#and that these ideas can coexist
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wordsinhaled · 1 year ago
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i’m so totally normal about the fact that aziraphale’s last (known) deliberate foray into the queer community was when he learned the gavotte at the fictionalized hundred guineas club (!!!) in the 1800s and now in the 2020s he’s like “grindr? what’s that?”
many are talking about his repression which is very valid… and yet the thing to me that stands out about aziraphale is that he’s actually… incredibly stable in his identity and that identity IS incredibly queer. queer by the standards of heaven AND by human standards as well
metatron describes his “de facto partnership” with crowley as “irregular.” and in fact aziraphale in his entirety is irregular. he likes and makes it his business not only to understand but to be a connoisseur of all manner of things angels aren’t supposed to even remotely care about. food. music. books. theatre. sleight of hand. and more.
it’s the sort of behavior that would’ve gotten him othered, treated as a bit odd, in heaven even if he hadn’t chosen to consort all across the earth with a literal demon. and it IS treated that way - the fact is aziraphale even as an angel has got proclivities that set him apart from the rest of the host (even after offering him the highest position in heaven, metatron still acts deeply dismissive of him… like aziraphale’s bookshop is merely a quaint little hobby of his that can be easily transferred to another custodian, and not a literal extension of who aziraphale has become, full of his tartan and unique bibles and special vintages of wine and the books arranged in a very specific way)
so. aziraphale is a queer angel but of course he’s also queer to other humans. but in such a way that… he had his realization a LONG time ago, and put the matter very much to rest after that. aziraphale is perpetually something like several centuries behind schedule. he owns an ancient computer that probably continues to run windows 98 simply because aziraphale’s decided it should. he wears the same waistcoat and coat for generations because he simply likes them precisely the way they are and sees no reason to change them. but the idea that he doesn’t know how he comes across to others - of course he does. he knows he looks like your prim and proper grandfather and he prefers it that way
aziraphale looked around at humans in the 1880s and said: ah yes. this is where i fit. and promptly ensconced himself in that queer subculture. learned the gavotte. read his austen. loved crowley from afar. aziraphale is fiercely and vibrantly queer. just with the sort of assurance of someone who lives with his lover in a commonlaw marriage for decades and then shows up at city hall for the certificate once society decides it’s ‘allowed.’ like… he hasn’t had any need to know what grindr is because aziraphale’s ‘scene’ was a century and a half ago and it defined romance for him too.
but my favorite thing about aziraphale is how much of him is about appearances versus the truth. he can lie straight to angels’ faces and sleep at night. he knows he comes off soft but he once wielded a flaming sword. he dissembles helplessness but he’s far from it and he knows precisely how it makes others treat him. and at the core of aziraphale is rigidity, inflexibility of ideas… his sense of self is stable where crowley’s is malleable, and so on, and so on
and the fact that he’s continuously fixated on trying to misguidedly do the right thing, the fact that he seeks heavenly approval and wants to fit the world into his schema of good vs evil… in no way do i think that means he isn’t one hundred percent aware of how he feels about crowley or what it means about him by angelic or human standards. i’ve seen some folks saying that aziraphale doesn’t want to like kissing crowley and like… as much as i love me some brideshead revisited/atonement flavored angst; i put forth that it’s not internalized homophobia or queer panic but simply: “i’m trying to do the right thing for both of us and you won’t let me.” and “i wanted our first kiss to be different.” he was envisioning an entirely different flavor of romance than what he got but he emma woodhoused too close to the sun
like, y’all. aziraphale in all likelihood has a glorious collection of historical queer erotica. he just has a feathery diva coat hanging in his closet, and for what. “oh, good lord” he says at crowley’s revolutionary outfit in the bastille, while eyeing him up like an entire meal. he’s so good at affected propriety, at carefully constructed stuffiness, but between the two of them aziraphale’s got to be the one who has experience
aziraphale had been physically throwing himself at crowley the entire season. he orchestrated an entire regency ball so they could touch hand to hand. he spends the entire season (well, and season 1) looking at crowley like he’s particularly coveted. he looked at crowley before the fall like he was glorious and beautiful. aziraphale’s queer and he knows it and i think that isn’t his problem, it’s the fact that he wants to build a different sort of future for the two of them but crowley’s gone and thrown a wrench in it by reminding him of everything he can finally have. like. that’s the heartbreak. it’s how dare you make this ugly? i forgive you for our first kiss being all pain and salt. it’s my dearest, i wanted to make heaven as beautiful as you deserve. as sacred and safe for us as our bookshop. and i can do that for us, because once i held a flaming sword and i still remember how the hilt felt in my hands. and now the taste of you is in my mouth.
