#and still chooses to be cruel

[shellem15]

Asmodeus is so fascinating because there are moments when you feel genuine sympathy and pity for him, but then you remember he's The Worst™. It's like, you can see genuine anger and hurt when he talked about his siblings, and that makes you think that there could be a chance for redemption for him. But then he turns around and uses that against you. It's not that he's incapable of changing (maybe), it's that he doesn't want to. He deliberately spits in the face of kindness and deliberately chooses to be cruel and awful, because he doesn't think he's doing anything wrong (and even if he did he wouldnt care).

[lotus-pear]

i love you royal trio (minus akechi)

[inkskinned]

today i love the red metal crane in her long neck arching her body over the boston skyline, which means i am okay for a moment. when i am unwell, everything is a little ugly. i always tell myself look for the beauty but when it is bad, i will look at birds and sunsets and little ducklings and feel absolutely nothing.

when my brother got his puppy, i was in a deep depression. what kind of monster isn't affected by a puppy. i was gentle and kind to her - i just didn't have an emotional reaction. she's five now and i feel like i spend all of our interactions apologizing to her - i don't know why. i just didn't feel anything. how embarrassing. i feel like if i admit that, i'll seem cruel and jaded. it comes in waves. like, two months ago when i went out into the world - it was like that. life behind a pane of stormglass. a firework could go off over your head - nothing. like dead skin, no reaction. not to ice cream or rainbows or baby chickens. life foggy and uninteresting.

i love goslings again. i love their little webbed feet splayed over grass. i love good food and live music and long walks. i like puppies. i feel like some kind of my soul has been starved - i keep staring at everything with wide eyes, trying to burrow the sensation into my stomach. it's real. beauty is real. when it's bad again, remember this. i stop and smell the flowers, feeling cliche in the moment. i like the white-to-red ombre of my neighbor's roses. i like colorcoding and yoga and cold drinks. i try to pass my hands over every moment, feeling like i'm squeezing joy out of every instant. remember this. for the love of god, it's real - just remember this.

[valiantpainterstranger]

When Gabriel is mad at Nathalie:

When Nathalie is mad at Gabriel:

[thesummerstorms]

The other thing that I think I would want in an Annabeth Wayne AU that I don't think I've seen so far is Bruce being absolutely pissed at Athena.

It was bad enough with Talia and Damian, but Athena is a literal god of wisdom who should know better AND he doesn't even have the "culpability" of having slept with her.

She one hundred percent saw Batman, tactician of the Justice League, was drawn in by her aspect of the Goddess of Strategy, and proceeded to create a child without his consent, a daughter who she didn't even raise before the child became a weapon.

And like whatever else, however fucked up Damian was by his own training to become a child-weapon, at least Talia loved Damian.

Whereas Athena loves Annabeth in the way a Goddess loves, not the way a Person loves, and I don't think Bruce, whose entire identity is so fixated on his relationship with his own parents, would recognize that as love at all.

And, like, Talia put Damian through a lot of shit. I think Bruce would be angry there too. But when push came to shove, she at least at some point brought him to Bruce because she thought it was in her son's best interests.

Athena actively lead Annabeth away from Bruce and into the streets at the age of seven, which Bruce would never see as in her best interest, whatever Athena's godly perspective is, however badly he reacted after Jason's death, even though he couldn't see (and dismissed the idea of) the spiders and the monsters. She was seven. In the streets of Gotham.

Athena let Annabeth fight a major role in two wars back to back without being there to train her or protect her or love her or even advise her. Athena advocated for the cold blooded murder of the other children who had actually tried to keep his daughter safe. Athena sent Annabeth against Arachne when Athena's children have universally died on that quest for a thousand years.

Athena let Bruce think he had gotten Annabeth killed because of his own inability to handle his grief. Let him think his daughter was dead or worse for years. Would have let him keep thinking that if the Fates didn't have other plans.

And just, in true fashion for all of my ideas on a PJO x DC crossover, everyone really comes out more traumatized than before. This includes Bruce.

