#and the advice

[orchidyoonkook]

Hey, I came across your fic and I really like the character reader has. I feel in a lot of fics characters can be unrealistic and not down to earth. He/she is very calm fresh breeze in Jk’s life. That’s a nice dynamic. Also thanks for not making Jungkook a royal douche. The part of YN noticing changes in Jk’s behavior and being mindful really shows their observant and introspective character. It would be cool if more background details were present. You mentioned the favorite sweater, mini details like this could make it more 3-D. Something like describing the ambiance would make more emotions apparent and lead people reading to be able to connect to the scene more. This makes smoother transition in scenes.

I really am loving this concept and look forward to seeing your thoughts and updates!! 💗

Could I ask why “To What We Were Before, And All The Things After” is named that?

Cause in my mind it just makes me think that this is going to be a “hey to treat me differently- I like that so I’m going to hang out with you-oops I think I feel something- denial of the highest level- and cue “And All The Things After” type of thing”

Any other ideas for the title you had? (Just curiously asking)

Take your time and reply if you can~

(Let me think of a cool anonymous name)

-Bubbles 🫧

BUBBLES!! Come here for a forehead kiss!!!

more under the cut cuz she’ll be long

Hey, I came across your fic and I really like the character reader has. I feel in a lot of fics characters can be unrealistic and not down to earth. He/she is very calm fresh breeze in Jk’s life. That’s a nice dynamic.

thank you!! Though I will be the first to admit that I love unrealistic, whimsical, over the top stories. This one just didn’t feel like that vibe so I love that you noticed that!

Also thanks for not making Jungkook a royal douche.

this made me laugh. But I’m glad you like that JK isn’t a douche. You may or may not find out why later on 👀. And I’m the first to admit I’m not great by any means at writing douchey characters yet, so maybe I’ll write one in the future as sort of a challenge. 

The part of YN noticing changes in Jk’s behavior and being mindful really shows their observant and introspective character.

YN is strong in herself but kind above all else first. I think that’s how everyone should start off, but unfortunately it’s getting rarer and rarer these days, so I’m happy it’s apparent

It would be cool if more background details were present. You mentioned the favorite sweater, mini details like this could make it more 3-D. Something like describing the ambiance would make more emotions apparent and lead people reading to be able to connect to the scene more. This makes smoother transition in scenes.

holy woah, thanks for the feedback! it’s always lovely to get nicely put constructive criticism. Versus like a “you should do this because it would be better” you actually wrote why, and I really appreciate that.

Funny enough, I like to keep smaller details like that to a minimum// vague, to let the reader (you guys, not OC) have full creative control. If I do add them, it’s because they’re specifically required for the context of a scene (ie: wearing a sweater and tights to show the changing of seasons). But I do this because when I read stories that offer too many details - not that there is anything wrong with that - just for me personally, it’s off putting. 

ex: if you are someone who reads reader inserts and pictures yourself as the reader, and I write in that the OC wears skirts, but you don’t. It takes you out of the moment, because there’s a touch of “oh wait, but I don’t do that.” and this is 100% because of my college scriptwriting classes(film student). It’s where I learned almost all of my writing background/information, and in scriptwriting you don’t add in details like that at all, so adding them in is new for me. I have to remember to put them in, if that makes sense.

That being said, I’ll be mindful in the future of trying to add in more details like that to round out the scenes and make transitions flow better! I’ve only written for myself twice in my life, this story being the second time, so any advice like this is always welcome as I don’t have nearly the practice other seasoned writers do. But hey, everyone’s gotta start somewhere!☺

I really am loving this concept and look forward to seeing your thoughts and updates!! 💗

Yay!!! I’m thrilled. I wanted to write a royalty au where the royalty part wasn’t the important part of the story, but just something that adds to the plot. I want them to be the story

Could I ask why “To What We Were Before, And All The Things After” is named that?

I’m shit at names and it seemed like the coolest one. It sums up the story decently, and is eyecatching (to me) so I kept with it

Cause in my mind it just makes me think that this is going to be a “hey to treat me differently- I like that so I’m going to hang out with you-oops I think I feel something- denial of the highest level- and cue “And All The Things After” type of thing”

you’re on the right wavelength, but it’s a much bigger frequency than this. I’m about a third of the way done writing and I’m at around 80K if that gives you context.

And I just want to sneak in here that first and foremost this is a story I’m writing for myself, so even if it was that down to the letter, I think that’s okay too!!

