#and not touching her dog

[emptysekai]

i love when random strangers yell at me for something that i didn't do. working in the city is great

[holmsister]

If Laios thought Kabru was attracted to Falin he would be like oh... I get it... everyone always picks her... all mopey and complain to everyone but if Falin thought Marcille felt something for Laios she'd push Laios down the stairs and that's the difference between older and younger sibling

[tikvin]

Wanna nibble on him

[yayll]

Hiii i hope you're feeling better soon :(( I was wondering if I could request a Dazai x reader fic where the reader has PTSD? Specifically, the beginning of autumn kind of triggers her (sorry if it's a confusing i dunno how to word it lol) Could it be fluff/comfort? Btw I love your writing style so badly so pls tweak the idea if you think it would work better! And no worries if you'd rather pass :33

hii angel i genuinely am sorry that this took me a while! (work and life happened a little more than usual, GOT SICK and barely had time to sit down and write.) it was so ivover but i am fine now thank u so much bub!

i REALLY hope you like this and that it's what u wanted, i've never written someone w PTSD before and i was just rlly hoping i didn't mess this characterization up for ur request ahhh. i had such a nice time writing it and i rlly wanted to explore the impact it could have around reader and dazai and him going out of his way even if it could be a little goofy and sappy to make u feel at least a little better even if u can't talk abt it.

i love uuuu thank u again! <3

~ a little something about Dazai noticing harmful patterns and loving you through them ~

He's been watching you sit by the window for the past half hour as you stare at what seems like the beginning of the new season outside. You were quieter than usual, more withdrawn and jumpy, which could only mean that you weren't sharing something with him- or rather having trouble processing something to the point where you didn't realize he could tell something inside you was on high alert.

Dazai would rather die than see you in such a state, especially during what's supposed to be such an exciting time of the year that's full of the things you usually love to do. Whatever is impeding you from enjoying the leaves falling has to be dealt with the most delicate of methods, but especially with love. If you taught him anything about the past haunting you to the point of mental distress, something he suffered bouts of every now and then when memories made days grow dark, it's that all you need is one person to truly witness you. Just like how you've seen the ugliest parts of him time and time again yet you still look at him with all the stars in the sky, stars he consumes like a black hole waiting to be filled.

Luckily for you, he has an arsenal of things he can try to soothe you with, because he wouldn't be a good detective AND boyfriend if he didn't keep all those context clues in his pocket for a bad day. Mainly though, he was just completely attuned to your every need. You are his happiness, and your wellness isn't up for debate: It's mandatory. He stands up from the loveseat with a deep exhale as he walks over to you, his lips curled in a lazy smile as he tests the waters to see what you could need from him without asking.

"You know, if you stay any more still I could probably paint you like one of those fancy paintings. What do you say, be my model?"

You look over at him from the window, and he can visibly tell you haven't been at ease lately. He suddenly realizes he's just fallen even more in love with you. That there is nothing in this world that could ever let him see you as anything but his heart.

You murmur, a faint smile decorating your serene face.

"Mm, I'm not sure. I don't think I could pose for that long, you know? It would probably be hard to catch my likeness, heh."

He clicks his tongue and rolls his eyes with a playful smirk. Oh how he wants to lean in and worship your likeness with his loving touch, but he decides to take it easy on the physical affection for now, not until he knows you're feeling up for it. He can be a good boy, something he usually isn't.

"Well, I wouldn't mind being the brave young knight who tries~ Shall we take this outside for better lighting?"

You instantly don't give him a good reaction to that. You shrug, seeming conflicted and unsure of yourself, but unable to really bring yourself to explain with words, something uncharacteristic of you.

No problem! Dazai thinks to himself. If you don't want to go outside, he can bring outside to you in the comfort of home. He'll enhance your safe space, and tailor it to just what you need. He hums, tapping his temple in an exaggerated manner as if he were thinking really hard and when he sees that it gets a small giggle out of you, he knows he's on the right track.

"Hm, I know what we should do instead. Wait here, angel.~"

He disappears into the hallway and you sit there as the sound of cabinets opening and rummaging around fills the air. You smile to yourself, and shake your head at the mental image of Dazai becoming a tornado to find whatever he's looking for right now, hoping he doesn't make too much of a mess. You fidget with your hair, twirling it in between your fingers as you take a deep grounding breath while you wait.

