#and other characters who didn't speak very often

[wilcze-kudly]

Tlok is so weird about abuse, particularly when their female charcters are abusive towards their male characters.

Like Eska's abuse by Bolin was played completely for comedy. Despite him being shown as clearly uncomfortable, and crying on multiple occasions.

This is especially upsetting because Bolin has been shown as being a rather vulnerable individual with trouble setting healthy boundaries and an aversion to saying 'no'. But even when he does actively express his discomfort and attempts to end the relationship, his autonomy is violated and he is literally forcefully engaged to Eska. And we are supposed to laugh.

He is shown to be so traumatised by the experience that he still actively panics when shown even a picture of Eska and is clearly very hurt that Mako didn't offer him more help in the situation. Which is honestly understandable.

Speaking of which, Mako and Korra's relationship in B2 was... troubled to say the least. Now, Korra had a lot on her plate and was rightfully stressed by the events happening. However, it seemed that she often took her stress out on Mako, getting into arguments with him and yelling at him.

She kicked his fucking desk across the room. While Mako may have upset her by going behind her back and ratting her out to Raiko, but this is no way to react. But we are supposed to be annoyed and angry with Mako, and we are meant to see Korra reacting so violently as justified. [While I don't like Mako's actions in B2 he didn't deserve this.]

This is not helped in the slightest after Lin enters the scene, and comments on thw mess, saying that he 'got off easy'. And she implies that she committed even more property damage after Tenzin broke up with her.

Ah, Lin. I think while Korra and Eska's actions toward Mako and Bolin have been called out sometimes, we tend to overlook how fucking horrifying what we're told about Lin's reaction to Tenzin breaking up with her is.

Because, if we think about this for a little, this is a scary situation. Lin is a very strong and physical person who has been shown to be quick to violence. Air Temple Island is Tenzin's home, and the home of multiple Air Acolytes, full of fragile artifacts that we are shown that he values tremendously and for which he feels personally responsible for.

Ans it's honestly hard to believe that Lin didn't know this about Tenzin, since they persumably have known each other for a while. I wouldn't be terribly surprised if she damaged the temple because she knew it would hurt him.

And it's understandable that this wasn't presented as a very morally wrong thing to do, since the 'crazy ex girlfriend' isn't an unpopular trope in comedy, but it is damaging. Since it plays women doing genuinely scary and upsetting things towards men for comedy, therefore making it more difficult to take such behaviour seriously.

But hey, I guess we can kinda pretend that Lin most likely damaging Air Temple Island with earthbending is comparable to egging someone's house or keying their car. So let's let that slide.

Oh yeah, she also abused her position as chief of police in order to try and get rid of a romantic rival.

Which is extremely fucked up, especially with how Lin presents herself as extremely professional and serious about her job, yet she apparently used it to terrorise a woman for 'stealing' her partner. What kind of bunny boiler shit is this.

And all of these scenes presenting Lin as a vengeful, borderline abusive ex to Tenzin are presented as comedic, further driving tlok's most likely unintentional message of normalising female on male abuse. It's not as in your face as Eska's abuse of Bolin, to the point that without the context of Eska and Korra's behaviour, I wouldn't really point Lin out, but with this context, you can't help but consider it.

Once is by chance. Twice is a coincidence. Three times is a pattern.

And I hate to make this argument, but if the genders were reversed in these situations?

If a boy were pressuring a young, emotionally vulnerable girl into marriage, treating her as his slave, manhandling her, getting angry when she speaks to a male friend?

If a young man were to scream at his girlfriend multiple times and go so far as to throw her desk across a room?

If a male policeman implied he caused severe property damage at his ex girlfriend's house after she broke up with him and if he tried to use his status to arrest her new partner? (you know, actually 40% of cops are- *gets shot*)

I feel like we'd have a completely different perspective.

While male on female abuse is still often stigmatised and overlooked, I still think that Eska, Korra and Lin's actions would be scrutinised more closely and reacted to more negatively if they were men. Concurrently, I think we would treat Bolin, Mako and Tenzin with more leniency and gave them more of the benefit of the doubt had they been women.

I want to think that this wasn't a message that was presented on purpose, but it's still one of my least favourite aspects of tlok and I genuinely dislike the part of the fandom that trivialises these actions by Korra, Lin and Eska.

[wokecipher]

p. 1 // p. 2

OKAY- so, awhile back, I made an AU where Bill had kids (twins!), I did this because I thought it'd be funny, and it was supposed to be ironic and stupid.

It's no longer ironic... and I wanna share this silly (incredibly fucked up) AU!

These two are Anthony (they/them) and Tony (he/she/they). I call them the Tony twins. This AU is directly attached to my Family of Shapes AU, but long long after Euclydia is destroyed (mentioning this because Tony is a square, which might confuse some people? Bill's uncle is Tad here, that's why).

The other parent of these two is a shapeshifter named Mendax (it/its), who was preying on Bill at the time to gain information before essentially disappearing from existence before Bill ever finds out.

I have a lot of lore on Mendax, but it's not the focus here right now, so I'll get to it LATER... just know I think about Mendax and Bill's relationship often and they're very fucked up and toxic and not good for each other.

Now the below will be a lot of lore and information about the Tony twins and Bill during all this.

MORE ART AND LORE VVV

So! for anyone familiar with how I perceive Bill's family, they'd know Scalene having a messy, awful pregnancy, and ending up with debilitating postpartum depression is a huge part of it.

Bill is no better than his mother in this regard.

When Bill found out he was going to have kids, he felt angry, miserable, and was mourning Mendax as well (since it up and left before Bill even Knew about all this). Having kids felt like the worst outcome of the relationship and he never even wanted them in the first place.

(hey, it's that drawing I said I'd never reveal the context for!)

Bill doesn't want to be a parent, and having two kids over just one broke him further, mentally speaking.

He wasn't the worst parent, but good God, he wasn't a good one either. Bill was incredibly emotionally abusive towards both children but was dead by the time they were 11, so he hardly had a chance to be there in the first place. (The timeline was my biggest problem to figure out because Mendax left before humans even evolved on earth).

To fix the timeline, I decided he'd have kept the kids in a pocket dimension where time runs so slow that it basically stopped. Millions of years could pass, and it'd be hours at most in that pocket dimension. This is me just coping to make the timeline work, LMAO (but it's in character, Bill doesn't wanna forget about the two somehow and wants to be there when he can. He also wants to keep them both safe and away from anywhere someone could hurt them).

The kids were brought out for Weirdmageddon, though (before Bill was aware there was a barrier and all that).

So long story short, Bill dies, the kids are left alone in the nightmare realm with the rest of the henchmaniacs, and things aren't going well. One of the henchmaniacs (8Ball) turns on the two and tries to kill them (considering how willing he was to turn on Bill, and didn't seem against eating kids, seemed in character enough).

This led to Tony (the square) killing 8Ball in self-defense in front of the rest of the henchmaniacs.

Tony hides Anthony in the pocket dimension and tells them to hide, then leaves to go "handle" things on the outside. She ends up slowly taking over the henchmaniacs group and basically becomes the "New Bill".

Although she's entirely unfocused on humans or anything, and more focused on gaining power to be more like her dad.

Eventually, Anthony leaves the pocket dimension by the time Tony is in his 20s. Anthony was shocked, and still 11, and ends up getting taken care of by some of the henchmaniacs and Tony for awhile.

I have more art on this, but I've hit the tumblr limit of 10, so I'll cut this shorter and make the rest of the plot its own post.

Anthony grows up and becomes a right-hand man for Tony, but after millions of years, they become tired and traumatized from doing all of Tony's dirty work.

Anthony ends up killing Tony.

Tony had slowly become more abusive and cruel over the years, and Anthony just couldn't handle it anymore. They end up taking over Tony's place as the leader of the henchmaniacs... but they don't really do anything. Around this time, they make a deal with the Axolotl (or some related party), to repent for all their crimes. They hated what they had done for Tony and wanted to be and do better.

They end up failing to save or do anything for anyone and ends up in the Theraprism. Unlike their father, they make it through the program and get reincarnated.

I'm still unsure if they would meet with Bill there, if either would know the other was just some many rooms away. I don't even know if they'd learn either was at the Theraprism.

If they did meet again, it would... be awkward for sure!

If you guys would like to hear more about any of these characters let me know, weirdly enough my favorite here is Mendax even tho it's not the focus here.

[muka-rapak]

Krabat das 4. bis 6. Jahr

I think I spent like. 20+ hours reading it .

7.5/10 raven feathers

[eff-plays]

Ok so I watched the interview with Stephen Rooney, Astarion's writer, and here are some highlights. (I'm an aspiring writer and current game design student who wants to write for games so I'm sorry if some of these insights aren't as interesting to you as they are to me <3)

He calls Astarion his "horrible little vampire boy"

He loves seeing the fandom around Astarion<3

He did write other characters in the game, but mostly NPCs surrounding Astarion or his storyline, so it mostly revolved around Astarion

Astarion is not as connected to other companions/Origins as, for example, Lae'zel and Shadowheart, or Wyll and Karlach are to each other, but he is still reactive to their stories, even if it's just to stand off to the side and laugh when something terrible happens

He had a clear sense of where Astarion's story would start and end, but it got "muddy in the middle", but those are also moments where the best ideas come from

They write from the general idea that every character has one "good" and one "evil" ending, in order to give the player choice. RIP Ascendant apologists :(

According to Stephen, two of the most important aspects of Astarion's character (to keep consistent when bringing him to Idle Champions, at least) is that he enjoys violence, but is also fun about it

"He has a certain appreciation for violence, I guess? A bit of a murdery streak. [...] He's a vampire, he's all about blood, and he's all about, kind of, those darker sides of humanity. [..] But at the same time, he is ... He is really fun, he's really fun to write, he's really fun to have in your party, and it's very important for me that that is also represented."

"He's gonna stab you, but will have a smile on his face as he does it? I mean, I dunno. That's kind of him in a nutshell."

Larian would not have allowed for Astarion to be a typical brooding Dracula type, and there were scenes that were shot down for not being original enough

The main thing about Astarion was trying to get a "sense of fun." It would be easy to write a character that was very unlikable, and they absolutely did not want to do that

Rooney says Astarion is consistently terrible throughout the game and awful in a whole lot of ways, but he also needed to be charming enough that you could tolerate his presence and wanted him around

Rooney also had a lot of input on Astarion's stats (meaning the 10 Charisma is probalby 100% intentional)

He also had input on how certain lines should be delivered, even though the writers didn't directly work with voice actors

The way Astarion moves and poses is "all Neil"

Apparently, Neil Newbon worked on the character for years and Rooney did not speak to him once, though his voice work did influence how Astarion's lines were written and it became a "feedback loop" (Possible context for "ONLY SLIGHTLY, NEIL")

There were no points where a line delivery drastically changed Astarion's writing; rather it was a constant, slow evolution

However, there was one very spoilery moment where Neil gave such emotion to some "basic" lines that it fundamentally changed the scene (WHAT IS IT OMG)

It's difficult to balance approval, as you don't want to straight up write a monster. Every character needs to have some humanity in them. So if it comes to leaving the party, it needed to be the result of something central to said character. They wanted to be mindful of situations that would cause actual rifts between characters. (I assume this is why most generic disapprovals/approvals are +/- 1 or 2, while character-related ones give +/-5 or more)

However, as they don't write straight up horrible people/monsters, it doesn't come up as often as one might think.

The interviewer makes a point about how characters like Astarion and Lae'zel are good examples of how to play "evil" characters, as they are maybe not the best people but are still eager and willing to stick around the other party members

They worked to make sure the characters would work as a group, no matter the configuration of the group. The characters needed to be on the same path, even if they don't always agree or walk that path the same way.

Stephen Rooney is very proud of the "climactic" scene of Astarion's story. (AS HE SHOULD BE.) He even had to step away from the computer and have an emotional moment. Me too, man.

He's also "extremely pleased" that there's a point where you can punch Astarion in the face. "Actually, that one might be my favorite part" A MAN OF THE PEOPLE!!

Stephen Rooney's tip on what specific thing you should try out with Astarion: When he's trying to get a "sneaky nibble" at night, you should "probably" let him bite you. Way ahead of you there, sir.

No discussion about Astarion's romance unfortunately, but that's that!

