#and of course I'm rereading the manga

[epickiya722]

JJK 🤝 MHA

"Five more chapters in 2024"

[xskyll]

$17.20 an hour.

My first job was in 2007 and I got paid $7.15 an hour. My uniform was not cute, and I didn't receive catgirl powers.

[lexreadsdiversely]

Second year of my adult reading adventure (context: read a lot when I was younger, only read one book over the course of 8 years, started again January of 2024), and I'm doing the 2025 bingo created by @batmanisagatewaydrug ! I'm super excited and want to share my (tentative) picks for the board.

1. Literary Fiction: Little Fires Everywhere by Celeste Ng

2. Short story collection: Unaccustomed Earth by Jhumpa Lahiri

3. Sequel: The World We Make by N.K. Jemisin

4. Reread a childhood favorite: The Baby-Sitters Club: The Ghost at Dawn's House by Ann. M. Martin

5. 20th century speculative fiction: Kindred by Octavia E. Butler

6. Fantasy: The Book Eaters by Sunyi Dean

7. Published before 1950: The Picture of Dorian Gray - Oscar Wilde

8. Indie publisher: Her Body and Other Parties: Stories by Carmen Maria Machado, published by Graywolf Press

9. Graphic novel, comic book, or manga: Tomie by Junji Ito

10. Animal on the cover: Never Whistle at Night, edited by Shane Hawk and Theodore C. Van Alst Jr.

11. Set in a country you have never visited: Little Rot by Akwaeke Emezi

12. Science fiction: Catnip by Vyria Durav

13. 2025 debut author: Make Sure You Die Screaming by Zee Carlstrom

14. Memoir: The Night Parade: A Speculative Memoir by Jami Nakamura-Lin

15. Read a zine and make a zine: DROPS "Secrets We Long For" by Gio (very excited for this one - I love making zines!)

16. Essay collection: Your Silence Will Not Protect You: Essays and Poems by Audre Lorde

17. 2024 award winner: Ink Blood Sister Scribe by Emma Törzs

18. Nonfiction, learn something new: One of my wife's wild birds of eastern north america books

19. Social justice & activism: Care Work: Dreaming Disability Justice by Leah Lakshmi Piepzna-Samarasinha

20. Romance novel: A Wolf Steps in Blood by Tamara Jerée

21. Read & make a recipe: Apple crumble roses

22. Horror: We Don't Swim Here by Vincent Tirado

23. Published in the aughts (2000-2009): Leslie by Omar Tyree

24. Historical fiction: Last Night at the Telegraph Club by Malinda Lo

25. Bookseller/Librarian Rec: Pedro and Me by Judd Winick

[corduroykoala]

I don't know that I can articulate just how perfect of an ending this is for the show, particularly as an adaptation, but damn I'm going to try.

I recently reread the chapters covered by this episode in anticipation of rereading the rest of the manga after this. This sequence is only about three pages long and, for someone who knows what is coming, who knows that Frieren will meet at least some of these characters again, it didn't have much of an impact on the page.

On the screen, however, this sequence carries so much more weight. The flashback is reframed to be from Frieren's perspective, the montage is expanded to include other characters from her life—both living and dead—and, of course, the excellent EP is timed to deliver the maximum emotional impact. The entire show is filled with these kinds of changes that expand on and enhance what was in the manga, to say nothing of the beautiful animation.

The thing that stuck with me most when watching this, however, was what Himmel says: "I'm sure we'll run into each other again if we continue traveling. Tearful goodbyes aren't our style. After all, it would be embarrassing when we met again." This was not just a goodbye between characters; it was a goodbye between the show and the audience.

This, I think, is the ultimate expression of this show as an adaptation. In an ongoing manga—or three chapters into a ten-chapter volume��this kind of farewell couldn't work. As the end of a season with no guarantee of another, however, the message is made even clearer.

I very much want a second season of this show. I want to see these characters again, to see their journey continue. While I am sad to see them go now, all I can do is continue on my own and have faith that I will meet them again.

[huginsmemory]

Thinking about how deliberately colour coded the touden siblings are to the winged lion. Like they have gold eyes and blond hair, directly correlating themselves to the winged lion by colour scheme... And when they both become monstrous, they BOTH are represented with feathers around their neck and chest areas; as the red dragon has no feathers but chimera Falin DOES is interesting as it points to something specific to Falin... only to be repeated when Laios shifts and has the same feathers in the exact same area suggesting it's something unique to the Toudens. I mean whether that really has merit is obtuse really, but if we're going for the winged lion representation angle it makes sense. Interestingly, Marcille also has blonde hair but she has green eyes; not so obviously tied to the winged lion, even if she ends up becoming the dungeon master.

And I wonder if it's a representation within the touden siblings at how by the end they represent/become the lion. Laios is very clear; by consuming the winged lion, he 'becomes one' with the lion, in the most base sense of what you eat you literally are made of... and also in how incredibly horny the panel is. And then quite literally his result of eating the winged lion he's doomed to forever feel hungry and never feel sated; the same thing the winged lion represents, desire without end. He becomes in a way, the winged lion, a human representative of him, after his body also quite literally becoming the human representative of the winged lion, when the winged lion walks around in his own skin. The two of them are foils; both driven by the desire to consume, one a monster and with a desire to consume chiefly humans, while for the other a human the desire to consume monsters, and they in the end swap places; the human becoming a monster and a monster becoming a human, each granting each other their forms. They become in that way instrinsically twisted, and the tables turn on the Lion as the Lion instead of feasting on Laios becomes the one feasted on instead in the same way the Lion normally feasts; again, Laios becoming the lion. Of course, the lion represents more than just un-ending desire, chiefly the portion which talks about the issue of capitalism unchecked desire and consumption. But I think in a way, perhaps that's what is also being hinted too; the way within a community people can help check other peoples desires or help people have desires as is seen in the end with both Marcille and Mithrun. A non-destructive representation of the winged lion one might say. Also, one may say he also becomes the true 'lord of the dungeon' as the winged lion ceases to exist, Laios now ruling instead, taking the winged lions place.

