#and that she has seen a lot of growth

[theyarebothgunshot]

.

[im-smart-i-swear]

guy trapped in a hell of his own creation: haha ive never done anything wrong in my entire life. and im always right:] anyway. why did my little brother move out:(

its so funny to me that at first glance tashi seems like hed be the most 'normal' out of all the clones but at least all the others are slowly healing n shit while hes just getting more and more insane each day and one day hell snap and explode and maim someone

[softquietsteadylove]

It’s been a while for the life interrupted one. Would you write more?

Druig being worried about Thena not coming home and it’s being very very late that he rushes to Gil’s and almost breaks the door from his angry knocking?

"Where is she?!"

Half the apartment complex would be woken.

"I know you can hear me you bastard!" Druig raged, not caring who heard him--not caring what time it was. He pounded on the door, "let me the fuck in or I'll-!"

The door whipped open just before Druig was yanked inside.

"Will you calm down?"

Druig looked up at Gilgamesh with wild eyes. "Calm down? My sister disappears and you tell me-"

"She didn't disappear," Gil huffed at him as if he were pitching a fit over nothing.

Druig took in the man who was 'dating' his sister. His t-shirt was rumpled, his hair dishevelled; Druig grabbed the front of his shirt, "you have idea what I am gonna do to you?!"

"Easy," Gil spoke calmly, despite Druig seeming completely ready to let his fists fly. At least Druig wasn't nearly tall or strong enough to actually haul Gil up by the neck of his shirt.

"She's vulnerable," Druig snarled through his teeth, "and you-"

"Thena is asleep, in my room, untouched," Gil defended, holding his hands up to Druig as he backed him up to his couch again. "Fully clothed, you can check on her in you want."

Druig looked at Gil's pointed hand for a second. He let go of his shirt and did just that, stomping the few feet to Gil's bedroom and opening the door none too gently.

Thena didn't even blink, curled up in the middle of Gil's bed, on top of all the covers but with a blanket thrown over her. He had taken her hair out of a ponytail and taken off her shoes, but she was clearly still wearing the stockings she wore under her dress to work.

Druig whirled around; he wasn't done being angry.

Gil huffed as Druig closed the door gently so they could talk man to man. He put his hands on his hips, "we were watching tv on the couch and she dozed off."

"So call me," Druig snapped at him, circling him like a wild animal. He certainly looked wild in the eyes.

"I did, but there was no answer," Gil shrugged. "I left you a text."

Druig's face twitched. He did actually have that text--it was what had made him storm all the way over here.

"But you're not-" Gil cut himself off before he could say something that would only worsen Druig's feelings towards him. He cleared his throat, "Thena doesn't need you to worry about her every minute of the day, is what I mean."

Druig tried not to pounce on him for the simple statement. It was true, T didn't need his worrying and fussing. She more and more often was telling him to leave well enough alone--that she was his older sister and that he did not have to baby her.

He wasn't babying her! He was worried about her! He was worried about the only person in his life on whom he could rely, ever. Thena had always looked out for them their whole lives, and he knew that standing up to their father came at a price. She was more fragile than she let on, even before being committed.

Now he was more worried about her than ever, and this 'boyfriend' of hers wasn't helping things.

"Look, Druig," Gil sighed, holding out a hand for them to talk at the ledge connecting his living room and kitchen. Druig waited for him to move but he rolled his eyes and sat himself down. "I have no intention of hurting Thena."

Druig held back some more biting and acerbic responses. He leaned against the edge of the counter, leaving a stool between them. "Yeah, and our father never 'intended' to backhand 'er 'cross the face."

Gil looked away.

Druig gripped the counter edge. "She's a lot more vulnerable than she lets on to be. She's more vulnerable than she even knows she is, and she's puttin' a lotta trust in you when she comes over 'ere!"

"And I take that seriously, Druig," Gil scowled. "I would never let anything happen to her, whether we're out or back here."

Every time either of them brought up their 'dates' Druig wanted to grind his back teeth flat. "You wanna know why I don't like you?"

Gil sighed, still rubbing at his eyes, "I'm sure you'll tell me."

Druig pointed at him, "you show up like magic during the worst time in T's life? And suddenly I'm hearing about this amazing guy who's a li'l too perfect?"

"I hear about how they're not even wearin' real clothes, just these loaner scrubs that've been fuck knows where?! I hear about how they get woken up on the hour and the showers don't have bloody doors and they're barely allowed to take a piss by 'emselves!"

"You expect to hear about the hell that place was and have a good opinion of ye?" Druig hissed at him. He realised none of those things were Gil's fault, and not even things he would be able to change or influence in his position. "So forgive me if it's a li'l hard to swallow my sister's trauma bond to you with all that goin' on."

Gil sighed after he was done his tirade. "I get it, okay, man? That place is a hellhole, you're right. But a job's a job--obviously they don't exactly pay me in gold."

Druig shrank as Gil held out his hands to display his modestly sized flat.

"And I never thought anything of it before," he shrugged. "But Thena was there for three months. And I saw her every single day, dragging herself around, obviously just wanting five fucking minutes when she wasn't being watched like a rabid animal."

"So yeah, I let her hang out with me and the potatoes, and I made her fresh mac and cheese, and I saved her pieces of cake so she'd have a singular thing to look forward to." Gil tilted his head at Druig, "obviously you wouldn't have preferred I give her up."

No, he didn't want that. And as resistant as he had been, Thena had asked him to pass her contact onto Gil, and he had done it. Because the look in her eyes when she said that she would miss her chivalrous cafeteria cook was too much to bear.

"Gil," Druig said just above a whisper, looking at his hand fidgeting on the back of the stool. "T really likes you, and I'm tryin' to accept that. But...I haven't been able to do much for her in our lives. She's always been older, stronger, tougher--her balls are bigger than both of ours, I'm sure you'll agree."

Gil just nodded.

"This is the one thing I can actually do to keep her safe," Druig professed, shifting as the feelings attached to his words became too much to bear. "After it was me who landed her there in the first place."

Gilgamesh smiled, though, "y'know she doesn't think of it that way."

"Maybe she should," Druig grumbled.

"Well, she's not going to," the older man chuckled and ruffled his hair again. The size of them arms... "So you can forget it."

Druig sighed as Gil slipped off the stool. He resisted the urge to ask Gil if he had been excused.

"Here," Gil set down a glass of water for him, smiling like Druig hadn't barged into his home and harassed him.

Dammit, he was just a nice bloke, huh? Druig snatched the water and chugged it aggressively. "I should go."

"You don't have to," Gil shrugged, leaving it up to Druig what he would prefer.

He shook his head, "T'll lose it if she knows I came o'er here."

"Druig?"

"Fuck," he bit his tongue as Thena emerged from the other room.

"Hey."

Druig watched Gil get up and go right over to her, speaking softly and reaching for her hand. She was drowsy, blinking a lot against even the living room lamp's dim glow. Gil brushed some hair out of her face with a smile. He must have asked if she was okay, because she nodded with a smile Druig had never seen before. Gil kissed her forehead, and Thena blissfully leaned into it.

"Sorry, I was just-"

"Druig, what are you doing here?" Thena asked, knowing the last thing her brother would do was ignore her.

Druig's shoulders drew up and inward, "I, uh, was just comin' to see if you wanted a drive home. But-"

Thena looked at Gil, who shrugged. "I texted him when you fell asleep. He just got here."

Traitor; Druig glared at him again.

"Oh." Thena just shrugged, no hands on her hips, no lecture about how her baby brother didn't have to come barging into her love life, please and thank you. She smiled, "I see."

Shit, was this guy really such a miracle drug for her? Druig tried not to be even more suspicious of his temperamental sister's serenity. He sighed, "yeah, but, clearly I had nothin' to worry about. I'll head out. You two...whatever."

"Really?" Gil raised an eyebrow.

"Druig," Thena spoke up a little more firmly, making him freeze partway to the door.

He sighed as she came over to him, but rather than jab him with her bony little finger, she tugged at his rumbled jacket affectionately.

"I know you were worried. But thank you," she gave him the eyes, "for trusting me--and Gil?"

Druig made a face and looked away from the woman who was as good as his own mother in many ways. "Fine, fine, I'm goin'. I'll see you when I see'y."

Thena nodded, pressing her hand over his heart for just a second before pushing him gently, "I do hope you didn't make a scene when you arrived."

A chill ran through him; how did she know that? "'Course not."

Gil chuckled, "not at all."

Okay, maybe he wasn't so bad.

[letmetellyouaboutmyfeels]

The I feel like she sees me line being said to Eddie who is the person that truly sees Buck for all that he is. Are we supposed to take this line at face value which would indicate piss poor writing because they needed to rush to a horrible ending or do we take it as Buck being an unreliable narrator? What was the audience supposed to interpret from Buck saying that, were we truly supposed to believe him or we supposed to be pissed at Buck for saying this to the one person that truly sees Buck?

