#and no 5* sword that fits him | Explore Tumblr posts and blogs

namism · 30 days ago

Note

Hi! Can I request a Zoro x reader who's mihawks daughter, I think it would be a funny scenario bc he would have to get his approval first lol

with wine, zoro | roronoa zoro

➳ categories: canonverse, female reader

➳ word count: 1.9k

➳ summary: Who knew that the mysterious Dracule Mihawk had a daughter? Zoro certainly didn't, but now that he's fallen head over heels for her, he supposes he has to do something quickly.

➳ notes: i adore this request! this is by far the one fic of mine that i would proudly reread without cringing because it's funny 😭

➳ cross-posted on ao3

"Psst!"

Zoro looks to his left. Slowly, Perona floats past him with her stuffed animal Kumashi in one hand, the other holding her parasol.

"Where were you last night?" she asks.

Zoro ignores her and goes back to whatever he was working on.

"Were you outside again?" Persistent as ever, Perona floats in front of him and blocks his line of sight. "You must have visited that girl from the tower!"

"How do you know her?" Zoro snaps. Perona smiles to herself smugly.

"A-ha! I knew it! You and that girl are together, aren't you? You disappear so often, I can't believe I hadn't caught on until yesterday!"

Zoro grumbles under his breath. Walking past her, he asks Perona what she's bothering him for, to which she replies with her uniquely annoying laugh, one that Zoro has heard too many times over the course of the eight months they've been together on Kuraigana Island. Her Hollows fly around her as she bursts into a fit, bearing an expression of mockery on their translucent faces.

"Just bothering you," she answers. Zoro picks up the weights he was lifting moments ago and proceeds to ignore her again, but she continues to pester him. "What is she to you? A friend? A girlfriend?"

Zoro huffs in annoyance. "Why do you bother?"

"Because this island is boooring!"

"Find something to work on," he suggests.

It's Perona's turn to show her annoyance. Hovering over Zoro, she extends her arms and spreads out her fingers toward him.

"Negative Ho—!"

"She's a friend!" Zoro yells in panic. Perona stops her Hollow attack with a flick of a finger. "She's... special... can you get those stupid ghosts away from my face?"

"Wow. You aren't as unemotional as I thought." Blinking rapidly, Perona's hands fall to her waist. Zoro always seemed withdrawn like Mihawk, so she never pictured him as the type of guy to hold any romantic feelings for anyone.

A light blush coats Zoro's cheeks. He looks away shyly but composes himself apace. He can't be vulnerable in front of Perona—she would tease him for ages.

Perona has different plans, though. She would tease him if it were about anything else, but she's smack dab in the middle of nowhere, and her boredom convinces her to be more considerate than pesky. Besides, she's been annoying toward Zoro enough. It's time to compensate.

Using her powers, she conjures a Special Hollow and orders it to pick the swordsman in its mouth. Zoro drops his sword and flails his arms around helplessly. With a manic laugh, Perona flies to the castle with the Hollow trailing after her.

"Let's get you a girlfriend!"

Zoro didn't know what to expect when Perona dragged him back to Mihawk's shady castle, but the events that transpired were definitely not in his top 5 guesses.

Perona held him at gunpoint—just her Negative Hollows, really—and told him to list all the things he likes about you. When that didn't work because Zoro was too flustered to speak, she concocted the perfect plan that is guaranteed to win your heart over, should he execute it properly.

Right now, Zoro stands in front of you with his hands crossed over his chest. It's the morning of the plan's execution, but facing you brings him back to the first time he stepped foot in your dwelling.

Ever since he and Perona were teleported to Kuraigana Island eight months ago, he found himself exploring (or rather, getting lost around) the island that apparently housed Dracule Mihawk's residence. He lives in the abandoned castle of the now fallen Muggy Kingdom that stands in the middle of the dense forests, just a few kilometers away from a lone tower nestled in between the trees.

When Zoro explored (got lost) too far, he scouted the tower and found you there, sleeping peacefully. You shot up from your bed in panic and used your swords to attack, but Zoro had backed you into a corner. Afraid, you begged him for your life and proved your innocence.

Zoro had no business with a random girl he met on a random Tuesday, who was stuck in a random tower on a random island he was magicked into. Yet you eventually charmed him with your abilities, earning his trust and respect to a degree close to acquaintances. As time went by, you started getting flirtatious that crossed the line of "just friends," leading Zoro to feel a mutual fondness for you that he couldn't quite communicate.

