to do with. The difference is, with these I can’t really think of tweaks that could fix/improve them. So if yall have any ideas on what I can do about these, or maybe some completely unrelated changes that you just think could improve the rewrite, please let me know.

One, not really sure what to do with Zero, he’s around for a lot of the movie but didn’t really stand out much to me. I just don’t know a lot about the character or what his deal is in the comics to find something cool to do with him. I’m going back and forth on if his role is ultimately necessary?? Does Stryker really need another henchman? Or should I use the space he occupies to hone in more on Victor and Logan’s rivalry? Idk i’m still on the fence so tell me what yall think.

Two, god I just fucking hate those memory wiping adamantium bullets. It’s such a stupid plot device that makes no sense conceptually and was clearly just thrown in as an afterthought at the last second like the writers forgot they needed to erase his memory by the end. That’s not to mention the fact that the bullets’ function was retconned later in Logan. Genuinely though I cannot find another way to go about fucking up Logan’s head without basically upending the structure of this movie in its entirety so any ideas on how to solve this dilemma are appreciated.

[124ndm]

villain!deku rambles.. eeerrmmm

i rlly want to start a comic about villain!deku, but im a little hesitant because i feel like it would be WAY too big of an undertaking for me..

but if ur at all interested, my ideas are below the cut. ^_^

My concept would start with the sludge villain incident. Other heroes get to saving bakugou before both midoriya or all might. This, in turn, means that he never gets OFA.. and never joins the hero course (yadada im sure this has all been written before). However I DO think that he would still join UA. Thats really my main motivation behind making a comic like this. In a lot of villain!deku stuff I see, he tends to abandon hero work altogether.. which i just dont think he'd do!! midoriya is VERY determined when he has his mind set on something, so I feel like he'd find some way to go to UA one way or another.

So, what would make him a villain then?? Well, it would definitely be a gradual build-up overtime. Assuming he takes the support-course route (which ig would make this a mashup of two aus, LOL), I think it would start with him helping vigilantes. Low-level illegal heroes convince him that by making support items, midoriya can advance in his field. He keeps doing these sorts of favors, knowing its unethical, out of a desperation to feel useful and help the 'heroes.'

I also think as a sort of parallel to bakugo, he'd start hanging around bad classmates like bakugo did during middle school. Being in a support course as opposed to a hero course means a very different demographic of students. We see a lot of instances IRL of students going into engineering good intentions, only to throw away morals for higher paying jobs (i'm sure yall have seen those Lockheed Martin tiktoks, need I say more 💀). We know characters like mei hatsume are very honest and dedicated to their craft, but what are the lower-level students like? What about the other classes? We don't really see much of that, so I think it'd be fun to explore the morally gray students of UA.

I think his final breaking point would be when he gets in kahoots with Giran. I don't think giran would immediately clock midoriya as a potential recruit, but instead would change his mind later: seeking out midoriya after Shigaraki shows interest in bakugo. (sure, they aren't in the same class anymore, but both of them being in UA works as a convenient connection).

After midoriya gets with shigiraki, I believe he'd certainly get a quirk (whether or not midoriya actually wants it, Im sure theyd give him one anyways. more power to their organization, and more leverage over midoriya). Soon after, the LoV would get into an altercation with class 1-A, which would probably get him expelled. Although, in-turn, fuel a stronger disproval towards hero society (and also compel izuku to get better at using his quirk, knowing that he has a lot of catching up to do).

And duh as the cherry on top, there'd be bkdk angst.. bakugo only realizing that midoriya got into UA after seeing his association with the league. The weird guilty feeling bakugou would get knowing that a kid he bullied ended up becoming a villain, but also pure anger at knowing that he even got into UA in the first place. And also, the inevitable midoriya/bakugo fight that would happen when the league and class 1-A have more encounters.

I haven't exactly decided on how to end it, but I feel like it would end with either a redemption or something similar to the whole togachako situation. More likely a redemption because, lets be for real here, midoriya is so kind-spirited that even as a villain: he'd probably fold when faced with a genuine bakugo apology or heart-to-heart All Might encounter LOL.

anyways im deffff yapping here, I did NOT intend for this post to be so fucking long HELP. I just really wanted to get my stupid ideas written down. Like i said earlier, this has prob been done before if we're being quite honest.. but I still I think making a comic like this would be sooo fun. But godd i am NOT a good writer so I worry that I would start and then never finish. aaaaah 😭😭

I'll just have to see if my motivation sticks around these next few weeks. If so, I'll probably start drafting this out!! If I do lose interest, well then.. this'll be the last you hear of my villain!deku rambles LMAO. I rlly hope I don't lose interest because this would be the first time ive written since like, early high school, and I really want to get back into writing again. Even in comic form, any kind of writing would be great practice for me. Dx

[hyolks]

(TW: BODY/ORGANS/NEEDLES!!)