Good morning to me, I guess.

I'm assuming you haven't really seen people's reactions in the fandom on tumblr because I feel like I saw this said in quite a few posts going around, but you are absolutely not supposed to take this line at face value. I'm surprised that people think you should. 9-1-1 has from the beginning had a habit of turning friendships into romantic relationships (Bathena and Madney) and taking their time with these things rather than having an instalove situation. Even Karen and Hen, who meet when they're set up on a date together, don't instantly fall in love. I do not think they would set Eddie or Buck up for an endgame relationship with a woman by having them date that woman immediately, even if they didn't plan to make Buddie canon.

Buck is clearly struggling post-death. He's lost and once again looking for the answer from a romantic partner. He did a lot of growth in regards to his family relationships this season but not his romantic ones. Remember, his couch ended up destroyed and he asked his latest girlfriend to pick the new one out for him. Again. He's still not picking his own damn couch. After being unable to sleep on the one his mom gave him but passed out instantly on Eddie's where he ran to feel safe.

If people think this is all, somehow, an accident or the writers are doing this without knowing what they're doing, then I can't help you. Do you also think the symbolism I put into my fanfics are a total accident? Do you guys think I picked the name of the poem "Fuchsia Emerald Alizarin Rose" just because the colors are fun and they accidentally spell out F.E.A.R. or do you think maybe I did that absolutely 100% on purpose and was waiting for someone to realize?

Buck saying that to Eddie is 100% supposed to make the audience raise their eyebrows. Especially when we see Eddie's reaction. He's confused and he's hurt and he's annoyed. Eddie then spends his next few lines showing Buck (and us) that he sees Buck. Buck misses it, it goes right over his head, but the audience is shown that Buck is wrong and Eddie sees him.

I think there was a lot of internal stuff going on behind the scenes way high up the ladder that meant Buddie didn't happen this season. No, I don't mean that in a tinhatting way, I just mean that they knew Fox wouldn't renew them, they didn't know if they'd get picked up somewhere else, Fox hasn't promoted or cared about this show the way it has its other shows in a while, and I think it's pretty clear there was shuffling and changes going on with 6B. So I think things had to be put off. Similar to the pandemic, where I genuinely wonder what kind of season four we would've gotten if we'd had the full 18 episodes and hadn't had to work around Covid. I think that when we know there was a big shift going on behind the scenes, we need to have some grace and patience in how that will effect the story that's told on screen.

But I think that this default to "everything good we see on our screens is an accident and the writers are making shitty choices" is a horrible bad faith argument, and it's exhausting. Aren't you exhausted? I'm exhausted. Fandom shouldn't treat the writing and production team like their enemies any more than the writing and production team should treat the fans like their enemies in some kind of war they have to win (looking at you, GoT showrunners).

We are supposed to be annoyed that Buck is missing the point. We are supposed to see Buck's yearning to be a husband and a father, and how he's missing what's right in front of him. We are supposed to put two and two together and see that Eddie was hurt by Buck's words, that Eddie sees Buck, that Eddie is Buck's safe place, and that Eddie in that moment decided he might not have a chance with Buck and needs to move on, because previously we saw Eddie admit he wants romance again but he doesn't want to go out on dates, we saw his aunt say she met her husband through work, we saw him say 'we have time' and then we saw him immediately after Buck tells him about this new girl who "sees him" flee to visit his mother and then immediately actually try dating. On a meta level this is also because Eddie needs confidence in himself as a romantic partner and needs some more experience under his belt before he's ready to take the plunge with Buck, but in Eddie's mind, I think it's pretty clear he feels Buck will never want him back and he's trying to find the love he wants somewhere else, even if his heart is still Buck's.

So that's what I think. I think it's not explicitly spelled out for a few reasons, but frankly if one of them was a woman we wouldn't need it explicitly spelled out and personally I kinda like that it's not. Something that annoys me with M/F pairings is the constant "we all know you two like each other" talks from third parties that half the time aren't about the characters but are about the audience, to either tell the audience SEE THEY LIKE EACH OTHER THAT'S WHAT THIS IS ABOUT or to give the audience some fanservice while the characters aren't ready to get together. I don't need to be pandered to that way, thank you, so I'm a fan of the slightly more subtle approach that I, personally, see going on with Buddie.

If you or anyone else disagrees with me and feels it was just "piss poor writing" then that's entirely your right. I'd just appreciate it if people who feel that way would stop watching the show, and stop putting their complaints into the inboxes of people who clearly do enjoy the show.

TL;DR - You answered your own question, Buck is an unreliable narrator (and always has been) and we are supposed to be frustrated he said this to Eddie who has proven time and again (and does so in that very scene) that he sees Buck.

[favroitecrime]

just finished 12 season of bob’s burgers and i’m not ready for the movie not season 13

[cassandracain52]

so I’ve seen lots of fics about Bruce coming back and finding out things like Tim loosing his spleen or Damian getting shot (on multiple occasions by different people) and he almost always finds out by either having dug into the Batcomputers records and stumbling across it or just seeing it on scans or something after Tim or Damian is injured

but imagine for a moment Bruce finds out, not on his own, but by the others telling him.

And by “tell him” I of course mean that they all automatically assume that he already knows about all of it(because he’s the worlds greatest detective so obviously they don’t need to say anything) so they never bring it up until they mention it one day in passing and nearly give him a heart attack.

for example:

Bruce: Tim, I need you to come with me to speak with Dr. Thompkins down at the clinic about that new drug that’s been circulating

Tim: Oh, sure thing, just let me grab my mask

[Bruce not saying anything but looking at him confused because Tim is already fully suited up and wearing his domino mask?]:

[Tim, now wearing a surgical face mask]: Ok, I’m ready! [Bruce just staring at him, waiting for some explanation. He doesn’t get one.]:

Bruce: Tim

Tim: hm?

Bruce: Why are you wearing a face mask..?

Tim: Oh! Well Dr. Thompkins got mad at me last time I came to the clinic without one because there’s a lot of sick people there and I should be more careful since I’m immunocompromised-

[Bruce, immediately cutting him off]: Wait, what?

[Tim, slightly confused]: She got mad at me when I didn’t wear one last time..?

[Bruce, equally confused and growing very concerned]: No, not that. You’re immunocompromised?

[Tim, now completely lost because this is all common knowledge?]: Uh, yeah??

[Bruce, even more concerned]: How??? What do you mean??

[Tim, getting annoyed and rolling his eyes]: Well that’s what they call you when you have no spleen, Bruce.

Bruce: What.

[Tim finally realizing that, just maybe, they skipped a step]: I have no spleen? It got stabbed so Ra’s took it

[Bruce, about to have an aneurysm]: RA’S DID WHAT-

______ Or like him finding out Damian had his entire spine replaced

Bruce: Hey, do you think it’s strange Damian’s so small?

Dick: No?? He’s ten?? Ten year olds are small?

[Bruce, audibly concerned]: No, I mean don’t you think he should have grown some by now? Is he not eating enough?

[Dick, immediately relaxing]: Oh, that? Yeah, it’s fine

[Bruce, still concerned]: Are you sure? I was taller than that at his age

[Dick, waving his hand dismissively]: Nah, he’s fine. I think the spine replacement just stunted his growth a bit

Bruce:…

Dick:..?

[Bruce, near hysterically because all his kids somehow keep losing pieces of their insides and none of them seem bothered by it??]: his wHAT- ____

Dick has to spend the next several hours trying to stop Bruce from making everyone do a mandatory medical examination so he can make sure none of his other kids are missing anything

Dick promises that it was just the two things

Bruce is not reassured

[rose-tinted-nostalgia]

nothing more humiliating than sobbing in the grain room of a brewery because you don’t feel like you’re enough & balancing work with a kid is fucking awful. 

 i don’t talk about my personal life at work, and I full blow had a breakdown to my manager because I swear she constantly says we don’t try enough or support her enough or care enough, and I’ve given more than I ever signed up to give, and her response to that was to call me defensive & say that if I don’t like how she manages, we can just part ways because she approved a weekend off, and I promised my son we were going on a trip, and he hasn’t stopped talking about it, and she took it back because we have a major event that day now, and her reasoning is that I’m a trainer, and she’s always given me what I wanted, and she’s sacrificing a trip, and I haven’t had to make sacrifices yet, and I lost it, telling her how I promised my son, and I spent the first five years of his life letting him be raised by everyone else because I worked 80+ hours a week and sacrificed EVERYTHING, and I quit management so I could be a human being and prioritize something other than work, and here I am working 60 hours a week and eighteen hour shifts, and you’re telling me I should have taken it upon myself to learn how to hang the lights, and stop getting sick as often as I do, and I’m not dedicated if I don’t cancel a trip you approved for this event, and I already feel like a bad mother, and I don’t have friends, and everyone in my personal life is constantly telling me I’m not enough, and you want to criticize my performance fine, but you tell me good job one second and then in the next tell me I’m not living up to your expectations because I could be doing more when I’m doing all that I can, and fuck. She apologized at the end, and sent me a nice text, and I think she just feels bad for me because she realized I’m a lonely, traumatized wreck, and that’s fucking mortifying, and I had to go back out and take care of a hundred people with a smile while my face was red and puffy, and I hate this. I don’t need people to feel sorry for me. I don’t need you to manage your business based on how I feel. I don’t need you to tell me good job. I just can’t handle the drama, the guilt trips, the constant lecturing on how we don’t care or sacrifice the way that she does. Work is my escape. Work is the one thing I’m good at. I can’t be in an abusive relationship with it, too. 

