#and she never asked me how I'm doing

[there-will-be-a-way]

Thinking about who I really want to be in my life - and who makes an effort to keep me in theirs. Thinking about how, during our Sunday evening family gathering, no one asked me how I've been. Maybe they're just tired of my bullshit, is what I thought. But if someone close to me came back from detox, I would ask them how they're doing. No matter how many times it's been. Because I care.

Thinking about how during the last three months, it's always been me to ask my sister to hang out. Maybe this week I won't ask and see what happens. Thinking about how during the time I lived in a different city, it was always me who drove the long way (and payed a shit ton for the bus tickets even though I'm piss poor) to visit my family. Thinking about how when I invited my parents over for cake and coffee, they forgot and I stood there with the cake I baked and no one but my aunt and me to eat it.

Thinking about how people who have known me for a couple of weeks have a better idea of who I am than the ones who've known me my whole life.

Future roommate takes moving to a different state into consideration. If it weren't for the good friends I have here (and my professional support system), I would fuck off.

I'm tired.

[bixels]

Taking the current topic as an excuse to ask you to tell me all the reasons you love Rarijack. Your art for the ship is so sweet and intimate I'd love to hear any in depth thoughts you have.

Breathes in.

I think what makes their dynamic really strong is that they have opposing personalities but aligned values. It's deeper than just "opposites attract." Rarity's fancy, prissy, and femme while Applejack's modest, rough, and "masculine." But both value hard work (to the point of being workaholics), their families (both have guardianship over their little sisters), running successful businesses, and eventually each other. Their relationship can be boiled down to, "Despite our differences/disagreements, I still like you because we value the same things."

We see their relationship develop so much. In the first season, they can't stop bickering about surface-level differences. By season four, they still bicker, but will mend their relationship because they can't help but do nice things for each other. In Trade Ya, they start off arguing over personality differences (Applejack likes old junk and Rarity likes useless crap). Then they pivot and start arguing that they value their relationship more than the other. In the end, they mend things by sacrificing their needs and buying each other a gift. Even if they don't understand it, they know it'd make the other happy. And that's all that really matters. It's a genuinely sweet moment that shows how arguing can be healthy and necessary for relationships to strengthen.

We even see them dropping their hang-ups about each others' personalities. In Made in Manehattan, when Rarity runs off in dramatics about someone's fashion, AJ doesn't roll her eyes or scoff, she smiles. Oftentimes, their conflicts are very common domestic conflicts romantic couples face. Applejack's Day Off is about a woman's inability to balance work and life and find time to properly spend with her partner, causing her partner to feel neglected.

By season seven, they're actively participating in each others' interests. Any problems or conflicts that arise are dealt with, and they come out the other end stronger and closer. In Honest Apple, AJ pretty much spells out why their relationship works so well: even though she doesn't understand fashion, she can recognize and appreciate how much work it takes and wants to respect that. When she realizes her mistake in the episode, AJ goes above and beyond to fix things and apologize to Rarity. They care about each other so much.

The two go out of their way, sacrificing their personal desires and beliefs and doing things they normally wouldn't, to make the other happy. That's just love.

There's Simple Ways, where AJ gets stuck in an unwanted love triangle between Rarity and her hipster crush. And her frustration and anger can be so easily interpreted as AJ finding herself in a terrible position; the girl she loves wants another man, and that man wants her.

I dunno. I've always had a preference for opposites attract ships, but Rarijack's stuck with me like a brain worm because they have the perfect chemistry. The way they show they care, or do things for each other, I've always read it as the truest representation of romance in the show.

[ahollowgrave]

-- all saints' wake.

[shanastoryteller]

Happy Pride!!!! Living Blood or Lady Mo please!

a continuation of 1 2 3 4 5 6 7 8��9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43

Xuanyu disrobes unashamedly, hesitating only at the last second with the sleeve covering her left arm.

Jiang Yanli laughs. “Bit late to be modest, I think.”

“Modesty is overrated,” she returns, which is something that Zixuan would say and A-Yao would think. She slips the rest of the robes off and steps into the steaming bath, letting out a deep sigh of satisfaction.