In regards to Falin there's perhaps less obvious or deliberate foiling in comparison, but I think she still by the end in a way represents the winged lion. Chiefly, I think, by her in the first place, being alive; the black magic that brought her back is exactly what invited the winged lion to their world in the first place; without the winged lions existence through the tapping into outside reality, Falin would not be alive. In much the same way, her flesh was created from the red dragon, a creation of the dungeon, and so winged lion. She's only alive in the beginning because of the winged lion, so she represents in a way that no other person does in the manga the winged lion; not a prey of the winged lion, but a creation, or something saved through the winged lion. It's also interesting to see that what she retains is her feathers (even if they're white, not gold) once she's again revived.... squints suspiciously.

Anyways I think there's probably also a lot more coherent things that can be pulled from this analysis but I'm just rambling on about it tbh...I need to reread the manga...

[diminuel]

I'm nearly done with my Thriller Bark German manga reread. What I noticed and have always found quite annoying in German manga translations is the inconsistency. I do appreciate when they fix a wrong translation especially with location names, but switching from Frankie to Franky and back to Frankie isn't great. (This one is done by Carlsen btw, which means I'm a bit pickier because Carlsen is a big publishing house.)

But that's not why I wanted to make this post. What I find interesting is that Kuma makes the observation that considering the people he has gathered around him, Luffy is just like Dragon. But while I feel Dragon might be someone who gathers people around him with his conviction and dedication to his goals, I cannot help but think about the distance Dragon keeps between him and his followers (never telling them about Luffy, not wanting Iva to pry in his private matters) and the way that Dragon operates differently than Luffy - Luffy goes to great and impossible lengths to save his own, while Dragon won't/ can't. Of course, we can argue that Luffy gets to be selfish, while Dragon doesn't, since their goals are different.

Eh, I don't know what point I'm trying to make. I just found it very interesting to have Kuma make the comparison. We have so many people comment on Luffy's very particular strength that seems to be finding allies wherever he goes. So maybe Dragon's like that too despite the distance he tries to keep. I would just like to see it...!

[raven-at-the-writing-desk]

octavinelle + mostro lounge exterior

[The images in this post are credited to Turtle Soup Scans! Please support the team and the work they do~]

I was rereading the Episode of Octavinelle manga recently and!! I don’t know how I missed these detail before 😭 Time to comment on them now—

When the mirror expels Yuuta, Jack, and the other students into Octavinelle, each of them is encapsulated in a bubble which grants them air. This definitely helps to make the in-game moments when the students appear to be just fine despite being underwater less awkward.

Ah, and I notice the outermost entrance to the Mostro Lounge resembles the mouth of Ursula’s cave, of course!

This was actually always visible on the Octavinelle map, it was just hard to notice at first because there’s so much other stuff to stare at. Circled in red is where the Mostro Lounge is relative to everything else.

The Mostro Lounge seems to occupy a separate building in Octavinelle. It can be reached via a longish winding path, which is where I think the corridors with great glass walls where you can peer into the surrounding sea are. However, that's not visually indicated in the map (circled in green) so maybe I'm wrong on that.

The inner hall of the Mostro Lounge is decorated similarly to Ursula's lair too. All the… seawead?? Squiggly things dangling from the ceiling…

We also get to see the door that goes straight to the Mostro Lounge. The name and many tentacles preside over the entrance.

I love the amount of detail the manga's able to express. With the game alone, we had a much more limited scope of how locations like the Mostro Lounge are structured both inside and out. It's great that the manga can expand on that~

[canmom]

Comics mini-Comints: Dungeon Meshi

reread dungeon meshi through to the end. still such a great manga. here are immediate thoughts - if I end up having time and energy I hope I can write something that goes deeper!

ironically i was only a few chapters from the end when I stopped keeping up, but I was struggling to remember all the characters and context, so reading it through in one go was definitely an ideal way to achieve maximum impact there.

ryoko kui does a very elegant job of handling a transition from 'silly antics' to 'big dramatic fantasy' while still keeping the central thematic throughline - eating and being eaten, belonging to an ecosystem, the significance of sacrificing others to achieve your own desires. a lot of setups pay off in a way that feels meticulously planned - and of course the crux of the final showdown revolves around characters attempting to eat each other, of course the big payoff is a huge feast that symbolically unites all the conflicting factions. it is maybe a bit too neat and happy for my taste, but it's undeniably tightly executed - it never loses sight of what it's about. especially compared to something like Frieren, it's an incredibly coherent serialisation, up there with e.g. Fullmetal Alchemist.

kui's art style deserves all kinds of praise - it feels effortlessly simple, but it clearly communicates all sorts of different shapes and body types and it's really fun to see her play around with remixing the different visual elements when she switches the races around. in general Laius's autistic monster loving ways clearly reflect kui's own deeply felt appreciation for all the ways people and animals live (accentuated further by all the extra sketches the scanlators tuck in). in a way you could kinda call it like Parts Unknown the fantasy manga.

the stakes of the final conflict are interesting - there is much to be said about the framing of 'desire' and its fulfilment, of this occult idea of 'the infinite'. lots you could put in relation to other manga, and also buddhism. (in particular I really want to develop a comparison to Made In Abyss, there are so many parallels, it just might be too spicy for tumblr lmao).

