#and none of any of it feels real or that it happened to me but around me idk

[ploshansky]

i've always found it particularly insulting when people insist that i'll have kids one day because i've always been pretty quick to divulge that childbirth is literally my greatest fear. i'm scared of the process, the mental and physical toll, the pain, the very real possibility of complications, the kid itself. like i've had nightmares where i wake up sobbing because either i had kids and i didn't want them, or i was pregnant and i didn't want to be. when people egg on the idea of me having kids it feels like they're telling me "mark my words you're going to be the first one buried alive" or "oh she's sooo going to have both her hands sawed off one day." normally i got the whole "well it's different when it's your kid," or of course, "you'll change your mind." okay, sure. stranger things have happened. allow me to present another angle: i know in my heart of hearts that i am not willing to be a parent.

i have very little patience. i hold grudges. i am very self-involved. i am somehow both flighty and steadfast in my ways. i can barely handle my own body and mind, let alone worry about a child's mental and physical state. i'll be the first person to say that moms are superheroes and i will forever kiss the ground that they walk on, but i'm not interested in making the sacrifices my mother made just for me to be a snotty teenager in return. "but you're so good with kids!" yeah, because i'm just playing with them. i'm not making sure they eat, cleaning their poop and boogers and vomit, paying for doctor's visits, etc. none of that matters though. i could be patient, forgiving, selfless, go-with-the-flow, organized, mentally stable, etc. the important thing here is that i don't want to. that should negate every single motherly quality that i do or don't possess.

for some reason this explanation (that i thought was actually pretty solid, but silly me) is always taken as a sort of bashful "o how nice it would be to partake in motherhood..... alas, i am simply unfit......." spiel where i paint motherhood as this far-off concept that i could only wish to participate in. usually i'm met with "nooo don't say that you would make an amazing mother!" but i'm literally telling you outright: not only would i be an awful parent, i have no interest in being one, and i certainly wouldn't want to put a child in the position of having a parent that's not 101% committed to the job. i get that moms make a lot of sacrifices, and if push came to shove, yeah i'd probably bite the bullet and make those sacrifices. but i would harbor resentment, and that doesn't do any good for either of us. i don't want a kid mainly because it scares me, but it would be so fucking unfair to a kid to have me as a mother.

and re: the whole "what if your husband wants kids?" thing–i do not want to be in a relationship where a baby is the only thing holding us together, much less the concept of a baby.

stop telling your teenage daughters who say they don't want kids that they'll change their mind

[elizabethemerald]

The Infiltration

The Beginning of the New Pantheon

Masterpost

Donna Troy dialed a familiar number as she flew through the air from Mount Olympus. She could feel the weight of her coming responsibilities on her shoulders already. Zeus had chosen her to be Queen of the New Olympians. She would need a whole freak out later, but for now, she had to inform the others. 

“This is Nightwing.” Dick’s voice came through her comm, calm, curt, and ready for any crisis. Just what she needed. 

“Hey Boy Wonder.” Donna said.

“I get the feeling this isn’t a social call.” 

“Unfortunately no. I’m going to send you a list of junior leaguers, can you make sure they are waiting for me at Titans Tower? Along with any of you bats that are free.” 

“Of course, Donna. Does this have anything to do with the emergency meeting Diana just called with the rest of the League?” 

“It sure does.” 

“Got it. What should I tell the others? What should I be ready for?” 

Donna took a moment to think through what she thought would happen and how the others would react. 

“Tell your birds to polish their batarangs and prepare for an uncertain diplomatic situation.”

“Got it. I’ll round up the others and meet you at the Tower.” 

“Thanks.” Donna almost ended the call, but stopped. “And Nightwing?” 

“Yeah?” His voice was half distracted as he sought out where the other bats were currently. 

“I’m going to need your help to keep them all from falling apart.” 

“Don’t worry Donna. I’ve got your back.” 

.

Cassie was baffled by her mission. How was it that there was a group of heroes that had flown completely under the radar of the Justice League, yet had somehow earned the respect of the Olympians? Her list had a bunch of different names on it, but all had the same location. She had looked up the names in the JL systems as she flew from Olympus to the middle of nowhere Illinois. None of the people were in the database. Red Robin would be pissed if he knew. 

Even more concerning was the fact that there wasn’t even a town listed at the coordinates. Batman insisted that the League had the best satellites with the best cameras and there was nothing in the area. There weren’t even any JL calls! If there were a bunch of heroes who had been facing things that had been known to the Olympians, there should have been some calls from civilians for help right? 

She was really hoping this wasn’t some kind of weird murder-cult or unsanctioned government organization. She hated dealing with those, and for now she would be on her own. Young Justice got up to a lot of weird stuff that didn’t make it into the League reports, especially under Red Robin’s leadership, and this might top all the rest. 

Cassie landed just on the outskirts of what appeared to be a regular suburban town. Her eyebrows rose at the sign that welcomed her to Amity Park. Underneath the city’s name had previously been an older town slogan, she could still read the faded letters even though the words themselves had been removed, “The Most Haunted City in the US!” Over those faded marks was a new slogan, “A Place to Live.” Clearly the slogan had changed recently, with a real half-assed effort. 

