#and that works for emotional stuff i think but for plot points you kinda gotta go by vibes

[piratecaptainscaptainpirates]

I've gotta admit, the take that Ed and Stede are "running away" from their problems at the end of s2 absolutely baffles me.

The thesis statement of this show, as we know, is "a lot of the things we are taught about being a man are wrong." Harmful ideas of what it means to be a man are at the core of Ed and Stede's issues with themselves: Stede struggle to feel like as much of a man despite loving softer things, Ed's feeling forced into a hyper-masculine caricature of himself. These are the core problems at the heart of these characters, obviously there's more to it but when you boil it down that's what we're working with. This is why Stede's trying to live up the ideal pirate image in s2e7 is important; he's getting a taste of what he thought he wanted so he can choose to leave it behind for what's really important. Ed, too, is still struggling at the end of the season with figuring out who Ed is, once he can break free from the Blackbeard persona.

What would be solved by sailing away, planning to continue as pirates at the end of s2? How would that be addressing their problems or helping them live more authentically? Ed has wanted to leave piracy since we met him, and yes, Stede enjoys piracy, but the idea that piracy is the true and right end-state for him is a very basic reading of the text I think.

Ed and Stede making the decision to try building a life together in their new shack isn't running away from their problems - it's Stede prioritizing Ed over a life of piracy, because piracy isn't what he wanted in the first place. He wanted to be a part of something, he wanted to marry for love, he wanted to be appreciated for who he is. It's Ed finally realizing in the finale that he can use violence as a tool to protect the people he loves, but he's also allowed to step away from it. Will the inn idea work out? Maybe. Maybe not. Who cares? It's not the inn that's important, really, it's that they're both choosing to commit to each other and taking this step towards living more authentically.

We already know exactly what "running away from their problems" would look like, and it's the plan Ed proposed in s1e9. He wanted to run away to China so their old lives could be "gone, dead, never were." Ed just wanted to forget about his past, and Stede was riddled with guilt - wherever they go, there they are. The difference between that plan at the end of s1 and Ed and Stede's new plan at the end of the s2 is, first of all, they're both all in and they know it, and, secondly, they're both getting a lot better at meeting themselves where they're at.

[katerinaaqu]

Have you seen the new epic saga, it's something alright lmao

Of course I haven't seen it given that I never followed the live streaming to begin with not even in the first two sagas that I genuinely liked, much less now but a friend wanted to fill me in and since you asked and I wanted to be accurate, I tormented myself for almost 16 minutes to listen to the plot changes that I was told there would be and I am like

WHAT THE FUCK DID I HEAR?!!!!!!!!

I am sorry but again speakig purely on plot of course because honestly the music is really solid as always and the singers were amazing to transfer the emotions they wanted to transfer. Loved some of the melodies given, for example the intro of Charybdis was my favorite part I think but I am like HOW IS IT POSSIBLE THAT ALMOST ABSOLUTELY NOTHING OF THE FREAKING ODYSSEY IS IN THIS SAGA?!!!!!! Like he just kept the bare minimum again!

Sorry for the runt but yeah here goes:

"Not sorry for loving you"=> After all that backlash that song got even from the most loyal Epic fans he still kept it. I mean I admire his loyalty to his ideas but like he should have known that the song was not a good idea. I mean it was almost clear from the song's ideas that Jorge would dodge the subject of SA and that he would leave his fans guessing (smart move gotta give him that) at first given the suicide attempt Odysseus make but now it seems almost clear that he would want to dodge the subject just like he dodged the Circe thing it is just that right now he couldn't do it as blatantly because Calypso was an infamous moment of the Odyssey And of course the "I love you" Odysseus said...I said it before and I say it again it reminds me a blunt way to translate the reconsiliation of Odysseus and Calypso in the Odyssey. Okay even Odyssey was interesting in that (see my other analysis) even Homer uses the phrase "they rested by each other's side enjoying their closeness" so in one way even Homer seems to be implying that Odysseus forgives her and even tries to see it from her point of view but honestly what else could he do? Hold a grudge? A day before he would be FINALLY given the tools to make a raft? I think not. It almost felt like Odysseus felt sorry for Calyspo for one second in the Odyssey, when Calypso, a literal goddess, compared herself to his wife. It was an almost pity move on his part at that moment. Dunno what the musical wanted to do with this but this was not the way to do it! All the context of their talk and all was lost! If anything he tried to use a made-up thing, AGAIN to show some compassion for Calyspo. Calypso was already a lonely deity. That tragedy was enough for her. She didn't need any more tear-jerking stories for people to feel for her more in my opinion (kinda like whatever PJO did if I am not mistaken...either way yeah...)

"Dangerous"=> You know...at this point I am not even surprised that he made Hermes and Odysseus interract....like that would be my least of my problems. He does make Odysseus interract with all the gods under the sun in the musical even if Odysseus only interracts with is Hermes at Circe's island ONLY and Athena in the Odyssey and that after he has been through everything! Either way of course we would have Hermes there but like again with all the things we have from "video game logic" or whatever he wants to do...Hermes gives him another bag?! like I have no idea what is going on here! The only thing I would praise here is the emotional preparation for a possible reunion with Athena given how Hermes doesn't tell Odysseus who helped him so maybe he has an emotional load there.

"Charybdis"=> Okay for starters.....WHAT THE FUCK?! What is Charybdis doing AFTER Ogygia?! Not even a flashback!? (and I was wondering where the "Hermes told me" thing came from in that preview) Like where is that damn desperation of Odysseus having to face Charybdis right after he lost everyone?! Alone and hungry in the sea after a terrible storm that took away his men?! I also love it really how everyone thought originally that at least Charybdis would be accurate to the text and everyone was making their analysis and "look how fighting he is here compared to after when he wants to throw himself in the sea in Ogygia" and now it is clear that this thing came AFTER Ogygia for some reason. Like I am not even surprised anymore that some of the most iconic moments of the Odyssey were twisted. It almost seems deliberate at this point like "yeah let's change exactly the most iconic parts" that's why Circe was changed, Sirens were changed, Skylla was changed, Charybdis was changed...even the storm after the Helios island... The intro slaps no lie there but honest I have expressed my opinion on that before and got in trouble but I think that moment of desperation shouldn't be a fucking epic song. It was a man hanging for dear life from a tree! Trying his best not to die! (made also one small thing here) And like I get it, if someone sees that escape as "epic" for being so dramatic and impressive, I get it. have epic music in the background but what on earth with the lyrics? Like "destroy you"?! Really? or "bring it on!" like the last thing Odysseus wanted in the Odyssey was Charybdis to...bring it on! Lol! You may as well speak on the "I'm still fightng here" thing, I totally get it why, but to actually challenge the beast seems totally random. But then again I guess it fits more with THIS context given how he thinks he is now favored by the gods? In the Odyssey he was alone abandoned by all and everything with no hope left so I guess...

"Get in the Water"=> Like okay I have seen this in more replays than I can count from the very beginning from the demos till now. Ironically out of this whole thing it could be lowkey my favorite! Lol! Mainly because it fits the Odyssey PARTIALLY (yeah again Poseidon never wanted to kill Odysseus. That was written straight out in the freaking Odyssey! Even 1997 version that was inacurate as hell in many things did that right!). I would have loved it if this song was Poseidon having a monolog and Odysseus having his cries like "oh no!" or prayers as a second monolog. Like not actually interracting but have two parallel monologs! This trope is not used much and I wish I saw it more. Like Odysseus praying to Poseidon but Poseidon doing his thing alone and the two not having a dialog to each other. Apart from that the song was as we expected so far. Maybe the last part had me a bit iked but again I feel like it would be massively fixed if the two characters had parallel monologs and not actually interracting. I also love it how casually we have Odysseus accuse Poseidon in this saga for destroying his men while he CONSCIOUSLY killed the last of those himself.

"600 strikes"=> I'm sorry but....WHAT THE HELL DID I JUST SEE?!?!?!?!?!?!?!?!?!?!??!?!??!?!?!?! Like I am sorry never felt like good music was so wasted in my entire life ever since the Siren fiasco! Like the song is amazing musically but what the hell did just happen?!?!?!?!?! For starters the underworld has a bus service apparently and all come up... I feel like Jorge uses this as a pattern at this point. When scenes like the underworld attracted so much fans and emotions from people who praised his choice to bring the ghosts and the voices up he wants to use it every time to focus on emotional load in a similar manner (like I said never followed him for real so I am not sure how much of it was planned before and how much of it was done on the way). But yeah of course we would expect the appearance especially with the hype at Love in Paradise. But excuse the fuck out of me WHAT!? Odysseus beating up Poseidon with his FUCKING TRIDENT with the power of friendship?! LOL! I have no idea what to take of this! We do know humans fought gods before (Diomedes looking at you) but ironically to my knowledge NEVER THE BIG THREE! Like you know...fucking ZEUS POSEIDON AND HADES?!? The three main pillars of the world (Heaven Earth Underworld)?! I don't think I ever loved a lyric so much (Odysseus admitting what he became from his trip) and so cringe at the same time (Fucking POSEIDON begging for mercy?! and calling him "monster" for fighting back?!" I am not sure to which to cringe first). Is this supposed to be the part where Odysseus redeems himself against Poseidon?! To dodge the fact that Tiresias DIDN'T give him instructions to break the curse?! So basically Odysseus redeems himself for what he did...by stabbing a fucking god?! Like...remember how Diomedes was cursed by the narrative for stabbing fucking Aphrodite after fucking ATHENA ordered him to?! Yeah right that works! What the hell?! And the final part was supposed to be some sort of redemption from the pattern "All I hear are screams"?! Like "how will you seel at night?" and the response "next to my wife"?! Is that supposed to be the last of the "all I hear are screams" pattern?! Is this supposed to be the ultimate "monster move" of Odysseus or something?! And of course we had to have an encore from the previous bag of winds scene as well like yeah once more the god Poseidon the fucking literal god of seas and land inhabited by humans, the guy who has the epithet Προσκλύστιος (Prosklystios)= the one who strikes against (to imply the waves) was taken down by a bag of winds?! I mean yeah makes total sense!

You know...it almost feels like Jorge read my fanfiction with his men supporting him against the Trojans! Looooool just kidding I just am too shook by the random things that come out of that magic hat! Like yeah Odysseus swimming, literally SWIMMING for two days in a fucking storm to reach Scheria was not epic enough apparently...we needed some sort of final boss god fight here...like Hades game or something like yeah...what's next?! Odysseus will shoot fucking ZEUS with his bow with the blessings of Athena to get even in thenext saga?!

Also of course we have sped up plot again because screw the Phaeaceans, the very reason Odysseus even TELLS HIS STORY! The one we could have his redemption, his cry and the move of compassion from them (not to mention it makes so much more sense than someone traveling on a freaking RAFT from Calyspo's island all the way to Ithaca since the Phaeaces gave him a ship and all) unless they somehow pop up later which I doubt... I also heard that the storm or whatever is signifying Penelope the coming home of her husband? Not sure again not following but yeah

To conclude as always music-wise really solid work very good harmonies and by n large very good intros

Plot wise

WHAT THE ACTUAL FUCK?!?!?!?!?!?!?

Again I deeply apologize on the Epic fans out there and even to the creator himself if I sound harsh! I know but still...I just cannot anymore...the plot is like killing me!

and these are my PERSONAL OPINIONS! If you love it good for you guys! I just had enough of it really. Is it impressive? HELL YEAH is it creative ABSOLUTELY!! is it good? To me absolutely not! Honest never expected to say that but I think the "Get in the Water" is the song that makes the most sense out of it.

PS: I am sure the animators did a FANTASTIC JOB in their work too! And I believe I will see impressive stuff from now on! The same good job as the singers did!

[evienyx]

im not too sure how to ask this, but i'm reading the first book in the fractures series, and really enjoying it, and you said that you started it when you were 14. i'm 14 at the moment and am thinking of writing a fic and was wondering if you had any tips on how to plan a longfic or for writing in general

Oh my god this was asked back in August I'm so sorry anon.