[bourgeoisiebirdie]

Agatha All Along Episode 5 Theory: Why It’s Weird and Short

So Episode 5 was by far the shortest episode we’ve had so far for the series. It feels different from the other trials so far which causes it to feel…scrambled in a way. Now you could blame poor writing for the craziness of this episode (along with the abrupt ending), but I usually reserve that judgement for after a series ends.

Here’s what I think is going on. SPOILERS AHEAD!

Agatha’s trial being in this episode was a bit of a surprise, but let’s be real, the show is called Agatha All Along…do we really believe that our favorite dramatic sad backstory mommy issues-filled witch only gets ONE episode for her trial?

The Ouija board makes the objective for this task clear: Punish Agatha. A task that some of the coven clearly have no qualms carrying out. But let’s think about the sequence of events after that message is delivered.

The coven tries to tie up Agatha which fails after Agatha becomes possessed by her mother. Agatha’s mother says Agatha must be left behind which causes her to freak out. Alice tries to save Agatha which results in Agatha accidentally(?) killing her. Agatha is only stopped when Teen says her son’s name and the door to escape opens after Teen says Goodbye on the Ouija board.

Notice anything?

Agatha is never *technically* punished by her coven. Each trial so far involves a task that 1. is specific to one witch’s ability, 2. involves a clear objective that the coven eventually recognizes and reaches together, 3. ends with growth, both power and character wise, of the witch/coven. This episode feels off because the formula is off. And the formula is off because none of it’s real.

Episode 5 IS Agatha’s punishment. Every trial has stirred up unwanted tragic memories from the witch it’s related to. It is no coincidence that this episode hits every. single. one. of Agatha’s problems.

It starts with an Ouija Board - Agatha has killed a lot of people, not all of them on purpose. We already know Agatha loves to pretend to not feel anything, but now she is forced to directly interact with her victims.

Punish Agatha - The coven turns on Agatha surprisingly quick to carry out the trial and surround her while she is on the floor…just like her old coven betrayed her. She fears betrayal.

Evanora Harkness - Self-explanatory, she not only forcefully possesses Agatha (which could tie in to fear of lack of control thanks to Wanda), but tells her she was born evil, something that Agatha looks devastated to hear. Mommy issues galore.

“I’ll be good” - upon hearing that her coven may leave her behind, Agatha freaks out and begs for them to not leave her. Fear of abandonment.

Alice’s Death - Agatha seems horrified after killing Alice with her powers (just like she killed her mother and coven in the past), and the rest of the present coven, especially Teen, are horrified by her actions and don’t believe her.

Nicholas Scratch - A devastating name to hear. And his voice calling to her is just the cherry on top.

And after she leaves the trial? Teen turns on her using magic similar to Wanda’s and then throws Agatha off the path to kill her. And Rio is suddenly nowhere to be seen? Another tumblr user made an interesting point that the aspect ratio doesn’t return to normal like it usually does after a trial. Because all of this has been the precursor to Agatha’s actual trial.

This may be all in her mind and it’s up to her coven to help her, guess we won’t know for sure until next week.

[astrobydalia]

Astro knowledge pt. 2

work by astrobydalia

Cancer rules hotels, motels, etc. Hotels are all about hospitality, making people feel welcomed, comfortable, provide for basic needs like a bed, food, etc. Of course this will differ based on quality and the kind of place but in general places designated to provide shelter and a place to stay are ruled by Cancer

When I learned this it made a lot of sense cause my mom has Groom in Cancer and 7th house ruler in the 4th house and she met her fs at a hotel. I know a couple who has Cancer ASC in their composite chart and they met at a hotel

Jupiter is a very unpredictable planet and a negative manifestation of it is that it can make things grow uncontrollably without reliable results. Jupiter can give blessings yes but it does not guarantee success. Those blessings are just opportunities but it's up to you what to do with them.

Astrologically, the key to success is Saturn. That's why success is so hard to obtain and it's a symbol of status or accomplishment. And yes this applies to whatever it is you consider success. Saturn is not about obtaining success in itself, it's about growth, the way we feel accomplished and successful as humans is when we feel like we've grown and flourished overtime. That's why it doesn't matter what your definition of success is, in order to get it you need to mature and go through sacrifices and lessons related to your Saturn placement.

MC/10th house = what success means to you Saturn = also related to what success means to you, but it can specifically tell you how to get it

Moon is related to wealth that's why it is exalted in Taurus!

Moon in a man's chart indicates his wife because Moon symbolizes the divine feminine. Venus is important too but ultimately a man will commit to a woman that satisfies his Moon energy. That's why it is often said that men marry someone like their moms or the way a man treats his mom is how he's gonna treat his wife

5th house rules your creative endeavors and the 11th house rules your public/clients/fanbase/etc. That's also why 11th house is related to money you make in your career (2nd from 10th). If you wanna have your own business you gotta look at both the 5th and 11th houses

Something I don't see people mention much (maybe because its obvious) is that Libra energy makes things to be balanced in itself because Libra is all about avoiding any extremes. Libra makes this to be on the "elevated" or positive side but always keeping it moderate. For example, if you have Libra ruling your money houses your income could be averagely decent, like you could make good money (cause, Venus) but you're not insanely rich either or it does not appear that you are (cause Libra also rule appearances).

Aquarius rules heavy cold winds (you know like those very heavy and erratic winds), that’s why it also rules over airports and planes. I've also seen astrologers say that back in the day, Aquarius used to rule over sailing of bigger boats which also needed heavier winds in order to move

We all know Leo rules inner child. One thing about children is that when you're a kid you kinda don't have a concept of others being their own person and having completely different lives (that's something Aquarius brings awareness to, that's why its the humanitarian), but rather kids tend to assume everyone lives the same way as they do. That's what happens with Leo astrologically, they tend to not understand or fathom or be interested in things that go beyond them or their experience. Their own perspective of life is their whole world and what they will project on everything much like the Sun project its own light into the world. In the case of very unhealthy Leo energy this can go as far as actively minimizing other's experiences and perspectives. When Leo does try to understand others, they have a tendency to circle it back to something they can relate to or is relevant to them or they can understand

There's also another side of Leo that rules teenage years since that’s the period of our lives where we are finding our identity/expression and also where we start to become more interested in romance and sex

In composite, the ASC is how the relationship started and how it generally comes across as but the 7th house is the dynamic the two people have between them, how they actually interact with each other

Both Aquarius and Pisces are the last two of the zodiac wheel and both relate to themes of evolving as human and elevating spiritually but because of this, these signs are the hardest to develop healthily and many people fail to do so. That's why you see many Aquarius and Pisces placements with a god complex or huge entitlement cause both share this sentiment of feeling 'different', more elevated or special than everyone else

Venus finds fall in Virgo bc Venus is a sex goddess, she rules abundance, sensuality, pleasure and indulgence. Virgo on the other hand is the virgin, she's minimalistic, cerebral and modest, she’s too much of a “prude” for Venus.

Since Pisces is the most empathetic sign, its opposite Virgo is one of the most unkind signs unfortunately. Pisces wants to find the beauty in all things and people (Venus exaltation) while Virgo wants to find the flaws and everything that is wrong and needs to be improved or fixed. Pisces is about accepting the "soul" of things while Virgo is attached to an idea of how things should be. That's also why Venus finds falls in Virgo because Venus is related to kindness (this does not mean Virgo Venus people are inherently unkind, this can manifest in any unhealthy virgo placement, it's just an astrological explanation)

Domicile/exaltation is not always positive. When a sign exalts a planet it means that it can enhance both its positive AND negative qualities. That's why exalted mars can manifest as toxic masculinity or why exalted Venus can manifest as textbook enabling behaviour. On the flip side, planets are its fall/debilitation are challenging placements because the positive qualities of the planet are weakened but at the same time its negative qualities can be neutralized. For example, Mercury debilitated can be less prone to pointless rambles and have a more focused intellectual approach, debilitated Venus can be less compliant, etc

The energy that rules horror astrologically is Pisces/12th house/Neptune, we usually associate it just with dreams and idolization but it actually has a creepy and twisted side to it. Neptune is all about blurring the boundaries of reality including what we judge to be good or bad (Virgo). It rules over dreams AND nightmares. Not only that but Neptune energy does not understand the difference between a dream and a nightmare. This characteristic can range from blindness to red flags all the way to having rather morbid fascinations.

