#and now us!! from the beginning!! has returned to him

[delirious-donna]

Kento finds your journal and vows to return it, but not before he accidentally sneaks a peek… or, the time he read that you wanted to climb him like a tree.

Oh fuck - no! No no no. Please don’t have read it. I’ll do all my weekend chores rather than playing videogames and I’ll even unpack that final box that has been sitting in the spare room if you’ll do me this one solid favour.

pairing: Nanami Kento x female reader

tw: embarrassing situations, teacher Kento and teacher reader, thigh riding, use of pet names (darling and sweetheart), dirty talk, Kento being more forward than usual, rewrite of an old story (it’s better now, promise), brief appearance of Satoru

The notebook caught his eye; magenta in colour, clearly well-thumbed and definitely not meant to be here, in the teacher’s lounge. He rolled his neck against the uncomfortably lumpy couch until the cracking noise of stiff joints popping made him wince.

With a resigned grunt, Kento sat forward and glanced at his watch.

His next class was due to begin in ten minutes and if he were honest, he felt rather unmotivated to inspire the next generation on this particular day, a feeling that was becoming painfully regular. Fixing the knot of his tie, which he had loosened upon entering the lounge, he lamented on how every day seemed to bleed into each other.

It had been so stiflingly long since anything new or of interest had occurred and he was starting to feel drained from the mundane, walking through each day like a zombie. Heaven help him, it was a frighteningly familiar feeling.

On his way towards the door, he picked up the offending notebook that was stuck between the couch cushions and glanced at it curiously. Your name was emblazoned on the front cover, written in glittery silver ink. Nanami passed a finger over the lettering, his lips tilting into a thin smile at how irreverent it appeared.

He knew you were a few years younger than he was, that you had only become a teacher at the start of this academic year after a sudden change in career, and to say you were a little shy would be a gross understatement. Kento could probably count the times you had spoken to him on one hand, and each one had been a rushed experience, as if you couldn’t wait to retreat from his presence–was he really that intimidating?

At that rather depressing thought, he resumed walking, intent on delivering your notebook before arriving at his own classroom to greet his darling little bastards charges for the afternoon lecture.

Of course, things would never be that simple, nor straightforward when you worked alongside Satoru Gojo.

The white-haired whirlwind hurtled into him as soon as he ventured into the hall. A barking laugh bounced off the walls as Gojo clapped him heartily on the back and effectively knocked the notebook from his grasp to flutter to the floor.

“Ah, Nanami-san, just the man I was looking for,” he thundered. “Could you do your bestest friend in the whole world a favour?”

“If you are referring to yourself with that sentiment, Gojo, then the answer is of course, no.”

Satoru pouted, Kento grimaced.

Celestial blue eyes peered over the rim of his round sunglasses whilst Kento bent to retrieve the book that had tumbled out of his hands and was now spread open at his feet. His eyes narrowed on the hastily scrawled text that he couldn’t quite make out, but… that was his name that he was staring at.

He was aware that Satoru was still talking, the man would continue to ramble away to himself forever, but Kento held his hand aloft to cease the incessant drone.

A strange, but not unpleasant heat coursed through his veins, and something he hadn’t felt in the longest time stirred in his chest. The wild thump of his heart drowned out his pesky colleague’s yammering as he was finally able to read the line of text that referred to him. A sentence that you had hastily scrawled and then ringed again and again with a fluffy cloud border.

Why does Nanami-san have to be so goddamn big and sexy? What I wouldn’t give to climb him like a tree…

He was sure that he could feel the warmth spread up his neck, his collar suddenly too tight, and his Adam’s apple bobbing as he swallowed the runny saliva pooling inside his mouth.

It would be a lie to say he hadn’t admired you, although always from afar. He knew he wasn’t the most social of men, a sentiment his annoying friend constantly reminded him of. Added to the fact that Kento had been sure you were terrified of him, and he had no intention of making you feel uncomfortable, he kept his distance and his daydreaming to himself and the privacy of his bedroom and shower.

Only now, did he wonder if that discomfort had been something else entirely…

“Will you do it?” Satoru asked, shaking his arms with his long spindly fingers and offering a wide cocky smile.

“I wasn’t listening, and no. I’m going to be busy,” he replied, brushing his fellow teacher’s hand from his forearms and pushing past him to his classroom.

He could care less for the deflated look that the snowy-haired menace threw over his shoulder, there were more important matters on his mind and a knowing smirk curved his lips. The smirk was mirrored by the very man he gave his back to, and that was just fine in his book.

No longer did he detour to return the notebook. Oh no--he’d deliver it back to you safe and sound once the day was over and everyone else had cleared out.

~

It had been a long day. A tiring one too, and the prospect of spending your precious evening hours behind your desk marking exams and writing assignment commentary was unwelcome.

As if the universe could hear your lament, they sent you a curve ball you could never see coming…

A determined knock shook you from your thoughts. The pen in your hand fell to the desk at the same moment you leaned back in your chair, inviting your unexpected visitor to enter.

Your mouth ran dry as the very man you least expected to be calling in on you, walked inside. Least expected but most wanted, secretly, of course. There was no way you were earning yourself a reputation for flirting with your colleagues, even if he was so painfully handsome it made you chew the insides of your cheeks every time you were in his presence. Not because you were shy, because you were a little, but because you didn’t trust what might come out of your mouth! Best to keep those thoughts inside your head where they were safe.

Kento turned to shut the door, the lock flicking silently into place so as to avoid any embarrassing interruptions, before he bowed his head in greeting.

“Nanami-san, what can I do for you?” you asked, impressed that you had managed to speak without tripping over your words. It was certainly an improvement on previous attempts.

It was near impossible not to admire him as he stood near the back of the class. The collar of his azure dress shirt had been loosened, the tie askew as if he had been pulling at them both with insistent fingers. Fingers that were currently drumming against the taut muscles of his forearms. There was something about a man with his sleeves rolled to the elbows that never failed to send you into a feral kind of heat, and right now was no different.

Why did he have to look so downright tantalising? Why did your thighs have to clench together like you were some horny beast in an actual heat?

The aloof expression, the way that he seemed to caress you with his hazel eyes and the simple pleasure of how big he was. At the end of the day, you were no better than an animal, and you animal brain was saying that big was good. Big would rock your world given the chance.

“I found something that belongs to you and thought I should return it,” he said matter-of-factly.

“Oh? That’s kind of you, what is it?”

You wondered what he could have found, mentally scanning your memory of something you might have misplaced or been looking for. Standing, you took two steps forward but froze in place at the sight of your personal notebook held in his large hand. Surely your heart had seized in your chest, it certainly felt like it had.

Oh fuck - no! No no no. Please don’t have read it. I’ll do all my weekend chores rather than playing videogames and I’ll even unpack that final box that has been sitting in the spare room if you’ll do me this one solid favour.

Your eyes widened, looking from the notebook to his face and back again. For a second you thought your silent pleas had been answered, but when had life ever been so benevolent to you before? Kento winked almost imperceptibly, and you wished that a sink hole would form beneath your feet to save you from this mortification.

Heat rose to your cheeks in rushing waves. You swayed unsteadily on the spot with your hand outstretched for the book, desperate for some distance but needing the offending item back in your possession.

Kento chuckled and the deep baritone rumble felt as if the sound resonated within your own body. It stroked at you with exploratory phantom touches although he hadn’t moved. Your every muscle tightened whilst you waited for him to hand over the notebook that held some of your wildest fantasies.

When he held it over his head instead of depositing it into your awaiting sweaty paws, you swore it felt like the air was sucked from the room. It seemed like he had read a very specific piece of information, and you would die of embarrassment.

“I suggest…” he drawled almost lazily. “That if you want it back, you best climb me for it.”

“You—you weren’t meant to read that,” you whispered, staring into the depths of the floor.

A pair of sturdy but unassuming boots came into view. You frowned, surprised.

Two fingers fit beneath your chin and raised your head up to meet his gaze. There was a prominent frown between his eyes that hadn’t been there seconds prior, and you couldn’t help but admire his sharply angular face even if you were doing your best to look anywhere but into his eyes.

“I apologise… perhaps that was a bit too forward. I didn’t mean to make you uncomfortable, but you see... I’ve thought about you a lot and not just because I found your notebook? Journal? Doesn’t matter.” Kento exhaled through his nose, jaw tightening. “You think I’m big? I don’t see it myself, but then I was never my best critic.”

You nodded in affirmation, where was the point in denying it now? His eyes softened, crinkles forming in the outer corners whilst his thumb lightly grazed your jaw. Roasted coffee grounds and notes of sandalwood invaded your nose as his head bent lower, towards your ear.

“Then I will repeat myself only once, sweetheart, climb me if you want it back.”

And so, you did.

You climbed him like a feral little animal.

You reached the offending notebook and hurled it to the floor without a second thought. His laughter was warm and the most boisterous you had heard from him. It made you follow through with your impulse to hook your arms around his strong neck, fingers curling into the rough undercut at his nape. Your legs were quick to follow, circling his waist until your entire front rocked into the wall of muscles that was his body.

“Tell me, what else have you put in that saucy little journal about me, hm?”

“You didn’t read it all?” you asked, almost shocked at his level of restraint if it were true.

Kento shook his head, and you believed him. He wasn’t one for lying. “I wanted to hear them from your mouth.”

“Oh… that’s… mm. Anyone ever told you that you’re as perfect as a fictional man, preferably one created by a woman? Don’t answer that,” you clamoured, pressing your hand across his mouth as it stretched open to reply.

“There’s—uh—this one thing.” You nudged the tip of his nose with yours, moving to speak directly into his ear.

Kento’s breath caught in his throat as you whispered about getting off on his thigh, his hold at your waist, which has stayed appropriate until then, tightened and moved towards your backside—squeezing.

With you still attached to him like a koala, he seated himself on the edge of your desk, lowering you until you were spread over one of his incredibly thick thighs. Your skirt bunched around your middle to accommodate the position as his expansive palms wandered your sides, pawing at your hips and palming your ass with a groan.

In no time at all he was dragging you along the length of his thigh. Your underwear was ruined by this point, your clit throbbed from the friction, the seam of yours and his clothing catching you in deliciously new ways and you still hadn’t kissed him.

You remedied this terrible oversight with enthusiasm, delighting when he startled at your forwardness before he melted, shoulders sagging. It was everything and more. No fantasy could live up to the reality. Kento kissed softly, thoroughly. Whilst he continued to lead the rhythm of your body as you rode his thigh, he was more than happy to let you lead here.

His mouth was surprisingly hot for a man who always seemed to remain cool and composed, a deep groan rumbled in his throat when you curled around his tongue and sucked on the warm, wet muscle. The warmly spiced scent and taste of Kento filled your lungs and evaporated any sense of reason you might have had about making out with a fellow teacher in your classroom. It didn’t matter. Only this mattered.

“Feel good?” he asked as you parted for much-needed air. His rough fingers gripped into the fat of your behind, reaching beneath the hem of your skirt to bunch the cotton of your underwear until he was forcing the material between your slick pussy lips.

You nodded enthusiastically, drawing his lower lip into your mouth and sucking on the tender flesh in earnest. Kento was manhandling you in a way that would make any staunch feminist blanch, but it was exactly what you wanted, exactly what you needed.

“You’re making a mess on me, darling.”

“So, I’m you’re darling, am I?” You quipped back despite sounding out of breath. He was right about the mess, there was an embarrassingly long wet streak on his tailored slacks from being manipulated along his thigh. You were fucking yourself against the strong muscles that flexed beneath you and leaving the evidence for anyone to see.

“I think I’d like that,” he admitted with a hum, planting kisses to your neck and collarbone.

Your orgasm was coming in fast; the combination of the friction against your clenching cunt, the large palms gripping into your ass as if he owned it and his delicious mouth teasing your skin was speeding you towards the finish line in haste. His admittance that he might like some kind of relationship with you was the final nail in your coffin, so to speak.

“Nanami-san!”

Blond hair fell into your vision, urgent lips pressing open-mouthed kisses to your cleavage and the swell of your breasts. His tongue flickered at your flesh, warming you up before sucking possessive purple bruises that would be hard to explain later.

“Kento,” he breathed against your collarbone, “call me Kento, my darling.”

Gods, could he be any more perfect? It was as if he knew exactly what to do and say to set you off like a firecracker!

You shrieked in surprise when Kento lifted you like you weighed nothing—you most definitely did not weigh nothing. He held you tight as he turned your body so your back was flush with his chest, rearranging you over his broad thigh once more but this time you could feel the prod of his prominent erection at the outside of your hip. It was thick and imposing, distracting but only in that you wondered what it would look like, feel like—in your hand and stretching your walls.

“Go on, be a good girl and get yourself off on my thigh,” he cooed, nipping at your earlobe.

Kento grabbed at your breasts, squeezing the doughy mounds between his fingers whilst you rode his thigh to completion, pinching you through lace and chiffon. The orgasm that hit was staggering; it stole the air from your lungs, the equilibrium of your body and the sight from your eyes.

White lights pulsed behind your eyelids as you gushed like a surging waterfall over his trousers, ruining your underwear and skirt in the process. It would be embarrassing if it wasn't for the primal-sound growl that emanated from his chest. The almost bestial sounding war cry that made you shiver whilst you floated back down from ecstasy.

“Atta girl. There it is. Mhm, so good for me. So receptive. Can I take you home?” Kento asked, his voice thick and strained with unspoken emotion. “Cause I think it’s my turn now, and I can't wait to see how goddamn perfect you’re gonna look taking my cock.”

You smiled, drunk on the bliss. “Sure thing, big boy, but let’s not make this our get together story for the grandkids, yeah?”

You were so glad he found your notebook, even if you had no idea that it was Satoru Gojo that you needed to thank in the first place...

[thexsilentxwordsmith]

Simon "Ghost" Riley x Fem!reader

Part 2 to A New Form of Pleasure

Fandom: Call of Duty

Character(s): Simon Riley, Reader

Summary: There is something that happened between you and your superior, something that unlocked a new side to both of you that neither of you knew about, but Simon may not be as keen to accept it as you are. However, after a bit of silence on his part, a late night visit might just fix everything.