The changes her body has undergone are even more obvious without the thick layers of the robes obscuring her form. The extra weight seems to have settled in ideal places, not only thickening her waist and limbs but settling heavily along her hips and breasts, which hadn’t exactly been small to begin with.

She sits behind Xuanyu, filling a bowl with water and then pouring it over her hair to rinse it of blood and dirt that had been hidden by her dark hair. Acting as a bathing assistant is far below her station, but Xuanyu had sent all the servants away and she doesn’t mind, really. Xuanyu is her sister, likely the only one she’ll ever have considering A-Cheng’s track record with matchmakers, and she’s been worried about her. This gives them time to speak alone. “How has your marriage with Lan Wangji been? Has he been kind?”

Xuanyu pulls a face, which isn’t encouraging. “I guess. He mostly left me alone, and then we had a couple fights and he was a jerk, and now I think he’s trying to make up for being a jerk, but it’s a little – well, it’s nice that he’s making an effort. I suppose.”

Not as good as she’d hoped, but not as bad as she’d feared. “Sect Leader Lan seems fond of you.”

“Oh, Lan Xichen is great,” she says easily. Better than reaction to Lan Wangji, but still not what Jiang Yanli had been hoping for. Then her eyes light up. “Sizhui is wonderful! I’ll give Wangji one thing, he’s raised a good kid. He’s so sweet, and a great cultivator, and he’s always trying to help out everyone around him. I’m glad Jingyi’s always hanging around – without him, I think everyone would just take advantage of Sizhui’s good nature.”

Well, that’s something. Surely Lan Wangji can’t resist Xuanyu’s charms for long, not when she dotes on his son and gets along with his brother.

“What trouble did you get into on the road?” she asks, running her hand over the wound on Xuanyu’s shoulder. It looks nearly fully healed already and there’s another mostly healed wound on her hip, a thin slice on her left arm, and the shadow of various bruises that were likely much worse a couple hours ago. It’s of course a good thing that Xuanyu has a strong golden core, but Jiang Yanli can’t help a moment of wistfulness.

Her own core never lived up to her mother’s expectations, or her own. If she’d had a stronger core, she could have given A-Ling siblings. A child should have siblings. She would have had a calmer childhood without two little brothers underfoot, but a lonelier one too.

Xuanyu shrugs, lazily scrubbing herself down. “Looks like Xiao Xingchen picked up the girl, A-Qing, while he and Song Lan were separated and was trapped in this place that was basically a ghost town.” How could he be trapped by a place that had no people? “And I’d heard some rumors so when we ran into Song Lan I helped him find Xiao Xingchen, but there was a bit of a fight with someone who didn’t want him to leave. I just happened to get caught in the crossfire, so to speak.”

She’s stretching the truth to outright lying. Before Jiang Yanli can call her on it, her stomach growls.

“Didn’t get a chance to eat on the road?” she teases.

Xuanyu flushes, ducking briefly beneath the water to hide her flaming cheeks before resurfacing. “Things were a little hectic. It may have slipped my mind.”

How has she managed to put on weight while also forgetting to eat? Perhaps Lan Wangji deserves more credit.

“I think I have some candies in my room, if you want something before the banquet,” she offers. “I know the speeches take forever.”

Her eyes light up before dimming and she slumps in the bath. “Thanks, Yanli-jie, but I better not. Sizhui gave me some on the road and I usually love them but just putting it in my mouth almost made me sick. It was awful. And weird! They’re my favorite.”

Jiang Yanli blinks then gives Xuanyu’s significantly larger chest a considering look. It could be nothing. It’s probably nothing. She hasn’t even been married a year and it doesn’t sound as if she and Lan Wangji have been seeing eye to eye.

Then again, the same could have been said about her and Zixuan.

“Can I ask you something personal, Meimei?”

Xuanyu nods. “You can ask me anything, Yanli-jie.”

“Are you and Lan Wangji having sex?”

She turns bright red and ducks beneath the water for so long that Jiang Yanli is starting to get concerned before she resurfaces, still red faced. “Um. We did once. Well – I guess, technically, it was three times, but it was only one night.”