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fuckmeyer · 6 months ago
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the choice between Edward & Jacob is not a question of which relationship is healthier or which partner is best suitable for Bella. neither is correct. neither is best. neither produces a happy ending for Bella. at the end of the day this is still a vampire novel. any choice Bella could make would yield, at best, a bittersweet happily ever after.
if she chooses Edward, she gets the terrifying Breaking Dawn ending: a girl who rejected her call to grow up has hung her love & her eternity on an emotionally stunted partner who hates himself marginally less than he loves her. she's a teen mom with a kid she never wanted who perpetuates the generational trauma passed down from her parents. by keeping this child, the Cullens have set the stage for an uprising/cold war against the Volturi who are likely to take revenge in order to maintain power. Bella is living in a tenuous "dream come true" wrapped in a nightmare & doesn't realize it.
choosing Jacob is the true coming-of-age ending that rips the stitches out of a wound that never fully healed. even if we ignore the fact that she ends up with a man who sexually assaulted her (we must bear in mind Jacob's character is influenced by smeyer's racism, but it did happen), they can't have a secure romantic relationship. based on the high imprinting rate of the pack, Jacob will likely find his imprint in his lifetime & will lose himself to the imprintee. he will no longer be her Jacob. he will inevitably abandon her (whether he wants to or not), & she must reconcile with the reality that she will always be inadequate to Jacob's imprint. & say he never manages to escape the vampires? he will presumably not age for a long time, meaning the relationship Bella always feared with Edward (her being an old grandmother while he stays forever young) remains a possibility. this is the story of a girl who slaps a Band Aid on an open wound & calls herself healed while flinching every time she sees the shadow of the knife that cut her.
if she chooses neither (team therapy), her healing requires her to lose or be at least partially disconnected from everyone she cares about. Bella must spend the rest of her life shut out from one world while never fully existing in her human world ever again. she must always keep secrets. she can never go back home. even in the unlikely event that she manages to escape the Volturi, the threat of being hunted by vampires will never leave her. in addition, she must face her worst fears (aging, losing Edward) while always keeping in mind the immortal life that could have been hers, if only.
even the "healthiest" option produces scars that will never quite heal.
Twilight is a horror. Twilight is a vampire novel. Twilight is gothic. Twilight is fiction. neither Edward nor Jacob is a "bad" choice because neither will give Bella her happily ever after. the choice between Edward & Jacob is simply a matter of which horror story you prefer to read.
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chromxena · 6 months ago
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leaked screenshot from long awaited akechi game!
(i saw this and i could NOT resist. this is canon to me)
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bread-wizards · 3 months ago
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I actually think Dorian and Orym should fight more.
Remember when their slowly building tension over and entire episode (full of passive aggressive remarks and blame throwing) led to threats? And how after, Orym thanked Dorian for handing over the crown sadly because he knew Dorian would be mad at him? And Dorian couldn't even look at him because he was legitimately hurt, thinking Orym was disappointed in him for doing what he thought was right? That was peak.
The fact they went from that to their current closeness and trust is the best part of their entire dynamic. Their relationship was hard fought and still will be. They will fight for it because they respect and care for one another deeply, and their disagreements don't change that, only improve it.
