#and now the only one who can save him is riku whom he originally shared the paopu with

[ronitas]

Ok welcome to my Kingdom hearts blog where my motto is FDB Kairi, Vanitas and Sora deserved better, Repliku deserved to be with Namine or at least say goodbye to her before disappearing, Sora and Riku shared the paopu first and the ending of kh3 is the result of the paopu gods being pissed because Sora shared the paopu with another and you cant tell me otherwise, Soriku is canon fars Im concerned and every Sokai moment in this game was awkward and forced af, Namine, Roxas, Xion and Ventus all deserved more screentime, we have a million Sora’s but we cant have 2 Riku’s? come on man

So anyway to sum up my main view points

FDB Kairi, KH3 literally made me hate her when before I just simply disliked her

Namine, Xion and Aqua are best gals

Roxas, Vanitas, Ventus and Sora are best boys

Riku’s cool although not my fave he has my respect

Vanitas and Ven should have reconciled in KH3 and possibly reunited, if not then the two should have reconciled and actually had a heart to heart instead of just ‘I am darkness goodbye’ ‘ok’ that is NOT how that should have gone, Xehanort gets to reconcile with Eraqus but not Vanitas with Ventus? gtf outta here man, I didnt expect Vanitas to have some big sappy ooc moment I just pictured something similar to Naruto at the waterfall training with Bee fighting his darker half and only after he learned to accept and embrace it could he move forward, THATS what I expected but nope, what was the point of even bringing Vanitas back if you werent gonna let these two make peace? this whole game has been villains having change of hearts and the worst one of all being Xehanort even has one but Vanitas just goes out as ‘I am darkness’ which makes all the build-up to Vanitas redemption till this point just to have it end like this in the end of the Xehanort saga is a huge slap in the face, so in that regard I guess I empathize with Kairi fans who expected her to do something but did absolutely nothing

Nomura unintentionally confirmed Riku did the paopu ritual with Sora back in KH1 by confirming in this game that the whole sharing of the paopu legend didnt require you to eat it but just giving it to the other person, proven by Kairi simply giving Sora the paopu but neither of them actually eat it yet that was supposed to represent them finally doing the legend thats been built up since KH1 which was supposed to be a huge Sokai moment but it just ended up becoming a huge Soriku one instead lol

Sea Salt trio is best trio next to the Lost trio

Sora and Riku are the best duo

Kairi should have never had a keyblade and not because of my personal bias but because HOW she got to be able to use one shouldnt even be a thing, you shouldnt be able to just touch the handle of a keyblade wielder and be able to use a keyblade no, it should be like what Terra did formally bequeathing Riku that ability the same should have applied to Kairi and everyone else, Sora touching Riku’s light is excusable because the keyblade chose him which is the ONLY other way someone should get a keyblade is if their CHOSEN by the keyblade itself, please tell me why the keyblade would choose Kairi, what has she done to EARN or DESERVE a keyblade? be a princess of heart? shouldnt all of them have keyblade then? no? of course not cuz thats bs, there is no reason thats why she needed just a half-assed excuse as to why and how she got one, hell even Axel had to prove himself to earn his keyblade, Kairi’s literally the only one who it was just handed to with minimal explanation

I love Sora but I swear in some areas in KH3 it felt like I was watching 2 different people, our Sora and whoever the hell that was

Kairi should have stayed dead in KH3 not just because of my personal feelings toward her but because they literally set it up in POTC with Wills death and Elizabeth being strong and going on without him and then Xehanort kills Kairi and although I knew it was unlikely I figured it was even MORE unlikely that Sora would be the one who dies because hes the protagonist and Nomura literally said Sora would continue to be the protagonist in future games so it’d make more sense for Kairi to die and Sora just having to learn to live on without her and accept the fact that no matter how hard he tries he CANT save everyone, but nope Nomura just pretty much tossed that opportunity for growth and development with Sora and just lets him abuse the power of waking and die for some chick who didnt deserve it that he already killed himself once for this SAME person in KH1 only this time it was alot less impactful but just really infuriating and unnecessary and just overall pointless

Kairi shouldnt have been in the final battle, PERIOD, Roxas should have been brought back earlier on and HE be the 7th light needed while Kairi hangs back and keeps training with Merlin, the fact that anybody let an amateur into the final biggest most dangerous fight ever for her first time using a keyblade on the battlefield boggles my danm mind that even Sora or Riku or Yen Sid didnt tell her to sit this out because she WASNT ready or hell Kairi HERSELF saying she shouldnt go acknowledging that she herself isnt prepared for this serious a battle and she doesnt wanna get in their way and risk them getting hurt trying to protect her, the fact that NEITHER of these happened boggles my friggin mind and please dont say ‘well they needed a 7th light and Roxas needed a spark yatta yatta yatta thats why’ because I can make a whole separate post about why thats bullshit and how it could of happened if the writing was actually GOOD and SENSIBLE there

I cant stress this enough but I DO NOT CARE about the pairings in Kingdom Hearts and I wanna be very clear on this

I do not care if Roxas ends up with a friggin tree or Axel smashes a toaster or Riku with Xion or Sora with Isa IDGAF about shipping in KH because there is way more important things going on then to worry about who gets with who, the only reason I care about Sokai is because I love Sora but despise Kairi and think he can do so much better and even if that ends up bein a frog IDC just as long as it aint her so its really not about the ship but more about what a garbage character Kairi is

I have plenty of ships that I like, but I could care less whether or not they become canon because to me thats just a bonus not a necessity I’ll still enjoy the pairings regardless

KH is supposed to be a combination of Disney and Final Fantasy, if Nomura separates from FF hes makin a huge mistake, you cant remove part of what literally started the franchise in the first place

I think thats about it but If I think of anything else I’ll add it here but yea thats pretty much it, those are my basic views for the series so far so either take it or leave it, if you disagree then just agree to disagree Im not tryin to change any of your opinions and you cant change mine, scratch that you cant change my opinion on Kairi but Im open minded on just about everything else so maybe my opinion CAN change in some areas but Kairi is the one area it wont

[cloudofash]

The Future of the Destiny Islands Trio - Part 2

Please read Part 1 here.