Following the above, the association of 12th house with nightmares is also explained by Saturn finding its joy is this house (the so called 'bad spirit', the never-ending burdens that come to haunt you). However, as I explained earlier in the post, Saturn is the key to success so this means Saturn is the key to help you achieve your dreams (12th house)

Pisces/Neptune energy rules spirituality but at its lowest it can also be the most superficial and vain sign (again, the negative side of Venus exaltation) because Pisces also rules illusions and idolization. It can focus so much on portraying an ideal image that it does not dive deep within, wants to escape reality and live a fake ideal

In terms of performance, Leo is theoretically better at sex than Scorpio

How to read the chart of a Nation + some observations

Sun signifies the characteristic of the rulers and it also symbolizes what that country is all about if that makes sense. For example USA is Cancer Sun and they've always been known for they patriotism and how they're very attached to their past as a nation.

Moon represents the people (civilians, population, the society). The energy you will likely experience by actually spending enough time there and start integrating yourself with the people. For example New York has Aries Moon and a relative of mine who used to live there once told me jokingly "with all the hustle and normalized criminality sometimes it feels like a war zone here"

Ascendant is the general national identity they present, the first thing that comes to mind when you think about that place. I've also noticed the stereotypes of a nation a lot of times relate to its ASC. For example Canada (Toronto) is Libra ASC and they’re known for being polite and nice to everyone. Japan (Tokyo) has Virgo ASC and their known for being super diligent and clean (think Marie Kondo). USA (nation) is Sagittarius ASC and they’re known for being loud, entitled, optimistic, multicultural, a massive country, cowboys and country music, etc.

work by astrobydalia

[vampiresbloodx]

Only you.

pairings: Agatha Harkness x Reader

word count: 3.4k

warnings: smut, slight fluff, angst, hurt but with comfort, reader has chronic illness, death mentioned, slight violence, mind control, spoilers if you haven't seen Wandavision or Agatha all along, kind of canon, witch!reader, reader struggles a lot, Agatha is obsessed with them, g!n!reader, reader has a vagina, dry humping, degration kink, rough sex, oral sex, top!agatha, bottom!reader, lesbian agatha harkness my beloved.

a/n: first fic I've posted in months, god I miss writing long oneshots, the inspiration is to the fact that I'm obsessed with this milf.

Agatha Harkness had always admired you. From afar, there was no real reason why, unlike most of her motives, she’d always want one thing and one thing only; power. You on the other hand gave her something else much fun. 

She was always going to be obsessed with power. That’s just who she is and who everybody else knows. But she likes to think you know her differently, maybe even better. She couldn’t wrap her head around it when she first met you, of course, your arrival in westview was unexpected. With others not hearing of your name in a while, where you have been, what you have been up to. She knew you liked to keep to yourself, it was a skill really. Especially in the witch world. 

Yes, it added more energy to those names everyone admires or fears away from, for instance, every witch in history and till this day has heard of the scarlet witch. They've heard very little of you, but your name does travel around. 

Since the Salem times. 

Maybe you just didn't like the attention yourself, you were a silent one. Despite your magic. 

Agatha knows that every witches magic reflects who they truly are on the inside. Just no one would expect it from you. 

Obviously, she had checked the most obvious place, Westview. But there was no sight of you, she would have sensed your energy anyway, she just couldn’t feel you anywhere. 

After finally returning back to her true self, not the “agnes” from the last three wasted years of her life. Her first thought was wanting to find you. 

She used to feel you everywhere, now, it was just a memory. 

She wasn’t going to allow that to happen. She knew her mind had been twisted and you wouldn’t have gone that far. 

So why couldn’t she feel you? 

Agatha started to panic from the worst case scenarios that could have happened to you while she wasn’t keeping an eye on you. Did Wanda do something? No, this doesn’t seem like something she’d do without a good reason. Unlike her, you actually made an attempt to be close to Wanda, to try and be her friend, you were casted the role as her best friend, it only made sense. 

She hated that. Watching how friendly the two of you were, how you always were laughing around the other witch, how happy you looked. She wasn’t blind to how Wanda was very touchy with you either. 

It made her sick. 

If only she had the one book that made her feel more powerful than anything else in this world and it didn’t fall into the hands of her. 

But was the dark hold really going to save her? 

Why was she thinking so little anyways? Probably the side effects to what Wanda did to her. 

She didn’t like it. 

She needed to find you. 

She had to. 

There wasn’t really any reason to explain herself, just her feeling. 

-

Sometime, somewhere in Salem, 1600s. 

Your body ached. 

Everywhere there was pain. 

Constant, irritable pain. You couldn’t do anything. There was not much to do when you were bedridden most of your life since you were a kid. You didn’t exactly have the luckiest childhood, where you got to experience going to school, having friends, making memories, first love, first kisses. No. it was just seeing doctor after doctor. 

You got sick easily compared to most children, there was never any reason behind it. Some thought it was the usual with the body changing, puberty, growth, but it was more than that. It wasn’t fair. You shouldn’t have to live like this. 

Then one day, it got better. 

You were still young, you had just turned 18. A big time for people your age. You were becoming an adult. And finally, for once you could breathe fresh air without feeling any sort of pain. 

And of course, that was the year the Salem witch trials began. 

On your birthday, you were to be trailed. 

Then to be dead. 

-

Somewhere, sometime, in modern world. 

Times have changed. 

There were no burning witches, no more trails, it was even considered more accepted. Instead now, they had guns, more firepower than before. 

You’d much prefer the bullet to the head than being burned alive any day. 

It was quick and effective. Well, if used right. 

You should be dead. Even after your trial, you shouldn’t still be alive. Maybe you should consider being more “positive” . It's kind of hard to when you spend most of your youth in bed. 

Now things were different for you, which should be a good thing, but it didn’t feel so. You worked, had your own place to call home, didn’t really bother making any friends, you didn’t care if people thought you were strange to be a loner at your age, you liked that. 

Even so, you don’t even know your age. You know you were once 18, then you made it to your twenties or something, and then it all stopped. You didn’t have the ageing effect everyone else got. Witches aren’t immortal beings, though, we possess the power to live longer than humans, we still age, and look “older.” 

You still looked like you could be a damn college student. And yet you didn’t feel like you were at all. 

God, you were born centuries ago. You can’t even remember your birthday. You usually have to make one up to please those around you, so they don’t have another excuse to make you look even weird. 

You didn’t really understand what the big deal was. 

Sure, now, there were real life superheroes, straight out of the comics, captain america, Iron man, the black widow, Thor, whoever else there was, there were too many of them. 

You wondered why witches didn’t also get this much attention as well. Hell, you could literally move things with your mind, okay, so can some special people with abilities, but they weren’t witches. 

They weren’t born with the ability blessed to know witchcraft. Sure, it can be easily accessible, but only you yourself knows that part of you. 

It was all rather complicated stuff really. 

In all of your time being alive, there weren't that many people who moved you, not quite like her. 

There wasn't just one her. 

These women who impacted your life more than you could have imagined, changed it for the better or for the worse, you wouldn’t know. The names that were carved into your skin, so you could never forget. 

You wouldn’t be able to anyways. 

You never spoke of their names out loud, fearing that they would pop up at any moment, you knew that possibility would be low, still, you couldn’t help but wonder. 

The connections you shared with them is what you miss the most. And their touch. 

You sometimes still see her. Either walking outside of where you worked, in a crowd, in the train, in your apartment, staring at you. 

Just in a blink of an eye, a flash of hair the color of scarlet would pass by, then hair dark as night. 

It was a never ending torment. 

You couldn’t get rid of them. 

Even if you had the choice you wouldn’t. 

It would probably kill you if you tried. 

-

Westview, 2023. 

When you arrived, it was late. Most of the residents of this town would have gone to bed already, not you. You wanted to introduce yourself, the new neighbour moving in, this town didn’t seem that bad, everyone so far was nice to you, welcoming. 

Then you finally met her. 

She came to you first, already expecting your arrival. You were surprised when you opened your door and it revealed a woman standing in front of you. And she was absolutely gorgeous. 

“Hi! I’m Wanda, welcome to Westview!” she greeted with a bright smile, your heart immediately warmed at the sight, the sound of her voice soothed you, you felt so relaxed around her, like you already trusted her. 

It was your turn to introduce yourself, you did so, shyly. 

“What a beautiful name” she complimented with a chuckle, enjoying how flustered you easily got as you avoided her gaze, how you fidgeted with your fingers together. 

“May I come in? I made chocolate chip cookies for my boys, I seemed to have made too many, I always go overboard with my baking. Here, try some, I hope you like them!” she grinned, handing you the container of freshly made cookies that made your stomach growl with hunger. 

They were even wrapped in a cute pink bow. 

You wondered how someone so perfect could exist and breathe the same air as you at the same time, you even questioned if she was really and truly real. But when she leaned in for a hug, you couldn’t resist, and you knew she felt real. 