That leads him to his current predicament. As he waits for your reply to his quiet confession, he prepares himself for what's to come.

"It doesn't take one to figure out that I'm fond of you, too," you tell him with a soft smile. "However, you have to ask someone first."

Zoro isn't surprised by your reciprocity, but he's surprised by the latter. Whose consent does he have to ask for?

"Who is it?"

"My father."

Zoro furrows his brows.

"You live alone."

"Well, yes! I live alone in the tower."

Suddenly, the front door of your home is kicked open. You turn on your heel to greet the visitor, while Zoro watches intently.

Mihawk appears at the doorway.

"Good morning, love. Sorry for my entrance. Are you in the middle of something?"

You run over to the man and help him with the bags of groceries in his arms. Hauling them over to the kitchen counter, you invite him inside the building.

"We were, but it's just Zoro. No big deal."

Mihawk looks at the swordsman, one eyebrow raising in curiosity at his presence.

Meanwhile, Zoro tries to understand what's happening. The fact that you know Mihawk isn't shocking since you've lived on the island your whole life, but being called 'love'? Zoro doesn't mean to be possessive, but he has a problem with that.

"I guess my student has become acquainted with my daughter," says Mihawk nonchalantly before helping you unpack your groceries.

At that moment, Zoro wishes to be eaten alive by the island mandrills.

What. The. Fuck. He thinks. Daughter?!

"Daughter?!" he repeats aloud.

"Mm-hmm! I don't live in the castle. This tower is far better than that ominous place." You hum to yourself. Looking at Mihawk, you grin sheepishly. "Sorry, Father."

"Doesn't matter. Your absence gave the ghost girl a room to her liking."

Nearby, Zoro hears a faint gasp.

Clasping your hands together, you approach Zoro slowly. You look at him with sincerity in your eyes, a look that has Zoro going crazy.

"Well, my father is here. Would you like to ask him now?"

But the admission of your relationship to Mihawk, his master, is far crazier. Zoro doesn't have the time to be wooed in by your cuteness because he feels like an idiot for not having caught on to this fact much earlier.

Your swordsmanship, your demeanor, your aptitude for many other things—Zoro understands it now. There is no questioning your abilities when you had genetically inherited them from someone. You're Mihawk's daughter, and you had always been.

"Is something the matter?" you ask softly.

Zoro loses the color on his face. He feels dizzy.

Floating right outside the tower's open window, Perona makes a face of surprise as she eavesdrops on the conversation.

"Shoot," she cusses quietly before flying away.

"I can't remember the last time I've witnessed anything more devastating than falling for your master's daughter," Perona ponders aloud, causing Zoro to glare at her as he nearly hyperventilates. "Calm down! We can do something about it!"

Zoro grits his teeth at Perona's poor attempt to cheer him up. Coming from the ghost girl who knows nothing but to attack people with her depressive powers, her optimism is anything but helpful.

"You said you spied on her a few times in the past. Did you not know this?!" Zoro shouts.

"Well, I'm sorry I didn't intrude enough!" Perona yells back. "You didn't even bother asking your girlfriend what her full name was! Ugh, you tire me out—you're unbelievable!"

After Perona fled the scene, Zoro followed in horror. He looked too disturbed that you offered to escort him back to the castle so that he could take a deep breath and process the situation. However, Zoro excused himself and instead ran down the spiral steps of your tower, disappearing into the forest that led him back to the castle.

Having reunited with Perona in her bedroom (that was apparently yours before she teleported to the island), Zoro admits that she has the right to insult him. Zoro never asked for your family name, and you never told him about it either. He thought you were an orphan since you had always lived alone, and it wasn't rare for people in the Grand Line to be secretive of their family.

Still, he feels like an idiot. Despite looking different from your father (you must have taken after your mother in appearance), you're incredibly trained with a sword, and you have a familiar aura around you. Zoro should have connected the dots together and theorized that you're Mihawk's daughter, but it's too late for that now.

He isn't mad by all means, but he curses the old man for not even telling him. He's been living under his roof for the past eight months, for goodness' sake!

Perona floats in front of him, twirling her hair.

"What are you going to do now?" she asks.

Zoro doesn't respond. He's clueless.

"Me either," she says. She flies around the room, thinking to herself. "Well, only a coward would accept defeat in courting a woman. Get back there and ask for her father's blessing!"

Zoro clenches his fists, his nails digging into the palms of his hands.

