#and thats the halfway point

[sharkneto]

W*nd and Tr*th really cementing my opinion that very rarely does a book need to be more than 600 pages, and doubly so for over a 1000

[tworattuesday]

Philza lore :D

I desperately want to make a full animation but I'm wary of losing motivation/not having enough time so I wanted to post some frames just in case I don't get farther

[burning-sol]

You know what? I realise why the Sinsmas episode is pissing me off so much, it's because it's juggling so many different ideas that it doesn't spend enough time committed to a single one. Let me just break it down the way I see it...

The first idea we're introduced to is one about Stolas' depression but then when he sits down with Blitz we're introduced to the idea of Stolas' poverty.

The previous ideas are what you think that the episode might focus on until you get hit with the Octavia B-Plot. Okay! A-Plot is about depression and poverty, B-Plot is about Stolas not being able to contact Octavia... (I might be using those terms incorrectly, but you get the idea,)

But THEN you get Sinsmas introduced which is about the idea of indulging in your sins, which is shown to be important to the audience because it's expressed in dialogue, right? Wait, no, it's about Stolas's depression/poverty, okay then....

But THEN you cut to the office and we get a Millie and Moxxie bonding scene, so you think, "wait, is there going to be another DIFFERENT plotline introduced into this episode about their relationship??" AND YOU GET MORE ABOUT SINSMAS, multiple shots about the holiday and the idea of indulging in your sins!! So wait, the idea of Sinsmas IS an individual idea from the depression/poverty point? Or isn't it??

Stolas sobs on the phone, there's a very obvious depression/poverty breakdown, but then we get MORE NEW SHIT introduced because it's about Stolas' cheating. And I understand that that's meant to tie into Octavia's B-plot, but there's a subtle difference between that and THIS that adds another layer of shit on top (elaborated on later).

Which, BTW, I just wanna point out how this idea is contradictory to the Sinsmas idea since CHEATING is about INDULGING in LUST - as is established in your PREVIOUS. IMPORTANT. SEASON ONE FINALE... So WHY would you make a character shame a sin that's meant to be in the process of being celebrated which confuses the Sinsmas idea and was also the CORE of the Stolitz will-they-won't-they before now?? If it was to trigger Stolas' breakdown you already HAD the poverty story beat, this is just needless and confusing redundancy??

So then we actually get to Octavia and we get a scene about the idea of Stolas and Octavia not being able to get in contact with each other - the B-Plot - and followed by her introspective song and the discovery of Stolas' pills. And now we suddenly feel like we're back to where we were MEANT to be, with the Octavia B-Plot taking a pause to cut back to the Depression A-Plot. This builds up tension as we naturally feel the two characters drawn together.

And theeeen it cuts to the I.M.Ps and I'm banging my head against the wall because you're like, "Oh! The Millie and Moxxie relationship idea! This is going to be about them!"

But then OH MY GOD a NEW idea is introduced about Blitz wanting a FAMILY WITH STOLAS. I want to shoot someone because the cheating was a set up for Blitz to fantasise about wanting a family??? Is this meant to be a parallel to episode 1??? Am I meant to feel like Blitz has developed as a character?? In an episode that has been about every character OTHER than Blitz???

And then it's meant to be likeee like about Millie's pregnancy because she wants to kill the family instead of leaving them be, but it's also about Moxxie's relationship with her, but it's ALSO about being "demon enough" (WHATEVER THAT IS, IT'S NEVER ELABORATED ON), but it's also ALSO about Sinsmas.

Okay! Okay, back to the REAL plot except- Wait, Octavia walked in??? Wait, so this plot is now about Blitz wanting a family and he's going to bond with Octavia?? No! NO because they don't have any emotional connection and so there is no reason for this scene to exist if either way Blitz was going to know where Stolas went and Octavia was going to end up there as well anyways.

