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corkinavoid · 6 months ago

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DPxDC Constantine Is Having Fae Problems

Not as in 'problems with the fae', but as in 'the Batfam don't understand shit about fae and it is somehow Constantine's problem'

"Thank you."

Whatever thoughts Constantine had before come to a screeching halt. He slowly turns around, praying he's misheard, but, unfortunately, no. He heard that right.

The black-haired kid - he looks like a kid, but, really, he is not, and he is not even human to begin with - is smiling at Nightwing, who just laughs and ruffles the boy's hair.

"Don't worry about it, it's nothing," the moronic eldest batkid says, like it's not a big deal, and Constantine just... can't. He is not dealing with this right now. He needs a drink.

And then it happens again. Not with the Nightwing, though. This time, it's Black Bat. Now, in all honesty, Constantine is not so sure about her being human either, what with her appearing out of goddamn aether and being silent as a ghost, but the point still stands. The new addition to Bat's menagerie of children, the fae boy, the changeling who insists he is Robin's brother, thanks her.

It's quick and easy, just like a human would say it, and Black Bat just nods back at him, but Constantine knows what it means. He knows the weight of fae gratitude.

The big question is, do the Bats know it?

He promises himself to address this issue later with the Big Bat himself. But every time he encounters the man, he just forgets to bring it up. Constantine strongly suspects it's not his bad memory at fault here, but a certain fae. Not that he is going to outright go and blame the damned creature, of course, Constantine values his life, mind, and consciousness. Also, he is very aware of the consequences of talking to the fae, unlike the furry brigade.

Alas, he can't forget something if he witnesses with his own eyes. So the next time he is in the Batcave, he makes it a point to wait until the same thing eventually happens. And, score for Constantine, it does.

"Thank you," the kid - again, not a kid, not a human, but whatever - tells Red Robin, and Constantine immediately snaps his head to him, pointing a finger at the smiling fae.

"I mean no disrespect, but what are you doing?"

The kid - Danny, as he insists to be called, although Constantine knows better than to call a fae by any name - tilts his head to the side. He looks confused, but there's a sly glint to his blue eyes. Oh, the fucker knows exactly what he means. He just doesn't want to admit to it.

"What do you mean?" It's not him, but Red Robin asking, and Constantine turns to look him in the eyes. Mask. Whatever.

"He is thanking-" a terrible thought crosses Constantine's mind, and he stares at Red Robin with horror, "Oh, don't tell me you were all thanking him and apologizing to him like he is a human being."

"I don't see how this is your business," Red Robin scolds, and his eyes narrow. Constantine can't see his actual eyes through the mask, but he knows the Bats well enough to know the kid looks as deadpan as he can.

"You can't do that!" He reaches down to the pocket where he keeps his cigarettes, but stops halfway. Right, no smoking in the Batcave. Wait, he never obeyed that rule! Constantine turns to glare at the fae boy. Danny appears as innocent as a newborn baby. Little bastard.

"Quit making a scene," comes another voice, and this one John recognizes, turning to look at little Robin. Now that he thinks about it, the demonic child claimed the fae as his brother, and he definitely should know how to talk to fae!

"Why didn't you tell them about the rules?!" He asks Robin, and the kid doesn't even bat an eye at him.

"You will not accuse me of incompetence in front of my brother," Robin huffs, not stepping closer and keeping one hand on his hip, "I did."

"You-"

"Okay, how about you calm down?" Danny interjects, and John is positive this is the first time he's heard the boy say anything other than 'thank you'. He turns to the fae, facing him, and, oh, Jesus, those are not human eyes. Or teeth. Or face. Holy fuck how do Bats live with this, it's like uncanny valley but hundreds times worse.

"If I tell you I use it for easier access, will you leave it be?" The fae tilts his head again, and this time it is not in confusion, but in the eerie manner of how all very much not human beings do it. Constantine swallows, but doesn't back down.

"Access to what, if you don't mind me asking?"

"Transportation," Danny provides. This does not explain shit and he knows it. Red Robin groans and rolls his eyes.

"We use it to summon Danny if we need him. It's faster than calling or texting."

Constantine freezes.

These fucking kids. Are using the fae debts. To summon him. Because they don't like texting.

Do they know that they can literally ask a fae to destroy a small country to fulfill a debt like that? It's not just a small favor, it's a gratitude. Fae take their gratitude very seriously. They value it. A lot.

Actually, you know what, no. John is not going to be explaining that part to them because God knows the batkids are all batshit crazy and this is an opportunity he is not willing to give them.

So he just nods stiffly, turns around, and heads to the zeta tube.

"Thank you for caring about my family," he hears a voice behind him, full of mischief and joy. Constantine feels the weight of the newly acquired debt, or better call it a favor, bind itself to his soul, and, great, he now has the power to part the sea like Moses, but only once.

He needs a drink. No, correction, he needs a whole bar to himself.

Wait, that's an idea.

"Get me a bottle of good bourbon, and we're even," he throws around his shoulder, stepping into a zeta tube.

When he steps out of it, there's an unlabeled bottle in his hand. John sighs and opens it, foregoing the glass or cup and drinking straight from the neck.

...It's good bourbon.

Inspired by @blackfoxsposts

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#danny phantom #dc x dp #dpxdc #batfam #tim drake #damian wayne #batman #john constantine #fae #fae au #fae!danny #cork writes #cork prompts #changelings #changeling au

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wordstome · 11 months ago

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how c.ai works and why it's unethical

Okay, since the AI discourse is happening again, I want to make this very clear, because a few weeks ago I had to explain to a (well meaning) person in the community how AI works. I'm going to be addressing people who are maybe younger or aren't familiar with the latest type of "AI", not people who purposely devalue the work of creatives and/or are shills.

The name "Artificial Intelligence" is a bit misleading when it comes to things like AI chatbots. When you think of AI, you think of a robot, and you might think that by making a chatbot you're simply programming a robot to talk about something you want them to talk about, and it's similar to an rp partner. But with current technology, that's not how AI works. For a breakdown on how AI is programmed, CGP grey made a great video about this several years ago (he updated the title and thumbnail recently)

youtube

I HIGHLY HIGHLY recommend you watch this because CGP Grey is good at explaining, but the tl;dr for this post is this: bots are made with a metric shit-ton of data. In C.AI's case, the data is writing. Stolen writing, usually scraped fanfiction.

How do we know chatbots are stealing from fanfiction writers? It knows what omegaverse is [SOURCE] (it's a Wired article, put it in incognito mode if it won't let you read it), and when a Reddit user asked a chatbot to write a story about "Steve", it automatically wrote about characters named "Bucky" and "Tony" [SOURCE].

I also said this in the tags of a previous reblog, but when you're talking to C.AI bots, it's also taking your writing and using it in its algorithm: which seems fine until you realize 1. They're using your work uncredited 2. It's not staying private, they're using your work to make their service better, a service they're trying to make money off of.

"But Bucca," you might say. "Human writers work like that too. We read books and other fanfictions and that's how we come up with material for roleplay or fanfiction."

Well, what's the difference between plagiarism and original writing? The answer is that plagiarism is taking what someone else has made and simply editing it or mixing it up to look original. You didn't do any thinking yourself. C.AI doesn't "think" because it's not a brain, it takes all the fanfiction it was taught on, mixes it up with whatever topic you've given it, and generates a response like in old-timey mysteries where somebody cuts a bunch of letters out of magazines and pastes them together to write a letter.

(And might I remind you, people can't monetize their fanfiction the way C.AI is trying to monetize itself. Authors are very lax about fanfiction nowadays: we've come a long way since the Anne Rice days of terror. But this issue is cropping back up again with BookTok complaining that they can't pay someone else for bound copies of fanfiction. Don't do that either.)

Bottom line, here are the problems with using things like C.AI:

It is using material it doesn't have permission to use and doesn't credit anybody. Not only is it ethically wrong, but AI is already beginning to contend with copyright issues.

C.AI sucks at its job anyway. It's not good at basic story structure like building tension, and can't even remember things you've told it. I've also seen many instances of bots saying triggering or disgusting things that deeply upset the user. You don't get that with properly trigger tagged fanworks.

Your work and your time put into the app can be taken away from you at any moment and used to make money for someone else. I can't tell you how many times I've seen people who use AI panic about accidentally deleting a bot that they spent hours conversing with. Your time and effort is so much more stable and well-preserved if you wrote a fanfiction or roleplayed with someone and saved the chatlogs. The company that owns and runs C.AI can not only use whatever you've written as they see fit, they can take your shit away on a whim, either on purpose or by accident due to the nature of the Internet.

DON'T USE C.AI, OR AT THE VERY BARE MINIMUM DO NOT DO THE AI'S WORK FOR IT BY STEALING OTHER PEOPLES' WORK TO PUT INTO IT. Writing fanfiction is a communal labor of love. We share it with each other for free for the love of the original work and ideas we share. Not only can AI not replicate this, but it shouldn't.