A moment later, he comes back with what seems like art supplies and a ton of mini candlesticks.

He knows you're intrigued when you tilt your head in confusion, but then again that's probably just the confusion... Dazai sets down two canvases along with the candles, flashing you a mischievous grin. If you couldn't process your feelings through words, art was always there! You look over the activities he's laid out for you both, awaiting his silver tongued explanation.

"You know when I want to be the little spoon but I don't say anything?"

You laugh softly, and nod.

"Mhm, you get all moody and weird."

He nods back, a half smile on his face as he rests his hands on his hips. He wants to tell you that the only reason he even knew such intimate luxuries is because you showed him that he's worthy of it, of being loved, but he doesn't say anything. He lets the sweet memories between you swim through his mind as fuel for the day he's trying to create for you. His voice sounds more like he's talking out loud now, lost in a thought..

"You make me moody and weird. You also make me want to grab your soft little face and just..."

He then snaps back to the moment, and his tone picks up.

"... But alas, there is no time to waste! Come, sit, I'll get the other things ready.~"

He zooms off to the kitchen, and your heart softens at how much he fusses over you, though you also hope you aren't being too much. You know he'd hate to hear that, so you simply sit down and look over the supplies you had honestly forgotten you had.

Dazai makes tea, because he knows it helps with your fidgeting and you like how the mug feels in your hands, he also begins to set the candle sticks all over the living room, lighting them one by one. You flash him a look of faint concern.

"Feels like Dracula's castle. You sure this is safe, Osamu?"

He simply grins impishly.

"It's called 'mood lighting', cutie. There is an atmosphere to be created!"

"Yeah, and possibly a wildfire."

"Boo, you're no fun. Besides, that sounds like a problem for future us. We live in the moment."

Dazai would never risk your safety and you know that, which is why you don't push the topic any further.

You two settle in, the candles illuminating you both with a warm flame that feels more comforting than you'd like to admit, you feel yourself becoming more immersed in the random little doodles and brush strokes you create as you both talk for hours about literally nothing while sipping on your tea. Nothing feels nice, for once and Dazai can see it in the way you slowly become less and less tense. So mindful, so beautiful.

After you fill your canvas, you set it down, and peer over at Dazai's.

"What'd you paint?"

He smiles sheepishly, and hides his.

"Not finished yet. No peeking!"

He stands up and in one swift motion, runs outside, while leaving you bewildered at the spontaneity of the situation. A few moments later, he runs back inside, huffing with his arms behind his back. He sits back down on the floor with you, criss crossed. He grabs his canvas, and puts something on it as he slowly unveils his work to you.

It's a single crisp leaf he must have plucked from the grass when it fell, the orange and reddish hue placed on the canvas that shows a cartoonishly painted tree as well. He murmurs, eyes trained lovingly on you but with that familiar playful tone.

"I wanted you to get a little air. It's good for one's mood, you know."

You slowly take the leaf, and twiddle it in your thumb as you begin to smile to yourself. You mutter back.

"The weather changes, moods change, it's so overwhelming sometimes..."

He slowly leans in a little closer and places a hand on the small of your back, inching you closer to him too. He wants to distract you from those thoughts affecting you, but it's getting harder when all he can think about is how much you affect him. He whispers.

"My mood never changes, you're the most precious thing I have ever seen all year round."

You look up at him, your eyes communicating what you feel, and he picks up on it with a silent confirmation. You hold each other's gaze for a long quiet moment and when you feel ready you lean into his chest, nuzzling into him. He envelops you in a hug that feels like the remedy you've been searching for this whole time, and it almost brings you to tears. You don't know it also does the same to him. He gives you a soft squeeze and leans down to your ear, his warm breath feeling like the way life is supposed to feel. You mumble, your voice slightly muffled against him.

"Thank you, Osamu. Love you."

He smiles at that. To be something so soothing to you, to be of use for once in his life, it's a feeling that he could never describe. He'll have to find the words when he covers you in kisses from head to toe later, when he makes sure you feel the full extent of his devotion to you through thick and thin. He exhales deeply.

"Change of season, change of mind... It doesn't matter to me. It's still you. It will always be you."