*SPOILERS AHEAD*

Kairi and Riku : Now

So this section will be far shorter than the last one simply because, once again, Kairi and Riku barely interact throughout the entire game so there unfortunately isn’t much to analyze. I won’t go too in-depth into Kairi and Riku’s relationship in past games since I already wrote a detailed analysis of their relationship in my Jealous Riku series, but I’d like to highlight some points for those who are new to my posts. For one, Riku and Kairi’s relationship has had some tension since the very start of the series. A few cutscenes into KH1, Kairi suggested to Sora that she wanted to take the raft, leave the island and abandon Riku because she sensed that he was “changing” (which was most likely his growing darkness). On the other hand, Riku used Kairi as a tool to guilt Sora for running around the worlds with his new companions, Donald and Goofy, whom he felt replaced him. The conclusion of the analysis of how they treat each other is that they are in the middle of a silent tug o’ war with Sora in the middle. Silent because they don’t outright say they’re against each other but their actions reveal the truth. There is a lot of evidence to support this throughout the series into KH3, even symbolic evidence which I’ll get to towards the end. We will focus on KH3 for this theory but I will reference past games to show that their behavior towards each other isn’t new.

So in KH3, the first time we know Riku and Kairi interact is during the paopu fruit scene. We don’t get to see them interact directly, but when Sora asks why Riku is all alone Kairi responds that he said he needed time to himself so the two must have spoken. Kairi then uses this time to offer Sora a paopu fruit, leaving Riku out of the equation. If we are to believe Kairi and Riku are good friends, wouldn’t she have wanted to share a paopu fruit with him too? Contrary to popular belief the paopu fruit isn’t just a romantic symbol. The paopu fruit intertwines destinies which can be completely platonic as proven by the Wayfinder Trio, their wayfinder is based on the paopu fruit. Even if she intended to share the fruit with Sora romantically, she could have waited until Riku was done spending time with himself to invite him over so he could also share a fruit as a friend.

Say what you will but this behavior is only present in the Destiny Islands Trio group. Aqua, Terra and Ventus all have their own Wayfinder and they all laid them together on Eraqus’ grave, no one was left out. The Twilight Town gang all ate popcicles together, not just the Trio but Hayner, Pence and Olette as well. They even included Isa after kicking his ass around. Yet the Destiny Islands Trio finally have their moment to share a paopu fruit together and Riku is excluded? This was clearly intentional, it’s further evidence of the hidden strain between Riku and Kairi. They’re barely speaking to one another. Kairi acts like a complete opportunist and waits until the exact moment Riku is by himself to share a paopu fruit with just Sora, which mirrors how she wanted to take a raft and runaway with just Sora. When Kairi gets slashed into pieces by Xehanort Riku gasps but barely moves, yet he leaps into action when Sora is blown back by Xehanort. How are we honestly supposed to believe these two are even regular friends, let alone good friends? The story does not set these two up as friends in even the slightest way, at most these two are associates because they both hang around Sora.

Even after Sora is sent off to Limbo, there is no evidence that these two are speaking much. When Leon asks Riku how the others are doing, Riku tells him about the Wayfinder Trio, Twilight Town gang and even Mickey, Donald and Goofy and literally stops there. It takes prodding from Aerith for him to even speak on Kairi. 

This isn’t a small, insignificant detail. Riku doesn’t even think to mention Kairi, could you imagine this happening with any of the other trios? Aqua, Terra and Ventus couldn’t shut up about each other, and neither could Axel, Roxas and Xion once they remembered her. How could Riku “forget” to mention Kairi’s progress, a member of his Trio? These two aren’t thinking about each other at all. We saw Kairi exclude Riku from the paopu fruit scene and now Riku doesn’t even bother to mention her unless someone else brings her up. Aerith isn’t even a part of the Trio, nor has she ever met Kairi in person (that we know of) yet she thinks of Kairi before Riku does? Riku’s connection to Kairi, if there is even one at all, is so weak that characters outside of the Trio seem to have a stronger bond with her than he does. In fact, Riku has a stronger moment with Terra than he does with Kairi. Terra acts like a proud big brother to him when he marvels at how much Riku has grown and that he has gained the strength to protect what matters. 

Hell, Riku has a stronger moment with Roxas than he does with Kairi in the entire game - he literally played tag with him and Terra on the beach in the ending cutscene. This comes after he and Roxas beat the crap outta each other in 358/2 Days, and we never really see the two reconcile or apologize but they seem to be okay enough with each other to race and play.

Sorry for the crappy screenshot quality, it was hard to get since they move fast!

These are the kinds of interactions we need to see with Riku and Kairi. It’s not enough to say they’re friends, if they are truly meant to be friends then it’s time to show it. 

Riku vs Kairi: The Symbolism in Their Names

Aside from the growing amount of evidence in the games that there is subtle tension between Riku and Kairi, we can also point to evidence in their names. No, this isn’t a stretch. Nomura is very careful about naming his characters and Nomura himself explained that he named Sora as he did because the sky represents Sora as a character and his personality. He named Riku and Kairi “land” and “sea” to go along with Sora’s naming convention and to represent their relationships with Sora. 

If we look at the KH3 title screen, we see Sora and Kairi eating their separate paopu fruits and walking off….into the sea. Kairi’s name means “sea/ocean”. What happens when you walk further and further into the ocean? You get further away from land. Riku.

The further Sora goes into the sea, the further he is away from land. The more Sora chases Kairi and centers his world around Kairi, the further Riku is from the trio. And we literally see this in the game. Kairi shares paopu fruits with Sora and leaves Riku out, Sora goes off to save Kairi alone and leaves Riku behind. Both of them have alienated Riku in some way. Riku is accepting this, we see him taking a step back and believing in Sora and Kairi’s relationship.

Riku clearly believes Kairi is what’s best for Sora now, but this goes completely against Riku saying “Sora needs me” in DDD. If we go by the original Japanese dialogue,  Riku’s entire journey was finding the strength to protect his “precious person” (the word used in Japanese is “taisetsu” 大切 which can also translate to “someone dear, beloved”. Ring any bells?), not his friends as a whole but a specific person. That person is obviously Sora, Riku’s journey has been centered around saving Sora. Riku is now at a point where he believes Kairi is the one who is better suited for Sora, to protect him and keep him happy, not him. He’s taking this well and not stooping to jealousy like he did in KH1 but this doesn’t mean that Riku is completely happy about being left out. I will go further in depth for the next part where I’ll focus on Sora and Riku’s relationship.