You didn't mean to end up in Westview, and yet here you are. 

Wrapped around a certain witch's finger, who wants you all to herself, while she watches, from afar. 

-

Shortly after meeting Wanda, you met Agnes. 

Though you felt like you already knew her. From somewhere, sometime, you weren’t sure. She looked familiar. You didn’t get this feeling when you had met everyone else, so why was she different? 

You soon found out why. 

Not very long when chaos struck. 

-

You were running, out of breath, you forgot why you were running in the first place. Were you chasing something or was something coming after you? No. You were heading somewhere. The town that was Westview, now turned to shit, as above you, far from your view, two witches fought. All you could think about was one thing only; fuck the dark hold. 

Fuck whoever created that stupid overly powerful book. It had ruined everything for you, it ruined the ones you loved. 

You couldn’t even do anything about it. 

It was so powerful that someone like you couldn't withstand it. 

And it was crushing everything you loved. 

You wish you could burn it. 

It turned the one witch who saved you all those centuries ago into something twisted, dark. She wasn’t always like that, not the woman you first met and knew, fell in love with, who saved you. Who would walk through hell just to get to you. She will still do that, just she doesn't feel the same to you anymore. 

In her eyes, you still saw the soft Agatha hidden behind all that darkness. Her heart was tainted, you weren’t sure if you liked this Agatha now or the one you met, you can’t help but fall more in love with her. 

And she knows it. 

When she heard you cry out in pain, being thrown by the scarlet witch’s power, she stopped. You were her weakness. Wanda saw that. 

How her eyes immediately went to you, how your body was in pain, as you groaned out. You were no match for the scarlet witch, so what the hell were you doing? She didn’t think too much of that, her main focus was Wanda, still she kept her eyes on you. 

Only you. 

Her heart thumped loudly in her ears, there was a loud ringing noise, she couldn’t focus, her breathing turned ragged, out of her own stubbornness, She flew to you, in front of you, you saw an angel, she was far from one. 

She cupped your face, it sent a chill down your spine as you let out a shudder, wanting more of her, to be closer, as you slowly moved your body towards her, the best you can with whatever energy you had left inside you. 

“No” she whispered, forcing your body to not move, you only managed to look up and see her face despite your vision going blurry, you were so so tired. “I want to make this right, I need to, for you, it’s all I ever want, I need just you, I shouldn’t have left you by yourself, it was cruel, a mistake, but I knew we’d always find each other again. From the vow we made all those centuries ago, now, close your eyes, I’ll make it right, rest, you’ll see me soon” and then she kissed you. 

You felt yourself break out in a sob, this made you hate her, made you angry, as you watched her walk away, you couldn’t do anything. 

Then everything went black. 

-

Sometime in 2024. 

Now you can breathe again. 

Just a bit. 

You have always felt like you were suffocating, or drowning underwater, begging, grasping for air. Your lungs tightening, your throat closing, you couldn’t scream, make a sound, it was the worst torture you’ve experinced. Until you had to watch your lover get erased and completely forget about your entire existence. 

You would have preferred getting killed. 

But the scarlet witch didn’t show mercy like that. 

Even if you begged her. 

You wished it was you who had their memory erased, but you remember every single thing that happened. How you got to Westview, when everything turned to shit, it was already going bad from the start, you saw reality break in front of you and everyone else. 

You remembered waking up, Wanda was gone, so were her boys and Vision, and you had met Monica, who helped you off the ground in the first place, she was nice, you were grateful she didn’t suspect you to be working with the Scarlet Witch. 

Even then you found she was trying to help her, instead of imprisoning her, she wanted to help everyone. 

When you had asked her of Agatha, she was quiet. 

“She’s… Agnes now. I’m sorry.” 

You didn’t know why she even apologised to you, knowing Agatha could have quite literally killed her if she wanted to, maybe she felt pity for you, how she saw it in your eyes of you felt for the witch. 

Despite it all. 

Now you were living quite nicely, the apartment building of where you rented your place wasn’t too loud even during the day, at night, you like to go on walks, enjoying the lack of people around, your neighbour had protested to you going out by yourself but you preferred it that way. You worked in a cute book shop just a few streets from your place, everyday you wake up at the same time, sometime sleeping in longer if you wanted to, as you always went out and got your favourite coffee, enjoying the warmth of the morning sun. you’d come back home, slipping out of your work clothes and into something much more comfortable and outside there would be a beautiful sunset. 

As you sit at your desk, drinking a cup of coffee, writing down your day in your journal, keeping track of everything that’s happened, adding down stuff you needed to get from the market, what you wanted to cook, or bake. 

Then there was a sudden knock at your door. 

Weird. 

You weren’t expecting anyone coming over, unless it was your neighbour, who often was a bit nosy but she was relatively nice. 

Letting out a sigh as you’d hope they would have walked away if you didn’t answer the first knock, but then there was another, it sounded urgent, strange. As you stood up, placing your cup down as you walked towards the door, putting on a smile, you opened it. 

The air was knocked out of you in a heartbeat, before your eyes, you couldn’t believe who you were seeing, after all these years, how, why? You couldn’t wrap your head around it. 

“Agatha?” you whispered, not wanting to say the name outloud in fear of her disappearing. 

She bent down on her knees, her hand reaching out as you grabbed it, your hands shook, she stared into your gaze, helping you stand up. 

“How did you… is it really you?” you asked with a gasp, she smiled, walking into your apartment, stepping closer to you as she didn’t let go of your hand. “How did you find me?.” 

“My precious kitten, I'll always find you.” 

Your heart skipped a beat hearing her voice again, it was real, she was real, her touch, her voice, everything. 

You wanted to know how, but you didn’t care. She knew that, she saw it in your eyes, how much hunger there was inside them, your skin felt like it was on fire, you needed her. 

“Kiss me” you whimpered, she closed the door behind her using her foot, as she grinned. 

Agatha pulled you in closer, you smelt her scent, lavender, she always loved lavender. So did you. It became your favourite. You felt her hands grip your waits, as her lips kissed yours, you moaned, wrapping your arms around her neck. She groaned into the kiss, sending a chill down your spine. 

She pushed you against the wall, her lips leaving yours as she kissed down your neck, sucking hard on your skin,causing your body to shudder, leaving a visible mark. You wanted more. You whined, pushing yourself into her more, she chuckled. 

“Needy.” 

You huffed, “you like it.” 

“Touche.” 

Her lips found yours again as she hummed, she was enjoying this, teasing you, your Agatha hasn’t changed not one bit. You felt her knee pressed in between your thighs, with the little clothing you wore to bed, you were grateful, moaning as you ground yourself on her leg. She chuckled, her nails digging into you to keep you still as you fucked yourself on her. 

“So innocent, yet you fuck like a whore” she grinned, kissing along your jawline, her tongue licking your skin, as your head fell into her neck, you were getting close, she knew this, she wasn’t a stranger to how your body reacted around her, it was building up inside you, fast. You cried out as you came, embarrassingly quick, but she didn’t seem to care, as she lifted you up, you thought she would have used her magic, like she would have done, but you soon realised she didn’t have any. 

Agatha didn’t let that stop her from getting what she wants, yeah, she feels more useless and powerful, weak, around you she gained a little of that power back, you made her feel powerful, beautiful. 

She pushes you onto the bed, making you lay down on your back, her hands quickly pulling at your clothes as she rips it off, revealing your bare chest, as she admires you, you shy away. It's been a long time since she looked at you like that. 

“Gorgeous, you’re so beautiful” she murmured softly, your cheeks heated up as you bit down on your bottom lip. You let her pull down your panties, she moaned at the sight, how wet you already were, practically soaking, your wetness dripping down your inner thigh. 

She licked her lips hungrily, she felt like she was a starving dog, about to devour. She kissed up your thighs, using her hand to spread them more wide for her, she stared up at you, you watched her eyes darkened, you missed this, you missed her. 

Your hands found their way to her hair, still felt so soft, you always loved running your hands through her hair, she pretended not to like it, but you saw the way she’d lean into you more, asking you to do it again without saying it outloud, she loved it. 

Her tongue licked up your cunt, making you gasp as you gripped harder, she kept going, still fucking with you, even now, with her head in between your thighs. You enjoyed it. You didn’t want her to stop as you pressed your legs against her head, forcing her to stay there as she wrapped her mouth around your clit, earning a moan from you as more came out as she sucked on it, she didn’t let go until she made you come as many times as she wanted you to, she loved the way you tasted, how sweet it was on her tongue, as she consumed you. 

Your body went limp as you had to practically beg for agatha to stop, you’d reach your limit, and she broke through. She pulled herself away with a wicked grin, your wetness all over her chin, as she leaned into you, kissing you, you tasted yourself on her lips. 

You wanted more. 

You grabbed agatha by her hips as you moved the both of you so that you were now on top, she smiled, giving a small laugh. 