Any other ideas for the title you had? (Just curiously asking)

“To what we once we and all the things after” and that’s it. Just that one and the one I used. I usually just wait for it to come to mind and then I’ll play other options off that. But I’m not someone who can name things off the bat. The name grows as the story does. In my computer I just have it labelled as “Dream” because the idea came from a dream, characters and all. 

and, scene!

[skullchicken]

If you have achieved something, please remember to observe a mandatory period of basking in the warm glow of your achievement like a lizard on a stone, lest you teach your brain that effort is futile, actually, because it didn't get to enjoy its happy chemicals, so, naturally, nothing good ever comes of trying. (And no, avoiding punishment is not a reward!)

I recommend, like, 5% of basking time in relation to whatever time you invested into achieving the thing minimum. And if you can't make your own bask, friend-brought is fine (= tell your friends!).

[hayatheauthor]

10 Non-Lethal Injuries to Add Pain to Your Writing

New Part: 10 Lethal Injury Ideas

If you need a simple way to make your characters feel pain, here are some ideas: 

1. Sprained Ankle

A common injury that can severely limit mobility. This is useful because your characters will have to experience a mild struggle and adapt their plans to their new lack of mobiliy. Perfect to add tension to a chase scene.

2. Rib Contusion

A painful bruise on the ribs can make breathing difficult, helping you sneak in those ragged wheezes during a fight scene. Could also be used for something sport-related! It's impactful enough to leave a lingering pain but not enough to hinder their overall movement.

3. Concussions

This common brain injury can lead to confusion, dizziness, and mood swings, affecting a character’s judgment heavily. It can also cause mild amnesia.

I enjoy using concussions when you need another character to subtly take over the fight/scene, it's an easy way to switch POVs. You could also use it if you need a 'cute' recovery moment with A and B.

4. Fractured Finger

A broken finger can complicate tasks that require fine motor skills. This would be perfect for characters like artists, writers, etc. Or, a fighter who brushes it off as nothing till they try to throw a punch and are hit with pain.

5. Road Rash

Road rash is an abrasion caused by friction. Aka scraping skin. The raw, painful sting resulting from a fall can be a quick but effective way to add pain to your writing. Tip: it's great if you need a mild injury for a child.

6. Shoulder Dislocation

This injury can be excruciating and often leads to an inability to use one arm, forcing characters to confront their limitations while adding urgency to their situation. Good for torture scenes.

7. Deep Laceration

A deep laceration is a cut that requires stitches. As someone who got stitches as a kid, they really aren't that bad! A 2-3 inch wound (in length) provides just enough pain and blood to add that dramatic flair to your writing while not severely deterring your character.

This is also a great wound to look back on since it often scars. Note: the deeper and wider the cut the worse your character's condition. Don't give them a 5 inch deep gash and call that mild.

8. Burns

Whether from fire, chemicals, or hot surfaces, burns can cause intense suffering and lingering trauma. Like the previous injury, the lasting physical and emotional trauma of a burn is a great wound for characters to look back on.

If you want to explore writing burns, read here.

9. Pulled Muscle

This can create ongoing pain and restrict movement, offering a window to force your character to lean on another. Note: I personally use muscle related injuries when I want to focus more on the pain and sprains to focus on a lack of mobility.

10. Tendonitis

Inflammation of a tendon can cause chronic pain and limit a character's ability to perform tasks they usually take for granted. When exploring tendonitis make sure you research well as this can easily turn into a more severe injury.

This is a quick, brief list of ideas to provide writers inspiration. Since it is a shorter blog, I have not covered the injuries in detail. This is inspiration, not a thorough guide. Happy writing! :)

Looking For More Writing Tips And Tricks? 

Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!

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[storybookprincess]

probably my most powerful interpersonal communication hack is to, whenever possible, ask either/or questions rather than yes/no questions

for example, when chatting with coworkers, i’ll often ask if they have any fun weekend plans. but let’s be real - we all feel like friendless losers when someone asks that question and we go “uhhhhh… no.” so instead, i phrase it as “so, do you have anything fun planned over the weekend, or are you just going to enjoy having some time to relax?”

phrased like this, there’s rarely any awkwardness. you’ve presented two options & given both equally positive connotations, so your conversational partner has an automatic “out,” so to speak

but it works for higher stakes conversations too!!!! my mom was saying this weekend how she and her neighbor both like walking around the neighborhood & that she wanted to suggest they take a walk together sometime, but was worried about how to approach the conversation

so i said “how about you just say ‘i’ve noticed we both like taking walks! would you be interested in going for one together, or do you use walks for some precious alone time?’”

now Walking Neighbor has an automatic “get out of jail free card” if she wants to say no!!!! which means my mom doesn’t have to worry about the conversation being uncomfortable, because she’s set it up to go smoothly

either/or questions rather than yes/no questions. it is really like magic

[hauntedhotel]

Me, on the welcome desk in the library: Good morning, how are you today?