As it is, I can still give a pointer or two, regardless of how late it is.

So, as much as anyone hates to hear it and I hate to say it, the best way to get better at prose (as in sentence-level writing) is just by writing. You gotta train it, develop your own style, figure out what works.

I have a tendency to be very flowy and long-winded, often to my own detriment, which is something I'm working on trimming down in the Fractures Rewrite without sacrificing the emotional weight from the scenes.

When it comes to planning a longfic, generally the most important first step (for me at least) is figuring out where you want to end it. Anyone can write a fic whose plot goes on and on for eternity, but if you want your fic to kinda be a classic, having an idea of where it's going to end up will immediately help you.

After the end, the hardest part for me tends to be the middle. It is just as important as anything, and you want it to stay just as interesting. The middle part of the story is the plot, the beginning and end are just vessels for it.

Oftentimes, the earliest form of my outline is literally just a document with the entire plot written out. I don't care for length or details, I just sit down, write the beginning, and then write how the story gets to the end. From there, I clean the outline up. I figure out what makes sense to use and what needs to be added or taken away. I start separating the stuff into possible chapters and outlining those chapters to figure out what they will include.

As I'm doing this, I also write out (smaller) outlines for the arcs of individual characters. Depending on the size of the fic and what the focus is, I might do this for dozens of characters or only for a handful. Regardless, I need to know where they start, where they end up, and how the plot changes them to get them from point A to point B.

If you're ever struggling with coming up with a plot that flows well with good tension, one that feels like it's building to something satisfying, you can always just use a plot template from online somewhere. Even if it feels rudimentary, Exposition-Rising Action-Climax-Falling Action-Resolution works for a reason. It's often how I outline stories of my own that aren't related to fanfiction.

One more tip: Read. And I don't just mean fanfiction. The best fics are often compared to published novels, with some even being considered better than them. One of the reasons these stories are so good is because they don't flow like many fanfictions do - rather they flow like published novels, with a proper plot, arcs, prose, and a satisfying ending.

[barbieb0y]

okay. i finished the 2.0/floor it! to the golden city event story. thoughts/ramble under the cut bc spoilers

i feel like. the plot is kinda all over the place ?? it starts off with this legers dude wanting to meet with j for "a slice of that new age market pie" which means .... what exactly? am i just dumb?? i still dont get what he wanted from j that has to do with the new age market and/or manus vindicslay. i'd appreciate it if someone can explain to my dumbass. but then, understandably so, the j gang sees legers and his cronies as a threat to haight street. and then it leads to ... j wanting to visit his sister paulina/polly at the foundation

i feel like there couldve been a better lead-up to this other than "man we shouldve left like polly did but now we gotta deal with some baddies". like idk it feels abrupt to just cut to them visiting the foundation. but then theyre like oh polly couldnt have died bc her hand doesnt match this old pic we have of her and it's kinda silly and they raise a commotion and bla bla bla the foundation chases after them bc of it (i find it funny how thats how they get the foundation in on the bigger problem thats brewing underneath everything). matilda is tasked with catching the men and then through matilda's diviner skills, they confirm that polly's dead. manus vindicslay comes to stir shit up again so matilda's like okay fine i'll help you guys

fast forward they stumble upon the underground market blah blah blah mercuria is evil ⁉️ except i actually. dont understand what her role is here. like at first i thought that might be the point of her character bc she never stays in one place so she never stays in one role but idk. for someone who seems to be so important in this event, her motivations are unclear. but anyway

i dont understand the whole "oh we planned this all along" think they pulled either like??? what. did they plan exactly? the ambush and j faking a death and working alongside legers?? none of this was explained properly right??? or am i dumb???? ngl when i was playing through that scene i was like "are they expecting the audience to be smart enough to piece everything together?" my mind started to wonder like if they pulled a persona 5 and have a whole scene explaining their plan, would that be underestimating their audience? MAN IDK BUT THEY DIDNT SAY SHIT ABOUT THIS PLAN UNTIL THAT SCENE PLAYED. i definitely related to matilda in that moment 😭😭😭

but anyway what i liked and not-confusing about this event is the characterization of the characters (aside from mercuria). everyone feels consistent, from j all the way to eternity. im glad the quality of the character writing is still intact at least, for the most part

the character dynamics are also quite well-written, especially between j and polly. it's as heart-wrenching as i expected it to be. thinking about it actively gives me emotional damage. the fact that it took me more than a dozen chapters for me to realize that j sees polly in matilda. seeing his friendships is also heartwarming and it showcases j's personality quite well. his dynamic with pioneer is also cute. theres always something funny coming out of their dialogue when they interact

the setting is an interesting choice, it's enlightening to see how it impacts the worldview of the characters and their motivations. the poverty, disease, crime, and neglect of it all. the new age market is intriguing is a nice choice to get a lot of people of different backgrounds and stuff to gather in one place. not much to say beyond that

tldr: i dont know what the hell happened story-wise but it Happened but i truly love all the characters in it and how they interact with each other and their environment. this event story brought me Massive Pain™️, especially when paulina is on screen

not my fave event (which may be surprising bc j is in this event, i know), rayashki takes the cake for that, but i would be lying if i said i dislike this event. in fact, it's made me want to cry a few times. if it wasnt for the confusing pacing, i wouldve been more moved

[uraniumnm333]

back on the vocal synth/bsd au i've got going on. first of all more vocaloids

VFlower - Abnormality Dancing Girl and she basically has these. Big metal pins she can summon. Kind of like pins you use to pin up a butterfly. But also only three at a time

Kaai Yuki - Ikanaide and she can freeze moments in time. These frozen moments can be accessed through her memory

GUMI - Disappearance Addiction she can erase people's minds and will them to do something, but only for 8 minutes

also time to start explaining my ideas !!!

Crypton Detective Agency: Kaito, Meiko, Luka, Rin, Len, Miku, Teto

basically the armed detective agency yeah. they solve crimes uncover secret gov't plots and point n laugh at people. :skull:

Miku: Miku is 16 and basically a fill-in for dazai tbh. so basically i go back on what I said earlier bc i decided it would be MUCH cooler for her ability not to have a name. and basically her whole disguise thing comes from her going into other realities and borrowing the "other" her's appearance. kinda like beast. so she knows all these crazy wacky things n knows she isn't real and there's all these other realities n whatnot. but instead of telling len that servant of evil was given to him because he dies or that teto isn't even actualyl a vocaloid or that she and luka have had very intimate moments, she instead makes it a running joke n everyone else thinks she just gives these wacky disguises of hers origin stories. > Miku: "And the reason I look like THIS is because we were all in an evil circus and got experimented on so we all suffered horribly at the hands of others." > Len: ":thumbsup:"

Rin & Len: Twins who were more or less sent to the agency for their rather disruptive abilities. Also I changed my mind AGAIN Rin and Len are Servant/Daughter of evil bc yknow matching. and Rin's ability is that she can grow roses n stuff but she has to prick herself so it'll work. basically they came from bouncing around homes before landing at the doorstep of CDA bc they didn't want to be separated. no this is not a tanizaki siblings moment.

Luka: She's fucking normal !!! my girl enjoys painting and drawing and carries around a sketchbook with her and you can see where she has trapped people in paintings (girlboss). anyways she also works at a cafe bc girl's gotta make a livin. she is honestly the mose well-adjusted out of them and also co-runs the company. also rin and len live w her

Meiko: She has a hard time controling her ability when she's feeling any sort of intense emotion so she'll be scrolling on her phone during work and then randomly set the fucking desk on fire bc she saw a vaguely funny minions meme on her facebook. she works for the agency bc she was in kahoots w the authorities (smh... hate to see a girlboss commit arson on accident) and was hired and put under protection. so she doesn't set people on fire [at least not anymore] lolzies !!!

Kaito: Changed my mind bro is Doctor=Funk Beat now.

Teto: changed my mind about sound and smell bc i think it would be sillier if she could make a small bubble where time stops, and use an umbrella as a weapon. anyways her hashtag backstory is that she used to work with an underground gang of sorts (vippaloids LMAOO) before leaving them behind and joining the CDA. miku was the person who kind of got her out of there and has been sort of mentoring her since then.

other thoughts lmao:

everyone in the CDA is hoping and praying kaito and meiko get together because it is so terribly cringe watching them pine after each other

piko's ability is Chelovek and he can manipulate mannequins.

i got nuthin else for rn i just wanna get a post out for today

[grubliinu]

Hello, apologies if this is interrupting your day but i absolutely in love with your writing which is very immersive! I want to write like you. Do you have any recommendations for sources and tips of writing for beginners? Also thank you so much for all the fics. Love them <3

Aaaa oh my gosh this comment just made my day, thank you so much I'm really flattered you think so highly of my writing skills! Sorry it took me a while to reply, I have been busy and wanted to take my time writing a reply. Hopefully, you'll find this useful!

I can't think of any specific sources I have used but my tumblr should have some stuff if you search the ''writing'', writing stuff'' and writing reference'' tags (I think those are the ones I use but man, I really should organize them better lmao) But here are also some other tips I use frequently while writing that I can think from the top of my head:

1) Make a separate document to ''doodle'' on This is a big one for me. I'm not quite sure what kind of writer you are (are you the type to meticulously plan everything before you start writing, or do you go with the flow?) so I don't know how useful this is for you, but I am strictly the former. When I start planning a fic, I make two files – the actual fic, and a separate document that is basically a sketchbook but for writing. There, I write down everything, from ideas to random bits of dialogue that I thought sounded cool and could be used in the future.

Another thing this doodle document is super useful for is creating summaries. Since I write a lot of angst, I often have to write scenes that deal with the character's emotions and inner thoughts. While I like writing that type of stuff, I often struggle to articulate my thoughts and interpretation into something coherent that I can put into words and I have discovered that simply writing a short breakdown essay of every aspect I want to explore in that particular scene. For example, in chapter 4 of Lungs Full of Roses, when Childe destroys the hilichurl camp, in that scene, I wanted to establish how he views his relationship with the tsaritsa and family, as well as reveal how he really feels about Zhongli, so I wrote separate sections for Tsaritsa, Childe's family, and Zhongli, and how Childe feels about them using very simple terms.

I also tend to never erase anything from those documents so that I can revisit an idea in the future. Instead, I just make the font smaller for those parts!

2) Balance between purple prose and ''pragmatic'' (idk what to call it really) This is especially related to your question since this is something that is constantly on my mind as I write – I love using a poetic style of writing full of words that I think sound pretty. However, I personally can't read writing that only consist of that type of purple prose, so I often have to resist the temptation to add more poetic flair to the more mundane parts. But honestly, sometimes you just gotta focus on making the plot move from point A to point B and that's okay! Every sentence doesn't have to be a work of art – in fact, I personally think (or hope in the case of my own writing) that saving the poetics for the more emotional scenes makes them hit even deeper.

3) Use gestures to convey emotions This is like an actual tip from writers but it's also something I try to be aware of when I write. Instead of using something like 'he felt angry', try something like 'he clenched his fist' etc. to convey the anger. The Internet is full of lists of body language and gestures that are created for writers and I recommend checking those out! You can also use metaphors to convey emotions – using the example above, you could write something like ''anger surged through him like a wave''. I like to mix gestures and metaphors.

You can also use the structure of the sentence to convey emotion. For example, if the character is angry, use short sentences. If they're panicking, convey that panic by using a longer sentence that just kinda spirals into panic. (I don't know how to explain so here's an example from Lungs Full of Roses where Childe is both angry and panicking lmao)

[Childe breathed in. Out. He felt trapped, like a giant beast in a small cage, and Archons how he hated it. Hated how his skin crawled with the need for action, hated how his instincts were screaming at him about nonexistent eyes watching his every movement even though he knew that he was alone. A part of him, the part that had been forged by the suffocating mists of the Abyss, itched to destroy his room, no, actually the room wasn't enough – destroy the hotel, the city, the whole goddamn region that prided itself on the fictitious freedom and cloying wine until nothing but ashes remained.] 