Kairi and Riku : Future

So where does Riku and Kairi’s relationship go from here? It’s honestly hard to say. If Kairi comes out of her sleep and helps Riku look for Sora, then maybe they’ll finally have moments where they talk and behave like friends. This is assuming Riku decides to include her. After you view the Fairy Godmother scene in the LimitCut episode if you go back into Radiant Garden you’ll have a chance to speak with the FF crew. If you speak to Aerith once or twice she will say “Are you going to tell Kairi?” in reference to his dream being a key to finding Sora. This is an interesting piece of dialogue and it begs the question: why would Aerith ask this unless she had doubts that Riku would tell her? Just something to think about.

There are two ways this can go. Either Riku will not tell Kairi about his dreams and go off on his own to save Sora, or he will tell her and the two will go together. In other words we could end up with either a Riku and Kairi game, or a solo Riku game where he goes to save Sora again possibly Dream Drop Distance style. We will have to see. Thank you all for taking the time to read Part 2, Part 3 will be coming soon!

[themattress]

Ah, see, a chapter from this crappy book was put online.

Many comments down below argue against it, point out what’s wrong with it, and deconstruct its main thesis....but I feel I can do it better, so that’s what I’m going to use this post to do.

When I played Kingdom Hearts II for the first time, one moment stuck with me above all else.

Wow, OK, so this one moment (the Sora/Riku yaoi bait moment) stood out above all other of the many magnificent, memorable moments in the game to you, did it now? Goes to show where your priorities are, and they are NOT where most KH players’ are. But yeah, you’re such a KH “expert” whom we should totally take seriously. After all, you wrote a book! 

Before the final string of boss battles, after reuniting with Kairi—a brief hug and the murmured words “this is real”—Sora prepares to continue his trek through The World That Never Was to find Xemnas. Ansem, tall and ominous in his black coat, watches this exchange from a dozen feet away. Silently, he turns and begins to walk away, only for Kairi to run after him and demand, “Riku, don’t go.”

LIE! This is NOT how the moment went at all. The hug was not “brief” - Kairi throws herself at Sora out of pure emotion, hugs him, says “this is real”, and then Sora, recovering from the surprise, closes his eyes dramatically and emotionally as she hugs Kairi back, tightly. This shared hug lasts long enough for Donald and Goofy, our resident in-game Sora/Kairi shippers, to nonverbally react to it with happiness. This moment is given respect and weight, and it only falls flat for you because you don’t care about Kairi or Sora/Kairi.  Sora also does NOT “prepare to continue his trek”, he and Kairi both only get snapped out of the hug when “Ansem” tries to leave. Also, let’s see how long it takes for you to gloss over Kairi’s role in making the reunion happen, even when you admit Riku would have left if not for her. 

(Btw, the hug and Sora crying on his knees both lasted the same amount: 20 seconds.)

Sora spends every free moment he has in Kingdom Hearts looking for Riku, inquiring with everyone he meets about his whereabouts and lamenting his absence.

LIE! This is NOT what Sora does with “every free moment” he has. There are other friends he genuinely wants to catch up with, other people he doesn’t particularly need to help but does, mini-games he wants to play...oh, and after Kairi is kidnapped, he also asks about her in addition to Riku, even to the point of getting on his knees and begging Saix to take him to her. Nobody’s arguing that Riku isn’t very important to Sora, but you are very deliberately and dishonestly slanting things to make it look like he’s all he cares about to boost your argument.

But the moment Kairi speaks Riku’s name, Sora’s face twists, displaying a confusion and pain we haven’t seen before. 

LIE! Sora’s face is first one of “WTF!?” surprise, and then of just-plain incredulous confusion - he doesn’t immediately believe that “Ansem” is Riku and is likely wondering if Kairi’s lost her mind. And really? We haven’t seen these expressions from Sora before? You need to replay this game which you believe yourself to be such an expert at that you write a book about it.

A slow, almost mournful song plays in the background as Sora closes his eyes, and looks past Ansem’s guise to Riku, the friend he has so desperately searching for. 

Aaand you neglect to mention that it’s because of Kairi’s powers that he is able to look past Ansem’s guise to Riku, and that as the song plays in the background, we see all three friends joining hands. Heaven forbid you imply that Kairi means anything to Sora and Riku.

Taking Riku’s hand in both of his, Sora falls to his knees. “It’s Riku. Riku’s here!” he cries, weeping and visibly shaking. “I looked for you! I looked everywhere for you!” The scene reminds me of a moment earlier in Kingdom Hearts II, where Saix kidnaps Kairi. Saix calls Kairi “the fire that feeds Sora’s anger,” assuming that harming the girl will rankle Sora, leaving him emotionally vulnerable. This statement is wildly incorrect: Sora’s fervor for Riku far outweighs his fervor for Kairi—or for anyone else in the game. Riku is Sora’s fire.

LIE! The scene it SHOULD have reminded you of is when Saix tells Sora that he has Kairi, at Hollow Bastion. Sora pleads with him to take him to her. Saix asks if she’s that important to him, and he replies “Yeah! More than anything!”  Saix says “Show me how important” and Sora...falls to his knees, pathetically prostrating himself before Saix, whimpering “Please.” 

When Saix then replies “No”, Sora jumps up, visibly shaking and with a sob in his voice as he yells “YOU ROTTEN...!” Very clearly, Kairi IS Sora’s fire just as much as Riku is, and harming her WILL rankle him and leave him emotionally vulnerable, which it did seeing as he had to fight his way through Heartless, despite knowing the consequences of doing so at this point, in order to reach her, and when he saw Kairi again he got distracted and was ambushed by Heartless that Kairi has to rescue him from. Leaving this info out is dishonest as fuck.

Sora and Riku’s reunion is the big emotional payoff of Kingdom Hearts II, while meeting up with Kairi doesn’t even get a fraction of this attention.

Because Sora and Kairi’s reunion in the original Kingdom Hearts was already ITS big emotional payoff. It receiving as much attention this time around would make no narrative sense given that Kairi was only until recently safe and sound, whereas Riku has been missing and presumed dead for a long time, and Sora never got to fully reconcile with him before this happened. You need to consider the context when making your conclusions.