Because now he wasn't just used unknowingly for a child just once, but twice. And in both cases he's going to have to live forever with the guilt of not having been able to protect his kids from what their other parent wanted to make of them

(On top of all the ways he has directly failed them and made any complexes worse, of course )

[redeemed-wren]

I'm hoping episode 3 let's Ruby see the dark side of the Doctor. I feel that adds a very important dynamic to a Doctor-companion relationship, when they see how dark he can be and still choose to travel with him early on.

Rose watching Nine drag Cassandra back to die. Eleven yelling at Amy "Nobody human has anything to say to me today!" Donna begging Ten to stop drowning the spider babies, and then again to go back and save someone in Pompeii.

Fifteen has been FUN and I know he can do emotional range, I've seen his fear and his tears already. But I want to see him dark, and I want to see Ruby respond to that. I think it would add a LOT of depth to their relationship and is something missing.

Plus showcasing the Doctor's flaws (selfishness) will make him a much more interesting character. I want to see some conflict between the Doctor and Ruby.

[cardiacass]

1/2 Doctors duties

Part 2

[spyres-moved]

genuinely baffled at whoever is saying that isat doesn't like women

[stop-the-play]

> "I don't know what I am."

Neither do I.

We are shells filled with pieces of something we cannot comprehend.

> (Explore) "Are you the fairy?"

Are you?

What it was no longer exists, and can never exist again. But every part of it has found its place, and now part of it is me, and part of me is it.

"But was it supposed to be part of you, or are you just taking it?"

You are not the one who should be asking that question, and I am not the one it should be asked to.

> (Explore) "Do you know who put me here? Was it you?"

I have only now been granted consciousness. I could not have trapped you here, and I too yearn for an existence outside this place.

You are the only thing I have ever known.

If there is someone else in this space, I have not heard them.

> (Explore) "Do we know each other?"

We do now.

> (Explore) "Do you know about the world outside this place?"

I know only that it must be.

Choices:

"What happens now?"

[Attack the entity]

[Destroy your body]

[i-dreamed-i-had-a-son]

“because he never accepts that it's never been about righteousness--it's about repentance.” except javert killing himself IS repentance.

well, it’s like 12 different things, because bro had gone days without sleeping and very little food and water and he already had low self-worth and kept asking the amis to kill him and just assumed he was going to die AND THEN valjean upended his understanding of the world and morality. he was really going through it & there are a lot of overlapping reasons for why he jumps into the seine.

but javert is like Number One Most Responsible guy in the whole story. taking responsibility is his Thing (forever bitter the musical doesn’t include the punish me monsieur le maire scene). how else, in his derailment, could he atone for his conceived misdeeds other than by handing in his resignation to god? in the brick he had already left a note urging his superiors to treat convicts at toulon better, which is another step in his repentance (and another crime the musical commits by not including it). jumping into the seine was another step.

honestly a lot of ppl who like the book think the musical was dead wrong to exclude him from the big heaven group sing, because it COMPLETELY undermines the themes of forgiveness and compassion threaded throughout les mis. like the musical was simply wrong lol.

This is helpful context! I am still finishing the brick, although I have fully read the abridged version, and that detail about the letter wasn't included, so I didn't know that occurred! (And thank you for the message--this is a long response but I'd love to hear more of your thoughts!)

I agree that Javert is certainly deeply distraught and remorseful; like you mentioned, his worldview is literally falling apart, and his actions reflect his mental state. But his death isn't really repentance--in the sense that it's not what God would have wanted. To me it reads like a Judas situation: a desperate realization of a huge mistake, and doing the only thing you think can make it right, namely, ending it all. That's the just punishment for someone so wrong, isn't it?

But true repentance, meaning the repentance that the Lord desires, is about changing your ways, not "paying a price." Had Javert really understood the beauty of Valjean's mercy (an image of Christ's, just as the bishop's undeserved mercy was to Valjean himself), rather than killing himself, he would have lived to also become "an honest man"--in heart. One who could forgive and understand forgiveness, for himself as well as others. One who could recognize that he is not The Law, that he can fall, but that he can also be "brought to the light." One who could accept that men like Valjean, and men like himself, CAN change, and be changed.

It's tragic to me because so much of "Stars," and his character in the book as well as the musical, is about wanting to be righteous, to rise above his birth and the sinfulness he associates it with. It's about wanting to please the Lord by his actions. But in his end, he shows he never understood what God really wanted from him, and that's where my original phrase comes in: not righteousness, but repentance. To live, and face the man you were, knowing it's no longer the man you are. That it's never been about what you've done or can do, but about what's been done for you. That's the Gospel that he could never fully accept.