one thing I really like about it is how much its fantasy dungeon-exploring setting owes to D&D and other TTRPGs, rather than videogames. monster ecology has been a fascination of that game since the early days of Dragon magazine, and Kui sharply zeroes in on some of the intrinsic conflicts baked in to that fantasy milieu, notably the lifespan thing, while smartly avoiding the traps of 'evil races'. there's some really fun nods to the weirder monster manual entries. and in a story with so many characters and factions, it does a genuinely incredible job of furnishing everyone with understandable, reasonable motivations, conflicts drawn from their context just like the monsters are explained by their ecology.

and one thing that I particularly appreciate is like... how much it is able to simultaneously understand and sympathise with a character and also show us how and why they'd rub others the wrong way. it's impossible not to like our main group, they're all such charming dorks and the manga leads you along with all the crazy rpg party shit they do, but at the same time you definitely find yourself thinking 'guy's got a point' in the kabru chapters lmao. I'm projecting hard bc i don't really know a thing about ryōko kui but laius def feels like the sort of depiction of having an autism that you can only do if you've lived it.

but yeah, it's a fuzzy ending where it all turns out well. but what's the deeper thrust of it all? there's a funny moment where marcille is like 'maybe in the end our journey is about learning to accept death' and the grouchy old gnome guy completely laughs this off as naive, because death doesn't mean anything. and indeed their big plan pays off, and falin does indeed come back just fine. but still, through all of this it asks you to bite the bullet that being a living creature means eating to survive, at the cost of other creatures, with the other side being that one day you too will be eaten. in contrast to this honest way of being is the beguiling fantasy of infinity, where all your desires are immediately fulfilled - this is shown as a dangerous path of corruption that produces madness and manipulability. having limits and rubbing up against the wishes of others, or 'doing things you don't want to do' as izutsumi's arc puts it, becomes necessary for having some kind of definition as a subject. the thing that makes the demon concrete as an entity is a desire, or appetite, that can't immediately be fulfilled.

of course we can connect this to the idea of narrative conflict. a standard advice for putting together a plot is to ask what each character wants and why they can't get it. wanting something implies movement. and indeed over the course of this story, we see that while having too many desires fulfilled too readily leads to incoherence and callousness, equally a character who is left catatonic as their desires have been eaten by the demon must be reawakened to activity by finding a new desire.

it's kinda Buddhist innit. neither the opulence of the palace nor asceticism. desires are what tie you to the world. but mixed with ecology: what a creature does to find the energy to live is what defines its lifestyle, its form.

this is probably where I'd start talking about entropy gradients and shit if i wasn't typing this on a phone at 1:30am lmao.

but yeah - it's a powerful move to go from 'D&D monster recipe show sendup' to 'living with the inherently violent nature of being an organism fated to live in a finite sum game' and yet Dungeon Meshi makes it feel natural and convincing, while remaining tremendously charming and funny throughout. ryōko kui is definitely some kind of genius, and I can't wait to see what her next act is gonna be. it's all definitely making me appreciate the act of eating a lot more.

next story on my plate is probably The Flower That Bloomed Nowhere, which sounds like it will present a very gnarly thematic contrast.

[baby-xemnas]

Before getting into op I used to think the zoro dicksucking memes floating around on twitter were funny but exaggerated to the point of annoying cuz he didn't give off that vibe at ALL from the tidbits of info and fanarts i'd come across. And then i started reading the manga....I'm at ch 50 rn and I could've never for the life of me guessed he's such a glazer?? I want to yell at my screen every three chapters because of how down bad he sounds and how bad he wants to act nonchalant despite it. Now everytime he sighs himself into enabling luffy all i could think is that he's just gin without the pathetic face

THE MEMES ARE ALL ACCURATE

its genuinely obscene, every time i reread/rewatch old bits im also like 'holy fucking shit there he goes again" HES SO LIKE THAT

its disgusting how day one zoro just spoils and enables luffy at every step like ouggh can you be any fucking louder (yes he can, you'll see)

"gin without the pathetic face" laughs yeah its the "yes honey of course anything for you" of it all

[rose-void-789]

Okay but the biggest thing for me that has always kept me from liking Izuocha is that I come from fairytail. I know shonen romance isn't boring. I know what it's like to see the two main leads love and fight and admire each other. And that's the thing that I always wanted for Ochako. I wanted badly for her to have what Lucy has.

And I did ship them at first because they were cute and I thought oh the hero name. The helping Deku win his entrance exam. Her having her own goals. Being broke the friendship. it seemed so much like Nalu. Better too because I could see Izuku blushing at her too.

And then someone says something about twin stars. About Izuku and Bakugou being intertwined. About win to save save to win. And then I see the second movie and my mind explodes. I reread the manga and realize what Katsuki did. Izuku was always pushing chasing looking at him. And that wasn't to say that izuocha couldn't happen but that interconnection I saw with Nalu wasn't it more with bkdk. And it kept getting worse. Ochako kept getting sidelined to better explore the relationship between Izuku and Bakugou.

Izuku never looked at her like she did him. Never thought about her like she did him. A blush or two wr got at most. But Ochako whole character started to soley revolved around her feelings towards him. She was the only one carrying the romance plot.