That’s because there is no traditional romance in Kingdom Hearts.

LIE! See here. Note that it includes Sora/Kairi and Roxas/Namine.

Rather, we get a picture of intimacy between two young men, two best friends. It’s exceedingly rare that any kind of media portrays non-romantic love between two boys so deeply

Except for literally almost every shonen manga/anime/game in existence ever, you clod.

As Kingdom Hearts’s main storywriter, Tetsuya Nomura seems keen on positive portrayals of male intimacy. He worked on the main premise of Final Fantasy VII, which featured a handful of close and complicated relationships between male characters. Cloud’s relationships with Zack and Sephiroth—two former brothers in arms—color our experience in his shoes. In Final Fantasy VIII, the rivalry between Seifer and Squall is borderline flirtatious, with Seifer’s antagonism towards Squall nearing obsessive. These male relationships would continue to play a role in future Final Fantasy games even without Nomura’s involvement—the camaraderie between Braska, Auron, and Jecht in Final Fantasy X, for instance, or the budding mutual reliance and respect between Snow and Hope in Final Fantasy XIII.

Nomura DID have involvement in Final Fantasy X and Final Fantasy XIII, you CLOD!

The relationship between Sora and Riku is not the only intimate male friendship featured prominently in Kingdom Hearts II. There is also the bond between Axel and Roxas.

Oh, boy. Now you open up THIS can of worms. Why am I not surprised?

Throughout Kingdom Hearts II, we see the same flashback a handful of times: Roxas walking away from Axel and saying, “No one would miss me.” “That’s not true!” Axel shouts behind him, then drops his voice and murmurs, “I would.”

Um, we literally only see that flashback twice, and the part you referenced just once.

After encountering a brainwashed Roxas in Twilight Town, he is saddened to hear that his friend does not remember him. He becomes increasingly upset when Roxas continues not to cooperate with him, and in Roxas’s second fight with him it feels as though his anger is turned more on himself than on his former comrade. 

You just point out that Axel becomes increasingly upset when Roxas does not do what he, Axel, wants / needs of him, without considering at all whether it’s what Roxas himself wants / needs. That’s not a good thing. And no, Axel’s anger is absolutely on Roxas in the second fight. There is a glimpse of self-loathing as well, but he is able to overcome it and perform his duty as an assassin, willing to kill his friend so that he can avoid punishment from Xemnas. 

When we watch Roxas’s flashbacks of Axel pleading with him not to leave the Organization, we hear the sorrow in the latter’s voice as he says he’ll miss Roxas. Counter to everything the Organization has been led to believe, Roxas inspires true emotion in Axel: friendship, sorrow, understanding, compassion, love. If Nobodies can regrow their hearts, what emotion more powerful than love can jumpstart their reconstruction? Roxas is the driving force behind Axel and influences his every decision, even when Roxas no longer exists as a separate, complete human being.

First off, who said Nobodies can regrow their hearts? That’s not part of KH2.

Secondly, while it’s true that Roxas inspired those feelings in Axel, the fact that Axel lacks a heart means that he still is completely self-centered about them. Roxas himself is not Axel’s driving force, AXEL is Axel’s driving force. That’s the fundamental point of his character: that he pursues his own agenda above all else, and Roxas now being the main component of that agenda doesn’t change this. Your romanticized, whitewashed view of Axel is not canon.

While he calmly accepts responsibility for Naminé from DiZ

He accepted responsibility from RIKU, not DiZ, who wanted them dead. Clod, clod, CLOD!

Axel’s behavior shows that he sees his self-worth only within the context of his friendship with Roxas. Without Roxas, Axel does not value himself or his own existence, as evidenced by his readiness to sacrifice himself to save Sora.

This is partly true, but you’re a little off the mark. Axel doesn’t value himself only because of Roxas personally, but because of how Roxas makes him feel. Roxas inspiring feelings within him makes him feel like a complete being, like he has a heart. And like he says, Sora makes him feel the same way, so if he wanted to, he could have just stayed alive and stayed with Sora in order to get his feelings fix. The reason he sacrificed himself was because he had realized at last that his selfishness was wrong, that friendship is a two-way street, and after having screwed up with Roxas to the point of trying to kill him, he now wanted to redeem himself by giving to Roxas (and thus Sora): giving his life. This was a redemption, yet you’re skewing it to be “There’s no reason to live if I can’t have my boyfriend Roxas back!”

We never see this level of emotion in Sora’s reunion with Kairi.

You do remember that Sora pretty much killed himself to save Kairi in the first KH, right?

Roxas, who you were just talking about, wouldn’t have been a thing without that happening?

Are you that misogynistically averse to Kairi that you zone out whenever she’s a factor?

Sora crying for Riku, Axel crying for Roxas. The boys are the only ones who cry because their vulnerability is tied up with their dependence on each other. These are the believable relationships. These are the characters whose relationships players are never supposed to doubt. The emotion is raw and crystal clear in both of these scenes. We never see this level of emotion in Sora’s reunion with Kairi. It just isn’t there.

So boys crying ultimately places these relationships above all others, and every other relationship in the game (Sora/Kairi, Roxas/Namine, Roxas/Hayner,/Pence/Olette, Sora/Donald/Goofy, Mickey/Donald/Goofy, Mickey/Riku) can all be swept aside as irrelevant, doubtful and not believable because no visible tears are shed? That’s your argument?

Part of what makes Roxas and Axel’s relationship so beautiful is this outright rejection of their Nobody nature—they feel for each other and they let each other know it.

Here’s the problem - aside from that Axel crying scene which was not in the original version of the game, we actually NEVER see Roxas truly let Axel know that he feels for him. We literally NEVER see their friendship. It is a totally informed statement. We only see Roxas leaving and coldly saying “no-one will miss me” to Axel, and Roxas fully remembering Axel and being touched but still surprisingly blasé over what looks like (and originally WAS) Axel’s death in front of him. Yet this one-sided relationship is one of “the believable ones” to you?