Word Count: 6.4 k

Warnings:

Quiet breathing is the only noise left in the room as both of your bare, glistening bodies lay exhausted in bed, wrapped in a euphoric haze as Simon’s hand draws lazy circles up and down your arm. He continues the pattern for several minutes until that high finally starts to subside and clarity comes rolling back in.

Your eyes scan the small room to find the solitary clock along the wall and seeing how late it is you make the decision that it’s time to head back to your own room. The night is waning faster than you thought and now that the problem has been fixed, you both should really get some sleep.

Without a word you crawl your way out from his side and begin the search for your clothes; you won’t make it far across base naked. Simon props himself up against the wall behind the head of his bed, one arm behind him like a headrest as those dark eyes follow you through the room collecting your clothes to get dressed. Strange thoughts are already swirling around in his mind now that it’s clear of his desire, but he keeps those thoughts locked tight behind his closed lips and just enjoys the sight of your body until those silky curves are once again hidden from his sight. 

Your shirt is put on last and with that he too makes it out of bed and tosses on his sweats to walk with you the short distance to the door. “Till next time, yeah?” you say with a light chuckle, delaying the inevitable for a few seconds more so that the heat in your cheeks can die down.

Pulling you back against his warm chest with a strong arm wrapped around your waist, he places another grateful kiss to your lips and the moment you break apart he places his forehead against yours. “Thank you,” he whispers in the space between your raw mouths.

“Anytime,” you say with eyes still closed. “Just say the word and I’m here to do this again.” 

He moves back and you shoot him a bright smile as you reach for the door handle before you can talk yourself out of it and just like that you make your way out into the night. His eyes stay on you until he can’t make out your form in the darkness anymore and only then does he head back inside with a question pressing to the forefront of his thoughts.

What the hell has he gotten himself into now?

Days pass in normal fashion, but Simon doesn’t speak a peep about that night; there’s no requests for more encounters, no mentions of how good it was, nothing. You find it odd after all the intensity you had both shared, after the way he had told you how much he really wanted you to make him beg, that all of a sudden it would just be radio silence from him. Perhaps it would just remain a secret that you would share or maybe… maybe he thinks it was a mistake.

Whatever the case you keep it to yourself and things around the base return to the usual standard of monotony that day to day life brings whenever there are no missions scheduled. The only thing that keeps you from over thinking too much is the fact that Simon addresses you as he always has, but you can feel some space between you that hadn’t been there before and it puts a sour taste in your mouth that you can’t seem to shake.

More days pass in this confusing limbo, more nights spent alone in your bed without that thrill of making your superior cum again and now you’re frustrated. It wasn’t just Simon that got opened to something new, you did too and you liked it. Now it’s just over and tonight you’ve just about had it.

“I guess I better just get used to it,” you mutter to yourself as you roll over to turn out the lamp to at least try and get some rest.

You aren’t certain how long you’ve been asleep, but something suddenly breaks you out of your slumber. In your sleepy haze you aren’t entirely sure it’s actually anything until it happens again. Tap, tap, tap. Someone is knocking at your door and it’s getting louder and more frantic. It’s late, much later than having random company would allow and curiosity has you in its grip as you bound out of bed.

“One second,” you call out as you quickly flick on the lamp and blink a few times to adjust to the light.  

Another round of knocks ring out and you grab a jacket you have lying about close by to cover your tank top and panties well enough to greet whoever it is on the other side as it’s clear you won’t be able to get fully dressed; must be urgent the way the person doesn’t even seem to react to your message. Quickly you grab for the handle and turn the knob, ready to find out what’s so pressing that you would be disturbed this late. 

You open the door barely a crack and there, standing close to the frame, is the hulking form of the lieutenant. His random presence catches you off guard; he is the last person you’d expect to see right now with no previous warning. What the hell is he doing here? Silly question, but you don’t want to assume even though you are quick to pick up on a few signs. 

His attention falls to you as he finishes surveying the area around him and those eyes immediately find yours looking up into his balaclava-masked face. You notice something strange in his gaze… like he’s nervous. The sweats he’s currently wearing look as if they’ve been thrown on in a hurry and he isn’t even wearing a shirt, it’s just his dog tags that are over his bare chest. It’s like he’s bolted all the way over here the way he breathes in laborious, heavy draws. 

“Bit late don’t you think?” you say, trying to ascertain from his demeanor what the agenda for this visit is. “Can I help you lieutenant?”

Simon clears his throat. “We need ta talk,” he says, ignoring the snide way you utter his title as he rushes to finish speaking as if he doesn’t have the time. “Are ya gonna fuckin’ let me in?”

“I don’t know if I should…” you counter, your sleepy state making it hard to hide how annoyed you are at his sudden appearance.

He knows he deserves it, but he is desperate to get in. “Please,” he pushes; it’s not a word he uses often.

You detect that hint of desperation in his tone and unable to stop yourself you silently fling open the door enough that he can pass by you to get in. Without another word shared between you both he quickly steps inside as you poke your head out. The hallway is quiet, everyone else still asleep for the night. No personnel can be seen moving about which leads you to believe this isn’t a business call… at least that’s what you hope. 

You close the door and set the lock out of habit, but as you go to turn around your pithy words about how he better have a good reason to wake you up in the dead of night die on your tongue as you are suddenly forced back first onto the surface of the door and pinned with by two large, rough hands on your hips as bulky muscles press against your stomach. The action is so fast it leaves your mind reeling and grasping for understanding.

“Again,” he growls in a huff, his face inches from yours. “Need it again.”

Simon’s breath is warm as it wafts over your features and you realize his balaclava is already discarded haphazardly on your floor; there is no barrier that now exists between you. The parts of his skin that make contact with your body through your clothing are feverish to the touch; it’s like he’s on fire. 

His hands on your hips grip into the muscle harder as he speaks. “Need ya ta make me come again,” he groans, his lips getting closer as he tries to hold back long enough to have this conversation. “Like ya did last time. Can’t stop thinkin’ ‘bout it.”

“Can’t get off alone again, so you’ve come crawling back to me? Is that it?” you ask, followed by an irked chuckle as you try to steady your breathing, hoping he can’t tell how flustered that little move just made you. He doesn’t get that luxury, at least not yet.

Simon shakes his head slowly. “I’s not that,” he replies, quieting his voice. 

“Then what?” You stare back, waiting for his reply.

Simon licks at his bottom lip. “I’s not just ‘bout comin’... I want you, the way ya fuckin’ do it and I’ll do anythin’ ya tell me to jus’ ta have it like that again.”

His needy words stir something inside you, making you feel that boldness you did that night this happened the first time. How could you say no to a request like that? But you can’t just let all that silence that built between you both in the days since that night pass without saying something.

“Care to tell me why you’ve been ignoring the subject then? I thought we had something going last time and ever since you’ve acted like nothing happened. You made me think we were actually gonna keep this up.”

He pauses a moment as he thinks about how best to answer. “I… like tha fuckin’ power ya seem ta have over me,” he admits finally. He knows he’s fucked up and if this has any chance of going anywhere tonight he is going to have to be honest. “Not used to enjoyin’ somethin’ like that and once the pleasure subsided I got self-conscious ‘bout it. I shoulda said somethin’ to ya sooner. I’m not exactly tha best at tryin’ new things.”

Dammit, that’s actually a reasonable excuse. And, of course, you’re already forgiving him. Fuck. “I guess I can understand that,” you admit as he ever so subtly brushes his lips over your own, which doesn’t help you in staying mad at him. “But how do I know you’re not gonna just pull this shit again, hmm? That we’re not gonna keep playing this game where I give you what you need and then you just ignore me till you need it again? Cause guess what, I got needs too you know.”

Releasing one of your hips, his rough fingers come up to mess with the zipper on your jacket as he lets his confession linger in the air a moment until he pushes the edges of your open coat back to see the skimpy bits of clothing you have underneath and his breath hitches. Barely anything on; god damn he is starving.

Simon’s dark eyes meet yours one for a split second before he breaks the short distance between your faces to catch your lips in a desperate and heated kiss that you cannot help but reciprocate with the same intensity. It’s not exactly the answer you wanted, but in this moment it isn’t half bad and all that frustration melts away as your mouths dance in feverish bursts until finally Simon breaks the kiss.

He inhales a shuddered breath. “Because ya got me in a fuckin’ chokehold, luv.”

You swallow hard to collect yourself; you have been waiting for this chance to spread your dominant wings again and now is not the time to get swept up in his overwhelming desire, not if you want to do this right; you need to keep your head. 

“Well, then that was a good first start, but I’m gonna need a bit more before I can really forgive you.”

Those coffee eyes drift back up from your flushed lips to your face. “I wanna make this right. I’m at your fuckin’ mercy.”

The dog tags around his neck clank together as he shifts his stance and the sound causes a reaction that makes your hand gravitate to them without even thinking. Your fingers find the chain wrapped around his neck and slip around it, pulling it towards you to grip it tightly in your fist, and tug hard.

The action is unexpected and even though it takes Simon by surprise he cannot help moaning deep and guttural at the feeling of the chain tightening around his throat in such a delicious way. This is why he knew he had to come to you tonight, you are full of surprises and he was doing himself a disservice by staying away.

His reaction is evidence that you’re onto something and you decide to run with it. “Then you best be obedient and get down on your knees,” you whisper into the intimate space between your mouths. 

You wrap the chain around your fingers again to make it tighter around his neck and give the tags another hard jerk downward now. That hulking man doesn’t hesitate to follow your direction, slipping out of his shoes and lowering himself to the ground right at your feet like a dog waiting for a treat.      

God, it already feels good to be back in this headspace again, he thinks and your thoughts match the same without either of you knowing.

With your free hand, you wiggle your arm until the sleeve of your jacket slips down and you can pull your arm out of it before you switch the chain to the other hand and do the same to the other side. The clothing falls around your feet and there you stand in almost nothing. 

Simon’s eyes are immediately drawn to your clothed pussy, but you need him to pay attention and so you jerk the chain. “Eh, eyes up on me. I need you to look at me when I’m talking to you.”

Dark eyes snap back to your face and you smirk. “There you go,” you praise him before issuing your first of many demands. “Now, I want you to listen carefully. You are going to take off my panties… with your teeth.” 

Again he immediately follows your order, holding his hands together behind his back to prevent them from getting involved and he leans in to place his lips against your lower abdomen as his teeth latch onto the waistband of your panties. Simon looks up just for a second to see how you tower over him with his makeshift leash wrapped around your delicate fingers. 

God, you look so fucking good.

It makes him feel small for the first time since he was a kid. His body feels like it is vibrating at a new frequency now as he drags that small piece of fabric off your hips and down the length of your legs, excitement and ecstasy flooding through him at a rapid pace so that his heartbeat is pounding dangerously fast.

“That tongue of yours is going to have to do a little more forgiving,” you say as he reaches your ankles, his mouth still clinging to that delicate bit of fabric, his face in the floor as he waits for you to step out of them so that he can sit back upright with his prize between his lips. 

That’s all the context he needs to know what’s coming and his heartbeat leaps excitedly in his chest at the prospect of having his face buried between your legs. You can see the look in his eyes as he drops the undergarment from his mouth and lets it fall down to the floor between his knees; so eager to please in that aspect, but this isn’t for him, it’s for you. 

You chuckle at his electric enthusiasm that you can feel coursing from him as you place your hand at the back of his head. “Don’t get too excited now, you better be sure I can feel just how sorry you are,” you say as you push his head in towards your body, struggling to hide the way your breathing hitches as he gets in close and his balmy lips make contact with the skin on your abdomen.

His lips are already on the move the moment they touch down and he trails them to the mound of your sex, through the trimmed patch of hair at the top of your pussy, before they sink into the bulk of your thick, stocky thighs. Carefully he helps you to adjust your footing so that he can lift your leg. 

Propping it up on his own thigh, he sits back on his calves so that his face sits at the same level as your pussy and in a flash he is smothering his face right between those dangerously thick pieces of flesh as you widen your stance with his guidance to make it easier, adjusting the chain in your hand so you don’t lose it. Hardened fingertips dig themselves into your body, forcing you even more firmly against his face until his nose is pressed into your clit and he moves his head back and forth to stimulate it with the tip. 

There is little oxygen to be had from the heat between your legs, but it doesn’t matter. The sound of your soft gasp as he penetrates your entrance with his tongue is enough to sustain him until he can come up for air. Lapping and thrusting, wriggling and applying pressure, he writes his apology all over your cunt until the overwhelming euphoria of being devoured washes away the rest of your annoyance at him.

He is relentless in his endeavor, putting his all into eating you out like a goddess deserves. That tongue has moved up to your clit now and with weighty presses over the tiny bean you can barely contain yourself, but you continue to hang on. There is still more work to be done to him and as good as this feels you cannot let it derail your objective.

You raise your hand to the top of his head. “Who do you belong to Simon?” you ask through a moan as you pet over his scalp and through his short hair. “I’m going to need you to say it, out loud, so that I know you aren’t going to stray away from me again. Say it, say you’re mine.”

Simon pulls away from you swiftly. “I’m yours,” he says against your pussy.

You can feel his warm breath on your lips. “Again,” you push for another answer.

His fingers dig into your thighs. “I am yours, sweetheart.”

“Good boy,” you praise and you can feel him shiver against the palm of your hand still resting over the crown of his head. 

That military officer eats you out as if he is a man starved, his aggression in taking all he can from you making you lose it fast and you scramble as he goes to come up with what comes next. You hadn’t forgotten his words from the last encounter, how he wanted you to make him beg, and you know that this isn’t the way to make that happen; he would clearly love to drown in you forever and be happy to do it.

The more that pressure that builds at the base of your spine, the less time you have to claw through the haze to create a plan, but as you look up from the top of his head bobbing between your legs your sight lands on your bed and like being struck with lightning, your mind materializes a single image of him tied down, arms outstretched with you on top of him and you know what you want to do.