Customer: I have welcomed Jesus into my heart and so I am well today and every day.

Me, a little unnerved: Okay then! Is there something I can help you with?

Customer, digging around in his bag and pulling out an iPhone in a box: Unfortunately, Jesus can't help me with this fucking phone, so I came to the library.

[captainjonnitkessler]

>Join a union

>Hear people constantly complaining that the current union leadership is super corrupt, it's all just the same ten guys making all the decisions in secret and nobody else in the union ever gets to know what's going on

>Go to the monthly union meetings that are completely open to all 1200 union members

>The only attendees are the same ten guys every month, giving detailed reports about everything that's going on

[helpful-writing-tips]

if you're trying to get into the head of your story's antagonist, try writing an "Am I the Asshole" reddit post from their perspective, explaining their problems and their plans for solving them. Let the voice and logic come through.

[pygmi-says-hi]

STOP DOING THIS IN INJURY FICS!!

Bleeding:

Blood is warm. if blood is cold, you’re really fucking feverish or the person is dead. it’s only sticky after it coagulates.

It smells! like iron, obv, but very metallic. heavy blood loss has a really potent smell, someone will notice.

Unless in a state of shock or fight-flight mode, a character will know they’re bleeding. stop with the ‘i didn’t even feel it’ yeah you did. drowsiness, confusion, pale complexion, nausea, clumsiness, and memory loss are symptoms to include.

blood flow ebbs. sometimes it’s really gushin’, other times it’s a trickle. could be the same wound at different points.

it’s slow. use this to your advantage! more sad writer times hehehe.

Stab wounds:

I have been mildly impaled with rebar on an occasion, so let me explain from experience. being stabbed is bizarre af. your body is soft. you can squish it, feel it jiggle when you move. whatever just stabbed you? not jiggly. it feels stiff and numb after the pain fades. often, stab wounds lead to nerve damage. hands, arms, feet, neck, all have more motor nerve clusters than the torso. fingers may go numb or useless if a tendon is nicked.

also, bleeding takes FOREVER to stop, as mentioned above.

if the wound has an exit wound, like a bullet clean through or a spear through the whole limb, DONT REMOVE THE OBJECT. character will die. leave it, bandage around it. could be a good opportunity for some touchy touchy :)

whump writers - good opportunity for caretaker angst and fluff w/ trying to manhandle whumpee into a good position to access both sites

Concussion:

despite the amnesia and confusion, people ain’t that articulate. even if they’re mumbling about how much they love (person) - if that’s ur trope - or a secret, it’s gonna make no sense. garbled nonsense, no full sentences, just a coupla words here and there.

if the concussion is mild, they’re gonna feel fine. until….bam! out like a light. kinda funny to witness, but also a good time for some caretaking fluff.

Fever:

you die at 110F. no 'oh no his fever is 120F!! ahhh!“ no his fever is 0F because he’s fucking dead. you lose consciousness around 103, sometimes less if it’s a child. brain damage occurs at over 104.

ACTUAL SYMPTOMS:

sluggishness

seizures (severe)

inability to speak clearly

feeling chilly/shivering

nausea

pain

delirium

symptoms increase as fever rises. slow build that secret sickness! feverish people can be irritable, maybe a bit of sass followed by some hurt/comfort. never hurt anybody.

ALSO about fevers - they absolutely can cause hallucinations. Sometimes these alter memory and future memory processing. they're scary shit guys.

fevers are a big deal! bad shit can happen! milk that till its dry (chill out) and get some good hurt/comfort whumpee shit.

keep writing u sadistic nerds xox love you

ALSO I FORGOT LEMME ADD ON:

YOU DIE AT 85F

sorry I forgot. at that point for a sustained period of time you're too cold to survive.

pt 2

also please stop traumadumping in the notes/tags, that's not the point of this post. it's really upsetting to see on my feed, so i'm muting the notifs for this post. if you have a question about this post, dm me, but i don't want a constant influx of traumatic stories. xox

[evilgoodguys]

...clearly, he's not jealous.

[rubyleaf]

Honestly? My main piece of advice for writing well-rounded characters is to make them a little bit lame. No real living person is 100% cool and suave 100% of the time. Everyone's a little awkward sometimes, or gets too excited about something goofy, or has a silly fear, or laughs about stupid things. Being a bit of a loser is an incurable part of the human condition. Utilize that in your writing.