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tess-talks-inc · 2 months ago
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On the Topic of Telemachus’s age:
First off preface lmao I’m a stranger on the internet if you want to see this and be like “I don’t care” more power to you this isn’t to condemn it’s more like my explanation? I guess? Of why Telemachus being represented as an adult is important to the context of the story and also to me.
Like obviously once again I acknowledge artistic interpretation, and Telemachus being young is important to the story as well and is part of the role he serves as a comparison to Odysseus, but like sometimes the way some artists draw him makes him look pre-pubescent and like… I understand what you’re doing, and honestly I respect it and I hope you are having fun, but I am holding your hands when I say that him being a young adult with that attitude is so so so important to his character and his relatability.
Adulthood isn’t something that magically appears one day, taking all of your dreams, immaturity, and weakness away. Telemachus embodies that- at twenty years old, he should be inheriting a portion of his father’s house and assisting in its running. He should, for all intents and purposes, have been a full and functional independent adult looking at purely his age. However, he is both literally and mentally stuck in limbo- his father is lost, so he cannot inherit in the case of his father’s death because Odysseus’ status is MIA, and internally he knows (literally mentioned book 1 of the odyssey and in Legendary) that if he reaches for that authority as an adult, the suitors will kill him. He doesn’t feel like he can, or that he is even on equal standing to the suitors as an adult man, he cannot see himself as one like they are, and it’s why he imagines his dad doing it instead. He wants to be saved, a childlike desire, even though he has advanced to a point where he himself can do something physically. That’s why, in the odyssey, Athena tells him explicitly that he can do something about the suitors, and lays out a plan for him. She says that he is no longer a child to his face, and the Telemacheia thus begins to be a coming of age story in which he matures, and later is registered as a threat of the suitors. He is a young adult yes, and he still has aspects of his young self (idealization of his father, daydreaming, him being quick to frustration), but him being an adult who realizes that he can do something and can understand the way he is childish is important and central to his character arc.
His arc is him growing into his skin, adulthood no longer being something that fits him like loose clothes and only a description of his physical state, but something that now is tailored to him, something that feels close to right.
Honestly, I think this aspect of him being an adult while still holding onto these aspects of childishness is where Legendary and We’ll be fine falls short in adapting his character. I understand why, because while he is introduced he is not the true central character of the Saga- it’s Athena and how he affects her, that’s what’s most important. Also, once again, he was just introduced. He’s not matured yet, but he’s realizing he needs to. I still love the songs and the saga, because it’s a good adaptation that poses interesting questions, but yeah. Telemachus is v clearly a young adult and that hasn’t translated over sound yet, which I think is why this whole age debacle is happening alongside the uwu-ifying of the man.
TLDR: Telemachus is a young adult and he acts like it due to his blend of childishness and slowly gained maturity. You can draw him and see him as a child if you want, have fun with it, but at least internally understand how his 20 years of age plays into his arc a of him maturing into manhood outside of your own interpretation of him :D
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careful-fear · 1 year ago
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i adore characters that have faced great adversity and come out on the other end kinder, brighter.
i adore characters that have faced great adversity and come out on the other end meaner, mangled.
because sometimes you need the hope of 'you will be better' and other times you need the relatability of 'you are not alone in your ruin'. and together they make the beautiful picture of 'you are not doomed'.
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mushroomsie224 · 2 months ago
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The show writers showed Sascha casting a love spell on Cedric because no way would he actually be attracted to a woman otherwise.
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giantisms · 4 months ago
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i wish me and my mom were interested in giants the same way. i love giants for the tension, the emotional rollercoaster of encountering someone dozen times bigger than you. i love them for the fearplay. i love them for the protectiveness and gentleness. i love all the things they can embody in literary and art works. i've daydreamed about meeting one since i was a kid. i project onto them. i wish they were real
she is obsessed with them for the sole reason of being a favorite subject of conspiracy theories she believes in
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gatekeeper-of-witchcraft · 1 month ago
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much of what is considered “masculine” in women is in fact neutral but masculine women do exist and there’s nothing wrong with that.