[rivalmelty]

experimental higugin

[fumifooms]

Makima, devils and self-fulfillment

Dumping some Makima and CSM thoughts after a part 1 binge bc I think about her forever and ever. I’m sure I’m forgetting some devil lore, feel free to correct what i get wrong/what’s been confirmed. On the table of contents there’s why & how Makima got fixated on Chainsaw, her revealing liking for the country mouse and discussion of her nature & emotions & desires. Was the scorpion doomed to be a scorpion?

The most of this post was thought of during a conversation with @saccharineomens and I don’t think it makes sense to jump into the spiral it sent me on without first laying down the interesting groundwork theorizing she did:

"Thinking about how makima herself wants to be deified. I wonder whether she recognizes the difference between Love As Worship and the love that Aki, Power, and Denji had. She says she wants to help humanity by having Chainsawman eat the “bad” devils, but why does she want to help humans? Because she was ordered to by the Prime Minister? No, her drive seems much more personal than that, it seems like she teamed up with the PM for contractual reasons. (In the most recent chapters we see governmental members wanting certain devils to be eaten, too. What was Makima’s relationship with them? She’s too independent to just follow THEIR orders, she’s Control.)

So is she wanting to better humanity for the accolades, or out of the goodness of her heart? She sees the big picture. She sees any small sacrifice as worth it for the end result, and she’s ruthless. Perhaps she thinks that a more sedate human race would be easier to control? But Makima doesn’t loathe humanity. She never acts like she sees all humans as lesser. She loves humanity’s creations, like good food and movies. She just wants Good Things all the time

She says she prefers the country mouse BUT adds a story where she helps exterminate country mice like vermin. She likes the simplicity yet rejects the idea of being simple. Makima the complex individual you are"

~

The story itself seems to prefr the country mouse. Well- it strikes a balance, shows that a risk to live good & fully can be very worth it, but still that stability over ambition is preferable, proning having a simple happy life over fame, a simple job instead of a dangerous one, etc etc. And I do find Makima’s answer on this so so interesting, she prefers the country mouse, but this preference isn’t out of affection or sympathy but because of how relaxing it feels to exterminate them when they cause problems.

Order satisfies her. Her order satisfies her. She likes the action of rooting out disorder. Maybe this is the devil part, like how Power especially wants blood and drinking it, I feel there’s an itch to every devil, and for Makima it’s a very rigid world view/morality/standards & making things follow her rules and submit to her order.

And maybe this is why she’s attached to humans too, why she felt it was worth it to stick with the government- because devils are chaotic by nature (it’s a whole plot point that hell is essentially a free-for-all battleground for example), meanwhile humans are the species that universally rule Earth with systems they invented and instilled. They made then enforced rules, complex and intricate webs of them. She feels alienated amongst devils but she understands the humans’ need for an orderly organised society, and now she wants to be part of it. Control and conquest require social dynamics after all, requires civilizations or groups. War is chaotic while peace is, well, peaceful— Makima resents her sisters for being death, famine and war, things that throw the world in such chaos. She wants a world of perfect order, no matter how much collateral damage there will be if the end result is control.

This is even more interesting if you consider that yes, Makima is untouchable of her own design, she deifies herself with her omnipresent amount of control and the sway over others that she seeks and encourages— There is this urge to dehumanize her for it, that yes, she is the devil of control and that means she was never going to be any different, have any more feeling be any less uncanny. And I love part 2 so much for this, because it shows us the war devil and the famine devil and we see how frankly uncharismatic with poor self-discipline they are, Nayuta too, and it helps us realize just how much Makima’s success was self-made.

She admires Chainsaw Devil, the Hero of Hell, because he had his own code and his own rules and he made Hell, the chaos pit, submit to them unfailingly. Wherever he goes he decides what he does and what happens to the people he encounters but does so consistently, he has his mechanism and his rules that he always obeys, and he fulfills them every time. It’s still a mystery the why of Chainsaw Devil’s behavior back then and how it works exactly, maybe Pochita left hell because he was tired of these rules he lived by like chains, but still, he was a servant to his code. Makima would have been glad being killed and eaten by Chainsaw Devil because it’d have been becoming part of his design, his conquest, his domination, she’d have been part of that —his— order. Through her death she would be shaping his world and be part of a conqueror’s making history. Like how she appreciates the country mice that die for the sake of order. Like how sacrifices must be made to herself, like listing the name of every person whose life was lost to the Gun Devil— All for the ~greater good~, for her vision for the world. Conquest always thinks its reasons are justified.