Yo! So I was scrolling down your posts and found the one about Al’s ever-increasing automail body and how you are unsure how many of his organs could be replaced and… I have personal experience with that! What a lovely thing, to go through organ failure and have it be worth it if I can pass on that experience for the sake of ✨semi-realism-maybe-if-you-squint✨

My pancreas failed. Entirely. I have to manually give myself insulin every time I eat, and do calculations for it all; I can eat pretty much anything, but it comes at a price. Something something “equivalent exchange” one might even say.

But anyway, I basically have a mechanical pancreas with a remote control! I inject a 7 day supply of insulin into it with a syringe, and I tell it how much and how frequently to inject manually. It can inject into any spot on the body with a thick enough fat layer, usually stomach, thighs, the flabby parts of your upper arm, etc… note: I was 90lbs when I first went into organ failure, you do not have to be any particular body type/size for this to work.

It’s a very simple concept for the machine, and very simple/limited commands. You could even combine the controller with it and make it so there’s a switch/buttons directly on the injection site that have pre-determined doses.

Insulin has to be kept temperature controlled when in storage too, so that’s a cool thing you could mess around with if he has to keep more than a week supply on him. (This can honestly also just be ignored if it’s too complicated ‘^-^)

Insulin is a hormone, basically a command to tell your body to do something. So this can be applied to certain parts of the brain as well!

I don’t know if this’ll help, or if you’ve already found other inspirations that conflict with it, I just thought “hey, this Al makes me feel a little less alone in the world, if I can project a piece of me onto him I’d be really happy”.

Sorry if that’s presumptuous or weird of me to do >~<

OH MY GOSH DW DW THANK YOU SO MUH FOR SENDING THIS!!!! I SINCERELY APPRECIATE IT !!! i know its very strange to say but i love reading stuff like this and this was truly incredible to receive :")

medication/suppliments 1000% slipped my mind like i cant even BELIEVE it how much i forgot to consider it. i knew that going through an organ transplant also entailed needing to take medication to keep your body from rejecting it, but thats about where i stop with knowledge about regarding organ replacements,, but that is so interesting in your case with how much control and calculation is needed?? I also never thought about how truly indepth/technical mechanical organs would need to be!! especially since our organs just casually do the things they do and having a machine mimic it is more than just hitting "go" ...!! if you dont mind me asking how does it like stay powered, i guess ? :O

THE PRESSURE THAT WOULD BE ADDED IF THEY HAD TIME CONSTRAINTS BC OF MEDICATION..... OOOOOO.... especially with the temperature control.... them traveling through the desert would be so much more perilous !! I really will haveta figure out what he would be taking, if it were insulin or some almagomation (that included insulin of course) that could provide him the nutrients he would be missing out on because his lack of ability to eat/digest food...?

the handwavy science of canon that allows automail to work via nerve connections for motor control definitely like. eases the load a bit? although most of these organs require more function than just motor control... hmmm... REGARDLESS, thank u so mcuh for bringing up manually providing the body with hormones (and additionally nutrients), because no matter how quote unquote advanced the automail is, it wouldnt be able to actually produce the things he needs... process it, maybe? sure? but cannot produce it...!!

you're genuinely so sweet!!! thank you SO SO SO much for sending this in !! it really means so much to me that you can relate to this Al :")!! even though im probably trying to get tooo realistic with this portrayal (given the fact that al is mostly metal OTL) i dont want to like... not consider the things he would have to go through ? i guess? i cant quite figure out the words for what i want to say, but nonetheless!! <33333 thank you!!!!!

[cartoonsinthemorning]

Hi forgive me if this has been addressed before! I'm a little new to your fem!stan stuff (I saw your ask reblogged by Boston and snuck out of the back of their foodtruck to send this) but I love the idea and was wondering does stan pretend to be Stanford when he falls in the portal? (If that is the route that's taken in the au at least) because it would be really interesting to see if constance would enjoy the freedom that comes with being a man but at the same time I think it would drive (incel) ford up the wall if he came back and saw his sister running a successful business out of his house. There would be this extra layer of tension as ford has to grapple with his own learned misogyny. Though I also imagine exploring the multiverse and seeing the way gender is explored or even ignored in other worlds would probably force him to have some realizations before hand but whether or not hed really allow himself to internalize those realizations is another story. Bros got an easy excuse to not analyze his own sexism since hes trying to hunt down bill

And then when he comes back and sees his sister is doing just fine would probably wound his pride a little bit. All those fantasies and unfair expectations of their roles hes built in his mind are forced to come crashing down once again

I'm also just kind of obsessed with the idea of constance finally learning how to be /stan/ in gravity falls because she never had the freedom and safety to do so before. I'm sure a large part of rejection of any femininity whatsoever came from not having the option to do so in the past. But then she watches the kids over the summer and sees mabel embracing makeovers and grappling hooks hand in hand. Dipper is insistent on being a "man" but never once tries to tell mabel she needs to be a "woman"

This ask is all over the place sorry I think i had a point to the start of this and now I'm just rambling about your own au to you lmfao

Anyway love the concept (and your art!!)