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babacontainsmultitudes · 8 months ago
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I can't really draw what's on my mind so here is the blueprint of my vision instead:
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identityquest · 3 months ago
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aimsir full redesign teehee. theyre a snow fielder and also a farmer
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littencloud9 · 1 year ago
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‘megumi is the cook in the relationship yuuji would burn down the kitchen’ did we all miss the canon part where yuuji taught megumi how to make meatballs and is a GOOD cook. stop making my boy seem incapable!!!
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lab-gr0wn-lambs · 9 months ago
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Thing is, I'm not even a big shipper. I didn't ship Caryl my dumb ass just thought they WERE a thing up until season 5. I was just picking up what the show was putting down. Not my fault they wrote a close male/female friendship full of flirting, embracing, crying, flowers, forehead kisses, pet names and long loving gazes bitch what was I supposed to think? I was filling my dad in on what happened after he abandoned the show, I mentioned Carol and Ezekiel and he was like "Oh did she break up with Daryl?" hello????
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triglycercule · 2 months ago
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murder time trio should get to all experiment with dead bodies. why? because they can and it would be cool (okay but seriously i'll provide an explanation). all these freaks are scientists. i think it would be cool and funky if they all got to experiment! except morbidly and bloodily because none of them are right in the head now
killer like has his whole thing with wanting SOULs for some unspecified reason??? i'm just gonna steal the common interpretation that it's so he can find a way to fix his own soul through coding. but like,,,, what does he do with the desd bodies??? all the fellas he stole those souls from??? well this is where dust and horror come in
it's One Panel and i'm ABSOLUTELY reaching here but there's a (single) panel in horrortale where horror's pulling apart some sort of human limb like an arm with a device. why? what for? i dont fucking know at all man like papyrus said why is he always doing something weird in his room. anyways i'm just gonna guess its probably for rationing in horrortale (but it could also be that horror just felt like ripping apart an arm. for scientific purposes. or because he did this after ripping off aliza's arm so maybe he's doing some sort of recollection reflection or something i dunno im not a professional on this man). killer could totally send all the already dead HUMAN bodies horror's way for horrortale's food situation. maybe horror likes to dissect the humans yk maybe he's not just the type of bash (a head open) and dash. monsters dust so you cant see their guts but humans dont so horror gets prime time first hand experience on the human body! and then after he's done poking around in the brain he can give the meat and organs to papyrus for him to do his specific spaghetti confectionery
but but but what about the monsters that killer takes the souls from! surely he doesn't just take from only humans (dude idk if he actually does take from only human or monster. probably not right? he needs to study BOTH types of code so he can be most informed) so he must also take monster souls. and fortunately for dust (i do NOT think he'd quite like handling gore) monsters don't leave behind bodies or blood or allat they leave behind dust. hah. dust experiment with dust. i think its already a headcanon out there that dust likes to study dust. i cant exactly recall WHY exactly but maybe it's for sentimental reasons or just something to do to pass time between resets. so killer can just pass on whatever dust he gets to him and he can put it under his little microscope and be a little nerd what a GEEK. give this guy glasses and remove all his teeth but one i guarantee you he'll look like 🤓
and once again i hear you cry out but but triglycercule! why would killer even give the dead bodies and stuff to horror and dust in the first place??? erm number one because i said so silly. jk. and number two (if we're going in a nightmare's gang context here) it could be as a way for killer to gain horror and dust's trust. a way for them not to tattle on him for stealing souls for some unknown reason. maybe there's somehow important coding information left behind in the bodies/dust (because that's literally what utmv is made of) and killer wants dust and horror to do that work for him for some reason. maybe just a way for him to get rid of evidence maybe if theyre buddy pals and close enough just as a gift. i dunno man there's a bunch of reasons as to why he could possibly do this. i just really liked the thought of the trio all wearing fancy lab coats and goggles and i was like damn how can i make this a real possibility
