#and on a personal level i like them very much

[corvus-frugilegus]

The real tragedy of the Dellamortes is how inevitable Illario's betrayal was.

Caterina's refusal to really see either of her grandsons for who they are sets all three of them on this path. Lucanis's mother was Caterina's favourite, she was probably the person Caterina had in mind to succeed her. That loss, the loss of so much of Caterina's legacy had to have been devastating. She'd built so much and it was all torn away in a single conflict. All she has left in the wake of it is two young boys and this tenacity that will not allow her to give up on what she's built.

So she puts it all on Lucanis. The son of her favourite (bonus angst if he looks like his mother). She's unable to see this sweet boy who loves wyverns and just had his life ripped apart for who he is. She just see's her legacy. The daughter she lost. She puts it all into him, he's pushed into the role of favourite.

Lucanis responds to this by shoving down the parts of himself she doesn't want to see- his gentle heart, his love of wyverns, the little boy who needs to be loved. If he's good enough, strong enough, the perfect crow, the perfect granson- then and only then will she love him, will he be safe.

And then you have Illario! There isn't as much to go on in the text about his family or what he was like as a boy but there's a few things we can pretty confidently infer. Like Lucanis, Illario violently loses everything he has at a very young age. All he has left are the other two Dellamorte's.

But he isn't the child of Caterina's favourite. She isn't automatically putting all of her legacy on his shoulders the way she does Lucanis. He still gets the training, and what we do see in the wigmaker job and the wake and even in the codex entires in the game is that Illario does become a comptent and capable crow. He has a level of skill that I suspect is broadly expected of house Dellamorte, he was trained by the first talon herself. But the Illario we meet as an adult has this laissez-faire affect and presents himself as a seducer and a bit of a peakcock. He also very overtly refers to himself as Dellamorte-the-lesser and at the end of the wigmaker job when they're discussing the title of first talon you can feel the resentment below the surface.

For Illario it's not about the power and the prestige that comes from the title of first talon. It's not even about having the title itself. It's about FINALLY earning Caterina's love and respect. Things he undoubtly never felt as a boy.

How could he? When he's a child the only two people he has left in the world have this special bond that he never gets to be a part of. His only caretaker has a clear favourite and she shows it. He's lived his whole life in Lucanis's shadow, and a shadow that Lucanis never wanted to cast! Which if anything just adds insult to injury for Illario.

Lucanis has everything Illario wants and he doesn't even want it.

I imagine as a boy Illario tries SO HARD to win her love, her favour, he'll do anything to feel like he's loved and wanted and valued. And when after YEARS it doesn't work even though Lucanis clearly doesn't want the role he's been forced into? Illario gets resentful, he gets angry, he starts acting up. He becomes the suave peacock, the grandson who fucks up sometimes- probably not because he's bad at being a crow but because at least Caterina's ire is attention. It's a scrap of love.

Illario and Lucanis love each other. They're brothers. Illario resents Lucanis for being loved and favoured. Lucanis wants nothing more than to give it all to Illario. Illario doesn't want that he wants Caterina to love him on his own merit. At the same time (pre-inner demons) Lucanis will never actually give the title up because it means he's loved, he's valued, he matters.

The title of first talon has been synonymous with emotional safety and love for these two for their entire lives, and it's twisted them up so badly.

The real irony of it all is that this whole time Illario is so much more like the person Caterina wants Lucanis to be. Her heir, the Dellamorte best suited to be the next first talon has been right there infront of her all along, but she's so caught up in grief and legacy she misses it. She never really see's either of her grandsons for who they are.

I actually suspect that when it all comes to light, even though she's furious with him, Caterina finally starts to see what she's been overlooking in Illario all along. And Lucanis who's started to heal... well I think she's starting to see him too, and the truth of who he is is something she'll struggle to face.

When the day finally comes that Lucanis tells her he doesn't want the job, when him and Illario both accept that their lives have meaning outside of Caterina's opinion of them, is the day that the Dellamorte's can maybe start to really see each other.

[kathleenkatmary]

This is really is not by any means new. When I was a kid in the 1990s and early 2000s, I thought my family was middle class because my parents said we were. It wasn't until I was in my 20s that I realizes we were 'lower class' and always had been. And talking to my parents helped me realize that their thought process around the thing was a messy melange that even they didn't really seem to understand. When we talked about things like how they accept money from the nuns at the school my mom taught at to be able to afford Christmas gifts for my and my brother more than once and there were times when we were in real danger of losing the house, there did seem to be a very real awareness that, no, this was not the experience of a middle class family.

But when I asked them why they always said and acted like they were middle class, I got a mishmash of explanations. The financial situation of my dad's family was much worse when he was a kid, so he figured anything better than that was a class upgrade, and while my mom's family's situation when she was a child was better than ours, she didn't see our situation as that much worse, so she just kind of saw it as being on the same level. We always had food on the table and we never "worried" about stuff like that, even though sometimes it meant taking charity from the people my mom worked with, so it didn't seem right to them to act like we were in the "same situation" as people who did have to regularly worry about food. They bought a house, however falling apart it was, so how could they be lower class? And there was a lot more of that, that sort of "well, we still had these necessities, even if we had to struggle for them, so we can't really put ourselves on the same level as people who did" mindset.

And I noticed that even though they didn't explicitly say it, there seemed to be a lot of shame associated with the idea of being lower class. Which I don't think would come to a surprise to anyone, especially for people who was around in the 1980s and 1990s. As much as that sentiment that poverty is a personal failing is still alive and well today, it was so prevalent back then. That idea that if you were poor, if you were lower class, it was entirely because of the decisions you made, your own failings. Can't pay your rent or mortgage? Well, what did you do wrong to put yourself in that position? Can't afford to keep your kids fed? God, you're such a bad parent, why don't you make better choices that put your kids first?

And I don't think that lumping in better off middle class people in with the upper class is new either. Resentment toward people with more has always been a thing. And when you do have so little and you are seeing things through that resentment, it can be really easy to look at someone who has so much more than you and not really see the distinction between them and someone who is truly wealthy.

This loose grasp of class definitions, people assuming themselves to be middle class when they're not, and not being able to see the distinctions in wealth is by no means a new thing that's only just starting to happen with the younger generations. It's always been around, I just think that the shape it's taken has shifted with the way the culture has shifted. But that sort of "I have a roof over my head and I can feed myself so I must be middle class" mindset and the "those people have a lot more than I do so they're just as bad as the billionaires who are actively ruining our lives" ideas aren't new at all. It at least goes back to the baby boomers, and really, considering the stark class divides of the early 20th century, I'd wager that it probably goes back even before them.

And that makes sense, because it's clearly proven to be an effective method of the ruling class.

Ive noticed recently that my generation has... no concept of what the various economic classes actually are anymore. I talk to my friends and they genuinely say things like "at least i can afford a middle class lifestyle with this job because i dont need a roommate for my one bedroom apartment" and its like... oughh

You guys, middle class doesnt mean "a stable enough rented roof over your head," it means "a house you bought, a nice car or two, the ability to support a family, and take days off and vacations every year with income to spare for retirement savings and rainy days." If all you have is a rented apartment without a roommate and a used car, you're lower class. That's lower class.

And i cant help but wonder if this is why you get kids on tumblr lumping in doctors and actors into their "eat the rich" rhetoric: economic amnesia has blinded you to what the class divides actually are. The real middle class lifestyle has become so unattainable within a system that relies upon its existence that theyve convinced you that those who can still reach it are the elites while your extreme couponing to afford your groceries is the new normal.

[avelera]

*whispers* Viktor never once says anything mean or belittling to Jayce after they become partners. Not one insulting "you" statement, not one disagreement where he doesn't remained focused on the point of contention. He never makes ad hominem attacks, he never insults Jayce's appearance or intelligence.

Literally the single meanest thing he says to Jayce that could be considered a "you" statement is "Your mind has become rigid." Basically, he's saying that Jayce has suffered so much recently that it's closed his mind to broader intellectual possibilities like, that is barely an insult, and clearly Viktor just means it as a statement of fact, if not a challenge for Jayce to joyously consider possibilities again. And by the way? That statement is when Viktor is in his full his villain arc. It's remarkable because it's the only time he's pointed out a perceived flaw in Jayce since the night when he questioned if Jayce signed his notes out of being egotistical.