Well. Apparently Lan Wangji has stamina on and off the battlefield.

“One moment,” she says, briefly squeezing Xuanyu’s shoulder. “I’ll be right back.”

It takes one whispered conversation with the servant outside the hall and approximately ninety seconds before her personal healer is standing in front of her. Jiang Yanli ducks back inside to see Xuanyu out of the bath, in a thin bathing robe that’s clinging to her as she wrings her hair out. “I’d like my healer to take a look at you, Meimei.”

Xuanyu freezes, slowly standing straight with a wary look on her face. “That’s really not necessary. The wounds were just superficial and they’re basically healed already.”

“It’ll be quick,” she says, because if she’s right then she can’t let Xuanyu go down to the banquet without letting her know. “She’s very discreet – she’s been my personal healer since I was a child.”

“Jiang Xingyi?” Xuanyu asks, some of her tension draining away.

Jiang Yanli nods, trying to think of some reason that Xuanyu would know her healer’s name, or her reputation, but all the servants are terrible gossips and her health is a frequent topic of derision. “Just your wrist, okay? Your golden core has changed a lot. I just want her to take a look.”

She feels bad about lying, but Xuanyu had lied to her first.

Xuanyu relaxes even further. “Okay, Yanli-jie. If it’ll make you feel better.”

“Thank you,” she smiles, then opens the door to usher Jiang Xingyi in.

The old woman doesn’t smile, but Xuanyu grins back undeterred, and says, “Hi, Granny,” before paling and adding, “uh, um. Sorry.”

Jiang Yanli feels a familiar pang of grief go through her. A-Xian had referred to Jiang Xingyi as Granny, the only disciple both bold and beloved enough to get away with it.

Jiang Xingyi ignores her, instead reaching for her wrist and pressing her fingers against it. Xuanyu fidgets, shifting from one foot to the other, but says nothing as the moments stack on top of one another.

Finally, Jiang Xingyi drops her wrist and steps back. Her stern visage breaks, a smile stretching her mouth across her face. “Congratulations, Madame Lan.”

She knew it!

“Thanks,” Xuanyu answers before wrinkling her nose. “Um. For what?”

“You are expecting,” she answers. “At least a couple months along, I believe, although I’d have to do a more thorough examination to be sure.”

Jiang Yanli moves to embrace her, but Xuanyu’s face drops and she turns dangerously pale. “What? No. That’s not possible. I can’t be.”

“Three times,” Jiang Yanli reminds her, trying to goad Xuanyu into laughter.

But instead she just shakes her head. “No, no I can’t, I – this can’t be happening,” she whispers to herself, grabbing her own arms in a white knuckled grip. “It’s not. It’s impossible. I can’t be.”

She’s young, and this wasn’t a marriage of her own choosing, and it’s so new. Of course she’s surprised and nervous. Jiang Yanli touches her elbow, intending to say something soothing, but Xuanyu collapses into her arms, gripping her waist and hiding her tears in her shoulder.

“Xuanyu!” she says, hugging her back just as fiercely, her heart breaking for the younger girl’s anguish. “Meimei, it’s okay, I know this is scary, but it’s going to be fine.”

“It’s not,” she says, voice thick with tears, “A-jie, this is awful, this is – it can’t happen! It can’t, Wangji is going to be so mad, he’s going to hate me, and everything is ruined and awful, I can’t be – I can’t! I’m going to die!”

Jiang Yanli’s whole body goes cold and she grips Xuanyu even tighter against her. “You’re going to be fine,” she says, pushing her conviction into every syllable.

No matter what Jiang Yanli has to do, Xuanyu is going to be fine.

[ineed-to-sleep]

*me immediately after going through a terrifying and traumatic experience* haha yeah I guess it was rough but I'm fine now like I'm totally chill. It was kinda funny actually if you think about it

[triglycercule]

"killer. what is this supposed to be?"

"oh, i commissioned one of my fans to draw art of us! isn't it totally cute??"

"well, it's definitely... something."

"... no, it's cute. but how'd you pay for it? last i heard, your balance was..."

"..."

