#and so on you get the gist

[ashertickler]

what's a moment or line from any redacted audio that lives rent free in your head (to whatever degree)

asher almost fucking purring "very good" into babe's ear as he goes behind them to put the blindfold on during his 2021 hbs picnic audio echoes through my head at any given moment🧎‍♀️🧎‍♀️🧎‍♀️🧎‍♀️🧎‍♀️

[fairylando]

what i actually mean when i say "i watch f1"

[yuzuuu4]

long time no trickstar

[starry-bi-sky]

i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.

He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.

And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.

And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.

Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.

Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."

There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.

It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.

Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.

At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.

"Do you like to do anything?"

Nothing. Just silence.

Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.

Danny says nothing the entire time, and is again the first to leave.

Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.

And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.

He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.

Danny is dull-eyed and blank faced the entire time; he looks miserable.

So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.

"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"

"Don't."

He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.

Bruce tilts his head, practiced puppy-like. "Pardon?"

"Don't." Danny says, strongly. "Don't make any deals with Vlad."

It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"

The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."

Bruce stares at him, thoughtful, before looking away. "Alright. I won't."

And they fall back into silence.

Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."

He's scampered away before Bruce can question him further.

(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)

At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.

Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.

("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")

(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)

(They are ecstatic to hear from him.)

It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."

The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."

The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.

When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.

Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.

"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."

When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.

Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.

[morweneledhwen]

(In addition to this post.)

Tian Jiarui [reading a story]:

The husband was just about to walk out of the bedroom. 'Ask the doctor. Has our family ever offended someone? An old couple lives here.'

...

Are you asleep? Why can't you sleep? I've read a page!

Lin Ziye:

The more I read, the more energetic I feel.

Tian Jiarui:

Is that true. Taking care of kids is too hard!

Lin Ziye:

What's with taking care of kids?

Tian Jiarui:

... But taking care of you isn't.

[cosmicaces]

something something rody has a crush on deku and is scared that it'll affect their friendship if he finds out

[wahgifs]

[IDOL HUMAN THEATER] STRAY KIDS ☆

[lotsofcharactersneedhugs]

foaming at the mouth because glinda’s “you could’ve picked me” was so filled with fear and hesitation because she is essentially asking elphie if she loves her as much as glinda loves elphie. the subtext is a question, not a statement: “why did you pick fiyaro and not me? i’m so devoted to you, don’t you see that?“ its not “i could’ve helped you,” it’s “i would’ve helped you.” and she is so scared of the answer because what if elphie doesn’t love her as much?? so she physically latches onto elphie in every scene following this, afraid to let her out of her sight again. do you understand how feral this is making me????

[rosyandraw]

idk if this is redundant on your end but thoughts on Damen needing to talk during sex? in the books it isn’t even dirty talk it’s just endless want for Laurent and how long he’s been waiting for him and how different Laurent feels. Also in canon & in ur own writing

Definitely not redundant! You have just knocked on the Damen Character Study door in my head lmao but it's late and idk how much sense this will make so i'm sorry in advance.

Mini meta on Why Damen Likes to Talk During Sex in Canon

First and foremost words are hugely important to Damen, not just during sex but in general. It is part of the reason that Vere trips him up so badly, why he just doesn’t get it. Because Vere is a veil of word play and innuendo, it’s double speak and flowery bullshit and lies.

That’s not Damen. His word is his bond, it’s tied to his honour and they mean a great deal to him. He never says anything he doesn’t mean. Ever. If it’s coming out of his mouth he is saying that shit with his whole damn chest and doesn't give a fuck.

The few times he is forced to lie or to say something he doesn’t mean he says it as a strategy play but it barely makes it out of his mouth and he hates it.

For a long time by the time they get to Ravenel Damen has been playing a part. Living a half truth and not saying everything he means. Or wants to say.