From the moment Jayce told Viktor about how beautiful magic could be, arguably once Jayce became a person to Viktor rather than a subject of academic discipline or skepticism, Viktor has not once leveled a personal attack against him as a person. Not even during the fight on the bridge. Not even when he called Jayce's Councilor work a waste of our time. Not even when Jayce was considering making Hextech weapons, Viktor still remained focused on the substance of the argument, expressed incredulity, anger, even disgust that Jayce would consider making weapons, but he never said it was because Jayce was stupid or privileged or blind. He pointed out specifically that he knew Jayce felt trapped by the decision, he knew Jayce was being manipulated, and then, in a very pointed manner, Viktor reminded Jayce that there's always a choice, challenging Jayce to stand firm and do what was right.

Even when they parted ways in 2.02, Viktor didn't say there was anything wrong with Jayce. He just said their paths had diverged, again not saying anything was wrong with Jayce, or even his choices, but rather that they're two different people who had stayed together longer than their diverging goals normally would have allowed because of the affection they held for each other.

I don't know, I get why people write Viktor as catty or mean or dismissive of Jayce. There's definitely some quotes from the day they met, before they become partners, that lend to the idea that Viktor can be quite dry and sharp with others. And conflict is the stuff of good fiction so again, totally get putting some conflict between him and Jayce in fic.

But I also think there's a tendency in derivative works like fic to Flanderize the characters, or worse, put them into narrow archetype boxes that are vastly different from their more interesting and nuanced canon selves.

How many times have we seen a wiggly man/straight man or blue vs. red personality partnership duo? How often have we seen those partners not be able to fucking stand each other, who are bickering all the time, who are snide or backtalk, or are perpetually sarcastic?

It's so common that I get why people see it with Jayce and Viktor but that's why it's so damn fascinating to me that they aren't like that.

Jayce and Viktor don't suffer each other unwillingly at any point, even when they're having a goddamn flying superhero fight in the final episode they're talking about how they're happy to see each other and praying that the other will please step away from this destructive path! They don't want to hurt each other, even verbally!

During the years of their partnership, they're constantly delighted by the other's presence, they are instantly comfortable together and never have a bad word to say to or about each other. They actually don't bicker! When they have disagreements, they stay entirely focused on the point of the disagreement and they never dip into personal attacks of any kind.

Even the tone of the time Jayce yells at him on the bridge, arguably their most acrimonious moment in the whole first season, isn't an actual argument, no more than a parent yelling at their child for running into traffic is an argument. Jayce says awful things but it's clear his anger comes from fear for Viktor and for their precarious situation. And it's clear this is a deeply unusual moment for both of them, Viktor is taken aback at how unusual it is, Jayce once called out backs down immediately, arguably because it's so unnatural for them to fight at all that it takes the wind out of the sails of Jayce's anger instantly when he realizes he's crossed a line.

No one can drag a bad word about Viktor out of Jayce, and vice versa! When Singed implies that Viktor might lose loved ones over his choices, Viktor immediately (and correctly!) states that Jayce will understand.

They are rigorously protective of one another too. Arguably all the times Viktor excludes Jayce from his Hexcore experiments in S1 is to protect him from his reckless and likely illegal experiments (as well as not wanting Jayce to stop him and wanting to live, but it can be many things). Jayce constantly cites Viktor as his partner and constantly reiterates that Viktor is his priority in life, that saving Viktor comes first. Jayce overthrows the goddamn founder of the city in order to protect Viktor!

Jayce's love for Viktor is so extreme that literally in S2, the only person who can convince Jayce to hurt Viktor, after seeing the post-apocalyptic Hell of a future that is caused by him, is Viktor himself. Jayce doesn't even get mad at Viktor after he learns Viktor is the cause of what he saw! He is instead desperate to get back, to avert the damage caused by their joint work in Hextech, and saved Viktor from the fate worse than death that is Mage Viktor's total isolation in the aftermath. And every step of the way, even knowing what he knows it's clear he's in agony at the thought of having to raise a hand to Viktor at all.

Now of course I'm getting into just how insane their love for one another gets in S2, but I just feel so baffled sometimes reading fic where Viktor is constantly undercutting, insulting, or belittling Jayce every which way. He never once does that after the partnership begins. And it makes me so insane because we have so many partnerships in media that do devolve into sarcasm, cattiness, and backbiting but Jayce and Viktor aren't one of them and that's really really fucking interesting and worthy of exploration I think.

[pinkmoontaco]

It all started at a Set || KMG Pt.1

Pairing: Actor-Idol Mingyu x Actress-Idol Reader Genre: Fluff, Idol romance Summary: This story is a heartwarming slow-burn romance between Mingyu and Y/N, a senior idol. It begins with them being cast as co-stars in a drama where their contrasting personalities—Mingyu’s vibrant, outgoing nature and Y/N’s reserved, composed demeanor—become the catalyst for an unexpected connection. Throughout their journey, they face professional challenges, emotional conflicts, and growing feelings for one another. Author's Note: This is the second story of my series, "It All Started..." As I was writing, the story evolved into something much bigger than I initially imagined, so I decided to divide it into three parts to give it the attention and depth it deserves. Don’t worry—the 2nd and 3rd parts will be coming your way very soon, as they are already complete and just waiting to be shared! I’ve poured my heart and soul into this story, crafting every moment with care to bring these characters and their journey to life. Writing this has been an emotional rollercoaster for me, and I truly hope you feel the same passion, love, and excitement as you read it. To everyone who has supported my series so far, thank you from the bottom of my heart. Your encouragement and feedback have been a driving force behind my writing, and I can’t wait to hear your thoughts on this part of the story. Stay tuned, because there’s so much more to come, and I promise the journey will only get more exciting from here. Thank you for being part of this adventure with me—I hope you enjoy this chapter as much as I enjoyed creating it! Part one _ Part two _ Part three

Mingyu wasn’t sure what prompted him to accept the role this time. At first, it seemed like any other offer—another chance to showcase a different side of himself. But something about the script resonated with him on a deeper level. The character's struggle to balance vulnerability and strength mirrored his own challenges in navigating fame. He felt an unspoken connection to the story, as if it was calling him to confront parts of himself, he had kept hidden. Perhaps that’s why, despite his initial doubts, he agreed to take the leap. Maybe it was the persistent urging of his members, maybe it was his own curiosity, or maybe, just maybe, it was the script that had managed to tug at something deep within him. Either way, he found himself on the set of "Between Us," his first lead role in a drama, both nervous and excited.

The buzz around the project had been immediate, not just because of Mingyu but because of his co-star. Y/N, a senior idol, had been cast as the female lead. She was a name that carried weight in the industry—the leader of her group, a revered idol with an aura of mystery. Known for her icy demeanor and guarded nature, she seemed to embody mystery and restraint, creating an intriguing contrast to Mingyu’s radiant, extroverted charm. While her reserved nature drew admiration, it also set the stage for a fascinating interplay with Mingyu’s infectious energy, sparking curiosity about how their opposite temperaments might evolve together. It was a pairing that intrigued fans and critics alike.

When they met for the first table read, Mingyu was struck by how composed she was. She greeted him with a polite nod, her expression unreadable. Mingyu, ever the extrovert, tried to break the ice with a joke.

“Looks like we’re going to be spending a lot of time together,” he said, his signature grin in place. “I hope you’re ready for my bad jokes.”

Y/N raised an eyebrow, the faintest hint of a smile playing at her lips. “I’ll brace myself,” she replied coolly before turning her attention to the script.

From that moment on, their interactions were polite but distant. On set, Mingyu would try to engage her in conversation, but Y/N kept her responses short. It wasn’t that she was rude; she just seemed... guarded. Mingyu couldn’t help but be intrigued. What was she hiding behind that composed facade?

As the weeks went by, they began filming scenes that required emotional depth and vulnerability. The plot of "Between Us" revolved around two people who initially clashed but slowly fell in love as they unraveled each other’s secrets. The parallels between the characters and their real-life dynamics didn’t escape Mingyu.

One evening, after a particularly intense scene, Mingyu found Y/N sitting alone by the set, her gaze fixed on the horizon. The sun was setting, casting a warm glow over the scene.

“Hey,” Mingyu said, approaching cautiously. “You okay?”

Y/N glanced at him, her expression softening slightly. “I’m fine. Just... thinking.”

Mingyu sat down beside her, leaving a respectful distance between them. “You were amazing in that scene,” he said sincerely. “I felt like I was watching your character come to life.”

She looked at him, surprise flickering in her eyes. “Thank you. You did well too.”

It was the first time she’d offered him a genuine compliment, and Mingyu felt a small thrill of accomplishment. They sat in silence for a while, watching the sky change colors.

“Do you ever get tired?” Y/N asked suddenly. “Of being... this?”