[art-tnt]

[foldingfittedsheets]

Something that literally changed my life was working with a friend on a coding thing. He was helping me create an auto rig script and was trying to explain something to me but his words were just turning into static in my brain. I was tired and confused and there was so many new concepts happening.

I could feel myself working toward a crying meltdown and was getting preemptively ashamed of what was about to happen when he said, “Hey, are you someone who benefits from breaks?”

It broke me.

Did I benefit from breaks? I didn’t know. I’d never taken them.

When a problem frustrated or upset me I just gritted my teeth and plowed through the emotional distress because eventually if you batter and flail at something long enough you figure it out. So what if you get bruised on the way.

I viscerally remembered in that moment being forced to sit at the table late into the night with my dad screaming at me, trying to understand math. I remembered taking that with me into adulthood and having breakdowns every week trying to understand coding. I could have taken a break? Would it help? I didn’t know! I’d never taken one!

“Yes,” I told him. We paused our call. I ate lunch. I focused on other stuff for half an hour. I came back in a significantly better state of mind, and the thing he’d been trying to explain had been gently cooking in the back of my head and seemed easier to understand.

Now when I find myself gritting my teeth at problems I can hear his gentle voice asking if I benefit from breaks. Yes, dear god, yes why did I never get taught breaks? Why was the only way I knew to keep suffering until something worked?

I was relating to this same friend recently my roadtrip to the redwoods with my wife. “We stopped every hour or so to get out and stretch our legs and switch drivers. It was really nice. When I was a kid we’d just drive twelve hours straight and not stop for anything, just gas. We’d eat in the car and power through.”

He gave a wry smile, immediately connecting the mindset of my parents on a road trip to what they’d instilled in me about brute forcing through discomfort. “Do you benefit from breaks?” he echoed, drawing my attention to it, making me smile with the same sad acknowledgement.

Take breaks. You’re allowed. You don’t have to slam into problems over and over and over, let yourself rest. It will get easier. Take. Breaks.

[creativepromptsforwriting]

How to show emotions

Part V

How to show grief

a vacant look

slack facial expressions

shaky hands

trembling lips

swallowing

struggling to breathe

tears rolling down their cheeks

How to show fondness

smiling with their mouth and their eyes

softening their features

cannot keep their eyes off of the object of their fondness

sometimes pouting the lips a bit

reaching out, wanting to touch them

How to show envy

narrowing their eyes

rolling their eyes

raising their eyebrows

grinding their teeth

tightening jaw

chin poking out

pouting their lips

forced smiling

crossing arms

shifting their gaze

clenching their fists

tensing their muscles

then becoming restless/fidgeting

swallowing hard

stiffening

holding their breath

blinking rapidly

exhaling sharply

How to show regret

scrubbing a hand over the face

sighing heavily

downturned mouth

slightly bending over

shoulders hanging low

hands falling to the sides

a pained expression

heavy eyes

staring down at their feet

Part I + Part II + Part III + Part IV + Part VI

If you like my blog and want to support me, you can buy me a coffee or become a member! And check out my Instagram! 🥰

[rocksandaces]

For aro/ace writers:

- you don't have to write sex scenes. Tolkien didn't

- you don't have to write romance. Lewis didn't

- you can write very close friendships that have nothing romantic nor sexual in them. Scott Lynch did

- you can write sexual relationships that don't involve romance. Sapkowski did

- you can write romantic relationships that don't involve sex. Pratchett and Gaiman did

Don't let anyone tell you that some kinds of relationships are impossible or that a story must contain some themes. It's your story, write it the way you want

[storybookprincess]

one of the best ways i’ve found to combat that inherent depressive pessimism without veering into toxic positivity territory is simply the phrase “i’m open to the possibility”

this particularly works with anything negative i’ve forecasted. “i woke up feeling like shit today, so my day is gonna suck” isn’t a particularly helpful thought, but “it’s a great day to be alive!!!!!” feels hollow and insincere when i have a pounding headache & am running on three hours of sleep

instead i’ll tell myself, “i really don’t feel good right now, but i’m open to the possibility that coffee and breakfast might perk me up a bit.” or “i’m in a lot of pain today, but i’m open to the possibility that my workday might still have fun parts despite that”

sometimes, when your impulse is to slam the door on anything good, but you’re not exactly up to going out & hunting it down yourself, leaving the door open just a crack makes all the difference