And she does mention with the country mice thing that she goes out to a friend’s farm every year! She has a human friend?? That she visits yearly and she genuinely likes it?? Ultimately she lives a busy city life because of her goal and drive and her urge & satisfaction with overseeing shaping the world herself, but part of her, like so many characters including Angel and Aki and Reze, wishes she could live a slow peaceful country life. Moviegoing and dogs and mice in a farm- Wouldn’t it be so much simpler if Makima could find fulfillment and happiness in being a farmer, in keeping control of her own farm, getting satisfaction from exterminating vermin and expertly getting everything right, the right crops grown at the right time on the right soil? Here, too, in a way it’s trying to have full control of an ecosystem, but her goals would be easier to achieve and better, without ceaseless sacrifice or much pressure. But Makima wants grandiosity and her goal does matter to her on a fundamental and moral level, she does think she knows what’s best for the world, and with the power to change it why wouldn’t she strive to? Visiting the farm is just a break, just something she does in fall to help out and just in time to see the vermin extermination. It calms her, then it’s back to actual work.

In capitalism, even the one at the very top of the ladder is ultimately alienated from others and often unsatisfied by their lifestyle, always wanting more and more power because surely that’s the extra edge they must be missing to be content— like how Makima thinks she wants to dominate Chainsaw Devil instead of being his equal. And she says it herself too, she likes humans the way humans like dogs…….. And she keeps so many dogs :( Makima prefers the country mice because they’re calming to root out, maybe because she usually mainly deals with city mice. It’s very easy to equate humans to the mice in this allegory because it’s pretty direct and she’s already likened humans to lesser animals compared to her. She’s self-isolating by design for her design but she still craves relationships and contentment, and the dogs are the embodiment or her want for bonds and occasional simplicity because there is no possible ulterior motive, no way they tie back into her wider plan. They’re her personal life— something that feels so alien when speaking about Makima. Personality and individuality and likes and preferences and friends they visit every year. She likes how easily she can train a dog and how they become putty in her hands, at her beck and call, how much they love her and how much she enjoys their love. How simple and straightforward and easy it is. She keeps them because she likes being loved by them and loving them, and she’s gotten and raised so many. A conqueror always wants more and more and more, is never satisfied.

Devils and agency

Like Power the blood devil wanting blood and having a fixation on drinking it like with Denji’s, or how it was shocking that the violence devil was pretty tame and nice and how he himself theorized it was because he was a fiend and possessing a human body… There’s something to be said about nature vs nurture with the devils. The way they reincarnate and always embody their fear makes it seem categorically like nature, that they always always end up fulfilling the role they were named after and born to fill… Outside influence they’re helpless but to conform with. Like the humans accepting their spot in the social ladder and the shittiness of their living conditions and job under capitalism. Makima craved being equals with someone despite being the control/conquest devil, Angel Devil despite claiming to be a devil who likes to see humans dying was haunted by their deaths and wanted to avoid ones like Aki’s. The Ghost Devil being ironically haunted by Himeno, seemingly helping Aki in her memory out of… Lasting affection? Or maybe it was less about being haunted itself and more about it recognizing how Himeno haunted Aki, and acknowledging that, with the memento, paying her respect to the ghost of her. It’s Angel Devil’s devil nature that makes him like human suffering, so then is it his angel nature too to still care about their deaths? Is there truth to this or is that just personality, just our confirmation bias haunting every part of their identity like it might in their own view of themselves too? We do know different reincarnations of devils do have different personalities after all.

