Harry Styles gives Werchter audience a new home
"Harry Styles needed neither lasers, fireworks nor confetti to pack up Werchter's festival park: his charm was enough.
Pink T-shirts, boas and trousers flooded the Haachtsesteenweg on Saturday - we also spotted two jet-black Slipknot shirts on the way to the festival park, but they hurriedly legged it in the other direction. A parade of bright colours was the dress code that accompanied Harry Styles' 'Love on tour' concert series, which was due for its 161st stop in Werchter. That means more than 3 million people already saw the show - Werchter added another 60,000.
It makes the 29-year-old Brit an exceptional pop star. In 2010, he first found fame in The X-factor and ended up in the boy band One Direction. Those are rarely harbingers of a lasting career and sold-out Wembley stadiums (unless your name is Robbie Williams), and yet Styles managed to pull it off. He owes that mainly to his charm and irresistible personality - there were better singers in One Direction*, but that didn't stop Styles from gracing the most bedroom walls.
At Werchter, Styles did not show exceptional voice either: during songs like 'Adore you', the endless tour seemed to hang in his throat. But in the festival park, the Brit proved that few are his equal in entertaining. Styles incessantly handed out thumbs-ups, waves and winks, as if he were not on a pop stage but at a reception with old school friends. He adorned himself in boas, rainbow flags and cowboy hats from the audience, asked if everyone was feeling emotionally stable ('no' was the convincing answer) and congratulated the birthday and pregnant people in the audience. At times, Styles seemed more talk show host than pop singer: he inserted a chatting quarter in which he had a girl tell a joke about an apple playing the trumpet and asked another audience member about her summer plans. A third girl got the grand prize: she had written 'help me tell my girlfriend I love her' on a sign and Styles had the entire festival park declare love in her name.
Not the star shines, but the audience
That frequent chatting, musing and thanking sometimes took the pace out of the show, but picking up speed never seemed to be the intention. Styles is not a whirlwind that overwhelms the venue and leaves it dazed. He left the big, banging pop choruses needed for that with One Direction. Now he prefers to opt for nuance, as in the stunning ballad 'Fine line', the long-spun rock song 'She' or the frequent soul jams of his latest album Harry's house. In it, he left plenty of room for his ten-piece band to shine: drummer Sarah Jones played a starring role in 'Satellite', a wind quartet made 'Cinema' doubly catchy.
And Styles himself? Who focused mainly on his mission. 'The idea that we are separate, solitary beings is a hallucination,' he bellowed from the speakers before the show, a message he underscored by regularly bringing the audience into the picture. At their core, after all, mass concerts are not about the star on stage - who often seems smaller to many audience members than the beer glass in their hand - but about the connection in the audience.
Styles' songs that touch the most also allude to that search for a place to belong. In 'Matilda', the main character finds that place when she allows herself to break away from a toxic home situation. In the dreamy, romantic 'Keep driving', that place lies at the side of a lover, with all the world's problems in the rear-view mirror. On stage, Styles found that new home for 161 nights in the arms of a loving audience - and they in his. For a brief moment on Saturday night, Werchter's meadow was "a place to feel good, where we can treat people with kindness"."
(automatic translation by DeepL - it's not great but I'm too lazy to correct it)
*there is a hyperlink under "better singers" to an article about Niall being the third One Direction guy making number one, after Harry and Louis. It says nothing about the quality of anyone's singing so it's a bit of a weird auto-reference.
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What's wrong? Rainbow.
Okay this post is a little of a brain vomit, because I've read so many smart posts lately and I have some thoughts that kinda tie into all of them or maybe provide some pieces.
So, let's add some maybe fresh thoughts. If somebody had already said all that, please step forth lmao
First, the Zombie Boy drawing and different/changing timelines. (and project rainbow) For For context, @willbyersabyss 's post.
S1 version mentioning the mind control experiments.
-> completely erasing that timeline/version of events by the said mind control. -> And now Will Byers has become the Zombie Boy
It's almost unbelivable how much timeline-wrongness/loops S2 hides under it's sleeve.
Trapped in an artificially created time loop / timeline.
What's wrong with Mama?
Rainbow. Timeline's wrong.
Oh, what you say Nancy-in-Terry's overcoat/costume?
Murray's? But not yours?
Oh, then what if Murray's timeline?