💜/💙/❤️

[bananonbinary]

as a certified Diagnosed Autist(TM) i cannot stress enough that i am not only pro- self-diagnosis, but also pretty anti- legal medical diagnosis. it is, at best, a cruel hoop we have to jump through so privileged people will deign to give us what we need. don't fucking do that shit unless you have to, it was disgustingly expensive, fucking humiliating, infantilizing, and dehumanizing, and would probably actively cause problems in my life if i didn't have some really good allistic (-passing) people in my corner and also wasn't so fucking disabled that it mostly doesn't matter.

literally get that diagnosis if you need it for job/school accessibility shit or SSI or whatever, and otherwise dont tell the government SHIT about yourself. there is zero good reason for them to want that information. that's between you and the people you want in your life.

[phoenixcatch7]

Reading loz/lu fics and it's just so interesting how wide the spectrum is of their personalities.

Sometimes it's got an in universe reason (different past (usually gender or species change), recent or ongoing traumatic events, a spectacularly bad first meeting), but sometimes (often) the characters are just... Weirdly angsty or peppy, there's no in between!

And I'm beginning to think less people have played more than one game than I thought XD.

Not that it's anyone's fault! One game is more than enough to be part of it all, and loz is exclusive to Nintendo consoles - and all the older stuff is frustratingly hard to get hold of. Heck, I'm still looking for wind waker, and that was really popular! And then you have to play it! They're not small games!!

But could people writing wild please ease off just a tiiiiiny bit so he can be a semi functional member of society pretty please XD? He's just as much a polite boy as any other member of the chain! He won't even run in shops! He can't attack npcs! He talks to every single person he's ever seen and remembers every single name. Yes, he's three quarters woodland creature with a hefty amount of trauma but he's also a fashionista who managed to avoid accidentally taking sides in a mayoral election and that's not easy!

[bumblingbabooshka]

No bc why the hell was Tuvok SO ride or die for this random lady who was gonna lobotomize B'Elanna he SUCKS I love him so much Tuvok focus UP!!!! What are you DOING!!!!! What's your ISSUE!!! HEHEHE Nimira: Prisons are so barbaric. As a perfectly civilized alternative, we've banned negative thoughts as enforced by the lobotomy machine. Tuvok: Honestly? I love what you're doing here. [B'Elanna's kicking and screaming in the background as Janeway tries frantically to get his attention] I think this is a very positive start to something beautiful.

[fluffypotatey]

I find it deeply aesthetically pleasing, character-wise, that Arthur and Merlin are both very much like their mothers, which is especially meaningful in Arthur's case since he's never known his mother beyond a single painfully brief meeting in "Sins of the Father."

Not only does Arthur look like Ygraine (which adds several layers to the clusterfuck of his and Uther's relationship) but it's clear that he takes after her temperament, too. Yes, he sometimes shows his father's temper, and yes, he does stupid things when he's in a temper, but unlike Uther, who literally took his prejudices to his grave and beyond, Arthur never stays mad at people, and he's overall a far more caring and kind person than his father, which is an interesting case of nature vs nurture.

And then on the other hand, we have Hunith, who told a mounted, armed brigand to go fuck himself, later fought another (also armed) brigand with a twig broom, harboured fugitives on multiple occasions, and raised an illegal magic child out of wedlock, and Merlin "Fuck the Police" Ambrosius, who got in a fistfight, got thrown in jail for the fistfight, called the prince a bitch to his face in a public market square, got in a second, armed fight all within his first 48 hours in Camelot, and then committed treason on a daily basis for the next 10+ years, compared to Balinor, who became a weird antisocial hermit that lived in a cave for twenty years.

couldn't have said it better myself bestie

also, there's a reason hunith and ygraine never met in the show. their dynamic duo would outshine everyone, they'd be unstoppable, untouchable, I FEEL ROBBED

[envolvenuances]

lesbian masterdoc and the unforgivable damage of making people hear compulsory heterosexuality and think of "can lesbians have crushes on men?" (no) instead of "are heterosexual women settling in unhappy marriages with men bellow their worth because of economic and social pressure?" (yes)

[kastillia]

Hi Kas, I'd love to see you draw Alisa from God Eater or Fuuka from Persona 3 (or both). Moving is a Big Deal(tm), hope you feel better soon!