And can you tell I'm tired of writing at this point? Cus I'm losing my mind. FINALLY the A-plot and B-plot that should have been the center of the episode all along gets a fuck ton of screentime and it's beautiful and it's the peak of the episode.

And theeen it's back to Millie and you think, "Okay, so a big part of the pregnancy plot is clearly meant to be about Millie and Moxxie's relationship based on all the scenes we've gotten between them! That means that Millie and Moxxie are going to have some sort of important dialogue-" And then she WALKS OUT on him and she has her emotional moment with her sister! Which isn't a bad thing but need I remind you she isn't even in the center a FULL LENGTH episode, she's from a SHORT... WHY would you NOT integrate Sallie into a proper episode if she's going to be key to a future INCREDIBLY important plotline??

The episode ends with Blitz and Stolas and the credits roll blah blah blah...

This post is basically expands on some of the points of my post about my first impressions, because I just wanted to give a run down of the structure properly so you can understand why this episode is making me feel like I'm losing it. And I get it, if you put in the effort you can get an idea of how all the ideas were meant to tie together... But it doesn't! It's badly written! It makes me want to rip my hair out!

Ideas are established and then sit there uncomfortably without resolutions to them! Like even the shit. That was meant to be the main shit. The poverty and depression stuff? NO conclusion. Stolas says, "you don't have to refer to me as your highness" I guess?? But like, nothing to show him settling in with everyone else in the celebration to show he's like. Poor? And okay with it? By partaking in the holiday of those that are meant to be "beneath" him? No mention of his medication???

Just!! Okay. To understand the way shit in the writing could have been better, let me list some ways you could change the episode to be more coherent or cut down on redundancy if my points have so far not landed.

Establish Sallie towards the BEGINNING of the episode and her dynamic with Millie, and show how that compares to her relationship with Moxxie, and show WHY she would call Sally instead of talking with Moxxie first. If you're going to make the episode about family btw, this would be the point where Millie could bring up HER family and how much she values them or something in order to establish that as being important. Also, use this to explore what Millie and Moxxie's feelings on having a baby WOULD be, so that if there's conflict there then you have more understanding of why Millie made the decision she did.

Use the actual environment in the background of the montage to show the passage of time instead of it suddenly being Sinsmas. Have demons setting up holiday decorations, in the stores put up discount signs about a "Sinsmas sale!" This makes the story flow more naturally, as well as adds characterisation and makes Stolas' depression more real as he's shown to be so absorbed in his own world he doesn't even realise it's the holiday until Blitz brings it up.

Octavia's phone and the device she listens to music on is the same (I checked S1E2 to confirm it), which causes a sloppy writing issue. Like. If the episode is meant to show Stella is controlling and it's not Octavia's choice not to get in contact with Stolas, then you need to explain why she hasn't called him despite having access to her phone when Stella isn't around. If it were me, I would have had Stella lock it in a drawer that Octavia picks the lock on so she can listen to her music. THEN you can keep the original scene, OR (this is what I would have done) have her check her phone logs so you can see not only how many times Stolas has called but how much time has passed. Maybe this could also be used as another reason to drive her towards the closet as she hides from Stella and Andrealphus. Maybe this could be used as an interesting metaphor about her desire to leave but she doesn't know what she's going to do once she picks the lock on the door... Like how she could call her Dad now that she has her phone but she doesn't know what she'll do when she does... Something like that.

DON'T have Blitz and Via meet up if they're not going to interact. That entire scene is fucking pointless as is and I hate it. Either dedicate a PROPER amount of time and dialogue into making Blitz want to and try to connect with Via, or have them not talk at all. Cut out the whole thing about Blitz wanting a family with Stolas honestly, it's just not well explored enough.