[redr0sewrites]

Can I request hcs about the batboys being a top/switch/bottom please? 💕

🥀A/n: YESSSSS!!! btw i will be yapping ab the differences between sub/bottom and dom/top 💀

🥀Character(s): Dick Grayson x reader, Jason Todd x reader, Bruce Wayne x reader

🥀Cw: smut, dom/sub dynamics, implied switch!reader, switch!character

🥀minors dni

Dick Grayson:

i feel like Dick is a pleasure dom, he cares a lot about making you feel good and that often leads to him bottoming while still being dominant. he likes when you ride him and take what you need, but he simultaneously wants to be in control

out of the three, Dick is probably the most naturally dominant and is the one to prefer domming the most- i think he's a bit of a control freak like that, he won't outwardly show it but submitting is just something that doesn't come naturally to him

however, i do think he gets worked up a lot and needs to get his mind off of things, so that would be an opportunity for him to enter a more submissive role. that would take a bit of time, but once he trusts you, Dick will definitely be down to sub.

prefers to be a subtop, he likes rutting into you desperately and having you coo and tease him for taking you so desperately

as i've previously stated, when he's domming, Dick is a pleasure dom. your pleasure comes before his, and he's very adamant about making you feel good. while he's down to try anything that you want, he wouldn't be into physically hurting you or super hardcore bdsm, but i do think he can be a bit mean at times. he's a HUGE tease with insane stamina and will edge you for literal hours until your begging, then overstimulate you until you cry

however, when it comes to subbing? he's either a whiny brat or a genuine sweetheart.

when he's bratty, Dick will tease you and mock you for not fucking him hard enough, he wants you to be mean to him and fuck him absolutely stupid until theres not a single thought left in his brain

he's also into kinkier things, he wants you to treat him like the mindless slut he knows he can be. its kind of a corruption kink, in the sense that everyone always views him as the perfect golden child. you're the only one who gets to see how needy and horny he actually is, and he genuinely views subbing as an opportunity for him to be as kinky and depraved as he would like without judgement. it's actually kind of sweet that he feels safe enough around you to show you that side of him

speaking of sweet, Dick is not always a brat when subbing. sometimes, everything is a bit too much, and instead of wanting to be fucked out of his mind, he just wants to be taken care of. these days, he's more clingy during sex, needing your praise and attention at all times. Dick is a lot more susceptible to slipping into subspace during these times, in which he'll cry and cling to you, desperate for just one more climax.

a lot of the time his brattiness will slowly melt into his softer, needier side, and theres an important distinction between the two. when he's acting out and being bratty, Dick craves your attention, and enjoys being degraded and mocked. however, when he's more emotionally vulnerable and soft, he can't take any degradation without crying.

after subbing, Dick is a lot clingier during aftercare as well, especially if you were being mean to him. please reassure him you didn't mean anything that you said when degrading him, he's still in a sensitive state of mind and needs that reassurance

overall, i think the sexual roles Dick falls into most are pleasure dom and sort of a pillow princess sub (yes ik thats a wlw term but idk how else to describe it im sorry 😭) and he's overall very versatile during sex

Jason Todd:

bottom 🫵🫵🫵

in all seriousness though, Jason is a very versatile switch in my opinion. he's a lot more inclined to subbing than the others, and is actually more comfortable bottoming than topping. he's a strong guy, he's fucking huge, and he's constantly afraid of accidentally hurting you. when he's bottoming, its eases some of his worries about accidentally crushing or hurting you

Jason is either a strict dom, a power bottom/dom bottom, or a genuine sub in my opinion.

some days he's a strict dom, and s but of a brat tamer. i also see him being a bit of a sadist, but only if you were 1000% into it and if you had established safewords. he's whispering filthy words in your ear and talking to you like your trash, but treating you so sweetly that your brain goes fuzzy. its just so confusing when he's fucking you so well, and every thought is engulfed by the rising pleasure in your abdomen.

Jason is any type of dom that you need, if you're tired and needy and want his attention, then he'll gladly take care of you and be all sweet and gentle. however, if you're acting out and being bratty on purpose to get a rise out of him, then he'll treat you as such.

he's a bit meaner like this, and while he's still prioritizing your pleasure, he's definitely the one in total control. however he's very insistent on using safe words and making sure your comfortable, he would never everrr want to hurt you

i think Jason would enjoy battling for dominance, especially if your a switch as well. theres something very carnal and attractive about you both struggling to stay in control, and seeing which one of you will end up on top

i also see Jason as a power bottom though, in all physical senses he's subbing but you both know he has control. this also makes him feel a bit safer about hurting you, as your the one taking what you need and controlling your position, however he still is the one calling the shots. he's sweeter like this, praising you and cooing sweet nothings as you ride him.

i do also believe he can be a sub tho. he prefers simultaneously subbing and bottoming, because while it is more vulnerable, it also gives him the opportunity to relax. when he's a sub and topping, Jason is often too fucked out to pay attention to how tight he's holding you and whether or not he's hurting you. being on the bottom assures him that he won't have to worry, and that he can just let his mind go blissfully blank. Jason is very comfortable subbing with someone he trusts, and he can be a bit of a masochist at times.

Jason is a very needy sub, he wants to be taken care of and fucked out of his mind. he's a lot more vocal when subbing, but still prioritizes your pleasure and comfort over his own.

overall, once he feels safe with you, Jason is comfortable in many different sexual positions and will honestly usually just let you take the lead and decide how you want the night to go

Bruce Wayne:

again, another switch. i feel like Bruce is the most mellow out of the three, especially as he's older, and isn't as up to date with sexual roles and things like that. he's familiar witth some of the basics, but in all honesty he's down to try whatever you would like

whether or not he doms or subs truly depends on his mood, and he has no preference about topping or bottoming

when he's pent up or irritated, Bruce prefers to dom, taking the lead and making love to you. i think he's a brat tamer more than anything else, if you act out he'll treat you as rough as you like but if you want him to, he can be soft as well.

Bruce is a very attentive dom, taking note of everything you like and dislike while observing your reactions. he only really doms when he feels like it, so he's a little bit miffed if you try to take control. Bruce is the biggest control freak out of the three of them, and wants everything to be perfect when it comes to you both sleeping together. this often leads to him overthinking and getting into his own head a little, however that can easily be remedied

when he subs, Bruce is a little shy. it may seem out of character, but admitting to weakness is not something that comes naturally to him and so he tends to clam up and wait for you to take the lead. that doesn't mean he isn't enjoying himself, he just needs some time to adjust

it took Bruce SO long to realize he was a switch like he spent most of his life internalizing his desires because people always assumed he was a top/dom. once he's dating you, he becomes increasingly interested in subbing, but you'd probably have to be the first to initiate that kind of thing

because he's never had the opportunity to sub for most of his life, Bruce starts to develop a preference for it. that doesn't mean he doesn't dom anymore though, and he's definitely still very much a switch.

with the right partner i can definitelyyyyyy see him being bratty, but most of the time he's pretty tame. Bruce is often very tired when he's subbing, and takes it as an opportunity for him to relax and let you take the reins. i think he's the type to slip into subspace VERY easily and become very talkative because of that. he's not vocal at all leading up to that, but once he slips into his own little headspace he's suddenly moaning like a pornstar and getting all clingy and needy!

all in all, i see Bruce as a switch leaning sub who is more than willing to accommodate any of your sexual preferences

this got, like, weirdly deep and analytical for what was supposed to be smutty hcs 😭😭😭 anyways!!! hope u enjoyed!!! i really cannot tell if i like this or not so plspslplssss lmk what yall think ♥️

[kalims]

kiss your best friend | diasomnia

kiss your best friend and see how they react!

parts. one , two , three , four , five , six , seven

characters. malleus, lilia, sebek, silver

content. gender neutral reader as usual, mentions of murder by lilia's cooking, someone faints lol

note. finally last part after ten years /j

malleus

goes absolutely silent but his surprise is definitely there -> eyes widen, brows raise on a miniscule scale. you'd think the guy would be all lowkey about his joy but five seconds later and there are comical sparkles surrounding his face.

I mean. you had to formally confirm that you two were friends before, and you had off-handedly linked his name and best friend in the same sentence a few months later (he was bursting for like a week.) and now all that?

thrown away, nu-uh. you two are NOT friends no more, he doesn’t have a single care in the world. he's throwing the friends label off a cliff with his foot and skipping off with joy cause you just got upgraded to the next ruler of briar valley wink wonk.

or perhaps you'd like being referred to as his consort? he can always make the people refer to you as both.

if you're wondering why he's so silent all of a sudden; malleus: already thinking of how he'd decorate the castle when you move in with him. maybe... he can break down the wall to link your two bedrooms together—wait no he'd very much like to share the same room instead..

"child of man, do you prefer violet or green?"

"uh... green...?"

"excellent choice, you have my gratitude."

the thing you should be asking is 'why' because it's either the main color theme of your wedding or the gem he'd engrave on your ring (he's very happy it's green though, since it'd be a constant reminder of him.. oh he knows! he should get his a color of your eyes too—)

someone stop him.

lilia

spiderman kisses spiderman kisses spiderman kisses spiderman kisses

more knowledgeable than malleus about the level up of relationships so he doesn't jump from best friends to newlyweds immediately. actually he doesn't even need a label, if you're going around kissing him he's just gonna act like you two are a married couple without a confirmation on your status'

"darling, could you hand me the sugar?"

"lilia, I hope you know that you're supposed to use salt for the sauce not sugar." <- *passes the right bottle*

ignoring lilia's attempts on lives he acts pretty normal.

ahem, besides the fact that your first kiss on him has made him come to the conclusion that he can now incorporate kisses in your daily routine since you've already done it, so apparently that means he can too.

kiss him once, he kisses you thrice I guess. it's either the occasional jumpscare from the ceiling since he felt like reminding you of his love through a pack or the times you blink and feel a sensation against your lips without seeing anything cause his affection can be silent as it is loud you suppose.

pov student you were speaking to who definitely saw that but you didn't midst your blink: 😨—

"lilia are we dating."

"i suppose it would make us more official like you humans like, so of course~"

he just accepts it without any complaints, just announce you're spouses and he'll accept that too probably.

#chill

silver

if we have spiderman kisses surely we can have the sleeping beauty kiss?

sleeping beauty kisses sleeping beauty kisses sleeping beauty kisses sleeping beauty kisses

I reckon he would be a pretty light sleeper though the quantity of his sleep is more often than not so even though he accidentally passes out a lot he's really easy to wake. trained to be vigilant and all, courtesy of his murderous father (well, murderous through food?)

he knows the weight of certain things. a blanket draped over him, the feeling of something squirming on his shoulder—a squirrel, most likely. something on his head, a bird or some other critter. but this?

a light press on his lips, gone as quickly as it came. that, he isn't sure of. the animals don't tend to linger around his face so the unknown origin of it has curiosity opening his eyes.

and boy, he is trying to find every reason to not believe that you didn't peck him.

perhaps they touched it? he furrows his brows lightly, attempting hard at trying to avoid your gaze because he feels guilty at his first assumption, you're his best friend! you wouldn't do such a thing..

"did you touch my lips?"

"nah, is it fine that I kissed you?"

"..."

"..."

*passes out*

is he dreaming?

sebek

in what scenario will sebek even let you near him? hmmm.. I suppose being 'best friends' (he calls you self proclaimed, and that you guys aren't that close but still rages over someone and hits them with an essay why you're so much better than their insults) makes you more tolerable around to be closer.

totally not the fact that he might have a crush on you, which can't be right cause he can't be capable of having feelings for a *gasp* human!

scandalous. he knows.

raises a brow when you do anything but be discrete with your intentions of shuffling closer but he doesn't really double back, okay. he's getting a little concerned now when you continue getting closer, he takes a step back not because you're near or anything but this behavior is... just strange.

you're in his face already and before he can question (loudly) what in the seven's name you're doing before you just casually peck him on the lips?

WHAT IN TARNATION!

stiffens up immediately, his face looks like it's holding in a yell. maybe that's why it's getting so red? he's just standing there with shoulders so tense he looks like he's trying to seem big.

"..." WHAT JUST HAPPENED. DID THIS HUMAN JUST.. NO, WE ARE MERELY BEST FRIENDS—are we even friends.. NO! THIS IS THE MOST INAPPROPRIATE ACT TO COMMIT. THIS HUMAN NEEDS TO KNOW BOUNDARIES. I mean he enjoyed that and all—I mean what..

