#and the MV captures that perfectly

[empty-dream]

Iskandar in FGO Memorial Movie 2023

[lilysundragon]

Crazy Anthem is quite literally the perfect Crazy:B MV and, even more importantly, a perfect Rinne center. I don't think anything else could have possible encapsulated Rinne better. He might seem brash and uncaring but that's all surface-level things, the persona he allows people to see. This MV is very specifically about the version of Rinne he allows himself to be around his friends and loved ones, the kind of person that would do anything for them. Enstars has made it a point to show just how much Rinne is willing to sacrifice for Crazy:B, the lengths he has gone to ensure that his unit can continue to be happy and silly. I couldn't imagine a better MV to showcase that than what we got. Having an entire MV of fun times with Crazy:B? That's the most Rinne thing I've ever heard

[27-royal-teas]

hey, don’t cry. the person you’d take a bullet for is behind the trigger, remember?

[lee-sanghyeok]

watching the behind the scenes and realising all the footage made for the teasers and trailers was just. for the teasers and trailers.

[diballydumbloo]

EVERYONE PLZ LOOK AT HER (people who made the fanart: shadow.cipher/instagram, @hannathenarc/twt, hattersarts/tumbler)

It’s like, her character design and personality we get to see in the whole 2 min of the video is more than enough for me to start making head cannons for her.

Plus all the things we see she can do/is/does in the music video?!!!

We first see she has a background as some sort of pirate esk character in a group and has beef with this entire vampire/monster league

We can tell she’s the muscle of the group because we see her demeanor handling one captured enemy, she is the first to jump out of the ship, she seems skilled at quick action and acrobatics, AND SHE DESTROYS A WHOLE BUILDING JUST BY LANDING ON IT, and the obvious fact that she’s bigger than the rest of the clown group.

And it’s like the rest of the group knows what she’s capable of, they know she doesn’t need a parachute to dive 100ft in the air, all of her actions just give us more clarification of why she was put in charge of handling the captured enemy in the start of the video and why it was probably planned for her to jump first out the ship

So much of her personality just shines through in the first min of this mv it’s insane, or maybe I’m just crazy :?

Her character design too?!??

The overalls makes her work feel more”heavy duty” if that makes sense, and the long hair just feels so fitting for her especially when it’s up. AND THE BIG SHARP TEETH W/ THE EYES. IAN YOU DIDNT HAVE TO GO SO CRAZY ON THIS CHARACTER AS YOU DID.<333 Being clown themed just brings her all the way to the top on the character design too.

I remember this one head cannon that I heard from someone, that in that clown universe all female born clowns tend to grow up to be bigger compared to male born clowns, this headconnon is awesome and now I say it’s true

But the eyes and teeth just make her more mysterious and stand out in the group, why do we see her with those features but no one else? Maybe she’s only half clown and those features come from a vampire or other creature?

AND THE VOICE

Maybe Ian’s singing in the mv wasn’t supposed to be the exact representation/voice of BigJ, but it’s too perfect not to be. I just imagine if Big J were to have the voice of anyone it would be Ian because of how well the raspy deep tone singing is done by him. Big J totally embodies his voice perfectly I think. In other things like Worthi’s 15 blows album you can hear more of that absolute monsterish singing that matches Big J perfectly

Anyway idk I just rlly like this character and hope to see more content/ head cannons for her, if ygs have any plz comment them or smth<33

[markrosewater]

Hi Mark!

It's my 32nd birthday today, and the 10th birthday since my love of Magic began. I love Sphinxes (?Sphonx), expecially my number one commander, Yennett. In that deck, there is nothing that excites me more than resolving a Psychic Battle and mainupulating the top of my library with high MV cards to try and dominate control of the game. It perfectly captures the feeling of being an imperious, arrogant Sphinx who can tell the future!

Do you have any trivia about your own favourite Sphinxes from Magic design, or about the card Psychic Battle specifically?