Again with the sloppy writing, the gang did NOT need to stumble into a room of weapons to have weapons. That's pointless. They're assassins, they've been established to bring a stash of weapons with them to fights before. I can think of something much funnier where Moxxie is surprised by Loona's transformation and there's a joke made about her being a noble steed and Moxxie pulls out a sword only for Millie to be like, "Why did you bring that?" And Moxxie says something about how it's a posh weapon cus that's his thing. OR you could have some badass impromptu weapons the gang makes from the ice or they use Sinsmas decorations scattered around. IDK.

Already made my point about Stolas and the poverty idea. Show him settling in with the others during the celebration and him opening up to the idea that he's no longer rich or well respected. The "you don't have to refer to me as your highness" would work if the text bothered to show his mental state properly, instead of him just looking depressed and like he kind of hates everyone there.

Have Blitz PLEASE react to Stolas' depression. Like. Acknowledge it. And share his feelings about it. AND GIVE STOLAS HIS MEDICATION FFS he clearly has clinical depression!! Blitz is sooo head empty in this episode, PLEASE give him more internal thoughts other than :) I'm holding my head in my hands.

And I'm so tired of writing at this point I'm going to stop it there but I hope that was thorough enough to get across my points. And if not then I guess that speaks to how loopy this episode made me that I can't even articulate myself 100% because dear god.

[flickeringquip]

Convince the Fighter abstinence is bad for his health. There may be consequences(?) <<

A text continuation of this post, feat. @thedolmainblog's Blythe (shamelessly self-indulgent smut below the cut)

Your lips meet Blythe's a bit more forcefully than you intended, but you don't let that slow you down. You take advantage of his gasp to swipe your tongue against his own, hoping to entice him into responding.

Your knuckles turn white as your grip tightens on his shirt; you don't have a back-up plan to speak of, and frankly you're not sure you'd ever be able to look him in the eyes again if he shoves you away—

(1) And then he does move, but it's certainly not away.

In what feels like barely a few blinks, you find your positions almost completely reversed. You hear wood crack as it's kicked out of the way and internally thank your trusty crate for its service—

A firm thigh pushes between your own as warm hands slide over your ass with a squeeze, and then you get a taste of your own medicine as it's your gasp that's taken advantage of, this time.

(1) You don't know what you were expecting, but it wasn't quite this.

This being how you're pinned firmly to the concrete wall behind you, weight supported by the leg slotted between your own and the hands on your ass as every shift and squirm finds you inadvertently grinding down against Blythe's thigh — and making the most dreadfully embarrassing little noises that are only mostly muffled by the Fighter's own lips against your own.

Already you can feel the desire pulsing in your middle, can feel the heat building between your thighs with each of your little shifts and squirms, each squeeze of Blythe's hands as he kisses you like a man possessed.

(1) It's only when you break the kiss, feeling like you can't quite get enough air, that his attention shifts.

Those same lips trail down to your throat as his hands slide up to take a firmer hold of your hips — and this time there's nothing to muffle the moan that startles out of you when he sucks a bruising mark over your pulse and grinds you down harder against his thighs.

His echoing groan rumbles through you like a physical touch, tension winding hot and fast in your middle as Blythe guides your hips into a rolling rhythm against his leg — and fuck if the easy way he moves you doesn't make you burn all the hotter.

You lose a bit of time, then, losing yourself in the all-consuming onslaught of his affections. It's dizzying, overwhelming, and leaves you utterly unable to focus on anything other than him—

(1) Which leaves you caught entirely off-guard when you suddenly find yourself only scant seconds away from cumming.

"Blythe—" Your fingers fist tighter into his shirt, the only part of your positions that has remained the same, a shivery note to your voice you're unfamiliar with as your thighs squeeze around his own, not even aware of the faint quiver working its way down your spine, "W-wait a sec, I, I'm—"

Blythe, who most certainly did notice your little tremble, the way your breath begins to catch in your throat, the heat he can feel through both of your trousers—

"Cum," The order is as demanding as it is desperate, all but growled into your ear as he presses even closer, tilting your hips until the next roll of them has you loosing a stuttered cry, every inch of you going taut as a bowstring in his grasp, "Aster, cum."