Yoru, war devil, is the most interesting one when talking about the nature vs nurture debate with devils. There is how through her we see the perhaps the most the consequences of a devil stopping being feared— we see a horseman for a concept as universal and horrifying as war be reduced to some bird who needs a contract with a human to have any power even just on the situation when meeting Asa. And through the story we get to know her better, and it becomes clear that her goal is fueled in good part by simply wanting to be remembered and respected through fear. Liked, validated, seen a powerful. But what is more isolating than war? Or control? We also see Nayuta accepting others’ house rules. If part 1 shows perhaps the futility of running away from the truth, with Denji’s memory, with escapist coping mechanisms, with passivity and denial under a corrupt system and with abusive relationships- running away from your own feelings and from the reality of things and from all that you are, more complex than simply human or devil or both or neither— part 2 builds upon the theme of cult of personalities, the chainsaw church, etc. The apocalypse is coming, but this celebrity superhero might save us all, or doom us all uh, dunno. The hero of hell reliving the cycle of pressure from responsibilities and expectations, maybe the part will end with Denji running away like Pochita did~

But yes, on the reverse, I think Famine is a very interesting example of how a devil’s namesake may be more innate than coerced by circumstances. One would think that a famine devil would only like inflicting famine upon others, not being famished itself, but Famine has a bottomless stomach that can never, ever be satisfied, sated. I struggle to find a psychological explanation for this, except that maybe instead of her being hungry it’s her feeling empty when she’s not eating, tasting and having that high sensory experience that releases serotonin in humans, sort of like drugs? But I do take this as a step towards the compulsion theory overall, feels like a reach in the consistency otherwise. And compulsion does not mean it’s something that they like nor that it’s something that they fight against, pretty neutral, just a nature that nudges you towards one path. Maybe it’s even just their go-to for entertainment. Maybe it’s the only thing that makes them feel right and whole. But still the debate remains, what is it, a compulsion or an urge or an itch or an active desire or a conscious chosen want? Does it change anything in practice?

And because of all of this earlier, devils being self-fulfilling prophecies with their role is not in unsignificant part nurture, because doing their atrocities is how they stay remembered— feared, powerful, known— hell and devils are a very isolating place and breed after all, and we do see devils can want companionship. Existentially, it’s their purpose and how they justify their place in the world, in the terrifyingly vast and unknowable cosmos.

We still know so little of what makes Chainsaw Devil so special, why his carnage is so self-controlled. Despite a chainsaw maybe being possibly one of the most "nature" thing you can be— a tool to cut things, a human tool that can be helpful for many things, something to be wielding by another at their judgement on what they decide, but mainly something to cut, a tool suited for carnage, to hurt and to destroy. A blade with a toothed chain, spinning around and around and around endlessly on the same road at the same pace. Such a…. Innately circular concept. And yet the Chainsaw Devil is his own, not driven by an urge or by chaos but his very own brand of order, his own unique assigned purpose, a "if you call i’ll come running to help" policy equalizing everyone. He chooses to withhold his destruction and interference otherwise, and then he chooses to be used. If it’s a choice, of course.

Maybe this is what inspired Makima so much, that Chainsaw Devil could decide what to make of himself despite expectations or innate role. Because even Hell he decided & managed to subjugate under his will and whim, with a precise vision and process. When Chainsaw Devil acts like Denji or is defeated, Makima clicks her tongue and loses her admiration and respect. Makima admired and liked Chainsaw Devil, but only as long as he matched her great image of him in her mind, as long as he followed he rules for what she thinks he should be like. She admired him for his unrivaled self-made success, but once he stepped out of that to truly embody self-fulfillment and agency, disappearing from hell to live on his own road at the beat of his own drum… Well. Surely that was a mistake she has to correct. However their second battle ends, the better conqueror will have prevailed and she’s happy about that, all in the spirit of domination and subjugation.

Imo Makima’s biggest tool, similarly capitalism’s most helpful effect for its own purposes, is complacency. Resignation and passivity helps uphold the system and go along the flow of the will of the people in power. Aki and Reze go along with orders even when knowing their job is trash, etc. In Angel Devil especially we see him go along with the flow uncaring about anyhing, and we discover it was in part due to Makima taking away memories that motivated him. If every devil decides this is just how things are and how things should be that’s what they’ll continue to be and do mindlessly, not pursuing a better life like Chainsaw Devil and Denj and not seeking to change the world like Makima. I think even Makima veils herself to a lot of things, she doesn’t like to think deeply about some things, like her desire for connection, or how making bad movies disappear is strenuous and unsustainable and requiring sacrifices at best— how her judgement is as subjective as anyone else. How liking the country mouse and her friend back at the farm and her dogs could be not devoid of sentimality. Wanting bad movies erased is her one biggest show of selfishness, of pettiness and individuality, it’s about her tastes, simple as. About how she can have tastes, and cry seeing a scene of people hug, and want things that aren’t logical, her ideology and mind twisted into a pretzel to avoid acknowledging that she doesn’t live and breathe purely for the mission she’s made a single-minded robot out of herself to accomplish. Nayuta is assertive and selfish and loud, Makima is manipulative and strategically both for her goals and for coping hollow.