-🐶

Hello! Thank you for passing by and sending me such a nice message, sharing your own ideas with me! and many thanks for the compliments too, of course ❤ That said, I'm afraid my answer will be a tad disappointing. Because, the fem!Stan I enjoy to imagine is cis, and I can't imagine a cis woman being able to consistently pretend to be a man for thirty years, without losing their mind (in the same way it's detrimental for most trans people to supress their true identity for a lifetime, non?). Especially, in the same way canon Stan is very masculine (with a sprinkle of femininity, despite his shame about it), I like to imagine Constance as a lady who is very proud and comfortable in her womanhood- despite her loud voice and direct and somehow brash manners. Even in her younger years, when she was classified as a tomboy by most, she loved girly things- dresses, make up, gossip magazines, etc. without issues. I think of Stan in her 60s wearing tacky jewelry, lipstick, and hair-curlers at night, tbh. That's why, in this AU, my mind skirts around the part were Ford gets stuck into the portal.

For example, I sometimes imagine 30s Ford simply having a change of heart and dismantling the portal, and (now former) Drifter!Constance living with him from that point on (and, of course, I elaborated this one up until Stan and Mabel get into the picture, but for the sake of brevity I'll stop here). Or, I bend canon a little, making up that the people of Gravity Falls only heard of some researcher who was gonna build and live in a shack in the forest, but they never actually got to see them, let alone find out if it was a man or a woman. It's a version were the chaos Ford caused in town while posses by Bill either never happened or he did it without getting caught by police or getting seen. And, about the name on documents and stuff-- Constance was a marinated and resourceful conwoman at that point, she simply found a way to make things work. Hell, they have the same last name- maybe this time she registered Ford as deceased, passed herself as his wife, and inherited the Shack and the rest of Ford's possessions. I know many, reading this, would think it's heartless of Stan, but to me this trick is fucking hilarious. Especially, I'm grinning like a maniac imagining how mad and appalled Ford would look as he realizes the trick Constance pulled- not only because what a fucking ASSHOLE she's been, to use his "death" to appropriate his stuff- but also!! secretly!! because WHAT the FUCK- he often fantasized about Stan being his wife, but this is the most cruel and ironic monkey paw situation EVER!! To reconnect back to your speculations about sexist!Ford being humiliated and mad about Constance running a business independently: I like it! it's fun to read! But, I have to go deeper. I usually think of Ford's sexism toward Constance to be the outside layer, so to speak. I think deep down Ford always knew Stan had the potential to be strong, resourceful and independent, despite what their ma, pa, teachers and other people said. Ford grew next to her, he knows what this girl is capable of, how determined she is. And that's the point...What he really dreads, what he really hates, is the idea she doesn't need him, at all. That's what would make Ford actually upset about Stan running a business: knowing that, hadn't she brought him back, she would had been fine, without him. Sexism would be the mental shield Ford uses to protect himself from this painful acknowledgment: He's just mad because his fraud of a sister thinks she's being successful, but all she accomplished was using her physical appearance and womanly ways to seduce and manipulate. That's all, really. I roll my eyes at him, here, which is a good indicator I got him in character, if I can say so myself. The last scene you shared, with Stan realizing her nephew and niece aren't as oppressed by gender roles as she herself used to be- and bypassing them, even- is SO sweet 🥺 I have absolutely no doubt in my mind: one thing that does NOT change in either the canon universe and the genderbend one, is that Stan would love and adore Dipper and Mabel- and learn a lot from them ❤ PS: is the puppy icon your anon signature? it's so cute! 🐶 look at this fine boy. Great choice.

[assortedvillainvault]

Omg hi! I saw you write for Disney villains, and while i didn't see him on the list, i'm taking my shot and asking anyways hehe hope that's okay, can i perhaps ask for some headcanons or a oneshot with the headless horseman and a female S/O who's a really big horror nerd?? Like collecting books and movies and figurines and so on (cause that's what i do lol haha) Like just imagine his suprise to the S/O collecting different versions/editions of his own story hehe :3

I'll leave the idea of what kinda horror stuff up to you since i love basically anything X3

Hope you have a awesome day/night! :3

Hi there! I’ve decided to add HH to my character list, so huzzah! I’m not the biggest fan of horror so forgive me if this seems a bit sparse.