Mingyu frowned. “What do you mean?”

“Of always being expected to be perfect. To smile, to perform, to never let your guard down,” she explained, her voice barely above a whisper.

Mingyu thought for a moment before replying. “Sometimes. But I think it’s okay to not be perfect. People connect with us because of our flaws, not despite them.”

Y/N looked at him, her expression unreadable once more. But something shifted that day. She began to open up, little by little. Mingyu learned that behind her icy exterior was someone who cared deeply about her members, someone who carried the weight of leadership with grace but also with a heavy heart.

The rest of the cast and crew began to notice the change in their dynamic. During breaks, they often saw Mingyu and Y/N sharing quiet conversations or laughing at inside jokes. One day, a crew member walked in on Mingyu patiently teaching Y/N a card game to pass the time, his enthusiasm contagious as Y/N, known for her reserved nature, playfully accused him of cheating.

“Cheating? Me?” Mingyu feigned shock, placing a hand on his chest. “I’m wounded, Y/N. Truly.”

“Wounded or not, you’re still losing,” Y/N shot back with a rare grin.

Another time, during a particularly chilly outdoor shoot, a makeup artist caught Mingyu draping his jacket over Y/N’s shoulders without a word, brushing off her protests with a casual, “You’ll catch a cold.”

The director, amused by their growing rapport, once joked, “If you two don’t win Best Couple at the year-end awards, I’ll be writing to the network myself.”

Even the extras started to notice their synergy, with one commenting during lunch, “Their chemistry isn’t just acting—it’s real.” Mingyu’s consistent warmth and Y/N’s subtle but significant thawing became a favorite topic of conversation among the crew, adding a special layer of excitement to the production. The once distant co-stars were now sharing inside jokes, supporting each other through difficult scenes, and even eating meals together during breaks. Mingyu’s patience and warmth had managed to crack Y/N’s walls, and she, in turn, became a grounding presence for him.

The turning point came during a particularly grueling shoot. It was a night scene set in the rain, with both leads expected to deliver emotionally charged performances. As Y/N sprinted down the wet pavement for a pivotal chase sequence, her ankle twisted, sending her collapsing onto the ground mid-scene. The crew froze, and for a moment, the only sound was the rain hammering down. Mingyu, standing nearby, dropped his prop and sprinted to her side.

“Cut!” the director shouted, but Mingyu was already kneeling beside Y/N, his voice tinged with panic. “Are you okay? Does it hurt a lot?”

Y/N tried to sit up, brushing off the mud on her hands. “I’m fine,” she said through gritted teeth, though the pain was evident in her eyes.

“No, you’re not,” Mingyu said firmly, his worry overriding his usual easygoing demeanor. He gestured for the on-set medic, his brows furrowed in concern. “You need to rest. This isn’t something to push through.”

Despite her protests, Mingyu carefully helped her to a nearby chair, his hand steady on her arm. His genuine concern was clear, and the crew exchanged knowing glances, murmuring about how protective he had become of her. In that moment, something shifted—not just between their characters, but in their real relationship as well.

The injury had forced Y/N to take it slow, and Mingyu took it upon himself to help her. He’d show up to set early to make sure the path was clear for her crutches, brought her snacks during breaks, and even offered to rehearse lines with her to save her unnecessary movement.

“You’re going to spoil me,” Y/N said one day, watching as Mingyu carefully adjusted her chair.

“Maybe,” Mingyu replied with a grin. “But I don’t mind.”

As “Between us” progressed, the romantic tension between Mingyu and Y/N on-screen began to mirror their growing connection off-screen. Their characters, who started out as strangers, gradually developed a deep emotional bond, with Mingyu’s warmth gradually melting Y/N’s cool exterior.

One evening, during a late-night shoot, the scene called for a quiet, intimate moment at the café. Mingyu’s character, Jae-min, had just confessed his feelings to Y/N’s character, Seo-yeon. The air was thick with tension as their eyes met, both characters hesitant yet longing.

“Are you sure you want this?” Jae-min asked, his voice barely above a whisper, as he reached out to gently touch Seo-yeon’s hand.

Y/N, as Seo-yeon, looked at him, her expression unreadable, before slowly nodding. “I don’t know, but I’m willing to try.”

In the next moment, Jae-min leaned in and kissed her softly on the lips, a gentle but tender kiss filled with the promise of something new. The director yelled “Cut!” immediately after the kiss, but both actors were left momentarily frozen, caught in the vulnerability of the moment.

Mingyu quickly stepped back, awkwardly scratching his head. “Uh, sorry, was that too much?”

Y/N, for the first time in a while, let out a soft laugh, something that startled Mingyu. “No, it was good,” she said quietly, her cheeks flushed. “You just… surprised me, I guess.”

That night, as they wrapped up filming, Mingyu couldn’t stop thinking about how natural the kiss had felt—how it wasn’t just an act but something real that he had experienced with her. Y/N, despite her usually cool demeanor, had shown a glimmer of warmth, and it left Mingyu wondering if the lines between their characters were blurring.

The next scene that stood out was a pivotal moment in the drama, where Jae-min (Mingyu’s character) confesses his love for Seo-yeon (Y/N’s character) during a stormy night. They were supposed to be alone in the café, the rain tapping against the window as Jae-min, drenched from the downpour, walked in to find Seo-yeon sitting by the window, gazing out at the rain.

“Seo-yeon,” Jae-min said, his voice shaking with emotion. “I’ve loved you from the moment I saw you. You’re the only one who sees me for who I really am.”

Seo-yeon turned to him, her eyes softening but still guarded. “But you know I’m not the person you think I am, right?”

The tension in the room was palpable as Jae-min walked toward her, his every step determined. “I don’t care,” he whispered, his face inches from hers. “I love you.”

The kiss that followed was more passionate, a moment of release for both characters. The scene was so intense that even the crew stayed silent as they filmed. When the director yelled “Cut,” both Mingyu and Y/N stood frozen in their positions, the chemistry between them undeniable.

During a break, Y/N walked off to the side, away from the set, clearly trying to collect herself after the emotional intensity of the kiss. Mingyu, sensing her discomfort, followed her quietly.

“Are you okay?” Mingyu asked softly, standing a few feet away.

Y/N paused, looking at him for a moment before nodding. “Yeah, just… it’s a lot sometimes, you know?” She shrugged. “This role is… difficult for me.”

Mingyu gave her a gentle smile. “You’re doing amazing. I can tell. I know acting can be hard, but you make it look effortless.”

Y/N looked at him, her walls slowly starting to crack. “Thanks, Mingyu,” she said quietly, her tone sincere.

As she turned back to the set, Mingyu watched her, his heart unexpectedly racing. They might have started out as strangers, but something was beginning to stir between them, something neither of them had anticipated.

One of the final scenes in the drama was another intimate moment between Jae-min and Seo-yeon. The two characters had gone through their fair share of struggles, and in this scene, they finally gave in to their feelings for one another. The script called for a tender, lingering kiss under the moonlight, where Jae-min pulls Seo-yeon into his arms as they both acknowledge their deep connection.

As the cameras rolled, the chemistry between Mingyu and Y/N was undeniable. The kiss was gentle at first, with both characters hesitant, but as the scene progressed, their passion deepened. Their lips met in a slow, sweet kiss that was both vulnerable and full of longing, capturing the emotional weight of everything their characters had been through.

When the director finally called “Cut,” the entire set seemed to hold its breath. Y/N, who had usually kept a distance from Mingyu, seemed to soften in his arms, the connection between them palpable even off-camera.

During the next break, Mingyu found himself sitting next to Y/N, who had become noticeably more relaxed around him since their first interactions. They were both exhausted from the intense filming, but the mood between them was no longer cold.

“I didn’t know acting could be like this,” Mingyu admitted, his voice low. “It’s… more than just saying lines. It feels real.”

Y/N looked at him thoughtfully. “Yeah, it’s like… you let yourself be vulnerable for a moment.” She paused, then added, “You’re a good actor, Mingyu.”

Her words caught him off guard. He smiled, not able to hide his feelings anymore. “Thank you. That means a lot coming from you.”

There was a comfortable silence between them, and for the first time, Mingyu felt a genuine sense of connection to Y/N—not just as his co-star, but as someone who understood the depth of their roles and the emotions they had shared through their characters.

One memorable day, they filmed a scene where their characters shared their first kiss under a canopy of stars. The setup was breathtaking—fairy lights hanging from the trees, a gentle breeze rustling the leaves, and the soft strumming of a guitar playing in the background.