Mha isn't a show about romance but neither is Fairytail. And yet Lucy never got sideline in fact even with all the stuff on Zeref and Gray Lucy found herself interconnected to Natsu through her own bloodline. And they always had moments ones where he's scared of her getting hurt, of catching her from falling, of going berserk because he thought she died, of protecting her, of finishing a big villan off together, of being on missions together. Hell when he ran away shes the one that found him. When Izuku ran away bakugou found him. When Ochako was in danger Tsyu was there or any number of other heros, when she almost died Toga held her safely. Nalu gave me such a high expectation for shonen romance and female leads. So of course it's so frustrating seeing people call the obvious love intest boring when it can be anything that. To act like the female lead has to carry the romance plot and contribute nothing else. That the male lead can just walzt up to the that stupid clif and say that he loves her and that he always has when it was only ever iluded that he even thought that much about her in the last half of the war. And for her to so easily accept because when her whole arc is about her feelings for the guy isn't it only fair that they end up together.

Where is the interconnectivity, the care from him. Where is him looking at her the same way she looks up to him. How is the fanservice show better at writing a strong heroen! A strong partnership!

I'm so tried. I'm so sorry to everyone that's watch shonen and are expecting this out of female characters. That it's typical for the romance plot to be given to the girl and the big moments where I seen love intrest shine are given to the "rival." Ochako deserves better.

[fangdokja]

Heeeyyyyy it's me again lolll, sooooo have you checked out love and deep space (otome game with fighting monsters)? If not then you should, there are many hot characters there, i was rereading you paternal privileges and thought that "oh this is so zayne(one of the characters from love and deep space)" cuz if he's going to have a twisted side this really matches him well

Yeahhh, heyyyy. Prepare for unstructured Fang Dokja rambling.

Glad to see that you're also enjoying and reading the other stories. Paternal Privilege vibed more in Ao3 than in Tumblr, but I personally liked it as well. One of my first sex stories in general. Got lots of practice in it. And, in Ao3, people loved the ending haha. Thanks for sharing your input on it. It's appreciated :))

OK. I knew I'd get this question one day. And, I know some of you are Love and Deepspace (LaDs) fans (and also K-pop fans, especially you guys, I don't know why you're following me ahahhaha, but it's welcomed. Sorry, don't know much about K-pop like I hardly know DC).

OK SO! Of course I know this game! I played the game it was inspired by, Mr. Love Queen's Choice for more than 3 years! DADDYYYY VICTORRRR. I still have my account, whahhaha. Yes. This is bringing back memories.

And in Love and Deepspace's early release, like official first day, I was there! So, yes, I've played it.

Playstyle and graphics were cool. And, as a competitive gamer in general, ofc it was right up my alley. A bit clunky at first release, needed some adjustments, but generally good. It was way better in terms of graphics than Mr. Love, especially the interface and menus.

Though, I'd say what turned me off is I related more to the MC of Mr. Love than LaDs. Didn't really vibe with the MC of LaDs, a bit too emotional and outspoken for my tastes. Felt ENFJ (sorry, can't relate AT ALL to ENFJ's and ESFJ's especially) not gonna lie hahhahha. But, it's been so long since I played, so sorry if I get details wrong. Anyways...

I was just not vibing with the MC, and low-key plot as well. But, then again, maybe I expected too much. It usually happens when I do. I get so excited than it falls short of my expectations, and then I'm like ehh. So I just low key turn off my brain. It's also to prevent myself from spoiling myself. You have no idea how many times I've unwittingly spoiled myself in ANY fandom! It's genuinely unreal. So, it's like I have to stop thinking so I don't ruin those "huzzah" or "woahhh" moments for myself as a reader or audience.

Ok, back to the topic.

Why am I not making yandere content on it? Simple.

Because of this RULE:

Some characters remind of me of real life people too much, like for example, most “soft” and “green flag characters”. Reminds me of my friend’s boyfriend. And that person is gaslight, gatekeep, girlboss. It’s fricking weird. But in general, most reasons I don’t write certain characters is because it reminds me too much of people I know in real life.

My friend and I don't share stories. AT ALL. That includes any fandom, manga, anime, manhwa, video games, etc. There are some exceptions, but usually we have separate fandoms.

So, when I introduced this game to share with my friend. Majority of the characters, from the graphics to their behavior, fit my friend's boyfriend more. Reminded her of him more.

Didn't really find anyone that reminded me of my husband (only 4 main guys before). I do play games, or do anything really to spend time with him. And even in things like this, I do this so I can analyze my husband, think about him and brainstorm, etc. Just basically husband simping for me.

So, in conclusion, probably not gonna talk a lot about Love and Deepspace. And besides, I don't think the MC is like me anyway, so it's fine. I just have to not look at ANY fanart, 'cause man IT IS EVERYWHERE. I have to LITERALLY avoid it like the plague so I don't tempt myself.

Uh... I have a gaming addiction. HAHHAHAHA

Sorry, but strict rules being obeyed here as well in the friendship. We DO NOT SHARE STORIES. End of story. Hope you guys understand, though.

Yes, we're weird.

WARNING: The information below is just extra husband simping. Proceed with caution.

God, I am waiting for official international release of this game ESPECIALLY (when it comes to otome games):

My LORD, I will waiitttttt. If it's possible to release, Your will be done!! haha

As you can tell, I'm weak to muscles ahahahahahahhahahaha. Why? I love my husband so much, he's so handsome. I am weak.

OSBORN I JUST KNOW IT'S OSBORN aghhhh. especially him. But seriously. huuu well, my husband doesn't like talking about himself with anyone else besides me, so just have to use "analogies" like characters lollll.

Though, none can compare to my husband, of course. He's leagues above anyone else huuuuuuu. I love him so much.

I also told you guys. I relate to these memes. VERY. VERY. VERY MUCH.

You have no idea.

WAHAHHAHAH.

*exposes self*

But, I just love my husband so much. So, so, so much.