I’m also taking inspiration from @seaslugfanclub and framing this as HH from the disney parks, because I’m on a huge brainrot for their holo concept right now and I HIGHLY recommend you check out their blog. This is more of an introdcution/meet cute, but I couldn’t get the thought of being stalked across the park by in irate dullahan out of my head.

Headless Horseman x HorrorNerd!Reader

It was the vast collection of pins, stickers and charms featuring him and others clanking around on your bag that caught his attention from afar.

Most of them seemed to feature body horror, blood and murder - a startling change from the plethora of sparkling PG collectors pins he’s used to seeing visitors bedazzled in. A refreshing change.

He freezes when he catches notice of a flaming pumpkin head pin, and his own striking silhouette on a well loved charm dangling from one zip.

His chest swells up heartily. He’s flattered of course! He’s not as well known as some other horror icons, or even the other Disney Villains of the park, so he’s delighted you’ve taken such an interest in him specifically. Why, he can’t even see a single other DV pin on your person – THAT is dedication!

But...Why collect copies when you can witness the almost real thing?

Despite being mounted on Alpatraum, he struggles to reach you. Oh he can spot you a mile off, don’t need a head for that – but the crowds -

Tourists jam in so tightly that making way for the giant demon horse and headless rider is next to impossible to do at any speed faster than a crawl, and how he loathes that he can’t charge through swinging for heads as he goes. By the time he’s halfway to you the crowds have whisked you away.

Again.

Multiple times he has even caught sight of you looking at him, wide eyed and face flushed (the heat? Or something else..?) before getting jostled and losing you to the rush of squealing, sweaty bodies. He’s ready to start stomping children under Alpatraum’s hooves by the time he yanks on the reins and finally calls it quits.

Fuck it. He’ll stalk you on foot.

~ le time skip five hours ~

He’s going to kill someone.

Five hours. FIVE HOURS in torrid, sticky, unrelenting heat and not a fucking sign –

He needs a drink poured down what’s left of his trachea, a gallop and to behead the next person he sees. He schleps back to where he left Alpatraum tied against a fencepost - and freezes.

To your credit, you do too.

Less to your credit - Alpatraum snorts and pushes you for more sugar cubes, which drop from your startled fingers.

Well.

This works, he supposes. As you shyly wave at him and introduce yourself, he graciously decides you can probably keep your pretty head too.

[arceespinkgun]

Thank you for not giving a shit about MegOp or divorce jokes. Thank you dearly.

You're welcome, now to be honest I totally get where it's coming from, but it can get boring sometimes! When I first became a fan I saw things like Megatron making an identical clone of Optimus and keeping it in his closet in the G1 cartoon and thought that was objectively hilarious. Cyberverse had some really funny dialogue between them too. But then as I saw more media I noticed that sometimes writers focusing really hard on their dynamic can feel really forced (like when they didn't have a deep relationship in the IDW comics but then it got retconned in suddenly), and I don't like the framing of the War between the factions centering a fractured friendship—some really problematic storylines came out of that concept. I often see people being misled about what's happening in canon with these characters too, like many takes about Earthspark were wildly different from what was being shown in the show from the start.

It's funny to me that Optimus and Scorponok became friends and did all this stuff like teaming up against Unicron before the idea of Optimus and Megatron being friends ever existed, too. I think there are a lot of things about relationships like Optimus-Scorponok or Megatron-Ratchet that are really interesting and not discussed as often. Those two sets of characters have values more similar to each other in some ways and things like Megatron and Ratchet literally being fused together or Scorponok secretly admiring and agreeing with Optimus for ages are fascinating ideas... and it's shocking that these things all happened in the first ever continuity! Honestly, even the relationship between Megatron and Straxus is slept on I think. Straxus's repeated attempts to take over Megatron's identity and what happened with that is wild, and I loved that when Megatron showed up on Cybertron, Straxus and Ratbat were immediately annoyed with him and wanted him gone—it shows how that when he's not at the top of the food chain, Megatron is so similar to someone like Starscream.

[lucyskywalker]

I’m actually very curious to know why you don’t like jonsa! my reasons for example are: their fandom is acting way too insane for a ship that never happened and won’t ever happen; kit harington is unfortunately ugly. what are yours?

There are so many reasons that I dont even know how to begin with.

Alright. Let's go.

1st reason: It is only solely based on the show, and I really mean that. When you get to read metas and posts surrounding the ship, u realize these people never opened the books, while traying to pretend they did. I'm not being entitled. It is just obvious with what they write. Everything is taken out of contest. Especially surrounding Jon's pov and his lack of relationship with Sansa.