Zombie Boy version. The one that says Will got lost in the woods. Our timeline. And then we get Lucas telling Max the truth. (Events of s1, that represent the Zombie Boy version.) But on this particular timeline-train of thoughts, he literally repeats after Nancy:
Will didn't get lost in the woods. The timeline's wrong.
And then it get's even more messy, because Max thinks this story feels derivative. This is literally us reading the s1 article. But then, why is she reacting to the s2 version like that?
And then she calls him out for lying. We get told multiple times, that Lucas is not telling the true version of events.
Friends don't lie. Never ever. No matter what.
Is that right? Then how do you explain this?
Out of order. The timeline is wrong. Out of order.
Friends don't lie. Never ever. No matter what.
Is that right? Then how do you explain this?
Now, lets go back a little. And add some MKUltra.
What's wrong with mama? Rainbow. Timeline's wrong. Out of order.
I don't think I've seen anyone mention the fact that we've got not 1, not 2, but at least 3 Rainbow Rooms.
terry ives' mind loop (with different colour-gradings)
Ray's, the lab ward's home in Chicagoproject nina tape-based memories project nina tape-based memories (with different colour-gradings)
While we're at HNL colour grading I wanna quickly add that Terry's sequences are a lot warmer, I'd even say the walls are different paint all together. But it could just visual clue of time passing, renovations and all.
However. It's a cool detail that while Terry's memories are warm-ish-> turn greenish just as it cuts to little Jane and Kali and then the lighting immediately becomes cold - like in Will's scenes. (And Ray's, ''true'' version is warm as well. Outside of the girls nightgowns, that are more cool-toned. and that's another mindfuckery detail, bc Ray's kids are dressed more like lab subjects than the lab subjects.) (out of order)
I wanna talk bout the middle Rainbow Room. And its possible connection to MK Ultra.
First. Light is important. Here are two posts about light's and rainbow's involvement in the experiments'.
For context, go to the two @conflictofthemind 's posts.
breathe. sunflower. rainbow. three to the right, four to the left. four-fifty. breathe.
breathe. (He isn't breathing!)
sunflower. (follows the light. Joyce to find Will, El to talk to Terry etc. Will's house being all lit up in the pilot. AND the shed. And the light bulb thing. followed the light? and went back?)
rainbow.
(electromagnetic spectrum gets separated. different wavelengths reflect at a different angle. but in the end it's still just an optical illusion. it doesn't exist in a specific point in the sky.)
Rainbows are actually full circles. The antisolar point is the center of the circle. Viewers in aircraft can sometimes see these circular rainbows. (The horizon obstructs our view. It's as if the second half was under. In the Upside down.)
three to the right, four to the left. 43. 1943?
four-fifty. (Turning up the dial on the machine. 450° degree angle? it loops.
breathe. it loops.
Also, the safety vault, the rainbow and the dial is all circle shaped, and it ends on the dial being turned, as if we're actually going round on it's axis. (But in Terry's memories, and Ray's flat, we're only seeing one half of the story. S4? we get too many versions. A half circle, the rainbow going around the room, turning upside down etc.)
In that scene they are in Ray's apartament. (another light reference)
And I have a few theories. This is the writers telling us that
there are multiple versions of the event
these memories from another timeline. which i'll touch upon in a different post, to keep things in order
the event is replicating itself in different manners
Okay, now a rundown of the scene:
-> The Kali Gang bursts in. The RAY-guy begs for his life. Says he's gonna help El find Brenner.
-> Nobody believes the guy, neither the audience nor the characters, but the thing is - he was telling the truth! Now, after s4, after being introduced to yet another, COMPLETELY different rainbow room, we know that.
What also interest me is that Ray said Brenner trusts him - thus he knows Brenner is alive. Was that a secret between the bad men as well? Is Brenner being alive something more than not succumbing to injury circa s1?
The things is!! El and Kali never entered Ray's rainbow room.
And Ray telling us the truth feels like a check mark - this! This is the one!
I think either:
a) there are different versions of the event: Where the girls in the room were not El and Kali, but some other two kids, possibly actual siblings.
a.1) this only happened once - and Jane is not El.
b) The original event that keeps weaving itself into the plot his hasn't happened to Terry specifically.
c) Or there was no ''original'' but it keep's repeating to trigger something, or replicate an effect. Somebody finding two ''kids'' in a rainbow room.
This really feels more like a visual and storytelling metafor.
Same with @erikiara80 post about colour green.
Especially with what happened st Ray's place.