"Help me with something."

Many hours later, Mihawk comes back from his day visit at your tower. Tired from today's events, he decides to lock himself in his bedroom and take some time reading the newspaper over a glass of wine. To his dismay, he seems to have run out.

Thus, he immerses himself in the newspaper, wine-less, thinking it's good to cut down on the liquor for a while. In the middle of it, a knock sounds on his door, followed by a soft clink of glass. Mihawk waits for a minute to pass before standing up from his seat and peeking out the door to investigate the sound.

Whoever had knocked is now long gone. Instead, there sits by his foot a bottle of unopened wine and a piece of parchment. Mihawk collects the items and retreats to his bedroom.

He opens the bottle and pours himself a drink. Then, he settles back in his armchair and finishes the newspaper before picking up the parchment.

"A letter," he says to himself. He reads.

Thank you for taking me under your wing.

I'm sorry for running out earlier. I like her, and I stand by that.

Have this for now.

With wine, Zoro

Mihawk drops the letter on his lap and takes another sip. He laughs to himself.

The next day, he calls Zoro to his room as he reads the daily newspaper with careful sips of the gifted wine. As Zoro speaks, having swallowed his pride another time in front of the man, Mihawk leans back into his chair, seemingly pleased.

With wine or not, he was going to give his permission anyway.

261 notes · View notes

michaelwheelerdefiodental · 9 days ago

Text

Hopper will hand over the sword to Mike, and it will be really important storywise.

As we know, Hopper is the epitome of what would be considered masculine in the 80s, a buff man that is strong, don't let people command him, stoic (at least he tries to be perceived as this), and tries his hardest to not let his emotions overcome himself. Mike is a skinny boy who don't let people command him but lacks the others "qualities". He isn't strong, he let his emotions take control of him. It's known that Mike tries to present himself as someone "normal", a person that wouldn't have problem to fitting in some type of group, and secure about his sexuality. We can see this behavior on seasons 3 and 4. In season 3 he tried to be the cool het guy, in season 4, he was basically copying Eddie style.

Apparently, season 5 will show us a Mike that ain't afraid to show his true colors anymore, and what would be better than making a guy that could be considered the pinnacle of masculinity handing his sword to a guy like Mike? And we know that Mike has some kind of respect and even sees Hopper as a paternal figure.

We can see a poster of Conan The Barbarian in Mike's room too. Most part of the fandom associate Hopper as a barbarian when making posts comparing the characters with a D&D class. And most important, Hopper's sword is literally a replica of Conan's sword.

All of this would come full cycle with Mike using the sword to kill the dragon, and accepting himself as a hero, just like Hopper at the end of season 4.

230 notes · View notes

dandylovesturtles · 9 months ago

Note

Using a random number generator for the angst prompts: 20 Starved + 30 Dangerous Temperatures

... and Leo, of course.

OH GOD OK

uh so. I had an idea. and I decided to write it for this ask I got forever ago. And then, uh.

it really

really got out of hand.

This is a pretty dark fic (even for me) and at the current moment in time it is hurt/no comfort. I do intend to write a part 2, probably tomorrow, but as of the time I'm typing this author's note I've been writing for around 5+ hours straight and I need to take a break! So please, if you don't want to read all this without the comfort included, feel free to wait for the next part before reading! I'll link it and the end once it's posted.

Content warnings: Kidnapping, confinement, psychological torture, nonconsensual voyeurism (I guess this is the best way to put this; Leo isn't doing anything sexual but it's still violating), mild violence, HEAVY ANGST, Leo just having the shittiest time possible.

I HOPE?? YOU ENJOY??? hahahaha....

btw this is set between S2 and the movie (though tbh its canon compliance is... /waves hand)

-----

When Leo imagined himself getting captured by some kind of shady, quasi-governmental agency intent on imprisoning mutants, it was never anything like this.

When he let his mind go there, he always pictured that he would be strapped to a table. Maybe muzzled. That scientists would stand over him, scalpels and drills in hand, and start to take him apart. That they'd examine him piece by piece, and wouldn't give him any anesthesia while they did it.

But there is no table, no muzzle, no restraints at all. He's just in a room.

Well, a cell, technically - the steel door is locked, and there are no windows, no furniture but a bare cot in one corner and a lone toilet in another. But it doesn't really look like a cell. It looks like a room.

A very, very white room. White walls. White ceiling. White tiles (with white grout, even). The toilet is white, a roll of white toilet paper on the floor next to it. The only things that aren't white are the cot and the door and Leo himself.