+ I despise the show. The only good thing about D&D's creations were the Dragons CGI and the dothraki and valyrian language, and it ends there. Out of it, everything sucks. They have rewrote all the female character in such a sexist and ridiculous way that I can't even start explaining for you.

2nd. I ship jonrya. Ik it is not everyone's cup of tea, but I do. And no. Idc if they become canon or not. I like the concept. I love their relationship. And I love what they can become. Now why the fact I ship Jonrya actually matters? Well, specially after season 7, a lot of Jonsa fans started taking things from Jon PIV that were about his love for Arya, and make it be about Sansa, with ridiculous excuses for their takes. The most commun and easy example being "What do you know of my heart, priestess? What do you know of my sister?" When Jon asks Melissandre, he is referring to Arya. And no. It is not a different interpretation. It is about Arya he is talking about. Another one was "Would you bed your sister?" And Again Jon thinks about Arya, but when you read Jonsa's metas; they say he is thinking about Sansa. Another common Jonsa take is that Jon died for his men in the books, or for Sansa, when again, this is not the case. He died for Arya. And that is explicit on the text with no room for other interpretation. No wonder why the last thing he tought was about her.

Jonsas straigh up lie about what happens in the books to support their takes, or they just read metas here on tumblr and believe it. Idk and neither do I wish to know.

Not only that. They started behaving as they had a moral high ground over jonerys and jonryas... when they don't, it is still incestuos and still problematic to modern standards - not only that, they behave entitled to this day, and attack Jonrya shippers and Jonerys shippers in a real coward way.

Many, many times, I received anon hate telling me to *kms*, slit my wrists. Someone even wished for me to get raped over a fictional ship.

My disdain over the ship is not only with the ship itself, hence taking a lot of Jon's dynamic and bound with Arya to give it to Sansa, which is really important in both of their stories and arc, but mostly about the fandom, and how I was affected by it. If it was treated only like a crackship (what book wise, actually is), as my beloved hitsukarin from bleach, I would have no problem with it.

But the community is far one of the most toxic ones I have ever seen or been in contact with. Actually, dealing with them heavily impacted my mental health.

3rd. I really didnt like Sansa way before dealing with the fandom. Since my favorite is Arya, the way Sansa treated her never vibed with me. (And no. It isn't normal sibling behavior. I am an older sister. I would never do half of the things Sansa have done, not even on 11). After book 1, I felt pity for her, but she still was the last interesting character for me, even if her Vale story was.... I guess, more berable.

After getting into the fandom, tho, Jonsas and Stansas ruined Sansa for me in every possible way as well to the point I read her chapters and I won't feel any kind of enjoyment in her journey or her character. She is my least liked character, not because "she is the most horrible person in the books" (she is not. She is far from being that. ) but because her fans made me feel terribly bitter about her. It is not logical or fair, but again, I'm not trying to be.

[lilyrealm]

i lied i changed the tag immediately. anywayyy maybe ill just start typing and see if inspo comes to me. i think itd be kind of funny if in this au ei and makoto arent even related, ei is just an actual android body double commissioned for makoto. i cant rmb, inazuma didnt know makoto existed right? did they just not know there was a handover 500 years ago... but yea thats gonna add a little identity crisis to the mix (remembers fontaine) wait... ok we'll get to there when we get there!! inazuma first

i suppose yae is just made for the shrine... everyone else that has like a normal job, just assume theyre made for their normal job ok. ittos is not a normal job tho. UNLESS... genius strat where they make a "gang leader" that is actually harmless and even plays with kids, but is capable of overpowering other gangs, thus. no actual criminal gangs!! we onto smth here. kuki wouldnt be needed tho but since she has that shrine story she can be one of those that had their purpose changed perhaps. how? well either its sentience or someone behind the scenes 🤷‍♀️ dont think abt it too deeply

who else... everyone else is kind of self explanatory i think. they just... do their jobs/help people they work alongside. i suppose kokomis different since shes in a position of power, and they have that family line jazz, so its kind of weird for her to be a commercial (celestia) android. maybe we can just assume technology is fairly advanced in this era so theyre not all commercial? people can just make their own. oh yeah this ties back into daydreams' original concept of like... broken down models being fixed up by readers... who knows, maybe people even make imitations. hm. maybe that should be neuvillette since hes an enemy of celestiaOkay i keep jumping to fontaine for some reason

should i keep it to one nation a reblog or just keep going. imma keep going. now how do we fit in rukkhadevatas whole thing... i also dont claim to be very knowledgeable about all the desert stuff (and havent finished the pari quest😭) but its probably also not celestia approved so maybe its also a separate faction? wait hold on. the forbidden knowledge can just be. a virus. and some buggy code is left in rukkhadevatas memory so nahida had to delete her loooool okay with how tech they made sumeru this fits really nicely.