(also, this goes without saying, but this entire post also applies to ai art)

#anti ai #cod fanfiction #c.ai #character ai #c.ai bot #c.ai chats #fanfiction #fanfiction writing #writing #writing fanfiction #on writing #fuck ai #ai is theft #call of duty #cod #long post #I'm not putting any of this under a readmore #Youtube

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captainfantasticalright · 10 months ago

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In 1985, one of the only persons interested in an interview with a “new” writer called Terry Pratchett, after his publication of the Colour of Magic, was one Neil Gaiman. Neil Gaiman was writing for Space Voyager at the time. "The Colour of Pratchett" was the name given here:

It ran exactly one page inside the June/July issue of that year. The interview took place in a Chinese restaurant in London.

Here is Neil many years later holding that issue. You can see it here if you want. Warning: extremely emotional video.

Neil arrived wearing a grey homburg hat. “Sort of like the ones Humphrey Bogart wears in movies” he later wrote. (Before saying that in fact he did not look like him, but like someone wearing a grown-up’s hat). Terry Pratchett, photo courtesy of one @neil-gaiman, was in a Lenin-style leather cap and a harlequin-patterned pullover. At this point, Terry was already a hat person, although not that hat.

Terry offered Neil this : "An interview needn't last more than 15 minutes. A good quote for the beginning, a good quote for the end, and the rest you make up back at the office"*. (Terry Pratchett had worked many years in journalism by this point ).

But the meeting went terribly well. The two of them realized they had "the same sort of brains". So well indeed, that in 1985, Neil had shown Terry a file containing 5282 words, exploring a scenario in which Richmal Crompton's William Brown had somehow become the Antichrist. Was a collaboration in the cards as of that moment? Not really. But Terry found in Neil someone to whom he could send disks of work in progress and to whom he could pick up the phone sometimes when he hit a brick in the road of his writing.

Terry loved it and the concept stayed in his mind. A couple of years later, he rang Neil to ask him if he had done any more work on it. Neil had been busy with The Sandman, he had not really given it another thought. Terry said, "Well I know what happens next, so either you sell me the idea or we can write it together". **

On collaborating together:

Here is a video of Sir Terry saying why he chose to collaborate with Neil, another video talking about the technical difficulties of writing a book when the two of them where miles apart ,and some pages from Interzone Magazine Issue 207 published December 2006:

An Interview with Sir Terry Pratchett and his works- and Neil Gaiman, where he shortly addresses the process of writing Good Omens.

Terry shortly mentions,

“Neil doesn't rule out another book with me and he was good to write with...yep, it could happen. With anyone else? I don't know, but probably not.?”

Neil says,

"Terry took that initial 5,000 words of mine and ran it through the computer (because I’d lost the files in a computer crash) and made it the first 10,000 words, and it was definitely Good Omens at that point. Neither one thing nor the other, but a third thing.”

"I think Terry could do a very good impersonation of me if he needed to, and I could do a very good impersonation of him; so we knew the area of the Venn diagram in which we were working. But mostly the book found its own voice very quickly. It helped that we were both scarred by the William books when we were kids...”

And as you know, unless you’ve been living in Alpha Centauri, the rest is history. That was the beginning of what would become William the Antichrist and later would get the name Good Omens:The Nice and Accurate Prophecies of Agnes Nutter, Witch. (Title provided by Neil Gaiman and subtitle by Terry Pratchett).

More about the writing process:

Terry took the first 5,000 words and typed them into his word processor, and by the time he had finished they were the first 10,000 words. Terry had borrowed all the things about me that he thought were amusing, like my tendency back then to wear sunglasses even when it wasn't sunny, and given them, along with a vintage Bentley, to Crawleigh, who had now become Crowley. The Satanic Nurses were Satanic Nuns.

The book was under way.

We wrote the first draft in about nine weeks. Nine weeks of gloriously long phone calls, in which we would read each other what we'd written, and try to make the other one laugh. We'd plot, delightedly, and then hurry off the phone, determined to get to the next good bit before the other one could. We'd rewrite each other, footnote each other's pages, sometimes even footnote each other's footnotes. We would throw characters in, hand them off when we got stuck. We finished the book and decided we would only tell people a little about the writing process - we would tell them that Agnes Nutter was Terry's, and the Four Horsemen (and the Other Four Motorcyclists) were mine.

From the introduction to William the Antichrist:

“In the summer of 1987 several odd ideas came together: (..)I found myself imagining a book called William the Antichrist, in which a hapless demon was going to be responsible for swapping the wrong baby over, and the son of the US Ambassador would be completely undemonic, while William Brown would grow up to be the Antichrist, and the demon would need to stop him ending the world. The unfortunate demon, whom I called Crawleigh, because Crawley was a nearby town with an unfortunate name, would have to sort it all out as best he could.

It felt like a story with legs.

Terry took the 5,000 words, and rewrote them, calling me to tell me what he was doing and what he was planning to do. The biggest thing he was going to do, he told me, was split the hapless demon into two characters – a would-be-cool demon in dark glasses (which was, I think, Terry’s way of making fun of me, a never-actually- cool journalist in dark glasses) who had renamed himself Crowley, and a rare-book dealer and angel called Aziraphale, who would embody all the English awkwardness that either of us could conceive.”

William the Antichrist being a direct inspiration of the 1976 film The Omen. If the baby swap had just been a little bit messier and the kid had gone off somewhere else he would have grown up as somebody else. “And then there was a beat and I thought, I should write it, it will be called William the Antichrist” says Neil. ***

“The first draft of Good Omens was a William-book. It was absolutely in every way it could be a William book. It had Violet Elizabeth Bott, it had William and the Outlaws, it had Mr. Brown”.

Over time they realized that they would have more creative freedom if they in their own words filed off the serial numbers. William and the Outlaws becoming Adam and the Them.

But the spirit of Just William was never far away.

The joy for Neil was to construct “perfectly William sentences”. The one when Anathema tells Adam that she has lost the Book, and he tells her that he has written a book about a pirate who became a famous detective and it is 8 pages long… that’s “a William sentence”.

If you want to read more details about William The Antichrist, here are some slides I made.

Good Omens was also inspired by a particularly antisemitic moment in The Jew of Malta and John le Carre's spy novels. (Neil’s ask)

Then I was reading The Jew of Malta by Kit Marlowe, and it has a bit where the three (cartoonishly evil) Jews compare notes on all the well-poisoning and suchlike they’d done that day, and as a Jew who never quite gets his act together, it occurred to me that if I were the third Jew I’d just be apologizing for having failed to poison a well… And suddenly I had the opening of a book. It would be called William the Antichrist. And it would begin with three Demons in a graveyard… (x).

“When we finished the book we estimated that the words were 60% Terry’s and 40% mine, and the plot, such as it was, was entirely ours.” -Neil Gaiman

"Neil and I had known each other since early 1985. Doing it was our idea, not a publisher's deal." "I think this is an honest account of the process of writing Good Omens. It was fairly easy to keep track of because of the way we sent discs to one another, and because I was Keeper of the Official Master Copy I can say that I wrote a bit over two thirds of Good Omens. However, we were on the phone to each other every day, at least once. If you have an idea during a brainstorming session with another guy, whose idea is it? One guy goes and writes 2,000 words after thirty minutes on the phone, what exactly is the process that's happening? I did most of the physical writing because: 1) I had to. Neil had to keep Sandman going -- I could take time off from the DW; 2) One person has to be overall editor, and do all the stitching and filling and slicing and, as I've said before, it was me by agreement -- if it had been a graphic novel, it would have been Neil taking the chair for exactly the same reasons it was me for a novel; 3) I'm a selfish bastard and tried to write ahead to get to the good bits before Neil. Initially, I did most of Adam and the Them and Neil did most of the Four Horsemen, and everything else kind of got done by whoever -- by the end, large sections were being done by a composite creature called Terryandneil, whoever was actually hitting the keys. By agreement, I am allowed to say that Agnes Nutter, her life and death, was completely and utterly mine. And Neil proudly claims responsibility for the maggots. Neil's had a major influence on the opening scenes, me on the ending. In the end, it was this book done by two guys, who shared the money equally and did it for fun and wouldn't do it again for a big clock." "Yes, the maggot reversal was by me, with a gun to Neil's head (although he understood the reasons, it's just that he likes maggots). There couldn't be blood on Adam's hands, even blood spilled by third parties. No-one should die because he was alive." -("Terry Pratchett : His World”)

(Here are some slides of mine where I go into some other details concerning the origins of Good Omens).

Another wonderful insight with Rob Wilkins in "The Worlds of Terry Pratchett".

*Quote: from Terry Pratchett A Life With Footnotes by Rob Wilkins, but said by Terry of course.