And OK, let’s move away from KH2 and bring 358/2 Days into the equation. Even in that game, Roxas’ feelings of friendship toward Axel, while undeniably sincere, are nowhere close to the intensity of Axel’s feelings of friendship toward Roxas. Roxas actually has stronger feelings for Xion, and is willing to sever all ties with Axel, TWICE, because of something bad he does to him and Xion. This is not the paragon of m/m love you fangirls make it out to be!

Also, Roxas is 15. Axel is in his 20s. Just pointing that out.

Which is why the game’s ham-fisted implications of a romantic love triangle between Riku, Sora, and Kairi are so unconvincing. 

WHAT romantic love triangle!? There isn’t one at all in KH2, and in fact there never was one in the original game! It was always Sora and Kairi who liked each other that way. The official Character Report book confirmed that Riku did not like Kairi that way, knew Sora did and teased him about it, often acting as a potential romantic rival just to push Sora further and make Sora stronger - he’s the big-brother figure, it’s what he does. He only became posessive of Kairi and fought with Sora over her after he thought Sora abandoned him for Donald and Goofy (and the Keyblade). It was basically his way of saying “you throw away our friendship, then I take away your friendship / romance with Kairi, and she’ll stay MY friend!”

The implications are unconvincing because they’re a product of your deranged mind!

While the narrative wants you to believe these two are destined to become lovers, any implied Sora/Kairi mutual affection comes off simply as friends bound together by happy childhood memories. 

Right, because the Paupu Fruit (called “so romantic” by Selphie) is totally just a friendship thing, Sora killing himself in order to save Kairi and Kairi being able to bring him back because they are that close (in the present, not just in “happy childhood memories”) is totally just a friendship thing, the whole plot of CoM hinging on Kairi as Sora’s most important person (which he later re-iterates to Saix) is totally just a friendship thing, Sora imagining himself and Kairi in place of Jack and Sally slow-dancing is totally just a friendship thing, Sora and Kairi’s connection being able to bring Sora and Riku back home is totally just a friendship thing, Xion having Kairi’s face because Kairi is Sora’s most precious memory is totally just a friendship thing, this is totally just a friendship thing...I could go on. You. Are. DELUSIONAL.

Riku and Sora spend all of the first Kingdom Hearts looking for this girl, but at the start of Kingdom Hearts II it’s clear they are more invested in one another.

Which is probably because their goal in the first game was completed and Kairi is safe and sound on Destiny Islands at the start of KH2, while Sora and Riku are still in precarious situations. Once Kairi is put BACK in danger, Sora and Riku both become invested in her as well. Your constant lies by omission are bordering on sociopathic now!

Kingdom Hearts II begins with Kairi on Destiny Islands without Sora and Riku. Despite Sora’s promise during the ending events of the first Kingdom Hearts that he would find her again, he has still not returned home or even bothered to contact Kairi. 

LIE! His promise was NOT “to find her again”, he knows where she is, his promise was to come back to her with Riku, something she agreed to since, contrary to hateful fangirls’ portrayals of her, she cares about Riku too. At the end of KH2, he is finally able to keep that promise, plus the other promise of returning her lucky charm to her once his task was complete. Why the fuck would he return home without Riku, thus breaking his promise?

Instead, his search for Riku led him to Castle Oblivion and the events of Chain of Memories

Which, as mentioned above, his feelings for Kairi were instrumental to.

Meanwhile, that someone else is hopping from world to world looking for Riku, taking no time to stop by Destiny Islands to let Kairi know he’s okay. Everywhere he stops on his journey, he asks the same question: Has anyone seen Riku? Why not ask for directions back home to Kairi? Despite the game’s flashbacks and shoddily shoehorned-in visions of Kairi, she’s just not Sora’s priority.

Because, again, he KNOWS Kairi is safe on the islands so she’s not a priority, and his promise was to bring Riku back home so that the three of them could live happily together again. Why the fuck would he ask for directions back home when he’s made it repeatedly clear that his objective is only to return once he has Riku back, since that’s what Kairi wants as well? Also, once Kairi is kidnapped, she DOES become his priority and he asks about her / a way into the Nobodies’ world to rescue her just as much as he asks about where Riku is.

Sora’s constant search for Riku makes it clear that this is the relationship we need to be paying attention to. 

No, it’s ONE of them. Kingdom Hearts is made of MANY important relationships. His constant search for Kairi in addition to Riku once she’s kidnapped shows that his relationship with her is another one, and Donald and Goofy’s continuing quest for King Mickey shows that their relationship with him is another one. And let’s not forget the core one of Sora! Donald! Goofy!

You pushing Sora/Riku as the end-all, be-all is your agenda, not the game’s.

If there is supposed to be romantic love between Sora and Kairi, it’s not present in the writing. 

LIE! I’ve already pointed out why.

Their reunion is brief, and their conversation is clipped and bland. Kairi tells Sora she came looking for him because he never came home, and Sora’s reaction lets us know that he knows he screwed up. Sora apologizes to Kairi, and even as she hugs him, his response to her presence is anemic compared to the complete emotional breakdown he has when Riku is revealed.

This is your take on it, not a fact like you are presenting it as. Other views may differ.

Even after Riku’s abominable behavior, and even as he spends a majority of Kingdom Hearts II desperately avoiding Sora, his friend is still overcome to the point of tears when they meet. Sora does not rebuke Riku, he simply asks him why he has been avoiding him.

Um, yeah. That’s Sora. That’s his character, very easily forgiving. So what?

Sora is a benevolent guy throughout these games, but it’s not like him to give a free pass to his opponents.

LIE! See Maleficent and Pete, Axel, Beast when he’s under Xaldin’s control, Riku in the first game, Riku Replica in CoM, “Ansem” at the end of KH2...heck, he’s even OK going up and talking to Hades to sign up for the Paradox Cup even after all the shit Hades has pulled. He also is known to give opponents chances to back off and survive, like Vexen and Demyx.

Despite the atrocities committed at Riku’s hand in the first Kingdom Hearts, Sora still sets out in Kingdom Hearts II passionately searching for the lost Riku. He is the only one who gets Sora’s all-encompassing forgiveness.

Yeah, because they’re best friends, close as brothers. And they already had the start of a reconciliation at the end of the original game, when they closed the Door to Darkness. Exactly what’s your argument here? That if Kairi was to inexplicably go evil, Sora wouldn’t give her a pass or forgive her? Because if you believe that, then you’re a (bigger) dumbass!