Between takes, Mingyu leaned over with a grin. “They really went all out for this, huh?”

Y/N glanced around, her lips twitching into a rare smile. “It’s beautiful. Almost makes you forget we’ve been here for hours.”

The scene required them to hold hands, exchange lingering gazes, and lean into a kiss that felt as natural as breathing. When the director finally called, “Cut!” he looked up from the monitor and clapped. “That was perfect! The chemistry was off the charts.”

Another day, they filmed a playful sequence where their characters spent an afternoon at a seaside carnival. From riding the Ferris wheel to playing ring toss, the scenes were filled with laughter and lighthearted moments. While filming a shot where Mingyu’s character won a giant stuffed bear for Y/N’s character, he jokingly handed it to her and said, “This is the closest you’ll get to me spoiling you in real life.”

Y/N rolled her eyes but couldn’t hide her smile. “I’ll cherish it forever,” she quipped, hugging the bear dramatically.

The most challenging yet rewarding scene to film came toward the end of the drama, where their characters finally confessed their feelings after a heated argument. The emotions ran high, and even the crew found themselves holding their breath as Mingyu and Y/N brought the raw vulnerability of their characters to life. By the time the director called cut, there was a moment of stunned silence before the set erupted into applause.

“You really outdid yourselves,” the director said, visibly moved. “This is the kind of performance that stays with people.”

Through these scenes, their bond grew stronger. Whether it was the stolen glances that felt too real or the way they naturally gravitated toward each other during breaks, it was clear to everyone that something special was blooming between them.

[glitter-stained]

I always feel like a little sad seeing posts about how Jason's character is inherently tragic and that's what makes it good, how him being unloved, a tragic consequence of his own actions, is inevitable, and how that shouldn't change because any change on that regard is a fundamental misunderstanding of his character. Yes, Under the Hood is a tragedy. Yes, Jason survived and for a long time people have been pretty confused at what to do with the character that survives the tragic ending. That doesn't mean he should continue to be trapped in the tragedy, that there's only value in him as long as he's unloved. And maybe that's me preaching and being a party pooper again but the idea that the teenage-to-young adult character with a mental illness that has damaged all his relationships is doomed to be lonely and have bad/upended relationships forever, that he's only good as a character as long as he's hurting others and/or himself (and usually both) and isolated because of this... It's sad, at the very least. I refuse the presumption that tragedies are the only stories wise and worth telling.

Also I personally really dislike the idea that Jason isn't and shouldn't be anyone's favourite, because he made himself nobody's favourite on purpose. Did he make himself a villain on purpose? Fuck yeah. Does any of his early attempts at reaching out to people hurt them? Indubitably. I maintain that this is because he wants to be someone's favourite as he is, at his worst, with his hands covered in blood. And I think he should be. (Without contradicting or damaging, by comparison, the relationships between other characters, that's the tightrope we need to be weary of when making such things, of course.)

It's like this: love, in most relationships, is conditional: you don't owe your friend or your partner to continue to love them if the relationship changes, if you change, if you become violent etc. If my girlfriend started murdering puppies, I would stop loving her. Ideally, however a parent's love for their child is unconditional. That's very often unfortunately not the case, but ideally it'd be, it's really not great for a kid to have zero parents that love them unconditionally. And most importantly, it's not just about actual unconditional love, it's about it being perceived. So it doesn't matter in the debate if Bruce actually loves Jason in spite of the murder, it matters that Jason asks for confirmation of it at the end of UTH and receives a negative answer. (similar arguments to be made about Catherine loving Jason and dying of drug overdose and Willis going to jail and dying - it's the potential perceived abandonment of it that would matter, not their agency and actual love. And it's not a question of whether he would be angry at it so much as that he'd yearn and hurt for it. And of course Sheila didn't love him at all.) That's why he, upon learning about Mia and reaching previously unknown to man levels of projection*, tries to rally her with the hope that, because she's "so similar to him" she would understand him. That's why upon learning about Dick "killing" Blockbuster Jason, again projecting more violently than a bullet, Jason makes Dick into his new favourite person (god, the concept behind BiB has so much potential why did it have to suck so bad...) Anyway, Jason to me is a character with a very intense, very overwhelming conception of love both in who he loves and how, who struggles to understand that other people love and show it differently, and it makes so much sense for him to keep looking for a person who will love him unconditionally (something that's both very rare and not necessarily healthy since, again, most relationships aside from parent-child relationships do not and probably should not include unconditional love). This is particularly interesting in the context of him having bpd (again, using bpd because i'm focusing on the interpersonal dimension that's been mostly studied within that frame) because BPD often functions around a vicious circle of "is afraid of rejection/abandonment -> does maladaptive behaviour in attempt to prevent rejection/abandonment OR protect oneself by being the one to leave first" which is what leads to the instability in relationships. It's a doomed prophecy: i have maladaptive patterns that make me think my girlfriend is gonna leave me at any time, I keep demanding to see her phone, assuming she's cheating everytime she leaves and thus demonizing her even though I was glorifying her five minutes earlier" then she's going to leave me, which is gonna reinforce my thought pattern that everyone always leaves me. But that also means that in rare instances in which the other person in the interact, for whichever reason, sticks around through that, then these incorrect thought patterns begin to change through the sheet logic of extinction: if i think that people always leave me because of something fundamentally wrong with me and people don't leave then eventually the idea that people are doomed to abandon/reject me is going to lose its power. That's, btw, an important part of why therapy works.

(*that one's a joke, btw. He's not projecting onto mia and dick to levels impossible to mankind, just pretty intensely. Very human levels of projection, might I add'. Just to clarify.)

Now, be mindful: I'm not saying make Jason an abusive boyfriend. I'm not saying put him in a relationship where the other stays because they're afraid of him, that's not unconditional love or acceptance that's just fear. Of course, the ideal version of it would be Jason goes to therapy but because dc hates me specifically this is never gonna happen, but imagine him being in a relationship, romantic or otherwise, with someone who is as intense and "unwell" about him as he is about them. I'm not saying it would fix him (again, get him so goddamn therapy jfc) but it would change him. And just as it doesn't have to be healthy it doesn't have to be tragic.

I was asked a while ago my thoughts on Jason's current stagnancy as a character and if I thought he could become interesting again, and I said yes and talked about the directions I dream would be explored with his character and their potential. My answer hasn't changed, and it's completely compatible with this, but I will add: I think Jason as a character has largely and for long enough been defined through his yearning to be somebody's favourite, and that if you want his mode of interacting with others and dynamic with different characters to change then this is a very logical way to do it. And it would make a lot of sense for it to be the catalyst for other changes in his character (ie in his name or philosophy).

Get that boy into a super intense long-term codependent situationship, is what I'm saying. Please.

[sarah-ankh]

It also clearly demonstrates several things.

1) the cats know their own names and are capable of responding

2) they have some kind of emotional inner life and concept of selfhood because they want their human to acknowledge them and are visibly disturbed by the lack

3) at least some basic theory of mind as they are able to recognise that they know information their human doesn't have.

Undeniably sentient, and probably at least a bit sapient.

Sentient = capable of emotional experiences greater than basic stimulus response. Pretty much all animals probably have this, insects might? It's very hard to tell past a certain point if we are just projecting.

sapient = intelligent self-awareness with complex/abstract thoughts. E.g. theory of mind, which human children begin to develop around 4 years old. Hence the incessant "why?" phase.

Both of these are sliding scales, not simply a binary. There are greater and lesser degrees of both sapience and sentience

Theory of Mind = the ability to conceptualise 1) yourself as an individual mind, 2) other people as minds separate to yourself 3) that you possess information they do not and vice versa.

Theory of mind is a necessary foundation for empathy (but not the only one). Recognising they have an emotional inner world just like you, and that their world is just as valid as yours.

Sentient and Sapient tend to get muddled up with each other, and with the general term 'intelligent'. When we talk about animal intelligence, we are mostly talking about judging their level of sapience, and how it compares to our own, but there are other kinds of intelligence.

Problem solving for one, ants as a colony demonstrate incredible problem solving abilities.

Instinct is also a form of intelligence. Gut feeling. the things you don't need to learn how to do, they're just there. Preprogrammed

With AI sentience is gonna be the real achievement. An artificial being with a demonstrable emotional inner life is *the* jackpot. Ultimately computers are tools. Problem solving is what they're designed for but anything we program them to do is essentially instinctual to them.

Machine learning is a big step in advancing the problem solving capabilities of bots.

LLMs like chatgpt are essentially just a friendly user interface and a novel implementation rather than a significant advancement towards AGI.