(1) And really, what can you do but listen?

Pleasure crashes through you like a tidal wave, and you're only dimly aware of the lips slanting over yours to muffle noises you hadn't even realized you could make. Your body moves of its own volition, hips rocking jerkily against Blythe's thigh as you ride out your orgasm with mindless intent until you're finally spent.

You collapse against the Fighter's chest like a puppet with her strings cut, trembling all over as you try and catch your breath in the wake of such unexpected intensity. Just above you, Blythe makes a noise that nearly sounds pained, and it's jarring enough to have you lifting your cheek from his collar to peer up at him in somewhat bleary concern—

And then you're being moved again, faintly trembling hands no less strong as they hoist your legs up around his waist. You can't help but fidget, and Blythe responds by taking another half-step closer, leaving you pinned flush between him and the wall — and entirely unable to miss the firm bulge that grinds into your still-sensitive sex, hot enough to make you whine even through the layers of cloth between the two of you.

(1) "Again."

Time blurs again. You try to cling to your composure, but it's a battle you lose laughably quick when every rock of Blythe's hips sends frissons of heat shocking through you. The high-pitched little noises - nearly mewls - have you flushing bright enough to rival your hair, but it's blessedly easy to ignore, because—

Blythe seems fixated on wringing another orgasm from you just like this, grinding into you with laser-focused intensity, adapting real time to what pulls the best noises from you. Normally you'd feel a little bad at your lack of participation, but honestly it's all you can do to hang on for the ride, what with how determined the Fighter is on driving pesky little things like thoughts out of your head.

(1) Your next orgasm leaves you twice as breathless and shaky as the last, and you only just catch the muttering coming from above you.

"Not here, not here," Blythe all but chants the words, and the fingers flexing against your hips are your only warning before you find yourself plucked away from the wall, arms slipping instinctively around his neck as Blythe walks with a single-minded focus to. . . Somewhere? You get your answer when you find yourself set gently down upon a leather seat. It's Blythe's motorcycle; you've seen him on it a handful of times, but you've never been on one before. He hands you a helmet, waiting a little impatiently for you to put it on, and you're in enough of a daze from your unexpected - and successive - climaxes that you do so without even really thinking about it. He tightens it for you before getting on himself, reaching back to pull your arms around his waist, guiding you grab your opposite wrists before looking over his shoulder with a look caught somewhere between stern and feverish. "Hang on tight." (1) Why did no one tell you motorcycles vibrated so much?

End of Pt. 1(?)

[banished-away]

artemis and dahlia are so good. the contrast between the supposed hero drizzt always keeping her at an arm's lenght, preferring the "soft look" she puts on to please him where she acts and looks softer and covers her tattoos and scars, knowing she had a painful past but not bothering to ask or look into it because it would shake his morals and he would rather pretend to not know than to actually confront it or even help dahlia through it. meanwhile the supposedly cold killer artemis with just a few looks saw the pain in her, let her have the kill against herzgo because he realized it was important to her even if he had just as good reasons and he didnt know dahlia's yet, and when they were alone he let dahlia be vulnerable to him, asked her about her pain, and when she was not comfortable to speak about it he just stayed near her and comforted her

[thrucrax]

the veilguard curse.....i just want to play older bioware games; ALSO small rant where i really started losing hope in the story

I HATE GAMES....that make you go through a dialogue tree only to leave you with only ONE option to choose. i am thinking of one conversation with solas where rook's final and only option of dialogue is "I will do whatever it takes" or whatever and UGHHHH

I HATE THAT especially when i'm trying to run a character that would NEVER say that???

ugh i love roleplay games that make you play a character you didn't at all make /sarcasm

this is just an excuse to make a post about how rambert would never "do whatever it takes", he won't lie even to save face or earn trust.