Yandere! Stepfather & Stepdaughter

Novella 1 : Paternal Privilege

He’s your family, but he doesn’t act like it.

🔞Pleasure in every strike, pain in every kiss.

🔞In the end, love is both their salvation and their damnation.

🔞His love is suffocating, but she’s forgotten how to breathe without it.

🔞Love shouldn’t feel like drowning, but he’s the only one who can save her.

She fell, but not by accident. He made sure of it.

[super-paper]

Rereading the early chapters of MHA, and tbh I think we can pin this scene as the exact moment Tomura develops his fixation on Izuku.

Everyone in this scene assumes that All Might doesn’t need any help and starts wandering off, leaving All Might to face Kurogiri and Tomura alone. Izuku is the only one to intervene, "offering help that no one asked for." Of course, Izuku is the only one with actual insight into All Might’s condition and realizes that he's in danger— but from Tomura’s perspective, Izuku is some rando kid that's throwing himself into danger to help someone who doesn’t appear to need any help. And the emphasis on everyone else being willing to just sit back and do nothing while All Might handles everything is something we know ties directly to one of Tomura’s biggest traumas:

Tomura: "Don't just watch. Help Me. Someone please look at me. Don't just tell me not to cry. Don't just smile and pretend that everything is alright. Don't pretend you don't see me." MHAReddit: Ah, I understand-- obviously, the series is saying that Tenko is dead and we can beat this guy by punching him harder! :)

I gotta stress that Shouto and Co. are kids and I'm not faulting them for deciding to let an adult handle the situation (and I don't doubt in the slightest that they would have also chosen to intervene if they were privvy to the same information abt Toshinori's health as Izuku)-- but from Tomura's perspective where he holds pretty much everyone equally responsible for society's failings, this act was enough for him to start subconsciously singling Izuku out.

Meanwhile, the sports festival just reinforces Tomura's budding interest bc it reinforces that Izuku is actually batshit crazy and Tomura's response to this is to ask ".... how crazy we talkin'? 👀"

Oh, Izuku, you were definitely gonna get kidnapped at some point 😭

Anyway, stuff like this is also why I feel that Horikoshi likely planned on having Izuku save Tomura from the very beginning (And I've seen ppl argue that Hori had planned to have Tomura be the final boss and get defeated/killed because of Nine's existence, but let's be real-- Nine was an AFO expy parading around in a Yoichi expy's body and ya'll know it). There's a lot of set up for why Izuku is ultimately the best person to save Tomura scattered throughout the early stages of the manga, like, literally starting from the very first page:

Izuku: *crying the biggest and ugliest tears mankind has ever seen, snot pouring out of his nose, sweating a frankly concerning amount, and fighting back his own tears because he just can't ignore the tears of others* I GOTTA SAVE THAT CRYING BOY....!!! Shigaraki Tomura, famously a freak, inching himself closer to Midoriya Izuku's splash zone with every chapter: ....... :) :) :)

Izuku saves others despite being a sobbing, snotty, sweaty mess--often times while he's being a sobbing, snotty, sweaty mess. It's antithetical to All Might and Nana's beliefs about saving others with a smile and about cultivating an "image"/"mask" meant to reassure others-- but that's not a bad thing, and the whole series is built around showing us why it isn't a bad thing.

Izuku cannot separate his own inherent humanity and desires from his heroism and is driven by impulse/ego/pain the same way Tomura is. He remains a crybaby who wears his emotions on his sleeve throughout the entirety of the manga-- and the lesson he ultimately learns isn't that he should "just stop crying and hide all his fear behind a smile," it's that he shouldn't run from that aspect of himself because it's the part of himself that allows him to empathize with others. Izuku saves a piece of himself every time he gives his all to save those who are in tears, and he's become the exact type of hero who would've given it his all to save his child self.

This might not be the sort of hero Izuku fantasized about being-- but it's exactly the sort of hero Tomura needs after a lifetime of having his own tears downplayed and ignored by everyone.

on that note, the anime having Tenko and Izuku's "masks" basically evaporating to reveal their soft, sparkly, shoujo-y centers in that one season 6 OP remains one of the most on-point visuals the anime has ever given us lmfao. can't wait to see what they do for s7.....!

[king-paimon]

Houseki No Kuni Chapter 108 Thoughts: Everything Stays....

Hello all. I hope the month of April was good to everyone. It was alright for me, though I'm just in awe by how fast it went! Time really goes by too quickly as you get older.

Speaking of time, would you look at that? The final chapter of Houseki no Kuni was released! 108 chapters over the course of 12 years. And I've been following it for nearly 5 of those years! Wow! That is quite the feat, Ms. Ichikawa.

I'd been waiting for this day for a long time, and the feeling is bittersweet, with the overlaying feeling of relief. This emotional rollercoaster that Ms. Ichikawa had sent us on has finally reached it's dock.

Phos's story is finally complete. What a ride it had been!

Now the question is: Was I satisfied?....

I'll do my best to answer this. I don't know how long this post will be, but I'm hoping that it won't be too long (edit: Oops. I was wrong.) And as always, please feel free share your own thoughts if you're interested!

Here we go:

Phos's True End: Was It Satisfying?

I reread this chapter a few times to answer this question and to be honest, I still reach the same conclusion: It was fitting. Not absolutely bad or 100% amazing, but in terms of Phos's whole journey throughout this story, I think this was a fitting ending for Phos, and that's good. And if anything else, it's a little ironic.