** All the quotes, facts listed here : see above.

***all other quotes by Neil Gaiman from various interviews and asks I’ll link.

#good omens #neil gaiman #terry pratchett #crowley #aziraphale #ineffable husbands #good omens fun facts #the colour of magic #the colour of pratchett #space voyager magazine

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haikyuupaladin · 1 year ago

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TLDR; don’t give tumblr money until they start making visible improvements towards accessibility

I’ve seen a few posts around about something people are calling crab day where you’re supposed to gift the crab button to your mutuals to support Tumblr financially. Please don’t participate in this unless Tumblr starts making noticeable improvements towards accessibility between now and then. It’s been 5 months of me trying to get the bare minimum of accessibility for photosensitive users or even just find out who I can talk to to get anywhere, and Tumblr is refusing to make any changes.

@photomatt has doubled down on the suggestion that you should just pay for ad-free or install an ad-blocker instead of listening to any of the suggestions photosensitive users have repeatedly made. Please do not give money to Tumblr until they show a commitment to accessibility because they will continue to ignore our requests if it doesn’t impact them financially.

Some of the requests we’ve made are:

1. Allow us to disable autoplay on browser as well as the app. This is an accessibility feature, not a data-saving feature, and should be treated as such.

2. Include ads in disabling of autoplay, along with other formats that currently get around the autoplay feature. Currently even if you have autoplay disabled you can still end up with flashing lights in your face every few posts from ads.

3. Improve the reporting process for strobing ads. The quick reporting process doesn’t provide good options to ensure the person reviewing the report realizes that it’s being reported for flashing lights so you have to hope they agree it’s either malicious or offensive and don’t just brush you off as abusing the report function. The more complicated reporting process involves getting a screenshot and the link that the ad brings you to, which requires lingering on the ad, which if you’re trying to report the ad for your safety, is dangerous. You can also still get the same ad 10 times a row after reporting it until it’s been reviewed. Which again, presents a danger to users.

4. Add a community label for flashing lights. Flashing lights are commonly untagged or mistagged, even sometimes maliciously. It would be extremely helpful to the photosensitive community to be able to add a warning to a post that doesn’t have one.

I’ve talked a lot about the photosensitive community in this post because that’s what I have personal experience with and what @photomatt has explicitly come out and just said to buy ad-free about, but there are definitely other accessibility issues that need to be addressed as well (like the alt text function needing improvements to make it accessible to users who need it and don’t use screenreaders, or the fact that a lot of tumblr official stuff still doesn’t seem to use the alt text feature themselves). Please feel free to add on accessibility issues I’ve missed in the reblogs.

#crab day #epilepsy #actually epileptic #disability #photosensitivity #accessibility #tumblr safety #disability pride month

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imsobadatnicknames2 · 8 months ago

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How can you consider yourself any sort of leftist when you defend AI art bullshit? You literally simp for AI techbros and have the gall to pretend you're against big corporations?? Get fucked

I don't "defend" AI art. I think a particular old post of mine that a lot of people tend to read in bad faith must be making the rounds again lmao.

Took me a good while to reply to this because you know what? I decided to make something positive out of this and use this as an opportunity to outline what I ACTUALLY believe about AI art. If anyone seeing this decides to read it in good or bad faith... Welp, your choice I guess.

I have several criticisms of the way the proliferation of AI art generators and LLMs is making a lot of things worse. Some of these are things I have voiced in the past, some of these are things I haven't until now:

Most image and text AI generators are fine-tuned to produce nothing but the most agreeable, generically pretty content slop, pretty much immediately squandering their potential to be used as genuinely interesting artistic tools with anything to offer in terms of a unique aesthetic experience (AI video still manages to look bizarre and interesting but it's getting there too)

In the entertainment industry and a lot of other fields, AI image generation is getting incorporated into production pipelines in ways that lead to the immiseration of working artists, being used to justify either lower wages or straight-up layoffs, and this is something that needs to be fought against. That's why I unconditionally supported the SAG-AFTRA strikes last year and will unconditionally support any collective action to address AI art as a concrete labor issue

In most fields where it's being integrated, AI art is vastly inferior to human artists in any use case where you need anything other than to make a superficially pretty picture really fast. If you need to do anything like ask for revisions or minor corrections, give very specific descriptions of how objects and people are interacting with each other, or just like. generate several pictures of the same thing and have them stay consistent with each other, you NEED human artists and it's preposterous to think they can be replaced by AI.

There is a lot of art on the internet that consists of the most generically pretty, cookie-cutter anime waifu-adjacent slop that has zero artistic or emotional value to either the people seeing it or the person churning it out, and while this certainly was A Thing before the advent of AI art generators, generative AI has made it extremely easy to become the kind of person who churns it out and floods online art spaces with it.

Similarly, LLMs make it extremely easy to generate massive volumes of texts, pages, articles, listicles and what have you that are generic vapid SEO-friendly pap at best and bizzarre nonsense misinformation at worst, drowning useful information in a sea of vapid noise and rendering internet searches increasingly useless.

The way LLMs are being incorporated into customer service and similar services not only, again, encourages further immiseration of customer service workers, but it's also completely useless for most customers.

A very annoyingly vocal part the population of AI art enthusiasts, fanatics and promoters do tend to talk about it in a way that directly or indirectly demeans the merit and skill of human artists and implies that they think of anyone who sees anything worthwile in the process of creation itself rather than the end product as stupid or deluded.

So you can probably tell by now that I don't hold AI art or writing in very high regard. However (and here's the part that'll get me called an AI techbro, or get people telling me that I'm just jealous of REAL artists because I lack the drive to create art of my own, or whatever else) I do have some criticisms of the way people have been responding to it, and have voiced such criticisms in the past.

I think a lot of the opposition to AI art has critstallized around unexamined gut reactions, whipping up a moral panic, and pressure to outwardly display an acceptable level of disdain for it. And in particular I think this climate has made a lot of people very prone to either uncritically entertain and adopt regressive ideas about Intellectual Propety, OR reveal previously held regressive ideas about Intellectual Property that are now suddenly more socially acceptable to express:

(I wanna preface this section by stating that I'm a staunch intellectual property abolitionist for the same reason I'm a private property abolitionist. If you think the existence of intellectual property is a good thing, a lot of my ideas about a lot of stuff are gonna be unpalatable to you. Not much I can do about it.)

A lot of people are suddenly throwing their support behind any proposal that promises stricter copyright regulations to combat AI art, when a lot of these also have the potential to severely udnermine fair use laws and fuck over a lot of independent artist for the benefit of big companies.

It was very worrying to see a lot of fanfic authors in particular clap for the George R R Martin OpenAI lawsuit because well... a lot of them don't realize that fanfic is a hobby that's in a position that's VERY legally precarious at best, that legally speaking using someone else's characters in your fanfic is as much of a violation of copyright law as straight up stealing entire passages, and that any regulation that can be used against the latter can be extended against the former.

Similarly, a lot of artists were cheering for the lawsuit against AI art models trained to mimic the style of specific artists. Which I agree is an extremely scummy thing to do (just like a human artist making a living from ripping off someone else's work is also extremely scummy), but I don't think every scummy act necessarily needs to be punishable by law, and some of them would in fact leave people worse off if they were. All this to say: If you are an artist, and ESPECIALLY a fan artist, trust me. You DON'T wanna live in a world where there's precedent for people's artstyles to be considered intellectual property in any legally enforceable way. I know you wanna hurt AI art people but this is one avenue that's not worth it.

Especially worrying to me as an indie musician has been to see people mention the strict copyright laws of the music industry as a positive thing that they wanna emulate. "this would never happen in the music industry because they value their artists copyright" idk maybe this is a the grass is greener type of situation but I'm telling you, you DON'T wanna live in a world where copyright law in the visual arts world works the way it does in the music industry. It's not worth it.

I've seen at least one person compare AI art model training to music sampling and say "there's a reason why they cracked down on sampling" as if the death of sampling due to stricter copyright laws was a good thing and not literally one of the worst things to happen in the history of music which nearly destroyed several primarily black music genres. Of course this is anecdotal because it's just One Guy I Saw Once, but you can see what I mean about how uncritical support for copyright law as a tool against AI can lead people to adopt increasingly regressive ideas about copyright.

Similarly, I've seen at least one person go "you know what? Collages should be considered art theft too, fuck you" over an argument where someone else compared AI art to collages. Again, same point as above.

Similarly, I take issue with the way a lot of people seem EXTREMELY personally invested in proving AI art is Not Real Art. I not only find this discussion unproductive, but also similarly dangerously prone to validating very reactionary ideas about The Nature Of Art that shouldn't really be entertained. Also it's a discussion rife with intellectual dishonesty and unevenly applied definition and standards.

When a lot of people present the argument of AI art not being art because the definition of art is this and that, they try to pretend that this is the definition of art the've always operated under and believed in, even when a lot of the time it's blatantly obvious that they're constructing their definition on the spot and deliberately trying to do so in such a way that it doesn't include AI art.