I think I made Psychic Battle. I have vague memories of it, but it was long ago. I love spell redirection and I think I made this to encourage people to play more expensive cards (and I thought it would be a fun card that added drama).

Happy Birthday!

[leopardom]

i saw this pic a bit late but now it’s stuck in my head. there’s probably no special meaning behind it, just some posing that could fit the theme of Everybody’s Waiting since it’s taken on the set of the mv, but i started having Thoughts™️ so… (more under the cut)

i suppose we can all agree this photo is fitting the vibe of the song perfectly. it’s about how everybody’s waiting for them to do something pleasing for the audience, how they wanna see them shine at all times because well, they’re not that small band anymore, they’re certainly more famous and with fame comes pressure. all the phones around them, pretty much shoved on their faces, ready to capture every single detail, is a pretty valid representation of said pressure

now moving from left to right:

both Nace and Kris seem to be cautious about their surroundings. Nace is probably a bit more alert since this is a bit newer to him than the rest of the guys, when Kris looks like he has accepted he’s being seen and he can’t really control it, especially now

there’s a hint of sadness in both their eyes, the result of pressure. but at least they are not alone; Kris has someone to lean on and Nace has a hand to hold on to when it’s getting too much. they’re in this together

the same sadness Nace and Kris carry seems to be following Bojan too. except that Bojan doesn’t even dare to look up anymore because if he does, someone may see through him. he’s tired, defeated, the pressure has taken its toll on him and he doesn’t know what to do. he can only try to shield himself by not looking up and by crossing his arms, a sign that no one’s allowed in but also maybe some sort of hug from him to himself

him being more closed may come in contrast with Kris being more open while battling with emotions, but this way they kinda complete each other. they’re in this together

while Bojan may not be able to look up, Jure is not able to look anywhere at all. this is supposed to be fun - he is supposed to be fun. but he doesn’t feel like that and that’s not something people will like so what’s better than closing up completely?

he’s attempting to hide, no one has to see what’s going on in his head. he doesn’t want anyone to see so he’s not only closing his eyes but is also trying to hide behind Bojan, who admittedly receives a lot more attention than he does. however, even if he’s leaning on his bandmate and friend, he’s aware that this attention is breaking him too, so he’s got his back. they’re in this together

among everything else that make people notice the contrast between Jure and Jan (i.e. the looks: Jure is blond, Jan is dark haired), their reactions to the matter of pressure seem to be a bit different too. Jure is hiding, but Jan is trying not to. this doesn’t necessarily mean that he’s succeeding and he’s dealing with pressure just fine, because there is sadness in his eyes

you could say he’s trying to play it as cool as possible, no one needs to know what’s up. but he also looks cautious. cautious like Nace on the other end of the group picture. and he realises that not everyone can deal with pressure in the same ways so the least he can do is let Jure know he’s there for him by leaning his head against his. they’re in this together

and finally looking at the photo as a whole? they’re certainly on the spotlight, the centre of attention for so many people around them. they’re trapped and can’t escape from the watchful eyes and the pressure is definitely hitting them, each one of them in different ways

but at least they’re close to each other. each of them is trying to make sure the others know that they’re there and not going anywhere. not because they are trapped and can’t escape, but because they’re a group of friends after all and they’ll stand next to each other through good or bad

they’re in this together

[banqanas]

Kamen Rider Gavv cast comments for Got Boost? MV

Chinen Hidekazu (Shouma)

Watching the [Got Boost?] MV

With its POP and cuteness

that perfectly captures Gavv's universe,

Just watching it made me emotional.

I'm truly glad that Gavv's opening theme song is by FANTASTICS 😭 I will listen to it repeatedly 🎧

And the henshin pose being incorporated in the choreo at the end was so cute 🫶

Thank you so much!!

Nawata Yuya (Kamen Rider Gavv)

Released today!

In the MV, you can see a bit of Gavv and Valen dancing too!