im gonna say cynos bad jokes+tcg interest was not scripted at all cuz idk why theyd do that unless some engineer was like wouldnt it be funny. i mean thats also possible ig but like with kuki, sentience is an option... i think this entire au was (partially) inspired when i read smth (an anon on daydream's blog maybe?) about alhaitham and nahida being school guides or something. alhaitham proobably wouldnt be a teacher type i think he just helps them do admin and is fully aware the sages delegate a lot of work to the "scribe" bc they know hes an android. oooh but maybe they keep it quiet and not even everybody knows hes an android so hes like Lol if youre gonna masquerade me as a human you better treat me like one and give me time off and holiday pay etc. yeah thats funny

...i have no idea how to fit in his and kavehs roommate situation. it would be funny if kaveh wasnt an android and just had no idea (bonus angst when he finds out and is like uve been lying to me?!?!) though i did start this thinkihg vision holders would all be androids. WAIT WHAT DOES THAT MEAN FOR THE VISION HUNT DECREE. oh i guess its just "deactivate that mf" huh. no thats weird cuz yoimiya wouldnt be able to be "alive" for the coup... maybe it fr just disables their elemental powers. which could be connected to their ambitions who knows, that could be the original concept.

okay now weve got that squared away, back to sumeru. ill put kaveh on the backburnerWait. what if there was like a. make someone into an android a la nikke bc theyre dying or just because. and he did that but now hes broke bc of the payment for it. okayy maybe.

also im thinkin if usually the ppl in charge commission these droids (i mean that might spoil a lot of the rebellion plotlines) maybe celestia also just randomly releases models that werent commissioned... okay what i wanted to get at was, the sages wouldnt have commed nilou (unless they were more lenient on the arts in the past which is possible i just cant rmb) but if not i guess she can just be a random celestia release. who the fuck made layla

aaaand ive been avoiding the elephant in the room... scaramouche. i do love the idea of each of his forms being different models. ahhh it would be cool if ei actually did make him, not celestia. using her own knowledge and power but shes not perfect and neither is he (ok thats not why she deemed him unsuitable) (omg. it was bc he cried on birth and she was like ah hes too soft (human) HaHaHa that would be really Funny if it reminds her of makoto Lol)

so... kabukimono escapes his holding and tatarasuna happens... damn the whole irminsul-history-wipe thing doesnt really work here. unless, if we are still setting this in the original universe with magic and stuff, just with MORE androids, then i guess irminsul could exist. just that instead of being a corrupting Thing in rukkhadevata, the forbidden knowledge is a corrupting virus. 👍

back to scara. there isnt much to change here, he can absolutely still have his human crisis because none of the people he stayed with were vision holders so he never met a fellow android. and hes also different from fellow androids anyway since ei made him! wow! double whammy! anyway dottore

everything is just the same actually. like this doesnt change anything in the plot they still make that fuckass robot. okay is there anything else in sumeru im missing. oh right earlier i was like why would they make layla cuz i was like. they should not encourage sleeping in class. but it could be like, yk, relatable to students, but she still gets work done so yk no excuse (except that shes an android)!! i also know she has some identity issues but i havent done her hangout yet so... gonna leave it there, idk if itll affect this too much. faruzans just a teacher, etc etc, dori could be a plant or just commissioned/made by the black market lol

cyno and sethos' Thing... hmmmmmmm. i guess, instead of kids they just made two androids to be the host for the the soul of h. im trying to remember but all thats coming to mind is hamarhaft which is a weapon in bg3. quick google: hermanubis. yes. oooh so maybe cyno isnt commissioned by the sages at all! yeah okay that makes things make sense!

hmmmmm. collei. she didnt have a vision in the manga, right... perhaps dottores experiment is to "fix" eleazar patients by combining them/putting their brain into an android? yeah that sounds plausible (dottore fans dont gut me cuz i never read too deeply into his experiments)

that should be all outliers in sumeru? onto fontaiWAIT I FORGOT ABOUT KAZUHA. hm. hmmm. yk its possible that the inazuma clans comm their own androids, so like, the kamisatos... (i also think itd be an extra layer to ayakas angst if the public didnt know they were androids.) so maybe the kaedeharas made one on the last of their money lol. his friend is i really dont know he could be anything, all that matters is hes an android (had a vision) and was killed by ei (driving a sword through an android should probably fuck it up. especially if the sword is empowered by elemental magic and ei was part of the original archon lineup).