AGI - Artificial General Intelligence. An ai that is truly both sentient and sapient.

Personhood is an ill-defined term that is likely to generate more and more controversy as we move forward. In my personal opinion, personhood requires requires an individual to demonstrate a basic level of both sentience and sapience. It's a trait that can be acquired, not something intrinsic. I dont think humans intrinsically have personhood from birth, but they rapidly develop to that basic level, and then continue to develop well beyond it into a fully realised human.

We should, and we do treat children as people under the law, with considerations for their developing state and diminished capacity.

I believe there are some animals which can demonstrate the same basic level of sapience as a child, and I think we would benefit from extending the same benefits to them as we do to children. The other great apes for example.

I believe eventually we will develop sentient AIs, either fully artificial, or by uploading human consciousness. And I think it's essential that we have the legal and practical framework for personhood established long before we get to that point.

[stellarsecrets86]

My Astrology Hot Takes

Other posts you might like:

Masterlist

[PS: These are my own observations. It can differ in person to person. Enjoy💚]

🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹

✨ 0° is as much as seen in charts, that are household name or it means some level of fame. Sometimes it's the combination of 0° and 28° degrees. Most worldwide famous people who built a strong legacy have 0° or 28° or both in their chart somewhere.

Ex: Audrey Hepburn, Michael Jackson, Steve Jobs, Walt Disney, Issac Newton etc...

✨ Again controversial take, not Jupiter but Saturn and Mercury dominant people are naturally skilled at philosophical endeavours.

✨ 0° of any planet makes a person freaking confused and curious about the themes of these placements in their early age but as they get older because of their curiosity of these specific placements they become very good at embodying the characteristics of them.

✨ Lots of Taurus(2°, 14°, 26°) degree, Libra (7°, 19°) in the natal chart make someone a very skillful and creative artist.

Ex: Michael Jackson has Moon in 14°, Neptune and Pluto in 2°, Saturn and Chiron in 19°

✨ Maybe because, I love the fusion between western and vedic astrology, I have seen a lot of stage performers, actors and singers have Sagittarius MC. That's because,(according to my observation) Sagittarius holds 3 of creative nakshatras in vedic astrology.

✨ Cancer rising people especially girls have round faces but their faces are kind of big.

✨ Confusing planets like Neptune , Asteroid Casanova, Nodes in 1st, 4th(Remember,,, these are the houses of self identity & emotions) make people cheat their partner or get cheated on because they are confused about what they really want from life.

✨ Asteroid Groom(5129) in the 1st house of the natal chart of a man, a lot of people think they are husband material.

✨ Celebrities with Eros in Gemini or Gemini degree get sexualized the most.

🗻🗻🗻🗻🗻🗻"""""''"""""🗻🗻🗻🗻🗻🗻🗻

✨ A big indicator that you will be a famous actor/actress, asteroid actor in 0° or 28° in natal.

✨ Venus/ASC/ASC lord in Libra/Taurus/ Pisces with Leo degrees(5°, 17°, 29°) is said to indicate charm, beauty, and artistic success.

Ex: Marilyn Monroe had a strong Venus placement contributing to her iconic status.

✨ The Moon is exalted in Taurus, and individuals like Queen Elizabeth II have the Moon in this position, signifying emotional stability and a connection to tradition.

✨ You are the luckiest you have Saturn in its own sign(Capricorn, Aquarius) in your natal chart. If you work hard on the themes related to the house it is sitting in, you will accumulate a lot of wealth and long term success. That's because, Saturn in its own signs is associated with long-term success and discipline.

Ex: Oprah Winfrey’s chart emphasizes Saturn’s influence, aligning with her hardworking nature.

✨ A lot of Sagittarius placements show that you are a very creative person and will do well in creative Careers.

[raven-at-the-writing-desk]

Do you have any crack headcannons like you did with Ace with hitting on Jamil?

I have one of Grim knowing how to use a toilet like a person would but not how to open doors. So during book 5. Guys would see Grim using the toilet, in the dark, in the middle of the night if they have to. They see two bright circles in the bathroom until they turn on the light.

[Referencing this post!]

👆 This scene from Puss in Boots 2 except it’s Grim and Yuu—

I have a lot of silly personal headcanons (probably way too many to contain in a post)! Off the top of my head:

A frequent topic among the first years is romance. It's mostly because Ace instigates (usually to brag about how much experience + game he has and how everyone else is a LOSER). Deuce and Epel are flustered, Jack tries to be mature and call out Ace's childish behavior + views, Sebek loudly compares what Ace says to the things he has read in his romance novels + advice from Lilia, and Ortho--shockingly--is the most level-headed and logical of the group. (He'll take one look at Ace's vital signs and declare the guy is actually lying about having rizz.)

(PREFACING THIS ONE WITH THE CONTEXT THAT I WAS SUFFERING REALLY BADLY FROM MONTHLY CRAMPS AND CAME UP WITH THIS TO COMFORT MYSELF) Due to their heightened senses, fae and/or beastmen are able to sense very subtle changes, such as shifts in weather (ie a storm is rolling in) and changes in the body. For example, local feminist king L*ona can somehow sense when "that time" of month is coming and will show up on some poor woman's doorstep a few days before it starts with a plastic bag of [feminine hygiene products], snacks, pain relief medicine, and a heating pad in it. He gives NO explanation, just unceremoniously tosses it on the floor before he turns around and peaces tf out.

Mostro Lounge staff are granted paid lunch breaks, but if they choose to eat from the lounge then they still need to pay for 50% of it. They once tried to unionize, but Azul sent in the twins to shut it down real fast.

Jade and Trey love really bad puns and dad jokes.

The Magic Carpet is Scarabia's unofficial mascot. The mobs generally like it and act like it's the dorm's collective pet dog. Sometimes they drop scraps of food for it from banquets/parties (... D-Does it eat? If so, how...?).

Crewel and Vil heard about the time the Ramshackle Ghosts designed and made Yuu + Grim Halloween costumes. They decided to work with the ghosts to make a fashion line using repurposed old fabrics for a charity fashion show. Proceeds went to an environmental conversation organization.

Lilia hates milk substitutes. He finds them offensive and it breaks his heart to see others ask for the "fake stuff". Insists that those are not "true milk", "It's just nut or grain water!! NUT OR GRAIN WATER!!"

Lilia goes on dating apps just to see who he can bag, then he kicks down the door to the Diasomnia lounge to brag that he’s “still got it”.

Malleus learned about swear words from Leona. (He asked Lilia what a “flying fuck” was because Leona said it in front of him 😭)

Crowley has a 20-step beauty routine. Also sings (terribly) while he engages in self care.

Fellow goes on dates just to scam women of their valuables and/or to leech off their resources for a little while. His ideal targets are lonely wealthy widows and/or lonely wives whose spouses are often busy with work or traveling. Usually ends with him getting smacked by the woman, chased off by an angry spouse, or him pathetically groveling for mercy at their feet.

[sideblogdotjpeg]

have been thinking about professor sol even. professor bufo with no clearly discernable lesson plan. sol bufo ostensibly martial arts professor who spent two weeks running a yoga and meditation program and shows up to the next class with crochet hooks for everyone. professor bufo who is technically supposed to be assigning grades to students but hasnt given anyone less than an A because "i think they worked really hard and they did a great job :)" (referring to the ugliest and most malformed pot holder anyone has laid eyes upon in their life). professor bufo who is on his way to cluelessly kickstart the sexual awakening of about half the cohort of the academys new students. sol bufo adjunct professor who is gone half the year and his first class back is so immediately and easily baited into going into a long tangent about how cool his friends are. sol who is pretty sure hes easily the most useless professor on campus and almost cries when he sees his little desk overflowing with thank you notes at the end of the year. professor bufo absolutely fucking gloriously hot in the tightest little sweater vest because there were faculty complaints when he wore a crop top to class.

[wolfgirlguts]

Okay this is actually like. A really difficult question.

Because there's definitely vore that doesn't involve the digestive tract. There's definitely vore where the pred is not organic, and where the pred is not sentient.

And yet it really feels to me personally that if the ship is both those things it's inherently more a vore thing. Which I guess makes sense, since it's straying further from a situation most people would reflexively apply the label of "being in a vehicle" to, and further towards a situation we might first apply the label "being ingested by something" to. But even then we might be closer to a parasite or symbiote situation which certainly can be, but definitely isn't always, vore.

I fear it's gonna sound like a non-answer but vore is such an expansive kink and so much of it is about intent and tone.