I was really nervous, but thanks to everyone in FANTASTICS, it turned into a wonderful shooting despite my nerves!

FANTASTICS, you guys are really cool... It's an honour to be able to work together!

Everyone, make sure to get your copies 😊✨

Takizawa Ryo (Nyelv Stomach)

The MV is so colourfully cute... And they incorporated the dance (I made) from the OP* into the choreography too,,,,, 😭

Thank you so much 😭🙏✨

*In FantasticsRadio episode 2024.10.01, Sekai and Taiki revealed that the OP video for Gavv were already made before they shoot the song's MV. The production side showed the finished OP video to Fantastics and they asked if Sekai could incorporate the dance from the OP into the full choreography, which he accepted. At the time it wasn’t revealed who came up with the dance, so now we know!

[menouthis]

"Can't Fight This Feeling" - Evan Buckley x Eddie Diaz MV

I always think this song perfectly captures the two of them. It feels like the writers took some of the lyrics and transposed them into the screen using the two characters acting out the lyrics in question.

[redpiperfox]

it's that time again~

Album listen-thru of Ive's Switch~

All in all, the aesthetics in color of early 2000s (bless, they didn't follow the mainstream sound of how people are categorizing early 2000s nostalgia alsdjkfhklasjdfh), the Ive elegance woven into a bright, spring album, A+, 10/10, much enjoyed!

Now song by song:

해야 (HEYA)

What a fun song~! Absolutely won me first listen, definitely has that ethereal dusky wind-in-your-hair backlit euphoria to it, riding on top of a little high-heel, chin-up confidence. Powerful and pretty, in a stunning sort of way.

Yujin's part in the second verse runs rent-free on loops through my head, and the pre-chorus to chorus Ascends, I love the little transition/nod sound between them, and the way everything bursts into the chorus-- and that even that eruption of sound still outdoes itself and explodes in the final chorus, high note overlaying and all.

Visually, what a pretty mv! Exactly the sort of thing I expected from the teasers we got, and captures a sort of aesthetic that perfectly fits and conceptualizes Ive's niche. The set reminded me of that one Twice set in Scientist, but perfectly set it in a cultural and very specific nostalgic-reminiscent mood that I absolutely adore. Pastels and clouds and all. And tying it in with the lyrics? Absolutely beautiful, love!

Accendio

I won't lie, the first line set me off a little XD Why are we talking about priests, what's going on girls lol BUT THEN-- the actual ascension in the chorus outro? Those harmonies and chord building coming out? Hello there~!

Lyrically, it perfectly encapsulates the entirety of the album, and I think the chorus achieved the perfect balance in catchy and elegant that Baddie was setting them up for last comeback. I also love that I could catch this battle between evil and good in the production before the mv dropped-- the second verse drops you straight into a basement of bad intentions, and retrospectively makes that opening line confession make so much sense. It gives the pre-chorus the desparation before the chorus comes in with it's commands-- it's spells of protection almost.

And then the mv!!!

Oh what an mv. Everytime a storytelling mv graces us, I want to put it on a pedestal and run a presidential campaign for it because THISSSS WE NEED MORE OF THISSSS~~~

I love main character Gaeul, I love the girls power up moments into Sailor Moon-esque heroines, and then battling evil versions of themselves, (shoutout to the stylists, oh, keep doing what you're doing!!) I loved all the fight sequences, I loved the quirky plot of keeping this wand safe and then losing it, I love the ambience and color of the whole story-- it supported the music so well? The fast moving parts, the scenes where we could gasp as Yujin slammed her hand into the glass and beckoned us back, the throwback into the timeline, the fight sequences~

Really well done, Ive. A beautiful mash of elegant into a fun turn-of-the-season summer comeback.

Blue Heart

Heyo, Wonyoung written beauty!