She reached up and cupped your face, her eyes set on you. “Is it your turn for a taste?” she whispered. 

You didn’t answer, with a flick of your wrist, she was naked, as you went down on her, kissing along her skin, biting her, wanting to make her cry out. 

You won’t stop until you’ve consumed every part of her.

[domesticandlovingmonsters]

On the topic of oviposition, have you considered: a drider who needs to find a safe, warm place to lay their eggs

How could I have missed Driders?????

Forgive me if the first bit isn't a typical oviposition theme but it popped in my head and now I need to vent it!

But a Drider female who needs to lay her eggs in a safe place, but she cannot find a secluded area to her liking.

You offer to harbor her eggs for her. Since you're around her den a lot and don't go far, you could keep her eggs close. And your warm body would be a great asset to the eggs growth and development.

Plus, she wouldn't have to lay the delicate sack against the hard stone walls. Or worry her webbing would fail if she's away for too long.

She's unsure at first. Not because she doesn't trust you but because she has never placed her eggs on a living organism before.

But after some discussion, she agrees and it's a rather messy endeavor. Lots of webbing and thick, bulbous sacks that rest against your chest and stomach as you lay on your back. Allowing her to lay her eggs against your skin.

There's something intimate about this situation. You rub your hands along her lower abdomen, soothing her and massaging her as she carefully places each sack against you.

Once her eggs are laid, she delicately wraps web and silk around you. Securing the sacks to your body.

She assures you that her brood won't eat you when they hatch. She promises to remove them when the incubation period gets close.

She's worried her brood might be too heavy for you. But you shoo her worries away gently as you wobble around with the new weight.

Your back would definitely start aching after a few days, but the eggs are safe and your Drider partner is absolutely thrilled about this new prospect of egg-laying.

A little NSFW version below with a Male Drider:

Your Drider lover needs to breed. A different sort of breeding than your usual intimate activities, you found out.

He's sweet when he explains about the ache in his arachnid abdomen and the build up of eggs he needs to deposit. And speaking about such a topic starts to rile him up.

He grows incredibly needy.

You agree to bear his eggs. And he lays you on a bed of silk, mounting you differently than he usually does.

Instead of his humanoid cock from the front of the body, be begins to grind a pointed tip against your center from the end of his spider half.

It's hard at first. But with more friction and the encouraging warmth from your body, his second length begins to slide from its hardened sheath.

You've never seen this part of him before. It's thick and flexible, but finds your waiting core easily. Your head rolls back as your penetrated in one smooth stroke. And your lover hisses above you. His many legs twitching as a blinding pleasure overtakes him.

You feel a cool substance slide between your legs from him and very quickly, your body falls into a relaxed state. The bliss and pleasure remains as your partner fucks slowly into you. Thrusting until you feel him so deep inside you it feels like he's pressing against your womb.

You watch as his abdomen swells and tightens, then something round begins to slide down the length that connected the two of you.

Your mouth falls open as your walls are stretched and the burn of the intrusion is soothed by whatever aphrodisiac like secretion pours from his cock.

The egg sack settles heavily in your core and you groan as a second follows.

Your Drider lover purrs sweet words to you as you open your legs more for him. Welcoming his eggs as he continues to pound into you. A loving, but brutal, rhythm so his eggs are left as deep within you as you can take.

Your Drider lover only stops when he feels you can take no more. And he slides out of you slowly. Kissing his way down your body until his fangs trace over your inner thighs.

When his tongue licks over your core, you feel his eggs roll inside you as you squirm under the harsh stimulation.

"You look so beautiful swollen with my brood, my love." He says. Pressing more kisses along your rounded abdomen.

[asidian]

One thing I haven't seen talked about is Crystal's character arc, and specifically the way the timing of it interacts with Charles' arc. They stumble over each other in the worst possible way en route to their respective character growth, and from a narrative perspective, it's absolutely genius.

I'm going to preface all this by saying: none of this is a criticism of Crystal. Part of what makes her such a dynamic, refreshing character is that you don't get to see women in fiction written the way she's been written. You don't get to see women with her flaws that aren't throw-away mean girls or villains. You especially don't get to see women with her traits who learn and grow and become better people. So yeah, I'm going to talk about Crystal's character flaws. No, this isn't Crystal hate. We love our girl in this house. Okay? Okay. Let's start.

Crystal's character arc, at its heart, is all about her learning to be a better person because she has good influences that love and support her for the first time.

When the show starts, Crystal is not a nice person. She's abrasive in a way that's specifically designed to push people away. She's used to getting her own way, and it shows. She's used to having no meaningful connections with anyone, and it shows. She's breathtakingly selfish, in the very literal sense of the definition. She is focused on her self. Her problems are front and center to her; everything is about what she needs, and what she wants, and how she's struggling.

Jenny calls her out very early on. In episode one, Crystal is complaining about the boys, and Jenny, for all her cynicism, strikes right at the heart of the problem. She tells Crystal, "Everybody is always thinking about themselves, all the time." People only care about their own problems. And she says, correctly, that that's what Crystal is doing, too.

This moment is a revelation for Crystal. For the first time, she considers what her behavior looks like from another person's perspective. As she says, she gets mad at herself over it, and that awareness allows her to do something selfless for the first time in the series. She takes a step back and insists that instead of focusing on her problems, they go to help a little girl. It's a big moment for her.

But importantly, she's not done growing as a character here. She's only just getting started.

On my first watch through, I didn't realize how often, over the next few episodes, Crystal redirects things to her problems during conversation, but it's quite a lot. She's still focused on herself – selfish, in that most literal definition of the word. The issues most important to her are her issues. She's starting to learn to think about other people, but she's not there yet. The process is still underway.

Which brings us to Charles.

Charles' arc is a different sort of self-reflection. He's terrified that he's a bad person the way his father was and the way the boys that killed him were.

During the course of the show, he gets systematically stripped of his confidence and made to feel helpless, and just like Crystal needs outside influences to help her reach a more stable place, Charles does, too. He desperately needs reassurance that he isn't everything he's afraid he is.

But my goodness, the timing in their arcs is such a trainwreck when you put them together, and it is brilliant.

Let's start with the Devlin House.

Crystal has some amazing character growth here. She displays genuine concern about Charles, makes an attempt at comforting him, and learns to work with Edwin even though she still doesn't particularly like him at this point.

Charles, meanwhile, is beginning to fall apart. He's just had the worst night of his afterlife. He's been viscerally reminded of how helpless he is. He couldn't stop the Devlins from being killed over and over, just like he couldn't stop his own father's abuse. He messed up his attempted rescue so badly that he was completely out of commission until the case was finished. He managed to help not one single thing. He made no impact at all. He couldn't help those girls any more than he was able to help himself, while he was still alive.

So they get back to the butcher shop, and what do we see? Monty immediately coopts Edwin. Niko doesn't know what's happened because she wasn't there and Charles has been all fake smiles with her. And Crystal goes off with Niko, leaving Charles to flounder on his own in the wake of everything. She's still learning how to support other people. She isn't there yet, and it's extremely on display in this moment.

Then we get the lighthouse episode, and they both get put through the wringer here. Crystal gets her hopes and expectations jerked around by the Night Nurse in the very worst way, and Charles gets hit with a whole pile full of trauma. All that helplessness wells to the forefront again. Combined with being forced to relive some of his worst memories and the desperation to keep Edwin safe from hell, Charles lets himself act on his anger for once.

And what does he get in the aftermath? Horror.

Everyone who cares about him is horrified by what he's done. Edwin goes so far as to call it extreme. They don't know the half of it, of course; they haven't seen what the Night Nurse just put him through. But in this moment Charles is at his absolute lowest, and all he sees is confirmation that he's exactly as terrible as he thinks he is.

That's why Charles shrugs off Edwin's attempt at comfort, here. When he needed to be able to do something to protect Edwin and also himself – when he needed to believe that he could be better than what his father always was – all he sees is the confirmation from the people he cares about most that when push came to shove, he really is a bad guy.

Then comes the aftermath. And this moment is such a brilliant, awful clash of both of their character arcs. It is so delightfully messy.

Because Charles starts to open up to Crystal here. He starts to lay himself bare, the way he ends up doing with Edwin in episode 5. He's on the verge of admitting something that he's been worried about for literal decades. He tells her, "I've been angry for such a long time."

And what does Crystal do? She's still in the midst of her own character growth. She's still struggling to support other people. She's still learning how to. In a lot of ways, though she's made progress already, she's still that selfish girl that Jenny called out in the very first episode.

And she shows it here it with the absolute worst possible timing. No sooner has Charles started to talk about what's bothering him than she cuts in with her own problems. She's tired of riddles and spirits and demons and not knowing who she is. And the look on Charles' face. The moment when he visibly sets aside his own problems, because Crystal doesn't need any more disasters on her plate? It's heartbreaking. You can actually track the subtle change in his expression there. The actor does a phenomenal job.