To use another example you mentioned, that misunderstanding drives why he asks the Mayor (Valjean) to punish him--in his worldview, mercy is unjust, or at the very least, unfair. Evil must be punished; "those who fall like Lucifer fell" receive "the sword." But "as it is written," God "desires mercy, not sacrifice" (Matthew 9:13). God would have wanted Javert to live, and Javert couldn't see that, and that's why it's devastating to me. In his misunderstanding of the heart of God, he misses what would have set him free from the chains of sin he's always been trying to escape.

That's why he's contrasted with Valjean, who (though he carries guilt about his past till the end of his life) is eventually able to face it and confess what he had done to those he loves. He knew there was mercy to be found, if only it was asked for. Javert was too blinded by pride and shame to realize it, and so, while broken, he never was able to truly repent.

For that, you must go on.

[lazyveran]

rereading my own work realising i need to make azula WAY more mean and cruel and nasty. sigh. the things i must do for evil women

[strawberrybyers]

nahh because the painting played such a big role in season 4 and to have it be given to mike under the guise that it’s from el when it isn’t is crazy to introduce to the plot if you’re not bringing it back up again. like oh so mike finds out the truth about the painting and will gets rejected?? or the painting is just never brought up and mike and el continue to be together?? like i don’t feel like i’m asking any complicated questions here… it’s just if your story makes a big deal about a certain item that helped progress the storyline and there’s still a loose thread from it— it’s only expected that the audience would want an answer about that loose thread, correct?? especially since the motto of the show and surrounding mike’s character is “friends don’t lie”. so we have a lot of lying going on, but we’ll run right past all of that to explain what exactly?? like when you think about the plot points you’ve seen in the show, you can’t help but question what would be the reason for that to be included if it means absolutely fucking nothing lol.

i think that’s why byler doubt never gets a full grip on me because i know what i’ve been witnessing the past 4 seasons. it’s hard for me to see it going any other way when the tracks have been laid out to go in one particular direction.

[inkskinned]

one of the things that i think we should pay attention to, socially, about the disney v. desantis thing is that it is really highlighting the importance of remembering nuance.

in a purely neutral sense, if you engage in something problematic, that does not mean you are necessarily agreeing with what makes it problematic. and i am worried that we have become... so afraid of any form of nuance.

disney isn't my friend, they're a corporate monopoly that bastardized copyright laws for their own benefit, ruin the environment, and abuse their workers (... and many other things). this isn't a hypothetical for me - i grew up in florida. i also worked for the actual Walt Disney World; like, in the parks. i am keenly aware of the ways they hurt people, because they hurt me. i fully believe that part of the reason florida is so conservative is because it's been an "open secret" for years now that disney lobbies the government to keep minimum wage down, and i know they worked hard to keep the parks unmasked and open during the worst parts of Covid. they purposefully keep their employees in poverty. they are in part responsible for the way the floridian government works.

desantis is still, by a margin that is frankly daunting, way worse. the alternative here isn't just "republicans win", it's actual fascism.

in a case like this, where the alternative is to allow actual fascism into united states legislation - where, if desantis wins, there are huge and legal ramifications - it's tempting to minimize the harm disney is also doing, because... well, it's not fascism. but disney isn't the good guy, either, which means republicans are having a field day asking activists oh, so you think their treatment of their employees is okay?

we have been trained there is a right answer. you're right! you're in the good group, and you're winning at having an opinion.

except i have the Internet Prophecy that in 2-3 months, even left-wing people will be ripping apart activists for having "taken disney's side". aren't i an anti-capitalist? aren't i pro-union? aren't i one of the good ones? removed from context and nuance (that in this particular situation i am forced to side with disney, until an other option reveals itself), my act of being like "i hope they have goofy rip his throat out onstage, shaking his lifeless body like a dog toy" - how quickly does that seem like i actually do support disney?

and what about you! at home, reading this. are you experiencing the Thought Crime of... actually liking some of the things disney has made? your memories of days at the parks, or of good movies, or of your favorite show growing up. maybe you are also evil, if you ever enjoyed anything, ever, at all.