Likewise, in Akielos, Damen keeps himself held back. We know this because in 3 books, despite being the darling crown prince and heroic military leader, he mentions 1 person by name that he is actually and genuinely close to. One. He’s never been in love with anyone before Laurent, he doesn’t get close, he doesn’t get particularly attached. If he did Jokaste would have been a Princess and not just his mistress.

It speaks of a whole heap of childhood trauma and issues, thanks in large part to his father and Kastor and this picture that is painted of strength in Akielos being The Most Important Thing. (And i have too many thoughts on said implied trauma to write it all out properly here because it's an essay unto itself.)

We also know that Damen does the talking thing with Jokaste too. So we know it's an indicator of intimacy in bed for him. He's certainly not doing it in Vask, for example. Because Damen values words so highly he does wear his heart on his sleeve, but he guards that heart close. Sharing his feelings becomes something then tied to both the value Damen places on words and the lack of emotional intimacy in his life. To Damen, opening up like that especially during sex, is an act of giving unto its self.

Damen is strong, yes. Crazy strong and the perfect warrior. But he also likes the wordy sad poems and has craved approval (and affection) from his father and Kastor seemingly most of his life. For example, Kastor stabbed him and made Damen believe with words that it was a good thing because it meant Kastor respected him enough to fight him like a man.

It’s the perfect anecdote to draw all of those ideas together. Damen being happy about being stabbed at 13 by his brother because Kastor said it was a good thing to be strong enough to fight properly and bear the consequences.

Words matter to Damen, he assumes they do to other people too. It's what nearly gets him killed.

It’s funny really, because Damen values words but he himself is a man of action and Laurent values action but is a man of words.

When it comes to sex we see them swap places from their usual dynamic and therein lies the intimacy.

Laurent acts and Damen talks. It’s a complete role reversal and it was always meant to be. Pacat has said, several times, that Laurent tops Damen with words all the time and it was a purposeful choice to have Laurent bottom because of this. So to follow that through to it's logical conclusion for the sex scenes to really hit we needed to see them swap places completely and Damen needed to talk.

Laurent is a mouthy little shit but when it comes to his important scenes (the building of their intimacy and their sex scenes) it's never his words that he's speaking loudest with. Like when he just hugged Damen after the meeting with Jokaste in KR or when he went to get ice for him in PG, it's an offering in place of words and Laurent does it frequently: letting his actions speak louder than any of his words because to Laurent words don't really matter, lies are too easy. He's been taken in by words before.

Damen gets to Laurent through his actions and it's Laurent's moments of honesty, of saying something unexpected, that make Damen really pay attention. This isn't to say that Laurent's actions don't get to him, they do of course, but only really when Damen comes to realise that's how Laurent is being honest. Likewise in reverse for Laurent.

It's the language the other understands that allows the distance to bridge, but the intimacy comes in the opposite every time.

So when they fall into bed Laurent instigates with action, all three times they are together. And Damen talks. Because it’s the thing that is important to them that they are willingly giving and sharing and that is what makes it intimate.  

Quite simply, Damen holds himself back emotionally so talking during sex like that is a way for Damen to let go and to let his partner know that's it not just sex. Laurent, in reverse, shows his want through the instigation and by the time it happens they both know what it means: Laurent never does that and Damen knows it. Laurent knows Damen says what he fucking means.

It's such an intimate sex scene because of that awareness.

In my writing I kind of try to take that and run with it. Damen says what he means and what he wants Laurent to hear, because words of affirmation are important to him personally so he makes sure to share that.

Plus, it’s just sexy, you know? Got to love a man who talks in bed, that sex rough voice when he’s so far gone you know what his saying is just the shit flying through his head?

Hot.