As you might have noticed, I wrote ''he felt trapped'' – which is what I just said to avoid. However, I remember thinking that the scene needed something short and simple and I figured that this was the way to go – which goes to show that the rules of writing aren't set in stone and you can absolutely break them if you want (imo the only rule I think everyone should follow is to USE PARAGRAPHS if you write fics, it is really hard to read fics that don't use them)

Annnd that's about what I can currently think of, hopefully, there was something that you find useful! My writing style is something that has been developing for over ten years so it is hard for me to like actually explain it so I'm really sorry this is so disjointed. Again, thank you so much for your kind words, I'm so glad that you sent me this message anon!

[castlebyersafterdark]

the kali episode is so divisive. i saw a YT reaction where the person was so so so excited and tearing up when el mind-searched and found mike and hop, like YES! theyre who you should be with! go home go home! and it made me wonder whether the entire point of the episode was to make you desperate to see el go back to hawkins, back to the real vibe and tone of the show. if so, a wild move, making viewers sit through THAT much lame-ass superhero big city stuff - that's almost an avant-garde thing to do, making the audience literally feel as fish-out-of-water as El did. if so, respect.

but if the writers actually thought the whole kali storyline was actually badass, then... yeah it's a total flop. im sure many viewers skip that ep on rewatches.

considering most people think they genuinely forgot will's birthday and it wasn't an elaborate plotline like we bylers believe, then maybe its skeptical to think the duffers' intention with the kali episode was so artistic. but theyre pretty good at pulling emotional punches in other ways, including getting us super invested in these characters within the first few mins of episode s1e1... so i like to believe that the kali episode was a deliberate macguffin. after all, how could anyone prefer that tone to the cosiness of hawkins?

even s4 itself was meant to make us itch for the gang to get back together. people hate russia, nina, even california storylines... but clearly youre meant to! i mean, theyre compelling viewing, but youre meant to want the gang to get back to hawkins (which would also make the ending where they potentially leave in s5 even more bittersweet). hawkins has become home from home for the viewer, too, which makes the danger people like eddie, will and hellfire club face even scarier, because it will feel like our very homeostasis has been disturbed too - as though WE, too, are on the run from witchhunters and the law.

for a show that requires emotional alliance with our beloved outcasts, this sense of danger is essential for the stakes to be high! i think lots of fans here seem to want a viewing experience where they witness will etc in danger but don't actually experience any discomfort themselves, which... well, i don't know how that would be possible in a way that would still make you invested in the show.

This is an interesting take and one I ne er honestly considered? Taking you to this unfamiliar location to feel the same way El did. I mean, effective if intentional? Season 4 certainly worked, to that same point. I enjoyed the Cali plot line but very much the whole endeavor was overall "we gotta get them all back to Hawkins" as an undercurrent to the whole thing. So yes, agree with your points about the stakes and relating to the feeling of Hawkins as home, which makes emotional connection to what's going on very effective. Agreed.

I am, admittedly, one of those audience members for format TV who doesn't jive well with a location deviation. It disrupts my brain. Like, anytime the FRIENDS characters left NYC whether it's London or Vegas or the beach... I kinda wished they were just back at the city, even if important or interesting plotpoint arose. Which is wild because in the city - what does it matter? It's most filmed in the setting of apartments anyway. Other examples, but that's the easiest that comes to mind. When the setting's such a part of the show, feels weird to depart. People are thrilled season 5 is contained back in Hawkins, for understandable reason.

I do wonder how intentional things certain things are. It puts the Lost Sister episode into new context if it was meant thematically to be that jarring for narrative purposes. Because the writing was so odd, there was a lot of weakness in that episode where otherwise the season is so strong otherwise. I guess for me, I didn't gain enough connection to what El was dealing with and working through there just to reach her outcome and decision by the end of it - evident by how I've skipped it during almost every rewatch. Controversial, but I've done that. So, perhaps it very much was intended the way were conjecturing, but even so it didn't work for everyone watching.

Despite their insistence it wasn't a backdoor spin-off pilot they scrapped after bad reception, I will always have my doubts. If Kali doesn't return but all the other threads are addressed, it might put it into that context as you suggest - such as Birthdaygate and for me the biggest thing they need to convince me of is the Henry/Vecna plot line being planned from season 1. THAT'S where I'm waiting to be completely sold on regarding the writing of the series being incredible or circumstantial. A couple things need to happen and I am hoping will happen, otherwise I learn towards certain things being made up as they went along. We shall see.

[somestorythoughts]

Narrative Role vs Personality

There was something that felt weird to me when I watched the 1st season of the clone wars, I thought I figured it out and now that I've seen a few more seasons and haven't changed my mind I'm gonna post about it and hopefully make some sense in the following ramble.

It feels like there's a bit of conflict between the writers giving the clones a narrative role and making them actual characters. Yes all characters have a role in the narrative that's not the point, the point is that, from the outside, the clones' role in the story is just to be an army. You need bodies to make up an army to show the audience that this a war, and the audience isn't supposed to really invest in them past wanting the good guys to win.

That's not a bad thing, it's normal when you have sci-fi/fantasy armies. That's the role these guys play:

We love the dramatic charge of the Rohirrim, we take a solemn moment to acknowledge the bodies in the aftermath, and that's it. We mostly feel actively sad for the characters we know, or sometimes background characters who are there for emotional impact. The role of an army in these shows/movies is to look good, die, and win or loose. It's the same kind of role characters in adventure movies like Indian Jones or the Mummy play, those people who get caught by lethal traps. You can expand that into "it's messed up that they're being used as test subjects for booby traps" outside the film but their only role in the narrative is to show that the traps are dangerous. Again, not a bad thing narratively. In a story, someone's gotta show that the 1000-year old knife trap is still sharp somehow and yes the evil scarabs are alive. And sometimes those are also minions or bad guys but it still applies.

I think horror movies do the same thing but it's not my genre so not certain how their deaths work.

And in aotc and rots, the clones are pretty much pure plot device. They've got a narrative role and they fill it. They're an army, they do the fighting the dying and the killing, we get very little personality out of them. Been a while since I've seen rots so I can't say if they get no characterization, but I'm pretty sure it's VERY low. We know the basics of their background, we don't know them.

And then the clone wars came around and it gave them personality. It gave them characterization. And sure the series seems to be largely focused on the Jedi, but they still took the time to give the clones some character beyond just being bodies to fill the ranks.

And it's not like you can't kill characters the audience cares about, everyone knows that isn't the case. But if you give characters personality, the audience is more likely to care. If the care, they might be upset that they're dying over and over so easily without much in story mention. And people really latched on to the clones.

It doesn't help that their backstory is kinda fucked up. I have no idea how much of the shit they go through on Kamino and in the wider galaxy in fanfics is canon and how much of it is fan-based (I haven't finished the clone wars series and I'm not quite invested enough to track down the comics right now) but even without that you're talking about millions of people cloned and raised for war by trainers that are at the very least unfriendly, a genetic donor that selected one for a son and does seem to care at all about the rest, and the war they're fighting is entirely engineered. They're made to fight a war and then wiped into blank slates by a bunch of mind-control chips (even if we look at the movies without the show since that was later, there's still plenty of messed up stuff in being bred and raised solely for war). It's messed up enough that people are gonna be interested in that backstory and that might be part of why people latched on to the clones in general instead of only individual troopers though I can't be sure. It's one thing if you've got people who's narrative role is to kill and be killed and look cool while doing it. It's another thing when that's their purpose in the story.

And the clone wars gives us these occasional episodes that show first that some of the clones actively don't want to be here and second that there are some even among the jedi that see them as inferior. Their reactions in the Umbara arc to Krell using numbers instead of names are strong enough that even without them saying something like "we don't like being called by numbers its dehumanizing" that idea still comes across clearly.

Umbara also tells us that they can be ordered to kill their friends, and they will have to comply.

One of the things the clone wars tells us is that this is a really messed up situation. That the story of the clones is a tragedy. But I don't think it always acts like it.

The thing that was bugging me was Plo Koon's declaration that the troopers mattered to him and Windu taking the time to rescue a trooper and later on Ima-gun Di's last stand with his troopers, juxtaposed with the casualness in the series as a whole with which entire ships are destroyed. And I know, its tricky to talk about this kind of thing when you're making a kids' show and you only have 20-odd minutes on top of that. I'm not really blaming them for treating the troopers the same way you treat an army in any fantasy war story. It's fiction. Explosions on a screen are fun. We all like a badass fight scene. I'm probably not the intended audience for this show anymore and that means my perspective isn't the one the writers are trying to hit.

I guess what I'm trying to get at is that it feels a little like the writers gave the clones too much character for their narrative role. And if you as a writer say in-universe that these people's lives matter, sometimes it might feel a bit weird when a ship full of them is blown to pieces and never remarked on again.

I want to end this by acknowledging that I am WAY overanalyzing a kids' show I KNOW so if you're going to criticize this analysis feel free but please criticize about a different point because I recognize the overthinking hell this took like three times as long as I expected to write I have no fucking clue where the time went.

[mysticalfairylamb]

Astrology Observations!!!

Musicians with water in their chart who make love songs , s3x vibes, or just songs for emotions specifically sadness hit different , and hit deep!!! Ex: Drake, Rhianna, Olivia Rodrigo, SZA, Doja cat ( scorpio venus ), the weeknd ( scorpio moon ), Billie Eilish ( pisces moon ), Ariana Grande , Selena Gomez ( I know more so of her old music like the heart wants what it wants, etc. ), Ari Lennox ( Cancer asc, moon at scorpio degree, mercury pisces degree), < i think it’s estimated. Summer walker ( Cancer asc) < i think one website says sag asc the other says cancer you get it though . Michael Jackson, Pisces moon Pisces ASC.

Musicians with air in their chart have such HUGE influence in the music community and in the public eye. Ex: Kendrick Lamar, Kanye West, Biggie, Tupac, Snoop Dog, The Weeknd, Doja Cat, Olivia Rodrigo ( libra moon ), Nicki Minaj ( aquarius asc ), etc. Even besides music air signs just are so known and receive SO much attention to the point where it would be kinda shocking if someone DIDN’T know who they are. like Kim K for example, Marilyn Monroe, etc. Air sign energy makes IMPACT 👏👏👏

Taurus moons tend to hold back on what they wanna say, find more comfort speaking up on their needs & wants if someone else already announced they have the same needs & wants. Some of chillest people I’ve came across. Their moon is also in my 1H. Can be pretty introverted and to themselves , the types to not show out & show off for attention , also may have trouble being direct & assertive. can come off super introverted and to themselves , sometimes may even come off secretive or mysterious cause of how closed off they are. The type you just wanna ask questions to, to find more about. What’s the truth type of question. 🤣 They hold water about themselves and it’s not easy for them to crack !!! They mask emotions well too.

MUTABLE moons and their laughs , pisces stands out the most to me. 🤣🤣🤣🤣🤣🤣

Pisces mercurys can say the most random stuff during conversation , we can be talking about clothes then a couple seconds later “ Do you think dinosaurs even EXISTED? “ Funny ash though to see how our minds process things, can say random outbursts too, random noises, say something completely off topic. The fishy’s mind IS SWIMMING 😚😚💜

Taurus venus have really gorgeous voices and don’t like to yell a lot. I haven’t met a taurus venus who screams like a maniac. In arguments their voices probably have little to no hostility in it , or anger. Check mars sign too. Anyone I know with a taurus venus has a fire mars but they really don’t be loud. It’s very interesting 🧡🧡

Why are Gemini ASC , placements, either so nosy, messy, or they can’t hold their tongue back & gotta keep it real. Which i’m not surprised because mercury is the planet of messages & communication. Gemini/ mercury energy can get a bit messy & gossipy. Mercury is the planet of talk talk talk. It is pretty stereotypical but literally every gemini placement i’ve met INSTIGATES in arguments, or is like “ oooooou “ , it’s SOMETHING WITH THEM 🤣🤣🤣 whether it’s in public or in private but one thing about my good gemini placements is they ready to get down when it’s TIME. 🤣

Libra risings are so tall and slim. Especially with their sun being an earth sign.