El and Kali on different sides of conflict, Kali being the more blood-thirsty, revenge seeking one.
-> Kali and El want to kill Ray. But Kali want it to last, to make him suffer. -> For a moment El listens but then Kali-Gang find the girls in the rainbow room -> El notices a photo frame with Ray and his daughters and doesn't kill him in the end. -> This pisses off Kali, she want to kill him, but El stops her. And they evacuate without killing the guy.
vs. El showing 'empathy'.
But we know that NINA's memories are not entirely trust-worthy... (s4 Owens: how much did you skip?)
This might be a nod to the fact that El doesn't actually relate to the strong emotions Kali is feeling about this. (That El is not Jane, Ray didn't torture her mother.)(Or that they originate from different timelines.)
Oh and, let's not forget about the staring point. The Zombie Boy articles. And how Will-Joyce-Hopper are involved in that scene sequence.
Want it or not, in this color grading, this car looks like Joyce's green pinto.
And this, also, looks like Joyce's green pinto.
Now, why am I suddenly pulling Joyce and Hopper into all of this? Because Hop says a funny line in s2.
"You wanna take him back to Chicago?'' (about Will having episodes. They also mention Boston, where another comic takes place.)
All in all, Hopper discourages Joyce from looking for help anywhere else but HNL.
But take this car parked by Ray's place, take that one line, and take the fact that Ray was not bullshitting El?
And to that let's add that the Zombie Boy event having ''Chief Hopper'' literally written all over the page? Zombie Boy is encircling him for gods sake. (in green) Pointing fingers.
(Which Chief Hopper tho haha)
oh and
I really hope this makes sense. Might not. Hopefully it does.
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Hello hello everybody! It is time for another months progress, and I am so excited to share with you, all the things I have gotten my grimy little gremlin hands on.
First off, what we are all here for; writing. I have been on fire, to be honest! Last month I churned through the last of the first batch of erotica stories (there's 6 (!!!) of them on my patreon already) and set them up for publishing along with two more unseen ones- I'm still going over the logistics of where to publish for the best revenue (I know this sounds boring, but I have to make an income somehow, and hopefully find another audience as a smut writer on other platforms 💀 I love writing it so why not!), and I am making headway, learning the ins and outs of self publishing. On patreon, there are also two Q&A's that are written in a bit more fictional manner, in character: a more fun way than just writing answers straight up and down. I have enjoyed those so much! There's a bunch of other stuff I haven't even mentioned- honestly, I have to say, I'm really proud of my output on Patreon even though I have been really anxious about writing full time. It's going great!
I have to thank my new friends and support-network on discord; you make this all worth it. I cannot express how fun it is to shoot the shit with you in vc, gaming together, or seeing your shenanigans in gen or your in depth theories (thanks for the brainworms!) or memes or staring longingly at the fanfic channel or drooling over your art (ouro related or not) or... Gah. You are just amazing people, and I will waste no opportunity in saying so. Thank you forever and ever and ever an-
When it comes to OUROBOROS, I am happy to announce that the next chapter is damn near done! I was halted because of the discovery that dashingdon is no longer supported by it's creator, and have been working on the twine version ever since, earlier than I expected- it's tough work, but I am so excited to make this an actual game made entirely by myself, and not submitting to a company that quite frankly leaves a bitter aftertaste. It is taking long to make because I want to make it mobile compatible from the start, which there isn't a lot of resources for. But I'm doing my best! The plan is that I will be posting the next chapter for Patreons in the coming month, and then treat you to a full twine release here on tumblr. I haven't made any rewrites when porting the twine build, but I would like to do that too... so we will see; this plan is not set in stone. I will just have to see how it evolves over the next month. Yes, beta-readers is still on the schedule, just holding off a little while while I wrap my head around this new coding landscape.
Other than that, I have been working on the set aesthetic for ouro, which has been really hard, a lot harder than I expected. You all know I am no wizard when it comes to graphic design, but I want to at least develop a set palette and imagery and portraits that is cohesive to the story. The work is ongoing, and I don't have much to say about it- even though it is taking a lot of my brain power. I'm hoping I can come to some kind of set and in depth conclusion that I am happy with before the twine release, because I want the game to feel like a treat to open up and play; a world to get lost in.
That's it! If you want to see weekly and more in depth dev-logs, you know where to go. I hope you have an amazing day or night, and we will see each other soon. xx
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