Over top the new slogan was some graffiti in a neon green spray paint that crossed out the other words and said, “Welcome to Hell.” She supposed it only made sense for someone who would replace Hades as the lord of the Underworld to live in a place like this. She sighed to herself, switched her uniform to her more stealth focused look and crept past the city limits. 

Her feelings of concern grew when she saw what was clearly a government blockade stretching across the road into the rest of the city proper. Multiple all white vans blocked all out going traffic and the in going road was limited to a single lane. She could make out multiple government goons in tacky white suits carrying all manner of glowing green weapons; blasters, rifles, even what looked like a bazooka. 

A fence extended from the blockade and seemed to wrap around the entire city. The fence was topped with barbed wire and had strange sensors every few yards. She pulled a few wires, and connected them to the small palm computer she carried with her equipment. She might not be as techy as Red Robin and Impulse were, but she was better than Superboy, and Red Robin made sure they were all equipped to handle the basics of infiltration and espionage. 

Whatever the sensors were searching for, and it wasn’t movement, heat, radiation or anything else she could figure out on her own, they also didn’t detect her. There didn’t appear to be any cameras that she could see, so the goons were solely dependent on these sensors. This was becoming even more of a mystery, and she hadn’t even found Phantom yet. 

Cassie lifted off, flying easily over the fence to land on the other side. Both the goons at the gate and the sensors were aimed at the sky, so she had to imagine that whatever they were trying to contain was a known flier. Even if the sensors couldn’t detect her, she would have an easier time avoiding problems on the ground even if it would take longer to get around. 

She walked quickly into the mid-sized town from the outskirts and her concerns only grew. There were hardly any cars on the roads, which made perfect sense considering the road was pocked with massive craters like the town had been bombarded by meteors. The few citizens she could see hurried by as if afraid to be caught out on the streets. 

This was a city under siege, but from what? 

Also, why hadn’t the Justice League been called? 

Cassie had a bad feeling that she wouldn’t like the answer to either of those questions. 

She hurried through, her eyes peeled for any threat, as well as on the look out for the mysterious Phantom she was supposed to be making contact with. There were stores boarded up, more sensors along with loud speakers on tall poles, and posters warning the populace about a curfew. 

Cassie ducked into an alley at the sound of squealing tires. Her eyes just about bugged out of her head as a silver tank, with that same neon green detailing barreled around the corner. It took out a stop light, then without stopping carried on down to the other end of the street. The tank had what  she could only describe as a cannon on its roof, that same eerie green glow to it. 

She had fought alongside Superboy often enough that her first thought was Kryptonite, but unless there were somehow an entire city of secret Kryptonians, it didn’t make sense for them to carry weapons specifically against the Supers. She leaned out into the street to see if she could see which way it was going, or if there was any sign of what a tank like that was needed for. 

“Hey! Get out of the streets!” A voice hissed to her from the opposite alley way. 

Cassie whipped her head up. There in the opposite alley were two teenagers, desperately waving her over. She double checked that the tank had turned the corner and wasn’t in sight and she ran across to them. They pulled her away from the street into the back alley behind one of the businesses. 

She looked the two of them over once they were no longer moving. The girl was goth, with dark hair, pale skin, a leather jacket, and backpack with several plants hanging out of it. Cassie thought she might get along very well with Raven. The boy had dark skin, a ratty and stained beanie and the oldest PDA she had ever seen even if it looked modded to Hades and back. He would probably get along entirely too well with Red Robin. She would have to keep the two of them apart. 

The boy was watching back the way they had come, his PDA in his hand as he checked for any followers. The girl was watching with Cassie with the same examining glare she was used to from Batman. 

“What are you doing?” The girl snapped her question out. “We told all teenagers to stay off the streets. It's not safe with the GIW on patrol!” 

Cassie ratcheted up her mental alarm scale quite a bit. This whole town already had so many red flags it looked like a ski slope, and now she was adding even more. She set her feet and squared her shoulders. She was a member of Young Justice. She wasn’t going to let this happen. 

“I need you two to tell me everything you know. I’m called Wonder Girl and I’m with the Justice League and I’m here to help.” Cassie said, using her “Daughter of Zeus” voice that she reserved for during a crisis. Impulse always said he could hear thunder in her voice when she did that. 

“What’s the Justice League?” The boy asked, and Cassie was knocked onto her back foot. She had purposely said the main League because people sometimes looked down on YJ and TT because they were kids, but how could someone not even know about the Justice League? They were in the news almost every day for one reason or another. 

“Uh, the Justice League is a group of heroes that protect Earth? They’ve fought off alien invasions and saved lives and things like that? Because of my strength I usually help fight off meta humans who want to conquer the world or steal stuff.” 

The two teens looked completely baffled and Cassie just gave up trying to catalog the red flags in this town and just marked the whole thing as FUBAR. She would probably need the help of the rest of Young Justice to get this sorted, or maybe even the full League. 

“Well, ‘Wonder Girl’ my name’s Sam and-”

“Wait, Samantha Manson?” Cassie ignored the implied finger quotes around her hero name in her excitement that she may have just found one of the people she was looking for. 

“My name is Sam.” Sam snapped. 

Cassie ignored her clear irritation and unrolled the scroll she had been given, ice and frost cracking and flaking off as she did so. If Sam Manson was here, it made sense that she would know the other heroes the Olympians were looking for. Cassie closely examined the list she had before looking up at the boy. He didn’t look like a Jazz, or Danielle, he might be a Dan or Phantom himself, but considering his collection of tech she could see, she had a good guess of who he could be. 