Everything in her plans and goals she says is for the greater good, necessary evil, manufactured happiness the way she’ll have decided for people— and that’s the thing isn’t it, like with War, it’s the crack that shows it was all truly about herself after all. Her self-made deification still had the flaw that a self made it. Makima is not omniscient, and it’s not Chainsaw Devil the not-so-fellow-kindred-soul conqueror who gets the best of her, but a city mouse, a dog, someone she would have never thought to respect, Denji.

[tankgotstuckinthecircusgate]

my n1 guilty pleasure is thinkin that post m2 lauretta moved deeper into criminal after several years & ended up sentenced to jail somewhere in the middle of 1970s

[luna-the-cretar]

“I love both my Frost and Torbek plushies equally” I say as my Frost plush gets significantly more attention than my Torbek plush

What can I say? Frosty’s perfectly round head makes him so throwable! And so nice to cuddle with! And his forehead is the perfect place for kisses! I love Torbek but his ears throw off the balance. Otherwise I’d be yeeting that fucker everywhere (affectionate)

[raprockcity]

i think akira would be one of those rare fluffy, curly cats,, anyway this can be viewed vertically or horizontally or w/e

[snakeredbirdbatkatana]

He loves Jason on most days he's pretty confident that's it mutal.

Brothers and all that shit clearly something happened either Bruce being a bitch or whatever else can make him insecure. That still doesn't give Jason the right to hold a gun to his head and be a fucking prick.

"What are you gonna do now Tim-Tam still so trusting of your big brother."

Self Deprecating is not a good look on Jason Todd.

Now normally this is where Tim takes a step back softens his tone gives the I love you Jay, I know you wouldn't hurt me, we are past this.

Hey he has this down to a science.

Yet he doesn't feel like it appealing to his big brother by rolling over.

Instead he steps forward the gun cold against his forehead he already sees that Jay is unbalanced concern overtaking the anger that seems to linger in the Red Hood.

"I don't have to trust you," he knows that he is making Jason uncomfortable that he threw the entire situation into something different.

He grabs the gun taking his time disarming it.

"I could call Dick, he might kill you if I ask nicely enough or, I could yell for my super who has been listening since I let my heart race I don't have to fear you Jason."

Pushing him to the end of the roof which normally couldn't happen perks of being built like a fridge.

"I don't actually have to deal with you if I don't want to and putting you down would be so easy. Hold another gun to my head and it will be the last thing you do. I would love to see Outlaws versus Young Justice who do u think would win?"

He can't help the laughter as he walks away he does love his brother but he won't be a punching bag to a pissed off teenager who never got to read the end of Hamlet.

[hannahwdraws]

Just a couple of girls from The Free Marches

"I can't believe the girl I taught to weave flowers at the Arlathvhen grew up to be the 'fearsome' Inquisitor."

"I can't believe Varric didn't put two and two together sooner that we might have already known each other."

"Try not to blame him, you're so different from the girl I knew from back then."

"I'm still just a Dalish girl from The Marches"

[tikvin]

The level of my love aggression towards this man is indescribable

[nadia-el-mansours]

[sugarcarnation]

i love kouyous and chuuyas relationship but tbh i don’t think kouyou was thrilled at all to be assigned to look over chuuya at first. imagine being 19 years old and trying so hard to come across as a calm and collected adult and suddenly you’re forcibly assigned big sister to the 15 year old boy with no impulse control who your boss literally picked up from the streets

[abirddogmoment]

She's putting the pieces together for such a nice baby retrieve 🥺

[manglednatalia]

Akutagawa's love language is the Autistic Stare™. Like if you do something nice for him, he'd unintentionally look like this