"why are you so quiet."

if only you knew.

[lactoseintolerentswag]

Rise Characterizations Pt. 3!!!

Now that Leo and Raph are done, it's Donnie's turn for character analysis as a writing reference. So without further ado,

Donnie Character Notes

Language Habits:

Straight up talks like a redditor who hasn't touched enough grass (affectionate)

Oscillates between very scientific paper polished, sometimes adding a dazzle of shakespearean for dramatics, or abbreviations/a shorter version of a word with a more fun connotation (i.e. "brekkie" instead of breakfast)

Uses food as surprised exclamations or curses, "oh my peaches and cream", "banana pancakes!"

Emphasizes each syllable of a long word when he's excited or trying to make a point. Conquered becomes con-qu-ered

Either exaggerates his speech or speaks in deadpan

The science terms he uses as battle cries aren't chosen at random, but rather are related to the action/subject at hand, i.e. yelling "fibonacci" when throwing his spinning tech-bo

Will overly describe an item or a situation, and often gets caught up in these observations before processing what just happened

Will repeatedly yell "help!" when he's distressed and/or outnumbered

Refers to Mikey as "Michael"

Refers to his brothers as "brethren" or "gentlemen"

Refers to splinter as either "father", "papa", or "dad" depending on the weight of the situation

Refers to his tech as his "babies"

Answers the phone with, "You're conversing with Donatello"

Uses "gesundheit" instead of bless you

Personality:

The fixer, he supplies the family with tech and resources. He always has a trinket made for the situation at hand and/or offers his knowledge/data collected. He's always prepared to help. Even with outside resources, he likes to feel useful in solving their problems (i.e., building Todd that dog park)

The theater kid, in a similar vein to leo, Donnie has his own style of dramatics. He often uses shakespeare-like language, is mentioned to regularly recite the jupiter jim musical soundtrack, and has a music mode for his battle shell. He belongs on a stage, or at least thinks he does

Not good at lying, despite the glamour he can put on in the spotlight. This may be due to the side of himself that over explains his thoughts

An over-thinker, who really tends to over-complicate things. His first theory or idea will always be the most extreme buck-wild concept. After some filtering, he still word vomits

A dreamer/big idea guy. He does have big ideas and goals. A lot of these he's able to put into place, although some go a little haywire (see Albearto). He doesn't do things in halves, and puts everything into a project

Meticulous, someone who's very detail oriented. As mentioned before he tends to over-complicates things. This may be impacted by his love for data and collecting information (he does record Everything for a reason)

Always on the edge of violence, which is surprising. Donnie's not known as being the angry archetype of tmnt, but he can get a little violent in his fighting style and does often cite his desire to use lethal force

Low empathy, which is mainly due to his issues processing and recognizing emotions. He's been pegged as unemotional, but in canon he's rather emotional and expressionate, just lacking the skills to process such emotion (he's just like me fr)

Praise motivated, as seen with his interactions with Splinter. Also desires the praise of his brothers, who he doesn't feel understand him with all the teasing that's sent towards his direction. This also pushes him to seek validation and acceptance in other groups (i.e. the purple dragons), to feel a sense of security or belonging

Ignores his own mistakes, and will often pretend like they didn't exist or ever happen. This most likely has to do with his desire for praise, so he feels bad when he fails. If he never made a mistake, he never has to feel bad

Miscellaneous:

Fourth to unlock mystic powers

Uses "Bootyyyshaker9000" as most of his usernames and passwords, with his alt. username being "Alpha-Bootyyyshaker9000"

Has a fear of bees, spiders, and of course beach balls

Breaks the fourth wall the most

Loves the smell of pineapple, hates the texture

Has a hobby of rooting around in the junkyard and dumpster diving

Uses cheat codes in video games

Mikey's next of course :)

[miraculouslbcnreactions]

Regarding the post about Marinette being punished for trusting people and the response to it, this is something I always have trouble explaining because it sounds callous? But fictional characters aren't people. It's not that their lives just so happen to get in the way leading to something bad happened the writers decided that should happen, and it's important that you stop and ask WHY this happens. If the camera is "on" per se, people assume it's relevant and will tie into something larger. So like if the camera is on and all we see is Alya revealing her identity and then the result is she's outed in the same way she was in Heroes Day, the audience naturally concludes it's connected and thus realizes the lesson is either "Alya learns she shouldn't share her identity" OR "Marinette learns she shouldn't trust people" or both.

Secret identities are a great example of this phenomenon. We're NOT shown every time a villain's plan is foiled because they didn't know the heroe's identity, we ARE shown every time a heroe's identity causes friction in their lives. As such, large parts of the audience think of secret identites as inconveniences because that's what's shown (not just in Miraculous Ladybug, in tons of other shows)

Like you are supposed to make connections in Television about what's being shown to you that no one would make in real life (or at the very least no one SHOULD make in real life) because there's a limited space to tell the story and the audience is assuming the writers aren't wasting our time.

If these were real people it would be unreasonable to say because people have their own lives Marinette can't trust them, but in a story where Marinette is the main character who is explicitly always supposed that's. An accurate way to read the story!

And I also understand that this is a very boring construction if you're making headcanons or thinking about these characters! But that's a different lens, it doesn't make the broader writing lens invalid. You're speaking different languages at that point.

Anyway I hope that helps someone, that's my two cents

You summed it up perfectly! There's a ton of valid criticism to be had of Miraculous, but you can tell from the narrative framing that almost all of it comes down to writing choices and not things that are supposed to be seen as in-universe issues even though a lot of fans treat them as such. It's really weird to see things like people complaining about everything revolving around Marinette as if it's a personal flaw of hers and not the result of her being the main character in a fictional world. "Main Character Syndrome" literally pulls its name from the fact that this is how main characters work in a lot of media. It's a flaw when a real person does it, but in terms of story telling, it's extremely normal - and often good story telling - to have everything revolve around your main character or a core cast.

The issue with Miraculous is that they chose a lot of poor conflicts if they wanted Marinette to be the one and only main character, but that's not her fault. She didn't decide to have the rules around identities make no sense. The writers did. She didn't decide to make the main villain Adrien's dad while also keeping Adrien from being involved in the story. The writers did. The list goes on and on and, because none of it reflects badly on Marinette in the writers' eyes, the show doesn't act like Marinette is in the wrong. Remember, these are the same writers who think that Derision was a great episode that added depth to Marinette instead of destroying her character and making her look unhinged. Their judgement is clearly a little skewed.

While the writers love to make bad plot choices, they are generally using proper story telling language to make those choices, which is why I can tell you how characters' actions are intended to be read. The Rena Furtive and Nino example is a great one because it allows me to show that the writers do understand how to set things up. In fact, once they've decided that they're going to do a thing, they pretty much always set it up at a basic level. It's rarely spectacular and often frustrating, but it's never shocking.

In Rocketear, Alya promises Marinette that Nino will never learn about Rena Furtive. The episode then ends with her breaking that promise via the following exchange:

Alya: (sighs) I'm still Rena Rouge. (Nino gasps.) But now I'm in hiding and that's why Ladybug asked me not to tell anyone. Nino: But why are you telling me if no one's supposed to know? Is Ladybug cool with this? Alya: I can't hide it from you, because I love you, Nino, and we share everything.

Look at how this confession is presented. Look at what the dialogue focuses on. When Marinette confessed her identity to Alya, it was all about the confession and supporting Marinette. There was no discussion of this being a problem for Chat Noir or anything like that because - in the writers' eyes - that wasn't a problem for some reason. This is why Chat Noir almost instantly absolves Ladybug of blame once he finds out about the identity reveal (see: Hack-San.) The writers didn't want it to be an issue so it wasn't:

Ladybug: I'm really sorry, Cat Noir. I should've told you. I mean, if I found out that you told someone about your secret identity, I'd... probably be upset, too. I'm really sorry I hurt your feelings. Cat Noir: You didn't hurt my feelings. You did everything right

But when Alya confesses her identity to Nino, the conversation is not just about her confession. It's about her confession and how she's not supposed to do this. That's why Nino's response is not loving support. Instead, he asks if this is a good idea and if Ladybug knows.

These things are getting focused on because the writers are telling you that this is a bad thing. It's supposed to feel ominous. When I first watched Rocketear, I assumed that the season was going to end with Gabriel getting the fox off of Alya due to Nino because that was an obvious way to raise the stakes and they'd just heavily implied that Nino knowing would be a bad thing. I was, unfortunately, right. The only on screen consequence of Nino knowing is that he outs Alya to everyone in an incredibly forced series of events (see: Strikeback):

(Ryuko successfully prevents the Roue de Paris from hitting them, yet, it flies to the direction where Rena Furtive is. This causes Carapace to panic.) Carapace: Rena! (takes out his shield) Shell-ter! (Carapace's superpower successfully prevents the Ferris wheel from hitting Rena Furtive on top of the Tour Montparnasse. But the information of Rena Furtive's active status shocks the heroes, as well as Shadow Moth.) The heroes: Rena?! Shadow Moth: (from the top of the Eiffel Tower) She's still active?

Of course the Ferris Wheel goes straight for Alya's hiding spot and of course Nino screams her name before casting his power and of course the villain overhears it. It's all so forced and unnatural, which should make it glaringly obvious how much the writers wanted this to happen. This wasn't something they were kind of forced to do because it made sense for the narrative and they wanted to tell a good story. Instead, they wrote an awkward series of events because they really, really, really wanted Nino knowing to be a bad thing that outs Alya so that Marinette loses all of the miraculous even though none of this makes much sense.

How the hell did Gabriel hear Nino's shout from so far away? Is he able to overhear everything the heroes are saying? How does Nino even know that Alya is hiding there? And since when was a Ferris Wheel a threat to these guys? Your girlfriend is a magical girl and she's in her magical girl form, dude. You could drop a building on her and she'd be fine, a thing you have to know because this scene literally goes on to have Chat Noir go flying into a building, hitting it so hard the cement literally cracks, and no one really cares. I guess it's fine if Adrien is a punching bag, but Alya must be protected at all costs...

Anyway, while the above series of events was annoying, none of it was surprising. In fact, it would have all be perfectly predictable even if Alya outing herself was that treated as a more neutral event. Her choice leading to bad things falls perfectly in line with a truly bizarre running theme in the show: outing your identity to the person you love romantically is a bad thing that leads to bad consequences. That's why Chat Blanc and Ephemeral ended the world and why Nino knowing cost Ladybug the fox and why the character they call Joan of Arc has to give up her miraculous to be with her love and why the Kwami's have this absolutely asinine dialogue in Kwamis' Choice:

Plagg: Sugarcube! Having to force them to choose between love and their mission is just awful! Maybe Master Fu was wrong to choose them. Tikki: No, they’re made for each other. Love is what gives them their strength. Plagg: But the impossible part of that love is destroying them, and I know a thing or two about destruction. Tikki: (sighs heavily) What can we do? Plagg: We must free them of that impossible choice. We must… free them of us.

This is the voice of the author telling you that outing the identities is not and never will be a good choice for the love square. Never mind that Alya is allowed to know Marinette's identity or that Gabriel finding out is what actually ended the world in the alternate timelines or that Felix outted himself in public but is still wielding or that freaking Gabriel was allowed to know half of the temp heroes' identities while they were still actively wielding. For some reason, those things don't matter to the narrative, probably because romantic love wasn't involved. The "identity reveals are a bad thing" rule only seems to apply when romantic love is a key element to the point where it's a reoccurring theme in this supposed power of love show.