I mentioned in my last post that I thought it was funny that the remaining piece of Phos had become the youngest/newest member of the pebble species much like how they originally were at the beginning off the whole manga. It seems though, the similarities don't end there because of this little interaction between Eyeball/Pita-pat and Pebble Phos:

I'm sure this was supposed to be a little cheeky conversation and Eyeball/Pita-pat didn't really mean it. But still, this was an interesting exchange to include in this final chapter, especially right before it's implied that Eyeball/Pita-pat passed away.

One intriguing story choice Ichikawa made was having Pebble Phos continuously fall apart near the end to the point that they become a small spec. To be honest, I was not sure how to feel about this part when I first read, especially considering how now there's hardly any of Phos left now. Like, after Eyeball/Pita-pat saved that last bit of Phos so they could have a nice life away from humanity, it'd be unfair for them to break apart again to nothing after all of that. But I did like how the pebbles decided to view Pebble Phos' changes; that their fragments surely became beautiful comets that would brighten someone's day. And that shot with original Phos was nice...

Also, I saw the post that implied that Ichikawa released this final chapter around the same time that a rare famous comet was supposed to be seen on Earth. I want to say that I think it was a pure coincidence, but I'm not putting anything past this author!

This chapter made me think of that one song from Adventure Time: Everything Stays. If you haven't heard of it, please give a listen. It's a song about life and the course of change. It focuses on how even if things appear to stay the same over the course of time, changes still occur, even if subtle. Phos certainly changed a lot throughout their story through intense mind and physical altering events. But I also think they changed subtly even during the less intense moments. I think the moments in this final chapter fit with this song, too. Phos was always evolving, even when it didn't appear so. Through their interactions and lack thereof with others and their environment, Phos was always changing and growing, ever so subtly. And even in this last chapter, Phos is still evolving and that'll likely never end.

Interesting... after thinking about it some more, I think I feel a little more satisfied with how this chapter/story ended. I'm glad that Ms. Ichikawa didn't pull some other twist near the end; that certainly would have ruined it for me. Am I 100% happy with how Phos's story ended? I don't think so. But to me, it's a fitting end.

But what do I think about the series as a whole?

When The Journey Ends: Was It Worth It?

There are very few manga or written stories that had me wanting to see how things end because more often than not, there aren't that many stories that I've read to completion. Part of it is because I don't want the story to end; basically, I'd have the thought process that if I don't know how the story ends, the story doesn't end! Perfect logic (sarcasm). Though this usually happens because I lose interest or because the story goes in directions that I don't like, I'd say one of the main reasons I end up dropping a series is because of how a story ends. How a story ends can completely change one's opinion of a story, and I've seen my fair share of stories that end badly. Sometimes the ending is abrupt and not satisfying, especially if it was lead by a big build up, or the ending is a result of a jarring story pivot that seems to come out of left field. It just seems that many creators don't know how to end their story well. And if I like a story a lot, sometimes I'm too scared to see how it ends. Partially because I don't want the story to end, but mostly because I don't want the end to ruin my experience.

Houseki no Kuni is a unique case for me. I know I've mentioned this before but I'll state it again: I don't think I've ever been so invested in a story like this before. Though that investment had dwindled over time, partially due to me developing new interests, life, and being occasionally dissatisfied with certain story choices, I wanted to see this how this story would end no matter what. And now that it's done, I'm glad I stuck it out.

Was this story perfect? No. There were several story decisions that I wish was either told differently or completely omitted that could have made the story stronger in my opinion.

Did I get a too invested in this story? During certain points, most definitely haha. I remember getting very emotional about certain chapters when I first started making this series of meta posts. I remember seeing some posts from people stating that they no longer liked the manga because of the direction it was going and in some cases, I could see where they were coming from.

Do I regret getting so invested in this story? No. No I don't. Despite not liking certain story aspects, I do not regret getting invested in this story. Though the story was not perfect, this was such a unique experience that I'm grateful to have gone through.

I plan on talking more about how I feel about Houseki no Kuni as a whole in another post. I intend to delve into what I loved about it and what I wish was different. While I could include that stuff here, I think this post is long enough. I've already started working on it, but I know it'll be a while before it's done; you bet there will be some parts with me ranting a little haha

But long story short, despite some grievances I have with some parts of the story, I feel satisfied with how it ended. And I'm glad that I read this series.

What Happens Next: Thank you, HnK Fandom

I want to thank those who've read, liked, and even commented on my posts! I didn't think so many of you would like, let alone read, my longwinded messy posts. I loved every feedback I got, even the ones that didn't agree with me. You made me love being part of this niche fandom. Like I said in the previous section, I have at least one more post that I want to make detailing everything I feel about Houseki No Kuni as a whole. I might make another one that's more for fun, but we'll see. I encourage anyone who's interested to share your own thoughts on the post! I seriously love reading different perspectives.

But after those posts, I don't know how involved I'll be in the fandom afterwards. I may repost some art and other people's meta posts on occasion. But when it comes to meta commentary, these will likely be my last posts about HnK. I have other fandoms that I like to follow, though I don't make posts about them. Perhaps I will, though I know they will be nothing like the posts I've made about Houseki no Kuni. This was the only series I've ever felt compelled to analyze so deeply, which makes it special for me. If I were to post anything about the other stuff I'm into, it'll most likely be of fanart that I made for my own personal enjoyment. I know scare many of my followers away since they'll not be HnK related. But who knows? I haven't made any HnK art in a long time... Maybe one of these days, I can try to make some HnK art again. I have some unfinished pieces on my computer that's now years old. Yeah, I should finish them when I have the time. That'd be a fun little send off.

Anyhow, if you are interested, please hang around for my final HnK meta posts! And when it's out, please please PLEASE share your own thoughts in it! Don't be afraid to share your opinions. I promise I don't bite.