Like there's things that "feel like a vore thing" without the intent to make them a vore thing. And those things usually involve clearer markers of a very standard idea of ingestion. For example, a character gets eaten in a situation that's meant to be solely for horror, and then someone finds it hot.

And then there's things that probably wouldn't register as vore if they were not made with the specific intent and tone to be vore.

I think the spaceship thing can be both. You can have a spaceship where people ride around in the stomach and it's making gastric noises and people keep talking about its biology in detail, but the creator of it has never heard of vore. And that feels very much a vore thing. And you can have a fully inorganic spaceship with a near-future plausible clean interior but whose AI is constantly saying things to the crew like "I like having you inside me" and the author is kinky about it. And that feels very much a vore thing, too.

I suppose what I'm putting forward is, it's the density of factors present which point to vore balanced against the tone and level of intent. And the more the initial description of the situation feels like it fits in a different box (standard sc-fi travel, piloting a mech, etc.), the more of those factors need to be present (the ship pred-teases, the mech salivates and you get in through the mouth, etc.) to make it feel like a vore thing.

Conducting a social experiment to determine exactly how organic a living starship can be before piloting it becomes a vore thing.

[cripplecharacters]

Thank you for the response! What would be some specific ways you'd like writers to include characters with profound mental disabilities? I don't want to include them as just a "hey look at this" prop, nor downplay how much their condition affects how they interact, and I don't really know how to get the balance right.

Hello!

That's very much a fair question - I'll try to go over as much as I can think of since this is probably my first and last opportunity to give advice on writing characters like this, so apologies if I include some things that weren't really mentioned in this ask.

Suggestions on how to logistically include a character with profound intellectual disability:

A profoundly ID person will spend the majority of their time either at home or in some sort of care facility since they will require 24/7 help. The easiest role to put them in is probably a family member of another character. I've mentioned on this blog before that the "ID characters always end up as the annoying younger sibling" thing is overdone, but none of these necessarily have to be true for this suggestion to work (especially not the "annoying" part). A non-ID character could have an intellectually disabled older sibling, twin, cousin, uncle/aunt, the sibling of a grandparent, etc. Seriously, a severely disabled person can be an adult, or even an elder. Just not as a parent since a profoundly disabled person can't consent (a lot of ID people very much can, but this is the one disability where your level of functioning is baked into the exact diagnosis - profound ID comes with the inability to consent/understand the consequences enough to consent). "They're a family member" is basically the easiest "excuse" to include a profoundly intellectually disabled in a story (and as a bonus you don't have to figure out how the other character would react to meeting them for the first time, since they probably knew each other for a long time already). If your story isn't about the profoundly disabled character and instead just features them as a character, it would be much easier to not make the other character their primary caregiver. It's simply a ton of work and the character wouldn't have time for fighting dragons and whatnot - it'd be easier to have the abled character spend time with the disabled character at home (or care facility, you can very much visit someone in one) hanging out rather than actually doing the caregiving part.

Another way is having the disabled character in some sort of high position - in real life there were quite a few cases of profoundly and severely intellectually disabled royalty. Depending on the place and time there might have been pressure to not let the public see them, but this wasn't always the case.

In fiction you can do whatever you want anyway, especially if you aren't including other kinds of ableism - and even if you are, there are still different kinds of ableism you can portray that aren't the "literally killing-the-disabled-baby/hiding them in some dungeon level of eugenics" kind. Maybe a rich family who cares about their image would actually be unable to shut up about their kid to show how "saint-like" they are for caring for the disabled - it is unfortunately realistic, and can be a potential way to have the character exist in public, not ignore ableism, and also not go the aforementioned literally-just-murder route that writers usually do to show an ableist family.

Now for including them as an actual character and not a piece of cardboard:

Warning; the bar here is somewhere in the Earth's inner core. If your character has a single characteristic beyond aggressive/loud/unmanageable*, they're automatically at the top of most complex fictional representation of severely/profoundly ID characters. Congrats. * - Some people are those things but, unsurprisingly, they're other things too. A lot of profoundly ID people can actually be completely quiet, BTW - you notice people who are loud because they're loud.

As with literally every character, you need to figure out what they like and not like. This can be quite literally anything, but try to think of the basic stuff. Do they have something they really enjoy eating (and conversely - something they refuse to eat)? Do they have some sort of comfort toy or object they don't want anyone touching (and maybe showing them playing with it with a different character could be a way to show how much they trust them)? In more modern settings, do they have a favorite show they always bug everyone to put on? Are they really clingy or do they hate physical contact (again, maybe they only enjoy it from a specific character)?

Keep in mind, you have to show this all in non-verbal manner. A profoundly ID person is probably not using any sort of AAC device (the most robust one I remember seeing right now was a low-tech one with "yes" and "no", but there are probably ones who operate on a larger amount of singular words). This is basically another opportunity for characterization - what do they do when they're happy - laugh, flap their arms, make sounds? - and when they're upset - scream, hit themselves, make different sounds? Obviously, you'd have to take other disabilities into account (e.g. many profoundly ID people won't move much, some might not be able to make much audible sound, etc.) but almost anything helps.

An important thing (concept?) I'll throw here is "total communication" which can mean different things in different contexts, but here I'll use it to mean "using everything you can to communicate with someone who cannot do so in a traditional way".

So for example, eye pointing can be used to figure out what the character wants. A change in breathing can be used to tell that a character got stressed. Throwing an object can be used as a hint that the character wants to play. Maybe them reaching towards person A means they want to eat, but reaching towards person B means they want them to sing a song for them. Maybe them making a particular face means they just had a seizure and need to be comforted. Whatever their "tells" like this might be, other characters who know them would probably be able to tell more-or-less what's going on - you don't have to go really in-depth, especially if it's a minor character, but figuring out the ways your character communicates with others will make it less prop-like.

Another characterization could be comfort objects. A lot of profoundly ID people are autistic (which I'll touch on later) and will have an object that they bring everywhere the same way that non-ID autistic people might. There's nothing really specific here, just another layer of "this character is a Person". Maybe they have a blanket they really enjoy chewing because the texture feels good or some sort of plushie they like to throw around because it makes a sound they find funny. Lots of options.

If you read some of these and go "that's a thing that a child would do" then you're not necessarily wrong. A profoundly ID adult might enjoy activities that primarily kids partake in. This is, I can't stress this enough, not the same as "mentally being a child". Otherwise, a whole bunch of adults on this very website would be "mental middle schoolers" based on the shows that they watch - but they're obviously not. A profoundly ID adult doesn't have the "mind of a baby" if their favorite game is throwing a toy, they have the mind of a profoundly intellectually disabled adult. Sometimes people assume that since ID people aren't mentally [incorrect age], they always "act their [actual] age" and essentially end up downplaying how much some people's ID affects them, when the point is that no matter what you do, you are your age. An ID character who is 26 years, incontinent, constantly puts their hand in their mouth, can't speak, whatever, is mentally 26 years old the same way that they would be if they had a wife and a mortgage.

For the last thing for this section I'll circle back to the assumption that all severely/profoundly ID people are loud, aggressive, etc. - as I said, some of them are (just like abled people). The thing is, this is not always an unreasonable response to being unable to communicate with the people who are caring for you. If you had a pressure sore but couldn't explain it to anyone you'd be pissed off and screaming too. That's an extreme example, but still applies. If someone is severely stressed out (for an abled person, this might be inheriting a ton of debt, for a profoundly ID person it can be a change in daily routine), they can lash out. It's an unpleasant but very much human reaction to have, even if what's behind the ID person's behavior is significantly different from what an average abled person might consider "a good reason". So I guess my advice is, try to show some empathy to the character, even if they genuinely are loud and/or aggressive. Intellectually disabled people - including the profoundly disabled ones - aren't some alien species that is just mean and hates their caregivers for no reason, some just can't process their feelings the way an abled person might because of their disability. That's not to say that caregivers aren't allowed to feel frustrated - because they are - but that very severely disabled people aren't purposefully evil. As mentioned in the communication part, all behavior has a cause, just like for literally everyone. So if the character is being "unmanageable": maybe they aren't some cursed burden, maybe they're just stressed out of their mind and now someone they don't know that well is trying to do *something* to them, which they can't figure out because of their disability affecting their receptive language skills.

Section about resources when researching profound ID since some can be potentially misleading;

Even if you specifically look for causes of the profound severity of intellectual disability, you will get results for mild ID. That's mainly because people with mild ID make up >85% of intellectually disabled people and those with profound ID make like 1%, so they're a minority in a minority.