[tybaltsjuliet]

here's the thing about charles dickens. [discussion of his antisemitism, misogyny, and racism ahead.]

his last, unfinished novel, the mystery of edwin drood, features helena and neville landless, heroic and sympathetic south asian (sri lankan, specifically) characters, and the racism they endure in an english town is relevant to the plot to the point where neville ends up falsely accused of murder. in the wake of the indian rebellion of 1857, dickens applauded the english brutality against "that oriental race," and called for genocide.

fagin is called "the jew" 274 times in the first half of oliver twist. an article in the jewish chronicle asked why "jews alone should be excluded from the 'sympathizing heart' of this great author and powerful friend of the oppressed." at first, dickens dismissed this, and claimed he was just being accurate about london's criminal makeup. but he was moved enough by eliza davis's letters to him on the matter that he halted the printing of the latter half of oliver twist so he could change the text and remove the antisemitic language therein.

dickens was an abolitionist who despised chattel slavery in the united states, and called emancipation a "moral duty." dickens didn't think black americans were intelligent enough to vote, and he wrote an entire character in bleak house who is a joke to be disliked and mocked because she'd rather oversee charity missions to help children in africa than be a proper mother and tend to her own family at home in england.

speaking of one's own family at home in england, dickens smeared his wife, catherine hogarth, publicly so he could justify separating from her and taking up with a younger woman. catherine hogarth was likely mentally ill, likely living with postpartum depression. she was also an author in her own right and loved her family dearly. her reputation never recovered in her lifetime from the claims he made about her. in dickens's novels, time and time again, from nicholas nickleby to david copperfield to our mutual friend to the mystery of edwin drood, men who menace and take advantage of vulnerable women are portrayed as the worst kind of villains, deserving of whatever grisly ends come to them.

charles dickens was both privately and publicly a raging asshole in many ways and the world would be worse off without him, because he wrote for bourgeois, comfortable victorians, the very people who so often failed to "think of people below them as if they really were fellow-passengers to the grave, and not another race of creatures bound on other journeys." in the same breath that he calls agnes fleming, who opens oliver twist as an unwed mother dying in a workhouse, "weak and erring," he dares to add that "i do believe that the shade of that poor girl often hovers about that solemn nook-ay, though it is a church." he calculated jo's death to the page in bleak house for maximum effect. but when he wrote of the orphaned crossing-sweeper, "dead, your majesty. dead, my lords and gentlemen. dead, right reverends and wrong reverends of every order. dead, men and women, born with heavenly compassion in your hearts. and dying thus around us every day," people listened.

i dedicated years of my life to reading him and studying him and thinking about him and writing about him and his novels. now, i turn to condemn him; now, i turn to justify him. i wish i had a time machine so i could shake his hand. i wish i had a time machine so i could publicly debate him. i wish i had a time machine so i could break his nose.

charles dickens gives me courage and hope. charles dickens makes me want to tear my goddamn hair out. he is everything i despise and everything i love about the victorian age in one; the term "a man of his time" ought to have been invented for him. the leaps and bounds the victorians made for progress in the public good are only matched in greatness by the extremity of their atrocities against their "fellow-passengers" on this earth. the way we think about nearly every modern social ill can be traced back to the 19th century; the way we think about nearly every modern idea of social justice can be traced back to the 19th century. every last one is writ large and small in dickens's novels. he and his age are the greatest contradictions in human history and that's why i can't shut up about them, ever, even when i am exhausted by them, even when i am inspired by them, even when it was two centuries ago and it shouldn't matter anymore, but it does. it always will.

[topazadine]

Avoiding therapy speak in writing

I think we all know by now that therapy speak is irritating and unrealistic, especially if you are writing in a fantasy world that doesn't even have modern psychology.

Part of the reason that it is so annoying is that it is the definition of telling instead of showing: characters are just plainly informing us of their feelings rather than making us work for a better understanding. It's cheap and boring. Instead of making your characters seem like complex individuals with their own hangups and difficulties, they seem like plot points programmed to tell us things.

But obviously, you want to put these people in situations and have them talk about it! How do you do that without sounding maudlin? Here are some options.

Listen to real arguments/conversations

I cannot stress enough how important it is to listen to how actual real human beings talk to each other during heightened emotional states. They don't have to be nasty abusers, and they don't have to be perfect angels, just everyday people doing their normal thing.

Of course, I'd hope you're not seeing people argue all the time, but if you do happen to see it, listen carefully and notice how people actually address their problems. Think back to tough conversations that you have had, even if you wouldn't classify them as arguments. Consider how people acted and reacted to one another. Notice how normal humans talk about issues outside of therapy, even intelligent and emotionally evolved people.

I've had years of therapy, and even I do not talk in therapy ways about my issues when I'm talking to my family or friends. It just feels cheesy and fake outside of that particular setting - plus, it freaks other people out and can seem kind of manipulative. Try talking like that in a real conversation and see how uncomfortable it is. You'll understand why avoiding therapy speak is important.

Consider the character's own hangups

Just as everyone has their own unique speaking style and mindset, so do we all have our own argument styles. These are often informed by our pasts and upbringing; they are as varied as our own histories. However, there are a few different options.

Someone with a happy upbringing may be more assertive and willing to address their problems because they had that demonstrated to them as children.

A spoiled child will grow up to be a demanding adult who refuses to give any quarter.

Those who got yelled at a lot as children may shut down and fawn to avoid getting hurt.

Someone who grew up in a violent household may mimic that behavior and get incredibly aggressive when upset.

Individuals whose parents didn't teach them emotional regulation will lash out and get loud.

Manipulative people may stay very calm and gaslight the other person, or they may get hysterical to garner sympathy and make people focus on comforting them.

Someone who has gone to therapy may revert to their original argument style, or they may imperfectly apply what they have learned in a way that feels a bit unnatural. They may start out with rage, then force themselves to calm down through grounding techniques.

People who have been coached through previous emotional outbursts could demand a time out, then fail to actually calm themselves down.

Some may refuse to acknowledge they are upset and insist, in increasingly forceful terms, that they are fine.

Others may get quiet or crack a joke to ease the tension, but it doesn't really help.

Keep each confrontation short

IRL, emotional confrontations are generally not that long. They don't go on for hours and hours, though it can feel that way. No one is going on and on about their feelings and sharing every little detail of how they feel (at least not that I know of personally, maybe other people are different).

Even the worst arguments I have had, the real nexus of the argument was maybe an hour or two, though the fallout lasted much longer. I'd say there was an hour maximum of real, active confrontation, preceded or followed by hours/days/weeks of simmering frustration.

Why? Because arguments are exhausting. You don't have the energy for that in the heat of the moment. Yes, feuds and fights can last years, but each actual confrontation is short.

For longer, more serious issues, hash it out over a few sessions rather than all at once. It's rare to get everything out of the way immediately unless the characters already have a strong, loving relationship.

Show incongruencies

Especially for more reserved people, they will likely have their emotions leaking all over the place but won't actually say anything. As such, focus on body language while keeping the conversation more focused on the plot. For example, Character A might be crying but still trying to argue their point about whatever is going on.

Address physical complaints instead of emotional ones

In many cases, people will use "I'm tired" or "I didn't sleep well" or "I'm not feeling great" as shorthand for whatever is actually bothering them. It relieves pressure by not making them talk about upsetting matters while still addressing their discomfort in some form.

You should also consider the fact that some people can't connect physical sensations to feelings, so they may genuinely feel ill and not really understand why. This is especially common in people who can't emotionally regulate or have been through trauma.

For myself, I tend to somatize my feelings, so I might not feel upset, but I will feel physically sick. My stomach will hurt, my chest will get tight, or I'll get a headache, but my emotional state will seem calm. This isn't all that unusual, and many people experience this to different degrees.

As such, you can have your character say that their stomach hurts, or that they have a headache and can't discuss this anymore, or that they need to go lie down because they're dizzy. If we know they're relatively healthy, this can be a clue that they're getting overwhelmed but either cannot pinpoint their emotions or don't want to discuss them.

Let characters advance and retreat

A lot of the time, someone will address a scary emotion and then retreat again, sometimes over a period of hours, days, or even weeks. This is normal: most of us don't have the emotional fortitude to forge ahead through something difficult all in one go. Character A may say something vulnerable, then change the topic, laugh it off, say they're done discussing it, or even leave the situation.

Leave emotions partially unaddressed

Again, it's rare for someone to spill out everything they're feeling all in one go. As such, have Character A address the most important thing - or the least important, depending on their level of emotional maturity - and let it be done for then.

They might say their small piece, but when someone tries to probe deeper, they don't have an answer, or they get "stuck" on that one emotional level and cannot go further.

If Character B keeps pushing, then they may get incredibly upset and push back, or retreat.

Have Character B point out the feelings

Works especially well if the other character is a close companion or a parental figure. Often, people who know us really well will have better insight into our emotions than we do. Or, we might have good insight into our emotions but are still too afraid to open up. Having Character B point out the issue gives Character A grace to be more honest.

I can't tell you how many times I've been really upset, so I've distracted from the issue by getting angry about something completely different. Then, my mom will gently point out that I'm not actually crying about my new plastic cup being broken or whatever; I'm actually upset about XYZ. In that moment, I realize I've been caught out and admit that yes, that's what I'm really upset about.

Have Character A address it with a third character

Who among us hasn't gone to someone else to talk about our feelings? Having a third party serve as a sounding board is normal. Sometimes, Character A will feel such catharsis from this conversation that they don't address it as thoroughly with Character B.

Of course, you can use this to your advantage and create more tension if the third character gives bad advice or is biased.

Remember that just because the third party responded well does not mean that Character B does. You also have to avoid omniscience and remember that Character B wasn't privy to that conversation.

Have one confrontation be a stand-in for a larger one

I always think about the "The Iranian Yogurt Is Not the Issue" post when I think about this. Often times, things like not doing the dishes or whatever aren't actually the big deal: it's lack of boundaries, communication, or respect. A minor argument can be shorthand for a larger one that is too challenging for the characters to tackle.

This isn't just creating drama for the hell of it, though; it's about exploring the larger issues without making the characters lay it out on the table. A good reader will be able to see it's not about the Iranian Yogurt as long as you set up the relationship well.

Currently, I am writing a story where Uileac and his sister Cerie go to rescue Uileac's husband, Orrinir. On the way there, Uileac idly comments on how he wonders where a waterfall comes from because he's trying to distract himself from thinking about the fact that his husband is kidnapped and possibly dead.

Cerie, being pretty wound up too, starts arguing with him about it because she's like "why is this relevant? We're kind of too busy to think about geology right now!" Uileac gets annoyed at her for being so aggro, and she gets annoyed at him for being so irreverent. Both of them are upset about something completely different, but they're too scared and panicked to actually address that, so they release their frustrations by complaining about waterfalls.

Those bad vibes have to go somewhere, but neither of them are very good at talking about their feelings (though very good at stuffing them down). As such, they take the pressure off by sniping at one another. You've probably done this too, when you get into a dumb argument about something absolutely pointless because there's something you don't feel strong enough to discuss.

There's also the fact that if you're mad at someone about something but feel it's too stupid or petty to discuss, that frustration will leak out and everything else they do will annoy you, leading to a bunch of irrelevant arguments.

Use "reaffirmation" gestures

I talked about this in a different post, but after an argument, the "make up" stage doesn't always involve going "ohhh I forgive you" and big hugs and kisses, especially when the two characters aren't emotionally mature.

Instead, Character A makes gestures that reaffirm the relationship. This could be offering to do something Character B needs, making plans for later, or changing the topic to discuss something the other character cares about ("how are your cats doing?") etc.

Note that these "reaffirmation" gestures aren't the same as the cycle of abuse. This is more when two characters have had a difficult emotional conversation but aren't really sure how to continue being emotionally open, so they revert to something safer that still shows they care. They're not over-the-top gestures either, but more a special attention to something the other person loves. Knowing what the other person loves also demonstrates the depth of their relationship.

As always, I can't tell you what to do with your writing.

You are the crafter of your own story, and if you want people to talk like therapists for whatever reason, that's your choice. However, we want characters to feel like real people, and most real people don't lay it all out on the table every single time they're upset. If they do, they might be trauma vomiting, which is icky in and of itself.

Healthy communication isn't always perfect communication. People can have strong, loving relationships and still get things wrong - we're human. Having people calmly and rationally and easily talk about their feelings every single time is not only kind of boring, but it also feels weird, because unless we're primed to discuss those difficult topics and know we're perfectly safe, we're not going to do that.

People don't even do that in therapy, where they are paying for the service of talking about their feelings! Therapists also don't always do that IRL!

We're humans, and your characters need to feel like humans as well. That means letting them be imperfect communicators and using context clues rather than making them do all the work for the reader.

If you liked my advice, consider purchasing my book, 9 Years Yearning, for $3!

[heizlut]

Hello! Can I plz request where Aether, Venti, Gorou, Kazuha, Itto, and Diluc find out that their s/o is a submissive in bed?

ooo i like this!!! thanks for sending this in!

tags: gn sub!reader, dom!characters, rut (itto), worship kink (venti), no use of y/n

cw: semi-public in diluc and venti’s sections

nsfw under the cut

Aether~

Aether was so happy to have an s/o who could keep up with him as he travelled across Teyvat. It seemed he never had to worry about you no matter what dangers you faced together. You were headstrong, always taking the initiative when it came to accepting commissions and speaking up for the both of you when someone’s request was particularly unreasonable. You certainly were not afraid to express your distaste when a request was quite..stupid for lack of better words. Aether didn't mind letting you take the lead when it came to those decisions, secretly cheering you on when you spoke your unfiltered thoughts and feelings.