“And that means, you must be Tucker Foley!” Cassie said triumphantly. 

Both of the teens now looked at her with even more wariness than before. That made sense considering what Cassie had seen, but she now had part of her mission objective in front of her. She dismissed the stealth mode on her costume, flicked her wrist to unfurl her lightning lasso and allowed some of her ‘demi-god aura’ out. 

“I am from the Justice League, and I am a hero, but I am also a daughter of Zeus, and I have been sent here on a mission from Olympus to summon the heroes of this town to come to our aid. It is only right that I assist you in any way I can from the troubles you currently face.” 

“What?” “What?”

[rin-hanarin]

I realized that I've never addressed the elephant in Lucanis's room, also known as his romance plot, as a "Had been delusional about him for months before release" individual, so here's a surprisingly long rant/summary of how I felt about it in the process of playing the game.

As a Rook de Riva player, I obviously loved "Coffee with the Crows": we met Illario, joked about haha three Crows talking about nothing, talked business, Rook and Lucanis had a nice moment getting to know each other better outside of being teammates, Rook de Riva's background was acknowledged again, it really felt like a nice bonding moment, right?

Thennn a whole lot of nothing happens during any of the conversations between them, huh. Lucanis doesn't acknowledge flirting, which is fine, take your time bud, you'll get there; you keep pushing being supportive, he ignores you, you deal with his personal stuff for him one (1) time, and in my case he then proceeds to ignore Rook for 10+ hours of pure game time while busy talking to Neve at every opportunity until I finally get one (1) dialogue option to "express romantic interest in Lucanis".

And let me express my honest innermost feelings on the matter:

Not only did it feel like Lucanis genuinely couldn't care less about Rook even as a friend, it also felt like Rook was forcing Lucanis into something he simply wasn't interested in and that we were just getting in the way of his relationship with Neve. It was genuinely unpleasant to experience in a videogame that is supposed to be wish fulfillment and whatnot, and let me tell you, it was especially jarring because Dragon Age games also have a tendency of occasionally making you feel like the most special little protagonist known to Thedas, at the very least to your companions who you're supposedly building bonds with.

I loved hangout events in this game, too, I was so happy to just have these conversations about whatever with companions, have these little one-on-one moments with them that genuinely felt like walks with friends (especially with my bro my bestie my homie Davrin), and with Lucanis it started and ended with the coffee date. His fears and doubts about Rook later are never addressed, and lol lmao even, yeah, why would they be, when it feels like he barely acknowledges Rook exists outside of accompanying him to deal with his problems, none of which need Rook there? There's no reason outside of gameplay for him to ask Rook and not, say, his favorite Neve he talks about everything to? Somehow a lot of times when I hoped for any sort of dialogue with him, I was met with him talking about something very personal like his current feelings about Illario to Neve, like, isn't Rook supposed to know anything about anything, or are we just his convenient weird coworker he sometimes asks favours from?

We persevere though and keep supporting Lucanis, and can you take a wild guess what was waiting for me after like 40 hours of the game and after the infamous "kabedon assassin style" scene? Yeah bro, Lucanis just happened to talk to Neve. I wish I was making this shit up. My coping strategy was to come up with an entire jealousy subplot for my Rook because if I have to feel like I'm in the shittiest unrequited situationship of a triangular shape, I might as well do it on my own terms, right? It feels petty and stupid because as a player I like Neve, too, she's one of the coolest (no pun intended) characters, but as Rook, and Rook de Riva making an obvious choice especially? Yeah, let's just say this relationship fucking sucked for a while.

So after many trials and tribulations we're finally back with Inner Demons, and yeah, Neve is there again, I couldn't even give a shit at that point, and I'll be real here, the locking in didn't feel like we went through angsty slowburn or that we earned Lucanis' trust. Remember DA2's Fenris situation? Because I suddenly did, and surely one of many, many Neve banters I had to eavesdrop on could be sacrificed to have one or two banters that acknowledged Lucanis's anything towards Rook at all?

Also, Spite? Spite seemingly likes Rook more than Lucanis does. In between "It's so over" and "We're so back" in the Fade Ossuary it feels like somehow Rook gets more bonding time with Spite, which is kinda crazy to me.

We are so back though! As I mentioned, I was a "delusional before release" individual, I am perfectly capable of filling the gaps and extrapolating meaning from implications, and here's where one of the most infuriating things is: the rest of the romance is good, too! I can write whatever the hell I want between the beginning and the end of it, but like, why should I? How should I go about it, when in my game I was under the impression that Lucanis would rather just spend time with anyone other than Rook for seemingly no reason in particular, because there's simply nothing there? The fact that none of my pre-release ideas or comics even necessarily contradict anything about Lucanis or his romance as it is now is more telling than impressive honestly.

So where do I land with this exactly? Well, mostly in the glorious Fanon Land where I've been making my silly comics the whole time anyway. The highs are high, I love what they did at the end and how stable, protective and devoted Lucanis is, but the lows made me salty as shit and I wish I didn't have to feel that way to begin with. I wish I didn't have to connect the dots and joke about how badly Lucanis sucks at this and "Let's go girl give us nothing." And yes, I know about writer lay-offs, rewrites, restarts, etc etc, and it's a miracle that this game came out at all, but it hardly matters when you're just trying to do the good old datesim part of a Dragon Age game and end up feeling like a third wheel while trying very hard to get anything out of the character you're interested in.