They took his gear and his weapons, because of course they did. Since the door is steel, he already knows he's not breaking it down; he gives it a half-hearted slam anyway, just to say he tried. He should be able to just portal out, except he hasn't learned how to use his portals without his swords to channel his ninpo through, and there's nothing in here with him that he can use to make new ones.

So he's stuck. He's going to have to wait until someone opens that door for some reason. Or, of course, until his family swings by to pick him up. Though, if possible, he'd like to escape before that happens. The image in his mind, of sitting outside his cell and grinning at them as they arrive to rescue him, is too cool to pass up.

He's not sure how long it's been already. He knows that they knocked him out after ambushing him, and he doesn't know how long he was unconscious. The heavy molasses feel of his head and arms when he woke up suggests that he was drugged. It's wearing off now, though, which means he has a clear head to take in the all of nothing that's in the room with him.

He sits on the cot he woke up on and waits for something to happen.

There's no way for him to tell time, but he thinks it's an hour or so later when there's a sudden beep, and then the sound of a metal panel sliding up. It's a slot near the door that has just opened - inside the revealed alcove is a bottle of water.

He comes to it curiously, taking a long look around the bottle. The slot doesn't open straight through, and even if it did, it's not big enough for anything more than his arm or a foot to fit through. He thinks it must function like an airlock, or maybe they slid the bottle down from somewhere above - he feels around just in case, and finds that the slot is enclosed on all sides but his. Probably his airlock theory, then.

As soon as he removes the bottle, the panel slams shut again.

"You're really determined to keep me in here, huh?" he says to whatever hidden cameras are watching him. He carries the water bottle back to his cot, but doesn't open it, instead setting it down on the floor by the wall. The paranoid part of his brain, the one that doesn't miss a trick, is reminding him that drinking the water is probably a bad idea. Who knows what they might have put in it?

He sits on the cot for awhile longer. Still, nothing happens.

"I'm getting pretty bored in here," he says for the audience that must be somewhere. "Come on, you have a one of a kind turtle in here, and you don't even want to talk to me?"

Time passes, slow and quiet. Leo goes through periods where his anxiety spikes and he starts to wonder if he's been abandoned by whoever brought him here, before the boredom eventually numbs the anxiety back out. Another bottle of water is eventually delivered, and this one he keeps in his hands after retrieving it. It's completely unlabeled, not even a "Use by" date printed on the bottle itself, so it doesn't provide much mental stimulation. He spins the bottle to make little whirlpools inside, because it's something to do.

He's trying to make the fastest whirlpool he can when he hears a sudden click, different from the beep of the water bottle hole, and he looks up just in time to see a large section of the wall in front of him turn black, and then light up to show the room beyond his cell.

He jolts, setting the bottle aside. He knew they must be watching him, but somehow he didn't catch that part of the wall was a whole window.

His audience isn't very large - five people, unless there are others he can't see. Two wear lab coats, two wear fatigues... but the one who comes to stand directly in front of the window is wearing a black suit, with steel rimmed glasses. He leans forward, and speaks into a small microphone.

"Inmate 24365," says the suited man. "I am Agent Bishop, of the Earth Protection Force. My subordinates tell me that you can speak and understand the English language. Is this correct?"

"Qué?" Leo asks.

Bishop does not look amused. "Inmate 24365," he says, "you have two options. You can cooperate with me, answer my questions, and we will make your stay here more comfortable. Do not cooperate, and we will make your stay uncomfortable. Do you understand?"

Leo pretends to hem and haw over this. "How comfortable are we talkin'?"

"I'm sure you would like some dinner."

"You know, I'm not really hungry." He says it to be difficult, but it's actually true - the uncertainty of the situation has put his stomach in too many knots to want to eat anything. "Maybe if you offer me some comic books? Or a TV?

To Bishop's credit, his face doesn't so much as twitch. He keeps his steely eyes locked on Leo. "Answer our questions, and you will receive food. Do you understand?"

Leo stays noncommittal. "What are the questions?"

He's expecting Bishop to ask about his family. He's not expecting what comes next.

"How many gateways are there between New York City and the hidden yokai enclave?" he asks. "How are these gateways accessed? What kind of defensive capabilities do the yokai have?"

Leo keeps the surprise off his face. Bishop thinks he's a yokai.