After a tiring day of getting absolutely no where in finding his sister, Aether was particularly pent up with frustration. He tugs you close to his body as he begins pressing feverish kisses to your neck, "Need you now.." You moan softly, tilting your head to give him better access, "Want me to make you feel better?" He pulls away slightly, looking into your eyes with a smirk, "Oh yeah? How about you get on your knees for then?" Aether challenged you, only half-joking, not thinking you would actually do as he said. His eyes widen slightly as he watches you obediently sink to your knees in front of him, looking up at him with such a submissive look in your eyes as you wait for his next instruction. He can't help the way his cock throbs in his pants seeing his headstrong s/o being so submissive for him. Growing slightly impatient with him, you open your mouth sticking your tongue out showing that you were absolutely serious about this. He tugs his pants down just enough to let his aching cock out, all leaky and throbbing. Aether guides his dick to your mouth, tapping it on your tongue as if to test how patient and obedient you would truly be. When you don't move on your own, he smirks and pushes his length into your mouth as he begins to fuck your throat, letting his frustrations melt away, "So good for me... fuck."

Venti~

Your relationship with Venti had the very obvious dynamic of golden retriever and black cat, with him being the golden retriever and you being the black cat. The people of Mondstadt are often baffled at the sight of you two together, wondering how such a cheerful bard could be with someone so... intimidating. Venti often joked that he had scary dog privileges with you by his side. Despite your outward demeanor, you were honestly quite silly and happily went along with his shenanigans. On this particular evening, you had found yourselves making out behind the Church of Favionious. Your lips press against his feverishly. You pull away slightly, looking at him with absolute adoration as you softly say, "Let me worship you properly" Venti lets out his signature laugh, his eyes hold a mischievous glint, "Oho! You wish to worship your archon~? Let's start with you worshipping Lord Barbatos on your knees then~"

Gorou~

Gorou was so proud to have such a strong warrior for an s/o. You fought by his side formidably, even helping him strategize against the Shogunates. You also weren't afraid to put any disrespectful soldiers in their place. He had to admit that your strong-willed and fierce attitude turned him on, but he secretly wanted to test if he could turn the tables. Gorou had no idea that watching him command other soldiers and lead the frontlines during battle had you wanting him desperately to show that side of him to you in the bedroom.

That night you approach his tent with a rather shy look on your face which instantly catches Gorou's attention. He rushes over to you checking you over for anything that might be causing you to behave this way when suddenly you gently cup his face in your hands, "Gorou.. I want to try something new.." You trail off, a blush falls over your cheeks as Gorou looks at you a little confused, "Something new? You mean you have a new battle strategy?" You shake your head, forcing yourself to look up at him, "I.. want you to command me like how you command the other soldiers.. I want you to... Take control of me.." Gorou's face heats up at your words, his cock begins to harden as he processes your words. His face quickly morphs into a sly smile as he pulls you close to him, his hand holding your chin with slight pressure as he tilts your face up to his, "You want me to be in charge?" He breathes out a small laugh, "Well, that can certainly be arranged. Now be good for me and get on the bed. Now."

Kazuha~

Kazuha enjoyed watching you help Beidou dish out orders to the other crew members. You looked like such a sweetheart, but you had quite the sharp tongue, never failing to catch unsuspecting people off guard. They never thought the s/o of gentle wanderer Kazuha to be so sharp with their words when the situation called for it. When you and Kazuha finally have your first intimate moment with each other, the poet of many beautiful words is suddenly...at a loss for words when you tell him that you prefer to be the submissive one. Kazuha takes your hand in his, pressing a kiss on top of it, "And here I thought you would be the one to want to take the lead... Not that I mind this development at all. In fact, I'm rather pleased." He leans forward pressing a kiss to your cheek and lowers his voice for only you to hear, "Although, I hope you realize what you've just signed yourself up for, darling."

Itto~

Itto loved being with you so much. You weren't afraid to get into a bit of trouble with him and the rest of the Arataki gang. Often times people would mistake you or Kuki as the actual leader of the gang with the way they would watch you both take charge of them in your own ways, with you leading the mischief and Kuki chastising you all when you get yourselves in trouble with the Shogunates.

It was nearing spring time which meant Itto would have to hide himself away from you, not wanting to overwhelm you with the rut he would have to endure as an oni, especially when you two haven't gone further than making out and feeling each other's bodies. You were concerned when Itto didn't show up today for the onikabuto battle he promised you, so you make your way towards his home completely oblivious to his rut. You barge right in as you usually would only to be quickly tackled to the ground by a large body, "Gah! Itto! You nearly gave me a heart attack!" You look up at your oni boyfriend only to notice his eyes are darkened with lust, "Sorry... Couldn't help myself. I.. need you" He ruts against your core causing you to let out a pathetic sounding whimper as he whispers apologies over and over, "It's my rut. Spring makes us oni a little..." You place your finger over his lips, "You don't have to explain. Use me however you please." Itto's movements halt momentarily, "Y'really mean that? Don't go saying stuff like that right now..." You roll your hips upwards to meet his, "Please..." A low growl rips from his throat as he tears your clothes off with his sharp nails. You definitely weren’t going anywhere anytime soon.

Diluc~

Having you as his s/o is like a sigh of relief. So many of his burdens with the winery and Angel's Share seem to lift from his shoulders when you take the initiative in organizing client orders and business deals so that he can have some reprieve. His heart swells with pride when you have no qualms in kicking out particularly rowdy guests from the tavern or even straight up denying Kaeya and Venti of more alcohol when they've clearly had more than enough of their fair share (and when Venti's tab has clearly met its limit).

After the tavern closes for the night, Diluc watches as you bend forward over a table while wiping it down and feels his cock stir to life. He approaches you hesitantly as he wants your first time with him to be meaningful. You straighten up only to feel him and his hardening cock pressed against your back. You bite your lip as you turn around to face him, looking up at your lover as he stares down at you with desire burning in his eyes. He gently caresses your cheek and softly asks, "May I kiss you?" You smile at his gentle approach to intimacy and you nod. He leans forward, softly pressing his lips to yours and then pulls away, "Was that okay?" You let out a soft laugh and place your hand on his chest, "Diluc... You don't have to be so gentle with me you know. I would do anything you want, no questions asked. I just want to make you happy and make you feel good." Your words make him pause, "Anything...I want?" You laugh softly again and repeat your words as you look up at him with love in your eyes, "Anything you want. No questions asked." He doesn't spare another minute in hoisting you up onto the table, immersing you both in hungry kisses and rough but sensual touches. You really have no idea what you've just sparked to life inside of him. Diluc can only hope you truly meant what you said because he wasn't going to hold back now.

a/n: pretty sure i blacked out while writing diluc and aether’s sections🥴 i tried to keep them as in character as i possibly could and i think i succeeded? i hope you liked this, anon!

[pomefioredove]

HIII I SAW THE FLIRTY PROMPTS EVENTS AND RAN HAHA

Can I please get "You're a shy little thing, aren't you?" with Rook please???? 🙏🙏🫠🫠🤍

anon this one is PERFECT omg screaming...

summary: "you're a shy little thing, aren't you?" type of post: short fic characters: rook additional info: romantic(?), reader is gender neutral, reader is not specified to be yuu, Rook being a little freak, shamelessly flirty, not proofread a part of this event

There's that feeling again.

Your heart rate picking up, muscles tensing, adrenaline urging you to find somewhere to run, a quiet corner to lurk until those eyes you feel on the back of your neck have turned away...

You're surrounded by people, but even the crowd isn't enough to hide you.

For so many years, you hadn't been noticed at all. An unsaved seat, a forgotten name, a dull, drooping wallflower with nowhere to root. Ignored and undesired, nothing more than a piece of furniture in everyone else's lives.

You had long come to accept that it's just how things are, even here.

And, so, the feeling of being watched is wholly unfamiliar.

You slip out of the midday crowd and into a quiet corridor. Your worst fear, really, is that whoever's keeping their eye on you is picking you apart at the seams, analyzing your every flaw...

As if being quiet didn't make you enough of a target...

"Ah, there you are! I thought I lost you,"

You nearly jump. For a moment, you're tempted to look around the vacant corridor for someone hiding in the shadows, because, surely, that voice isn't addressing you.

The boy at the other end of the hall tilts his head. "Ah, do not be frightened! I was only worried you had been swallowed by the crowd,"

You blink.

"...Me?"

"Oui," he responds, putting his hands on his hips. "You are such a tiny thing, I could not let any harm befall you under my watch."

There's something rather unsettling about his gaze. Familiar, even.

"Tiny?" you scoff at the description. "...Who are you, anyway?"

His smile is just as uneasy. Too eager, you think. "Je suis désolée, how rude, I have not introduced myself yet. Where are my manners?" he scolds himself, taking a step forward.

"Rook Hunt."

No, not familiar at all. You've never seen this man in your life, even if there's something about his gaze that strikes a chord with you.

You give your name in return, to which he hums.

"You are quite the interesting creature, you know."

Creature? You give him a sour look, and he chuckles.

"I mean it in the loveliest way. Like a flower which takes a century to bloom, or a comet one might see but once in their lifetime,"

He speaks enthusiastically, and thus fast, leaving you dizzy with metaphors and imagery.

"...Is that a compliment?"

A small smile graces his lips, and he leans forward. "Would you like it to be?"

Full of surprises. You instinctively lean back, further away from those piercing eyes.

He hums again, eyes shining with amusement. "Ah, ah, have I embarrassed you? My apologies,"

"I'm fine," you lie, and leave it at that. You can't seem to come up with a good excuse, and your face feels warm.

Rook tuts, circling around you like a predator surveying its prey.

"...There is no shame in being flattered, chérie. Though I would gladly embarrass you all day just to see that lovely look on your face again,"

You watch him carefully, though avoid eye contact as he stops, eventually, standing in front of you again with a little smile.

"It is a shame you hide yourself, even now. Your beauty should be appreciated," he says. "...Though, I admit, I find the idea of keeping it all to myself rather tempting."

He's going to give you a heart attack, you think. You can feel the embarrassment swelling in your chest, making your heart beat a little faster and averting your gaze to the ground.

He chuckles. "You're a shy little thing, aren't you?"

"I..." you cough awkwardly, eyes fixed on the floor tiles. "...Don't get complimented often."

Rook places a hand over his heart, as if offended by the very thought. "Non? What a cruel world we live in, where such beauty goes unnoticed! The very notion wounds me!"

"Well, then..." he says, getting down on one knee and taking your hand in his, kissing each of your knuckles.

"...Let me make up for it, chérie."

[invinciblerodent]

This is going to be very ranty and disjointed, probably borderline incomprehensible post, but with the "return" of Dragon Age Discourse (and really, did it ever go anywhere?) and me repeatedly seeing the complaints and dismissals of DA:I as a "chosen one"-type of a narrative, I just.... I keep finding myself thinking about the relationship of truth and lies within the game.

Throughout the course of DA:I, the idea of a malleable, flexible personal identity, and a painful confrontation with an uncomfortable truth replacing a soothing falsehood, follows pretty much every character throughout their respective arcs.

There are some more obvious ones, Solas, Blackwall, The Iron Bull, their identities and deceptions (of both those around them and themselves) are clearly front and center in the stories told about them, but this theme of deception (both of the self- and the outside world) is clearly present in the stories of the others as well.

Like, for example, ones that come immediately to mind are stories like that of Cullen, who presents an image of a composed and disciplined military man, a commander- all to hide the desperate and traumatized addict that he sees himself as.

Dorian grappled with the expectations of presenting the image of the perfect heir to his father's legacy, the prideful scion of his house, his entire life (he even introduces himself as the result of "careful breeding", like one might speak about a prized horse)- all while knowing that his family would rather see him lobotomized and obedient, than anything even just resembling his vibrant and passionate self.