[neptunescore]

Still seeing so much shit everywhere abt both charles and carlos, like it's reaching a peak.

I just don't understand why both fanbases are destroying the other, when the only one to blame is the TEAM. ITS FERRARI. THEY ARE THE PROBLEM!!!

I'm not even gonna talk abt the pitting calls, bc that was just one major fuck up after another. However, I will talk abt the absolute shite communication that ferrari had with both drivers that led to whatever war between fans is happening right now.

On one hand, we have ferrari telling Charles that carlos wouldn't overtake him, and on the other, we have ferrari telling carlos not to pressure Charles. Most of you might think it's the exact same thing, but it really isn't guys. In no way did Carlos pressure Charles. Carlos' tyres were 2 laps old. They were heated up. Charles was PARALLEL to Carlos upon pit exit (NOT ahead). Charles had new, cold, dead tyres, all carlos literally had to do was drive arnd him, there was no pressuring.

A lot of ppl are also talking about how the results for ferrari would've been much better if Carlos had let Charles past... yeah no. They wouldn't have. Mercedes was absolutely on fire this week. There was genuinely no way Ferrari could've gotten any better result than a P3 and P4, and telling one driver to give up a podium position just to try and cement your other drivers standing as SECOND place in the drivers standings?? Um... yh that's just in bad taste.

Also, ppl are arguing over the stat they showed that if the team would've just listened to Carlos' requests about pitting earlier, he would've ended ahead of Lewis. Personally, I don't think that would've happened, BUT I do believe there would've been a much larger chance of Carlos and Charles being closer to the Merc if Ferrari had just LISTENED to their drivers.

And abt this radio msg:

I honestly don't think Charles was even talking abt Carlos here, this is just him talking abt the team. I feel Charles has ALWAYS blindly trusted the team, done whatever they told him to do. Then we have Carlos, he argues back. Tells the team what he thinks would be better. Ignores orders sometimes to do what he thinks would be better, and it ALWAYS is better. This is Charles being over it, and I'm glad. I'm glad he's over it. Ferrari need to get their heads out of their asses and listen to their drivers because it is reaching a point.

Sidenote:

This radio msg mad me laugh so hard (literally as a carlos fan), idk why y'all are talking abt how it's XENOPHOBIC??? LMFAOOO that's a MAD reach. Carlos is literally a slightly tanned European man BWAHAHAHAH, as a POC I feel slightly mad abt all of u losing ur ahit over this yet when it comes to injustices done to ACTUAL POC drivers, everyone stays silent?? Yh shut up.

I feel u guys forget that this is a competitive sport where drivers are filled to the brim with adrenaline, ofc Charles is gonna make some comments when things don't go the way he thinks they will.

Anywayyy, that's my rant done. Just had to get all this shit out. Even if none of this is true or what acc happend I still stand with my drivers rights and wrongs, so Carlos my pookie dw I love you ur so real.

[caplanbuckybarnes]

Tension Logs (Steve Rogers, Tony Stark)

gif sen to me by @krirebr back in october, just now going through my inbox full of gifs, sorry my love <3

Summary: overhearing an argument from Steve & Tony, you grow worried and with awe at the pure strength Steve possesses.

Warnings: none?

WC: 1K

A/N: there's no pairing in this and i honestly debated on posting this as is, or rewrite it a million more times lol.

Read On Ao3!

--

The farm was a welcome sight after everything that had happened. After the chaos, the battles, and the tension of saving the world yet again, Clint Barton’s peaceful farmhouse felt like a sanctuary—a place to breathe and maybe, for once, pretend things were normal.

You sat on the porch, your legs curled beneath you, watching the others as they scattered around the property. Natasha was keeping an eye on the kids while Clint and Thor discussed something about farming techniques—likely for a laugh, given Thor's complete lack of experience with Earth crops. Bruce was in the barn, tinkering with gadgets, and Vision was seated nearby, reading.

But your attention was drawn to the tension rising between two men who seemed to clash constantly: Steve Rogers and Tony Stark.

You could hear them before you saw them—loud, angry voices. Steve, usually so calm, was pacing, hands running through his short blonde hair in frustration. Tony was standing a few feet away, arms crossed, his expression tight with annoyance. The words were muffled from the porch, but the intensity between them was unmistakable.

"He's just not listening," Tony grumbled, rubbing his temple. “I’m trying to save everyone, Steve! But you keep acting like I’m the enemy here.”

Steve’s jaw was tight as he shook his head. “You think I don’t want to protect people? You’re not seeing the bigger picture here, Tony. If we keep going down this road, we’ll have no choice but to fight against ourselves.”

“Yeah, and how long until we’re fighting for our lives, huh?” Tony shot back, clearly exasperated. "You’re just blind to the fact that the rest of the world isn’t always going to play nice.”

You could feel the tension rising from where you sat. The last few days had been a whirlwind of emotions, battles with no real winners, and personal grievances that were still being worked out. But watching Tony and Steve argue like this... it was different. The anger was raw, not just from the situation, but from something deeper, something that neither of them was willing to admit.

You sighed, turning your gaze back to them, uncertain whether you should intervene. But before you could make a move, something unexpected happened.