Scorpio Venus and their seductive , HEAVILY sensual, “ I’m the best & everyone wants to kiss me “ music. Embracing that wild sexy feminine energy. Ex: Doja Cat, Nelly Furtado.

Aquarius moons just need a hug deep down, they probably will never admit it cause the way they just neutrally mask their emotions but trust they got a lot going on inside & can use work to distract themselves or to feel more productive.

Y’all !!! Watch out for the people who’s sun falls into your 7th, 12H!!!! Seriously, people don’t be lying when they say they the ones who be talking or plotting. Be safe & be AWARE ☺️

Scorpio placements and their tolerance to physical pain.

Scorpio energy & Psychology JUST GO ALONG.

Leo risings in whole sign have cancer in their 12H, these folks probably deal with their emotions and family issues on their own. Too complex or messy to talk about with just anyone sometimes .

Dear water venus <3 ( PISCES VENUS 111% ) please stop making false situations in your head I know you admire them and love them but sometimes always seeing the best in people only sabotages you. Yes, they have potential but where are they at NOW. In real life, in reality what’s the situation , stop convincing yourself other wise bby. ❤️

Squared Mercurys in synastry during arguments are so stubborn. Can end up going DAYS without talking after the argument from tension & the heat still being turnt up.

Practice embodying your solar return chart placements , i have an aquarius stellium and aquarius ASC and since practicing embodying the traits of aquarius since it’s super significant to me , i’ve been gaining tons of followings and views/likes on my social media platforms. Plus for me practicing the energy of the cosmos aligns me more with the universe , with my natal , solar return & persona.

Sun in the 12H can be confused about their personality , aesthetic , and being in stable in their “ presentation “ of themselves . Get told “ You don’t act like you’re a * enter sun sign * “. Sometimes these folks don’t feel like their sun sign either and resonate more with something else in their chart, or even don’t feel like ANYTHING 🤣🤣🤣 This doesn’t mean they’ll never feel stable in their identity but this is something they could struggle with in life at som point.

6H can show our animals , how our animals are with us, our bonds with our animals, and how people view our animals .

Detriment / Fall placements aren’t tragedy, domicile / Exalt placements aren’t heaven. 🤣

If you don’t feel like your natal chart, check your persona chart !!! I’m a Leo stellium in persona chart and everything in my persona resonates with me. I am a pisces stellium natal so that could be another reason why EVERYTHING resonates with me , feeling the emotions , and shapeshifting internally. Pisces isn’t just water BABY PISCES MUTABLE ALSAAKKAKA.

Wanna know someone’s Venus sign? Observe the colors that look really good on them or that they often wear. Mutable Venus may be a bit more harder to pinpoint. Also may cause confusion on the persons sun sign.

Venus/2H/7H can show the tattoo style someone likes. Or the placement/ body part. of the tattoo I’m a Scorpio 7H and I used to be attracted to crow tattoos, very dark , symbolic tattoos that have a story behind it. My moms a Sag 7H and has traveled good distances for her tattoos. My brothers a taurus venus and has a throat tattoo, taurus rules tongue, tonsils etc. My other brothers a Leo Venus and has a tattoo on his upper back of his zodiac sign, something that has to do with himself. 🤣

11H can show the genre of movies someone likes to watch. Check degree too, and whole sign. Or how they are when watching a movie, the scenes that stand out to them or make impact to them.

Gemini mars energy is very raw when they are irritated. Even when we’re quiet , our faces , tone our whole EXPRESSION shows. Get stimulated by hand activities , ( may apply to other air mars too ) cross word puzzles , video games, games that have to do with hand & eye in union. Check degree & house too.

Thank you for reading my loves !!! Feedback & constructive criticism is welcomed ! Please don’t be a d!ck. ❤️❤️❤️

[anime-grimmy-art]

Told you guys I’d ramble in due time.

I absolutely adore Bravely Default 2. It came at a really bad time cos I can’t waste 70 hours on a jrpg, but well, it’s too late to be concerned about that now. And as is tradition with me obsessing over a new game / show / whatever, you’ll basically find a fullblown review disguised as ramblings right under the cut. Be aware that I’m gonna talk about EVERYTHING, so spoilers are a given. Some maybe even for the previous Bravely Default games.

Also, if you wanna talk about this game in any capacity, hit me up, I’m DESPERATE to talk more about it.

Just for reference on how long this is gonna be, I made a voice recording while driving to remember all the points I wanna make, and that recording is almost 2 hours long. I did cut it down but still, this is gonna be a lot.

I’ll start off with the things that actually bugged me about the game, since there are only 3 things that really bothered me. First of, I really don’t like that you can name Seth. He has too much personality to be a self insert and player integration is not that big of a part in the game that this decision can be justified. It wouldn’t bother me that much if it didn’t leave a bad mark on the ending. First of all, we were robbed of Gloria desperately shouting for Seth, which makes the impact work less, and it’s just so prevalent that the name can’t be said because you have all the normal sound design going. If they’d just let the credits still play I wouldn’t have batted an eye, but because every other sound comes in it’s so obvious they’re just silently shouting in this scene, which makes it look silly. Like I said, this decision is more a detriment than an addition, and it’s a shame it casts a shadow on an otherwise heartfelt ending.

Speaking about lost potential, the other thing that really bothers me is the lost potential in certain plot points and character conclusions. I mainly mean Adam and Edna here. Both of them have been built up to be these formidable foes but they just, die. If it was just Adam I’d be fine with it, since you expect Edna to backstab him and be the actual big bad of the story, but I cannot fathom why they dropped Edna this HARD. If not Edna herself, I don’t understand why we don’t get more of a reaction from the Fairies and especially Adelle. I mean, Edna was her sole reason she left for her journey in the first place, then Edna dies and that’s it? No part where she grieves for a second? No concern from the others about Adelle? Mind you, I haven’t finished all the Sidequests, so maybe there actually is one in which this is addressed, but I think even just a Party Chat after Bad End 1 would have been sufficient to show how Adelle suddenly feels about the loss of Edna. It would have made Bad End 2 / The Secret Ending even more impactful, because, yeah, of course, you kinda know Adelle isn’t going to turn her back on fairy kind, but one of the reasons she doesn’t leave is because if Enda didn’t get a happy ending, then she shouldn’t either. It would have been amazing foreshadowing if she showed this sentiment before this scene happened. Other than that, it’s a shame that we know so little about Edna, or rather, how she became “bad”. I get she’s supposed to be corrupted by the Night’s Nexus, but how did it even come to this? It can’t have been a gradual thing, after all, Adelle says Edna was always good natured and then just disappeared one day. Really would have loved seeing more of that plot point.

Ok, last gripe I have, some choices in the soundtrack and sound design. Don’t get me wrong, I absolutely love the OST, and I will get to that, but damn, whatever Revo used for the lead instrument in Wiswald hurts my ears. It’s a really good track, but I always have to turn down my volume because these high pitched sounds physically hurt. And for sound design. Dude, the Night’s Nexus is the least threatening, nightmare fueled abomination that ever existed. I get that its growl is kinda supposed to be layered with Edna’s or sth, but it, it just sounds silly. If they went the route of just swinging between different voices or began distorting it from phase to phase, it would have been fine. But the choice they made really made an otherwise creepy design just absolutely silly.

Ok, enough jammering, on to the good stuff. Like I said, there’s going to be a lot, so I’ll try to be brief in each aspect.

Gameplay

I honestly like the new battle mechanics more than the old ones. This individual, turn based system feels way more dynamic and it’s easier to strategies in battles. Because nothing made me more angry than setting up for a heal and the enemy suddenly being faster than me and killing my healer. Now it’s easier to plan ahead a bit.

I also found myself experimenting more with the jobs. Not sure what it really is, but none of the party members leaning more towards certain types of jobs and the job leveling being way faster probably helped.

And I know some people get up in arms because the boss sometimes can be a real pain in the ass (looking at you pope dude), I still found it very interesting getting around counters or even using these counters as a benefit. As an example, I made Adelle my main physical fighter and gave her lots of counter abilities to help her profit from being countered by enemies themselves. Now, she can attack enemies, get countered, automatically evade that counter and earn a BP at the same time. Made a lot of boss fights way easier and fun to exploit.

Music

Ok, I will try my best to be really, really brief, because in my recording this part takes up almost 40 minutes. Anyways, Revo might have just become one of my absolute favorite composers ever. I don’t know what kind of magic he used, but I initially wasn’t that impressed with the OST, but every time I listened to it, I just fell in love harder and harder. Before getting into specifics, I wanna highlight the two things that made me love this OST overall. First of all, this soundtrack almost seems like a refinement of BD’s. While losing some of that fairytale vibe, it sounds even more fantasy now. And in contrast to the original, this almost sounds more balanced? Like, BD’s OST felt high energy throughout, BD2’s on the other hand manages to find a good balance between high and low energy pieces. Like, the character themes or battle themes are absolute hype, but the overworld themes are a lot calmer and easier to listen to while exploring. Second big point that makes this soundtrack amazing is that Revo is an absolute god at using emotional progression/storytelling and leitmotifs in his songs. And heck, do I love myself my leitmotifs. You’ve got some obvious ones, like the final battle theme in which all the character themes and other leitmotifs are integrated. Then you got some maybe more subtle once, just like how the overworld themes are just the main theme, just a lot calmer and using the lead instruments of the towns of the areas.

But my absolute favourites gotta be the character themes and the main theme. I love how fitting the themes for the characters are and in general, each of them is such a bop. At first I prefered Elvis’, because I sure am a sucker for jazzy vibes, but over time Adelle’s became my fav. It’s just something about the trumpets, and how the theme almost sounds a bit melancholic and bittersweet, that drew me in. And considering her story, mostly her bad end, that the bittersweet tone really fits.

Then there’s the main theme. Just like BD’s it shouts “triumphant anthem” and it definitely gives you a very familiar vibe, but I’d argue it has even better emotional progression. Heck, the first time I heard the music start up in the reveal trailer, I didn’t have to look at the screen to know this is gonna be a BD game. Also, the credit song version had me weeping at the true end. I’m someone who’s very easily affected by music (if me shouting about soundtracks on this blog wasn’t proof enough) and just hearing that ending song, getting the after credits scene, just for the second credits to start as a freaking duet. Dude, at that point I just started sobbing, I’m not gonna lie. Just this little part showed how much Revo knows how to put emotion in a song and also write it in such a way that he can elicit strong, emotional reactions from you too. 

Story

People have been complaining how the story is too boring and kinda disappointing in comparison to the last one, but I just think the games tried to accomplish different things here. Since the BD series is a celebration of old, classic jrpgs, “cliche” storytelling is a given. Though, BD did throw a lot of meta stuff in there too. BD2 in contrast just feels like a direct execution of that initial idea. It feels familiar, it feels comfy and it feels safe. Except for the little things with the endings and then overwriting the Nexus’ “save file”, BD2 doesn’t really get that meta, which is totally fine. It doesn’t try to reinvent or innovate anything, it just wants to be a fantasy story, that might be cliche, but still fun and enjoyable in its own right.

I’d also argue that the pacing is a lot better than the old game, because with BD I sometimes found myself skipping through scenes to get on with the story. Not that this game didn’t have me rushing through stuff as well, but I found it kept my intrigue way better than the original.

Characters

Next to the music, this is the part that I absolutely love the most. While, yes, they did lose a lot of potential with some characters, mostly with the villains, the main cast is just so much fun. I love these 4 dorks so, so much.

I honestly can’t stand how much people compare them to the original cast. Yes, ofc, I’ve been doing my fair share of comparisons too, but calling these four a more boring version of BD’s party physically hurts me. Because except for some initial impressions, the Heroes of Light are completely different from our beloved Warriors of Light.

While yes, Seth and Gloria give off strong Tiz and Agnes vibes at first, they both grow into such different characters that they’re not really comparable. I think this shows with Adelle and Elvis even more. I do understand how people could compare Adelle and Edea, since they’re both the feisty girl type, but I can’t understand how people can see Ringabel and Elvis as the same character type. While those two are the “suave” party members, they act so differently from another. And that’s honestly apparent the first time you meet them. 