Basically:

Down syndrome is a very unlikely cause. It's always listed as the main genetic cause of ID but that's only true for mild and moderate severities. If you choose any of the common causes of ID make sure it actually has the symptoms you're looking for.

Most profoundly ID people will have either severe brain damage early in life (and thus can come with cerebral palsy), cephalic disorders (e.g. microcephaly), genetic conditions that you've never heard of (e.g. Pallister-Killian or Emanuel syndromes, 3p deletion), genetic conditions that you've never heard of because they don't have an actual name (e.g. X-linked intellectual disability-limb spasticity-retinal dystrophy-arginine vasopressin deficiency...), or just have it without a known cause. The last one happens much more often than people tend to assume.

For a reason I'll probably discover at some point, most disorders and syndromes that come with ID are said to have "autistic-like features" rather than being "comorbid with autism". In practice it's the same thing. Your character is probably autistic.

In the same way, a lot of practical resources will assume that ID = moderate ID (since most mildly affected need no or minimal support, and severely/profoundly disabled ones are a small minority) so pay attention if you're looking at the right things. If it's talking about having a job then you got clickbait'd.

One good resource I can recommend is SBSK (which I shared before), to my knowledge this is the only place that interviews severely and profoundly ID people (+their families) and the interviewer is great at actually interacting with many of them. Most resources on the practical things only ever talk about caregivers (who are very important) but completely ignore the actual person being cared for which IMO kinda defeats the point.

I hope this helps!

mod Sasza

[wisegirl25]

I am SO tired of people comparing Timebomb to Ghostflower, do NOT insult my babies Jinx and Ekko like that

Timebomb absolutely clears Ghostflower anyday

First of all, I feel like most of y’all are just “drawing parallels” where there really aren’t many because they’re both animated interracial couples (black dude/white girl) with dimensional issues

Their actual relationships are NOTHINGGG alike

Timebomb has HISTORY. They were best friends, they were enemies, and they LOVE each other. They both have trauma and difficult situations. They live in a society where they face insane oppression and class struggle. THAT is their story.

No hate to Ghostflower fans but that ship is genuinely horrible and has nowhere near the level of connection that Timebomb does, it’s very surface-level imo like a silly little teenage romance.

And Jinx, as much as she was ready to kill Ekko, never sold his identity out to Silco even though she knew he was the leader of the Firelights…just saying. (Looking at you Gwen)

Timebomb is what Ghostflower THINKS it is

And when it comes to the actual characters, they’re not similar at all. You cannot tell me you can draw a SINGLE similarity between Jinx and Gwen (or even Powder and Gwen) that isn’t completely surface level. I can see where some people come from with Miles and Ekko (they both paint murals and are smart Ig) but still I feel like y’all are just saying this because they’re both black. Miles is an awkward teenager facing the burden of being Spiderman, whereas Ekko is the leader of a gang/group that is actively fighting against the oppression they as a group face to make their lives better. He’s shaped by his environment. Ekko is also genius on an insane level in comparison to Miles…

Anyways no hate to anyone who likes Ghostflower (or these characters because I may have dissed them a lil bit) but if I see one more person acting like the two ships are the same I’m actually gonna cry

And do not say “it’s not that serious it’s all for fun blah blah blah” because it is, to me it is

[phacheltheprophetess]

Compliments You Get But Do Not Hear!???? Piles 1-3 Respectfully

Pile One: You’re a very beautiful person your face is alluring. People love your hair and think it really fits your overall look. People think you’re gorgeous the first time they see you but may not always tell you this verbally. You have a really nice body too no matter the height or size. People like the length of your legs. You are complimented a lot on your sensuality as well it is very welcoming to others. People are comfortable around you to tell you their life story they feel you would understand them in a deeper level and validate their feelings. People don’t feel judged in your presence and they love that about you. You’re very kind.

Pile Two: Even your close friends see the benefits of having you as a life partner. So many people see you as the hubby/wifey type and think it’s just second nature for you. You make people want to settle down. Anyone would be lucky to have you. This is what people think while in your presence but don’t want to seem weird if they say it a loud. You’re the ideal partner for a lot of people around you. Many people you know may have crushes on you but don’t communicate this in fear it may ruin their proximity to you that they do have. You’re a really good friend and many people feel so blessed to know and have you in their life.

Pile Three: You have taught people so many important things in your absence. The compliments you get the most but do not hear come from people who do not have access to you any longer. These people see you have very wise and gifted in nature. You have opened more heart spaces in this life time by walking away than you’re fully aware of. Many people consider the death of their relationship with you as a catalyst to their own spiritual journey. People see you as an earth angel that they were meant to meet in this lifetime. You are a soulmate to some. Many people say you’re a tough person to lose but it showed them a lot about the behaviors they needed to change.

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READINGS ARE ALWAYS TIMELESS WHEN YOU SEE IT IS WHEN YOU WERE MEANT TO SEE IT

Picked up on the collective general energy for this reading. Much like every other pick a pile it had no specific audience in mind. So if you felt drawn to this post it was simply meant for you to see 💕

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[mymoshangthoughts]

i think i have the unpopular opinion that airplane is an egotist lol

i do enjoy reading fics where he's like "i dont deserve good things, this guy is way out of my league" and i do totally get where people are coming from when they characterize him that way but more and more lately im just like

"what about the comments?"

like i dont think that airplane has a SUPER high opinion of himself, but i think he's just kinda... confident? like when he reads fucking essays online about how his writing sucks he's able to laugh his ass off over it and even join in the fray. so i keep thinking rather than him being like "i dont deserve this nice thing", he'd more have a "SCORE! nice thing for me!! WHOO!" reaction. and when a bad thing happened, instead of being super "this is the saddest day of my life, someone was mean to me", he'd be more "omfg did you like fr waste your time being mean to me? thats actually pretty embarrassing for you lmfao, r u oki bro?"

like kinda that terminally online asshole internet troll of a person who just doesnt take shit seriously and has enough self esteem to just legitimately not give a fuck when someone is shitty

ofc it's different with demons who can literally skin him alive, theres a huge difference between someone saying "youre ugly" and someone breaking every bone in his body, so its not like he doesn't cower when necessary

but also inwardly he just has the confidence to not be effected much by cowering. like "lol imma hug this thigh bc i aint stupid but the fact that this asshole needs me to hug his thigh says a looottttt more about him than it says about me"

idk im just kinda wanting to see more unapologetically confident airplane who just does not give a fuck about anyones opinion so long as the opinion is coming from someone who cant actually fuck him over in a significant way. like sha hualing? obvs care about her opinion, she can gut him. some rando disciple? "lmfao out of my way loser, im gay"

also i kinda wanna see that confidence stripped away until he's a mewling mess but thats just my desire to break down confident characters and make them cry pfff

its so much funnier to me if airplane was actually a pretty impervious sort of person, it's only the extreme nature of his current situation that turned him into a crybaby lmfao

idk if im making sense, i just kinda think of airplane as being a hilarious mixture of "the most self assured guy you've ever met, to an obnoxious extent" and "wait does he have any self esteem at all?!? is he okay?!?" in a fun contradictory way, cuz thats the impression i got of him from canon

also modern au mobei jun getting Very upset bc it feels absolutely impossible to get under airplane's skin. like he's sitting here trying his best to get a reaction and airplane is just "lmfao yea but idgaf abt your opinion sooooooooo"

look, i also think it'd just be awesome if mobei jun is actually most attracted to the egotistical side of shang qinghua. like sure, he thinks that cowering sobbing pathetic hamster shang qinghua is delicious, but give him shang qinghua cackling arrogantly at his detractors with the air of an emperor? mobei jun might actually faint with desire

so like, mobei jun visiting an ding peak so much initially because shang qinghua is sus as fuck and all that jazz, but eventually he's sneaking in as often as possible so that he gets to peak that side of shang qinghua.