The final boss sequence of Kingdom Hearts II could have easily pitted Sora solo against Xemnas.

Um, why? The previous final bosses didn’t have him go solo. Why would this?

One of Xemnas’s most common attacks involves grabbing Sora with an electrical field and holding him in place while he slowly drains the boy’s health. During these segments, players are given full control over Riku as he makes his way across the battlefield to rescue his friend. “Rescue” is even the word used for the command you must input to free Sora. It’s one thing to have these boys tell each other how they feel; it’s quite another to see them act it out in a climactic battle sequence.

Rescuing your friend is now apparently a big, earth-shattering deal. Um, OK.

You realize any character can rescue one another in battle, right?

The team-up offers an insight into the dynamics of their friendship. Giving Riku more of the heavy lifting in their combo attacks—breaking the buildings and hurling them at Xemnas as well as having to rescue Sora from the electrical attack—sets him up as the more protective of the two. Sora is active while Riku is reactive, and in the same way he spends all of the game trying to avoid Sora, he spends the final battle allowing Sora to set up powerful attacks for Riku to execute. And by having Sora be incapacitated and requiring rescue says something about how the developers want players to view their relationship. In the end, Sora will always need Riku. Riku’s presence makes Sora more confident, makes him stronger and more sure of himself. We see more of this feeling in Dream Drop Distance, where Sora fails his mission and needs Riku to bail him out, but the first seeds sprout in Kingdom Hearts II.

FUCK OFF. You’re falling into the common “seme/uke” yaoi stereotype for Riku and Sora here. For as much as you disparge Kairi for needing saving by Sora (while ignoring the times she saves him), you seem to actually get off on the idea that Sora always needs saving by Riku. I highly doubt the developers wanted you to think about the relationship like this, Nomura even said the main reason it happened was just because a lot of fans back then wanted to play as Riku, the same reason Reverse/Rebirth mode happened in CoM. Ironically, by the time of 3D, Riku’s popularity in Japan had died out, and the game didn’t sell so well.

Setting the boys up as partners in the final boss fight—literally your final act as a player—telegraphs to us that the game is about Sora and Riku’s friendship.

No. It’s one of the big themes of the game and what takes precedence in the last act, but to say that the ENTIRE GAME is about it and ignore all the other rich content that is packed into the game does it a disservice. I again ask why you even wrote a book about this game. Was it just to push your personal fangirl fantasies? We already have Tomoco Kanemaki for that!

You can’t tell either boy’s story without the other.

Tell that to CoM and 358/2 Days...or this game, where we hardly see a “story” for Riku.

Their friendship, Sora’s desire to find Riku, and Riku’s desire to protect Sora by only helping him from the shadows, is what drives the story forward and what lays down the game’s emotional foundation.

Really? Because it had nothing to do with Roxas’ story, or Axel’s story. Or the story of the Hollow Bastion Restoration Committee. Or Organization XIII’s plans. Or Mickey’s own quest and connection with Ansem the Wise. Or many events in the Disney worlds. Or...yeah, you get the message. Once again, you simplify a wonderfully complex, multi-layered game and boil it down to a yaoi story. I doubt you’d BE a KH fan if not for the yaoi-bait given this pattern of behavior. I hate to play the “True Fan” card, but...you’re not a True Fan. You don’t get it.

Following the final battle, as they sit on the edge of oblivion, Sora and Riku confess their feelings to each other.

And you deliberately phrase it romantically. More lying.

This climactic scene isn’t Sora and Kairi confessing their love

You realize that 1.) There’s still a series to go for that to happen, 2.) Nomura doesn’t want romance and shipping to be the main focus, and 3.) We actually get a credits scene where Sora sees that Kairi has returned his feelings with the chalk drawing on the cave wall.

We see her again in the very last scene welcoming Sora back to Destiny Islands, but the sweetness of her homecoming words is outshined by this exchange between the boys on a dark beach.

Which is a fact, not at all an opinion. And this is not sarcasm, not at all!

They’ve won the fight, and they don’t know if they’ll be able to return home. 

And who ends up being the catalyst for them coming home and not dying? KAIRI.

While Riku and Sora are not in love, the boys’ friendship is one of the deepest and most moving relationships of any kind that I’ve seen in a video game. And part of why it works is because it’s not a romance. Without sexual tension or expressed desire of any kind, these relationships appear as the deepest forms of male intimacy: mutual dependence, connectedness, and respect.

LMAO! After all this, you’re now trying to claim you’re not a yaoi fangirl and that you understand and accept that Sora and Riku are not in love and their feelings not sexual!? 

You aren’t fooling anyone, Alexa. You’re the typical obnoxious, toxic KH yaoi fangirl. Own it.

Kingdom Hearts II is the tale of these broken bonds becoming whole and being used as power against the creeping darkness. As Sora says in the first Kingdom Hearts, “My friends are my power.” Kingdom Hearts II proves that for Sora and Riku, this will always be the case.

And for Sora and Kairi, and Riku and Kairi, and Sora, Donald and Goofy, and Mickey, Donald and Goofy, and Mickey and Riku, and Riku and DiZ, and Roxas and Hayner, Pence, and Olette, and Roxas and Axel, and...OK, I’ve already made this point before, I’m done now.

Bottom line: this so-called fan lies with reckless abandon, omits key facts, presents her opinions as truth, and completely maligns the entire rest of the game just to prop up the one aspect she feels dominates all others and that other players should feel the same way about it as she does. To all True KH Fans, avoid her, her book, and future writings like the Plague!

[recentanimenews]

Off the Shelf: Cautiously Optimistic

MELINDA: Well, hello, Michelle! Can you believe we’re back again in just two weeks? I hope you’ve had time to come up with a new joke.

MICHELLE: That last one I made was so very bad, I’m starting to feel remorse for inflicting terrible dad jokes on people at the start of these columns. So, you get a reprieve, everybody!

MELINDA: I dunno, I think you may be disappointing more people than you know!

MICHELLE: If you actually miss the terrible jokes, leave a comment and I’ll do better next time. How about that?

MELINDA: Fair enough! Well, if we’re not telling dad jokes, I suppose we’d better talk about some manga. What have you been reading this week, Michelle?