Anyways, I love these 4 so much.

We technically don’t know a lot about Seth at all, but they manage to pull so much out of just the fact that he’s a sailor, that it makes him really endearing, really fast.

I was kinda disinterested with Gloria at first, because again, the initial impression was Agnés2.0, but she grew on me a lot. Gloria is way more hard headed and honestly sassy in comparison to Agnés and I absolutely adore it.

Elvis. Elvis, my man. I love this fantasy scottosh wizard so, so much. He’s such a ridiculous character but so endearing at the same time. You got all this dorkiness, with him setting himself on fire as a student, him doing god knows what for a good drink or just laughing danger and prejudice in the face. But then you got his super empathetic and caring side. Mind you, most of his wise moments come from quoting Lady Emma, but still, as much as he’s hopeless with certain social situations, he’s actually still really good at reading the room and playing things smart. He’s a smart and powerful idiot, which makes him a danger to everyone and himself, and I love him for it. (I also can’t believe they called him Lesley I MEAN COME ON)

And then there’s Adelle. I liked her from the start, but I didn’t think she would stick out to me. I think now she’s my favourite character. Not even talking about all the stuff that happens in chapter 3 and onward, because these story threads are awesome in their own right, but there’s just something about her personality that’s interesting and appealing to me. Like I said, I’m not surprised people compare her to Edea, I did too at first, but while Edea walks very close to the line of a Tsundere, I was really surprised that Adelle is, well, not a Tsundere at all. Yeah, of course she’s putting Elvis down a lot, but that stems more from her preventing his ego from going to his head than her being all embarrassed. No, Adelle is actually really well adjusted when it comes to communication. While it’s hilarious that she and Elvis met with her chucking her shoes at him, the two just got along well right from the start. Adelle in general has this really open and helpful personality, but also doesn’t shy away from putting her foot down, even if that sometimes comes out as an embarrassed sputter. She’s also the mother hen of the group. She looks out for the other three and gets concerned about them real fast. 

I dunno, Adelle just really grew on me over the course of this game, and then her kinda being paired with Elvis too, as partners and as partners, makes me like her even more. Because as much as I like their personalities individually, I like their character dynamic even more. I honestly love the relationships between all four of them a lot. You really feel them grow closer as friends and all the little character sidequests just always made me really happy.

Conclusion

You might not believe me, but I really held back there. This could probably have been 3 times its length. As much as I love this game, it’s of course not perfect. It struggles and flails in some parts a lot and it certainly has some aspects that might turn people off. But for me, it was just a very familiar and comfy game that didn’t necessarily deliver anything new, but that told its story in such a way that it still got me excited to keep going. The soundtrack is absolutely amazing and the conclusion of the story actually got me to cry. While not groundbreaking, this game is highly enjoyable and leaves you absolutely satisfied at the end.

Also, I would like to iterate that I am desperate to get more content about this game, so if you wanna chat about it, hit me up.

Anyways, anyone else felt like having a fever dream when everybody in chapter 2 started talking fantasy scottish? Cos I sure did.

[saphushia]

would you be willing to share more about the character in the second pic? They seem interesting!

i assume you mean the most recent dump of dndverse stuff, tho i still don't know which you mean in that pic so i'm just gonna talk abt both of them lol

So that specific pic is a bi0shock infinite au of me and @fr1ndl3's D&D ocs, tobi (mine) and syl (fr1's)! they both have bios on my character page (desktop only, sadly), which has basic info abt them n info abt them in their normal dnd universe ((bi0shock infinite spoilers ahead i guess? gonna b talking abt the plot of the game in relation to the au. it is nearly a 10 year old game though, so idk why i'm giving a warning))

in the au, syl can open tears to parallel universes (like elizabeth), and they end up kinda stuck together trying to escape the flying city the game takes place in. tobi basically takes the place of booker, trying to get syl out and being the guy doing most of the fighting. me and fr1 both like inhuman character design aspects so that's why syl's glowing, and why tobi has horns n such- in the game vigors, which you drink to gain new powers, have slight physical manifestations, and that shit's hot. so i dialed it up for tobi.

the difference between the game plot and the au is that. the ending was kinda stupid and didn't have much emotional payoff for the characters, so we're basically ignoring the whole plot point that booker is elizabeth's father. because it's genuinely funnier if tobi is just Some Guy that's gotten stuck in all this shit. and since that means it doesn't work to have an alternate universe tobi be the bad guy (like how an alternate timeline booker turns out to be the villain in the game), we changed it so that it's an alternate reality syl (kaiser- a character that exists in dndverse canon and another of our favorite aus for the boys, and who we've really gotta work on detailing so i can put him on the character page) who's been pulling the strings the whole time- who lost his own reality tearing power and decided to use his past self to get it

we're also working on how to segue/alter the burial at sea dlc into linking into bi0shock 1- the general gist is that at the end of bi0shock infinite they do some universe hopping, and when they end up in rapture (the underwater city in the first game), tobi panics from seeing the water (boy's got a phobia), and becomes too unfocused on his reality for long enough that he blends into the reality of bi0shock 1, and syl (who doesn't have the same problems, because they're his powers) has to go looking for where the universe fit him in

and thats a basic summary! syl's got time-space powers and tobi's a dude who drank magic kool-aid and shoots guns! idk how clear any of that was, so feel free to ask more questions, i like thinking abt the boys :)

and again- || @fr1ndl3 | character page ||

[hamphobicbasil]

Could u elaborate about the dsmp story being bad? Not a rabid/brain dead fan, just genuinely curious and I enjoy reading people's rants lolol

oh you dont know the floodgates you just opened

a few things:

1. despite not liking the creators of the dsmp anymore, I don't actually hate most of them. [the ones that are particularly unsavory fall outside of this of course] so all that I'm saying i truly mean in a critical sense towards the story, its also just all purely my opinion as someone who enjoys fictional and fantasy stories and who like criticizing works to see what it does well and what it doesn't do well

2. for clarification I'm going to use the c![name] to indicate when I'm talking about the characters. Don't get me wrong, I think its annoying too but its the only way I'm gonna be able to write this thing without getting something across the wrong way yknow?

3. I stopped watching the streams after November 16th, [save for one Techno one but I closed out after a particularly bad story beat lol] and so all information coming afterward is all second hand from either me seeing people on twt talk abt it or people dming me. All i really know is up to dream's imprisonment and some stuff past that.

4. This is mostly aimed towards the "main" story, so stuff abt the badlands, eggpire, and whatnot are briefly mentioned.

anyways uh, i'll try to be brief but also include enough information to get why i feel the way i do on some stuff across

A. Performances Alright obviously these people are all streamers, so obviously they might not be the best actors, and hell no one is even asking that of them. However, when you're telling a story that's based on the audio with the visuals kinda coming to a second, it's gotta be pretty strong. I will say, some of the best actors in my opinion are Wilbur, Tommy, and Tubbo. I would include Ranboo but I never watched any of his story bits or story streams so I can't say much. Wilbur and Tommy are excellent in selling their character's emotions and feelings, when I watch the stream I don't feel like I'm watching an rp but an actual thought-out story yknow? And one of my favorite Tubbo examples was in the Hog Hunt video whenever Techno attacked him, he sounded genuinely afraid and I believed everything his character was feeling.

However, unfortunately, not everyone is gonna be that good. And I'm gonna say it; Dream and Techno have to be the worst out of the entire cast. I understand Techno's whole character is this monotoned badass, however, when really emotional moments hit I feel like he never lets that fall, and a lot of intense moments just ring hollow. And I'm sorry but Dream's attempts at being intimidating leave me laughing whenever I watch them. It feels like he watched that one scene from The Marriage with Adam Driver and Scarlett Johannson and said "Oh this is what good acting looks like! Just yelling." His whole "I don't give a FUCK about Spirit!" speech isn't as great as people keep making it out to be. And whenever he tries to act coy when being a villain it feels like a guy reading the script for the first time, a bit like he's trying too hard. I have more problems with his character but his portrayal certainly doesn't help.

Everyone else is fine, and I don't feel strongly either way about a lot of them.

B. The "Lore" Okay first off, I can't be the only one who thinks it's silly that people are calling the dsmp's story "lore" when it's not, it's the fucking story. Lore indicates backstory to either the world or the characters, which a lot of the streams don't really pertain to. This is a really petty section but god it's a weird pet peeve of mine.

Other than the misusage of "lore" vs "story", the actual lore and world-building of the world are so lackluster that new elements can be introduced whenever and it often feels cluttered or not well thought out at all. And here's the thing, I feel like if the writers sat down just for a few minutes to establish world rules and general history, a lot of this could be solved! but so much is made up on the spot that it starts to feel like they're grabbing at straws to keep people invested, trying to reach that next high and intense story beat without actually earning it.

C. The Egg / Eggpire This is a pretty minor note since I was only invested in the Egg storyline for a little bit, but god it's so underused that it's almost embarrassing. Bad has provided this super interesting antagonistic force that's infecting the SMP, can control people, and who one of our main character is immune to, and it's just never used or even talked about again? Now I understand if he wanted to keep it to a side storyline only, however, to introduce this borderline eldritch creature and force within the world and then never have it dealt with is so weird.

D. The Writing Oh boy this is. kinda a big one. Now I'm not gonna lie, it's pretty obvious I have a bias for the Wilbur writing over the current team [that consisting of Dream, Quackity, and Tommy mostly]. I don't this his writing is perfect by any means, the characters constantly bringing up traitors got obnoxious after a while, and writing Hamilton but in Minecraft really isn't the modern Shakespeare or anything. However, I think his exploration of characters and plot progression was a lot more thought out and well planned, like he actually had two brain cells behind the story yknow? The current team I think fails to be as emotional or even impactful, things happened too fast and my god was everything drowned in angst for so long.

Don't get me wrong, you gotta have your characters face hardships to make them reach their goal believable, but some of the shit they put the characters through just felt like too much. From c!Tubbo's constant comparison to c!Schlatt [who btw, fucking ordered his death and kept him from his friends in a nation he felt trapped in] and on a side note, i kinda really fucking dislike the "c!Schlatt dad!!" au's or the au's where c!Tubbo inherits some of Schlatt's features, it would be like c!Tommy getting a c!Dream mask after his exile, it's feels so weird yet people eat that shit up for some reason.

But god, did c!Tommy get the brunt of it all and in retrospect after his final death, it kinda feels really fucking gross. Now obviously, I'm not trusting any of these people to write decent mental health representation, but c!Tommy's PTSD and how it was explored was just degrading. [Specifically the scene in that one Techno stream where he saw the final control room from the first war, and had a flashback / panic attack where he started calling out for c!Dream. I understand this is an actual thing people with PTSD will experience, but it felt so fucking stereotypical it got on my nerves. I actually had to close out of the stream because it made me feel sick, fiction shouldn't leave you feeling that way.] And don't get me started on how they basically reused the formula from the previous arc. [Problem introduced -> Tensions rise as things start to fall apart -> Big confrontation -> Exile -> Return from Exile -> Blowing up L'Manberg, again.]

And speaking of characters-

E. Character Arcs, or the lack of them In my genuine opinion, some of these characters' arcs are so disappointing. Especially c!Tommy's. I'm not one to believe that he was a "selfish" character or anything, however, his goals were simply set on his discs and maybe c!Tubbo, he didn't have much outside that. However, L'Manberg gave him something to care about, he gave up his discs for it and he fought for it tooth and nail, I think it taught him to open up to others and trust more. It was a great character arc for him to have, seeing him still fight even after his first exile alongside c!Wilbur, to return safely to the nation that he and his found family had built.