The production draws straight from the lighter parts of Accendio, in that protective but smiling, fun image, in a spell, a promise of letting you come close but never as close as you want. It fits perfectly between Ice Queen and Accendio, in a heroine protecting herself, floating just above it all, but when she drops into the mess of it in the chorus, it's fully armored and confidently winning. And I do love the verses and the ascension in the bridge where it really does feel above the clouds and touched in the pastels of a free sky, and how perfectly it contrasts with the chorus.

Lyrically, I'll let her speak for her own song, because there's something really precious and admirable about the work she put into this song (end of the article):

tldr; She writes it as a tribute to female idols in a harsh industry and the image and personality they chose to put out in comparison to their inner strength to protect themselves.

I also want to include lyric analysis by @aidollze on twitter, with a special shout out to Ms Wonyoung for her legal work in bringing down a youtuber for defamation against kpop idols:

Ice Queen

Sent me right back to Hypnosis from their full album, instant love.

Musically, the production is like a bubbling, clear and fresh bubbling spring in the verses that freezes into the chorus, sharp angles and prisitine edges. It's sea-curly hair and curious smiles over the shoulder into combed back buns under a tiara, looking down their noses, critical, moving from level playing fields to a power play.

The lyrics only supported the imagery it gave me, and even added this undertone of the daughter of Halsey's Castle, especially if coupled with Blue Heart's message, which? Gives me all the brainworms? But anyway XD

Wow

How fun~ This feels like a run through a water park or summer vacation in a theme part in the chorus, and the sit-back and reminisce breathlessly in the verses and bridge.

It's funny how the lyrics talk about being opposites but attracting so well, because it gives me that rush of planets spinning frantically and almost out of control when together in the chorus, and then throwing each other out of their orbits to observe and wonder from a distance, only to be thrown back together for the thrill of it again.

Reset

"Kiki, do you love me, are you riding--"

Sorry XD A little more in the brightly colored jungle, in the weeds and unknown of things, before that lovely little astronomically intrumental production into the chorus, where you're stuck to this fun beat, childish in it's fun, almost. I don't know! This song is somewhere between the jungle rhythm and the intergalactic kids ride! And then it finishes and drops abruptly, like it's only there to quickly pass you by before you can hop on and join.

A very fun and chill ending to a bright mini album, that leaves you feeling light!

Ive always has my attention, and if the sheer vocal talent between Liz and Yujin isn't enough, their commitment to their niche of elegance while being able to try and sort invent concepts, has me tuning in each and every time.

Would love to hear thoughts people had on this comeback or on Ive in general!!

[binniesoob]

THE STORYLINE: the timeloop and who are Halateez

Read how the ATEEZ logo is a representation and fundental key element of the Ateez storyline to find out who are Halateez!

Let's look at the Ateez logo from Fever albums...

Universe A ------- > < ------- Universe Z

It's basically a representation of the two Universes converging, perfectly reflecting the events set in the Fever albums: Ateez moving through Universes with the Cromer.

Talking about the Cromer... the converging "TEE" in the logo itself represents the Cromer, the device they use to travel through the Universes, and that connects the two. The Cromer is an hourglass and therefore has an eight shape, which, reversed is the symbol for "infinte" and "loop".

And what else has an "eight shape" and represents an " infinite timeloop"?

The Möebius strip:

The Möebius strip has been used to explain time travel theories. It works like this: we start at a point A (pinpoint your point A of choice in the image above) and walk towards an opposite point Z (draw your finger to your opposide point Z of choice). Since the two ends of the strip are connected, we can then continue from point Z and find ourselves back at point A. This means, we can infinitely walk from one to the other creating a loop. Since time passes while we walk from point A to Z, point A is in the past (where we start our journey) and point Z is in the future (the destination of our journey), making the Möebius strip a timeloop.

Let's apply it to Ateez story!

We start in Universe A and we end in Universe Z, in Universe A we find Ateez, in Universe Z Halateez. This means that Halateez are Ateez in the future, and Ateez are Halateez in the past.