MICHELLE: I finally took the plunge and read the first two volumes of Fruits Basket Another, the three-volume Fruits Basket sequel by Natsuki Takaya. I was wary about this one, but though it has some significant flaws, I liked it more than I expected to.

In volume one, we’re introduced to Sawa Mitoma, an exceptionally meek girl who spends so much time thinking things like “Why do I always irritate others without even realizing it?” and being perhaps the most passive protagonist I’ve ever seen that she actually becomes irritating to the reader. She has just started her first year at Kaibara High School, and soon encounters “an incredibly sparkly boy” when she drops her student ID. This boy looks a lot like Yuki Sohma and, surprise, it’s his and Machi’s son, Mutsuki. Be prepared for a bunch of this sort of thing, because in short order we learn that Hanajima’s little brother is Sawa’s homeroom teacher and that Makoto Takei (remember that overzealous student council guy?) is a teacher whose obsession with Yuki has now transferred to Mutsuki. (He’s really creepy about it, too, and desperately needs to be fired.)

Sawa next meets Hajime, the son of Kyo and Tohru, who is serving as student council president. Mutsuki is the vice-president, and soon Sawa’s been drafted to be the first-year member. Over time, she meets more Sohmas, including Riku and Sora, the twin children of Hatsuharu and Rin. She gains confidence by being useful to the council and Riku helps her realize that by always keeping her head down, she’s missing opportunities available to her, like the nice girls in class who want to ask her to have lunch with them.

By the end of the second volume, Sawa has become a much more sympathetic character. Not just because she finally starts taking the initiative and actually engaging with life, but because readers can finally see what Takaya-sensei was doing. It turns out that all of Sawa’s issues stem from her abusive mother, who doesn’t come home for long periods of time, and when she does deign to appear, demands gratitude and apologies from the daughter she viciously belittles. No wonder Sawa got warped into thinking everything she does is wrong and that she’s a useless lump who causes trouble for others!

In the end, the not-very-subtle premise of the series seems to be “this generation of the Sohmas all love their parents very much, so this time they’re going to be the ones to save and accept a girl cursed with a shitty home life.” The execution is rather clumsy, however, as the Sohma offspring talk about their parents way too much for normal teenagers. I did like that Ayame’s son, Chizuru, struggles because he’s the normal one in his eccentric family, and that Mutsuki’s love for his parents is partly due to realizing not everyone has it so good. There’s one worrisome panel that suggests young Mutsuki witnessed Akito protecting her and Shigure’s son, Shiki, from Ren wielding a butcher knife! I hope that’s explained in the third and final volume, as well as whether Shiki was responsible for getting Mutsuki to help out Sawa in the first place.

In any case, I liked it enough to finish out the story, and that’s more than I expected.

MELINDA: Okay, so I’ll admit that the parade of Sohma children just reminds me how irritated I was by the neat pairing-off of everyone that happened at the end of the original series (Ayame, seriously??) so it’s probably getting off on the wrong foot with me from the start. But more than that, I’m struck with your description of the kids talking soooo much about their parents… like, some kind of weird collision of “let’s make more money off of Fruits Basket” and “let’s assume that nobody actually read Fruits Basket and we have so much explaining to do!” Or maybe it’s just “let’s make more money off of Fruits Basket, but in only a few volumes, so DUMP THAT INFO.”

Honestly, the only thing that gives me hope is that butcher knife. Akito with a butcher knife is keeping me alive here. I might read it just for that.

Do we have to have the creepy teacher-student obsession, though? I let that stuff go with older manga, but seriously. It’s 2019.

Or wait. Is it Ren with the butcher knife? I think I added a comma in my mind to draw my attention. Without the comma, I’m suddenly less interested.

MICHELLE: Yeah, it was Ren with the knife. She didn’t go away just ‘cos the curse was lifted, so she’s still around being horrible, apparently.

And yes, after everyone paired off neatly at the end of the main series, all of the couples seem to have stayed together for the next twenty years, judging from the age of Hatori’s daughter. At least Hanajima didn’t marry Kazuma! The parent talk isn’t as bad as recapping the events of the original series, at least, but there is a little bit of explanation when introducing new Sohmas to Sawa. Like, no one says Momiji’s name or what particular business he’s doing, but we know he’s extremely successful at it, which is kind of nice.

It’s more like someone saying, “I want to be like them,” which is still more than teenagers generally say, in my experience.

MELINDA: So, okay, you’re enjoying this more than you expected and you’ll likely read to the end. Should I be following your lead, or should I just reread Fruits Basket? I do suddenly have an urge to reread, especially since I recently lent out the first few volumes to one of my teen students!

MICHELLE: I honestly don’t know. I think it might bug you somewhat more than it did me. Maybe wait until volume three comes out and I can give a definitive answer as to whether this series adds anything to the Fruits Basket experience.

What have you been reading this week?

MELINDA: This week, I dug into the debut volume of For the Kid I Saw in my Dreams, a new series from the creator of Erased, Kei Sanbe. Like Erased, it was originally serialized in Kadokawa Shoten’s Young Ace and is being published in English by Yen Press.

Senri Nakajou had a twin brother, Kazuto, with whom his connection was so strong, they experienced shared vision and literally felt each other’s pain when one was beaten by their abusive, alcoholic father. As the older of the twins, Kazuto was intensely protective of Senri, and would manipulate his way into taking the beating for both of them, to spare them “double the pain.” He’d also insert himself between their parents when they were fighting, to spare their mother from the father’s abuse. On those nights, Senri, hidden in the cupboard under the stairs, would experience Kazuto’s pain as he took their mother’s beating on himself, until one night, when the beating never came. Instead, Senri emerged from his cupboard to find both his parents murdered and his twin missing. Based on the two brief visions he shared with his twin afterwards, Senri is certain that his brother was kidnapped and murdered as well. Now, Senri is a high school delinquent, still searching for the man who murdered his brother.