[feketeribizli]

another poll i love polls

[lautity]

omg how did you guess i think about her.....steps in front of username to cover it. ignore that

edit from after this was written: i am so sorry. i am so so so sorry for this. it's like a whole fic i have no one else to say this to bc no onecares about them HAJKDSAHKSJHD i am . shaking. so sorry. omg. don't hate me

anyway you are so correct ARHJHKS pathetic autistic lesbian who grew up alienated from her peers bc she was "weird" and ppl didn't wanna be friends with her....until zoey came along and actually tolerated her (used her) and turned her into a dog basically.

she'd do anything for zoey....anything..........they are so homoerotic codependent friendship coded. zoey is MOST DEFINITELY in love with hailey but in like a very unhealthy "my feelings for you make me look weak so i need to make you weak by treating you like this" (plus zoey is just a bitch to everyone in general)

and hailey just takes it. bc she admires zoey so much. like she canonically sees her as a mentor. even though they're likely the same age. and yes yes she is in love with zoey because who wouldn't be. who wouldn't fucking fall for the only person who ever like. talked to her. who sings so well and acts so well and controls every room she enters. who has the power over people hailey could only dream to have one day......and also she's SO hot

NOW. THOUGH. it is canon that they have a third roommate. what if i told you it was greenpeace girl herself - harmony jones. (not canon. not even hinted at)

i just think. harmony is soo passionate about the environment. passionate in general. also autistic. good at masking though. but takes no shit. she's the first person zoey can't manipulate or degrade and it SUCKS. she's like 5'10 to me and basically towers over zoey of she's wearing her huge thrifted black boots. and it makes her so flustered and SO angry

and like. it is pretty funny to intimidate hatchetfield's favorite knockoff regina george. zoey passes her in the hallway and actually has to look up to meet harmony's dumb stupid sparkly gorgeous eyes......and harmony just smirks.........and zoey like. regains her composure. tears her eyes away and hisses "get out of my way" and practically sprints to her room. slams the door. and harmony calls after her "sorry princess" and zoey is so angry and flustered she bites a pillow not to scream

hailey and harmony are soo special too. harmony sees hailey, because she's willing to. she likes listening to her ramble. she likes seeing her happy & not constantly hiding herself in fear of being abandoned again. she is soooo down bad for hailey she'd do anything for her.

sounds like a pretty weird roommate dynamic right. WRONG. polyamory beam.

hailey looks at harmony like she carries the stars in her eyes. harmony looks at her the same. zoey is added into this and feels a little out of place. for the FIRST TIME in her life, zoey chambers feels out of place.

hailey and harmony make a huge effort though. because they are also still very much down bad for this bitch.

harmony just has like.....zoey on a leash. a mean lesbian with an even meaner lesbian on a leash. zoey eventually leans into it. her new role of being harmony's pretty princess........

she starts being less cruel to hailey. she's still like a bitch, that's just in her nature, but there's sweetness to it.....she makes an effort to learn stuff about hailey. hobbies and favorite musicals and all that. she learns that hailey can actually be kinda sorta cool (in a lame way) if she's not constantly biting her tongue.

staring at you really hard like a cat. they (you) could never make me hate you zazz haileydilmore.

i am actually really obsessed with 'in love with her, but not as an equal'. princess and handmaid coded. fondness but its buried under so much scorn. you Could tell her. and it'd probably make her more devoted. but she'd already do anything for you, so why give her that leverage?

there's this specific feeling some people (especially like. popular hot girls. lol) give you where they make you feel important. like. just by being around you, by deeming you worth their time, they're calling you special. even if they aren't actually being nice to you. unspoken affection of letting you stay close to them. it's like a really fun addictive feeling and i think hailey is always chasing that from zoey

harmony teaching hailey that she deserves so so much better than how zoey treats her.......i don't think that would be immediate but it would be like. a slow build-up of being less and less comfortable w/ zoey's demands before she finally flat-out refuses to do something. probably with a "you aren't even nice to me, zoey. I don't think you ever have been."