Calmly you try to pull him from you. “That’s enough,” you coax, but he digs his fingers in harder to your hips.

“Wanna make ya cum,” he groans into your body, but you pull him from you by contorting the chain and taking a step back to get out of his immediate way.

“I’m not done with you yet,” you say with a smirk as you look down into his face to see the lower half glimmering with your slick and his saliva. “It’s time to move on to the next part. Go get on the bed and lay down on your back up by the head… and don’t make me tell you again.”

Wiping the wet mixture from his mouth and chin with the back of his hand, he gets to his feet and heads to the bed just as you directed. You have to do this on the fly since you haven’t had any time to prepare, but thankfully your pack of gear isn’t far and making your way to it, you dive into one of your duffel bags. It takes you a minute, but finally your hand makes purchase with what you are searching for and you pull out a bundle of military issue rope. 

“Arms out,” you direct him as you make your way back over to the bed. “I know someone likes to get handsy, so we’re gonna take care of that.”

His eyes stay glued to your movements as you bind his wrists and strap them down to the legs under your bed. It’s a good thing you did because as soon as you finish you stand at the foot and remove your tank top agonizingly slowly, letting your breasts bounce as they fall out and you can see the way his pupils dilate; you know he is itching to get his hands on you again. His sweats start to tent even more than they had from the pleasure of being face-deep in your pussy as you stand there completely naked like the most gorgeous creature he’s ever seen.

Are you a devil, an angel? Whatever you are, he cannot get enough.

Like a lioness stalking through the grass, you slink onto the bed on all fours, moving until you are over top of his legs where you finally stop and your fingers brush across his stomach as you grab at the waistband of his pants. “Lift your hips,” you command and he does.

You pull them down and off his legs and you can see his cock is already pulsing at attention as it springs free from its cage. Fuck, he’s so hard already he can barely see straight and he has to clench his fists tight and take a few deep breaths to calm himself as he waits for further instruction.

Using the pad of your pointer finger, you lightly brush it over his tip and watch as he almost levitates off the bed as he groans. You wait until he has settled back down before you decide to speak, the smile on your face unable to be contained; oh, he is going to be begging alright, once you’re done with him.

“Here’s what we’re gonna do… we are going to play a little game. I want just the tip inside me, that’s it. And you’re going to lay there and let me warm it for a bit. If you can last till I say then I’ll let you fuck me however you want.” 

You lean over him to grab his chin firmly in your hand. “Do you understand?”

Simon struggles to keep his eyes from rolling back into his head as your skin brushes against him. Fuck, why did he wait so long for this? “Yes,” he says.

That drugged look in his eyes, you can’t get enough of it. “Yes, what?”

Crap, what should he say? You are waiting for his reply, but his mind is already gone. Luckily the soldier in him takes over. “Yes, sergeant, understood.”

That’ll do. “You’re even better at this than you were last time,” you praise, releasing his chin to position your body over top of him, using his chest as leverage, and you can tell he is holding his breath as you grab his cock to place the head right at your entrance.

“Aww, baby, you better breathe cause we’re going to be here a while,” you say and lower your hips to take the tip inside the threshold of your wet cunt.

Simon is now in a battle with internal demons as he fights himself not to cum from this small bit of insertion, his cock is throbbing something fierce as your body puts the tip in a chokehold. You aren’t faring any better as he stretches you out; all you want is to lower yourself on it all the way, but you push that feeling down and incline yourself forward so you won’t be tempted.

The heartbeat coming up through your palms pressed into his chest is thunderous and you can’t help but smile as you count the strikes to calm down. “There we go,” you say after a moment. “See, you’re already doing so well Si. If you keep this up you’re gonna get what you want, to fuck the shit out of me.”

Minutes pass, but the time passes so incredibly slowly that it feels like hours to the lieutenant. He’d been in all types of high stress situations in his career, but nothing had ever been more overwhelming than having to rest just barely inside you without letting that animalistic part of himself take over to thrust up into you until you both cum.

Sweat starts to gather on his bare chest the longer this goes, a product of the conflict raging inside, and it rolls down in shimmering beads over the curves of his muscles, through the hair covering his chest and abdomen, all the way past his belly button. 

You can tell Simon is losing the war with himself to stay still as he unintentionally tries to buck his hips up into you, but he can’t get any purchase as you raise yourself up off him. “Ah, ah, ah, the more you struggle, the less you get,” you tease. “I said just the tip and I meant it. Now, be a good boy and stay still; we’re almost done. You don’t want to lose it right at the end, do you?”

The need is killing him and he can hardly see straight anymore. He wants, no he needs to be deep inside you, but he can’t. You won’t let him. Instead his eyes fixate on something else, anything to give him the strength to survive. 

“See something you like?” you ask with a coy smile spread across your lips. “I can see how hard you’re focusing on my nipples.”

“Need ‘em… in my mouth…” he stammers out. 

“Then stay still and maybe I’ll let you suck them.”

Forcing himself not to move an inch, he becomes like stone even as his muscles twitch and you move your upper body towards him just enough so that he can lean his head in and capture one of your breasts in his hot mouth. 

The moan he lets out in relief is intoxicating, matching the way you feel in between his lips. His suction is strong, pulling as much of the soft, supple tissue into his mouth that he can until breathing becomes nearly impossible. 

“You like that?” you ask in a groan of pleasure and he nods enthusiastically. 

There’s a light pop as he unsuctions his lips from around the first breast to get at the other one, pulling it into his mouth with just as much enthusiasm as the first one. Your distraction is working a little too well, but on you now and it isn’t long before it’s going to make you break.  

You need to end this soon.

“How bad do you want to fuck me now?” you ask, grinding on his tip as you push on his chin to remove him from your nipple so he can at least try and answer.  

There is a hazy quality to his eyes now that reminds you of someone after a night out of heavy drinking. He can barely speak as he feels your slick start to drip down his shaft, but he swallows to gather the strength to create a simple sentence. “So fuckin’ bad.” The words feel too cumbersome in his mouth.

“You want me to untie you so you can take me?” you ask, your tone still cocky even as you yourself are falling apart.

“Please,” he grunts.

“Yeah, you gonna ruin this tight pussy? You gonna rail me so hard I can’t walk after?”

You risk lowering down a bit more onto his shaft and he has to bite the inside of his lip in order to answer. “Gonna ruin you.”

“Then you know what you have to do, Simon. You said it yourself last time and I am going to hold you to it.”

You rotate your hips as you squeeze so that your walls clamp down on him and he chokes on his own saliva as he strains to stay still. His cock is so sensitive he’s sure by now that a little breeze would make him blow his load, but that’s not how he wants it to happen. He’s come this far, the only way he wants to go out is from fucking you.

One more rotation and you stay still to give him a moment to recover; you need his fervent participation for this next part. “ Simon,” you say his name to make him focus on your face again, “beg.”

You’re not gonna go easy on him; that’s just what he wants. “Please,” he says in a whimper, his voice the most meek you’ve ever heard it. It surprises even him that he can sound so pathetic after all the years he’s been the dominant one. “Please, luv, I need ta fuck ya. I’m beggin’ ya luv, please. I’ll… I’ll… I’ll be your good boy. Whateva ya want me ta say, I’ll fuckin’ say it; whateva ya want me ta do, I’ll fuckin’ do it. Jus’ want ta be good for ya so we both can fuckin’ cum.”

“And you’re not gonna pull away from me again?” you ask. “Not gonna deny yourself this type of pleasure from now on?”

“I swear it,” he doesn’t hesitate to answer. “I’m yours, I belong to ya.”

A smile spreads across your lips and fills the features of your face. “Good boy,” you praise as you raise yourself off his body amongst his agonized grunts of displeasure. You move closer to the first wrist to undo the restraint. “That was better than I could have imagined, Simon. I think you’ve more than earned your turn now.”

The tie on his second wrist hasn’t even slipped off the bed before you are forcefully grabbed by the waist and flung onto your back as Simon rips your legs apart and clambers his hulking body in between your thighs. He looks down and sees the effect your teasing has had on you too as the lips of your pussy are covered with your arousal. 

What a pretty fucking sight.

But there’s something he’s been thinking of since you grabbed his dog tags back at the start of all this, one last thing he wants you to do as he pounds you into the mattress. Grabbing both of your arms by the wrists he wrenches them up so that your hands are near his neck. He releases them from his grasp and uses his own hands to encircle yours around his throat.

“Squeeze, hard,” he growls as he leans in to capture your lips and you apply ample pressure to the sides of his neck.

It’s like flicking on a switch and his kisses turn rough and intense in a second so that he is devouring your mouth with everything he has, shoving his tongue to the back of your mouth until you are so full of him just as you will be down below in only a few more seconds time. A low groan vibrates in his throat against your palms before spilling onto your tongue. 

“Mmm, gonna fuck the shit outta ya now, luv,” he gasps between the embraces of your mouths. 

God, yes, please. “Then give it to me, baby,” you purr as you keep your hands firmly around his neck. “That’s it, get your prize.”

Simon pushes your thighs back towards your chest as he aligns the head of his throbbing cock with your moist entrance and you can no longer hold back how much you need him in you, inching your hips forward as you try to force him inside. Is it desperate? Yes. Is it needy? Yes. Do you fucking care? Not even in the slightest.

He’s the one to chuckle now. “Christ, you’re gonna be tha death ‘a me and I’m gonna die fuckin’ happy as hell.” With that he pushes through the threshold and down the length of his thick shaft, bottoming out all the way inside.

After all that stimulation, being smothered in your tight, wet cunt is almost too much for his sanity to handle. Just entering you he is already seeing stars. What’s going to happen when he actually comes?  

The first of his movements comes swift and hard; there is no more time for being gentle, not with the way both of your bodies are in agony for release. Your poor, government issued mattress can hardly withstand the power of his desperate thrusts as he slams them forcefully into you, each one causing the springs to creak and groan loudly until it is echoing off the walls.   

You open your mouth, pushing yourself to keep in control even as he is shoving his cock so far into you, you swear you can feel it in your stomach. “That’s it, give it to me Simon. Fuck, I love the way you stretch me out.”

The sloppy sounds of your drenched pussy being penetrated so aggressively grow louder and louder the more he ruts into you at that relentless pace. He pushes your legs back farther against your chest to open you up even more, needing to get as deep as humanly possible. There is only one thing left in his feeble mind now: to make you both cum and cum hard.

You let out a moan as your body shakes up and down with each thrust and squeeze so that you tighten around him and it makes his thrusting falter, breaking his rhythm for a moment.

“Bloody hell, jus’ like that… fuck…”

His words fuel you to do it again and he groans. “Yeah? You like that?” you ask breathlessly and he nods.

“That’s what you do to me Simon,” you continue. “No one makes me feel like you do.”

You compress around him again and his body jolts. “God, you’re gonna make me cum. It feels so good, sweetheart. Don’t stop.” 

“I want you to cum, Si. Cum for me. I need it so fucking bad; I’ve been waiting so long to make it happen again.”

Just the thought of making him fall apart again is a stimulant in itself and all that pressure that had been previously built is quickly coming to a head, that warmth in your belly glowing through you with more intensity now. That look of euphoria must be plastered all over your face for him to see because he is focused in on you even harder at making sure his strokes are more even.

“You first,” Simon grunts. “And don’t fuckin’ hold back.”

He is fighting tooth and nail to hold on for just a little bit longer; he knows you can’t be far off. Then he sees your toes curling into the air at his sides and he instinctively knows that each thrust is hitting its mark precisely as it’s meant to, your body giving in to all the pleasure it needs to be satisfied. A few more pumps and there it is, just like that everything comes to a head with a shudder as your orgasm rockets through you fiery hot, making your body writhe in his grasp as your core flutters around his cock.

You place your hand over his gripped around your thigh and he laces his fingers in between the spaces in your own, holding onto you for dear life as you coax him with shaky words. “Let go, baby. That’s it.”

He isn’t far behind and it doesn’t take many more strong thrusts until the warmth that had been tirelessly overwhelming his body all night finally shoots through his body while he releases a loud moan, the euphoria coursing like a burning river of fire through his veins as he rips his cock out and you reach between your legs to take it in your free hand to stroke it over your stomach. His warm load shoots out in short bursts, coating the skin on your abdomen in his cum.

“You did so good for me, Simon,” you sweetly praise in repeat as you work his cock until he has to tap your hand to get you to stop.

His limbs are shaking from the comedown as he breathes in deep, his body spent, his mind completely blank in his state of ecstasy, and he releases your legs to tumble down beside you exhausted. A few minutes pass silently in that high until he can collect himself enough to speak again.   

With his palm against your cheek, he turns your head to face him. “If I ever do somethin’ as stupid as tryin’ to stay away from ya again, ya ‘ave my permission to fuckin’ deck me,” he says with a laugh before scooching in closer to your face to place a kiss to your lips.

“That’s not gonna happen,” you say against his mouth, “ cause you said it yourself Si, you’re mine now. And you would never deny me what’s mine, would you?”

Another kiss placed to your lips, this one lingering a bit. “Never,” he says finally.

Good, you think, cause I will fucking deck you.

[weltraum-vaquero]

A pillar, familiar

Summary: Jayce returns.

Word count: 1k

Tags: SFW, hurt/comfort, angst, established relationship, Jayce being the world’s wettest dirtiest saddest guy, and being plagued by The Visions

Notes: Just a little drabble to tide over the fact that I desperately need to hold him but my brain refuses to write anything longer until I am provided context for what he’s been through.

Everything rings, frays around the edges. Fractals in his vision — a disconnect from his body, a forceful rebirth as different forms of him seem to conjoin themselves back into a disjointed, damaged whole. A whole that will not last, cannot last, damaged to its core, rusted in the cogs of its barely moving mechanism.

Jayce has learned far before however long he has spent out of this world that there is one thing to make his brain cooperate, and that still holds true. In spite of every other rule — of the universe, of himself — that has been shattered and cuts into his brain with the aftermath of his resurrection.