N.B. Ateez were born as Ateez and we, the fandom, gave the Universe Z Ateez the "Hala Ateez" name to differentiate the two. Now, according to the canon provided through the Diary Version of the Fever and The World albums, we know that Ateez call themselves the Black Pirates (instead of Halateez) in the future to hide their identities.

When Halateez fail to protect the future from Z, the leader of Strictland/Universe Z, and are about to be captured, they go back in time to bring past Ateez in the future to take over them. This time Ateez, instead of becoming Halateez/The Black Pirates, become the Guerrillas, and this is how we have two timelines:

the Halateez timeline

the Ateez timeline

or (more correct and less confusing)

the Ateez > Halateez/Black Pirates timeline

the Ateez > Guerrillas timeline

Since the Möebius strip has two sides, we can give one side to Halateez timeline and the other one to Ateez > Guerrillas. And since the strip has a twist in the middle, that's the point where the two coexist and meet (see Say My Name and Dejavu mvs where Ateez and Halateez meet).

Why is this the only point in time where the two coexist though?

In the first timeline Ateez went from their past (when the group was formed) to their future (when they turn into Halateez/Black Pirates) living the time in between them, and not jumping from point to point. When they as Halateez got hold of the Cromer for the first time and used it to travel through the past they changed this: in the second timeline, Ateez do not walk towards their future anymore, they are brought directly to it through time travel.

Halateez changed their own present time, future and past too, bringing their past selves to their present time/Ateez future: since there's no Ateez in the past anymore because they were brought to the future, they can't live to become Halateez like they did before, and that's why Halateez do not exist anymore in the future, why we don't see them outside of Say My Name or Dejavu. Halateez timeline was replaced by Ateez > Guerrillas timeline and they therefore chased to exist.

So yes, r.i.p Halateez 😔

This timeline distinction is *fundamental * to understand which version of Ateez from which timeline we see in each music video and hear about in each song...

> read next : THE STORYLINE 4: ATEEZ or HALATEEZ? Who we see in each music video - COMING SOON!

> MASTERLIST

[remtan]

New Romancer 2

Rim’s 2nd album, New Romancer 2 was released on December 5th 2023! This album really shows how greatly Rim and Mao Sasagawa combine, and what they can do when they experiment together. Rim’s new wolfcut looks great and perfectly matches her edgy vibe. I’ve also noticed the general shape of it looks quite similar to Kaf’s hairstyle. I can’t wait to see her new 3D model at her upcoming Sinka live! (edit: this was written before her sinka live) Here's some of my favorite songs from the album in no particular order:

おしえてかみさま

This song grabbed me right away as the intro track. The voice sample captured my attention immediately, and the chords that followed afterwards reeled me in. One of my favorite things about this song is the piano that sounds a lot like the signal when the train crossing gates close due to an incoming train. I love how eerie and psychedelic it feels, but it also makes you want to dance.

生きているより楽しそう

I love how gritty this song is! The guitars and bass are all up in your face, and Rim’s voice complements them in an edgy, angsty fashion. The layering of Rim’s voice in different sections makes this song interesting to listen to! To be honest, I love this kind of sound from Rim the most.

Inner Child

I listened to this song all throughout 2023. The beginning piano and melody are so catchy, I love how there’s a hint of Mao Sasagawa’s voice layered under Rim’s as well. One of my favorite parts is the drum breaks appear only for a few seconds in-between Rim’s voice and the piano. I like how the first half of the song has the piano as the main instrument but then in the second half, the guitar takes over. Then near the end of the song, the piano comes in again to create the last chorus. This song is definitely one of my favorites out of the entire album!

フロム天国

A playful, upbeat song for Rim that’s still full of Mao Sasagawa's guitars. Ema also features in this song! I’ve heard that Rim is a Dustcell fan so I’m sure she’s happy to have Ema featuring in her own album. For a moment, I couldn’t tell which voice was Ema and which was Rim’s. I’d love to hear them sing together more!