They never succeed at it, btw. I've seen several dozen different "AI art isn't art because art is [definition]". I've seen exactly zero of those where trying to seriously apply that definition in any context outside of trying to prove AI art isn't art doesn't end up in it accidentally excluding one or more non-AI artforms, usually reflecting the author's blindspots with regard to the different forms of artistic expression.

(However, this is moot because, again, these are rarely definitions that these people actually believe in or adhere to outside of trying to win "Is AI art real art?" discussions.)

Especially worrying when the definition they construct is built around stuff like Effort or Skill or Dedication or The Divine Human Spirit. You would not be happy about the kinds of art that have traditionally been excluded from Real Art using similar definitions.

Seriously when everyone was celebrating that the Catholic Church came out to say AI art isn't real art and sharing it as if it was validating and not Extremely Worrying that the arguments they'd been using against AI art sounded nearly identical to things TradCaths believe I was like. Well alright :T You can make all the "I never thought I'd die fighting side by side with a catholic" legolas and gimli memes you want, but it won't change the fact that the argument being made by the catholic church was a profoundly conservative one and nearly identical to arguments used to dismiss the artistic merit of certain forms of "degenerate" art and everyone was just uncritically sharing it, completely unconcerned with what kind of worldview they were lending validity to by sharing it.

Remember when the discourse about the Gay Sex cats pic was going on? One of the things I remember the most from that time was when someone went "Tell me a definition of art that excludes this picture without also excluding Fountain by Duchamp" and how just. Literally no one was able to do it. A LOT of people tried to argue some variation of "Well, Fountain is art and this image isn't because what turns fountain into art is Intent. Duchamp's choice to show a urinal at an art gallery as if it was art confers it an element of artistic intent that this image lacks" when like. Didn't by that same logic OP's choice to post the image on tumblr as if it was art also confer it artistic intent in the same way? Didn't that argument actually kinda end up accidentally validating the artistic status of every piece of AI art ever posted on social media? That moment it clicked for me that a lot of these definitions require applying certain concepts extremely selectively in order to make sense for the people using them.

A lot of people also try to argue it isn't Real Art based on the fact that most AI art is vapid but like. If being vapid definitionally excludes something from being art you're going to have to exclude a whooole lot of stuff along with it. AI art is vapid. A lot of art is too, I don't think this argument works either.

Like, look, I'm not really invested in trying to argue in favor of The Artistic Merits of AI art but I also find it extremely hard to ignore how trying to categorically define AI art as Not Real Art not only is unproductive but also requires either a) applying certain parts of your definition of art extremely selectively, b) constructing a definition of art so convoluted and full of weird caveats as to be functionally useless, or c) validating extremely reactionary conservative ideas about what Real Art is.

Some stray thoughts that don't fit any of the above sections.

I've occassionally seen people respond to AI art being used for shitposts like "A lot of people have affordable commissions, you could have paid someone like $30 to draw this for you instead of using the plagiarism algorithm and exploiting the work of real artists" and sorry but if you consider paying an artist a rate that amounts to like $5 for several hours of work a LESS exploitative alternative I think you've got something fucked up going on with your priorities.

Also it's kinda funny when people comment on the aforementioned shitposts with some variation of "see, the usage of AI art robs it of all humor because the thing that makes shitposts funny is when you consider the fact that someone would spend so much time and effort in something so stupid" because like. Yeah that is part of the humor SOMETIMES but also people share and laugh at low effort shitposts all the time. Again you're constructing a definition that you don't actually believe in anywhere outside of this type of conversations. Just say you don't like that it's AI art because you think it's morally wrong and stop being disingenuous.

So yeah, this is pretty much everything I believe about the topic.

I don't "defend" AI art, but my opposition to it is firmly rooted in my principles, and that means I refuse to uncritically accept any anti-AI art argument that goes against those same principles.

If you think not accepting and parroting every Anti-AI art argument I encounter because some of them are ideologically rooted in things I disagree with makes me indistinguishable from "AI techbros" you're working under a fucked up dichotomy.

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copperbadge · 17 days ago

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So, I got tagged in a post, and I wrote a bit of a novel in a reblog in drafts, and then I realized that probably it wasn't for the best to post up All That Nonsense when the OP was just making a funny post about Wikipedia's fundraising. And it is a funny post! So I'll link here to the post and where I was tagged but I decided to put my thoughts here. Please take this as a hint to be respectful of OP and the person who tagged me both :)

I will say my initial reaction to seeing Wikipedia selling merch AND asking to be in your will was "Well, they're trying something." It's just such a weird topic to bring up, it's hard to be graceful about it, so I think what they were doing was probably the best you can do.

And the response did make a lot of the points I'd make about making a will and such. In fact, FreeWill is what I made my will with and we recommend them to our donors.

There was a study that came out a decade ago or more, so my numbers probably aren't accurate, but the statistic that knocked me back was that most donors who leave surprise large bequests (gifts to charity in their will) give an average of $17 a year during their lives. So there's likely a reason that Wikipedia is targeting users and not huge donors.

It's an ongoing issue that most people also don't document their bequests. By all means, leave money to charity in your will, they will be happy to have it, but they will be even happier to know ahead of time.

Perfect example, THIS WEEK we got a check for six figures from a woman's estate. It was an eyebrow-raising amount of money for us. My boss, who handles both "eyebrow raising money" and "gifts from dead people", immediately went to look her up in our database.

Which she is not in. We had no idea this woman existed. Never gave to us before.

Had we known she was leaving us this money, my boss would have made sure she understood how grateful we were and like, bought her lunch a couple of times a year, and when she did pass we would have known who to reach out to in order to offer our support.

Instead, he came to me and said, "I have a name and an address," and I set to work to find out why she gave and who we could thank. I found her obit, but she didn't die of anything related to our work. Using information from the obit, I confirmed none of her family were in our database either. I looked up her second husband, mentioned in the obit, and his obit said he died of lung disease, which told me that this gift is because she lost her husband.

This helps because I knew from her obit that they had a blended family; they didn't have any kids together but they each had kids when they married, all of whom are now like, my age. So we want to thank her kids but we want to make sure her stepkids, who lost their dad, get a specific kind of outreach as well. I told my boss their names and he said one of the husband's kids was listed as the executor of the will, but there was nothing (surname-wise) to indicate they were related. I found contact information for that person, and my boss was able to reach out to her. She didn't realize we didn't know about the bequest, and now she and her siblings are talking to us about their dad and their own health while her stepsiblings, whose mother left us this very generous gift, are getting condolences and thanks and getting to say how she will be thanked in our documentation.

And I mean, that's why my job exists, to fill in those blanks. We just...would really like to have told her thank-you while she was alive.

SO! The moral of the story is: please consider leaving money to charity in your will if you can, use FreeWill to make your will (they will also help you document your gift) and let the charity know you're leaving them an estate gift. Not only will you maybe get cool swag but especially if it's a concern close to your heart, you'll get to build your relationship with the charity.

#giving #bequests

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genderqueerdykes · 3 months ago

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im not sorry the truth of the transmasculine experience is ugly. i'm not sorry that we have to frequently discuss sexual and physical violence and abuse. i'm not sorry that we have to discuss violent physical abuse and death. i'm not sorry that we have to discuss homelessness, mental illness, addiction, disabilities, and other challenges in life.

we struggle. we do not instantly gain male privilege the second we come out. even if we pass. when someone knows we're trans we're treated like a woman no matter what. we can sometimes get lucky and pass with strangers but eventually people around us find out because people tell each other without our consent.

we face all kinds of abuse due to the fact that people feel entitlement to our bodies, regardless of what our AGAB is. they feel entitled to our faces, our hair, our entire appearance. they focus on the face that we're ruining something "pretty". they threaten corrective sexual violence to remind us that we're "just women". it happens constantly. this is not an isolated incident and virtually nobody wants people to talk about it when it comes to transmasculine people.

trans men often get injured for one reason or another. usually because someone wants to make them "prove" they're a man, to "toughen them up" or to "prove to them that they're a woman". sometimes this results in sexual assault. other times it results in physical assault. and sometimes people just kill trans men. all because they hate that a "woman" can transition into a man.

it's an ugly part of our reality but it needs to be discussed because otherwise people use the lack of that conversation as ammunition to say transmascs don't struggle.

transmasculine people struggle to stay housed. transmasculine people get kicked out of their living situations very often for many reasons. it's hard for transmascs to get jobs because often times people want either a man or a woman for a specific position and fuss over what they think the transmasc's gender is. misgendering is a huge issue at work. going stealth at work can be painful. being in the closet at work can be painful

transmascs are often disabled and struggle to get care due to people not taking AFAB patients' pain and symptoms seriously. this is a huge issue with any kind of AFAB person or any woman. all woman and AFAB people struggle with having their symptoms taken seriously when seeking serious medical attention to the point of possibly being undiagnosed for life, thus being unable to get on disability. trans women face this just as much as AFAB cis women, it's a huge issue in the medical industry

transmasculine people struggle to say on their hormones (or access them at all). testosterone is a controlled substance in many countries which means that you need a prior authorization to get the medication and need to consistently see a provider to get blood tests and check ups. it can be difficult to do so if you are low income and sometimes certain pharmacists will intentionally find ways to withhold hormones due to their own prejudices

transmasculine people struggle to get pregnancy support and care. it is very difficult for transmasculine people to figure out how to navigate their pregnancy, either due to their HRT provider not knowing much about pregnancy, or having a gynecologist who's not familiar with transmasculine health.

transmascs get denied from spaces made for men constantly. even if they pass, if word gets around that they're trans they can easily be kicked out of a space. transmasculine lesbians are often removed from lesbian, transmasc and/or non binary spaces. transmasc butches are often ostracized from all communities their identities correlate to. trans men and transmasc enbies are seen as a threat to women.

there is ugliness in every pocket of the queer community when it comes to how cisheteronormative society treats us. we all face disgusting treatment that needs to be addressed. it's important to consider how this system affects everyone underneath it. we need to talk about the positive things, it's good to help those are questioning, but we also must discuss what struggles we face in order to humanize ourselves and show that we people, too. none of us have it easy.