He needs a singular point of focus.

And Viktor, Viktor could, should be that. He needs to, he needs to, he needs to. He can’t fail, he won’t, but…

If the world has waited this long for him to be spit out unstrung and wrong, it can wait a moment longer. It can wait until he stumbles down dimly lit streets, it can wait until he trips over himself, heaving, nails digging into the wood of the still familiar door.

He pleads you haven’t changed — but does not expect it to be an answered prayer.

Jayce pounds his weary fist against the door, until it shakes so thoroughly the hinges protest.

The door opens and he is greeted with the curse of his own making pointed at him — all blue lenses raised, gem humming, barrel staring back.

“…Jayce?”

And then it’s your eyes that stare him down instead, and the buzzing, the fractals, the zaps — quiet. Oh, so quiet.

“Oh my god.”

He lets himself stumble into your arms, disgusting and filthy and weary to the marrow of his broken fucking bones.

“Jayce,” you choke out again, arms around his frame, pulling him close, squeezing him so tight it hurts good. A reminder of a constant, a pillar, familiar. You start to sob. He wonders if he’s still capable of reciprocating. His old self, the self you’d loved, would have been bawling. “Oh, Jayce,“ you croak, all of you shaking with the vehemence of your cries. “I thought you were… Jayce, where—? How?”

Familiar fingers thread through his hair the way they used to. Lips to his filthy cheek where they used to fit just right above the stubble of his five o’clock shadow, bottom lip now presses to his thick beard.

“I’m sorry.” Everything else is much too complicated, or too insignificant to put into words. “I-I’m so, so sorry.”

You pull him closer.

“It’s okay.” Your voice ripples down his spine in a soothing wave, every one of his aching muscles sags as if on command, and Jayce goes limp. His knee — the fucked up one — creaks, pops, gives. Forced into it just the way he had been after… after Salo, he kneels, and you kneel with him, brace his weight.

In the quiet of the night, you savor it, savor each other, for a long moment. Jayce swears he can hear the street lamps buzzing when your breath begins to settle, and something about it stings his brain like a needle.

You notice — you must have, because one hand comes up to cradle his face.

“Let’s get you inside,” you tell him, palm sliding from his middle to below his elbow, supporting him on his shaky way up. “I’ll run you a bath, I have some leftovers you’ll love, I still have your tea, Jayce, anything you want. Anything you need.”

And that sounds like everything he could ever want, or need.

But it’s not something he can afford.

“I want… to kiss you, please.” His voice finally comes out as broken as the rest of him feels when he pleads for it, man starved. Something in the edge of his vision pulses, darkens, he has to, he has to.

“Anything you need,” you echo your previous words, and he does need it. Both hands on his cheeks again, cradling him the way they used to when you would smile at him and call him puppy in the warmth of your kitchen on early mornings.

He puts his hands over your own and dreams of it as soft as his mind will let him.

“Come here, puppy.”

Jayce knows patience intimately. An ever present companion throughout his academic journey, as much of a partner as Viktor once was on his job.

And he kills it with the same heavy hands and heart that he will kill Viktor with.

His teeth hurt from how he hurls himself at you, into you, lips smashing like the crackle of lighting, he wants, he wants. He holds you like he wishes he could have before; before the voices and the visions and the pain and the aching fatigue, he kisses you like it’s air. Digs his tongue into your mouth to sample what is the first — and might be the last — taste in a long, awful time. You suck on his tongue and locks it up somewhere in the unfamiliar twists and turns of his altered mind and prays it’ll keep.

You’re the only one who’s waited.

“Come on in,” your voice is breathy when you pull away, the words hit his lips before they reach his ears. He envies how little you know. “It’s okay, it’s all gonna be okay.” Hands on the nape of his neck, he feels small. Not the puny kind, not like prey, but protected. “Oh, Jayce, I’ll take care of you.”

And Jayce Talis can still cry after all.

He clings to your shoulders, a crumbling, pathetic version of the man you once loved, and he sobs, makes an even more unloveable display of himself.

How he pities you for being still so eagerly up to the monstrous task.

“I c-can’t,” he sobs. “I can’t. I have… a promise to keep.”

[psin314]

some dead and missing characters from murat's backstory. translated bio is under the cut.

his toyhouse page At the age of 6, Murat was given to the Crows. He was taken under the care of a young but skilled master assassin, Esteban. Murat has no memory of his childhood until he was 12, and his mentor never said anything useful about it. He only said that Murat was an unbearable crybaby. Esteban taught Murat everything he knew. He taught strictly, punished him for any mistakes, but Murat still enjoyed being around him, because Esteban was funny and caring. When Murat was 20, Esteban was brutally murdered while on a contract. The next 10 years of his life were not particularly interesting. He carried out contracts flawlessly, and spent the money he received on carousing. He spent everything on expensive aged booze and gifts for girls with whom he could not build long-term relationships, although he truly fell in love with each one. So once he fell in love with a girl from his own house, Layla, who was not interested in him. He did not lose hope and continued to try to win her over. One day, she finally reciprocated. It was strange, but Murat, in love, did not notice the trick. Murat's 30th birthday was approaching, but he was not destined to celebrate it in a warm place. Murat, for no apparent reason, was grabbed by what he thought were his friends, and they threw him at the feet of the de Riva house talon. As it turned out, Murat is a traitor who has been sabotaging his own house for years, and there is irrefutable evidence of this, which Layla provided them with a heavy heart. Murat did not understand what was happening, he was definitely slandered and was not guilty of anything. No one listened to him, even Layla stood in tears. Murat should have been killed right here, but Layla stood up for him. She explained that Murat had done all this only because of his own stupidity. He was a good liar, but an incompetent crow. All this time, she had been correcting his mistakes for years, but she had failed to keep track of them all, and this is what it had led to. She was ashamed that she had covered for him for so long, but death for him was too much. As a result, Murat was kicked out into the street and ordered not to approach the faction again. Murat tried to get through to them, but no one listened. He didn’t know what to do now. The Antivan Crows were everything to him. So he simply decided to get drunk on cheap beer in a tavern. For the next 10 years, he did nothing but that. For the first few months, other crows were watching Murat, but nothing suspicious was noticed, only his binge-drinking. A couple of years later, one of Murat's old friends came to him with good news - Murat was not guilty, everything was actually set up by Layla, who had currently run away and was hiding. That is, he can return. Murat attacked his old friend and sent him far far away. Nobody visited Murat again. Until he was almost 40, Murat lived in a vicious circle of "no money - work - get money - drink." There were attempts to break it, but he always returned to the beginning. He made friends in the port with a fisherwoman, Paula, who helped him find a job. She sincerely wanted to help Murat with his problem, since he reminded her of her lost son. She was rude to him, but tried to help anyway. Paula had health problems, and one day her heart just stopped beating. Murat could have gone on a bender again, but he decided to try to change his life. By the age of 40, Murat finally stopped drinking and returned to the Crows. Here, it was as if everyone had forgotten him. And his old friends no longer trusted him as much as before, although that situation was resolved long ago. Murat is passionate about the idea of ​​at least partially solve the problem of betrayal among the Crows. How - he has no idea, but he will definitely come up with something. The rest of the story is familiar.

[changingplumbob]

CW: Moderate sim spice - Guide to content warnings

Silver: Why don't you just use one of your spells on the plates to clean them

Glenn: Ah, it doesn't really work like that. Magic isn't as straightforward as it might seem

Silver: And you don't want me to do the dishes

Glenn: Nope, you're my guest

Glenn's phone buzzes. Checking it he is happy to see a message from his grandfather reporting that he and the coven leader have found a sheltered spot for the night.

Silver: Everything alright

Glenn: Oh yeah, it's just grandfather. I do love him but I admit I'm glad he's away this weekend

Silver: Oh? And why is that

Glenn: I'm sure you can guess

Silver walks behind Glenn gently puts his hands on Glenn's hips.

Silver: I'm ancient remember. My brain is going and I have no idea what you mean

Glenn: No it isn't! You do

Silver: Oh you mean because we've been flirting

Silver's fingers begin to rhythmically tap Glenn's thigh and he feels himself getting hotter.

Glenn: Yeah. I don't think I'd be comfortable doing this if my grandfather were here

Silver: And what exactly is it we're doing

Glenn: *flustered* You know... getting closer

Silver leaned into Glenn so his chest was flush against his back and whispered in his ear.

Silver: Close like this

Glenn: Exactly

Silver: You know, I've thought of a nickname for you to

Glenn: I don't think you can top Beefcake

Silver: Oh believe me, I'm excellent at being a top

Glenn: *sighs* How is it you don't know what technology is but you know what topping is

Silver: I pay attention to what's worth knowing

Silver gently kissed Glenn's cheek, wanting to say all he was feeling inside but not wanting to scare the spellcaster away.

Glenn: Silver, are you okay

Silver felt Glenn's hand in his hair, every bit as gentle as he had been. Sighing Silver buried his face in Glenn's shoulder and Glenn returned to the last few dishes.

Silver: Seeing you... meeting you... I mean when I saw you on TV I thought you were hot but this has been so different

Glenn: *teasing* Have I not been hot

Silver: You've been even more handsome, don't worry about that. But I mean, you've been handsome on the inside to. I haven't been close to anyone in ages but you... it feels so easy to open up to you. To tell you the jumble that's happening in my brain. With you for the first time in so long I've just felt.. safe

Glenn turned around to face Silver. He didn't want to have this conversation without seeing him.

Glenn: Do you really mean it? You're not just trying to get laid

Silver: I'm sure if my only goal was to woohoo with you I could think of more seductive lines than, you make me feel safe

Glenn: Because you're old and ancient and full of knowledge huh

Silver leaned closer and Glenn felt his heart speed up.

Silver: You want to hear my nickname now

Glenn: Yeah I do

Silver: Babycakes. Because you keep making a deal out of me being so much older... and I think you'll taste pretty good to

Glenn moved his head forward until his lips met Silver's. Glenn hadn't had many kisses in his life but this one- It felt right. Silver was gentle but Glenn still felt the need to brace himself against the counter to avoid melting to the floor. Stretching his other arm around Silver he pulled him closer, not appreciating the distance between their bodies. Chuckling slyly Silver broke their kiss.

Silver: Don't pout

Glenn: You stopped

Silver: Because I wanted to ask... do you want to take this upstairs

Glenn: You mean like... to woohoo

Silver: Yeah. I'd like to but I don't want to pressure you, make you do anything you don't want to

Glenn: I want to

Silver: For me it's been... an incredibly long time since I've been with someone. I might be a bit rusty

Glenn: That's not going to put me off Beefcake

Silver: Okay. We don't need to rush anything

Glenn: Well what did you have in mind

Silver moved backwards, keeping his hand in Glenn's.

Silver: For starters we can check if I was right about that shirt looking great on your floor

Glenn beamed and turned to drag Silver up the stairs. Silver was surprised at his eagerness and almost lost his footing a couple of times despite his werewolf reflexes. In the bedroom Glenn happily removed both of their shirts and draped his arms around Silver's neck, cheekily planting a kiss on his nose.

Silver growled and lifted Glenn so he could fold his legs around him. The two kissed again and Glenn could feel the heat of Silver's skin.

Glenn: Now what

Silver: Well I was thinking...

Glenn: Tell me

Silver: I thought I could help you take your shoes off. Then I could play around with what's under your pants. Is that okay? Just using my mouth and my hands

Glenn: That sounds mindblowing but.. can I check out what you're packing first

Silver: What you wish for you'll have Babycakes

Previous ... Next

[maddiethedogstories]

The Glasses - The Dark Side

Author's Note: I'm trying something a little bit different with this story. I'm calling it a mirror story. I am going to write a story with the same basic prompt and ideas in two different ways. One wholesome and one dark. This is the dark story. I hope you all enjoy it! Read the wholesome version here.

Greg fancied himself an intellectual. He had a PhD, was the top of his field, and respected by all of his colleagues. He spent all of his free time reading books and papers, absorbing knowledge like a sponge.

Or at least he did, until he met Daddy.

Daddy was everything Greg desired. Daddy was tall, strong, assertive, and brilliant. Greg found himself immediately under the other man's spell.

The first day Daddy brought Greg home, Daddy sat Greg on the couch and pulled the glasses off of Greg's face.

"That's much better," Daddy growled confidently as he watched Greg's panic set in.

Greg, in contrast, found all of his self-confidence leave him as his corrective lenses were removed. Without his glasses, all Greg could see was a soft blur where Daddy's face should be. Greg was almost completely blind. He had never felt so vulnerable in his life, and he hated it.

"Um, could I please have my glasses back?" Greg asked timidly, butterflies fluttering in his stomach from the fear of being left without his glasses for any expanse of time, "I can't see anything without them."

Daddy laughed in response.

"Oh, my pet, you only get to see when Daddy says so."

Horrified, Greg dives for where he thought his glasses were, only to find himself perfectly draped over Daddy's lap.

"Oh, Greggy, you need to learn whose in charge!" Daddy said before Greg felt his pants pulled down to his knees and blows begin to rain down on his bottom.

Daddy never returned Greg's glasses that night, and, despite his horror at being effectively blind, all Greg made no attempt to get them back. With a sore bottom, Greg didn't dare cross Daddy again, especially once he realized that he was entirely reliant on the dominant man to care for him.

Over the course of the night, Greg struggled to care for himself. He sat frustrated through the whole movie, unable to tell what was going on.

He stumbled through Daddy's unfamiliar apartment, unable to tell where he was going. He made a mess of himself eating dinner, unable to see the food he attempted to shovel into his mouth or the utensil he was using to feed himself. And worst of all, Greg eventually ended up wetting himself when he couldn't find the restroom in time to relieve himself.

The whole time, Daddy looked on and teased him.

"Careful, big boy! If you're having this much trouble walking, maybe you should crawl?"

"What a messy boy! Looks like a certain someone could use a big!"

"Oh no! Did the big, smarty-pants professor go potty in his pants?"