Cassandra calls herself a Seeker of Truth, and takes pride in that identity- only to learn that in reality, she has been made a liar, a keeper of secrets, without her knowledge or consent, and it is up to her to either uproot the entire organization and painfully cut out the abscess it is to build it back from the ground up into something respectable, or let the information she had revealed sit, and continue to fester.

And this theme continues and reframes itself in, among others, things like Sera's own inner conflict between her elven heritage and her human upbringing, or in Cole being caught in this unconscionable space in-between human and spirit, between person and concept, etc.

The Inquisitor isn't exempt from this either.

I feel like this is where the core of the many misunderstandings of this plot come from, why so many people continue to believe that Inquisition is a "chosen one" or "divinely appointed" type of story, because I think many might just... not realize, that the protagonist's identity is also malleable, and what they are told in the setup/first act of the game is not necessarily the truth.

The tale of the Inquisitor is the exact opposite of that of a "chosen one" story: it's an examination and reflection of the trope, in that it is the story of an assumption that all wrongly believe to be the truth, and thrust upon you, even if you protest. The very point is that no matter who you choose to say that you are, you will be known as the Herald of a prophet you don't even necessarily believe in, and then that belief will be proven wrong, leaving you to cope with either a devastating disappointment if you believed it, or a bitter kind of vindication if you didn't.

There's a moment just after Here Lies the Abyss (when you learn of the lie you've been fed your entire journey in the game) that I don't often see mentioned, but I think it's one of the most emotionally impactful character moments, if you are playing an Andrastian Inquisitor who had actually believed themselves chosen (which I realize is a rather unpopular pick, lol): it's when Ser Ruth, a Grey Warden, realizes what she had done and is horrified by her own deeds, and turns herself in asking to be tried for the murder of another of her order. As far as she is concerned, she had spilled blood for power, and regardless of whether she was acting of her own volition at the time, whether she had agency in the moment, is irrelevant to her: she seeks no absolution, but willingly submits to any punishment you see fit.

And only if you play as an Inquisitor who, through prior dialogue choices, had established themselves as a devout Andrastian, can you offer her forgiveness, for a deed that was objectively not her fault- not really.

You can, in Andraste's name, forgive her- even though you, at that point, know that you have no real right to do so. That you're not Andraste's Herald, that Andraste may or may not even exist, and that you can't grant anyone "divine forgiveness", because you, yourself, don't have a drop of divinity within you. You know that you were no more than an unlucky idiot who stumbled their way into meddling with forces beyond their ken.

You know you're a fraud. You know. The game forces you to realize, as it slowly drip-drip-drips the memories knocked loose by the blast back into your head, that what all have been telling you that you are up to this point, is false. And yet, you can still choose to keep up the lie, and tell this woman who stands in front of you with blood on her hands and tears in her eyes, that you, with authority you don't have, grant her forgiveness for a crime that wasn't hers to commit.

Because it's the right thing to do. Because to lie to Ser Ruth is far kinder than anything else you could possibly do to her, short of refusing to make a decision altogether.

There are any number of criticisms of this game that I can accept (I may or may not agree depending on what it is, but I'm from the school of thought that any interpretation can be equally valid as long as there's text that supports it, and no text that contradicts it), but I will always continue to uphold that the Inquisitor is absolutely not- and never was a "chosen one".

They're just as small, and sad, and lost, as all the other protagonists- the only difference is that they didn't need to fight for their mantle, because instead of a symbol of honor, it acted as a straitjacket.

[camilledlc]

I think Wade Wilson is way more intelligent than people give him credit for. Or, another character essay no one asked for :

This will be based both on comics and movies. Also, spoilers for Deadpool and Wolverine.

I think it's often said that Wade doesn't know how to read situations, as he often acts inappropriately during them. He doesn't seem to sense the mood of the person he's talking to, angering them more often than not, and he doesn't really care about watching his mouth around children, etc. There are tons of examples of Wade being 'stupid', and 'immature', blah blah blah. But I don't think that's quite true.

Wade has also numerous moments where he perfectly reads a situation. He is extremely aware of how others may perceive his scars, he figured Negasonic Teenage Warhead pretty easily during the first movie (when talking about sarcastic comments or whatever, if I remember correctly). He knows how people act and think, and he definitely knows how to assess a situation. When he got Johnny Storm killed, he knew what he was doing. He was into a dangerous situations, just having been kidnapped and he couldn't fight, not even knowing how strong and what powers Cassandra Nova had. But by turning her against Johnny, not only was he able to assess her, but also prove that he wasn't here to cause her trouble. It was a cruel and ruthless action, but it was smart nonetheless.

Besides, people often forgets very important facts about his skills. Wade is an extremely good fighter, and that's partially due to the fact that he's a master at almost every martial arts. He knows a bunch of them, and he is capable of practicing them with impeccable form. He's also a master at espionage, infiltrations, cover missions, etc. He knows how to handle a lot of different weapons, and he is canonically one of the best fighters in the entire Marvel Universe. All of those skills require a certain level of intelligence. Fighting demands to remember the different styles and techniques, as well as enough practice to switch between them easily. Espionage, infiltration, and cover missions demand someone who is capable of discretion and and ability to judge a situation, notice details that no one else would and invent on the spot creative ways to do things. All in all, he has to be extremely smart to be able to do all of that. That's also without counting the fact that he knows how to speak fluently five different languages.

With all of these proofs, it's impossible to say that Wade is dumb. But why does he acts like it?

There is no official answer as to why Wade is this way. The most you can get is that he is extremely mentally unstable. This is the result of both a bad childhood and very traumatizing experiences as a superhero. It is said he was already mentally unstable during his childhood, so I'm inclined to believe that it also has something to do with his brain in general.

What I personally believe is that Wade is someone who gets bored extremely easily. He has ADHD (not really official in the movies, but canon in the comics), and he always seems to jump from one topic to the other. His mind is often considered a mess, and he himself sometimes has trouble keeping up with it. I think that someone like him has to be stimulated at all times, because boredom is definitely the worst thing that could happen to him. Even in the last movie, he seemed to hate his job because of how boring it was, not hesitating to go back into action and becoming more and more himself again as he just do exciting things. He has always been like this, even before he got his regenerating factor. When he did his job, he wasn't always careful and often loud-mouthed. It didn't interest him to just kill people, he wanted a fight. He wanted a back and forth, a sort of game. He needs to feel in danger, needs the thrill of it.

But then he gets his mutation. Suddenly, he can't die, he can't be seriously hurt, nothing has any real consequences. And so the games became boring. What is the point of putting himself in dangerous situations if he's never really in danger? How boring it is to do a job where you're perfectly safe? The only kind of thrill he can find anymore is by having the back and forth verbally. That's when it has consequences, and people actually able to surprise him, to beat him even. Attacking by talking his is one way to not feel bored. He surprises, he shocks, he annoys, but it's always different. Even during the last movie, when he was with Logan, he clearly said they didn't need to fight, yet he couldn't stop edging him verbally, always finding ways to push his buttons.

Wade is a very bored person, with a great understanding of where the limits are. And because he's so good at finding the limits, he's even better at crossing them willingly, sometimes at the expanse of the people he loves, because he can't be bored.

(I also like the interpretation of him just needing to be at the centre of attention, but I think it's a bit more classical and has already been done and re-done. So, this one is a bit trickier and way funnier for me.)

[yanderes-galore]

I gots more, can you do Yuji (and/or Gojo) with a darling from the real world? Or like he’s self aware?

My favorite way to write self-aware show characters is to write an entity that acts just like them. Similar to an Analog Horror I've seen (Forgot the name but if you want it, I can hunt it down) So for this, that's kinda the plot I'm working with if that's okay. So like... a Creepypasta-like thing if that's fine.

So, the plot is similar to something I've done in the past for both: You buy a DVD of JJK... but something isn't quite right as you soon learn. No plot spoilers here for JJK. Purely an AU.

Feedback is appreciated as long as it's constructive! I could probably do this with other characters if I was given ideas. Both ideas start the same but begin to differ later.

Yandere Self-Aware! Yuji Itadori + Satoru Gojo

(Analog AU - An Experimental Name?)

Pairing: Romantic

Possible Trigger Warnings: Gender-Neutral Darling, Obsession, "Self-Aware" yandere, Analog AU (?), Stalking, Overprotective behavior, Unrequited feelings, Delusional behavior, Kidnapping, Possessive behavior, Forced relationship.

Yuji Itadori

Yuji Itadori is your favorite character from Jujutsu Kaisen.

There's just something about his resolve and ability to find happiness despite his situation that makes you fond of him.

It's all harmless fun for you, everyone has a favorite character after all.

Although... unlike most... it appears you've been caught in something you weren't expecting.

The DVD you bought off online didn't have the best packaging... but DVDs that aren't official tend to have bootleg packaging.

You just couldn't afford a streaming service and wanted to binge the two seasons of JJK they have out.

It seemed harmless enough, who hasn't pirated or purchased a pirated DVD at some point without knowing.

Even when you watched the DVD, everything seemed the same.

You were completely unaware of something lurking deep within.

This entity, now given the name Yuji Itadori, was awoken and given life when you used the DVD.

It could sense your fondness for the character and took the likeness of him.

Everything from appearance, personality, and mannerisms was copied as the entity took a new life.

Eventually they felt they were the character and felt every bit of fondness you had for them.

That's how "Yuji Itadori" came into being.

It's when this transfer is complete that things start to alter.

It's like the DVD opens an alternate universe, one where the events of JJK are part of their very own world.

Yuji originally believed everything was real.

This was his life... until he felt your presence.

At first he's in denial, not liking the idea of being trapped somewhere.

But then he sees you.

You are someone he can't reach, someone beyond a screen he can only look at.

While you watch the events of JJK play out on your little DVD, Yuji watches you.

It's a bit ironic, until he grows strong enough and more aware, the show character watches you just as invested as you are.

Yuji can't help but fall into a delusional sense of love and care for you.

He can't help but be excited whenever he catches glimpses of you.

His obsession is vague, as he is just now learning about his love for you.

He feels he wants to protect you, yet expresses frustration when he can only watch you from a clear barrier.

You can pick up on his self-aware behavior, things like glances, waves, and times where he says your name when other characters aren't looking.

The change is slow for him, but quick for you.

His feelings and growth continues through the episodes, the time feeling like months or years for him but hours for you.

Half way through the show you notice Yuji's behavior.

You're frightened at first, but maybe a morbid curiosity fills you?

This begins with you two properly communicating.

Certain plot points are paused or lengthened all so Yuji can speak with you.

It's so strange... like you're actually speaking to a human being.

Yuji is always very affectionate when speaking with you.

Often calling you nicknames, asking questions, and providing comfort after long days.

You see him as your little digital companion, while Yuji sees you as a lot more than that.

He's the only one aware of you, the other characters seem more like puppets to Yuji so he can play a story for you.

He likes seeing you happy and does whatever he can to make you smile.

Darker behavior manifests later as Yuji begins to realize he... isn't a big part of your life.

Through the screen he can see you have friends, family, everything.

You're the biggest part of his world, but he's the smallest part of yours.

As this DVD has supernatural capabilities (clearly), perhaps Yuji would pull you into his world once he fears he can lose you.

The next time you get to watch JJK, Yuji greets you.

"Hey! I've been preparing a surprise for you..."

Curious, you go to ask what it is...

Only to pass out.

By the time you wake up, you're not in your world anymore.

You wake up in a dorm, clearly not your room.

As you wake up, you jump back when you see Yuji kneeling beside you.

"Great! It did work!" He chirps happily, eyes closed with a smile on his face.

You go to ask what happened, only for Yuji to hold your hands.

"I brought you to my world! You mean a lot to me... plus, here I can shape this world to anything you want."

Yuji pulls you closer, closer to the point you can see a red glint in his eyes.

"I love you... and I just want to make you happy." Yuji vows, the confession innocent despite the situation.

"We'll make this our own little world."

"I want to go home!" You cry, confusing Yuji.

"Why would you ever want to leave...?"

Yuji asks, pulling you close.

"You'll be so happy here..." Yuji murmurs, eyes giving off a dull red glow.

"You won't ever want to leave... you won't ever leave me again."

From that point on, you live in an artificial world.

You and Yuji are the only ones "real" here.

Now he's the most important thing in your life, just like you are to him.

Satoru Gojo

Satoru Gojo is your favorite character from Jujutsu Kaisen.

There's just something about his playful/cocky attitude and perhaps even his looks that makes you fond of him.