So that's it. These are my thoughts of the final chapter of Houseki no Kuni. I might add more to it, but I'm fine with what I put out. Wow... I still can't believe I got into this series 5 years ago! So much had changed in my life since then. Despite everything, it was worth it.

Thank you again for reading my jargon. It means a lot and I can't wait to post my true final meta posts about Houseki no Kuni.

What a ride this was.

Until next time...

[villainsandvictimsalliance]

Rereading the manga, I notice something really interesting. If you go back to chapter 59, you'll find All Might explaining how AFO and OFA as quirks were born. That's the first time Toshinori explains the history of AFO too.

The interesting part is the way he tells the story of Yoichi, the first user of OFA. It reminds me a lot of Tenko's story. It can be just me, but please read it for yourself:

" The man had a quirkless little brother / the man had a quirkless younger brother.

The little brother was small, and frail, but he harbored a strong sense of justice...! / This brother was small and fragile, but he had a strong sense of justice!

His brother's actions panged his heart... and he opposed him / and the deeds of his big brother pained him... So he opposed the tyrant. "

( A quirkless little brother asking why the world is so unfair finding out he actually has a quirk when he decides to oppose his abuser? Of course, here the difference is that Yoichi was older than Tenko when it all happened. He was not a confused 5 years old trying to understand why and how.... )

" Yes... He who was thought quirkless, did in fact possess one prior. / Yes... It turned out he hadn't actually been quirkless from the start.

Though neither he himself nor anyone around him had ever noticed / thought neither he nor anyone else has known it. "

That means there is a previous instance in which a young man thought quirkless had indeed a quirk: Yoichi himself!

It also makes me think about how Tomura/Tenko's control over decay depends on his emotional and psychological state.

The night his quirk awakened, we saw that Tenko had no control over it; everything that touched the ground he had contact with decayed. After he was "rescued" and after he was given the hands of his deceased family, AFO noticed that Tomura had unconsciously restrained decay so he would only affect the things he directly touched. Later on the story, Tomura was able to expand his quirk, evolving to decay without using all his five fingers during My Villain Academia. He was able to decay things at will during the War arc!!!

Could it be possible that Tenko had unconsciously repressed his own quirk for years before the night he killed his family?

Maybe when he tried to repress his own feelings about what was happening at home, Tenko also repressed decay without knowing. If he kept all his negative feelings in check as to not upset his family, it'd be an option.

If we wanted to reaaaally go crazy theorizing, we could even make a case about how Tenko having a previous quirk before AFO implanted decay on him is a possibility (within the frames of the bnha narrative). I'm not going there, but I think that fic authors would appreciate the prompt.

[diminuel]

I'm rereading the chapters on Luffy's childhood, so let's do some Dragon criticism ;3 (I love questionable dads, so don't take this as hate. I obviously don't hate this guy *lol*)

We learn that Sabo, Ace and Luffy were rather infamous in Grey Terminal and their names were even known in the Capital City. If that was the case, then how come that Dragon didn't know about the ties between Sabo and Luffy (and also Ace?)

Here he was, with an amnesiac child on his hands (that he knows was born a noble and that he also has the name of as we learn later) and he did not bother to do the bare minimum of research into who this kid is? If he did, then Luffy's name would have come up. There's of course the option that he did do his due diligence, found out that this kid was a friend of Luffy's and made a choice not to do anything about it.

Both options aren't great...

Then there's also this thing the RA does that rubs me the wrong way a little bit and that is to make it sound like being saved is conditional. Why do you tell people who are stranded on the shore, flames surrounding them, carrying small children, with nowhere to go but the ship in front of them "Those of you who wish to join me in a battle for freedom board my ship"? Betty does that too and I don't like it X'3 I'm sure he wouldn't have left them standing there to die if they didn't want to join him but it's still not great X'D

Two days pass after the burning of Grey Terminal and we know that Dragon was sticking around because he does get Sabo out of the water. I can imagine that maybe Dragon was staying behind not necessarily because he wanted to catch a glimpse of the Celestial Dragons. He might have been checking in on Luffy. But Luffy wasn't in Windmill Village. I wonder if he just kept looking and came across Sabo by accident? Or maybe he knew from Garp that Luffy was with Dadan? Either way, if he did check in on him and saw that he was hurt, maybe he'd be angry at himself for not making sure that Luffy was far away from Grey Terminal because apparently the man had time to stroll around the city...

Dragon must have known in advance that the inspection of Goa and the World Noble visit would be happening, so he had plenty of time to make any kind of preparation to make sure that Luffy was safe. And yet??

And then he takes a random child back to Baltigo (and we're back at the first issue.)

Just... don't know what's going on in this man's head. X3

Also, in the digitally coloured manga they gave him markings/ tattoos/ scars. It looks just like folds in his shirt in the original black and white manga (you can't see it well in the middle image *lol* Also, Dragon's face is distracting, I know. Crocodile's beautiful husband~)

[panicloser]

School Zone Girls | Family Headcanons | Part 1

Yo so we never see the parents and usually not the siblings of the characters. Which suck but also it means I'm free to come up with whatever interpretations of them that I want *rubs hands together mischievously* >:)

Anyway I reread this manga recently so here's headcanons about what their family's are like, I hyperfocus wrote all these down in one night without editing them, some of these I came up with when I read it originally and some I came up with today, so yeah here's a bunch of food for the starving fandom

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Rei Yokoe

-so it's confirmed that she has an older brother and it specifically says she's living with him. Plus lives in a small apartment and only calls out for him in this scenes which leads me to believe that she's only living with him

-i can just smell the mommy issues on her I don't know what to tell you.