[tothepointofinsanity]

what are your thoughts on Madoka and Sayaka's relationship? I always thought it was underrated for how complex and tragic it is.

Madoka and Sayaka's relationship function similarly to that of a knight and a princess, so both their friendship or couple pairing are interesting to me. It seems to be intentional that Sayaka was crafted with a knight motif in mind to click with Madoka's vulnerability. The tragedy is that Sayaka was way too young and inexperienced to be shouldering such expectations in a friendship. Taking up the role of a protector at every turn because she wanted to protect everyone has always been a contributing factor to how fast Sayaka burned out.

Contrarily, Madoka's struggle with her own helplessness throughout the show was also part of the reason why Sayaka said a lot of terrible thing to her, but deeply regretted her actions to the point where she succumbed to Witching out away from Madoka. Madoka, at least in this "final" timeline, was not there to see her own childhood best friend change into something else. To, in a way, "die", and be reborn as the same monster that all magical girls were hunting after in a frenzy. Homura was right that Sayaka brings Madoka grief — it seems that in almost timeline, since Sayaka becomes a Witch as long as she becomes a magical girl unlike Mami or Kyoko, Sayaka is a consistent source of Madoka's grief. Whenever Madoka becomes a magical girl, then, her aspirations are based on Sayaka's sacrifice and ideals, except Madoka actually has the power to "save everyone". I believe Madoka loved Sayaka as Sayaka may not have been an "effective" magical girl, but she was the one who was willing to sacrifice her soul for her ideals, regardless of how naïve they were. To Madoka, who was so ensnared by her sense of uselessness, Sayaka was the closest thing to an idol or a star for the courage required to be a magical girl. Sayaka's desire to make the world a safer and justified place for people was so inspiring to Madoka that even when Madoka becomes Kriemhild Gretchen, the Witch's whole gimmick is "creating heaven on earth, a Witch content only if there is no more grief in existence". A prospect deeply held onto by Madoka that even Gretchen embodies it.

It's probably why Madoka's wish to save all magical girls would definitely sound equally impossible to he audience and the incubators, but Madoka herself says, "If someone says it's wrong to hope, I will tell them that they're wrong every time." Sayaka was often called foolish for her ideals and hopes, and Madoka was the only other person aside from Kyoko who understands Sayaka's struggles so much that she outright tells people that Sayaka was never wrong — this is how Madoka protects Sayaka. Madoka would never want anyone to say any of the magical girls' wishes were wrong or foolish. It was how Sayaka also found her peace at the end of the show: to be understood and not viewed as an object that would eventually be replaced in the cycle of magical girls and Witches.

Madoka and Sayaka eventually learned how to protect each other. Sayaka doesn't need to suffer from her own overbearing expectations anymore, and Madoka can finally be something even more to protect her angel: A God.

[not-poignant]

Hi Pia

Feel free to ignore if this is unwelcome, but have you ever thought about publishing traditionally to sublimate your income and draw in new readers? I know you've self published two books already and that you didn't feel like they did very well, but maybe the experience would be different if someone else was in charge of marketing and all the other business stuff?

Obviously everyone's experience is different but as an author myself who's published both trad and self, traditional publishing has been a completely different experience and has allowed me to focus more on writing because I'm not the one responsible for advertising/marketing/financing anymore.

There are a ton of literary agents nowadays that want to represent diverse and lgbtqia+ fiction, some of them even in Australia.

Websites like Reedsy, AgentQuery and Jerichowriters have extensive directories to find literary agents.

(This is lengthy folks so I'm putting the other two parts (and my response) under a read more! Also putting it under a read more so the anon can skip my response since it's very 'here's all the reasons I can't do this' and they just might not want to read that, lmao)

(continued -> )

Trad publishing houses have better resources for marketing and helping authors get more attention than any self publishing website could.