This is, overall, a good development. Bishop might not know about Leo's family, then, or at least not know that they live on the surface. This means the Earth Protection Force likely isn't pursuing his brothers, which means they will be safe until they can help Leo get out of here.

He doesn't let the relief show through, either. Bishop doesn't know anything, and now Leo just has to ride out the next few hours until the calvary arrives.

"You know," he says, "I think I'm good with my current levels of comfort."

If Bishop is mad or frustrated or dismayed by this choice, he doesn't show it. His expression stays stony as he stares in at Leo, sizing him up.

"Very well," he says after a few more seconds. "I will see you tomorrow, then."

The window goes dark, and then turns stark white to match the walls. Leo wants to go over and tap at it, see if it feels different when he touches it, but knowing that Bishop is surely still there, watching him, keeps him rooted to the cot.

He goes back to making whirlpools with the bottle. If they aren't going to entertain him, he isn't going to entertain them, either.

-----

Another water bottle comes some time after his talk with Bishop. He finally opens this one and takes a cautious sip. Nothing tastes off or strange, so he drinks more. They don't want to feed him, but they're fine keeping him hydrated. No reason to stay thirsty, then.

He wishes the water calmed the anxiety still roiling in his stomach, but if anything it just makes him feel even more energized. He bounces his foot and surveys his room again, looking for any weak spots or access points. He can't see anything, though, other than the areas where he knows the water bottle hole and window are; even the vents that relentlessly blow cold air into the room are well hidden.

Knowing that there are people standing just outside his cell watching him, like some kind of zoo animal, puts him on edge. The window is so big that he's pretty sure the only blind spots are either directly underneath it or right by the door on the same wall. After debating it, he leaves his cot and sits on the floor underneath the window, surveying the room from a different angle now and still coming up empty. At least they're going to have a harder time staring at him.

His eyes catch on the toilet in the corner, directly across from the window. It's not in the blind spot, and realizing this makes his insides lurch uncomfortably - hopefully he has a chance to bust out before using it becomes necessary.

Though, he's not sure when that chance is going to come. If they have a slot to pass him water, they could use that to pass him food, too, so it's unlikely that anyone is going to open the door unless they need to take him out.

So maybe his fantasy of being outside when his brothers arrive isn't going to happen. Well, that's okay; he'll just be sure to make some other part of their escape totally rad. That will make up for the embarrassment of getting kidnapped a block from Run of the Mill.

(Seriously, some kind of ninja he is, to let a bunch of human soldiers sneak up on him.)

He drains the water bottle, then starts to roll it back and forth across the floor, like a cat batting at a toy. Leo's not sure what's worse right now: the worry or the boredom. There's nothing to look at and no one to talk to, just an empty room with him and his water bottles.

He's too keyed up to sleep, and the fluorescent lights are still on, anyway. He has no way of telling what time it is, so maybe it just isn't that late yet. And even sitting here, in the blind spot, the idea of closing his eyes while people are watching makes unease crawl up his spine. Staying awake is the easy choice. He'll sleep after he's out of here.

So he sits under the window and rolls his bottle back and forth, back and forth, with only the sound of plastic on tile to keep his thoughts company.

-----

The first three water bottles came pretty regularly, but now there is a very long stretch where nothing is delivered. Leo is starting to think maybe it really is night now. They don't turn off the lights in his cell, though, and he has no controls to do it himself. At least it helps with the whole "staying awake" thing.

Just in case they've decided to suspend his water privileges along with the food, he holds off drinking any more for now.

Speaking of food, his appetite has finally decided to return. His stomach starts to growl at him after several hours (he thinks) of sitting in the floor, an annoying emptiness in his stomach. Knowing there's no food accessible just makes the hunger sharper, but he puts it out of his mind the best he can with nothing else to focus on. He can eat once he's free.

Which should be soon. Seriously, his brothers have to be on their way by now, right?

He's pretty sure it's been the better part of a day, if not a whole day, since he was kidnapped. And, okay, he's willing to give them some leeway; it's understandable if they got a late start. He did storm out of the lair after his latest fight with Raph, and no one ever came to check on him when he did that. Understandably, he thinks, because who wants to be around Bad Mood Leo? Not even Leo wants to be around Bad Mood Leo!

But he'd already turned back into Good Mood Leo by the time he left Hueso's, so surely they knew it had been more than enough time. They would have noticed when he didn't come home. They would have realized something happened. They would be looking for him.

And if they're looking for him, they'll find him! Obviously.