Pilgrim

Pilgrim! This song was released over a year ago and currently it’s Rim’s 2nd most viewed music video at 4 million views. I immediately felt nostalgic upon hearing this in the middle of her new songs. Mao Sasagawa creates such a floaty hypnotic feeling with both his instrumentals and Rim's voice. The most memorable part of this song was Mao Sasagawa’s use of choppy voice samples that contrasted greatly against the rest of the song.

Fanfare

For some reason, this song reminds me a little of R Sound Design. It has somewhat of a groovy Jpop vibe! The outro is my favorite part, the piano is so addicting. I think out of all of Rim's new songs on this album this one will be the one I have listened to the most.

Refrain

Unlike in Inner Child where Mao Sasagawa’s voice layered under Rim’s for only a few seconds, his voice is all throughout the song. The melody feels a little lazy and laid-back but as the song goes on the melody becomes increasingly redefined by the constantly changing instrumental. I'm amazed at how quickly Mao Sasagawa can change the atmosphere of a song just by adding a few instruments. As Refrain's lyrics becomes increasingly more pessimistic and frustrated the song does as well. The MV also illustrates the changes in the song really well!

デイネ���

It's edgy but I really feel like rim had fun singing it, it has a snarky, playful vibe. I really like the piano runs in this song, it really differentiates it from the rest of the songs in this album.

Eloim

Definitely Rim’s scariest song so far, I can’t get myself to watch the MV because its too scary. It also marks an experimental change for both Rim and Mao Sasagawa. Unlike Rim’s usual songs, this song’s instrumental is full of dubstep. Rim’s whisper in the back is also very haunting. My favorite parts has to be when the guitars come in and the song builds for the chorus. I also love how Mao Sasagawa eerily trickles the piano notes, its similar to what you would hear in a horror movie. This song is currently Rim’s 4th most viewed MV at 2.4 million views, 3 months after its release. It’s right above Tall Story that she made with Guiano, which has 2.1 million views and was released 2 years ago.

不的

I love Rim's and Joucho's voices together, really putting the haunting feel of their voices together. Out of all the vwp duets, this one really stands out! It's so beautiful and edgy and eerie at the same time. I always feel like both rim and joucho are capable of capturing this mysterious, otherworldly feeling that's outside of reality. They performed this on Music Verse months ago and during the performance they panned Rim's voice to the left ear and Joucho's voice to the right ear and wow did it give me goosebumps.

Rim and Mao Sasagawa also did an interview on the production of this album here, and its a good read of rim's worldview, why they chose to use certain words in Rim's songs and also rim's career. They also touched upon Rim's identity as a virtual singer and how she often doesn't use her 3d model in her music videos. It's nice to get confirmation that this was a deliberate choice by Rim's team and that they've considered how her identity as a vsinger affects how people interact with her music. It's also sad to hear Mao Sasagawa say he's frustrated that people might dismiss Rim's music just because she's a vtuber, wherein he emphasizes because in the past people used to dismiss him because he was a vocaloid producer. However things are different today and he's grateful that vocaloid has broken into the modern Jpop scene. It makes me remember how Kamitsubaki are a rarity in the vtuber scene in terms of how seriously they promote and perform their music. Like Mao Sasagawa, I also hope the attitude towards vtuber music can change.

And in terms of the vtuber scene, it's worth pointing out how different Rim's genre and aesthetics are compared to other vtubers/vsingers. As rim's music and worldview continues to develop, I'm sure she'll continue to stand out and be a unique presence whether its in the virtual or non-virtual music scene.