#you can really sense the i dont know what the fuck i'm talking about energy in this one#all i had was a SINGLE!!! just ONE vision and there was straws for me to grasp so i fucking CLASPED those straws man. i'm totally reaching#listen when you gotta make do you gotta make do. the idea's cool and funky though i really like the vision#is the utmv code based or is it creativity based. which one#does the utmv look like a bunch of files or does it look like the doodlesphere. is it a concept or code???#i think that it's up to personal interpretation. it could also be both#i love the different possibilities that could be made based on the different code vs concept utmvs#with code you have possibilities like changing the files and breaking the game and stuff like that (error and killer etc)#BUT ALSO with creativity and concepts you can come up with characters just by saying oh i drew them or something like that (ink)#it just depends on the vibe you're going for i guess. darker stories sometimes have more associations with code#i like to think they both coexist but also are different#there are sections of the utmv that are purely coded like the antivoid and then section purely creativity based like the doodlesphere#and then there are worlds that have both like the code makes up the concept. or the concept makes up the code. either one#goddamn it everything just leads back to error and ink's digital vs traditional motifs AGAIN. i'm back at the fucking building AGAIN!!!!!#those two and their sick ass motifs can every elude me i feel like concepts in the utmv always have something to do with them#heh.... just shows how cool error and ink both are...... theres a reason theyre creativity and destruction (coolness factor)#hey hold on! this doesn't have anything to do with the murder time trio! triglycercule GET BACK IN YOUR NICHE!!!!!!!!!#looking back at my old posts to my new ones and i can see what lingo and typing styles i've faded out over time is so fun#or maybe i'm just the exact same and i havent change styles at all and i'm hallucinating and need to be put down#first day school is upsetting (as usual) so i need to think and post about the mtt to feel better#my favorite coping mechanism is thinking about murderous little creepypasta versions of a fictional guy from undertale#killer sans#dust sans#horror sans#murder time trio#bad sanses#bad sans gang#utmv#god i have NOT used tricule hc in a while........ i really should more#tricule hc
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luxscape · 3 months ago
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dying to save the world is a very cool sacrifice to make, a real hero move
but it becomes super uncool when you have to do it because your megalomanic abusive piece of shit father decided to play god and shattered the timeline
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sammygender · 5 months ago
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so many people can’t conceptualise emotional neglect as anything other than ‘my parents were cold and distant and never talked about feelings with me’, and this, while being just a general awful problem of course, is also what leads to so much john winchester mischaracterisation. in this essay i will
#like. it can also be#a parent who you’re close to who is actually extremely emotional and explosive and reactive#and via forcing you to look after their emotional needs and spilling their problems all over you also teaches you that your feelings qrs re#unimportant and that you’re unimportant. even if they dont necessarily mean to or they dont with their words!#anyway i’m sure john winchester was a mix of the two#but my point is like. God this applies to so much actually#there’s this incredibly pervasive idea that damaging parenting has to be like. i dunno. distant somehow#your parents don’t love you. you’re not close to your parents#and obviously that IS damaging but it’s not the only way a parental relationship can be damaging… far from it#and a lot of what makes john so interesting to me is he DOES love the boys. of course he does#and he isn’t some hyper repressed incredibly macho figure either like some people characterise him#he’s warm with the boys when we see him in s1. sure he turns all his emotions into anger but it’s always very clear he Has deep emotions.#everything he does is powered by ‘love’#(theoretically).#like. hes obviously close with dean. he even has strong ideals about parenting when he starts off (see 70s era john disgusted at how future#john actually raised them lol).#and he’s still extremely abusive and neglectful and damages sam and dean soooo much. like. all that can coexist#and it’s such a disservice to flatten his character and pretend it doesn’t#plus it just offends me. like come on.#idk i guess a lot of people like to project their own bad experiences onto john and it’s not like i’m saying they shouldn’t do that#but. characterisation wise#he’s awful in a very specific way#spn#john winchester#oliver talks
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