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sinofwriting · 1 month ago

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Sex Positive - Charles Leclerc

Words: 2,470 Summary: Y/N goes on a podcast to talk about one thing and one thing only, sex. Note(s): NSFW just because this is just all sex talk, no actual sex, but it is the main topic of discussion. Part SMAU

Masterlist | Support Me!

“Y/N Y/L/N”

She smiles at the sound of her name, adjusting her headphones a bit until they finally seem to sit snug on her head.

“Welcome to the sex positive podcast.”

“Thank you for having me!”

“Thank you for coming on!” Elaine says. “When I reached out, I had hoped you would come on, but was shocked when you said yes.”

“I had to come on. We’ve known each other now for like two years?” Elaine nods at her words. “And yet despite that and this podcast doing so well, which by the way congrats on the new milestone. 250k is insane, and your profession we’ve never once talked about sex.”

“We have not.” Elaine laughs. “Probably because we also run into each other at events and dinners. Not the best place for me to ask how you feel about sex.”

“Well, I should tell you, I am coming on here to actually talk about how much I hate sex.” She says, ending her sentence with an eye roll, as she adjusts how she’s sitting, not even noticing her cardigan slip.

“Oh, yeah.” Elaine nods. “You hate sex.” She then nods to her left shoulder and her eyes drop and she lets out a laugh, seeing the love bites now exposed from the cardigan slipping.

“Like I said, I hate it.” She laughs.

“How is your relationship with sex? I mean, what has your experience been with it?”

She considers for a moment, “I’d say I have a good relationship with sex. It was never a topic that was shied away from when I was younger. My parents both gave me the talk, they made sure that I felt safe and comfortable to talk to them about it. They also never shied away from talking about how they had sex before they were adults, so if I did, they understood. All they asked was that I was safe.”

“And you think that’s helped?”

“Of course.” She nods. “I mean, I was sixteen when I had sex for the first time. Which was before all my friends and after that I was the one my girl friends came to for condoms and advice.”

“Was it good?”

She makes a face, “I mean, I think it was as good as two sixteen-year-olds having sex for the first time can be. A little awkward, some fumbling, finishing so quick.”

Elaine laughs, “Y’know that probably is as good as it can get.”

“Yeah.” She laughs.

“Were you like okay, I had sex this first time, I’ve experienced it, I’m good, or was it like me where you wanted to explore more.”

“Oh, I wanted to explore more. I didn’t have sex again for, I think like another two years. But I did so much self exploring. Just trying to see what I liked, what I was interested in, what I wasn’t interested in.”

“Porn?”

“Yes, there was quite a large amount of porn being watched. I read a lot of adult novels, guides, blogs, really just anything I could get my hands on.”

Elaine nods, tucking a leg underneath herself as she adjusts the microphone to be a little closer. “And this is something I’m curious about, how do you feel about porn? It’s something a lot of people are divided on, a lot of women especially.”

“I like porn. I enjoy it. Either just watching for pleasure or for research.” And she puts the last word in air quotes. “And please people listening or watching, if you see something you like in porn or are interested in, and this applies if you are reading something as well, look it up, read some guides and blog posts about it before doing it yourself. Just be safe.”

“Oh, please be safe. We have our own blog where we talk about different kinks, positions, various things and I urge you, along with everyone else who works on this podcast, to be safe with yourself and others.” Elaine says, addressing the camera before looking back at her. “So, you like porn.”

“Yes. Obviously not all porn is good, there are bad studios, there are overdone tropes, issues with the industry itself with it continuing to promote certain things because it earns them so much money. But I do enjoy it. It’s an industry that is always going to get criticized and hated and it deserves some of those criticisms without a doubt.”

“As a sex therapist, I do try to veer my clients away from porn, most of the time. And that’s mainly due to the acting of it. But it has its place in helping you learn and educate yourself. My issue is when people only look at porn and don’t look into things further.”

“Yeah, a hundred percent. It’s so important to not just take away things from porn but to take things away and expand on what you saw.” She nods.

“And of course I have to ask, what do you yourself like to watch in porn?”

“Hmm.” She thinks. “I think it depends on my mood. I think what I normally go for is something a little more rough. I’ve never really enjoyed watching people have like slow, gentle sex, not unless there’s something else there like overstimulation.”

“So, you like it rough?” Elaine asks.

She laughs, “Yes. It wasn’t something I had ever tried out before though until my current partner.”

“Really?”

She nods, “Really! I can admit that with my current partner, Charles, is where I’ve done a lot of exploring with someone else sexually. We’ve tried out many things.”

“Anything you guys didn’t like?”

“We don’t care for titles or honorifics.”

“You are crushing some dreams with that statement.”

“I know.” She laughs, well aware of the many tweets and things about wanting to call Charles daddy or sir. But it was just something that didn’t work for them in bed. The most was sometimes as a tease, she’d call him Mr. Leclerc and that was mainly to wind him up, not because the word itself was a turn on.

“What about things you’ve both enjoyed?”

“Oh, where to begin.” She teases, the both of them laughing. “Roleplay is one, bondage, edging, overstimulation. And I don’t consider this sex, but it is something we both enjoy a lot, cock warming.”

“That is quite the list.”

“Oh, just the tip of the iceberg.”

“Talk me through some of it. Bondage?”

“Yes. This was something we both had come into the relationship having never done before and wanting to do. We have the actual like rope you're supposed to use for when we do it, though sometimes we have used other things.”

Elaine shakes her head, grinning. “Of course you two have. I feel like if I see you two together, you’re always attached.”

“Pretty much. We both enjoy touch and Charles, despite all the interest in his personal life and how much already is exposed to the public, doesn't mind holding my hand or hugging or kissing me while in public.”

“Was that a worry of yours?” Elaine asks.

“Absolutely.” She nods, fingers interlacing. “I knew he’d at least, when I went to my first race, that he’d hold my hand, but I figured that might be it. And I didn’t want to bring it up since me going to Baku was so last minute for the both of us.”

“I’ve seen photos from that race and I would have never guessed that it was a last minute decision or that you two hadn’t talked about that yet.”

“Yeah, I got on a plane and was there by 11pm on Wednesday night, and the plane tickets had gotten bought maybe six hours before the plane took off. Charles had to send a photo of my ID to the front desk and had a spare key for me waiting since he had to be asleep already.”

“And then the next day, I mean you guys were very loved up.”

She grins, “we very much were. I think Charles knew I was nervous. We hadn’t officially been spotted together and he’s such a comforting person, very calming, so it was easy to not feel anxious with him holding me and pressing a kiss to my cheek every few minutes as y’know a bunch of people were taking photos of me and I’m being introduced to about a hundred people.”

“Which is overwhelming to say the least.”

“So overwhelming.” She nods.

“Though you might’ve liked that, since you’ve brought up overstimulation a few times.”

Her hands come up to hide her face, laughing into them, before they fall back into her lap. “I’d apologize, but I like what I like.”

“So it’s you being overstimulated.”

“Oh, absolutely. I find it very enjoyable.”

“I’ve never actually really talked about overstimulation, what is that you like about it? That you find to be enjoyable?”

“It’s the near constant feeling of too much, it’s so much pleasure just back to back, and everything depending on how you're doing it, can feel just like raw? And exposed? And you don’t think you can orgasm one more time, you just can’t again, but then you can and it feels at least in my experience just so good and then you do it again and again, and every time the pleasure of it just washing over you is even more and more and it’s the only thing you can focus on, everything else just fades away.”

“You make me want to try it.” Elaine laughs.

—

Charles’ head immediately perks up when he hears the hotel door open. “Chérie! How was the podcast?”