And then comes the kiss. And what spurs it? Crystal saying she needs something real.

This moment isn't about light-hearted attraction, the way the earlier flirting is. It's Charles setting aside what he needs – comfort and reassurance and a moment to talk through the things that have been tearing him apart – to give her what she says she wants. He can't even feel it. And Crystal isn't far enough along in her character growth here to realize how selfish she's being. Like Jenny said way back in episode one, she's only thinking about herself.

And then comes the absolute unmitigated disaster of episode 5.

Straight out the gate, Charles leans in for a kiss. From his perspective, they have something together; there's affection there. Charles "I think I'd miss kissing" Rowland, who has been starved for meaningful physical contact for thirty years, is not in a hurry to give this up.

But Crystal is fresh out of a nightmare where she conflates Charles with her abusive ex. She withdraws; she calls what they had a distraction. She cuts it off almost as soon as it's started, so focused on her own worries here that she misses how damn fake Charles' smile is, to cover up that he's coming to pieces.

To be clear, she's absolutely not in the wrong here. It is 1000% her prerogative not to jump into a relationship again while she's still struggling to work through what happened with David. But the arc of her narrative is still early enough that she does it all without so much as the awareness that her focus on her own issues has hurt Charles terribly.

And then the episode really kicks off, and both of them are in shambles in very different ways.

Crystal is projecting her issues with David onto Charles. She has a lot of history, and David seems as though he's exactly the right sort of toxic to leave lasting a lasting impact. But Charles hasn't done anything to deserve her assumptions, and he takes the brunt of her temper here and throughout the episode.

Charles is desperately projecting onto the dead jocks. He very badly wants them to be good guys, because he sees himself in them and he needs himself to be a good guy. He snipes back at Crystal for the very first time in this episode, and he does it in the worst way possible, accidentally prodding her where it will do the most damage.

They're both hurting. They both say some truly painful things to one another.

She does not need to hear that she has unsorted hangups about David still plaguing her while she's unable to move past them. He desperately does not need anyone to tell him that he has rage issues while he's still struggling to think of himself as a decent person.

They apologize, in the end. They start to move past it.

But it's telling that Charles doesn't try to open up to Crystal again. He goes to Edwin instead, even though Edwin is the one who called his actions regarding the Night Nurse extreme. He gets the reassurance he needs so badly; he gets the connection he was looking for with Crystal from Edwin, instead. (I have a lot of thoughts on why Charles initially tries to open up to Crystal so quickly, but it is very much an aside, and this is already extremely long, so it will have to wait for another write-up.)

But the important thing here is, Edwin is the one to offer Charles what he needs to overcome the self-doubt eating him alive. Edwin provides the physical affection Charles was seeking in the form of that long-overdue hug. Edwin is the one who's able to reaffirm for him that he's not just a good guy, he's the best person Edwin knows.

And for all intents and purposes, Charles' major character arc ends here.

Charles has a few last little moments to go on the path to rebuilding his own self-image, after this, but for the most part his concerns have been resolved. He saves Crystal in episode 6 and Edwin in episode 7, proving to himself that he's able to make a difference in the face of overwhelming odds. He's not helpless, no matter what the Night Nurse told him; he can be a force for good in the world. By the end of the series, his crisis of self-doubt seems to have been largely overcome.

But it's the conversation with Edwin at the end of episode 5 that really allows him to work through his most pressing issues. Edwin is there to help support him when he stumbles. Edwin provides him the comfort he was looking for while Crystal was too worried about her own problems to notice how badly he needed the help.

Crystal, meanwhile, still has a ways to go after episode 5. The last three episodes are where she does her most important character growth.

In episode 6, she learns some hard lessons about keeping secrets and letting people help and appreciate you even when you can't offer them anything in return. And Charles, importantly, is there for her every step of the way. He consistently offers her physical and emotional support. He models for her, in a very real way, what it looks like to have someone prop you up when you need the help.

And in turn, Crystal steps in to save the boys. She's the big damn hero at the end of this episode.

The breakthrough continues into episode 7. She's so intent on helping to get Edwin out of hell that she literally goes to face her own demons, not for herself for once – not for her own purposes or needs or wants – but because she wants to help someone else.

And episode 8, at long last, brings her to the culmination of her character arc.

Crystal is at her absolute lowest here. Her family, the people who were supposed to love her unconditionally, didn't even realize she was gone. Her precious memories, that she's spent the entire series trying to regain, have showed her that she's not the person she hoped she would be. She's overwhelmed enough that she means to flee, to cut herself off from her new friends entirely.

Then the boys get kidnapped. And just like that, she makes up her mind.

For the first time since the start of the series, she sets aside her most important issues in order to let what other people need take precedence. She disregards all of her own personal concerns and focuses instead on others. She's finally stepped out of those selfish impulses that Jenny calls her out on, all the way back in the first episode. She's finally learned how to support other people when they need it.

Crystal has finally figured out how to be there for others, despite having troubles of her own.

It's a lovely arc, and it's beautifully done.

Charles' is just as touching.

And god damn, but it was a brilliant narrative choice to have their character arcs line up in exactly the wrong way.

[uyuforu]

Union Persona Chart Observations I

Hi! It's been a while since I last posted! I have fallen sick and it was hard for me to be active. Yet here I am with a new post! I wanted to come back with something that I haven't seen much, since Union is not a very famous asteroid tbh. This persona chart is supposed to say how you'll meet your FS and the circumstances of your meeting. Thought I think Union could also represent the moment you'll be in union with your FS, so let's do some theories and observations today!

All pictures were found on Pinterest

Other posts you could like:

જ⁀➴ Astro Observations VII

જ⁀➴ How to know when you will marry

જ⁀➴ How to know where your Future Spouse was born

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ᥫ᭡. Union PC can be about your meeting with your FS but it can also be about the union between you two, meaning when you get together.

ᥫ᭡. Sun 4H can mean you'll meet in your country or the place you live (even if it is not your home place).

ᥫ᭡. Uranus 9H can mean you can meet because of a sudden trip, or in college, in foreign lands, and it can feel really sudden meeting.

ᥫ᭡. Uranus 9H can mean your meeting with this person can shake your beliefs to the core.

ᥫ᭡. Union PC Rising being the same as one of your SRC rising can mean this can be the year you'll meet your FS.

ᥫ᭡. Jupiter 11H means the best part of your meeting can be about becoming friends. You could feel like you met a true friend.

ᥫ᭡. Saturn 12H can mean an obstacle through your meeting can be about spiritual growth, but also sickness, or just distance.

ᥫ᭡. Moon 3H means you can think a lot of about each other after the meeting.

ᥫ᭡. Stellium 3H can mean meeting online, or social medias/ friends/ texting can play a big role in your meeting.

ᥫ᭡. Venus 3H means there can be a lot of rizz during your meeting, or a lot of flirt, a lot of sweet talks.

ᥫ᭡. Neptune 8H means you can be obsessed about each other after meeting each other! You can totally not stop to think about each other.

ᥫ᭡. Sun 3H/ 11H means meeting online or because of friends.

ᥫ᭡. Sun 4H means also meeting because of family.

ᥫ᭡. Sun conjunct Mercury means you'll talk a lot when you meet.

ᥫ᭡. Sun can be about your first meeting while Union can be about how you get together.

For example, my Best Friend has Sun 3H and she met her FS online, and her Union is in her 4H, and he will come to see her where she lives and it is a way for them to conclude this is something serious.

ᥫ᭡. Sun 2H can mean meeting while working, while making money, or your everyday life.

My Best Friend' FS is a banker and met my Best Friend while working. And he has this placement!

ᥫ᭡. Saturn 9H means there are a lot of distance between you two when you meet.

ᥫ᭡. Sun 6H means meeting them at work, while working, during your routine, while exercising, etc.

ᥫ᭡. Stellium 6H means your work will be very important during your meeting.

ᥫ᭡. 10H ruler in 7H can mean you can meet at work and you can be attached because of a contract. So you could meet because of a contract that is the reason of your meeting. Your FS can also do the same job as you.

ᥫ᭡. Neptune 12H can mean you could dream a lot about each other before meeting, or there is a huge spiritual meeting before physical meeting.

ᥫ᭡. Pluto 10H means your career and reputation will change drastically after meeting your FS, or after being in a relationship with them.

ᥫ᭡. Jupiter conjunct Union 7H can mean your FS can propose directly instead of asking you out.

ᥫ᭡. Venus conjunct Saturn means you could put barriers between you and your FS.

ᥫ᭡. Stellium in 5H can mean meeting in a party or when having fun.

ᥫ᭡. I have noticed when your Sun is in 7H, or when you have a stellium in 7H, that can mean your FS is in a relationship when you two meet.

Thank you for reading!

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[brekker-by-brekkerr]

There's no way you can convince me the writing for Eloise in part 2 of season 3 was good.