But then his second exile happened, and I feel like all of that was undone.

c!Tommy's exile genuinely pisses me off for so many reasons. It's not that characters can't have their low points after reaching a major change or feeling like they've "completed" their arcs or anything, but it's more of the fact that it seems like he's never going to heal that feels like a spit in the face, especially to people who might have had setbacks like that before. Progress isn't linear, sometimes things happen and you get knocked back down, it can take a while to get back up, but I don't think c!Tommy's character is ever going to be allowed to get back up. From c!Dream, who pretty much was a constant abuser in his life, killing him then reviving him, and his still fractured relationship with c!Tubbo, which by the way I have a had time believing they would still be friends after all that happened, it feels like he can never get a win and it's generally kinda a shit way to treat your characters who have been abused. Of course, not all abused characters are going to get happy endings, I'm not trying to dictate that they all should, but c!Tommy deserves one and the fact that it's so obscure feels shitty.

Side note: we still don't have a canon reason to give a shit abt the discs. Like I'm sorry but without some sorta connection to the MacGuffin why should we give a shit about him getting them other than "he wants them lol". Like hell, I would even accept the classic "they were the last gifts from his parents" or something, but we still don't have a reason.

c!Tubbo also lacks a fulfilling arc as well, from someone who started out as a yes man, he has progressed a bit into having his own interests first, but besides that sometimes his character makes me so. depressed. He's easily one of the most pushed around and hated characters within the story, all for being a kid who didn't know what to do and he's in the same vein as c!Tommy; these kids can't get a break. Also, his anti-violence beliefs morphing into the "lets kill c!Techno lol!" bit was so out of place and without proper build-up it was like. what. And now he's building nukes?? god c!Tubbo makes me so sad because he's kicked around constantly and never given a chance to grow.

Another small note, I also don't really enjoy c!Techno at all. Besides the previously stated reasons of lack of emotions when they're really needed, I find his character to be weirdly pretentious. He talks as if he's constantly been betrayed and hurt but I personally, don't see it? Like, I think one of the main examples was the Pogtopia vs. Manberg war, yknow he wanted to end the government but they just reinstated it after they won = c!Techno upset. But this doesn't make sense to me because why did he think otherwise? The entire time c!Tommy had talked about taking back their nation and starting again, so the fact that c!Techno suddenly thought there would be a sudden change is, to put it bluntly, kinda fucking stupid. I don't want to say that he "plays the victim" or anything because that feels a bit harsh, but his character feels so far up his own ass that I can't enjoy him.

I have a major grip with c!Dream as well, but that's getting it's own fucking section.

F. L'Manberg This is a quick note before we get into the, forgive me for this, endgame, of this entire rant, since the next two sections are tied together. But god, L'Manberg makes me upset because it feels like they gave up on it.

Don't get me wrong, I understand that it is supposed to be c!Wilbur's "unfinished symphony", the thing that destroyed a once charismatic and widely loved man, his attempt at power that utterly ruined him. But the fact that it just got blown up in the end after everything and left to rot felt like such a waste of time. From the first war, to Pogtopia, to even c!Tommy's exile, it all felt fucking worthless in the end, and the story is actively closer to how it was when it started now more than ever. I wished it was actually allowed to exist and continue to be a peaceful place in what is a chaotic world, but no it was just snuffed out because why dedicate to this concept of finding others you can band together with and feel safe. fuck that noise apparently?

G. The Villains Now villain-wise, I'm only talking about c!Dream [during the first war], c!Schlatt, and c!Wilbur. And believe it or not, this is actually mostly positive.

Now I'm not gonna lie, c!Dream as a staring antagonist wasn't bad actually, he posed a genuine and threatening opposition to L'Manberg, even if we didn't know his real intentions or motivations as to why he was against it. He's lucky in this sense because he didn't have to be good, he had to be passable. If anything, he felt more like an anti-hero than a tyrant or traditional villain, and my god do I wish he kept this theme going forward.

Now quick disclaimer, I don't like JSchlatt as much as the next guy, he's an adult man who should know better than to joke about some sensitive topics and act the way that he does. But the one thing I'll ever give him is that damn, was he a good actor for his character.

Now here's the thing, c!Schlatt wasn't particularly deep at all. He had no real motivations behind his exile of c!Wilbur and c!Tommy other than getting competition out of the way, had no reason to act the way that he did and yknow? that's fine. The reason why he worked was from his performance alone, he was actually intimidating. When he came onto the stream and was doing his typical bad guy stuff, it was actually intense to see what he would do. Whenever he would almost catch c!Tommy back in Manberg, whenever he would begin to pressure c!Tubbo, it put you on the edge of your seat and it felt like everything would change at the drop of a pen. He's a villain to be a villain, and this works out because he's just charismatic and well put together enough to make it interesting, even without the backstory or motives.

c!Wilbur however, is much more tragic, and the best villain of the story. He essentially was the "mentor turned evil" trope and it felt terrible watching him descend into madness, unable to trust barely anyone except for c!Techno and c!Tommy. Hell, in the end I think he still cared about them both, despite losing everything. Sure, he blew up L'Manberg, but there was still a smidge of the old c!Wilbur in there made everything he did feel melancholic. His death at the hands of his father after achieving his final wish was chilling, and something I still think about.

Until yknow, Ghostbur came back way too soon to let people feel his loss as a character within that world. And then he got revived, pretty much-undoing everything that moment meant for his character lol.

And then there's the worst one:

H. Dream. I'm going to be completely honest, c!Dream is one of the main reasons why I dislike the current dsmp stuff so much. Outside of his actions as a person, the way Dream decided to write his character as this overpowered madman of the dsmp really just. destroyed any intrigue that he could've had. Perhaps this is from my growing dislike towards him, manifesting into a bias towards his character, but god I cannot fathom why people try to insist he's interesting when he has as much depth as a fucking puddle.

And here's the thing, I'm not even entirely against c!Dream being a villain, hell I think he would've been great as an anti-hero if anything. Make him sympathetic but not through c!George to get your precious "DNF" points or anything, but show him actually caring about the people within the dsmp, including c!Tommy and c!Tubbo. This would make his rival status with them just a bit more complicated, sure they're enemies, however, he doesn't want to hurt or kill them, and there's still a level of friendship there that keeps them bonded when things get super bad. This could've been super interesting to see, the first villain of the story receiving a sorta redemption arc then descending into madness as he started to fixate on being a god. This is all how I feel personally, but god do I feel like it would've been better than his current character, and hell would've worked with how he was during the Pogtopia arc, before the war that is. I'm not trying to tell Dream how to write his own character, but there are so many other ways he could've done the madman seeking to become god rather then. whatever the hell we got.

Because instead, we got this power-mad asshole who does things... because he can? And that's one of my major issues: he tries to surround his character in mystery to make him "intriguing" but it's kinda like c!Techno, it comes off as pretentious. Not only that, but you cannot keep waving around this mystery of a backstory without ever actually revealing it. I know the story isn't over, but c!Dream is effectively at his lowest point, now would be the time to reveal his backstory. But no just keep it in the dark and keep everyone guessing, that's totally fun and not at all tiring and annoying. (sarcasm, if anyone needs it)

And back to his performance, he doesn't sell this aloof, cynical and strategic warrior that has perfected the blade or some shit, he comes off as some angry guy yelling on reddit. which i don't need to tell you, isn't intimidating. It feels like he's trying to have c!Schlatt's intimidation combined with c!Wilbur's depth, but instead he's like a little brother who's trying to hard to mimic his older brother and is kinda embarrassing himself.

but other then that i dont feel too strongly abt the dsmp lol

but seriously, these are the main complaints I have abt the story tbh, I could probably talk about more but I wont because man. this is probably gonna get me in trouble if any of the hyper-dsmp fans actually read it.

[korra-the-red-lion]

Supergirl 6x13: The Gauntlet.

Hey everyone, Korra here! I actually watched this episode the other day, but I had some home stuff going on and didn’t have time to do my write up. It’s good for now, and here I am! So after the amazing episode last week, how did this one do? Let’s see what I think, and as always, SPOLIERS AHEAD.

Mitch (this is the blue alien guy whose name I literally didn’t know until recently) and Nyxly are going to be together this whole season it seems, and honestly? I’m here for it. They balance each other nicely.

Okay, so Kara has been down in the dumps for the past couple of episodes, and literally when Lena walks into the room she gets this massive smile on her face and runs up to give her a hug. Looks like we’re in for a Supercorp episode and I am here for it.

Kara and Lena head to the Fortress of Solitude, and get to work by speaking to a Kryptonian Witch. Lena is very skeptical of magic, and believes that it’s just energy. Clearly my homegirl was not paying attention to the fire she summoned last episode.

Also remember that Sam was Reign because of these witches, which I guess was never brought up during Sunday brunch.

So I guess there’s this random C-plot about William having PTSD from getting shot from Eve. Look, I guess it’s fine, but why bother? You can do something that was never mentioned until literally this episode with a character that most of us just tolerate at this point, but you can’t do the same for your lead character? Like Kara is still pretty messed up from the Phantom Zone, right? I just...ugh. It’s a waste of time.

Anyway, so the Nyxly literally breaks into the museum in board daylight to steal the totem from there, which had me cackling. Superfriends all arrive in a very stellar fashion and then stand around, which had me laughing for different reasons. Anyway, Nyxly stands around long enough for Kara to go “eff this noise” and blast the totem in half, causing everyone to get whammied by the magic inside, except for Kara cuz she’s just that boss.

Brainy being possessed by Vita was amazing. “Are these my nipples?” and Nia freaking out was so funny. Also, Jesse is such a good actor. He really pulled that whole impression off.

Kara and Nyxly both fail their first Gauntlets and chaos ensues. The poor lady with a dragon lizard just cannot catch a break. Also, great callback to the pilot episode? I loved that so much. Kara is so much more confident in her abilities now.

Alex is over confident, J’onn is willing to be open with his feelings, Nia is a sleepy girl which is a BIG MOOD, and Brainy is willing to fail. I honestly thought this was all great stuff. My favourite is when Kara goes “but Alex is a glass half empty kind of pessimist!” which is how she knew something was up. That was very funny.

Lol, Mitch straight up is like “try killing your bro” and Nyxly is just like “ex-cuse me???” I love this pair.

Lena comes out to find Kara on the balcony, wondering why she failed. She first says one of the softest “hey” I have ever heard in my life. My Supercorp heart melted. Then Kara says, “do you really not believe in magic?” which Lena, being in love with Kara, responds with “I believe in you.” Then adds after one of the most pregnant pauses ever, “and I believe in all of us.” A) Lena, darling, that didn’t answer the question, and B) EEEEEEEEEK. Very good Supercorp moment for this gal right here.

So Kara fails again, whereas Nyxly succeeds this time. Nyxly passed because she had the courage to be emotionally vulnerable to her brother, neato. The show is doing a really good job making her a sympathetic villain. Add her to the list alongside Reign and Agent Liberty.

Oh, so I didn’t mention but there was this scientist lady who wanted to harness lightning and that didn’t work, so she went mad with courage and somehow caused this insane storm. That part wasn’t super clear but who cares, it looks pretty cool. Also, Lena didn’t get affected by the magic blast because she’s a witch. Lena is pissed but she’s got no choice but to believe it now.

So, against her very better judgement, Kara takes the Superfriends to fight off this massive storm that is going to blow out the city. After struggling in vain because J’onn is trying to reason with Dr. Lahr and Alex is saving William’s ass because he’s randomly on scene, Kara just tells Lena to let the totem go. Makes sense, honestly. Gotta do what’s best, which isn’t always what’s right. 

KELLLLLLLLYYYYYYY. Kelly saving Alex is so sweet and amazing. 10/10 amazing entrance, love it.

Supergirl and friends stop the lighting storm in a honestly cool way. Kara makes a quip before she passes out because her and Nxyly are now connected a la Harry-Voldemort style, where they can feel each other’s emotion.

Kelly and Alex have a very sweet Dansen moment at the beginning of this episode, and to finish it as well. Kelly saying she likes scars while making eyes at Alex is everything. I love these two.

The we get a domestic Supercorp moment as well. People, us Supercorpers are being fed tonight! Lena opens up to Kara about being a witch after Kara still is struggling to figure out why she failed twice. Lena says to Kara “you are the epitome of courageous” because she is trying very hard to flirt again and Kara is just missing it. But the two share a very sweet moment where Lena offers to learn magic just to help Kara and Kara accepts it, but declines it as well because like Harry, she thinks that this could be very useful to have.