[kafus]

i’m not 100% sure how to explain this but i was initially drawn to the visual style of kaf’s mvs years ago not only because it’s Very Cool but also because… like as a dissociative person i struggle to recognize myself in the mirror and my connection with my body and surroundings is tenuous at best, this is a longstanding issue for me and my perception of myself has long since warped into some sort of cartoon almost, like i Feel like a 3D model of a person who could not exist when walking around and i often forget that people do not perceive me the same way i look in my head. kaf’s videos perfectly capture that feeling and the disconnect from other people too, she is usually alone and if there’s people in the background they are far away or hard to make out, even in crowds… kaf never interacts w them, she’s a 3D model somehow lonely in a city as if no one can see her. and i’m like yeah that’s how i am everyday of my life

[solar-halos]

do u ever think about the way olivia rodrigo invented music

just kidding i know the emotions she sings about have existed since the beginning of time but im just now realizing that if i was born in the taylor swift era i would 100% be a swiftie bc i was thinking abt olivia rodrigo’s music the other day and unironically had the thought “wow she literally invented having emotions” before i managed to catch myself. but honestly i think it’s crazy how accurately she captures all these feelings of insecurity and heartbreak (and now joy!) so perfectly!!

“lacy” and “pretty isn’t pretty” seem so similar on the surface, but i feel like lacy is more of a gradual realization that no matter what u do—or how ur actually perceived—you will never feel as feminine as u want to. there will always be people (aka Lacy) who are gonna be effortlessly elegant and beautiful and feminine and feeling jealous of that is so fuckin stupid but that doesn’t stop u from caring. and then i like “pretty isn’t pretty” bc i feel like that’s the aftermath of Lacy. idk the part abt her trying every shade of lipstick really hit bc when i was first experimenting w makeup i remember feeling so insecure that none of them seemed “my” color. also i really like the gradual buildup of “it’s in my phone/head/magazines/the boys i bring to bed” bc i feel like that describes the pipeline so well

anyway now let’s get into the new songs she released. i’m actually not sure if they’re new bc when i searched it up after it popped up on my spotify google said she released this back in 2023? so idk. but her youtube channel literally has this all released within the last few days. but my favorite thing about these songs is how im in the same era she’s in rn. that happened to me with “sour” and “guts” reopened a lot of those old wounds, so i absolutely love the healing theme (? i know that’s not the right word but it’s hard to think rn) this album has. let’s start off with obsessed since that popped up for me first

obsessed? yeah, obsessed with this fucking song. seriously. “if you knew how much i thought about her you’d think i was in love” already starting off on a banger. also i watched the mv and i loved it. this song literally couldn’t have came at a more perfect time, yall ever just randomly remember that ur s/o has dated ppl that aren’t u before? chilling realization, really

scared of my guitar? “i can’t lie to it the same way i like to you”? “i lay in your arms and pretend that it’s love”? “i’d rather be tied to someone even if they’re wrong”? oh my god. i was literally thinking about this the other day. like, being in a relationship bc u want to be or if it’s bc you’re scared of being by yourself. and i also like the fact that it’s insinuating that the other person is the better half. bc sometimes it does feel like literally just loving someone when you struggle so much with the thoughts i mentioned is just the same as stringing them along. but then also i think it’s nice to pretend you’re in love bc obviously at the beginning of a relationship you have no idea if it’s ever going to go that far, so i think we often fall in love with the idea of being loved. which sounds a bit corny when i put it like that, but scared of my guitar made *me* feel like a tortured poet bc i used to be like “im chill ! :o)” and then open up ao3 and write a billy taupe/lucy gray story like girl…. that’s not the same as olivia rodrigo being folksy and cute

speaking of being folksy and cute, “girl i’ve always been” is so folksy and cute! i literally hate country music so fucking much (i’m sorry… one time this guy in hs played God’s Country in front of the class for a presentation and he stood there kinda ominously so ever since then i’ve kinda hated it) but this song was nice i liked it! i like the confidence it exudes, someone already mentioned this in the comments but it really is giving off lucy gray vibes, especially “with venom on my tongue u ask me who i’ve become” like okayyy someone needs to write a billy taupe/ lucy gray inspired story abt that line immediately. i don’t really have much more to say since this one was the one i found the least personally relatable, but i love the sassiness of it all!!