It's all harmless fun for you, everyone has a favorite character after all.

Although... unlike most... it appears you've been caught in something you weren't expecting.

The DVD you bought online didn't have the best packaging... but DVDs that aren't official tend to have bootleg packaging.

You just couldn't afford a streaming service and wanted to binge the two seasons of JJK they have out.

It seemed harmless enough, who hasn't pirated or purchased a pirated DVD at some point without knowing.

Even when you watched the DVD, everything seemed the same.

You were completely unaware of something lurking deep within.

This entity, now given the name Satoru Gojo, was awoken and given life when you used the DVD.

It could sense your fondness for the character and took the likeness of him.

Everything from appearance, personality, and mannerisms was copied as the entity took a new life.

Eventually they felt they were the character and felt every bit of fondness you had for them.

That's how "Satoru Gojo" came into being.

It's when this transfer is complete that things start to alter.

It's like the DVD opens an alternate universe, one where the events of JJK are part of their very own world.

Due to how Gojo is, he'll probably learn that his world isn't real faster than Yuji.

He'll learn that things aren't as they seem, that those around him are merely puppets for him to use.

At first he's a bit hurt... yet now he's curious.

He only gets more intrigued when he learns of your presence.

While you watch him through the screen, he watches you.

You always look so happy when he plays his part on screen, playing his role through the events of his world.

Gojo still plays along, even as he grows increasingly obsessive about you.

He just knows you two are different.

It only annoys him when he's kept from you by a clear barrier, looking at you through your TV or monitor as you watch him.

He's strong... but not strong enough to have you, it seems.

To him, it feels like his obsession has gone on for years.

For you? It feels like hours.

You're just happy to watch one of your favorite shows...

Completely unaware of your favorite character fantasizing about finally meeting you.

That is until Gojo decides enough is enough... and makes his presence known.

"Oi! Can you hear me?"

He makes contact with you by pausing events in the story and waving to the screen.

Maybe similar to the Yuji portion you're overcome with morbid curiosity more than fear.

Which leads to you feeding into Gojo's obsession by speaking with him.

Due to having his world under his control, Gojo's capable of pausing or slowing down events in the story to speak with you.

He alters things to entertain you and often speaks to you.

You end up spending more time speaking to him than watching the show normally.

You learn that Gojo is very playful with you.

He often waves, makes heart shapes with his hands, and winks at you.

He likes to say your name to mess with you and does his best to press himself closer to the screen so you can touch it.

It disturbs you that the screen is often... warm when he touches it.

Gojo's usually always playful with you until he begins to realize the truth.

He loves you, more than anything he loves you.

His little world would feel lonely without you.

His whole purpose is to entertain you, to make a good story for you and keep you company.

He lives for you.

Yet he notices you have others around you...

You have friends, family, perhaps even a lover.

He's only a little part of your life... and it upsets him greatly.

Gojo tries to hide his hurt from you as he watches you chat with others.

He wants nothing more than to have you all to himself in this little world of his...

When he grows stronger... he can.

It's ironic for Gojo to need to be "stronger".

In his world, he's the strongest.

Yet he takes time to grow more in order to have you.

He won't have to worry about your lover or anyone afterwards.

"I have something to show you~!"

His voice is in a purr when you go to speak with him again.

"Here's my gift... you know I just want to make you happy..."

You begin to feel woozy, slumping over.

"You know I just want to make you mine."

By the time you wake up, you're in a room you don't recognize.

Only for Gojo to show up with a grin.

"Yo!" He chirps, ignoring the fear in your eyes. "I did pretty good, right? You're in my world now... but I can change anything I want to make it the best for you."

He's so giddy about having you beside him.

In here, he doesn't have to worry about those close to you.

He has everything under control... and you in his arms.

"What's with the look? Come on, where's my hug?" He pouts, pulling you against him even if you struggle.

"You'll get used to it..." Gojo whispers, a kiss placed on your forehead.

"I exist to please you..." Gojo whispers, kissing your cheek.

"This is our world now... I'll never let you leave me now that I've got you."

[uravitypng]

𝐲𝐨𝐮𝐫 𝐠𝐢𝐫𝐥𝐟𝐫𝐢𝐞𝐧𝐝'𝐬 𝐚 𝐛𝐢𝐭𝐜𝐡

pairing: denki kaminari x reader

word count: 4.8k words

a/n: i'm so glad i finished this and i hope you all like this because i loved writing this. denki's girlfriend is possibly one of the worst people ever...

content warnings: cheating(denki cheats on his girlfriend with reader), praise, unprotected sex, creamie/coming inside, body worship, denki's girlfriend is the absolute worst, multiple orgasms, pining, reader has some self esteem issues and self doubts but denki shows her how perfect she is, oral(f!recieving), denki calls condoms rubber, reader is in denial, petnames, reader is hinted to be chubby, - mdni/18+

you didn't even want to be here... you always got a bad vibe off of them. you're 'friends' with mina but just barely, yet somehow she's dragged you to a party with people who you're definitely not 'friends' with.

at least kaminari is here, he always smiles at you and makes conversation with you even if his girlfriend is a total bitch and probably is the worst out of all of them.

you miss the time before you knew they were dating. somehow after finding that out his girlfriend seemed even worse and more entitled.

you walk into the kitchen in hopes to get another drink but instead you hear that bitch and you had a feeling she was originally talking about you and it was confirmed when she said your name. "i don't know why she's even here. the only reason mina invited her was out of pity." she says spitefully. your eyes well up with tears, maybe you did get invited out of pity, mina is someone who would do that, she knows you don't have many friends.

this whole time you don't realise kaminari is behind you hearing the same thing you are and his face twists in disgust as he hears his girlfriend carry on speaking, "she's just so boring, it's no wonder she's single." your heart fills heavy, it's not your fault that you're single you've just never found someone you clicked with, you blame it on all the fictional characters you like and you often compared them to all your potential relationships. "she's ugly. it's almost a crime that she's at a party with us, that she's in hinami's home. when i started dating kami i met some of his other friends from school when he was younger, that's when i met mineta. the really short one y'know? short, pervy and unattractive, all around terrible guy. he's probably going to be single for the rest of his life, the only way he's not is if he dates her and even then it'll be him who's the more better looking one." they laugh.

why, why, why? what did you ever do to them?

you know you're not the most interesting or the most attractive but you don't deserve this- no one does. you don't want to make a scene but you have to leave, you can't stay here any longer. you wish you could speak up for yourself but you can't and even if you could what good would it do? so you decide to leave before you start hyperventilating, before saying goodbye to mina. turning around to leave when you literally bump into kaminari and there's an expression on his face that you've never seen before and he doesn't even try to hide it.

he looks angry. more than angry, he looks pissed. he's gripping hold of the beer he's drinking so hard that his hands are becoming white around the bottle, his jaw is clenched and his stare is hard but when he feels you bump into him his eyes soften when he looks at you and takes you in. you're biting your lip trying not to sob and tears are filling your waterline. as you see him you can't stop the dam from breaking as the tears heavily stream down your face. as you push past him you hope to never see him again- any of them.

that doesn't happen though. denki has made it a point to wiggle himself into your life, inserting himself there. it happened that very night after you left the party, about half an hour after you arrived home and changed into comfy clothes he came knocking on you door. "kaminari? how... how do you know where i live? wait, what- hold up, what are you even doing here?"

why is he wet, has it been raining? he smiles genuinely at you, even though he's soaked to the bone, freezing from the rain and so very irate with his girlfriend just seeing you cheers him up. he's never seen you in a comfortable setting before, a setting where you're not dressing up from anyone, you look even cuter than normal...

"can i come in?" he asks you and you blink slowly and heavily a few times, processing the question. it relaxes you because the way he says it sounds like a sincere questions. sometimes when people ask a question you know you have to answer a certain way, you know there is a right way.

sometimes when someone asks "can i...?" you have to say yes because saying no isn't really an option, they're not really asking you. but when you heard denki say, "can i come in?" you relax because you know you could just say no and that would be okay, he would be okay with that. if you told him no he 'can't come in' he'd just leave and won't push you to say yes or try to make you feel guilty. sometimes questions like "can i come in?" or a "can we go here?" are almost rhetorical question.

he makes you feel safe.

you nod your head and step aside letting him through. "okay," you reply softly and a little hoarsely, slightly annoyed at yourself for not speaking more louder and assertively.

"how are you feeling?"

the tether that's keeping you from becoming frustrated feels like it starts fraying "how do you think i'm feeling?" beginning to get annoyed at him because why is he even here talking to you, shouldn't he still be at hinema's house with his girlfriend?

"yeah... that's a stupid question, sorry." denki rubs the back of his head with hand and steps a little bit closer to you. "let me make you feel better," he blurts out.

"huh?"

denki steps even closer to you and gently holds onto your hand, clasping it in his. "let me... let me make you feel better. let me apologise on my girlfriends behalf..." your eyes go wide starting to have an idea about what he means but not wanting to verbalise it and jump to conclusions, worrying to get the wrong idea. "let me... show you- show you how beautiful you are, how wonderful you are." he squeezes your hand momentarily and says quietly, almost begging, "please."

"what about your girlfriend?" you say girlfriend with disdain.

"what about her? she doesn't matter. let me show you how pretty you are love."

your heartbeat increases at the nickname and your face heats up. "i- i don't know kaminari."

"denki." he says gently but authoritatively.

"what?"

"please, please call me denki." he pleads, squeezing your hand again.

"okay, denki..." you test his name on your tongue and it sounds right, like you should always be saying it.

even now you're still not sure to what compelled you to say, "please show me denki." you never regretted your answer.

it starts slowly, gently, tenderly. denki cups your cheek in his palm and kisses you, placing his other hand on your hip keeping you close to him. the longer you kiss the more hungry it becomes and you're not really sure if it was you or him that deepened the kiss and pressed your bodies up against each other.

"can i love?" he gestures to your top that he's currently fiddling with the hem of, wanting to lift it up so he can touch you properly and get a good look at you.

you hum in affirmation and keep your lips attached to his, not wanting to separate. denki slivers your top up and puts his hand where it used to be, now on your exposed supple flesh, his cold hands stroking your skin delicately. as you feel his hands you shudder remembering now about how drenched he is. "you must be freezing denki." you finally move away from his lips and see his clothes covered in rain with rain drops dripping down his hair landing on his shoulders.

"it's okay. completely worth it." denki grins at you and you suddenly feel shy by the way he's looking at you. you definitely feel pretty by his gaze, it's electrifying and makes you feel bashful all at once.

"do- do you want a towel to dry yourself off with?" denki kisses your jaw and smiles, distracting you.

"don't worry about it love." his breathe against your neck making you shiver. you pout even though he can't see you and you still worry, not wanting him to get a cold. "you keep me warm."

"but-"

denki presses his lips against yours and wraps both his arms around your waist. you moan quietly and he lifts your top up over your head. "is this okay?"

"yes please," you respond, hoping not to sound too needy.

he smirks at your tone and takes off the rest of your clothes. "jesus, you look even more beautiful than i imagined," he says quietly to himself, you're not sure if you were suppose to hear it or if he even meant to say it out loud. denki runs his hands along the curves of your body.

"you imagined me?" you match his volume and he looks startled at your question, obviously surprised that you heard what he said, you come to the conclusion that he thought he was thinking but he actually said out loud

"who wouldn't? you're beautiful." denki kisses your shoulder and holds one of your breasts in his large hands, stroking your nipple as you bite your lip to stop any embarrassing noises spilling out. you're already feeling shy as it is after denki has said such nice things about you.

after realising what you were doing he takes your chin in his hand and tilts you to look at him so you're making eye contact. "look at me. you don't need to do that. not with me. i want to see you. i want to hear all the noises you make, i want you."

denki grazes his teeth along your neck and you gasp. "those are the noises i wanted." you press your lips together trying not to smile, denki grins at how adorable you look.

he moves to take off his shirt and you thought he looked good beforehand in a casual black button up shirt but god does he look even better with it off. you thought he'd be kind of skinny but he's actually lean and a little slim. you can see some defining muscle, his arms are just the same. a couple of moles on his forearms and faint freckles dust his shoulders and upper chest. you wonder if he has light freckles on his face too because you've never once seen them but maybe you haven't looked hard enough.

you know you're probably staring a tiny bit too much at his slender waist and yellow happy trail that matches the colour of his hair and he doesn't mind one bit, happy that you like what you see and fond of your attention.