i think....zoey hates seeing harmony and hailey happy together at all it makes her So Mad because she had hailey first. and she's been stolen. by what? being kind??

the Entire Time zoey is ruminating on this harmony and hailey are both trying to kind of invite her in and be like hey we arent mad at you we should probably all talk (The Polyamory Talk™. zoey does not know this i dont think). but zoey is both upset/jealous and maybe a little tiny bit worried that she'll fuck up whatever they have. because she does maybe feel the littlest bit bad about hurting hailey. a little bit. because there is actually something nice about this happier, more confident, more assertive hailey. maybe she feels a miniscule amount of guilt that she was the reason she was miserable for so long.

they do finally ask her out and shes so out of her element waugh......because yeah harmony has her whipped.

+ ur so right zoey is never nice, persay, but harmony definitely dulls some of her edges and she's a lot more able to say things with affection rather than spite. and harmony's reign ushers in clear communication (or else), so when zoey has issues with hailey there is no more passive-aggressive comments that leave her spiralling

ugh i think zoey wld still snap at hailey sometimes and harmony always mediates.....theres something kind of fun about hamony being a protector. maybe zoey feels a little left out sometimes because of this, like she's the third or the spare or the least wanted. not a feeling shes used to! of course they reassure her that this is not true. but maybe she makes a bit more of an effort with her temper, anyways. you understand

[pen-papers]

Accidentally clicking QUIT instead on CONTINUE after finally reaching the top of Death Mountain in OOT

Remembering that there's the secret path back to Goron city through the Lost Woods

[stormyrainyday]

i miss my friends so bad

[nandermoenthusiast]

i do think it is a crime that i dont have any video editing skills because sometimes i hear a song and i see an amv that could make us cry so clearly in my minds eye…

[totallynotobsessedwithfandoms]

Chapters: 1/1 Fandom: Star Wars - All Media Types, Star Wars: The Clone Wars (2008) - All Media Types Rating: General Audiences Warnings: No Archive Warnings Apply Relationships: CT-7567 | Rex & Ahsoka Tano, Luke Skywalker & Leia Organa, Ahsoka Tano & Luke Skywalker & Leia Organa, CT-7567 | Rex & Luke Skywalker & Leia Organa, background Anakin Skywalker/Padmé Amidala Characters: CT-7567 | Rex, Ahsoka Tano, Luke Skywalker, Leia Organa, Anakin Skywalker, Padmé Amidala Additional Tags: Fluff, Comfort No Hurt, Alternate Universe - Canon Divergence, Alternate Universe - Everyone Lives/Nobody Dies, well pretty much, rex and Ahsoka : best babysitters ever, Leia Organa & Luke Skywalker Raised Together, Child Leia Organa and Luke Skywalker, No Beta We Die Like Clones, Prompt Fic, Tumblr Prompt, comfy-vember 2024, no one dies after Ahsoka defeats maul anyway, windu and Anakin kill him Series: Part 15 of comfy-vember prompts Summary:

@comfy-vember on Tumblr's day fifteen prompt: storytelling

Ahsoka and Rex babysit the twins while Anakin and Padme have a date.

[bosspigeon]

once i get my ottoman and complete my cozy little reading nook it's over for you hoes

[bacchuschucklefuck]

Do you write fh (jy) fan fiction? If so is there a way I can read it? Thanks :>

I'll say I am writing fh fanfics! but its currently in my computer and nowhere else. maybe one day I'll get what I'm writing done and somewhere not my computer and I'll let folks know!

[yuuugay]

briony from @shepherds-of-haven 💪💪💪💪💪💪💪💪💪💪💪💪💪💪💪💪💪💪💪💪💪💪💪

[swag-system]

me to every single person i meet: hey do u mind if i pack bond with u and see u as my family. is that okay with u. (doesnt wait for an answer)