like he first notices it when shang qinghua is too absorbed in his paperwork to remember there's a demon lord casually napping on his bed and starts making fun of the lousy penmanship, his fellow disciples, other peak lords, no one is except from his sharp mocking tongue and laughing criticism. but he notices it more and more

someone comes to qinghua's door to throw their weight around? sure, qinghua acts all small and harmless with them there but when they leave, he's cackling about "annndd that pathetic loser thinks that no one knows abt his porn stache, pssshhh, get on my level pleb. especially with your frankly boring as fuck tastes" and qinghua has a dirty sense of humor too and it's sort of driving mobei jun insane

so maybe sometimes he shows up at the peak without announcing his presence, trying to peak what sort of shit that shang qinghua might say about him behind his back and mmaaaayyybbe mobei jun is a bit excited at the prospect and disappointed when it's difficult to hear his name on shang qinghua's tongue

until one glorious day when his timing is just right and shang qinghua is neck deep in the middle of northern desert paperwork and he lets loose and mobei jun isnt sure whats worse: the things that shang qinghua's biting insults are doing to him or how, in stark comparison to the way that shang qinghua insults to others, all of shang qinghua's insults are accompanied by dirty commentary about mobei jun's body and potential sexual prowess in a quite positive light. normally shang qinghua is all "lmfao mr. never-gonna-get-fucked qi-ge is gonna tell me what to do? tough shit my lil bitch, i might be your daddy but i know the full depth of malicious compliance! go back to your brat-kink with jiu-whatever. you might as well be dickless for all the success you've had, mr. virgin mcbitch" but with mobei jun it's a lot more like "oh so mr. sexier than the fucking literal god of this world could have imagined in his dirtiest dreams wants this paperwork by next week? unreasonable brat, so spoiled, i should spoil him, he'd look reeeeaallly hot when spoiled absolutely rotten beneath me hehehh wait above me? hm, anyway, he's being a little bitch but i'll forgive it for that face but also man i wanna just pinch those fucking cheeks sometimes and then--man i bet he'd be really fucking wild in the sack to and--"

absolutely charmed by the display, mobei jun immediately reveals himself and beats shang qinghua senseless as a very clear indication of his intentions. to his absolute dismay, he never hears shang qinghua insulting him again and he doubles the beatings in desperation to somehow get shang qinghua's attention

(shang qinghua does not, in fact, have any actual bad blood against his zhangmen-shixiong, he just has a bad habit of going for the throat when he's in the middle of a tirade bc he was once an internet troll who shamelessly thrived on the anonymity of being able to say anything to anyone. he just really likes to talk shit and if he was in a position of power, would absolutely abuse it to talk shit alllll the time lmfao)

anyway i got pretty off topic bUT MY POINT IS that shang qinghua is best (imho) when he is a shameless egotistical shit-talker who's more or less impervious to the criticism of others

((man just fucking IMAGINE mobei jun's reaction when the ascension ceremony happens? like he FINALLY gets shang qinghua to talk shit to his face no less and then IMMEDIATELY gets abandoned. and like, it was kinda Really Bad Timing and also mobei jun never really wanted to just be a passive participant! he wanted to retort back! he wanted a back and forth! he wanted to refute shang qinghua's claims that he was spoiled just as much as he wanted to hear those claims! he wants the push and pull!!!! SO WHY IS SHANG QINGHUA RUNNING AWAY THAT FUCKING TEASE?!?!))

also as a general note i do think that shang qinghua's whole impervious thing is prolly routed in a lot of the trauma of being unwanted by family and all of that stuff, there was no one around to build his ego up so he built it up all on his own and he's really fucking good at building things up

[madamspellmans-met-tet]

✨Polycoven Headcanons ✨

Lilia is essentially the High Priestess of the Coven and everyone worships her (read that however you prefer in terms of sfw/nsfw). Every single one of the coven members holds love for her, admires her, respects her. They all think her incredibly powerful due to the nature of her magic and that in itself is attractive to them. Then of course most of them have mommy issues and who is Lilia if not mama? She gives them a sense of comfort and nurtures their emotional needs since each of them has some sort of lack there. They will do anything for her.

Even Agatha listens to her after Lilia manages to tame her to a degree (again: read however you wish). Agatha is her little brat and Lilia accepts her just as she is in complete contrast to her mother, which leads to Agatha trusting her like she does no other. Agatha gets jealous when Rio spends too much time with Lilia/in her proximity, but on a deeper level it’s the fear of Rio taking Lilia.

Rio and Lilia have a similar dynamic since Rio is mostly seen as destructive and evil, but Lilia knows that what she does serves to maintain the cosmic balance and that she is not only the end of life but also its beginning. Their bond results in Rio being extremely possessive of Lilia.

Alice is Lilia’s little baby. She feels incredibly protective of her, which is something Alice needs because she’s always been the one to protect others but desperately needs security and stability herself. They’re always found snuggled up on the couch together when they have the time.

Jen and Lilia have a sort of besties relationship with lots of playful bickering but also Jen is a rock for Lilia. She’s the one Lilia confides in when she needs advice or just someone to listen herself. They do arts and crafts and cook together! They’re the only ones allowed in the kitchen. Jen just makes Lilia feel very grounded.

Sharon sleeps in Lilia’s bed. It’s her comfort person. She doesn’t know much about what’s going on but she’s happy to be there.

Billy is grandson. He’s the one Lilia goes to when she wants to have a laugh and banter and gossip. He tells her all the hot tea and teaches her pop culture. He made a fan account centred around her and regularly shows her what people are saying about her (only the nice things of course because that’s his nana!) Lilia is quite flattered by all the compliments and interest. It boosts her ego and helps her feel sexy.

Overtime, the coven expands as more and more covenless witches join them and it turns into a sort of cult with Lilia as the centre figure (without that ever having been anyone’s intention). But the original coven remain the only ones in the inner circle and with the privilege to touch (and more) with Lilia. To be spoken to by Lilia is like a blessing to her followers and to be invited into her room and rest their head in her lap while she tells them what time holds for them is a spiritual experience. (give me a shoutout if you use this concept:))

Bonus: NSFW!

Orgies. Everyone wants to get into Lilia’s pants. Her scent is like an aphrodisiac to them. They’re all over her at any given time if she lets them. All she has to do is spread out in the middle of the bed and she will be taken care of. Agatha and Rio fight over who gets her breasts and Lilia will tell them to each take one and if they can’t behave, Alice gets both. Jen is her fav to prepare her because she’s the most sensual. Alice is her fav to make her come because she always puts her pleasure first and understands her body well. Though everyone gets their turn and they won’t stop until Lilia tells them she’s fully satisfied. She never has to do anything in return but if she feels like it, she will give back—but no one is able to speak afterwards.

(started this post bc I just wanted to say that I’m obsessed with the idea of Lilia being worshipped by everyone and treated like a goddess and it escalated)

[the-masked-society]

I believe I might've spotted something, lemme list out whatever I noticed

1. Shadow and Vio have in a way 'matching' eeveelutions, which can signify them respectively as well. Shadow is usually darkness, and that's why when in this AU he is apparently light- his eevee is a tribute to his origins, the dark evolution, which took place at nighttime. Vio's eevee is a tribute to his origins as a wielder of light, so his eevee evolved during daytime- Ironically enough considering in this AU he likely cannot touch light. Like a little yin and yang of a full circle.

2. I took a moment to actually research on some of the pokemons I saw here, and here's what I found;

- Lucario is a very prideful pokemon, who is extremely loyal to its trainer, but it only trust humans with righteous hearts. That oddly sounds like blue.

- leavanny is typically seen as very caring and nurturing, taking care of small sewaddles like a mother or a nanny. It can become incredibly dangerous when it sees a person or thing harming a young pokemon- even not from its kind. Very much like green in my opinion, rushing headfirst to defend people, even those he doesn't know.

- togetic is a symbol of joy, and shares its happiness to create a peaceful, caring environment. Togetic is said to bring good luck. Very red-coded in my eyes. (Not to mention that it has been Reported that Togekiss- the final evolution, is never seen anywhere near places of strife or war, which could also explain why red's togetic is not evolved. Shiny stones are incredibly difficult to find in the wild, so perhaps at the end of their Adventure when they already mended things- red found a shiny stone, and at last his togetic evolved?🤔 we know shadow has the four sword here, and it has light magic. Maybe it affected some stones nearby when he fought ganon if he exist here, and created shiny stones?)

3. And lastly, of course, all of the pokemons here are evolutions that only happen with friendship. Which is ironic considering it's also a big factor in FSA- with Shadow's perceived friendship with Vio and the betrayal, and the four links coming to terms with needing to work as a team and adapting to depend on each other in battle. It also shows Shadow's eevee didn't evolve prior to the adventure and it did at the end of it, which also signify that shadow also had a major lesson about friendships throughout this adventure 🤔

Ironically, I also found this AU (the mirror mirror au, not neccesarily the Pokemon sub-au), incredibly fascinating. Like, brainrot level of fascination.

I'm very hopeful you will share more of the story of this AU or more arts 👀

- Digi

I've had Pokemon on the brain recently, and I have Four Swords on the brain always, so here're my MirrorMirror!AU boys with Pokemon :3

I guess that makes this an AU of an AU?