"like what you see?" he chuckles. you go to hide your face behind your hand after being caught but denki catches your wrist. "what did i tell you? i want to see you sweetheart." you have the urge to bury your face against his chest, hiding away from his gaze but you resist the urge.

everything became a little hazy after that for the next ten minutes, denki has manoeuvred you into your bedroom onto your bed, hovering over you, and keeping you in between his two arms. you pull denki down by wrapping your arms around his neck so you can kiss him again. the kiss begins slow and sweet before denki runs his tongue against your bottom lip, silently asking for access into your mouth and you grant him it. your tongues intertwine and you can still taste that cheap beer he's been drinking that's still lingering even though you've already been kissing previously.

you could kiss denki all night but he has other plans as he starts touching your breasts again and moves his hand down your body to get you ready for his cock, surprised to find that you're already wet. "wet from just a little kissing? that's so cute." he kisses your cheek and whispers against your ear.

"denki," you whine, "don't tease me."

he has to take a deep breath after hearing you whine, not wanting to let you know how bad you affect him because if you keep making noises like that he'll come in his boxers before he gets inside you. "it's okay love." he grinds himself against your thigh, groaning at the contact, letting you feel how hard he is. "i'm just the same." he says deeply and you shiver at the knowledge that denki is just as turned on as you. he's turned on by you.

his dick is almost painful with being contained in his jeans so he rushes to take them off. precome stains his grey boxers turning the area black and he takes them off too, grinning at you. the one way you would describe denki's dick is pretty, just like him so it makes sense. he's a little longer than average, circumcised and pubes trimmed. you want him inside you. now.

"do you have a- you know?" denki asks, gesturing to your bedside cabinet. he regrets not carrying any condoms in his pocket or wallet but his girlfriend only likes having sex in ones of their bedrooms. she's not a fan of spontaneous sex.

"oh, um, maybe? in the bathroom. i wasn't really expecting this and i don't- don't do this a lot... at all really." you admit, while trying to think about where you keep condoms because you must have them somewhere but you keep coming up a blank. the entire time denki's thinking about how you never do this, it makes him feel special, special that you're letting him make you feel good.

you want him... all of him. "i um-i-i'm on the pill." denki's eyes snap up to look at you.

"holy shit are you serious right now?" he asks automatically and enthusiastically, his face lighting up.

you start regretting your suggestion and denki can tell by the look on your face, he thinks he probably spooked you. "we don't need to do anything like that if you don't want to love. i can eat you out for hours. i mean hell, that sounds like at absolute dream." you giggle after hearing that. "sorry i was a bit quick and excited there, i've just never had sex without any rubber on."

you're surprised after hearing that, thinking that he's the type to go without and you tell him just that. "i think that was why i was so excited, i've always wanted too. it's always been a dream of mine and i don't like using them but i've never brought it up with any of the girls i've been with."

"well.. is it okay that i brought it up?" you ask more confident seeing that denki is delighted with the idea.

"fuck yeah. i trust you like crazy. if it was going to be anyone i'd want it to be you." he tells you, grinning. he trusts you. if he had the opportunity with anyone he'd choose you? your heart flutters.

"i don't really like condoms either and i want you, all of you." you tell him shyly and denki's heart misses a beat after your confession.

next thing you know denki is pushing his cock into, inch by inch. even though denki has already prepped you and has been touching you there is still a slight stretch. both you and denki groan simultaneously. your velvet, warm, wet walls welcome him without any barrier.

what comes out of denki next is a mixture of moans, groans, swearing and praising with each thrust. "fucking hell, holy shit sweetheart. you're fucking beautiful, most beautiful girl in the world, so pretty." with each praise and compliment every slight doubt that lingers in the back of your mind disappears, your sole focus being on the man above you. "you feel so good, lovely." he holds your hands in his, enlacing your fingers, that seems far too intimate for a supposedly one night stand to make you feel better.

he catches on to how to please you best with every gasp, noise and shake, and only after a couple minutes he seems to know your body better than you do. with every thrust he's rubbing against your g-spot, drawing circles over your clit and taking your nipple in his mouth.

you came harder than you ever came that night, multiple times with your ears going fuzzy and eyes going blurry. denki doesn't let you know but he's in the same boat, his come spilling into you, the warmth making you shudder and arch your back, grabbing onto him tightly. he's never came as much as he did and he knows that it's all because of you.

you don't know how it happened but denki ended up staying the night and leaving in the early hours of the morning. this wasn't how your night was suppose to go but you don't regret it. he did what he said he would when he arrived on your doorstep, he did make you feel better and he did make sure you didn't spend the night upset and feeling insecure and alone. that night was so shitty, his girlfriend was so shitty yet he succeeded in making it a good night.

when he came to your door you thought there was a silent understanding, a one night stand and after this he'll go back to his girlfriend. for that one night he'll be making up for what his girlfriend said but it didn't turn out like that.

you expected to not see denki for months, that is if you ever see him again. you expected to go back to calling him by his last name and trying to forget what he looks like nude and how his stomach went taunt as he was about to climax but instead you saw him a week after when he knocked on your door, slamming his lips against yours and pushing you against your wall. at least once a week for months now you would see him, you know you should feel bad for his girlfriend, he is cheating on her with you, but you don't, not in the slightest.

after the first few times denki came by again you slipped in some questions afterwards, wanting to know if he was doing this with other girls. he isn't.

wanting to know if you're still the only person he's slept with without wearing a condom. yes you are and he has no intention of changing that.

you've never asked him any questions involving morality like if he feels guilty or if he loves his girlfriend. it doesn't involve you.

you're aware now your relationship has developed more than it once was, the closest label you have would be friends with benefits. some nights denki knocks on your door unannounced, like always, with a bag of popcorn and your favourite snacks ready to watch a new film that has just come out on netflix. he's probably the closest friend you have, you stay clear of his girlfriend though, she isn't even aware that you and denki are close now. hopefully the last time she's spoken about you or thought about you was at that dreadful party and hopefully it stays that way.

denki likes his girlfriend... he does... if he was quoting mean girls he'd say something along the lines of - there's good and bad to everybody. but his girlfriend is just more upfront about it.

that would be a lie though. there are some things he likes about his girlfriend and when they're alone together it can be really good but he then remembers about how awful her attitude is towards other people. towards you. sneaking around and cheating on her is honestly rather thrilling for him and he likes the idea of silently letting you get your own back.

sometimes he'll rationalise it in his own head while he's drunk. cheating on her is okay because he's always wanted to sleep with you. it's okay because ever since you first met, denki wished you were his girlfriend.

he could never end it with his current girlfriend, his parents always ask about her and it would cause a rift in their friend group. near the beginning of their relationship his girlfriend brought herself a dog but he prefers denki over her, opting to want his attention over hers. if they did break up he knows he'd never see that dog again, he's grown to love it. it's just as much of his than it is hers but he knows that that won't matter and he'll never see him again if they broke up. they work next to each other and they go to all the same places.

he could never break up with her, he'd never hear the end of it with his parents.

so for now he gets to have some joy from getting to see you and kiss you and lay his head on your lap while you watch television together. if he tries hard enough he can almost imagine you're his girlfriend instead.

one night denki's at yours, you're not doing any explicit but you're just enjoying your night together, that is until she spoils it. denki's ringtone going off disrupts hot fuzz and he takes the call not even bothering to pause the movie. you decide to turn it down though. "kamiiiii, where are?" god her voice is grating. once a voice that spewed such nasty things about you now just sounds annoying. "i came by yours and you're not here."

denki closes his eyes shut tight, it looks to you that he's annoyed too. "sorry, i'm out tonight." he lies and know what is about to happen next.

"don't you want to see me. c'mon home, we can spend the night together." she giggles into the phone. you knew it. you knew what would happen when he answered that call from her.

denki knows he does't really have a choice without explaining where he is so he agrees to come see her. "okay, i'll be there soon." you both stay silent for a moment not talking before he breaks the silence. "i'm sorry love, we didn't even get to finish the film. i swear we can finish it next time." he apologises.

he thought he saw disappointment on your face for a second but he knows that he's just seeing things, you wouldn't be disappointed for him to go, you're not like that, he knows to you that he's just someone to fuck. he knows that you're using him to get back at his girlfriend. he doesn't mind that one bit though, as long as you're in his life.

"you can watch the rest without me if you wanted to." he tells you getting up from the sofa.

you shake your head, "no, no, it's fine. we can watch it next time. bye kaminari."

'oh no she's annoyed at me, she called me kaminari. she hasn't called me that in months. maybe she wanted to have sex tonight and i've ruined her plans. i can't stay now though, i'm already leaving. i'll have to make it up to her.'

you don't know why you called him kaminari, you knew it was petty but that didn't stop you from saying it. sometimes you get so caught up with denki you forget that outside of your home he isn't yours and he never will be. you're just sleeping together, that's all, and you don't want anything more than that... you don't...

denki thought about you all night, you never left his mind. he hates that he left you but he felt like he had no option. if he was anyone else he would have enough sense to distance himself from you but when it comes to you his judgement gets cloudy and he'll do whatever he can to be in your life, even if that involves lying through his teeth to everyone about where he is.

two nights after denki left after the phone call he came to yours with a takeaway in his hand and a grin on his face. he doesn't actually say the word 'sorry,' he doesn't acknowledge that he left abruptly, he just grins and asks "hot fuzz?"

you match his grin and let him in. you thought maybe you would be a little annoyed with denki after seeing him in your doorway but you realised that you had no right to be annoyed. you're not his girlfriend.

one takeaway and half a film after you're playing with denki's hair and he hums in happiness and gratitude. "i could have you play with my hair all night but do you want to take this to the bedroom love? i'm still pretty hungry." he takes your hands away from his head so he can kiss your wrist and winks at you. you roll your eyes and call him an idiot. "just for you sweetheart." it just came out and both of you heard. denki splutters and tries to backtrack what he said but it's too late, his whole entire face is red and his eyes are wide and you're doing no better. you haven't fully processed the words yet but you're sure it was accidental, it's just denki being denki. you turn your head away from him, nervous and embarrassed. your cheeks feel like they're on fire and you don't think you have the courage to look at him in the eye. even though you've talked yourself into how it was denki just being denki you still can't look at him.

the implications that he's yours makes you incredibly happy but you don't even want to accept that, after all you just see him as a friend. he's a good fuck. you're absolutely in denial. at least he isn't. he knows he wants you to be his, fully, completely, body and mind.

you both end up trying to ignore what he said, haphazardly but relatively successful, pivoting back to denki's offer of going to the bedroom. "denks are we taking this to the bedroom or not?"

'god she's amazing.' he's so glad you aren't acting weird.

denki's got his head between your plush thighs, he's holding onto them keeping them open so you don't close them and stop him. licking a strip along your pussy, before flicking your clit a few times with his tongue and then lapping up your juices as he plays with your breast and moaning at your taste. "denki, don't do that, it's embarrassing."

he looks up from where he's laying to see you, "what? enjoy myself. don't complain or i won't let you come."

the threat of not being allowed an orgasm shuts you up, knowing that denki will absolutely deliver on that threat if he wants to. you know that he would eat you out for hours not letting your come once.

you loose track of time, your hips start rolling uncontrollably and you grab hold of his hair. "don't get greedy sweetheart, you'll come when i say you can." he holds down your thighs to stop you from moving and kisses your hip, sucking to form a mark on your soft skin. his mark.

for all his threats he does let you come. "you've been so behaved. so good sweetheart," he mumbles against your skin. you come again and again. he finally lets up and you watch him lick his lips and wink at you. you turn your head away from him and he chuckles. his erection is visible even with his jeans on and denki flops down on the bed next to you, drawing you closer so you're laying next to each other, his arm under you.

reaching down to his jeans you start stroking him through his clothes. "don't worry about that, not tonight. i just wanted to look after you, make you feel good." he places a chaste kiss on you forehead.

"you always make me feel good," you tell him honestly and his heart feels like it's beating out of his chest.

"then my work here is done." he replies and you giggle. he is completely and utterly in love with you.

he can't tell you, no matter how much he wants to. you don't feel the same way and he can't lose you.

how much longer will you stay in denial for?

will his girlfriend ever find out about you two? maybe that will be your tipping point. maybe her finding out will make you realise that you want denki more than a quick fuck or a friend. maybe her finding out will be what you need. you're in love with denki.