Steve had stopped pacing, his face flushed with frustration, and Tony was busy running his hands through his hair, his back turned. That’s when Steve walked over to a large, thick log lying near the edge of the property, one that looked almost too heavy to move. Without saying a word, Steve dropped to one knee, grabbed hold of the log, and—without any visible hesitation—ripped it in half with his bare hands.

You blinked, certain you had imagined it, but when you saw Steve’s arms straining, his muscles tensing with the force of the action, you realized it was real. He wasn’t using any tools or anything to help him. No tech. No super-soldier serum enhancement. Just pure, raw strength. The snap of the log cracking in half was deafening in the stillness of the farm, and for a moment, you were sure even Tony had frozen in place.

For a long second, there was only the sound of Steve breathing heavily, his chest rising and falling as he stood over the splintered wood, his eyes unwavering. His gaze locked with Tony’s, and the tension between them suddenly felt different—more grounded, more purposeful.

Tony’s jaw dropped, his usual sarcastic wit faltering for a moment. “Jesus, Cap. You trying to kill me or just make me feel inadequate?”

Steve didn’t answer immediately. Instead, he straightened up, wiping his hands on his pants as though the task had been as simple as pulling a thread from his sleeve. His face was set, but there was a softness behind his eyes, something you recognized as tiredness—not from age, but from the weight of the responsibility that he carried.

“You can’t fix everything, Tony,” Steve said, his voice quieter now, though it still held that unshakeable determination. “But you can try to do the right thing. I need you to understand that.”

Tony didn’t say anything at first, still staring at the broken log, clearly in shock at what he had just witnessed. Slowly, his expression softened, and he nodded, though you could see the struggle in his eyes.

“I know,” Tony replied after a moment, his voice rough. “I just… I don’t know how to stop screwing up.”

The vulnerability in his voice was something you rarely heard from Tony Stark, and it made your heart ache for him. But then, to your surprise, Steve stepped closer, clapping Tony lightly on the shoulder.

“You don’t have to be perfect, Tony,” Steve said, the warmth in his voice unmistakable now. “None of us do. Just don’t give up on trying.”

You couldn’t help but smile softly, watching the interaction unfold. In that moment, you realized just how strong Steve Rogers truly was—not just in his physical strength, but in his unwavering belief in people, in their ability to change, to do better.

You knew that strength now extended beyond just his shield. It was in his words, in the way he carried the weight of responsibility on his shoulders, and in how, no matter how many times Tony fell short of his own expectations, Steve would always be there to pull him up again.

You stood up quietly, unsure if they even realized you were there. The argument had defused, and now, Tony and Steve were standing side by side, silently processing everything that had just happened. The tension between them was still there, but you could see the cracks beginning to heal, just a little.

With a quiet breath, you stepped back inside the house, letting the door swing closed behind you. There was still a lot of work to be done before the world would feel right again, but for now, you felt a flicker of hope. Steve Rogers, in all his strength, had proven once again that the world wasn’t just saved by punches or tech. It was saved by the quiet power of believing in each other.

And maybe, just maybe, that was the kind of strength that would carry them all through the rest of the storm.

[vidavalor]

Ok,Since the Good Omens Finale is only going to be 90 minutes,I have a feeling we might not get a flashback sequence.

Hi there, @rougeside4 💕 I made an apple pie, if you want some. 😊Allow me to offer a different take? I wouldn't worry about this. There will be flashbacks. It's not the show without them.

Short thing on why we're definitely getting flashbacks and on which ones we can maybe see as being very likely still in The Finale.

The secret sauce of Good Omens, imho, is that the real juice of the story is actually always in the flashbacks. The flashbacks that we see are not random; they're always written to support the story in the present. There's a point to why it is these flashbacks we are seeing-- and when and in what order we are seeing them--when Crowley and Aziraphale have been on Earth for over 6,000 years and we could see any of their adventures. They're designed to inform our understanding of the story in the present. The real beating heart of the story is in the scenes set in the past and the story in the present would lack... *searches for words* emotional resonance? thematic weight? general, dramatic oomph? all of these?... if they were to cut the past. Put more plainly: it would suck 😂, and they're smart enough not to do that.

I think some of the most exciting parts of The Finale are actually going to be the flashbacks, just like how they were always the biggest treats in S1 and S2. In the way that they roll those out to us, piece by piece, they're changing our understanding of what we're watching in the present. The meaning of the story in the present is driven by the flashbacks in the past to a point that you cannot have one without the other.

Good Omens is actually driving all of its suspense and anticipation through the story in the past and that's what makes its non-linear storytelling clever. After all, right now, most people know this thing has a happy ending and aren't worried about that, right? We know Crowley and Aziraphale will get back together and be fine and no one is stressing over that. (And if you are... really? Guys. Honestly?! It's called Good Omens. It's a romance. It's a sweet, cuddly show. It's going to be fine. 💕)

So, what are we curious about, if not where it's going in the present?

1941, Part 3, right? Whether or not there's an ancient times vavoom coming our way? What the deal is with Jane Austen and/or 1650? Whether or not we might be surprised with a flashback that hasn't already been set up earlier in the story and what that might be?

Our biggest questions in the story aren't about what will happen in the future but about what we might get to see that has already happened in the past.