That’s it for this week. Overall, very happy with this episode. I think besides the kinda useless William C-plot, everything else was great. Great Dansen and Supercorp and even Brainia moments. Next episode, not sure how it’s going to go truthfully but I’m hopeful! Also, Kara is bullet proof and she looks so done with whoever is shooting her haha. It does sounds like a Lena-centric episode, but William also seems to be a focus, so yay-ish I guess lol. Until then!

[angeloncewas]

I feel guilty about it (that’s just me being me, not anything else lol) but at this point I would prefer just answers and outlines to what they planned on the dsmp story wise rather than them struggling through planning streams and dropping plot lines left and right. I love the effort and how dedicated they are to the story so much. It even inspired me to get back into creating after a giant burnout. But so many things have been completely dropped due to life stuff and lockdown lessening up and just not being able to get people important to the storylines there, that all we really have right now is las nevadas, pandora’s box, jack, and wilbur (and the quick wrap up of the egg arc if they ever get to it).

I just don’t see there being anywhere else for them to go if that makes sense? Ranboo’s character has been at a standstill since like early 2021, Tommy’s character is mostly just healing now, the egg arc just kinda tapered off, the syndicate has gone nowhere, there are so many questions that revolve around major events that haven’t been mentioned at all.

It’s nothing to blame on the ccs as shit happens and some things just weren’t possible, but just narratively it’s become a mess.

I understand ! The last time people discussed this, a lot of people called those who complained about the gaps in lore "selfish" and "demanding" but I wholly stand by what I said then - I don't think that's fair. As the consumers of the content, of course we're gonna want said content. And its creators either don't understand or don't care about the issues with the way they're handling it at the moment - busy or free, like it or not, stretching a story so thin like this over such a large amount of time makes it lose so much; plot threads are forgotten, emotional investment is lost, timelines get messy and so on and so on - which makes it all the more worrying in regards to a cohesive and satisfying conclusion. I don't know if I wholly agree with you in terms of wanting that glorified reddit post (sigh... like Wilbur's eleven page essay he considered releasing), but if we were told all of the endings now at least then we'd know that this was what was meant to happen and instead of theoretically being given some switched up semi-retcon ending sometime within the next five years.

I almost wonder if some of the content creators we consider "core" to the storyline aren't having fun with it anymore. I could be totally off because this is just my speculation, but every time Tommy and Tubbo talk about their characters it's in reference to season 1, the L'manberg era, and how amazing of an experience that was for them. It's almost never anything after that, even though Tommy was so much more involved in the writing of season 2. If they just don't want to do it anymore I really do understand - nothing can go on forever - but I do wish they'd be more transparent with us. Like yes, people get busy and I'd never want a creator to miss out on opportunities for something that does run on its own schedule, but also the audience isn't gonna stick around forever (well it might, but they're meant to think like it shouldn't) and I feel like it's gotta have something to do with priorities because it's been a very, very long time now.

I don't know. I'm similar to you in that the SMP has really inspired me unlike any other piece of media - I got really deeply back into story writing for the first time since like, middle school, and I was able to get a lot of blegh feelings out via the characters - so I've got such a deep love and personal connection to it. But I also really haven't touched Twitch in a hot minute and while I miss the storyline a lot, I'm not sure what I'd do if it came back because I'd know that it's just one tiny thing to keep us going while nothing else happens. I can't imagine what's gonna happen next and while I've read that people have stuff in the works, hearing about the changes Ranboo's had to make and all of the stuff that's just sort of tapered off is... hard (?)

I think I'm rambling. Point is, you shouldn't feel bad; I get it.

[purplerose244]

My thoughts on Seabound!!! 🌊🌊🌊 (2/4)

SPOILERS ALERT!!!

For now, nothing to complain about! We got Nya, we got MAYA AND RAY, we got GILES PANTON BACK A LEGO SHOW!!! 😍😍😍

Of course now I'm definitely curious about what the story is really about, like I'm guessing Wojira will wake up at some point so... Great Devourer all over again maybe? 😅 Idk, for now I just wanna enjoy Nya having her moment 🥳

Alright, here we go!

GENERAL THOUGHTS

New alert for reader, during the Nexo Knights period I was and still am the hugest Clay fan. Now that his voice is in this season I might scream more than necessary... keep that in mind 😅

I love the humor in this, all random but still kinda clever 😂😂 Maybe I'm biased because I love Jay but still 🤷‍♀️

I really like the design of the marine world, very cool!! 🌊🌊🌊

I guess I'm not really seeing any big plot twist moment for now? Ninjago seasons have history of basing seasons on a "we need to prevent this event from happening but it will happen anyway", so I can see Wojira waking up no matter what 🤷‍♀️

I wonder if that will be shocking? Usually when this situation happen, someone makes a major sacrifice (Zane with the Overlord, sensei Garmaron with Chen, again sensei G with the Preeminent...). Maybe Maya? I DON'T WANT THAT 😭 But I am curious, everything is going nicely and I'm not sure what it will bring! 🤩 I'M EXCITED SO LET'S GO!!!

THE WRATH OF KALMAAR

So this is the name of Clay's new incarnation, neat! 👍

Okay really, for having a season lately the main character just can't help but be trapped by the villain: kinda Zane in the ICE Chapter, Jay in Prime Empire, Cole in Master of the Mountain... we can call it a tradition at this point 🤷‍♀️

Giant serpent, yadda yadda, I wonder if we're gonna address the Great Devourer at some point? Not mandatory, but the reference would be very cool 🤩

Clay's new incarnation is a prince I- *hyperventilates in awe*

Nya playing dumb lol, I don't know if that's personal experience as she used to get kidnapped a lot in the past or she just have too many idiots in her life 😂

ALSO ANOTHER BEST GIRL'S SMIRK

NYA YOU'RE TOO MUCH ILY ❤💙❤💙

Jay I love that you're so worried about Nya but maybe try NOT TO DIE? YOU'RE WITH LLOYD AND ZANE YET YOU'RE THE ONE GOING FOR THE SACRIFICE WTH?? 😱 But he's worried about his cool GF I kinda get it, also he didn't do it so good...

WHAT. THE. HECK.

WHO ARE YOU OH MY FIRST SPINJITZU MASTER YOU'RE ADORABLE I WANNA KNOW EVERYTHING ABOUT YOU YOU ABSOLUTE CUTIE 🤩🤩🤩

So Giles is doomed to voice LEGO characters with daddy issues 😂 That being not having a dad at all or having one that is... a good guy? Idk he seems chill with the surface at first glance, I wonder what's the story of this family

Maya reminds of my mom, she also mentions her work a lot and I study the same thing. But she doesn't want to brag, it gets annoying but she just wants to give me advice. It's nice to see actually 👍 Also Ray reference NEAT ❤❤❤

Wow, if any child-parent couple of this show was doomed at going semi Emperor's New Groove style, I would've bet on Ed and Jay honestly 😅

Oh HECK yes I knew that with my water girls things were BOUND to get cool 😎 ... yeah I know where the door is *goes away*

JAY NO WHAT DID I TELL YOU ABOUT TRYING TO DIE STOP DOING WHAT YOU'RE DOING!!! 😱😱😱

My GOSH that scared the crap out of me 😅 Jay honey we have too many deaths in this team, you're not helping... BUT YOU POWERED AN ENTIRE SHIP BECAUSE YOU LOVE NYA AND YOU DIDN'T DIE AND I LOVE YOU SO MUCH BLUEBELL 💙💙💙

They were all so worried, I love this ninja family so freaking much 💜💜💜 Also better not tell this one to his GF 😂

And Bluebell?

Welcome to the "change eye color because of elemental power" team! WE GOT ANOTHER ONE I LOVE WHEN IT HAPPENS!!! 😍😍😍

Awww, Zane letting Jay be the captain, that was so cute of him 💕

Another great episode! Doing great so far but I still wonder if we got into the main story. Feels like there should be more, well we got time! Next one! 😊

LONG LIVE THE KING

Sooooo... that's one very telling title 😅 If we're going full Lion King on this one, I think I know where this is going 😵

Maya: Don't they know that metal taste terrible?!? (Again feels like Kai could say something like this 😂)

FINALLY NYA USING FREAKING WATER POWERS UNDER THE SEA!!! Thank you Maya for saying out loud what we were all thinking 👌👌

NINJA TO THE RESCUE!!!

Pff, okay, the fact that Kalmaar is all evil and cruel and then he gets startled like that, it's kind or adorable! 💕 Honestly Giles got such a deep voice, with Clay it was firm warm and reassuring, here we got plain devious and I ADORE it 😍😍😍

Maya come on don't doubt your daughter 😅 But I like her, and if she knew Nya they way we all do she wouldn't doubt that she could make it every time 😎

Yeah I was right, the king seems chill... oww I fear what's coming then 😳

Okay, so Kalmaar thinks that the world should go back to be lead by them like in the past, while the king just wants peace with the surface. And as we know, no drama no season so...

Yep, saw the death coming 😅

WHOA DID NOT SEE THAT LITTLE BLAME ACT COMING KALMAAR IS SO EVIL!!!... with a glorious voice but still (Rose focus on something that is not that godlike voice, you can do it 💪💪)

THE OLD ONE TWO I LOVE THIS SO MUCH COMBO ATTACK!!! 🌊❄🌊❄

Awww Benthomaar is actually really cute, he's so worried about his father 😢 And he's adopted apparently? I wanna know the story!!! 🤩🤩

Yep, there's the reason why Zane got a mask even though he doesn't need one, it completes his attire 😂😂😂 My gosh how I love this nindroid ❄

Did... did Jay just say phooey? Dude Ducktales ended a while ago but I'm still not over it 😭

I said it once before I'll say it again, Ninjago is really REALLY good at making death scenes. Like, omg, I genuinely felt sorry for them 😢😢 I also really liked that the king didn't ask to be avenged, he still wanted peace and he asked his son to protect the ninja and he cried actual tears...

MY HEART WTH 😭😭😭 So we're adding this to the real tears moments of the show, with Jay crying over pie, Zane with the flashback of his dad, Jay crying over Nya and Lloyd thinking the ninja are gone... my world this show is angsty 🙂

Third startle for prince Kalmaar, I love the gag 😂 Oh wait, king Kalmaar 🤷‍♀️

Okay, we got a coup, the ninja running away because they got framed, Benthomaar is most likely going to join them or at least help them, I guess Wojira will come out at some point while... Kai, Ray and Cole are still playing videogames? 😅

THIS IS GETTING COOL I WONDER WHAT WILL HAPPEN NEXT AAAAHHH HECK YES THERE IS THE HYPE!!! 😍😍😍

Although I hope we get more stuff with Nya and Maya, that's what I like 🤩

ESCAPE FROM MERLOPIA

I'm good at English and I can follow most of it, but the fantasy names are tricky so I didn't get before that this was the name of the place 😅 It's nice, at least it's not another Atlantis 🤷‍♀️🤷‍♀️🤷‍♀️

LLOYD I SWEAR TO YOUR GRANDPA IF YOU TRY TO DIE AGAIN 😱

NYA YOU ARE NOT A GOOD SUBSTITUTE NONE OF YOU ARE OMG 😱😱

Ah, there he is, my new son Benthomaar 💙 He is so lovable already, I know nearly nothing about him and I like his character already a lot! He could relate with all of the ninja really, but maybe with Jay the most? They were both adopted after all 🤔🤔

*scribble note for a fanfic for later if this doesn't come up in the season*

Alright moving on 😗

I am so happy Nya gets a season, Kelly got a great emotional range that doesn't come out often in my opinion, but with a full introspection of water goddess we are all blessed by her voice acting 😍

Gotta say, admitting that Bentho didn't have to help them to answer the usual 'Can we trust him' question is pretty reasonable, like, better than other stupid answers 😅

Also don't mind me

Just screenshotting by ship 💙❤💙❤

Somehow lately we are letting Jay do the talking and I both hate and LOVE the fact 😂😂 Plain Bluebell nonsense, heck yes that's my jam👌👌