She smiles, setting her bag down, before moving over to the couch where Charles is sitting and happily sitting in his lap before Charles can pull her down. “It was good.” She finally says after kissing him.

He hums, “How good?”

She thinks, playfully humming as her fingers run through his hair. “Very good. I think your fans will want to kill me and so will Ferrari.”

He frowns, arms tightening around her. “Ferrari knows that you are allowed to do as you’d like. It is not like with,” He stops himself.

“I know, Charles.” She soothes. “But, they will be upset with me considering me talking about my sex life is talking about your sex life.”

He huffs, obviously not liking it, but he hopes that the podcast will do well, be received well, so at least Ferrari will be forced to accept it because fans like it.

“Did you mention me?”

Her eyebrow raises, “No. I want on a podcast to talk about my sex life so you obviously didn’t come up.”

He pouts at the tease and she can’t resist pressing a kiss to his pouty lips.

“Yes, I mentioned you. Multiple times and by name.”

He hums, moving his hands under her cardigan and top. “What did you say?”

“That we’ve done a lot of things together. That we like certain things.”

When she had accepted the invite it was only after a long talk with Charles, one she had to force, to go over what she could and couldn’t mention. Charles had been fine with her mentioning whatever she wanted. Uncaring that it would be out for the world to see, his colleagues, friends, and even family if for some reason they decided to click on it. He had stuck by that after their talk, though had asked her to keep most of the details of their roleplay and their love of rough sex to a minimum.

And it had been easy to not talk about what kind of roleplay they did and while rough sex had been mentioned twice, they were brief, just establishing her love of it.

“It did make me want to roleplay our favorite thing again.”

His eyes light up at her words.

It wasn’t often something they did, their favorite roleplay scenario, not when it required her to be in a certain headspace to really work, but she wants and craves it so much.

“You want to be my innocent little girl?” His voice has a bit of rasp, his fingers resting on her back, stretching out.

“Yes.” She breathes.

He leans forward, giving her a hungry kiss, his and her last chance to lose control, before pulling away. “Go get ready for me, bébé. I’ll find a place to have dinner.”

---

#charles leclerc imagine #charles leclerc x reader #f1 imagine #f1 x reader #formula 1 imagine #formula x reader #sins fics

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covenofagatha · 2 months ago

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But you're my stepmom! (Part 6)

Word count: 2100

Warnings: making out, mommy kink, jealous Agatha

Taglist:@stayevildarling@i-just-cannot@hazey-g@buttercandy16@320viada@evilangels-stuff@rmaximoff@morganismspam23@aboutcustardcreams@sasheemo@rigglemethat@walkethisway@mommywandas @r-3-becca @harknessshi

Before you can open your mouth to respond, she yanks you back into the bathroom you had just come out of. You rip your hand out of her grasp.

“What – what are you doing here?” You ask, mouth agape. How had she known where you were? Why is she so mad?

She advances on you until your back hits the wall. Fury is radiating from her and you’re more than a little frightened (and kind of turned on).

“You see me kissing your dad, so what?” She sneers scathingly. “You run and find the first girl you can for a lousy fuck in a bathroom?”

She keeps coming closer so you put your hand on her shoulder to stop her. “What are you talking about?” You shout exasperatedly. “We didn’t ‘fuck in the bathroom,’ I was upset and she was comforting me!”

“You kissed her,” Agatha says, voice strangely calm.

“And you kissed my dad! Also, are you fucking stalking me?”

“I followed you to make sure you didn’t do anything rash, because news flash, your father and I are married! I know you don’t want to hear it, darling, but not everything is about you.”

You grit your teeth. “I know that. But do you? Because every time I even get close to a girl, you basically call me a slut.”

“Well, maybe if you weren’t acting like one,” she snarls. You fist your hand into the shirt she’s wearing, digging your nails in through the fabric.

“You know, it’s pretty rich that you’re calling me dramatic for earlier when you’re literally going crazy over the thought of me with someone else.” The air in the room seems to change. It’s the closest either of you have gotten to addressing this thing between you.

You see Agatha falter for a split second. “That’s not what I’m doing,” she growls.

“Oh, yeah?” You challenge. “Then what is this? Cause to me, it looks like you’re jealous.”

The vein in her forehead throbs as she leans in. “You know what this looks like to me? Like a spoiled little girl didn’t get the kind of attention she wanted for one second so she decided to throw a temper tantrum. And now she needs to be taught a lesson.”

“Fuck off, Agatha.” You let go of her shirt and raise your hands to shove her back but she easily catches them and pins them above your head.

You inhale sharply, a noise sounding an awful lot like a moan coming out of your mouth. She smirks wickedly, her eyebrow raising.

“What a naughty girl,” Agatha tuts and embarrassment burns your face.

“Let go of me,” you say, struggling to get out of her grasp but she holds you tighter.

“Is this what she did to you when you took her to the bathroom?”

She’s bringing up Rio again. She clearly has some serious jealousy issues and you wish you didn’t find it so hot, however frustrating it is. “I didn’t have sex with her, for fuck’s sake! I kissed her, yeah, but I was thinking about you the whole time.” The admission stuns you both and her grip around your wrist slackens. But you don’t pull away. You need to see how she’ll react.

Her eyes drop down your lips, then back up. She leans in closer and you forget how to breathe when she ghosts her lips over your mouth and you find yourself instinctively drawing in an attempt to actually kiss her.

But she steps away before you can, dropping your hands and letting go.

“What?” You sigh defeatedly. You’re already tired of this game she keeps playing, the one where she strings you along and makes you think she likes you and then cuts you off. She doesn’t get to be jealous and possessive and then back away after almost kissing you.

“I’m married to your father,” Agatha says. “I’m your step-mother. I’m over twice your age. We can’t do this.”

“I don’t care!” You insist, but she shakes her head. Your insides harden and you get a rush of boldness. “Okay, fine. Here we go. I want you, Agatha. I don’t care who you’re married to, or how old you are. Fuck, I like how old you are!”

She scoffs in disbelief, eyes darting up to meet yours and then to the floor again.

“So you can either do something about that, or you can let me go back out there and have fun with my friend.” You give her the ultimatum, praying that you didn’t just ruin everything.

For a minute, you think Agatha will change her mind. But then she spins on her heel and walks out of the bathroom. You feel a rush of emotion flood over you, but you shove it down. You got your answer. It’s better you know now.

“Hey, where have you been?” Rio asks when you finally rejoin her on the dance floor.

“Ran into someone I knew,” you say evasively. “You wanna get out of here?” She nods eagerly. You give the bar one last look over just to see if there’s any sign of Agatha.

There isn’t.

You bite back the disappointment rising in your chest and pull Rio out the door by the hand.

You’re walking to your car when you see a shadow in the alleyway by the parking lot. You squint your eyes and can make out the trace of a woman.

Is it her?

Stopping abruptly, you turn to Rio and drag her in for a long kiss, pushing her against your car. She groans into your mouth. It grows heated and you’re almost too distracted to notice your phone buzzing in your purse.

You break away, both of you gasping for air. Rio runs a finger over her lip smugly and you pull out your phone.

You win. Drop her off and come over to my house. Do NOT touch her. It’s from the unknown number you’ve memorized. A number you could recite in your sleep. A hot thrill runs through you.

You smirk to yourself and turn to glance back at the figure in the alley, still cloaked in darkness. Of course Agatha would wait to watch, not being able to give up control even after she tried to.

You’re not sure you’ve ever driven so fast in your hurry to get Rio home so you can go be with Agatha. But once you’re parked in Rio’s driveway, there’s an awkward pause.

“Do you want to come inside?” Rio finally asks. You feel bad that you’ve led on her, made her a pawn in this game between you and your step-mom.

“I should probably go. School tomorrow, you know. There’s still some things I need to finish,” you say apologetically. She nods like she understands and then she gets out of the car and enters her house without looking back. A pang of guilt hits you hard but you shake it off.

I’ll be there in 20 you text Agatha.

I’ll be waiting. Her reply comes almost immediately and your breath catches in your throat.

Anticipation builds in your stomach the entire drive to your dad’s house. You’re not sure what will happen, or really what can happen if your dad is home. You have a feeling that if you have sex, Agatha will want to hear you make noise.

You arrive in front of the house, all the windows dark. You shift nervously. Maybe she just made you drive all the way over here, knowing you wouldn’t do anything with Rio if she told you not to, and is hanging you out to dry.

You check your phone. It’s been about twenty minutes, so Agatha should know you’ll be getting there any minute now. You wonder if you should ring the doorbell, make Agatha come down and explain or risk waking your dad.

And then you see it.

The gate to the backyard is unlocked and slightly pushed open. An invitation.

You quietly shut your car door and creep up the driveway, cringing at the sound your car makes when you lock it. The gate squeaks. Your shoes echo on the patio concrete. It’s like you’re asking to get caught.

When you finally turn around the house and come into view of the pool, your mouth falls open.