Over the course of the night, Greg felt more embarrassed and humiliated than he had ever felt before. By removing just one of his possessions, Daddy has functionally reduced him to a small child.

When they parted that night, Daddy gave Greg his glasses back before showing Greg some pictures and videos on his phone. Greg, able to see again, looked on in horror at images of himself covered in food like a toddler, crawling on the floor after tripping, and, worst of all, wetting his pants.

"What do you think all of those smart colleagues you have would think of you if these ever hit the internet?" Daddy asked like a spider who knew it's pretty was now stuck in its web.

"Please, no…" was all Greg could say in response.

After some 'negotiation,' Greg was able to convince Daddy to keep the images private in exchange for Greg's future cooperation.

As Greg left Daddy's house that night, he felt a strange since of dread set in at the prospect of what the beautiful man had in store for him next. He couldn't imagine giving in and losing his personal autonomy like that again.

Pursuant to their deal, Greg kept seeing Daddy after that night. Their dates took on a common form. At the start of each one, Daddy would remove Greg's glasses and take control over the other man. In turn, Greg would find himself fully submitting to Daddy and all of the humiliations he had devised for him. The few times Greg balked at his treatment, a quick trip over Daddy's lap, a reminder of the photos in Daddy's possession, and a threat to set Greg free without his glasses was all that was needed to remind the submissive man of his place in their relationship.

Over time, Greg--the PhD, the intellectual, and the brain--found Daddy taking more and more autonomy from him each time they met. It was painful for Greg, a struggle and hit to his ego each time he lost a part of himself. However, with Daddy's power over him he could do nothing to stop each relinquishment of freedom.

Over time, Daddy started picking the food Greg ate. He found his mature diet replaced with bland Cheerios, dino nuggets, and other foods designed for the picky palates of toddlers. When he complained, Daddy just pointed out it was easier to eat those foods with his fingers, since he couldn't see well enough to use utensils without his glasses.

He began drinking all of his drinks, which had predominantly become milk, out of baby bottles. Daddy told Greg it was to keep him from spilling given his lack of depth perception, but Greg could help but fill like an infant everytime the rubber teat was pressed between his lips.

Having his pants and underwear removed and replaced with pull-ups and, eventually, diapers each time he entered Daddy's apartment was similarly mortifying. Daddy made sure to emphasize the importance of the extra protection each time he dressed Greg in the infantile garments, given Greg's proven inability to make it to the toilet on time (something made worse each time Daddy changed him out of his soggy padding after Greg repeatedly failed to locate the bathroom in Daddy's home).

Daddy also stopped letting Greg pick out his own clothes. Daddy pointed out that the artificially blind man couldn't see them, and Daddy was the one who had to worry about getting Greg's clothes off to change him anyway, so giving Greg the freedom to dress himself just didn't make sense.

However, no matter how much control Daddy took from Greg, at the end of every 'date,' be it for a few hours or a weekend, Daddy would hand Greg his glasses back, returning Greg to the adult world of academia and filling Greg with a sense of hope that maybe, this would be the last time Daddy would call him over to play.

That pattern continued until one day, Daddy finally made the declaration that Greg had been dreading to hear for months.

"Baby boy, I think it's time you moved in with Daddy full time."

Greg started to cry in his place on the floor where he sat on a soft blanket dressed in only a diaper and onesie while failing to stack wooden blocks due to his poor vision.

Greg immediately crawled (walking haven been forbidden after a particularly nasty trip) over to the Daddy shaped blur sitting on the couch and stared up at him with pleading eyes.

"Please no, Daddy? Please! I hate it here! I hate being your stupid little baby!"

Daddy beant down, wrapped his large hand around Greg's cheek and chin before shoving a pacifier between Greg's lips.

"Hush, pet," Daddy growled softly, his face menacingly close to Greg's, "I've made it very clear who is in charge in this relationship. It seems like you need a reminder."

Daddy then harshly pulled Greg over his lap before proceeding to deliver the worst spanking Greg had ever experienced. At the end of it, the apartment was filled with nothing but the sound of Greg's soft sobs and the crinkling of his diaper, as he thought about the ramifications of daring to question Daddy's judgment.

The next few months passed in a blur. After moving into Daddy's house, Greg found himself wearing his glasses less and less.

Deprived of his ability to see, Greg spent more time forced to participate in infantile activities like playing with blocks or trucks or futilely trying to color in a coloring book instead of reviewing the latest literature in his field like he used to.

Greg's coworkers started to notice how the once brilliant, workaholic man's performance had dropped off. Greg was pulled into his boss' office and lectured on his need to improve, but, Greg, who once prided himself on his career success and independence, found himself unable to improve his performance at work given Daddy's humiliating restrictions at home.

After six-months of living together, Greg's boss had had enough and fired his once best employee.

Sitting in Daddy's lap in nothing but a soggy diaper, Greg cried as he told his tormentor about his lose of a job.

"Daddy," he began softly, hesitant for fear of judgment at what was coming next.

"Yes, pet?" Daddy asked Greg, his ever predatory tone dripping from his every word.

"I was, was, was fired today," Greg chokes out between sobs.

Daddy smiled, although Greg couldn't see it. He rubbed Greg's back possessively.

"Oh, did someone's boss finally realize what a soggy little pants wetter he really is? I can't say I'm surprised, but I am ~very~ excited for what that means. You can finally be my diapered little pet full time!" Daddy said triumphantly.

Greg's sobs redoubled at his sudden understanding of the truth in Daddy's words. He tucked his thumb in his mouth, a soothing habit Daddy had long ago trained in him, and continued to cry in his tormentors arms.

Daddy brushed Greg's hair with his fingers, relishing this moment of absolute victory.

"Daddy is so excited for you to be my soggy little pet forever."

Daddy laughed a little as Greg continued to cry before grabbing a small object that Greg couldn't quite make out off the table.

"I guess you won't be needing these anymore. Maybe we should get them mounted for posterity?"

Greg frowned.

"What, Daddy?"

Daddy responded with a guffaw.

"Your glasses!"

Greg felt his heart drop in sudden realization. Daddy was right. As Daddy's permanent pet, he would probably never wear be allowed to wear glasses again. His world was now fated to forever be a blur.

[lemotmo]

You and she and several others are correct. Everyone needs to take a breath and relax.

Q. So you just have zero expectations for the mid season finale?

A. No, I have what I would call realistic expectations for the mid season finale given where we are storyline wise. And where we are is at the very beginning of storylines. Especially for Eddie. The reality is we are only 8 episodes in, and 3 of those episodes were used for the opening disaster which means no real storyline movement. The storyline episodes we did receive were basically used to clean up either what Tim meant to do or regretted doing last season. Getting Bobby back as captain. Breaking up Buck and Tommy and getting Maya back to Hen and Karen. I also think episode 9 was clearly supposed to be the original mid season finale episode, which is why they filmed it before wrapping for the year. So episode 8 was supposed to be a kind of penultimate episode, meaning basically a set up episode. So it's probably not going to feel like a traditional finale episode. But lots of shows on ABC will now have that problem because ABC decided to wrap up for the year 2 weeks earlier than people were expecting. Most shows expected the Thanksgiving break and then to have one more episode before wrapping for the year so lots of their shows will likely have disjointed mid season finales. This is not going to be a strictly 911 problem. Another issue, which I completely understand and agree with, is there has been entirely too much Athena focus. She was basically 85 percent of the first 3 episodes and was more than half of last week's episode and that theme sounds like it's continuing with the mid season finale. So 5 out of 8 episodes have basically been Athena centric and that is too much too close together. Especially considering how much screentime she ate up at the end of last season as well. People are Athena'd out. Angela Bassett is a total badass so I understand them wanting to utilize her but it's too much and at this point it's irritating most people because it's coming at the expense of the entire fire fam and no one wants to sacrifice their screentime for cop Athena screentime. I do think people would be slightly less annoyed if we had a bit more focus on the 118 characters as opposed to so much Athena.

The other big problem is Brad. I genuinely don't want to see him again after this coming episode. Callum seems absolutely lovely and the initial use of him prior to Bobby returning to the 118 was fun to watch, but in typical Tim fashion, it's been dragged out too long and now it's just in the way. So that's even more screentime being used on someone the audience genuinely doesn't care about. But the moment people started loving and interacting with Callum it was inevitable that Tim would change course and drag his arc out longer. Between Athena and Brad there just hasn't been enough time to give to Eddie, Hen and Chimney. Buck has had decent focus, but again that's because they initially intended to break him and Tommy up last season so they had to spend time fixing that at the beginning of this season. This is where we are storyline wise. So people going into this episode pissed off that Eddie isn't going to say he's gay, which I don't think he'll say even when they get to the sexuality arc, makes no sense to me. We are at the very beginning of Eddie's storyline. A realistic expectation for his character in the mid season finale is deciding to go get Christopher or having a nice video chat with Christopher that indicates positive movement on that part of the story. That's it. That's where we are for Eddie right now. A realistic expectation for Buck is him deciding to go out and enjoy his new found freedom in his newly expanded pond. That's it. Anything else we might get from them in the mid season finale would just be a nice surprise. And we might get something but I'm not expecting anything from a Buddie standpoint. Their storyline is going to be in 8b and I think it will be early. And once it starts I expect it to move fairly consistently because I do still think episode 12, the 118th overall, is still the plan for their first kiss. The first part of this season did not go how anyone predicted so I understand the frustration but everything indicates Buddie is a when at this point not an if. They're going to tell the story on their timeline not ours.

Thank you Nonny. 😋

Yeah, I'm just going into this one not expecting anything big for episode 8. The only thing I'm desperately hoping for is some Eddie and Chris interaction. I really think that the Brad & Eddie conversation Callum talked about will be about Chris. Nothing else would make sense at this point in Eddie's story. I'm also still hoping that we'll see Eddie leave to Texas at the end of the episode to go get Chris.🤞

After 8x06 I am now completely sure that Buddie is coming. I said that before. For me that episode showed me all I needed to see in order to fully believe. But I admit that we all miscalculated the timeline Tim would go for. He is obviously using 8a to close all the storylines he began in season 7. 8b will be treated as its own mini-season.

The only storyline that will still be unsolved will be Eddie's and I think Ali is right to think that his story (and the eventual Buddie story) will come to the forefront in 8b.

That's about all I wanted to add here. 😋

IMPORTANT! Please don't repost this ask and/or a link that leads straight to my Tumblr account on Twitter or any other social media. Thank you!

Heads up! For anyone who is giving me the shifty eyes for reposting Ali's updates instead of reblogging. Read this.

Remember, no hate in comments, reblogs or inboxes. Let's keep it civil and respectful. Thank you.

If you are interested in more of Ali’s posts, you can find all of her posts so far under the tag: anonymous blog I love.

[transgenderer]

The Brahmanas also recorded a story justifying our treatment of animals:

In the beginning, the skin of cattle was the skin that humans have now, and the skin of a human was the skin that cattle have now. Cattle could not bear the heat, rain, flies and mosquitoes. They went to humans and said, ‘Let this skin be yours and that skin be ours.’ ‘What would be the result of that?’ humans asked. ‘You could eat us,’ said the cattle, ‘and this skin of ours would be your clothing.’ And so they gave humans their clothing. Therefore, when the sacrificer puts on a red hide, he flourishes, and cattle do not eat him in the other world; for [otherwise] cattle do eat a human in the other world.

The transaction in the other world is here interpreted as the reversal of a reversal: humans and cattle traded places long ago, and, as a result, cattle willingly undertook to supply humans with food and clothing. But cattle also, apparently, won the boon of eating humans (and, perhaps, flaying them) in the other world, presumably a place where people go after dying, though the text never spells it out like that. Nakedness, by reducing humans to the level of the beasts, establishes a reciprocal relationship, rendering human beings vulnerable to the sufferings of beasts— being eaten— when they enter the other world. But when a man puts (back) on his ‘original’ cattle hide he somehow undoes the bargain, which allows him to masquerade as someone who does not (yet) eat cattle, and thus to escape the consequences of his carnivory.

Another narrative elsewhere in this same text adds more detail to the basic idea of reciprocity between humans and animals in the other world:

Bhrigu went beyond this world to the world beyond. There he saw a man cut another man to pieces and eat him; and then a man eating another man, who was screaming; and then a man eating another man, who was soundlessly screaming. He returned from that world and told his father [Varuna] what he had seen. His father explained that when people who lack true knowledge and offer no oblations cut down trees for firewood, or cook for themselves animals that cry out, or cook for themselves rice and barley, which scream soundlessly, those trees, and animals, and rice and barley take the form of men in the other world and eat those people in return. ‘How can one avoid that?’ asked Bhrigu. And Varuna replied that you avoid it by putting fuel on the sacred fire and offering oblations.

This text is not just about animals, since trees and barley play an equally important role, but more broadly about all the things used in preparing food (vegetables, animals and fuel), about consumerism in a very literal sense. Being eaten in the other world is not a punishment for sins but rather a straight reversal of the inevitable (and not condemned) eating in this world. Other texts of this period confirm this: ‘Just as in this world men eat cattle and devour them, so in the other world cattle eat men and devour them.’ 10 And, ‘Whatever food a man eats in this world, that [food] eats him in the other world.’ 11

This experience in the other world is, therefore, as certain as death itself, and just as unpleasant. The soundlessly screaming rice and barley resurfaced in the writings of the great Indian botanist Jagadish Chandra Bose, who moved George Bernard Shaw deeply with his demonstration of an ‘unfortunate carrot strapped to the table of an unlicenced vivisector’. 12 The silent screams in the Sanskrit text have the quality of a nightmare. This is a world in which even vegetarianism is sinful, and the only way to remain without sin would be to starve to death.