There is actually no conceivable way to do The Finale without flashbacks because the entire story is built towards having at least a couple of essential ones happen in its end game. I would not be surprised if at least somewhere around a third of The Finale is set in the past. Are there ones that we would have had with a full season that will be cut? Yes, but, are there also ones, though, that are too essential to cut because the entire story for two seasons has been building towards eventually revealing them to the audience in the final part of the story? Oh, yeah. 😉

Guaranteed: 1941, Part 3. There is no chance that they cut this-- none. They have built the ending of this trilogy of flashbacks to support the ending of the story in the present so it has to happen. It doesn't need to be an entire minisode in length. Part 2 really did all the heavy-lifting with plot and themes here, and Part 1 was a single, brilliant, not terribly long scene. If Amazon reduced The Finale to 15 minutes long, I think the show would still find a way to put 1941, Part 3 in there. The first two parts were so pivotal to the themes and parallels of the story in the present and it's the only flashback that we keep getting installments of throughout the story so its Part 3 is going somewhere massive. If there's one flashback that's in The Finale, it's this one.

Extremely, extremely likely: the ancient times vavoom to which they have been building in clues and hints for two seasons that is going to flip the entire show on its head by going back to The Flood. It would parallel and add extra weight to all the conflicts we have in the story in The Finale that were set into motion by the end of S2-- the kiss, one of them leaving/them being separated, the threat of an apocalyptic-like event, etc.. It would, in almost no time at all, complete the narrative magic trick of the show by turning it inside out for the audience.

The show that shows everything backwards has been sitting on the real first kiss the entire time and saving it until the end game of the story and that end game is The Finale so expect that angel and that demon to be sheltering under a canopy from a rainstorm in the very long ago days and break the internet in the process.

If I were them, I'd even open The Finale with this flashback, just because of how much it's going to pull the rug out from under The Final 15. After all, the first two seasons opened with a canopy-and-rain-themed scene, did they not? Just one wing at a time, though... no under a canopy together yet. No gazing into each other's eyes and vavooming. That bit of the beginning of their story has always been going to be shown to us in the end of the story. It could well be the, well, beginning of the end of that story by opening The Finale. We'll have to see. Either way, it's in there.

It's also worth mentioning that both of these above flashbacks would be going back to eras we've already visited in the story so no time would need to be devoted to setting up the scenes. That would seem to make them easier to not cut, in addition to how narratively important they are.

Going To Be In There In Someway, Somehow: A flashback that sets up the South Downs Cottage ending, which is suspected to be the Jane Austen flashback because of her living in real life in the South Downs around the years that it was mentioned in S2 that Crowley and Aziraphale knew her.

When this was set up for S3 back in S2, the Jane Austen story felt juicy enough to potentially be a whole minisode in length. Maybe especially since it's probably how they are going to be build a history of the cottage between Crowley and Aziraphale to help give emotional weight to them going to live there in the present at the end of the story. I've no idea what this looks like with a shortened run time. They might abbreviate or maybe it was never even that long in the first place? They might do something different in its place? It's hard to say, since we don't know, but they've got to do something to set up the cottage, so...

Whatever this winds up being, though, we're now up to three flashbacks that have to happen because of how they connect to the story in the present in The Finale. These are three, non-negotiable ones, basically-- and we are obviously only looking at ones that we can see having been set up already.

There is also the fact that there's usually a surprise flashback that wasn't set up but which is crucial to the story, like the Job minisode was in S2. It fits in perfectly, retrospectively, but we were intentionally not really given enough in S1 to see it coming in S2 so that there was something unpredictable for us to enjoy. I'm not expecting anything as long as Job again but there could still be a scene more 1.03 Cold Open in length that we don't even know is essential at this point because we aren't meant to know at this point but, much like we did with Bildad 😊, we will see as vital to everything once we see it.

Including that as a possibility, we're now up to four flashback scenes that seem unlikely to be chopped from The Finale. What I just described, give or take and depending on the length of 1941, Part 3, is probably collectively getting within shouting distance of the run time of the 1.03 Cold Open-- and that's going really bare bones and only talking about the scenes that seem too story-essential to consider cutting. There's also one more that might meet that criteria...

Could Go Either Way: 1650. If this has nothing to do with Agnes Nutter, it's probably gone. If it's how Agnes has an appearance in the end of the story to pull stuff together, they'll probably find a way to put it in there because... Agnes. 😊

No one knows what this thing is supposed to be about but we do know that it was set up in S2 for S3 and, between Aziraphale mentioning it, the historical ties to eccles cakes to this era, the fact that it could potentially show a Whickber Street in early development and, most importantly, that it's set five years before Agnes Nutter died, whatever this thing is? It's intriguing. We don't know how long it was meant to be but if it's something that was minisode-length but could be reworked to be shorter-- or if just was always short in length-- it's probably still in there.

It's very possible to have many, quality scenes that hop throughout time in a very short period of time. The 1.03 Cold Open is about 23 minutes long and jam-packed with goodness. I have no idea if they're going to sprinkle flashbacks in throughout The Finale or if they're going to do a flashback sequence like 1.03/Ineffable Bureaucracy again but I do think that at least a third of The Finale-- so, roughly 30 minutes of it, give or take-- are likely flashbacks.