Obviously most authors, unless they're really prolific, don't get a huge advance (the average is between $1000 - $5000) but getting your foot in the door or on the traditional publishing "ladder' so to speak can have a huge benefit for your serials. Because it gives you more exposure. Plus it's in the agent's best interest to find a publishing house that accepts stories that contain darker themes and negotiate the best deal for you.

For some reason places like Amazon and the like accept and keep up more "dark" books that are traditionally published than they do with self pub ones. Maybe because they have more respect or leniency for publishing houses? I have no idea. But you could use this to your advantage. I think I remember you mentioning that writing novels felt quite isolating to you? But you already have 2 completed novels (3 if you count the fae one) that you could potentially revisit or rewrite to your liking and get them represented by agents.

You already have a loyal readership and that's very attractive to trad pub houses and agents.

As well as trad publishing, you could also make s simple website that doesn't require much maintenance. It could be just a landing page that says something about you and then has links to your tumblr and patreon where you're more active. That way you increase the chances of getting your serials found by additional readers and also come across looking more "professional". Not that you're not professional now. You are and I admire you greatly, but the unfortunate reality is a lot of people still judge by appearances and some will be more drawn to an author's website than a tumblr page, at least at first. So I think having a simple landing page would open up another door for you to benefit from.

Trad publishing is work but definitely not as much as self publishing, and you can continue on with your serials. Getting an agent can be time consuming but I personally believe the pros outweigh the cons and I also believe that your stories would be a huge treasure to the growing lgbtqia+ market. Seriously there needs to be more!

These are just suggestions and thoughts and like I said before, feel free to ignore. But I know you've mentioned wanting to grow your career in the past and I genuinely believe you can do so with some of these pathways.

~

Okay, my response. Posting this because firstly I think the suggestions could work very well for other authors reading this! And I hope they take the advice to note, and secondly because I haven't talked about this for a hot minute so let's talk about it again.

So the TL;DR is yes I have considered traditional publishing. I have actually been traditionally published in short stories, poetry, and also had my art published on covers and re: interior illustrations. But my Fae Tales works got soundly rejected when I sent them to publishing houses that were doing open calls for that sort of material. I've never heard back from an agent and I never expect to, heh.

~

Now for a bit more detail

I have been traditionally published before (it's how I got my writing out there long before I ever wrote serials), and yes, I have approached publishers with my writing since then. In fact Tradewinds was written for the traditional publishing market, and it got soundly rejected, and then shelved. The reasons it was rejected ran the gamut from 'I don't like that these fae eat humans no one is going to relate to these people' (while the editor then went on to publish vampire books idk) to 'There's too much worldbuilding you can't expect readers to keep up with this' to 'Your stories are too long, no one wants to read characters talking all the time.'

Meanwhile in my online serials I was getting feedback like 'my favourite chapters are the ones where the characters just sit in a room and talk' lol.

The traditional publishing world is also not quite as utopian for most authors as you make it seem. I'm friends with a lot of authors who are traditionally published because that's the world I came from, and unless they're solely in KU and doing generic rapid release formula romances, none of them are making that much money. Certainly not enough to live off. It may have been that you were very fortunate, anon, but I know hundreds more traditionally published authors that left trad pub to make money, and I know about 5 in trad pub personally who are making enough to live off of.

Only one of those is really writing what she truly loves to write, and even then, publishing houses have refused to commit to her entire fantasy series (and she's regularly in 'Top 10/20 Women Fantasy Authors in the World' lists) and forced her to finish the series prematurely. Something I never ever have to worry about in self pub.

The reality is that in trad pub these days, you're still in charge of most of your marketing unless you're one of the big earners for the publishing house. In fact I'd be expected to keep even more of a social media and marketing presence than I do now. I don't do almost any of the things you're supposed to do as an author in marketing to be appealing. I don't have a Facebook author account. I don't have an Instagram author account. I don't maintain or regularly send out newsletters (which automatically puts me in the like 0.05% of authors who make money doing this lmao).