Nowhere, however, does the text suggest that people should stop eating animals (or rice, for that matter, or refrain from burning fuel). It is possible to avoid the unpleasant consequences of eating; the solution is to perform the proper rituals, to restore anyone who has eaten something alleged to produce unfortunate consequences— if left unrestored. Dangers arise in the context of profane eating and are warded off by sacred feeding (the oblations offered to the gods). Indeed, the two are inextricably linked by the belief that it is wrong to take food without offering some, at least mentally, to the gods; in the broadest sense, all human food consists of divine leftovers (later known as prasad, ‘grace’). The text is not saying, ‘Do not eat animals, for then they will eat you,’ but, rather, ‘Be sure to eat animals in the right way, or they

Religion in this period makes it possible for us to slaughter animals; it washes away our fears and our guilt. Manuiv says, ‘The Self-existent one himself created sacrificial animals for sacrifice; sacrifice is for the good of this whole (universe); and therefore killing in a sacrifice is not killing.’ 13 By defining the sacrifice as nonviolent, Manu made it nonviolent. To this day it is often argued in India that the meat of animals killed for the table is poison because such animals die in fear and anger, while animals killed for sacrifice are happy to die, and so their meat is sweet.v Such texts betray that old human longing to have one’s animal and eat it.

-Doniger, On Hinduism

The Brahmanas are dated 900-700 BCE

[scatmaan]

my favorite part of bg3 is that it allows olav to collect kids and be the dad he was meant to be

[hayanahed]

Emergency: Help Evacuate My Family From GAZA WAR

Dear Humanity,

I'm Haya from Gaza , from a family of 8 people: my parents, two sons, and four daughters (two of them suffer from allergies).

I've witnessed the evidence of the tragedy that has struck our lives in Gaza, where my family and I have survived amidst numerous previous wars. But today, we face the most dangerous and fierce battle in the current war. The urgent need intensifies for us, as we have nothing left and are unable to secure our basic needs such as food, water, and safe shelter.

Here is our story - On October 7th, our lives changed forever, my family and I evacuated from northern Gaza to southern Gaza, hoping to return soon, but it wasn't meant to be. Our home was surrounded, burned, and then completely destroyed, Our home, once a fortress of hope, now lay in ruins, a stark reminder of our shattered dreams.

The night before we left from the north to the south was terrifying. Shelling sounds were everywhere, making a loud noise that felt like it went through our souls. Every explosions shook the ground like earthquakes, sending shockwaves of fear through our trembling bodies. filling us with fear. The air smelled of destruction and blood, making it hard to breathe. When dawn came, we saw the devastation around us, realizing our home was now a symbol of loss and despair.

We ran into the streets and with each step we took into the unknown streets, we felt as if we were plunging deeper into the abyss of our shattered existence, leaving behind everything we own in our home: Clothes, important official documents, the car, and literally it's almost everything - the enormity of our loss weighed heavily upon us.

Our home it was where we found hope, safety, and made precious memories. Losing it felt like losing years of our lives, leaving us adrift amidst the wreckage of our shattered existence.

A brief video depicting the devastation that struck our home and our entire neighborhood in Gaza.

Desperate Plea: Escaping Gaza's Allergy Nightmare

I, Haya, suffer from severe allergy to penicillin-derived medications, and my sister, Amal, also suffers from severe allergies to medications from my family such as Paracetamol and Ibuprofen.

These allergies create a deep sense of fear and anxiety for us, as we live in a constant state of tension and fear of anything that may require a visit to the hospital. We fear being given inappropriate medications due to the unavailability of suitable treatments in Gaza because of war or lack of awareness and not informing the doctor of our allergies, which could lead to serious consequences threatening our lives.

MY Father Income

Our dreams are heading towards oblivion in the labyrinth of an uncertain future

My story, along with my siblings, represents a united team of four individuals, three of whom are skilled programmers and one graphic designer. We work as freelancers in the world of freelancing.

As for my younger sister, she is a student studying at the College of Architecture. She has always carried a big dream in her heart, a dream of being part of changing Gaza, of making it more beautiful and better. She looked forward to the day when she would receive her degree and start building this dream. But the beginning of the war changed everything. The destruction of infrastructure and universities cast shadows of despair over her dreams.

When I think of my brother in Belgium, I can't help but feel deep sadness. He has been suffering from unbearable anxiety and insomnia since the outbreak of the war. Sleep eludes him at night, and his physical and mental health collapses under the weight of these heavy burdens, negatively affecting his performance at work. Problems and challenges pile up in front of him without the slightest opportunity for rest.

We all feel psychological pressure and extreme anxiety. The war hasn't been limited to external attacks but has deeply infiltrated our daily lives. We search among the rubble for a little safety and the basic resources for survival. Every day comes with a new challenge that we must overcome.

As we sway amidst the rubble of shattered dreams, our souls wrestle and our hearts beat strongly challenging the ravages of war.

Our parents earnestly seek a way to rescue us from this hell, feeling the heavy responsibility for every moment we spend under the shadows of fear and destruction. They dream of a safe place where they can build for us a better future, filled with security and hope, for we deserve life in all its meanings of comfort and peace.

Perhaps this fundraising campaign represents a light in the midst of darkness, it is indeed the only hope we cling to firmly.

I appeal to the world as a whole to hear my cry and the mournful cry of my family in Gaza. We need the helping hand that reaches out to wipe our tears and build a bridge to safety.

Your donation is not just a donation; it's an opportunity to rebuild life and brighten a better tomorrow. Be part of our hopeful story, for we need your hand to start anew.

The purpose of the fundraising campaign

The goal of this fundraising campaign is to rescue my family - my parents, my siblings, and me - through the Rafah Crossing to Egypt, which currently requires $5000 per person. This campaign is our only chance to stay alive, and I humbly request your assistance at this critical time. I will provide you with a comprehensive breakdown of the expenses, committing to transparency and clarity.

All of our important links are here https://linktr.ee/hayanahed

Verified by :

⭐️ operation olive branch, number 26 on their spreadsheet. (On Master list)

⭐️ Project watermelon,line 249 on their spreadsheet. Or you could see it as number 212 here is the photo for more clear proof

Thank you for your kindness and support.

.جزاكم الله خيراً

yours sincerely;

Haya Alshawish.

[hind3en]

A photo from memories, captured in May 2023.

Everyone has a superhero. For any girl in the world, her superhero is her father.

He is our hero. He is a doctor. Before this ongoing genocide, he worked at Al-Shifa Hospital. He is a wonderful plastic surgeon, loves his work and is committed to it, to help people and relieve their pain.

When We were forced to be displaced to Al-Shifa Hospital at the beginning of the war, he was still committed to his work. He worked nonstop for 40 days, besides caring for his family, especially in these difficult times!

But unfortunately the occupation stormed and burned the hospital after We were forced to evacuate , raising white flags. We could not carry anything, just our souls. We fled to the south on foot. He carried his two children in his arms, and walked long distances for many kilometers during the afternoon among tanks and heavily armed soldiers, and even among decomposing corpses!

Finally, we reached the UNRWA school at Khan Yunis. He started working in Nasser Hospital, which the occupation also stormed and destroyed! Even when we were displaced, he was working.

All that happened did not stop him from performing his lofty job as a doctor. He has now returned to work in MOH hospitals to carry out operations of debridement and grafting of needy injured people, but he is alone, we are far from him.

He decided to protect us and made a decision to refuge in Egypt to be survived. While he stayed in Rafah before the beginning of the military operation there. Then he was forced to be displaced to Deir Al-Balah.

Every morning he goes to work at Nasser Hospital in Khan Yunis and returns to his tent in Deir Al- Balah in the evening all week.

Is this what we and he deserve?

We stay away from our hero and torn our family. While at the same time, he is putting himself in danger while saving innocent lives!

For your information, his profession is considered more dangerous than ever before, due to the occupation’s systematic policy of targeting hospitals and medical staff!

All the day, we are worried about him. May Allah save him. Moreover, there is no safe place.

We hope to reunite again, we want each other, we want our home and our dreams!

We need your help and support to meet our father again, reunite our family and rebuild our lives. Little matters! Your little means a lot to us.

Please, donate or reblog this with others.

Our story is here:

This was not our only tragic story in this genocide, every day was a struggle for survival!

Thanks!

🇵🇸🍉🇵🇸🍉🇵🇸🍉🇵🇸🍉

[eupheme]

— tooth and nail

alpha!logan x mutant!f!reader

rated e - 4k

tags: dub-con (logan goes into a rut), a/b/o-lite elements (logan-only - ruts/knots/mates), breeding kink, mutual pining, two jealous dummies, size kink, fighting as foreplay, return of The Claws (claw-play?), outercourse, biting, marking, come play, rough PiV sex 

a/n: pure pwp. reader has druidic-based mutant powers (wild shape, strong connection to nature/animals, influence over vines/foliage) and is from Earth-10005.

Logan knows this feeling. He thought he’d left this part of himself behind. Left on his Earth, carved out and buried with the rest. 

Should have told you no. Should have locked himself away like he always did. Instead, he’s stuck, unable to keep his mind from wandering while his sparring partner - sweat-dewed and squirming - is pinned beneath him. 

(Or - Logan’s rut begins at a most inopportune time)

Something wasn’t right.

It’s been settling under his skin for days now.  Tiny hooked claws, digging into flesh. A syrupy urge low in his guts, his mind not quite his own.

He thought he’d left this part of himself behind. Left on his Earth, carved out and buried with the rest. 

The world he lives in now is different. There’s humans, mutants, aliens. But none like him, answering to something innate that defined him in a way that didn’t matter anymore.

It’s been a while. Almost forgot how it felt, after years of tamping down this part of him. Should have recognized sooner what it was. This rippling, simmering irritation just beneath his skin, so much stronger than usual. 

Should have locked himself away, when he realized his rut was returning.

In his years in his own Earth, the urge had lessened. Dulled by alcohol and grief. Managed by himself, in the few months this part of his nature did visit him.

But he hadn’t been able to tell you no. Hadn’t been able to resist, not when you smiled so prettily at him, practically begging him. 

And the thought of you leaving him behind at the X-Mansion, while you went off without him - to spar with Hank, instead - made him want to rip McCoy’s arms off. 

Desire swirls around him now, as he trades blows with you. Your arms snaking around his shoulders as you shoulder a well-placed hit, bringing you both down the floor.

Logan feels like a pup again, watching your breathless laugh. The clench of your thighs around his waist. The heady throb low in his guts, the pressure of his cock as it strains against his suit. 

His hips lift, separating him from you. Trying to form an excuse, while his brain is rocketing into overdrive.

Fighting back the urge to close that gap again. To peel down those tight leggings that drive him mad, bury his mouth against your pussy and make you scream. Fuck you full of him, until he’s dripping out of you for days. 

The though makes him growl, as he tries to concentrate.

Tough to fake an illness, or injury. You’d see right through him.

Or even worse, worry.

So all he had to do was finish out this session. 

Shouldn’t be too hard. 

If you can just avoid touching him… he might just make it through. 

You know you shouldn’t let yourself get distracted like this while sparring with Logan, but you can’t seem to help it.

Not when you’ve been nursing this thing inside you for months now. Something planted from another earth, settling low in your chest. Infesting like the vines that sprout from you, taking over until you’re fully ensnared.

You’ve tried to ignore it. Didn’t want to ruin a good thing between you. 

Out of everyone in the X-Mansion, you got along with Logan the best. Used to a solitary lifestyle after being raised among the druids, before you knew the truth to what you were, the mutant lineage that flowed through you.

It had paired well with his temperament. His anger and grouchy quips slipped from you like raindrops on a leaf. Something about spending time with you softening him at the edges - just a little bit.

He was still the hard man he used to be. Grizzled, with that scowl of his and the flecks of grey at his temples.

And despite your efforts - forgetting and moving on hadn’t been successful. Not at all. 

Because it’s impossible to ignore when he’s close, like this. Pressing your back to the mat, your wrist slammed against the padded floor. A knife skittering away, because even after all this time - even with his insisting - you were still reluctant to use it.

It sends your pulse racing. He’s so fucking strong - and you think that maybe, even if you had been an equal pair, that you’d still throw these matches. 

Let him win, if it gets him like this. Sweaty and pressed up against you as you struggle beneath him. A thigh jammed between yours to prevent you from slamming your heel into his calf.

You’ll think about this later. 

You always do after your sparring sessions. You hand slipping between your thighs in the shower after. Bitten-back moans as you play out more in your mind - the plunge of your fingers inside your aching cunt until you’re shuddering with the pulsing pleasure, slumping back against the cold tile. 

The fantasies always comes back to him. 

You think that maybe Logan wants it too. Have felt his gaze on you when he thinks no one is looking, but your senses have always been keen. Animal attraction, perhaps. Pheromones. Something about his smell, his touch, beckons you - though you don’t understand what it means. 

And it’s only now that you realize he’s gone still above you. Eyes blown wide, a sharp breath of air inhaled through clenched teeth. A low growl, caught in his throat. 

Holding himself back. You can see it - the way his muscles string tight. How his eyes dip, flicking over your face. Down to the part of your lips. The sweat that dews your chest. 

Close enough that you can inhale him - the smell of leather and cigar smoke blending with more - something inside you giving them a name. 

Want. Need. 

It gives you courage. 

You bridge the gap, for a just a moment. A shallow lift of your hips. Encouraging, the movement pushing your tits against his heaving chest. 

“Bad fucking idea, sweetheart.” He growls.

It’s rough, low. Ground-out as if to himself, a wounded sound slipping from his throat. 

His response has a mark forming between your eyebrows. A soft murmuring of his name.

Logan’s face dips, eyes closing as he inhales. Then, without warning, his knuckles cradle against your throat. 

Wrist flexing as two of his claws spear forward on either side of your neck. Punching through the training mats and sinking deep into the concrete beneath.

Pinning you completely under him, your hips dropping as your free hand wraps around his forearm. A tug of fear ripples through you, but he doesn’t budge.

“Logan,” You repeat, gasping, “What are you doing? What’s wrong?

This isn’t like the times you’ve sparred before. He’s never drawn his claws. You don’t heal like he does - you both know it. Never using more than a loose fist, an open palm in your sessions. 