stranger. this one was a FUCKING banger, this was the sort of era i was in when guts released so im so glad miss olivia rodrigo could put the feeling of realizing u don’t *need* someone u thought u literally couldn’t live without into words. “i always thought it was some comforting lie ppl told” literally. also the call back to “enough for you” by saying “if im not enough for you then you’re not enough for me either” :,). i think growing up is quite nice

so american. fav! <3 <3 <3. “he’s like a poem i wish i wrote” hands down my favorite lyric fucking ever. i LOVE this song. like i said with “lacy” and “pretty isn’t pretty” bleeding into each other, i think the same applies w this song and “scared of my guitar.” like after u get over ur fear of ur guitar u realize that ur so american and suddenly wanting to get married and be in love doesn’t seem so selfish anymore. i really, really love this song (if i haven’t already mentioned that)

sorry, i know this was a long post! stranger had me bursting into tears so i told Boyfriend i needed to write in my “notes app” abt it so everyone say hi Boyfriend. but seriously im feeling so american rn i literally was like “leave me alone and don’t touch me im feeling explosively emotional” and he was like ok! here’s some fruit. and then now im writing on my phone about songs i love. like is there any better feeling??

[becauseplot]

i love how the new lovejoy mv perfectly captures the experience of listening to portrait of a blank slate because i too burst into flames when i hear the “SO JUST LET ME!” at the end.

[mykpopwire]

media release: The puppy-like BLITZERS members have returned as wolves!

The K-pop group BLITZERS (JINHWA, GO_U, JUHAN, SYA, CHRIS, LUTAN, and WOOJU) returns with a new album that promises to bring a new retro syndrome to the music industry.

Through their single [Macarena], BLITZERS plans to spread a hopeful and positive message with their powerful and bright energy to all people regardless of nationality, age, or gender.

Firstly, the title song 'Macarena' is an addictive hip-house song that isn’t for the faint of heart, boasting an exceptionally eardrum-ringing trumpet and a powerful beat that beats the listener’s heart for them, as well as eye-catching choreography created by the members that had been the center of attention from the early stages of production.

In addition, BLITZERS, who is famous for their non-skip B-side songs, will be capturing the hearts of their fans with their B-side track 'Question Mark', a Western-style rock tune in this album that fits in perfectly with other hits on Billboard and UK charts. In particular, this song is rumored to be one that BLITZERS members have always had on their list of title song candidates even before they debuted, and is a banger that BLITZERS has been saving for the perfect moment.

BLITZERS’ second single album [Macarena], will delight fans with new performances and stories in the unique style of BLITZERS’ re-interpreted Y2K vibes. It’s time to fall in love with the once puppy-like BLITZERS members who’ve become wolves!

▶ TRACK LIST:

01. Macarena (TITLE)

Lyrics by Roydo, QM, Konquest

Composed by Roydo, JUNG1, QM, Konquest

Arranged by JUNG1, Konquest

Chorus by NEUL

Trumpet by Q the trumpet

The lyrics added to the hip-house genre, a combination of hip-hop and house, are about BLITZERS reaching further out into the world.

Feel the Latin melodies and the desire to perform music that’s loved timelessly and across all borders.

Macarena, Macarena, Macarena!

02. Question Mark

Lyrics by 이주현, GLODY

Composed by GLODY, 장영수, 전근화(Weeky1)

Arranged by 장영수, GLODY

Guitar by 채태식

Bass by 오세훈

Drum by 장영수

Chorus by 전근화

A medium pop rock genre song with refreshing guitar riffs.

This song reflects the passion of youth, who walk silently on their own path carrying a question mark in their heart.

Watch BLITZERS 'Macarena' MV here!

*photo courtesy of WUZO Entertainment

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