then he fucks off to explore the world. definitely not a commercial android. haha even though he and scara would be popular choices (not necessarily tgt) but i accidentally made them one of a kind so no you cant really go to the market and buy a scara android. though i suppose that does delve more into "genshin plot is just a story the company made to drive sales" rather than "genshin plot is happening right now".

baaaack to fontaine. oooh boy oh boy. to start, focalors was against celestia from the start, though i dont think itd be too bad to say they made her and she went r—wait i forgot, the previous hydro archon passed the title to her. side note what the fuck are oceanids in this au. androids lite. nah maybe they can still be oceanids. so the prev hydro archon (egaria? no its egeria) passed the title of archon to focalors. perhaps she did an ei and made her own droid? how does passing the archon title work with this though... unless archon isnt really assigned the androids, thats just what they called the initial lineup and those that still have that initial model treat them as gods. so egarias the commercial bot that went rogue. or something im looking at her wiki and the history is... um a lot more complicated im not even sure if she was part of the original archon lineup. okay thats not important. whats important is: what the fuck is furina???

furina is supposed to be part fontainian, so part oceanid... magic fuse an oceanid with a droid and bam...! but splits them in two... shit then the droid is the one hiding instead lol. but hey with all their pneuma ousia shit maybe it needs to be a droid converting all that energy! but normal fontainians are not immortal the way furina is/was sooo... idk we're mixing scifi and fantasy magic so theres probably something connecting the two of them to each other, some battery inside them, or maybe furinas like 1/4 droid while focalora is 1/4 oceanid. that could work.

WHAT THE FUCK IS NEUVILLETTE. clearly not made by celestia. lol since they stole the power from the dragons its just an old company that maybe pioneered this tech but celestia stole it!?!? i feel like i should be thinking about khaenriah here. but anyway. neuvillette canonically isnt pure dragon so maybe its like... the creators have lost some of their materials or process due to celestia so they cant make a proper dragon again. so they just make a humanoid also to masquerade under celestias gaze (spoiler: they aint even notice?)

so how does the transfer of power work... focalors kills herself, WHAT THE HELL IS THE WHALE DOING HERE, and gives up her "archon powers"... which, here, can be some kind of magical tech that neuvillette takes. bit more manual work perhaps but we ball

okay. the fatui. the tsaritsa (glances at wiki) isnt even the original cryo archon, but otherwise we dk much. but i think its prooobably fair to assume she makes the fatui. or does nikke shit like dottore was gonna do except like better. and delusions? just. fucked up versions of the elemental magic (visions) other bots have ORRR its just terrible for mortals since its not that bad for visionholders. spews toxic shit idk. REGARDLESS. okay obviously not all the fatui are from snezhnaya... maybe she makes the normal fatui army looool ok ignore ALL of this since we dont really know anything about her, i was just trying to figure out the house of hearth 😭😭😭

so. we have to remember the fontainian oceanid thing. hold on what the fuck then fontainians cant be androids here since theyre full human(ish). hmm. hmmmmm. alright, so, hm. fuck. i dug myself into a hole. OKAY. lets see. what if the fontainians are all actually a kind of oceanid-droid egeria made. its just that focalors has extra archon tech in her from egeria. so all fontainians have like (i was gonna say kill switch which im not sure is better than dissolving to water honestly) a latent ability to become magical (get visions) to make up for... celestia not giving them any because they were like what the fuck, egeria.

i mean its also possible celestia also sent normal androids there you just cant tell. and its not like everyones tested the primordial water, maybe they actually wont be affected (who would even want to risk it lol), you really just cant tell. like we can just say all the playable/important chars we know never touched primordial water (well obviously. cuz theyre. still alive)

pause i just saved this as a draft just in case i accidentally like close the app and i realised i DO have another draft talking about inazuma bots. and it had this crazy idea of the real ayato and ayaka dying so they made bots of them. but the other stuff i wrote there about ei is not as interesting as the one i wrote here tho so scrap that. i did have one interesting line about venti and zhongli not being their original prototype archon model anymore and ei still was because she just makes new models/upgrades. then its funny cuz im like yea rukkhadevata probably figured that out with the irminsul (nahida must be a new model) and fontaine has its own problem so its just. venti and zhongli. old ass men being the originals. WAIT WHAT IF VENTIS APPEARANCR WAS JUST THE NAMELESS BARD AND THEY NIKKEFIED HIM. what is a wind spirit. actual wind spirit or little ai lmao.......

ok so back to um, the HoH. arle only gets her vision after becoming the knave, right, she fights the whoever orphanage mom with her own blood powers first (wtf is that btw i feel like theres no explanation in game but ig it doesnt appear much in game either so its okay...?) maybe just a defective bot or smth... MOVING ON i just wanted to get to the trio siblings...