MAYA IS SO COOL OMG 🤩🤩

I literally can't not laugh at the startle gag with Kalmaar 😂

LLOYD WHAT DID I JUST SAY ABOUT SELF SACRIFICING!! PLEASE IT'S NOT EVEN YOUR SEASON!! 😱😱😱😱

Aww Jay is still the Captain, nice! Wonder if it's giving him Skybound flashbacks... I hope not considering all he went through that time, poor Sparky 😅😅

ARE THOSE LITTLE WU ROCKETS?? 🤯

Can we skip a season and hang out with Pixal one time? I really wanna know how she organizes her free time to create these things 😍😍😍

THANK YOU LLOYD FOR NOT DYING ONCE AGAIN, MUCH APPRECIATED!!! 💚💚💚 My green bean needs a vacation... they all do 😅

THEY ARE

SO BEAUTIFUL 💙🌊💙🌊

Alright, back to the island hoping Kalmaar will not track us and follow us so he can get to the place and discover the amulet 🙂

Are we not calling the others? I miss my flame babe and Rocky ❤🖤❤🖤 Also RAY WATCHA DOIN I WANNA KNOW EVERYTHING 🤩🤩

THE TALE OF BENTHOMAAR

Wait what? Shark boy backstory? SHARK BOY BACKSTORY?!? 👀👀👀

Wow, I see that Kalmaar didn't change a thing growing up, still the same gonna-be-a-villain 😂 Of course his voice got a lot deeper and cool and okay you know I love his voice moving on

I find it kinda funny that Kalmaar is so focused on royal blood and superiority, while Clay was basically a farm boy who worked his way up. Giles knows how to get the character no matter what 😍

AAAAAAAAAAAAAAAAAHHHHHHHH

BABY BENTHOMAAR AAAAAAAAAAHHHHHHHHHHH 😍😍😍😍😍😍😍😍😍😍💙💙💙💙💙💙💙

The king seems like such a good pers- fish- creature 😅 Now I'm double sad that he died, my world, why do I always care so fast, it's not healthy in this show where everyone could die 😰😰

I'M SORRY IS THAT KAI'S HAIR??? 😂😂😂 I LITERALLY CAN'T LOOK AWAY WTH I DON'T KNOW HOW I FEEL ABOUT THIS

Literally every frame of Benthomaar makes me love him even more 😢

Interesting that we got an academic villain, he kinda reminds me of Clouse in a way, maybe even Harumi since she studied her way to her plan as well? I like that we got a bit of personality too!

Using your little bro for your own purpose... it's very evil but kinda also brotherly like 😂

Benthomaar really gives me that very PRECIOUS vibe, kinda the perfect son but also a naive and unaware BABY 💙

LEGO HUG 🤩🤩 Not exactly reciprocated but still 😅

Ooohhh, so this is how he found the temple! I like this, it shows that Bentho is most likely physically stronger than Kalmaar, while evil brother is focused on brain and studies. They are planned differently, I like it! 😚😚

Ouch, peer pressure... sibling pressure? Eh you get what I mean 😂

POOR BENTHO 😭😭😭 YOU GOT THE NINJA NOW DON'T WORRY WE'RE NEVER GONNA LEAVE YOU ALONE YOU PRECIOUS SHARK BABY!! 🦈🦈🦈

Bentho: will I really fit in with you guys? Do you really understand how I feel?

Lloyd: Jay was adopted, Nya's parents were gone most of her life, Zane lost his father while mine turned evil

Bentho(tearing up): yeah that can work

Okaaaaayyyyy, I like that we got a bit of backstory for Bentho too! We didn't get much for Vanya in Master of the Mountain, which is the only thing I was sad about (very little detail, AMAZING season 🖤🖤🖤), nice to see it here!!

But I really want more Nya and Maya interactions, I hope we'll soon get to them again!! 😍😍😍

Alright, getting somewhere here! I'm very curious about what's next 🤩🤩

[monkey-network]

Why Klaus IS Christmas Kino

Klaus isn’t flawless, let’s get this out the way. My love for this film won’t deny that it bears a couple nits that can distract the experience. Jesper and Alva’s relationship felt like an eye-rolling inevitability, notable cliches here & there, a notable song felt both fitting and out of place, and while enjoyable, I’m not as big a fan of the climax as I thought. But in spite of it all, I love this film and it is one of the best modern animated Christmas films, period? Follow me here. I could go on about its wonderful animation cuz yeah, it’s unlike any other film. But a philosophy of mine is that the best animation enhances the writing and I can say Klaus is that surprisingly well written and has become an all time Christmas fave

*deep breath in* So let’s do this...

I mention that Klaus has its cliches, but you gotta know that it’s smarter than expected. Believe me when I say if the writers didn’t care, this could’ve actually been so much worse. Jesper could’ve been more manipulative towards everyone for his goals, Klaus would’ve given up entirely after knowing the truth about Jesper, we could’ve had an argument between Jesper and his dad about upholding business, the townsfolk could’ve reverted back to their old ways, plenty writing moments where this could’ve been Emoji Movie levels of insulting to your intellect. BUT, they don’t. The film never really turns back on itself, it keeps moving where, as the notable quote goes, an act of good will sparks another as it starts with Jesper’s father.

Even if nepotism was responsible for Jesper getting the job in the first place, he clearly sees his son be more spoiled than he’s worth so is like, “Ma boi, I will send you to the ends of the earth or leave you to the streets if you don’t do something with yourself.” He never cared about his son representing the postal company, or ruining his top class image, he was only tired of Jesper taking advantage of his fortune while not having any ambition of his own. Can’t help but say Jesper’s dad is a very respectable character because the sole reason the whole plot happened in the first place was because he just wanted his son to do better. It’s that act of genuine consideration that pushes Jesper to his wake up call as he reaches Smeerensburg.

People have compared this movie to Emperor’s New Groove through Jesper’s character and I say yes, but this film takes that next step and put Jesper in the pit of pits way early. Reminds me more of Ratatouille’s beginning where Remy’s lowest point is around the same time as Jesper’s. The harsh atmosphere of the island is treated very blunt in how this is our mailman’s nightmare come true. With his situation, our guy is truly at his lowest. Gives up now, he’ll be cut off his inheritance and probably will have worse. Everyone hates him and each other, his post office itself is in shambles, symbolic of how communication is practically thin outside conflict, and the teacher turned fish seller Alva is that path Jesper could notably be if he didn’t try. Everything is literally grey for this guy, but like Ratatouille, when you’re at your lowest there’s no where else to go but up. That’s where Klaus comes in...

This is genuinely the most clever interpretation of Santa I know, hands down. A well established woodsman, a crafter both of living, for him and the birds that reside in his woods, and recreation with the toys he made himself not just for kids, but specifically the kids he and his wife wanted but couldn’t have. Klaus feels like a real person, not just another take on the mythical man. You’re with him and Jesper as he, after familiar winds provide him a letter, a small spark to do something good, soon opens up and gets reminded of what’s kept him going all these years. It is no wonder he sees his wife in Jesper, it’s thanks to him that he could refurbish his dashed dream into a new one. He didn’t just want to do it for the children of the island, but for himself. That is another thing about this film: communication. I mention before how it’s practically thin at first due to a long going feud that isn’t even aware of why it’s still going. The joy in hate is only for hatred’s sake, and they make it very clear how miserable it all feels. That is where Jesper comes in. They don’t take shortcuts with how he gets the ball rolling, both accidentally and purposefully, he boots up to get things done, pushes himself to go to Klaus to make things happen. This is all in part by the youth, what really ties the plot together...

As I mentioned before (again), life in Smeerensburg is noticeably miserable but thanks to Klaus, by extension Jesper, the kids are enticed to do what it takes to get some genuine joy in their lives through the toys they’re able to get. They’ll make them letters, and if they can’t write, they’ll go to Alva for teachings, and if they act naughty, they’ll try to do good which in turn pushes the adults to do good for the sake of their kids. It really would’ve been one thing to sure enough make the kids spoiled because of the toy giving, focusing more on the extrinsic value of Klaus’s kindness but no. The children are very grateful for these gifts enough to feel compelled to do good, and it makes them feel good as much as it soon makes the adults more convinced to stop fighting. It helps that this all takes place in older times cuz I believe this would’ve been far different, possibly worse, if this took place in modern times. That or just kinda rip off Arthur Christmas, it’s my guess. As such, it gradually becomes an amazing Christmas film because it isn’t just the presents, the Santa Claus myth, the festive style of it all that makes this holiday special to me. It’s the warmth... of togetherness.

My favorite detail about Klaus is how it transitions from cold to warm with its atmosphere. We start out with the emptiest, harshest environment, enough fog to choke your eyes, and then we get to this moment with a brighter, clearer sight of the more united town as the Christmas spirit builds in the film, even when it isn’t even that day yet in-universe, so too does the warmhearted feeling that can come from celebrating it appear more and more. This film fleshes out more of what the Grinch taught me, what A Charlie Brown Christmas taught me, what I’ve come to appreciate about Christmas as I grew up in this materialistic world. I can say everyday can have the Holiday spirit, but Christmas is the time where I feel compelled to be grateful of what I’ve made and got and give back when honestly, I don’t care about getting the most expensive stuff anymore like I used to when I was way younger. This film is so sincere in what it wants to say, and you know this is indeed the same guy that made Minions. Yeah, not kidding and I’ll let you sit with that if you’re reading this as I continue because we have to talk about that moment...

Yeah, I don’t like being the Nostalgia Critic, but I too don’t take kindly to the ‘liar reveal’ trope myself and this could’ve been a point where the film lost me a little. Though you know what? It still works. See, with that trope, what sucks is that it can tend to unravel the plot to where you know as soon as they break apart, they’ll get back together regardless of the deed done. This is why I don’t like A Bug’s Life, don’t @ me. But I’m not saying it can’t done right, like in Over the Hedge. The breakup between Jesper and the others is painful, but it is necessary to give us a couple great character moments. One is with Jesper and his dad, who came back personally to see that Jesper has indeed built something for himself. We get no dialogue between them but it’s clear that even when Jesper’s unintentionally successful thanks to Yzma and Bubba, he can tell his son wasn’t happy leaving everything behind, so he lets him stay since that was what he truly wanted this whole time. Again, give that man some credit for amazing dad. Another moment comes before the big reveal where not only do we see Jesper come to understand his own guilt surrounding his original intentions, but in the end they never hated him for coming back, especially due to him inadvertently stopping the enemy feud all together. Lastly, without that moment, we probably wouldn’t have got this smile. When Margu, purest character ever that I could make a whole segment about but I don’t wanna keep you too long, started to tear up after calling for Jesper thinking he left for good but she then sees our guy never really left and we get this teary smile:

I felt that. Almost more than anything else in this film.

Cliched as it can appear, the execution excels in those more memorable emotions for this film. It’s been a year since I watched this again and I remember so much about these characters. And my god, I haven’t even gotten to the animation which... my god.

Klaus is indeed the most beautiful upon beautiful films I’ve seen, and what makes it better is that it all enhances the story. I mention before of its transitional visual from cold to warm sights, but goddamn, the character designs, the environments, the expressiveness, the textures all amount to style perfect for this alone. I think it would’ve as well received if it had a more flat look, but they seriously went higher for a traditional appealing story that compliments the unique children’s storybook look of it all. This honestly is better than most of modern Disney films that I’ve seen, ironic since it feels like if you took Tangled the Series and made it 3D with more fluid character animation. And if I’m comparing something to the continuous mindblower that’s Tangled the Series, you’ve most certainly got on my best side.

Sergio Pablos and his team really pulled no punches in making this a great movie. A great Christmas movie, one worth seeing if not at least once but every Holiday season for tradition’s sake. Klaus gave me a good time, made me cry, and above all showed me to never stop having a good heart because doing good can indeed go far, thankless as it can be. Heck, my heart felt more rejuvenated than before in making this critique, that’s a testament to how much good this film means to me personally. What else is there to say?

It's The Best