He’s breathing heavy. Holding himself over you, his other hand still wrapped firmly around your wrist. 

“I’m gonna let you go.” It comes out ragged, through clenched teeth.

“And then I need you to leave, and lock me in after.” Only now does he look at you - his dark eyes burning, “You understand?”

His voice is so rough that it makes your skin prickle. Heat licking down your spine, stoking the embers that have settled low in your belly. 

“I don’t.” It comes out hushed.

How can you? It’s like a flip has been switched, in those few moments. Did you truly misread everything? 

His eyes haven’t left your face. There a peek of his tongue against his lips, the words coming slowly, “Don’t wanna do something you’re gonna regret.”

And for a moment, time stands still. An ache in your chest that’s so different than the one between your thighs. Finger unfurling, reaching.

Slipping up his arm, touching his cheek. He flinches, eyes fluttering shut as he holds his breath. 

“What could I regret with you?”

If it were anyone else, the question would be stupid. You should be running from the man that has you pinned to the ground, claws drawn. Another twitch and you could be dead - the middle unsheathing to pierce clean through your soft throat.

“Whatever it is, let me help you.” Your voice is gentle - coaxing -  and for a second, he leans into the touch. Palm pressing against heated skin, and you gasp, “You’re burning up, Logan.”

“You can’t help me with this.” He rasps with his eyes closed, voice strained. 

Your head shakes, “Let me try.”

A long pause lingers. The room filled with the uneven intake of breath. Logan’s words coming slowly, as his eyes open - dropping down to your throat. And then away, like he can’t bear to even look at you, “Does the word rut mean anything to you?”

It feels like something stirs again inside you. The flutter of wings, not unlike the feeling when you tap into your power. Like threads slipping your fingertips, connecting you down to the earth below. 

“Animals have ruts. Deer, elk, creatures like that.” A beat, as you begin to understand. Heat flaring in your cheeks at the implication, “But, not… not humans.”

He grunts, shifting.

It takes everything not to let your chin tip down, to look. 

“They do where I come from.” 

Pieces start to fall in place. His increased irritability around you lately. Territorial. Aggressive. 

Blending in to what you know, in your connection to nature. Those animalistic instincts that linger in your blood long after you’ve shed your beast form. 

Desire. Mating. An urge to breed. 

Oh, fuck. 

You squirm and he makes a warning sound without thinking - a rough rumble from his chest. His weight shifting on top of you, still hovering.

“How do you handle it?” 

His eyes flicker up to yours, then away again. Jaw working, a breath before he answers, “Take care of it myself. Or, I’d find someone to work through it with me.”

Even as you’re scrambling to make sense of it, you understand his insinuation. It stuns you into silence. You cannot allow that. The thought sends your heart crashing into your guts. 

Your chin tips up, defiantly.

“Let me help you.” 

Those dark eyes narrow as they snap to your face. Your words softening, as your thumb sweeps across his skin, the scruff of his cheek.

“I want to help you.”

Logan laughs, the sound ragged. Showing the points of his canines with the shake of his head. 

“You don’t know what you’re asking.” His voice is smoky-low. Rough as it scrapes across your skin, leaving goosebumps, “You couldn’t take me.”

Your heart feels like it’s pounding in your throat. Heat licking down your spine, and surely he can feel it - the flutter beneath the press of his knuckles. 

“I can.” It comes out breathy. Insisting. 

His tongue brushes over his lips as they part. A tilt of his head as he lowers himself. His knee pressing against the meat of your thigh, nudging. Opening your legs up further. Spreading them wider. 

“I will ruin you.” 

It’s growled in your ear. Each word coming slowly, as he lets the hard curve of his cock grind against your core. His meaning unmistakable, his voice pitching down with a ragged groan. 

“I want you to ruin you. You understand?”

And, you do. It floods through you, sending your nerve endings alight. Imagining how he would handle you, take you. The space between your thighs throbs. 

His admission - the rasp of his words and the heavy nudge of him against you makes you do something very selfish. 

And very stupid. 

You’re just able to reach your thigh holster now, with this new angle. The quick fumble of your fingers to loosen the small dagger.

The metal side of his claw pressing into your skin as your head turns. Before he can move, a flick of your wrist sends it through the air.

Your aim is slightly off, but it does the job. Seating itself in the control box by the door, a sizzle as the wires are cut.

A metallic snick as the doors lock. The lights click off, plunging the room into darkness. The ground bathed only with the stripes of sun that stretch across the floor from the row of window along the wall.

Logan lets go of your wrist, but leaves you pinned. His fist curling in the strap of your tank, knuckles pressing against your throat as he yanks you forward.

“Why the fuck would you do that?” Logan snarls, “You want me to use you?”

His words make you whimper. A soft little whine that has his hips dropping further. An unconscious rut against your core, leg muscles flexing as you clench around nothing. 

You meet his second thrust, your body curving against his. Head tipping back as the seam of your leggings nudge against your clit.

“Fuck.” It almost sounds awed now, his words soft and slow, “You do, don’t you?”

Letting his full weight drop, as your hands grip onto his shoulders for purchase. You had thought you were pinned before, but he had still been using his knees, his elbows. Hovering, in an attempt to keep control.

Now, you can feel all of him, as his body maps against yours. Pulling a rough groan as his hips flex, grinding himself slowly against your core. 

“Logan, please.”

He growls. Fingers unfurling from your shirt. Ghosting down your side to fit against the curve of your hip. Biting into flesh with a bruising force, as his face buried in the crook of your neck. A hot exhale against your skin, as he pants - finding a rocking rhythm, as his body curls around yours. 

You can feel the way his muscles tense with each needy snap of his hips. The way each breath pitches into a near-silent whine, as he seeks friction. 

It’s not enough, as much as he wishes it was.

“I need-” Logan rasps, “Tell me to stop and I will.”

The hand on your hip snakes between you. Roughly tugging on the belt of his suit, until the clasp opens. All while murmuring assurances, half to himself.

“I’ll let you go. Work through it myself-”

That need he speaks of rolls off him in waves. Facial hair scraping against your cheek. The brush of his lips against your throat, just above the cool press of his claws.

“Don’t stop.” It’s easy to answer. Easy to lean into what he offers you, all those sweet promises wrapped in steel. 

The groan he makes is filthy, “Give me your hand.”

Your fingers unlatch from the vice-like hold on his suit. A broad hand wrapping around your wrist, as he tugs you where he needs you. The tips brushing heated skin, making you gasp. 

“Make a fist,” He rasps, “Fuck, that’s it.”

Lining himself up, pushing his bared cock into the circled grip of your fingers. Using you like a cheap imitation of what he craves, as his desire leaks from him. Slicking up your fingers, with each roll of his hips. 

He’s heavy in your hand. You can feel how your fingers stretch - flexing, opening, with each forward thrust. Barely able to circle around, fingers splitting when you reach his base. 

You can’t help but move with him. Hips rocking up, to match his messy rhythm. The knuckle of your thumb pressing against your seam, nudging at where you ache for him.

“I can smell you, sweetheart,” Logan moans, his nose dragging along the curve of your jaw. Lips parting so he can test his teeth against a spot under your ear, the pressure making you shiver, “Your pussy’s leaking, thinking about me.”

Your eyes flutter shut, as you whine. Squeezing his cock a little more tightly, wishing it was filling you instead just your fingers. 

“I’m right, aren’t I?” He husks, “You think you can take it?”

You want anything he’ll give you. And anything is better than the way he’s teasing you. Palm slick with his desire, your own soaking through the soft fabric of your leggings.

“I want it. Want your cock,” You breathe, “Want to fuck me, please-”

There’s a final jerk of his hips against you, his voice gruff as his thighs shift.

“Stay still then, sweetheart.”

There’s the sharp rasp of adamantium against stone as they withdraw from the floor. His knuckles easing carefully from your throat as he leans back. Eyes dropping down, considering.

Barely a heartbeat before there’s the kiss of metal against skin, as the edge of a claw hooks under your shirt. Your breath held as it slips up, between your breasts. 

A tug, and the fabric is shredding. Fibers splitting until the drag of the sharp tips, from belly to throat. Baring you, the air in the open room chilling your heated skin as you gasp.

Nipples already pebbled as his mouth descends. A needy moan loosening when he kisses at the curve of your tits, his tongue flattening across a tight peak. 

Your arms wrap around him, their duty forgotten. Distracting you as his claws shift down. Your breath catches, but then there’s the sound of them sheathing - slipping back under his skin. 

His hands finding the slice he made in the waistband, making short work of the rest himself. Ripping your leggings open - dragging your thighs over his as he leans back on his knees. 

And looking down, it’s only now that you can fully see him. The familiar, worn yellow suit that shows off how broad he is. Zipper yanked down at the crotch, his cock pulled through with his impatience.

Eyes widening, when you realize there’s more to him than you though. Hanging heavy between his thighs, pretty and flushed. A thickened bulge sitting where your fingers had split - what you had mistaken for his base. 

“Need to be inside you, sweetheart,” Logan’s hand already wrapping around his shaft, dragging the tip across your cunt, “Don’t make me waste a drop, alright?”

Fingers tugging the gusset of your panties to the side. Letting the tip slap against your clit. It glides against you, slipping against your combined arousal. Seeing how you flutter as you clench, your own need spiking.

“Logan,” You beg, “Stop teasing, please-”

He makes a rough sound. Almost a laugh, if it didn’t sound so pained. 

“Just listen to you. Begging like you’re in heat,” He grunts, “Don’t worry, I’ll give you what you need.”

The tip dips down, nudging at your entrance. Lining himself up, before his hips drive him forward. The sudden pressure chokes you - a bitten-back cry as your muscles string tight, thighs clamping down around his waist.

“Fuck, I’ve dreamed about this.” He growls. Spearing into you an inch at time with a long, fluid motion. Fingers biting into your thigh, holding you open as your own scrabble against the mat - searching for something to hold onto.

“Tugging down those leggings. Fucking you into the floor.”

You can barely contain the whine. Brow furrowed, as he splits you open. Your pussy making room for him until the swollen ring at his base cradles your entrance. 

Only able to inhale a short breath before he’s moving. Hands catching your legs, slipping to the joints of your knees where they press into his ribs.

Pushing your thighs back towards your chest, opening you up further, as his cock drags along your walls. He feels deeper, bigger - groaning at the way you clench so tightly around him.

Better than any of those daydreams, as he leans into you. Chasing that animalistic urge inside to bury himself fully in you, ensuring that you’ll take every drop.

Your fingers bite into his wrists. The breath pushed from you with each thrust, feeling like he’s deep in your belly, as that swell stretches at your opening.

“Thought about it too,” You admit with a gasp, as that heat inside you burns, “Wanted you, like this.”

“Yeah? I bet you did.” He grunts, as his thighs snap against your ass. Leaning over you now, eyes fixed on yours. Close enough that you can see the glaze to them, lost in his need for release. 

Before his eyes drag down. Seeing where you’re stretched around him. Another shallow nudge, urging himself deeper. His thumb pressing at your entrance, before slipping back to hook around the swell.

“Good girl like you’d take my knot too, wouldn’t you?”

His knot. Your head shakes. He barely fits at is. You can feel every ridge as he ruts into you, every thick vein, “I don’t think- Logan, that won’t fit-”

The thumb shifts up. Pleasure burning through as he rolls the pad across you clit. His brow pulled in concentration, but there’s a flesh of white teeth.

“Sure it will, baby.” It’s slick, how he touches you. His cock grinding again and again against a spot that steals your breath, “You were made to take it. We’ll make it fit.”

It makes you moan. Your fingers sliding into his hair tugging at him. He comes willingly, a soft sound as his mouth dips to press against yours. Turning hungry as your lips part. Rubbing at you as his tongue strokes against yours, deepening the kiss. 

The pleasure licks in your veins, a molten feeling building in your core. 

A rough murmur against your lips, “Tell me you want it. I’ll make you feel good, sweetheart.”

You parrot it back to him without thinking, hips chasing the press of his thumb. 

“I want it,” You keen, “Your k-knot.”

Willing to do just about anything he asks if he keeps touching you like this. If he keeps rutting against the spot that makes your arousal leak around his cock, each drive of his hips loud and messy in the quiet room. 

He groans, the hand at your thigh pinching, sure to leave bruises tomorrow. The fingers at your clit slipping up to splay across your abdomen, his palm hot again your skin. 

“Yeah?” Logan husks - pressing down, almost as if he can feel himself buried inside you, “Fuck, you’d look so good filled with my pups.”

His rhythm going sloppy, as a hand slips up to palm at your breasts, “These pretty tits nice and round. Wouldn’t be able to keep my hands off you, baby.”

Some of his words are new to you, but your body still reacts to his tone. The need, the longing. An intrinsic understanding of what he wants, even if it’s impossible with your implant. It still doesn’t stop your hand from slipping down to replace his.

Of pretending, with him. 

The circles practiced, leaving him to concentrate on his own end. Soft panting cries pulling from you as the pounding of his hips drags you closer. 

He’s close, as well. Those sharp thrusts growing shallow, messy. Letting go of your thighs, letting them wrap around his waist as he drives you into the padded mats. Burying his face in the crook of your neck, lips pressing against your jaw. Tongue dipping out to drag against a spot on your neck that makes you go slack in his arms. 

“Should mate you,” He rasps. Teeth pinching down, where his tongue just was, “Bite you right here. Make you mine.”

The words tip you over the edge. A ragged gasp as your pussy clamps down around him, blood thundering in your ears. Nails catching on the panels of his suit as you cling to him, moans ripped from your throat as you pulse around him in time with your thudding heartbeat.

There’s no sharp bite of teeth. Just a muffled groan against your skin as he grasps at your hips. The sharp feeling of pressure increasing, as something thick works its way inside you. You keen as it stretches you, swelling so he can’t withdraw. 

Twin ragged moans, as you’re joined together. 

He comes with you squirming on his knot, his lips pressed against your throat. Sweet nothings murmured - “squeezing me so fucking tight, baby”, “gonna need you to take every drop, atta girl” - his cock throbbing as he spills inside you, pumping you full.