-An obsessive attachment to a woman and has rejection sensitivity, sounds like mommy issue behaviour to me

-i think probably neglectful mother considering her want for attention from Kei and wanting to be around a person constantly

-i also just get the vibe that she only ever had one parent in the picture, so maybe her mom just got pregnant or whatever with no real relationship idk, either way no dad or anything

-her mom was never particularly attentive and was always quite flaky, went out a lot, did whatever she wanted to enjoy herself. gave her and her brother a lot of independence but not much attention. When they asked for things or showed her stuff she didn't really process it much most of the time

-But the few times she did give them attention she was overly affectionate and acted like nothing happened

-her mom also never really put pressure about doing good in school or anything obviously so that's why Rei doesn't have that at all

-once her older brother was legally an adult/able to live on his own she decided to fuck off and leave the two of them living there on their own. She pays them money to keep them sustained here and there maybe visits once in a blue moon but other than that she's not around

-she's a strange lady

-however Rei has a very good relationship with her brother because of all this.

-They argue at times of course but only in that lighthearted sibling way. They've always had the tendency to play fun games or do silly shit together

-i have a headcanon that her brother is just as weird and goofy as Rei but unlike her he's better at masking it in public or around people he's not close to

-Her brother unfortunately has to work a lot to sustain them both, leaving her alone often but he tries his best to not be like their mom and find time whenever he can to spend time with her

-I think Rei would try to talk about her mom's neglect like it's not a big deal but she's really torn about it on the inside and she doesn't hide it that well. Most of the time she just tries not to think about it.

-it would be fun to write a fic where her mom comes back to visit and Rei's in a weird mood about it which Kei notices.

Kei Suguira

-I think Kei hates doing school work and shit just as much as Rei but the difference is that her parents put pressure on her to be good at it

-i get the vibe that both her mom and dad would be serious people that put focus on having a successful career and the typical family and that kind of thing. They're social norm and rule followers y'know

-i don't think they would be as harsh as other parents and they certainly care very much about their kids and can say that but they try to nudge their kids in a certain direction. As long as Kei has doing her work she can have all the fun she wants outside of that

-both her parents are quite similar to each other and hold pretty stereotypical family roles

-Also I headcanon her parents are homophobic at least somewhat and have brought it up. Because Kei has to be getting her internalised homophobia from somewhere and it doesn't seem to be from her peers or her sister which leads me to guess her parents are

-speaking of her sister, we see her in the manga so I don't have to make up too much about her

-they argue way more than Rei and her sibling. Kei's sister making fun of her a lot is the reason Kei is so competitive and embarrassed easily. she's used to getting mad at her sister a lot so used to defending herself and being hotheaded

-her sister her teases her, she gets mad at her, but at the end of the day if the other really was going through something they would have each other's back. They've got a "only I can shit talk her!" type of dynamic

-I think Kei feels kind of nuetral about her parents, she loves them but doesn't feel close to them or like she could open up in a serious way

-her parents think Rei is really fucking weird and wonder if she's a bad influence but unless they found any major effects or about the gay shit I don't think they would make a big deal about it

Yatsude Negoro

-i think she has a pretty good relationship with her parents

-i feel like neither of them are particularly affectionate. Which certainly isn't from a lack of love, I think they both love their daughter very much they just don't show it in a stereotypical way

-the family love language is acts of service and giving each other advice

-her parents are quite similar to her so they all just kind of understand each other very well

-i think both of them are pretty career driven

-i think one of her parents is tends to be a bit nosey into her life which is where Yatsude gets it from and the other isn't and gives her a lot of space

-i could maybe see her parents being a same sex couple? But also maybe not? Idk either way I do kinda of imagine her having a dad that she has a good relationship with though. Maybe he's the one who's nosey.

-Yatsude says she doesn't have any siblings but she also says this line about little shits.

-I'm guessing that means maybe she has a lot of younger cousins. I headcanon that at family gatherings she always tasked with being the babysitter which is why she's got those mother instincts with her friends

The Hinase Twins

-so they mentioned their mom 3 times in their flashback thing and theres also that picture of them with their awards where they're with I'm assuming the mom

-never mentioned a dad or anything else

-considering that and that their mom probably pushes both of them (or at least with Hiragi at first) to do well in school and extraciruclar activities and the extremely codependent relationship the twins had from a very young age leads me to headcanon that maybe their dad died when they were very young. Like a bit before even the oldest flashback we see of them

-its a very bold claim that's likely not true but it would explain their codependcy, Hiragi's early on sense of responsibility towards Tsubaki and Tsubaki's immediate willingness to lean on that. Maybe their mom prompted them to do well at school or other stuff because she was worried about their future because of that loss or it was a way of honouring him. Maybe their dad was a fairly responsible or serious person

-their dad could have dipped too? That would also explain these things.

-anyway as for their mom, I do think she has overall had a focus on them being very successful, way more than Kei's parents. But I do think she is a fairly affectionate person and is willing to help them do the best they can in anyway they need

-probably works a lot

-doesn't push either of them to makeup if they don't want to, advices them individually when she has the time which isn't often

-pressures them but like in a nice way. And then the rest of the time she's busy

-Hiragi thinks her mom's niceness is fake but does appreciate when she helps

-Tsubaki thinks her mom's niceness is genuine but doesn't appreciate when she helps

-both of them resent their mother for a lack of care and feel the strong need to constantly impress her. They both wish she was more loving but neither of them complain about it out loud. Instead both of them just seek alternate authority figures to lean on (Hiragi through Akutami & Tsubaki through Yatsude)

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Link to Part 2