Agatha is floating in the pool, an inviting smile beckoning you to join her. But that’s not what gives you pause.

You can see in the light of the moon that she’s naked underneath the water.

Your mouth runs dry as you strip off your dress as quickly as you can and your underwear follows in suit. You’re not sure you’ve ever been so turned on in your life and you can see her eyes darken at the sight of you. You walk quickly over to the pool steps and wade over to her, stopping when you’re right in front of her.

The two of you stand like that for what feels like forever, simply soaking in each other’s bare skin. No words are spoken, risking nothing that might break this spell.

And then Agatha reaches a hand out to cup your cheek, asking for permission with her eyes.

You give it to her by entangling a hand in her hair and dragging her into a bruising kiss. There’s no teasing, no featherlight kisses – you both need this too much – and her tongue is in your open mouth before either of you knows it. You feel her moan into you and your arms circle around her naked back to pull her in even closer. You whimper at the feeling of her breasts against yours and you’re easily able to wrap both your legs around her waist, practically weightless in the pool.

Her fingertips dig into your ass and you can’t help but roll your hips against her lower stomach at the sting.

“I can feel how wet you are even in the water,” Agatha chuckles darkly, walking with you until your back hits the edge of the pool, pulling another groan out of you.

Her lips are back on yours, kissing you so fervently and so dominantly that it makes your head spin. You feel like you’re drunk. You’re literally vibrating with need for her.

Her hot mouth trails down the side of your neck and then bites harshly. You whine, trying to get some stimulation on your clit by squirming against her stomach. Agatha tugs your bottom lip between her teeth and sinks them into it, eyes flashing with the sound you make.

“Please, Agatha,” you beg. Her hands start stroking up and down your thighs, the dull ache between your legs now a roaring fire, still holding you in place against the pool wall.

There’s a glimmer of mischievousness on her face. “Oh, baby, I know you can do better than that.”

You’re panting, lips swollen, and grinding on her stomach. You’re not sure how much more she wants. “Please, Agatha, I need you, I want you, please fuck me, mom-” You clamp a hand over your mouth before you accidentally embarrass yourself beyond repair and she smirks like it’s the most delicious thing she’s ever heard.

She leans in and whispers against your ear, “Say it. Who do you belong to?” Her right hand slowly moves up your thigh until she’s hovering her fingers right over your pussy.

Your breath stutters, feeling her right where you want her. “You, mommy,” you whisper, barely audible.

"That's right." She slides her hand through your folds, pressing hard on your clit which elicits a moan from you, and then she shoves you off her, stepping away like she had done in the bathroom at the bar.

“What the fuck?” You ask, throbbing with need, never more aware of the emptiness inside you than right now.

“You didn’t think I was going to reward you after that little stunt you pulled in the parking lot, did you?”

“Agatha, I’m sorry, I just wanted to make you mad, please don’t, I need you so badly.” Your pleas fall from your mouth and she delights in them.

The smirk on her lips is pure evil. “I know, sweetheart. But mommy needs to make sure you learn your lesson. And trust me, when I do finally fuck you, it won’t be in a pool.” She climbs out of the water, grabbing the towel she set on the side and dries off. You watch her in a stupor, not believing that she’s going to leave you like this, lips still burning from her kisses. She throws the wet towel back on the ground for you to use and then walks naked to the sliding glass door, tossing you one last look. “And don’t even think about touching yourself.”

She goes inside and you are alone once again.

#agatha harkness smut #agatha harkness x fem!reader #agatha harkness x reader #agatha x reader #agatha x you #agatha harkness x you #kathryn hahn x reader #agatha smut #agatha all along

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luna-loveboop · 4 months ago

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Wars and Wild as knights in Lu

They have issues.

I have a lot of thoughts on Wild and Wars and their relationship (Order of this post is talking about saluting, Wild and Wars' different perspectives, memory issues, and fire) Rant time.

No saluting!!

So Wild took a formal- almost/awkwardly saluting pose when Wars confronted him in 'Entrance pt.2'

It's similar to the first time Wild addressed Wars as 'captain'. His left hand is up from where a salute should be, and his overall posture is awkward, with his shoulders and right hand raised, but it's clear he's trying to do a salute in the presence of a fellow knight.

In the second example his hand is behind his head, but his posture is very straight and his right arm stiff- he's again attempting a formal saluting position. Which is still awkward

It is less clear but his changes in posture clued me in. He goes from like a deer in the headlights to visibly sweating to straight backed and looking up at Wars- looking at the changes in his body language

Side note but I literally love how Jojo draws the champions tunic so much-

We can't see the action of Wild's body language in a comic, just the positions he went to. But he visibly leaned away from Wars before switching to a straight backed saluting-like posture. He's clearly freaked out, hence Twilight's face: >:(

I think that Wild taking somewhat military poses around Wars is important to their relationship issues because it comes from his struggle with memory and identity

So like. All of them have different perspectives

Wars

I adore Wars. He is baby and I love him. I think it is also important to acknowledge that he would not speak to any of the others this way.

And the scarf man cmon it's so pretty they are so cute-

Why is Wars talking to Wild like this? He's called him out and reprimanded him multiple times in front of the others. Wild has taken it well but tbh if it was Legend I think he would be on fire.

To some extent I think he is in captain mode. I think that he has trouble seeing Wild as not a knight. Wars gives Wild respect as a knight who sacrificed for his kingdom, but now it seems he's taking it away as a knight who's not doing well enough since he 'disregarded the plan'

At least I think that's the outside (or Wild's) view of it. But Wars internally really cares about Wild and he saw him run up to a giant and lose it. Different ways of showing concern perhaps?

Who wouldn't want to keep Wild from getting more scars?

I just. Don't doubt for a second Wars really cares about Wild- even if the way he's acting still isn't cool. He has no right to treat him like a soldier any more than the rest of the chain, and right now I think Wild is acting as the more mature person.

Wild

I adore Wild. He is baby and I love him. I think it is also important to acknowledge that although he is clearly making efforts after Twilight's injury, Wild has ignored Wars for the majority of Lu, by not speaking to him much, and not thanking or acknowledging Wars when he directly helped him. (Small example being walking with Hyrule not Wars when injured and not directly responding to Wars)

Wars cares about and respects Wild, but it seems Wild wants nothing to do with him, and he's been cold towards Wars for the majority of Lu. To Wild, Wars reminds him of his perceived failure. Which is valid feelings, but still not fair. And I think that ask is talking about these two.

The thing I love about this is each of them are right and wrong in some ways, leading to the tension between them. So fully blaming either of them is not logical

The rest of the chain is just vibing. Except twilight who's mad and wants them to just grow up, but. Heros of courage not wisdom @uniquevoidflowers ;)

And that ask- '''Are any of the Links ever jealous of another Link for adventures that were less difficult/life threatening?'' ''When you hear Wild say he 'hates' someone you'll have your answer.''' somewhat leads to my next point-

Wild's identity and memory issues exacerbate all of this

In Entrance, Twilight is being stressed and defensive, that's ok. What concerns me most is that Twilight has talked with Wild through stuff like this in his rough moments

Wild has tried to be formal several times- he is not very good at it

Four's face I can't didnwidkekfjej

Wild isn't and can't be 'him'- the same 'perfect' (<actually has crippling anxiety) knight he was before, and Twilight knows this. And I agree with him a bit, I think, that Wars is making things worse in Wild's mind by being that perfect soldier, and seemingly holding Wild to a standard he isn't

Wild's attempts at saluting is symbolic of that- Wars makes him feel like a failure trying to be the person he should be. But Wild shouldn't be anyone but himself.

Anyways. Fire.

Wars and Wild have issues, and I want them to work through all their relationship drama so they can reach their PEAK dynamic, which is obviously this

I mean like. We need these two to be friends

Anyways. Wild is in this constant state of identity crisis, and being around Wars has not been beneficial- neither of them is or has been showing the other the respect they deserve. Not as knights, but as people and brothers. They need a get along shirt.

All this Art is by Jojo @linkeduniverse au!

#that's it that's my argument. they need a get along shirt #I think times armor would work. they are small enough to be the kids shoved in dads clothes to get along #it could hold up when wars starts breathing fire and wild blowing stuff up #linked universe #linkeduniverse #hiii Jesse #Lu wild #lu wars #let's talk about it! I know some of yall will disagree with me probably on some of this #open communication and whatnot #but. do not take this post to hate on wild or wars bc they are both baby <3 fire babies #this post took like three days. like it.#<wait that's unclear. I don't mean literally like it lol I just want you to like as because I made it for you and want it to make you happy #':D if I've said anything like mean or offensive accidentally sorry let me know. we all care so much about these little arsonists <33 #remember you are loved yall matter so much and I care about you #:)#if I have type the word 'wars' or 'wild' one more time I'm gonna lose it

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mewtwoandme · 5 months ago

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I was hoping this would all blow over, but since it's continuing to happen, now with people attacking other artists of the commewnity. I'm putting out my two fucking cents! Cause this whole art/character theft and pointing fingers, who stole what from who bullshit it driving me up the fucking wall!!