wow okay i wanted to get to them cuz i like them but now that im here im like... what could i say. theyre the "doing jobs" droids again. cant even say theyre fatui made bc of the fontainian thing and most of them are just normal people. sorry damn. damn i think the rest of the chars are also just "doing jobs" droids. oh well

i havent touched natlan at all so i cant say anything about them 🤷‍♀️ JESUS THIS WAS LONG AF WHATS WRONG WITH ME (the undiagnosed autism, my oomfs would say)

SHUT UP OMG i just looked at my drafts again, i had ANOTHER inazuma draft written where id alr come up w the idea of makoto being human. ah well. Wait this doesnt mesh with makoto also considered an archon before ei took over LETS WORRY ABT THAT LATER CUZ that short draft also had an extra concept for the kamisatos which is. parents couldnt conceive so they commed ayato and ayaka without telling the public theyre androids. so its either they start androids or replace humans... im thinking start because theres not really enough time between the familys deaths to make new models of them. unless their deaths were separate and earlier and somehow kept very hushed up... yeah no. they were always androids. WHEW NOW WE'RE DONE. I PROMISE. MAYBE

i simply think it is so fun to imagine a world where a company makes a bunch of androids to assist people and provide companionship so they give the androids stories and release them in certain themes or lines and those androids are the genshin characters. credit to @yandere-daydreams for the idea. i love it so much. yes we all want x character to be our boyfriend or girlfriend and we have sex with them yes but i think its fun to imagine their roles when theyre not being yandere...

also the read more is very long i just went off about my ideas for most of the mondstadt characters. nothing wrong with me

if this is set in teyvats world imagine amber being like a gliding instructor in mondstadt. good engineer too, maybe the first bot that can fix other bots/have intricate knowledge of them (because she made baron bunny).

for human injuries theres barbara and jean, but with different temperaments for different patients. or if we're still set in teyvat, then jean (and the rest of the favonius knights characters) are actually android assistants to the actual human knights. basically the androids replace vision holders??

but yeah kaeya would also be a knight assistant, noelles story is she trains super hard but still isnt a knight (because shes made to help actual trainees!). lisa of course manages the library. yeah sorry thats it. makes tea

and i had the idea (this is all stolen from my own twitter thread from *checks* last year? anyway) that they would tease the release of bots like diluc, rosaria and razor through voicelines from kaeya, barbara and lisa. really like the idea of razor originally being some sort of surveillance android for wolvendom/integrating with them in some way for research and sort of became a guide for people who get lost in wolvendom.

diona and diluc are two different types of bartenders, one is good against people who cant say no to a cute (angry) kitty and the others... are those require some intimidation.

VENTI. god, i think itd be cool if they had prototype models for the seven archons and actual venti bots now definitely play into the "broke bard who plays for alcohol" thing. but of course anyone with eyes knows that his original model was the barbatos android.

oh!! and bennett and fischl being adventurers buddies. bennett is "unlucky" but hes actually like, wired to be hypervigilant and take hits for you while he shrugs it off. and fischl comes with oz if you need some chuuni speech translated, but you can disable that if you want to go full rp with her.

*looks at my thread* oh yeah "Albedo is made for the alchemists in the Knights, and he was meant to be released with Klee, but there was a delay because his ai kept experimenting on its own copies (Flowerfell Albedo?)" ngl i didnt play the albedo event and never bothered to watch a video so i dont know the full extent of his lore here. oh right and i added "sucrose is made to keep an eye on him in the labs" lmao

klee is. i suppose made for the knights. a cute energetic girl to keep morale up, whos fireproof and thus able to scout dangerous areas/bomb them if you so wish.

oh yeah i wrote that the church was not happy about the rosaria bots being made so they relegated her to guarding dragonspine against foolish adventurers. as to why she keeps appearing in bars, well, uh. No comment — Celestia Inc.

the lawrence clan wanted in on this business and sponsored a representative of their family, but mondstadts opinion of them is less than friendly, so the knights compromise and make eula, a lawrence knight.

whew okay for some reason i was able to churn out a lot for mondstadt and then everyone else i was like uh yeah. they exist and do things similar to what they do in game like xiangling being a cook's aide. yep. idk why the mondstadt worldbuilding gripped me so hard like that.

also my last thought is that maybe the hilichurls are just the verryyy alpha version of their bots, the khaenri'ah line (i think daydream mentioned this) and maybe just broke down and went rogue/abandoned. so now they make better bots to fight them and keep people safe. go figure. earns them a ton of cash though. lol imagine if getting them was a lottery too....