I don't know if you ever have looked that closely into what m/m publishing houses expect from most of their authors, but the newsletter swaps, cover releases, review circuits, interview circuits and more are fucking grueling. We're expected to be responsible for our advertising and our marketing to a fairly massive degree. Some traditionally published in m/m still have to pay for their release blitzes out of pocket. These publishing houses, by and large, do not offer advances. You say most authors don't get large advances. I don't think most authors in this arena get offered advances at all unless they're somehow miraculously acquired by a Big 4.

We're expected to have an already established social media presence because of that (that's why it's so appealing to publishers that we have social media presences already, anon, so we can market, they can save money, and we still see only a minimal cut from the royalties).

And you still have to focus on your finances, because publishing houses like Dreamspinner straight up didn't pay a whole bunch of authors for so long they destroyed careers. They still haven't paid some of their authors. And they're still running a business and people still buy their books.

Trad publishing houses have better resources for marketing and helping authors get more attention than any self publishing website could.

This is true if a) they're a big publishing house and not an indie publisher of which most LGBTQIA+ publishing houses are and b) they're willing to use them on you.

The authors that make the most money get the most resources. If they believe you're going to earn back your advance and move thousands or tens of thousands of units per book, then yes, you will get those resources.

I have been told so many times now - even from friends who run publishing houses, including one who works at HarperCollins - that my work will never be mainstream enough to have broad appeal. They literally told me not to keep trying re: trad pub, because that was my dream for a long time. These folks have given me rock solid advice in the past, it's one of the reasons I'm doing so well now via Patreon + Ream. But they were like (paraphrasing) 'you don't write 60-80k romances and you don't want to and that's not your strength anyway, you're multi-genre which makes you hard to market, you write psychological and literary trauma recovery which is hard to market, you write character studies which are hard to market, publishing houses often don't commit to series anymore if the first two don't move units and if they pulled the plug you'd be contractually obliged to never finish that series until your contract was up.' I could go on, but it was like yeah...actually. Fair.

For some reason places like Amazon and the like accept and keep up more "dark" books that are traditionally published than they do with self pub ones. Maybe because they have more respect or leniency for publishing houses?

They do, but most publishing houses want very formulaic dark romance which is not what I write.

I have a 300k omegaverse slowburn that still hasn't had any penetrative sex in it, anon. Publishing houses don't want that. They don't expect anyone will wait 4 full length novels to get to literally a single penetrative sex scene.

But you already have 2 completed novels (3 if you count the fae one) that you could potentially revisit or rewrite to your liking and get them represented by agents.

If I rewrote them to my liking, trad pub wouldn't want them. They'd be too long! I think agents etc. take one look at me and go 'oh god, no thank you!' I'm not an easy sell, by any means.

Plus I'm very e.e about all of that with the knowledge that they then give me only about 10-15% of the royalties on the sales, vs. self-pub where I get around 70%, or subscription where I around 80% of it. When someone subscribes to me, they don't have to worry about 85-90% of their subscription fee going to a publishing house. I don't have to think about how many thousands and thousands of books I'd have to sell to make the same amount that I do now via subscription.

As well as trad publishing, you could also make s simple website that doesn't require much maintenance.

If it was that simple, I'd be doing it. I don't mean this in a facetious way, I mean it in a: I've made a lot of websites, in fact I run one at the moment not connected to my writing (I've been running it for so long it's now in its 20s and can probably has a driver's license). I find it so tedious that I barely remember to check in on it. But forgetting about it means there's always maintenance to keep up with when I get back to it.

Running websites is simpler than it used to be, but it's still not simple. There's hosting and hosting costs, there's server changes, there's back-end maintenance etc. I'm considering it for down the track, but there's a reason I decided to go the route of Patreon over my own site. There are authors (like Christopher Hopper) who actually do subscription through their own domain, but it's a lot of work.

Even placeholder sites are still work. They need updating, details change, story titles changing etc. Maintaining my Patreon + Ream About pages is enough, they're always both a little out of date, lol.

Not that you're not professional now.