Long story short, it started with me and one other blog whose name I won't mention publicly. Despite the horrible light they tried to paint me in, I don't want anyone going to this person and ganging up on them. This person had some serious bitterness towards more "popular" artists and claimed that I've made characters similar to theirs and once used a pose they apparently used before (which was a very common pose, considering it was a reference from the game version of mega Y). Since then, they had desperately tried to conjure up evidence, narrowing down to the most miniscule detail how I've been stealing from them when I hadn't even known their blog existed until I was forcefully thrown into that unnecessary drama with the unhinged call-out posts they've made. With this being said, I'd like to point out that they never came to me or addressed this concern with me in the first place. They had every opportunity to privately DM me if they had suspected I was "stealing," but no, simply because they already made up their mind that I was a thief, that was a good enough reason to lack common fucking sense and decency, making what should have been a private issue public, going on to villainize and dehumanize me. And apparently, it hasn't stopped with me either, cause recently I've been seeing other artists in the community having to deal with this where people are being white knights on high horses, pointing fingers on how one artist's mewtwo looks "the same" if not "totally identical" as another artist's mewtwo. I refuse to believe it's a coincidence. But what makes me disgusted is that since TC's post, apparently it's had the opposite effect on some people and they're hopping on this blame bandwagon like it's some damn media trend!!!

This is NOT okay! Nothing about this kind of behavior is funny! It's upsetting to all of us. We dont need you causing problems where there isn't any, thinking you're doing us a favor! The majority of us are adults for gods sake! We are old enough where we don't need other people coming to us being tattle tails saying this person did this and that. That's what little children do! If you suspect any form of theft, I think I speak for ALL creators in this commewnity that we'd prefer you DM us privately saying something like "Hey, I think this person is copying you, might wanna look into it." And if possible, provide a link to the art in question, for which we would kindly thank you for making us aware and we'll handle it ourselves from there. Just a brief, yet SIMPLE interaction...that's all we ask!!! Don't even come at me with "Well, it's scary attempting to talk to an artist that's well known." Or dare I say ~pOpUlAr~ If you claim that taking the first step to send me a quick DM makes you nervous, yet you have no problem making public call outs in posts or asks, belittling and degrading what could actually be innocent artists doing nothing wrong, literally leaving yourself open to all kinds of comments and opinions from all kinds of people....I'm sorry but your anxiety isn't as bad as you say it is then, if being rude and ignorant in a public post/ask is easier for you. If you come to us, shaming someone else who 9/10 probably isn't doing anything wrong, thinking you'll be in our good graces for doing so, sorry, you're not going to be told, "Good job!" with a pat on the back and given a lollipop! You're just being an asshole.

Quick reality check for everyone who's made it this far before I end this train wreck of a rant:

People can have similar ideas that coincide with one another! There's only so much you can do when a whole community is focused around drawing the same character! We mainly draw mewtwos and mews, you're bound to find a plethora of similar colors, patterns, and designs because of it! Creativity only goes so far when trying to stay true to a character and not stray too far. It's not a crime to take inspiration from other artists' characters, we actually encourage this! It makes us feel good that you liked something we've done and you want to incorporate it into your own designs! It makes us happy that we inspired you! The line is crossed when someone does a literal copy/paste of a character down to the exact detail, and they call it their own original creation. That my friends is what stealing actually is!

#im just so done...#i feel bad for the person who creates a mewtwo and gives them a scarf #cause god forbid people will think they're copying TC or some bullshit like that #with that kind of logic nobody is allowed to make mewtwos with vitiligo!#Blu had it first therefore I own the concept of vitiligo! nobody else can use it or else I'll accuse you of stealing!#sorry i don't make the rules #will i regret making this rant later?#...probably #😮‍💨

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martian-astro10 · 7 months ago

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D9/ Navamsa chart observations - Part 4

Sun in 3rd shows that your spouse will either have a business of their own or even if they work for someone else, they'll be in a managerial position. As a result of this, your spouse will be focused more on their career than the marriage, and it could make you feel a bit lonely. (Jupiter in fire and water signs can balance this out)

Moon in 7th is a really good placement, i have seen this in the charts of female celebrities who have a handsome husband. so if we're going just by looks, then it's good. Your partner can be emotional and sensitive but they can also be moody, this placement is better if you have more earth signs in your chart. (i know a woman with this, and her husband is like okay but he can also be quite whiny sometimes, and also he acts like his hands are gonna fall down if he puts them inside the dirty dishes water, so, i just find him very annoying, so just make sure that there are planets in earth signs)

Mercury in 1st... I love it. A lot of "happily" married couples have it. This is a placement that makes you address the issues in your marriage. If you guys feel like there's something wrong, you're gonna approach your partner and talk to them about it. (i think that even if the conversation ultimately leads to divorce it's still better than just staying in a dull and loveless marriage, and if the problem gets solved, then great). I really have a soft spot for this one because a lot of strong women in my life have this and i just love the fact that they were brave enough to go against the society's rules, so if you have this placement, you're very very lucky and you'll have a good marriage, you know what you want and that's great. (this can also cause late marriage)

Venus in 1st, this one is not for your partner but for yourself, the number of celebrities that have this is just....shocking. If you want to work in the entertainment industry and you have this, go ahead, seriously, just give auditions, put videos on youtube, make reels, do it, you WILL be famous. (talking about the people that i know personally that have this placement, they're really creative as well, one of my sister's friend has sun conjunct Venus in 1st house and she's such a charismatic speaker and like really persuasive, this is helpful to her in regards to career, so even if you want to work in some other field, this placement makes you the best in that)

Mars in 4th.. I love this one as well. This makes your partner really protective of you and your kids (if you wish to have them). I used to think that this would make your spouse more protective of their parents (especially mother) rather than their partner, but I've been proven wrong, many many times. I have seen it play out right in front of my eyes, a lot of times, so I'll give examples. (if you're a woman, and your husbands family is talking shit about you, he won't like it at all and in some cases, may even move out of the house cuz they can't stand seeing you being humiliated. Another example, if you're being harassed then.. They're gonna get physical, and not because, someone touched THEIR wife, but because someone touched YOU, there's a huge difference. And if you're a man, you are LUCKY, your wife's gonna be like 5'1, but if someone's hurting you, she's gonna stand in front of you and be like "stop hurting my man, get the fuck away from him" and having that kind of support in your life is really rare)

Jupiter in 5th... DUDE, every person i know that has this have more than 2 kids, if its well placed then you're gonna be great parents and your children are gonna love you. Your partner is gonna love kids and that's why... More kids. If you're a woman, then please make sure that you marry someone who loves you just as much, because this is one of those placements that can cause "good parent but bad partner" thing. (I've also seen this placement in a lot of men's charts, who only marry a woman because they think she would make a good mother, which is not good, so be a little cautious of men with this)

Saturn in 10th, now if you're a woman and you have this, then please please marry a man who's okay with having a wife who's more career oriented (every woman should marry a man like that) but sometimes you'll see that a woman is forced to become a SAH wife and she's unhappy but she does it (even though she shouldn't) but women with this, they won't, they'll just get divorced instead, they DO NOT like staying at home (valid), a partner who encourages you to pursue your dreams will be the best. (i know a couple where the wife has this, he's a house husband but a good one, he actually does all the household chores and doesn't just laze around while his wife works, and they also love each other, and i love them 🥹)

Venus in 9th, i read on a lot of websites and books that these people should marry after 30 and i agree. An early marriage with this will lead to separation or an unhappy marriage. (i also noticed this to be true, but i couldn't find out WHY, like the reason). This is also an indicator of marrying someone from a different culture or background. Even more so if Venus is in movable signs.

Saturn in 5th, (bro my memory is so bad, i feel like I've already written about this but i can't fucking remember 😭😭), okay so this placement also delays childbirth, or you may end up having just one kid (which is not wrong), you may also have a kid after 30, Ranbir kapoor, priyanka chopra and deepika padukone have this. Even if you have ketu in 8th, this will happen because saturn has a stronger effect.

Mars in 2nd, this placement is like a double edged sword, your partner is gonna be a spendthrift but they manage to earn back that money just as fast, but here's the thing, it's like, you have to pay your rent on the 1st of a month, your partner uses that rent money to buy something for themselves, now you're stressed AS FUCK and on the 31st, out of nowhere, they're gonna give that same amount to you. I've seen this happen a lot. So you're just gonna be constantly stressed out. (this works well for people who themselves are spendthrifts, cuz none of you give a shit, so whatever)

#astroblr #astrology #vedic astrology #astrology content #astrology community #astro observations #navamsa chart #d9 chart #astro community #astro notes #vedic observations #vedic astro notes

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