It takes a chapter or two for Sanbe-sensei to introduce Senri’s twin into the story—a choice that pays off, I suppose, by denying us full insight into Senri’s state of mind, which makes his morally-gray existence hit a bit harder in the beginning. The first things we find out about him are that he was discovered sitting in a pool of his parents’ blood as a child and that he now helps run an ongoing con in which his partners steal someone’s money and then Senri gets paid to pretend to recover it for the victim. He’s so cold and remorseless, we’d wonder if he might have murdered his parents himself if we weren’t also looking at his terrifying childhood drawings in which he repeatedly depicts the murderer (whose head he eventually lops off with a pair of scissors). Then the twin revelation transforms him from typical anti-hero into a scarier but more sympathetic anti-hero, which works much better, for me anyway.

While Senri and Kazuto’s extreme twin connection doesn’t so far reach the supernatural heights of the protagonist’s time-traveling in Erased, there is a bit of a similar feel in this series that I admit I’m hoping might pan out into something just as fantastical, because an average tale of vengeance isn’t all that interesting to me. That said, there’s a lot going on here, and I am not at all sure where it’s leading. There is quite a bit of mystery introduced in this volume, beyond the identity of the murderer, and there are some supporting characters I’m already very fond of, including Senri’s grandparents, who raised him after he was orphaned, and his childhood friend, Enan, whose backstory is nearly as tragic as his own.

MICHELLE: Aside from an aborted attempt to read volume one, I haven’t read any of Erased, which I’m hoping to rectify this year. And this certainly sounds a worthy successor! I’m a little concerned I’ll have trouble getting into it, as I generally don’t love narratives that focus on remorseless anti-heroes, but it seems like the mystery of what happened to his parents will compel me forward. I confess that, even with this brief synopsis, I’m already expecting kind of a Loveless outcome with the older brother.

MELINDA: Well, maybe I’m overstating the antihero-ness? He’s got a lot of compassion in him (he’s the one who reached out to Enan when they were young and accepted her when nobody else would). He’s just very much intent on being the one to kill his brother’s murderer and it’s what drives his whole narrative at this point. He also tends to inflict physical pain on himself a lot, and I don’t know whether it’s an attempt to recreate the shared pain he no longer can with his brother or a survivor’s guilt thing, but he’s definitely a sympathetic character.

You’re not the only one thinking Loveless here, though. I’m also absolutely expecting that the brother is alive.

MICHELLE: Alive and potentially culpable! This really does sound pretty neat, though. I do like a good mystery.

MELINDA: I’m certainly intrigued! So would you like to talk a bit about our mutual read this week?

MICHELLE: Sure!

Ran and the Gray World is a seven-volume seinen series by Aki Irie. In this first volume, we’re introduced to Ran, a headstrong fourth-grader, who lives with her father and older brother, Jin. Ran and Jin’s mother, Shizuka, doesn’t live with them because her presence is required elsewhere to keep a pair of mysterious giant doors from opening. She’s a Grand Sorceress and it soon becomes apparent that Ran, at least, has inherited her mother’s abilities (and impulsivity). I’m assuming Shizuka also gave her the sneakers, currently far too large, which allow her to transform into a teenage version of herself. For his part, Jin has a magic coat that allows him to transform into a wolf, perfect for tracking Ran when she goes off on ill-advised adventures.

Insisting she’s already grown-up, Ran dons the shoes and hitches a ride with strangers to go visit her mother and, inspired by a special lesson from her kindly science teacher, attempts to fly from the school roof. She has some success at the latter and winds up in the garden of a rich guy named Otaro, who doesn’t endear himself to me when he returns to his apartment building naked, exposing himself to a couple of kids in the lobby in the process. Jin rightly pegs him as fishy, and it’s clear by the end of the volume that he’s become obsessed with Ran. Despite declaring he’d never touch a kid—she’s in teenage form for the entirety of their acquaintance—he soon suggests they become more than friends. He’s a creep, and I’m so glad Ran whisks herself off when he embraces her (“I’m outta here!”) but I do worry about what lies ahead.

MELINDA: I love a lot of things about the premise, and the art is freaking gorgeous, which is what drew me to the book in the first place. I’m also pretty into what’s going on with Ran’s family dynamic, MAGIC (always a winner), and wow, her mom and brother are both absolutely fascinating characters with so much going on. But I am super creeped out by Otaro and worried about what’s going to happen there. It’s funny as someone from the Big generation, I suppose, that I’m so disturbed by a story in which a young girl is inhabiting a much older body. But at least in Big (and I suppose also in something like 13 Going On 30), the young character is at least at an age where they are already experiencing sexual attraction and an interest in romance, so it somehow didn’t feel quite so incredibly wrong as this does. So I’m worried about where this story is going to take Ran in that regard, but trying to be optimistic, I guess?

MICHELLE: Yeah. At the very least, she’s able to extricate herself from these kinds of situations when they arise, but I can’t say I have any faith that she’s going to get any more savvy any time soon.

Jin is hands-down my favorite character in the series. He’s like a Doumeki type or something. Knows that magic exists, but sensible. Looks dour, but actually kind. And so, I side with him where Shizuka is concerned, finding her to be profligate with her magic when she comes to their house. I mean, it looked like people genuinely had car accidents when she rained giant desserts down upon the town!

MELINDA: You have hit the nail on the head with Jin as the Doumeki type! And that explains why I like him so much, too. I always identify with the Watanuki characters, but I adore and crave a Doumeki for reasons that are probably obvious. Kind of ironic, isn’t it, that the loose canon character here shares her name with him. Shizuka is a terrifying mess and her power lets her get away with it, so I feel that we can count on her to provide plenty of conflict here. We don’t need the creepy dude!

MICHELLE: Definitely not. Perhaps she’ll do us all a favor and turn him into a turnip.

MELINDA: I could get behind that!

Despite my reservations about Otaro and where that storyline might lead, I am probably more excited and intrigued about this series than anything else we’ve discussed here today. It’s whimsical, original, filled with mysterious potential (what’s behind those doors??), and I can’t overstate how beautifully drawn it is. With the artwork alone, I’m besotted.

MICHELLE: I failed to say this the first time you mentioned the art, but I absolutely agree. There’s a certain retro, Moto Hagio-ish quality to it that’s very appealing.

MELINDA: Yes, it’s sort of Heart of Thomas meets Bride of the Water God, art wise—detailed and ornate, but also flowing, always in motion, like Ran’s personality. I’m definitely looking forward to more!

By: Melinda Beasi