Oh no, I mean from a 'traditional publisher looking at me to see what kind of candidate I am' I'm really not though. Like I said, I don't have the newsletter (100 subscribers who get one newsletter a year is not really a newsletter), I don't have the Facebook/Tiktok/Insta/Twitter/Bluesky/Threads accounts, etc. I write multi-genre across multiple steam levels, and I'm allergic to writing serials shorter than 150k. One of my best performing original serials was an 800k contemporary story with no sex in it but a lot of BDSM. It can't be marketed as clean or sweet, it's not high steam, an entire chapter is 'boy saves snail from rain.' Also he was cruel to animals, so not exactly what I'd call a sympathetic main.

And yet that story did so well for me via Patreon + Ream, because people want the kinds of stories that publishing houses generally don't want and I happen to be writing them.

Trad publishing is work but definitely not as much as self publishing, and you can continue on with your serials. Getting an agent can be time consuming but I personally believe the pros outweigh the cons and I also believe that your stories would be a huge treasure to the growing lgbtqia+ market. Seriously there needs to be more!

Anon I just literally do not believe an agent would want to represent me. I have 0% belief in that. Not from a self-deprecating angle but from a 'I am not a good bet for the trad market' perspective. From a 'I have so many friends who are trad pubbed authors who stare at me like I'm insane for writing serials as long as I do' perspective. From a 'professionals in the industry have told me it's amazing I'm doing so well in serials because there's no way they'd take a risk on what I'm doing' perspective. From a 'just because it's queer and diverse doesn't mean it hits literally any other thing a trad pub is looking for' perspective. I've been doing this for 10 years. There are agents who represent work similar to mine who know what I'm doing and wouldn't touch me with a ten foot pole. They're not missing out on a trick, they know I'm not broad appeal, and they're right.

Also the only way I'd have the energy to manage trad pub is by quitting serials. And honestly, I never found trad pub all that much fun while I was doing it for non-novel stuff. It was fine, and it is nice to have my stuff out there, but it was a ton of admin and a lot of going back and forth between people who really only care about marketing a product, and that's great and what they excel at! But I'm too disabled to turn this job into something crushing just to potentially make more money, I'd rather just quit and go back onto a full Disability Pension. I can't see any way I still get to write the stories I want to write, in the way that I write them, and be remotely appealing to a single reputable trad pub or agent.

Also *gestures to everything in this article*

[perilegs]

i miss horses

[thosewildcharms]

I'm still in a delirious state of mind about Rick and Michonne, that we got 6 eps just about them... cant really believe that of all the shows the walking dead provided us with the best ship ever! But i will never forgive twd that we never saw Michonne talk to Rick about Andre, ESPECIALLY after Carl died. All this years later and im still bitter about it, sorry for ranting in your inbox, love reading your thoughts on Richonne 😘

oh, thank you so much anon! and please feel free to vent and rant in my inbox anytime!

you know despite being bonked over the head repeatedly by the promotional materials and danai/scott/andy themselves being like THIS IS AN EPIC LOVE STORY! ABOUT RICK AND MICHONNE! A LOVE STORY ABOUT HOW RICK AND MICHONNE LOVE EACH OTHER IN A WAY THAT IS EPIC! 6 EPISODES ABOUT RICK AND MICHONNE BEING IN LOVE, EPICALLY! i'm still reeling over how well we were fed. apologies to future!me but nothing is ever going to top this. and from the zombie show no less! can you believe!

and i'm with you about andre. sure, she did *technically* mention him (or rather, the experience of losing him) after carl's death in this scene and while i'm confident that she and rick talked about andre off screen as well i still would have loved to see it. there is a tragic lack of scenes in general where michonne is comforted and taken care of emotionally (let alone physically) and/or gets to talk about her past at all, let alone about the entire child she lost i think she is owed that. hell, I think an andre mention would have fit in perfectly somewhere in towl, where michonne's POV was much more present and the grimes family as a whole was such a focal point. the way they brought carl back into the narrative in such an integral way was beautiful and i love that they honored his memory the way they did. i think it would have been a nice parallel if andre had been brought back up as well. because there is not a single doubt in my mind (and probably not in michonne's mind either for that matter) that if andre were still alive rick would have loved him like he was his own. so it would have been really sweet, for example, if he had been paid tribute to in some way as part of their family even if rick (and we as the viewer) never got a chance to know him.