We are going into this movie a lot closer to the end of the story in the present than I think it may appear to some at this point. All the set up work to get the characters into place to overthrow The Metatron in The Finale was already done in S2. It's not going to take 90 minutes for Aziraphale to be in trouble, Crowley and Ineffable Bureaucracy to find out and rally the troops, everyone to challenge The Metatron, expose him as a fraud, and kill the threat of Armageddon by overthrowing Heaven and setting it up to be democratized. That's pretty much what everyone knows needs to happen in The Finale and what is likely going to be the main story in the present in S3.

We know what is going to happen because we know it has a happy ending and we know that we need the Armageddon threat gone for the South Downs Cottage happy ending to occur. We know the only answer is that they've got to overthrow The Metatron. Whether you think the plot is Supreme Archangel Aziraphale or whether you're like me and think the plot is that Aziraphale is in mid-fall as of the end of S2 and that's the thing that triggers the other characters to come together against Heaven, the end result is still going to be the same: The Metatron's gotta go and everyone's got to come together to make that happen if we're getting the happy ending we already know we're getting.

We are all sitting here knowing pretty much exactly what the story in the present is going to be in The Finale and that's because the story has set it up so that we do. Yes, there's going to be joy in watching that unfold but a story designed like a magic trick has to have suspense and give the audience a sense of anticipation. We feel that from this story and from where are we getting that?

The past. The flashbacks.

Everyone knows what the end of this story in the present is but no one knows for sure where, say, 1941 is going, or what new things about Crowley and Aziraphale the past will show us in The Finale. Every new thing we see in the past? Changes our view of the present. That's what makes the story clever. It's also what makes it enjoyable. They cannot cut flashbacks because they'd be cutting the most interesting parts of the story and what makes Good Omens the quirky, unique bird it is.

The present and the past are so interwoven in the story that I'm pretty sure that it is impossible to do Good Omens without flashbacks. The only question going into The Finale is which ones they're going to surprise and delight us with. Don't lose faith or sleep over it-- at minimum, we'll see Crowley's 1941 hat again and that, truly, is all any of us really need to survive.

[thesauce8]

dude, i know this is crazy, but i promise i only found you here by accident. this is funny. anyways, half of what you said i didnt say or you misunderstood, but you blocked me before i could clarify. tt format is very unhelpful when you need to flush things out, so i probably didnt properly articulate my point over there. i told you i wanted to help you understand (or for you to help me understand your point), but you were having none of it. when we were talking, i kept citing my sources for my beliefs through quotes but you refused to cite yours and just retorted that i was wrong. i cant exactly look back at my comments, but if i started out rude or judgmental, i apologize. that was immature of me. ive seen a lot of misinterpretation of obito, so i tend to assume the worst.

i didnt say that obito didnt love rin (and if i did, it means i phrased myself very poorly, but i remember clarifying this in a later comment), i said that the romantic aspect of their relationship was completely unrelated to the conflict obito faced with kakashi (post-accident) and the world because your video and caption phrased it in a way that made it seem like you thought the conflict was breeded from it. obito and rin being besties is the important part that a lot of people ignore in favor of painting obito as a simp and diminishing the depth of their bond. the crush and any contempt derived from it towards kakashi was only relevant pre-accident, which i said because you stated in your caption something about obito needing to accept rin chose kakashi when referring to her death.

i am willing to hear you out on obito blaming kakashi *if you cite your sources!!* please give me a quote or something because thats what i use to form my opinions. the reason i dont think obito blames kakashi is because right after rins death, he says he didnt kill kakashi because he didnt care about what happens to him since he’ll see the real him in the IT. he didnt know rin killed herself, but he also didnt seem to have a particularly strong (or existing) hatred towards kakashi. if you give me a quote that shows he did hate him, i wont be stubborn.

i also dont know where you got me saying kakashi and obito werent friends? i said they werent best friends; rin and obito were. they had a rivalry and cared about each other, but their relationship was a little rocky, and obito states that they were just starting to get along right before his consciousness faded after getting crushed by the rock.

obito trying to kill kakashi doesnt mean he hates him (sounds crazy, i know, but its not impossible). obito dissociates and sees this kakashi as a “fake”. he tries to kill and mocks kakashi because of practicality. killing is what you do to those who oppose you (when youre a villain lol) since they’re problematic. mocking him throws him off his game, which makes it easier to kill him. the real kakashi is gonna be in the IT, and he’ll see him there. this kakashi is also a connection to his past self, which may contribute to his desire to eliminate him.

its the same reason he kills so many people despite wanting everyone to live in a world free of pain and suffering. to him, these people are imposters, and the real them (and him) will exist within the infinite tsukuyomi. this kakashi is scum, he himself is scum, everyone who isnt scum will become scum. he didnt experience a change of philosophy when he offered kakashi peace in the IT because he didnt call kakashi scum out of hatred. he knows that the world forced kakashi to become scum, so he doesnt blame him for rins death, and thats why he feels this world is a hell. it forces everyone to either become scum or dead.

as you can see, a whole essay was needed for me to explain my thoughts, which might explain any poor delivery on the app that heavily limits the amount of characters you can use in a comment. i still think its hilarious that this came up on my home page. its possible youll block me here too, but at least my thoughts have been released in full.

sooo chat apparently obito never loved rin, obito & rin we’re only best friends, apparently obito never blamed kakashi at first (before he got over it and told him he STOPPED blaming him), apparently obito & kakashi never were friends at one point or got along until the tree incident. 🤷🏽‍♂️

as if obito didn’t hate and blame kakashi for the entire incident at first and tried to kill bro buuuut okay! :))))) those are the kind of comments I’ve been getting on TikTok for talking about the kakashi obito rin situation xDD but no none of that stuff happened (being sarcastic).