to some degree, the binary idealization/vilification of individual motive and meaning already exists in the desantis case. i have seen people saying not to go to the disney pride events because they're cash grabs (they are). i've seen people saying you have to go because they're a way to protest. there isn't a lot of internet understanding of nuance. instead it's just "good show of support" or "evil bootlicking."

this binary understanding is how you can become radicalized. when we fear nuance and disorder, we're allowing ourselves the safety of assuming that the world must exist in binary - good or bad, problematic or "not" problematic. and unfortunately, bigots want you to see the world in this binary ideal. they want you to get mad at me because "disney is taking a risk for our community but you won't sing their praises" and they want me to get mad at you for not respecting the legit personal trauma that disney forced me through.

in a grander scheme outside of disney: what happens is a horrific splintering within activist groups. we bicker with each other about minimal-harm minimal-impact ideologies, like which depiction of bisexuality is the most-true. we gratuitously analyze the personal lives of activists for any sign they might be "problematic". we get spooked because someone was in a dog collar at pride. we wring our hands about setting an empty shopping mall on fire. we tell each other what words we may identify ourselves by. we get fuckin steven universe disk horse when in reality it is a waste of our collective time.

the bigots want you to spend all your time focusing on how pristine and pretty you and your interests are. they want us at each other's throats instead of hand in hand. they want to say see? nothing is ever fucking good enough for these people.

and they want their followers to think in binary as well - a binary that's much easier to follow. see, in our spaces, we attack each other over "proper" behavior. but in bigoted groups? they attack outwards. they have someone they hate, and it is us. they hate you, specifically, and you are why they have problems - not the other people in their group. and that's a part of how they fucking keep winning.

some of the things that are beloved to you have a backbone in something terrible. the music industry is a wasteland. the publishing industry is a bastion of white supremacy. video games run off of unpaid labor and abuse.

the point of activism was always to bring to light that abuse and try to stop it from happening, not to condemn those who engage in the content that comes from those industries. "there is no ethical consumption under late capitalism" also applies to media. your childhood (and maybe current!) love of the little mermaid isn't something you should now flinch from, worried you'll be a "disney adult". wanting the music industry to change for the better does not require that you reject all popular music until that change occurs. you can acknowledge the harm something might cause - and celebrate the love that it has brought into your life.

we must detach an acknowledgment of nuance from a sense of shame and disgust. we must. punishing individual people for their harmless passions is not doing good work. encouraging more thoughtful, empathetic consumption does not mean people should feel ashamed of their basic human capacities and desires. it should never have even been about the individual when the corporation is so obviously the actual evil. this sense that we must live in shame and dread of our personal nuances - it just makes people bitter and hopeless. do you have any idea how scared i am to post this? to just acknowledge the idea of nuance? that i might like something nuanced, and engage in it joyfully? and, at the same time, that i'm brutally aware of the harm that they're doing?

"so what do i do?" ... well, often there isn't a right answer. i mean in this case, i hope mickey chops off ron's head and then does a little giggle. but truth be told, often our opinions on nuanced subjects will differ. you might be able to engage in things that i can't because the nuance doesn't sit right with me. i might think taylor swift is a great performer and a lot of fun, and you might be like "raquel, the jet fuel emissions". we are both correct; neither of us have any actual sway in this. and i think it's important to remember that - the actual scope of individual responsibility. like, i also love going to the parks. Thunder Mountain is so fun. you (just a person) are not responsible for the harm that Disney (the billion dollar corporation) caused me. i don't know. i think it's possible to both enjoy your memories and interrogate the current state of their employment policies.

there is no right way to interrogate or engage with nuance - i just hope you embrace it readily.

[ssaraexposs]

Dazai when he was the PM executive:

Dazai when he is in the ADA:

Now, do you seriously want him back in the PM?

[crimescrimson]

Chloe Price in Life Is Strange (2015)

[eternallovers65]

Hbo fucking useless at this point because how the fuck did they managed to make one of the most horrifying scenes in the whole got universe become so anticlimactic and just boring??

You literally have a book to tell you how to make the scene and them you go and make boring like this is why the red wedding stands superior 10 years later smh