Loved this ask so much. I could literally write a thesis on Damen lmao

[seventeenpins]

ok but have we talked about transmasc!joel?

transmasc!joel, who found out he was pregnant with sarah, way too young and scared absolutely shitless

transmasc!joel, whose boyfriend left him when he came out, his baby girl not even a year old

transmasc!joel, whose baby brother may be an idiot, but that kid loves him and always has, and he sure as hell won't hear a bad word about his big bro

transmasc!joel, who had always been a tomboy growing up, navigating being a whole ass adult with a fully developed brain, finding comfort in his gender identity while doing everything he can not to let the scars of his adolescence affect sarah, letting her flourish however she will

transmasc!joel, who gives sarah the BIGGEST hug (and tries not to let her see the tear in his eye) when she casually mentions starting a GSA at her school

transmasc!joel, who's the heartthrob of the cul-de-sac, but surprisingly private when it comes to his dating life. but from the few bored housewives that he's had encounters with all agree, he sure knows how to get the job done (whether it's the one he's hired for or not)

transmasc!joel, who sees a whole lot of himself in his adopted kid, and if ever Ellie decides she wants to try out a different name or pronouns, he'll be right behind his kid in a way no one but tommy was for him

[wumblr]

zampano: many [1] scholars [2] [3] have noted that this video i'm talking about was hella wack, not limited to the facts that a) doors on the exterior wall of a building usually do not lead to a hallway, and b) hallways usually don't echo unless they're at least 55ft long. well anyway according to surviving descriptions of the film, they went in. it was unexpectedly warm, a tight fit, and kind of wet and slimy, to be honest, and when they got in deep enough, a low moan emanated from within

[1] the origin of the word "many" has been historically contested and remains in precision unclear, possibly specifying a range terminating anywhere from 3-100 items [2] the origin of the word "scholar" has been

johnny truant:

[3] what the hell was that

[butterysalt]

Ahhh thoughts about Laios Touden who would love you regardless of who you were. Your species, your race, your gender, your sexuality, none of those things matter in his eyes. Because to him, what makes you so wonderful and easy to love is that you’re simply just you. And there’s no other combination like you.

I get especially sappy thinking about it if you’re a tallman, too. At first, it seems like Laios couldn’t care less about humans. He always talks about how boring he finds his own race in comparison to others but it’s all heavily influenced by his own experiences growing up and being ostracized and bullied by those around him.

But just think about what it’s like when he meets you, another tallman. Yes, you’re human, but when he realizes that you won’t treat him differently for the way he is, he sees you as so much more than that. So what if you’re a tallman? A little thing like that doesn’t matter to him.

It’s not just that you’re “different from other tallmen”… it’s because you’re you. And he’s him.

Nothing more than that.

In an odd unlikely twist of fate, it seems that this time, the mundanity of it all is what completely captured Laios’s heart.

Just… you.

[fogwitchoftheevermore]

I'm slowly making my way through a new project- editing the entirety of the album PUNCH by Autoheart to the Life Series.

I was originally planning to post all of the edits in order of the songs on the album, but I instead made the Lent one first and am too excited to keep it in my drafts any longer while I work on the first four songs of the album (especially since we're coming up on finals seasons and the amount of time I'll have to work on these is gonna plummet so fast). So instead, I'll be posting them as I make them and make a masterpost of them all in order at the end.

That being said, I hope you enjoy this! I'm really proud of it and a lot of work went into it.

[corallapis]

hello. did you know these are the only times the doctor ever called him “master” to his face without prompting. in the whole entire show

[revvethasmythh]

you know, i think sam does often just throw out chaotic comments he thought up on the fly while he's playing, especially when he's revisiting veth in her post-canon appearances, but i also think sam is very much the kind of player to roll with what he says and make concrete character beats out of them afterward. he did this during the main campaign with veth's fear of water--that was just a bit played for jokes initially that he decided had some meat to it and asked to incorporate it into her backstory, which he did very well and to great effect. so i think when he says something lowkey insane in the post-canon oneshots etc., i always have that in mind. like yeah, there's a high likelihood that he just thought this insane thing up in the moment with no pre-planning, but it also does not mean that it can't be a significant thing he may focus on in the future. absolute crap shot with this guy (affectionate). leaves a lot of character possibilities open, though

[narsh-poptarts]

mods are asleep post comics from 3 years ago i never finished and probably never will