[tethrras]

deciding to headcanon that the lighthouse makes people feel Calm and Docile and Relaxed to excuse the fact that more of the companions aren't as mad as lucanis that ANY of this is happening

[didnt-hear-idsb-live-again]

.

[waywardsalt]

bc its been bouncing around in my head i think another little tiny grievance i had with totk is that i got to the end and just felt a sense of ‘well what the hell was that all for then’

[ableedingpromise]

God I'm so fucking annoyed how come she gets to treat me however she likes and then gets to say she didn't mean it?????

[hella1975]

me: yeah i didn't project too badly onto taob haha *sees a quote from taob randomly on a tiktok webweave about girlhood*

[dogboots]

to be honest with everybody I don't think I'm supposed to be here. I think I'm supposed to be somewhere else

[taylorswiftdebut]

hhhhmmm

i’m gonna say it: i hated the eras tour

the actual physical show/performance itself was amazing the visuals and time and effort put in was astounding, taylor swift is genuinely superhuman and there will never be another like her

but being at the actual show and watching it around others sucked fucking ass. which is so strange to say and come to the realization because getting tickets was so mentally draining and she’s my favorite artist and it was such a privilege to be able to go and be on the floor but i genuinely don’t think it as a concert was worth the time and money i put into it. no one was dancing, people were barely singing, it was so hard to see because everyone had their phone held up so high recording every little bit, if taylor came near you people started screaming and making grabbing motions at her like she is subhuman and it just flat out wasn’t fun and that’s only half of it coming online after was even worse.

people will make comments such as “what did this city ever do to deserve this” and “you literally won” and “if you got this surprise song i hate you” and so on and so forth just such vile comments that sure are “all in good fun” but are they? and everyone being like she should have done this at MY show it’s just exhausting. concerts shouldn’t have to be a competition, live music is an art it’s supposed to be fun but i don’t believe anyone but those in the nose bleeds are actually having fun! and even still on this online aspect in the most picky way possible but i hate the quality of gifs this go round because they are so smooth and high quality which no fault to gif makers but what happened to overexposed shaky videos because people were jumping too hard.

it all feels so much a symbol of status and so fake like who’s a better fan who had the better surprise songs who had prettier costumes did taylor give a good speech tonight was there a deviation in the dance moves

i know more about this show than i ever wanted to know about anything in my entire life nothing was ever truly a surprise even when avoiding spoilers it was everywhere it just idk people keep asking me if it was everything i ever dreamed and honestly? no and all i have to show for it is 70 cents in my bank account from buying friendship bracelet supplies (and i didn’t even make enough apparently even though i thought it was a lot!) and outfit supplies and whatever else i needed to “prove” i was a good fan and i deserved to be there and calves that won’t stop cramping from standing and dancing for 6 hours. the best part of the night was hearing about it from my sister who was in the parking lot because she wasn’t preforming for anyone she was just enjoying an artist that she loves

[rearranging-deck-chairs]

anyway so im rewriting the specials to get yaz in there right and you kinda need her out of the way for wild blue yonder so im keeping her in the tardis to do the manual part of the repairs i guess but just the idea of yaz being There but Just out of sight but very much like,,,,Present, as an agent in the story, while this interaction happens:

which is then Immediately followed by the tardis with her inside Disappearing, just lends a whole lot of fuckin,,,,,,,depth of flavour that you really dont even need to do anything for

[apollo-zero-one]

Man I can't believe I had the chance to go to a performing arts school up through middle school and I fuckin quit after 6 months just because I got bullied. BRO YOUR HOMEWORK WAS POETRY!! YOU HAD TO PRACTICE DANCING TO COTTON EYE JOE AS YOUR BIG UNIT TEST. GYM CLASS HAD A CIRCUS UNIT!! YOU HAD A WHOLE DAILY CLASS ON IMPROV!!! YOU FOOL!! YOU ABSOLUTE IMBICILE!! YOU COULD HAVE BEEN A YOUTUBER!!! YOU COULD HAVE BEEN ONE OF THOSE TWEENAGERS GETTING LOADED BY MAKING SHITTY YOUTUBE SHORTS IN 2008-14!! But noooOoooOOOoo little miss Noellie (who WANTED TO GO!! who worked SO HARD and sent in an application essay and did an INTERVIEW to get in!!) couldn't handle disruptive classmates or little scuffles and petty grudges and general Attitude of the other students and cried to mommy to put her back in public school. I am EATING MY HAIR over what Could Have Been. I COULD BE SOMEONE'S ANNOYING YOUTUBER!! I could be a DISGRACED DISNEY CHANNEL STAR!! I could be an America's Got Talent winner! A mild to moderately successful comedian! I could be making short films!! But no no no precious thin skinned baby me heard a few new cus words and watched a teacher get heckled and begged to give up The Dream in favor of?? Quiet math tests?? I am such a fucking quitter I quit everything the second it gets too hard I always take the out as soon as it's offered what's my fucking damage.....