We're expected to believe that Eloise Bridgerton, who gets so upset about injustices to women, who cares deeply for her friends, would hear about Cressida's issues and be like "hmm yeah sucks to suck."

And people can't say it's because Eloise is only concerned with herself because we've seen her get so upset about the plight of other people, we've seen her going and engaging with conversations outside her circle, we've seen her empathizing with Theo and his circumstances, we've seen her trying to hunt down LW to help Pen back before she knew the truth.

JUST THIS SEASON we saw Eloise go to Cressida's house to check on her because she noticed that she was acting off. So you can't even tell me Eloise doesn't care about her. I feel like the writers are trying to gaslight the viewers in part 2 to thinking Eloise didn't ever care that much about Cressida when WE LITERALLY SAW THAT SHE DID. Cressida even says Eloise was a great friend to her.

Yeah, I understand that Eloise has a lot going on right now, and so to some extent, I could see her not being as present for Cressida as she needs. That happens. But the level to which they made Eloise act like she doesn't care is so insane and is clearly just to prop Pen up.

Eloise heard Cressida tell her about her circumstances so she should understand why she's doing what she's doing.

It just felt like such an insane 180 for Eloise to turn around and suddenly be like "Cressida is a viper" and "our friendship was falling apart anyway" and "I should never have trusted her," when the last thing we saw before part 2 was them BEING GOOD FRIENDS!! And when Cressida hadn't done anything bad, she just claimed to be LW RIGHT AFTER she had explained to Eloise how messed up her circumstances were and that she needed help getting out of them.

I get that the show was going to put Eloise and Pen back together because they have such a clear bias towards her character, but did they have to decimate Creloise in the process? Is Eloise not allowed to have multiple friendships?

Like, Pen can do all these terrible things and cry and be like "sorry about that" and it's fine El and her can be besties everyone will love her and forgive her. But Cressida was sometimes mean (and the show goes to lengths to show us how she became that way, even explicitly spelling it out with her mother's comments about how she raised her to believe in "every woman for herself" AND shows Cressida acknowledging her mistakes and showing true change and growth) and lies about being LW and she's dragged through the dirt, she's "the absolute worst," every single character says awful things about her while we see snippets of her in this dark awful house with her life falling apart and this is supposed to be something we root for?? Literally why. Why even make Cressida sympathetic if this is what you're going to do with her.

It feels so out of pocket for Eloise to be saying Cressida is soo horrible and etc. etc. when we SAW their friendship before. We saw Cressida taking in what Eloise was saying and making changes, we saw Cressida challenging Eloise's beliefs and making Eloise self-reflect. Eloise got a peek into how awful Cressida's home life was and into the kind of good person Cressida could be and that's just suddenly thrown out the window with such little support to back it up.

Even if Creloise just HAD to stop being friends, weren't there better ways of going about it? Couldn't they at least have waited till after the fake LW paper came out bashing the Bridgertons for Eloise to break off the friendship? Yes, that was Cressida's mom writing that, but Eloise wouldn't know that and that would more logically line up with Eloise's random coldness towards her.

Still, why exactly do they have to stop being friends? Why can't Eloise have different kinds of friendships, especially one like hers with Cressida that challenged her, one where they mutually helped each other become better people? I love that Eloise is going to go off on this adventure to Scotland and meet other people but could she not also have retained her friendship with Cressida??

I would have loved to see the Eloise I know and love in part 2 teaming up with Cressida to help her, scheming together, doing everything in her power to help her bestie because that's who she is. That's what we should have seen. Maybe it would take her a second to get there, since she was already wrapped up in the drama with her brother and Pen, but she wouldn't just completely brush off her friend. She would do something.

And I could go on about how messed up it was for the writers to make it pretty clear how bad things have become for Cressida and then make her face the most consequences ever, while Pen gets to ride off into the sunset all happily ever after despite doing things 1000x worse than anything Cressida ever did. I'm actually disgusted.

[sorrelchestnut]

I've seen a fair number of posts both here and on reddit that question why Tav (or the Dark Urge) would end up as a group leader for any other reason that "game mechanics say so." There's the requisite "okay, well if you play a high charisma character I guess it makes sense," or on the other end of the spectrum, "if you're playing Durge and murder someone right off the bat everyone would be too scared to tell you no." And I get where people are going with this! I really do. But it also fundamentally misunderstands a facet of human nature, which is that the vast majority of people do not actually want to be in charge, because that means being held responsible for the outcome. Accordingly, most people will dither when a group consensus is needed: have none of you ever tried to get a group of friends to agree where to go for dinner? Yeah, it's like that, but waaaay worse.

A lot of times "leadership" is just the willingness to say, "fuck it, y'all do what you want, but I'm doing this." I see it all the time in a corporate environment, where people will go back and forth on group meetings without anyone making a decision until finally one brave soul goes "in my opinion the clear answer is x" and then everyone gratefully goes along with it. Because now it's not their responsibility when something goes wrong! They're just following along with someone else's suggestion, and maybe it works or maybe it doesn't, but at the end of the day they don't have to worry about the consequences unless they're personally affected. In which case they might step up and argue back, and then they're stuck being a leader, too. Welcome to adulthood!

Lae'zel is the only one who ever even tries to exert some kind of control, when she tells you to follow her lead on the ship, or calls you her subordinate in the Grove. But, crucially, she doesn't ever make any serious attempt to take control: you can just tell her, "lol, no," and she sort of confusedly gives way, because she doesn't know how to handle this scenario. In her world there are commanders and subordinates, and everyone knows where they stand and falls in line. She's never actually had to take control of a situation and so at the first sign of resistance she falls back on the dynamic that's familiar to her, which is executing the commands of someone older and more experienced. She goes through a lot of growth over the game, to the point that she can take over as a resistance leader in her own right by the end, but at the beginning she's a wet-behind-her-ears private with some decent combat chops and it shows.

Otherwise, your party consists of:

Shadowheart, who's trained in infiltration and assassination and does NOT want a lot of attention brought to her or her mission for a variety of reasons;

Astarion, who has literally been a slave for two centuries and canonically takes a while to realize that he can exert an opinion beyond complaining about it;

Gale, whose only friend is his cat and couldn't project-manage his way out of a wet paper bag;

Wyll, who was probably trained for command at one point but has been doing the lone-hero thing for a decade and has a very large secret that he's trying to conceal; and,

Karlach, who's only ever been a bodyguard and a soldier and is genuinely just happy to be here.

Honestly, it would be more a surprise if Tav/Durge didn't end up as their unofficial leader, given the general power dynamics at play. The first time Tav/Durge says something like, "fuck it, we need to do something instead of stand around arguing about it, let's go check out those ruins over there," it's a done deal. They're The Captain Now! As long as they don't make decisions that fundamentally oppose something dear and important to the other group members, they're not even going to get any argument. Because at the end of the day, not one of these walking disasters has enough trust in themselves and their decision-making skills to feel any kind of certainty that they can choose the right path forward. If someone else is going to take that decision out of their hands? They're going to follow, no questions asked, right up until the moment they can't.

[melrosing]

payne revelation!!! think it is a nice AFFC parallel that Brienne is running around the riverlands with Podrick Payne as her new squire, whilst Jaime, elsewhere in the riverlands, has effectively become a squire to Ilyn Payne. and I think it's like. Pod is Brienne's past and Ilyn is Jaime's future. Pod is a lonely, discarded child who wants to hone his strength to stand tall and defend himself, even as he desperately craves the company and comfort of others. he has seen something of how cruel the world can be, but is looking for ideals in people like Brienne. which is more or less exactly as we find Brienne when she first appears in ACOK: lonely, discarded, clinging onto Renly's train and desperately seeking his attention and regard, idealising him, trying to be a knight worthy of song. Pod is her inner child, and Brienne is trying to help him grow and build his strength without subjecting him to the cruelties she's known in doing so.

and then there's jaime and ilyn lmao, who I think are easily one of the most underrated relationships in the series. Jaime sees the man he could become in Ilyn: nothing more than a headsman for Cersei's whims, with no agency and no autonomy. and what's more, Ilyn has come to accept that as his lot in life. part of Jaime's project in dragging him out into the riverlands is to see if Ilyn can be rehabilitated, and if so, then perhaps Jaime himself can be, too. but it becomes apparent that Ilyn is past wanting that for himself. he seems to enjoy some of the freedom of the march, but he doesn't change. in fact, he laughs in Jaime's face: he makes it feel as though attempting rehabilitation for either of them is a joke. he's Jaime's ghost of christmas future, warning him of the man he could become, whilst simultaneously making him feel there's no possible alternative. he will never fight like he once did, his darkest deeds were still done, and what can he do but spend the rest of his days in Cersei's service. BUT jaime ultimately rejects that, effectively leaving Cersei's service to join Brienne, and pursuing change regardless.

im about to say something!!!! payne..... pane..... pane of glass.... mirror!!!! reflection!!!!! growth!!!!! you heard it here FIRST