Still grinding into you. It draws your own orgasm out, with the way he’s rubbing against your walls, nothing left untouched. Overstimulation flickering at the corner of your mind, but you’re locked in place as he breeds you. 

Understanding what he meant by using you - you feel it now. Fucked out and boneless and it sends another gush of sticky need between your thighs. 

The sharp, panting breath starts to ebb. The ghost of his teeth becomes the nuzzle of his face, that strung-tight pull of his muscles turning liquid as he relaxes into your embrace. 

“Why were you so worried?”

It comes out hushed, in the now-silent room. You’re sore - will be, tomorrow. Pleasure-drunk certainly, but not quite as ruined as he promised. 

Almost to your disappointment. 

“That wasn’t too much.”

Logan laughs, the sound dripping with condescension. A flex of his hips, still knotted inside you. Cum leaking from your swollen pussy, smearing against your inner thighs.

“Oh, sweetheart.” He coos, “Ruts can last for days.”

His fingers drop, dragging through his spend. Finding your clit again, rubbing slick circles against the tight little bud. 

Intent on doing this one himself. 

“We’re only just getting started.”

[moodboard] // I had two ideas for his claws after the movie - this was the second one! This is my first time writing something like this, so keeping it a little light with the dynamics 💖 thanks for reading!

and speaking of - I have to link this amazing alpha!logan thot by the incredible @avocado-writing! please check it out! 💕

[thankskenpenders]

The Lara-Su Chronicles: Beginnings review

The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.

Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.

Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.

So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?

I'm here to answer those questions as best I can, and in agonizing detail.

First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.

"What the hell is this?"

The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.

We'll get to the actual contents of that book in a bit.

"He can do that without getting in trouble with Sega?"

Believe it or not, yes, he can.

Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him and Archie (acting on behalf of Sega). He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.

All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.

Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.

"What about his old collaborators? Are they involved? Is he paying them?"

Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.

On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.

The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.

"What about those other Archie Sonic reprints he just announced?"

At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.

So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.

He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.

Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.

"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"

Yes and no.

The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.

Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!

In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.

After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.

And now that we're all on the same page about what we're looking at, let's actually talk about the book!

The cover

Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?

The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.

Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.

Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.

And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.

Changes to "Mobius: 25 Years Later"

Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.

There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.

The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.

Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.

My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.

The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.

Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.

Moving on!

New story #1: "The Storm"

If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.

This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.

The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.

The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.

The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.

When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.

But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.

Because it's eleven pages of characters standing around and talking while nothing fucking happens.

Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.

To be continued!!!

Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.

I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.

...Maybe more will happen in the next story?

New story #2: Shattered Tomorrows preview chapter

After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.

Yep! Straight into the dad stuff!

Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"

This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."

Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.

Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.

But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.

Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.

Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.

It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?

The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.

And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...

The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.

Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.

(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)

Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.

It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.

But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?

The vibe isn't great, is what I'm saying!

I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.

But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.

Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.

And that's pretty much it!

This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."

After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.

Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.

Bonus material: Data files

These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.

Lara-Su

The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.

This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.

Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.

There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.

Geoffrey

Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:

"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."

Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.

Remington

His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)

Lien-Da

She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:

Commander Taelor

We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.

Julie-Su

She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.

Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.

And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.

With my name on the list. Because I had to buy a copy to cover it for the blog.

My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.

Yep. He got me.

Is it at least a well put together book? Like, in terms of manufacturing quality?

Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.

The formatting and graphic design work, on the other hand...

(I didn't crumple those page corners, it came like that.)

For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.

I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.

The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.

It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?

Closing thoughts

Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.

I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!

Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?

Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.

Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.

Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.

But I still have to pity him.

As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.

This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.

I guess if I want people to take anything away from this review, it's this:

Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.

And lesson two: Don't buy Ken's books.

[rowarn]

afab!reader, no prns, praise, edging, wet&messy, könig using ur clit as a fidget toy <3

könig, a trained lethal soldier, who suffers from anxiety. you would never know if you didn't know what you were looking for.

his biggest tell, for you, is the way he fidgets. with you.

you're like his own personal little fidget toy. his hands are always on you, kneading and squeezing your skin. most times you don't mind, you rather like having him touching you — your thighs, your waist, your butt, wherever he can get his hands honestly.

but sometimes...his hands wander. it's mindless, truly.

his eyes fixated on the tv playing some random show he decided he wanted to watch. but you couldn't pay attention, not when one big hand was shoved up your shirt groping your breasts and the other was haphazardly stuffed into your sleep shorts and under your panties.

he's toying with you so mindlessly, callused fingers sliding over your clit that has grown increasingly slippery with how wet you've become. occasionally he dips down to prod at your slick entrance.

his movements have no rhyme or reason. he's not even moving very fast. just sloppy back and forth flicks and occasionally he simply taps his fingers against the little bud that has grown so sensitive from his playing. sometimes, when something interesting happens on tv, he stops completely until the desire the fidget returns to him.

you're sitting with your back against his chest, situated between his spread legs sprawled cozily on the couch. he can't see the heated, dazed look on your face from the come-and-go pleasure he inadvertently gives you. he's edging you without even realizing it, full attention still focused on the damn tv. he isn't even hard.

that thought alone is enough to make you clench around nothing. he's really just playing with you like a little toy and that thought is so hot to you. it makes you cheeks burn in embarrassment as you continue to leak into your panties.

if you listen close you can hear with wet clicking noise that comes with his movements. your eyes roll back in your head as that sound alone has your back arching but you quickly settle yourself down, not wanting to tear his attention from the tv — he so rarely had time to settle down and just enjoy tv, you didn't want to disturb him.

the episode he's watching ends and you cast a hopeful glance up at him but he's waiting for the next episode to start and it makes you whine against your own wishes. but your clit is so hard and twitchy from being edged that it's actually hurting and you're so wet now that your panties are uncomfortably sticky.

it's your whine that gets his attention, pretty blue eyes flicking down to your face where he finally sees the desperate way you're looking at him, teary eyes and swollen lips from biting them to keep quiet. you can see in his eyes when he registers how soaked you've gotten his fingers and he has the audacity to look sheepish.

"ah, my sweet..." he whispers, ears tinged pink, "i-i'm sorry, i did not realize..."

he moves to pull his hand out of your panties and you whine again, grabbing his wrist with both hands to stuff him back down. your nails bite into his skin and he stops trying to pull away, instead pushing his hand back down and it's then that he fully resisters how wet you are.

"don't stop, please...i-i've been so close..." you pitifully beg and he takes pity on you. how precious of you, he thinks.

"i'm sorry, my love," he coos, fingers starting to work once again — properly this time with quick little circles on your clit, "i'll make you cum for being so good for me."

you can't even formulate words, instead nodding and spreading your legs even further apart, your feet on either side of his legs. he hums softly in your ear, chin hooked over your shoulder as he watches his hand move under the fabric of your shorts.

he spreads your sticky folds apart and begins to swirl messily around your clit, occasionally lightly tapping against the bud just to watch the cute way your thighs twitch at the feeling. you reach back and clutch his t-shirt in your fists to ground you. his cock throbs, churning up quickly, at the loud, wet noise of him playing with your cunt.

it doesn't take long at all before your stiffening against him and twitching in his lap as you cum with a cute little gasp of his name. he moans softly in your ear as he feels your clit throb under the pads of his fingers. you let out the loveliest moans that has his cock hardening fully against his thigh.

when you slacken against his body, aftershocks making you twitch periodically as you pant, he's tempted to stop but the fact you had sat there so sweetly and let him practically torture you while he watched his show made him want to make it up to you.

he sees the excitement in your eyes when his fingers dip lower and begin to press into you and he can't believe just how sweet you are. your so sticky and wet with the amount of cum he worked out of you with such ease.

"let me really make it up to you, my little one..."

[the-thing-inside-your-closet]

The Feast!

Inspired by this post

Danny, now an adult, works as an engineer and tech developer for Wayne Enterprises. One day, he has to bring his daughter, Ellie, into work with him. Ellie’s school had been temporarily shut down after a rouge attack, and the campus isn’t yet safe for the students to return to.

Danny had been ready to call into work to request the time off he’d need to watch his daughter until the school could be re-opened. However, his bosses seemed to be aware of the situation, and the predicament faced by many of the parents who worked for them. And a company wide email was sent out advertising Bring Your Kid To Work Day! Wayne Enterprises was offering all employees with children too young to be left home alone unsupervised the opportunity to bring their children in to work with them for the week, as that was the timeframe thus far given for when the school would be safely up and running again.

Danny is relieved that he wouldn’t need to take any unpaid time off. Nor try to find a last minute babysitter who’d A: Danny could trust to watch his little star, and B: be willing and able to watch her.

When he tells her about coming to work with him, Ellie is ecstatic! She gets to see where her dad works! And she gets to meet his work-friends! She’s so excited! She wants to make a good impression, so when Danny has gone off to begin cooking dinner, Ellie begins to make plans.

The next day, Ellie has woken up early and already gotten herself ready. She decided to wear a large poofy jacket and a pink too too over the top of her jeans. She has her backpack, filled with things to entertain her.

Once they’ve arrived and Danny has introduced Ellie to a few of his co-workers and some of their own children on the way to his desk. Along the way, Danny and Ellie pass by several offices and a we meeting rooms. It’s in one of these meeting rooms that Ellie spots her first target.

She quickly slips into the room before Danny can notice she’s run off and approaches the young man, teenager?, hunched over some papers reading intently. He’s got bags under his eyes that rivalled Danny’s back when he was still actively protecting Amity. He looks like he’s living off of nothing but caffeine and spite alone, and hasn’t had a proper nights sleep in months.

None of the other various businessmen and women in the room have noticed her presence yet, as she silently wanders up to the sleepy boy-man. She reaches into her pocket and just as she’s about to pull out her little gift, Danny has burst into the room frantically having noticed his child has slipped away. Again.

All eyes are on Danny as he apologises profusely for the intrusion, swooping in to take Ellie’s hand. He’s still apologising, now to the sleepy boy-man who is looking at Ellie in awe, like he couldn’t believe he hadn’t noticed her enter the room.

While her dad was still rambling Ellie quickly pulls an orange from her pocket and hands it to the boy-man. He takes it with a curious and perplexed look on his face.

“Ellie,” Danny sighs, “not again.”

Ellie grins and reaches into her jackets to pull out another orange. Danny swipes it before she can hand it to the businessman sitting next to the boy-man. She pulls out another one, and as Danny is grabbing it she slips from his grip and ducks under the table. Ellie runs to the centre of the room and unzips her backpack. She tips it upside down, and what looks to be 20 oranges spill out and roll across the floor.

With a feral grin, Ellie picks up an orange and throws her hands into the air in triumph, and shouts. “LET US FEAST!”

[augustinewrites]

“do you not love me anymore?”

satoru’s (self-proclaimed) adorable pout is rendered ineffective when you refuse to look up from your work, typing away on your computer as his world absolutely crumbles.

“are you a worm?” you ask, wholly uninterested in his theatrics.

“no.”

“then of course i still love you.”

“then what the heck is this?!”

sighing, you finally lift your gaze to see your wallet open and laid out in front of you. “that’s what this is about?”

“you took my favourite picture of us out for megumi’s school photo!”

“that was not your favourite picture of us,” you argue. “you keep that in a locked folder on your phone.” 

(it’s your fault that he thinks of that photo now, having to utilise mental skills he’d learned during unnecessarily sexy sparring lessons in high school to will away the beginning of stiffness in his pants) 

“that’s not the point,” he says calmly, tapping a finger over megumi’s glaring face. “the point is that i’m losing top-billing in my girlfriend’s wallet to a snot-nosed brat with a crush.” 

“really? you’re competing with a seven year old?” 

“it’s not competing if i’m losing!”

“it’s puppy love, satoru,” you laugh, closing your wallet before he can see that his card is inside. “i don’t think he’s ever had someone - that wasn’t his sister - fussing over him.”

“no, he definitely has a crush on you,” your boyfriend insist, draping himself over your lap quite dramatically. “can we still disown him if the adoption papers haven’t gone through yet?”

“no one is disowning anyone,” you tell him, gently pushing back his bangs to plant a kiss on his forehead. “you’ll just have to learn to live with the competition.”

_____

you’re halfway through the show you’re watching when the front door swings open and satoru tumbles inside. “honey, i’m home! nanami almost killed me at the gym.”

“hey, there’s lunch in the fridge,” you call, eyes glued to the television. 

satoru, predictably, is unsatisfied with this. he grabs the mug that you’re holding and sets it on the coffee table, wrapping you in a sweaty hug and peppering your face with kisses. 

“let me love you!” he whines, his hair tickling your nose as he nuzzle his face into your neck.

“you can love me after you take a shower, cause you stink.” your tone is stern, but you can’t seem to fight the smile that grows on your face as he hugs you tighter. 

“this is all for your benefit,” he argues, finally releasing you just to pull the hem of his shirt up. you try to smother the heat rising to your face, but satoru notices, a self satisfied smirk on his lips as he pats his abs. “i’m letting nanami kill me at the gym for you.”

“you’re such a slut,” you mutter, wriggling out of his grasp and over to the opposite end of the couch. satoru relents, staying on his end as he recounts his (apparently) near-death experience at the gym.

it’s a few moments later when megumi saunters into the living room.

“megumi! come sit with me!”

the boy’s nose immediately wrinkles. “you stink.”

his full-force pout returns. “i do not!”

“do too.”

“do not—”

“do too,” megumi scoffs, plopping down next to you and resting his head against your arm. 

“so you’re gonna let him snuggle with you but not me? i’m tired and sore and—”

“and sweaty,” you finish. “go take a shower.” 

he glances down at the kid glued to your side, brows raised as he mouths, crush. 

you roll your eyes, thinking it wise to not engage in any banter in front of megumi. 

(but as your attention returns to the tv, what you don’t see is megumi’s own little smirk, directed right at satoru.

like father, like son.)