His stomach growls again, and Leo leans his head back against the wall behind him. Maybe he shouldn't think of being at Hueso's. Now he just wants pizza. Pepperoni and mushroom, maybe, or Hawaiian. Mix it up a little with the barbeque chicken.

Another growl. He groans out loud.

He stays awake, twisting and crinkling the empty bottle in his hands, until another full one finally arrives.

-----

No chance to escape comes before using the toilet is necessary.

He tried to hold out, he really did, but he ended up drinking more water to stave off the growing hunger, and it's lowkey cold in here, which doesn't help. Still, the issue of the window sends an uneasy shiver up his spine, doubting that any people outside will feel the need to turn away and give him some privacy. Maybe he should have gone while he suspected it was nighttime.

(Maybe he shouldn't assume they ever aren't watching him.)

He stands up and walks over to the cot, giving it a light nudge with his foot. In a stroke of luck, it isn't bolted to the floor, and it's light enough that he can lift it. The black mesh it's made of is tightly woven, enough that not much is visible through it. It will have to do.

He picks it up and drags it over in front of the toilet, propping it up on its legs so it makes a small wall between himself and the window. It's hardly ideal, but the semblance of privacy makes him relax somewhat.

(He can't think about how there are surely cameras in the room watching him from all angles, making his attempt at a barrier moot. He knows better than anyone that sometimes pleasant lies are necessary.)

After he does his business, he leaves the cot propped where it is; it's not like he's sleeping on it. There's no sink for him to wash his hands, but he's never been the strictest about it, anyway (much to Donnie's disgust). He returns to his spot under the window, squeezing the water bottle to the rhythm of the first song that comes to mind.

Only two verses and a bridge later, the window above his head turns black, then goes clear. Thinking that Bishop might have been watching him just now makes a cold, slimy feeling roll down his spine. Creepy!

"Inmate 24365," comes Bishop's voice through the unseen speaker. "Stand."

Leo doesn't. He stays right where he is, under the window.

Bishop waits only a few seconds. Then Leo hears him say, "Temperature down two degrees."

He gets up at that, turning and leaning his arm against the window. It strangely doesn't feel like glass, even though it must be. "It's already cold enough in here," he says. He wonders how they can hear him, when he doesn't see a microphone on his side.

"You were told your conditions would only be made comfortable after you answer our questions," Bishop informs him. "The same as before: how many gateways are there between New York City and the hidden yokai enclave? How are these gateways-"

"How about you answer my questions first," Leo interjects. "You keep calling me "inmate," but I haven't been charged with anything. Pretty sure you can't detain me without cause."

"The EPF is authorized to detain non-human inmates for as long as deemed necessary for the security of the United States," says Bishop smoothly. "Probable cause doctrine does not apply in this case."

"That's gotta be unconstitutional."

"The constitution does not recognize the rights of yokai. You have no right to counsel, no right to a speedy trial, and no right to protections from cruel and unusual punishments." Bishop's stare is colder than the temperature in the room. "But I am not an unfair man. Answer my questions, and I will provide you with food and clothing."

Leo tosses a glance over his shoulder. "How about a private bathroom?"

Bishop's expression stays ever in place, unimpressed and stoic. "Food and clothing," he repeats.

Leo gives his head a shake. "Then nope," he says, popping the "p". "I plead the fifth."

"As I have already explained, the Bill of Rights does not apply to you."

"That's such crap." Leo bangs his fist on the window. "You can't just keep me here forever for no reason!"

"I do have reasons." Bishop leans closer to the window, his eyes narrowing. "Let's try a different question. What is your relation to Baron Draxum?"

The surprise is fast and sharp, but Leo just manages to keep it from showing on his face. "Who?" he asks innocently, even as the panic sets into his chest. If they know about Draxum, what else do they know?

"We know you are acquainted with him," says Bishop. "What is the nature of your relationship?"

Leo knows they aren't bluffing - why would they bring up that very specific name otherwise? There's no lie he can tell that won't reveal something.

So he doesn't say anything. Instead, he turns his back to the window and sits down, staring resolutely at the opposite wall.

Bishop clicks his tongue. "Very well," he says. "I am a patient man. I can wait." Then, more muffled, like he's facing away from the microphone, Leo hears him say, "Temperature down two degrees."

The window goes dark, then turns back to white. Leo doesn't move for a long time.

-----

The third water bottle arrives, so he guesses that's the end of day two.

He's shaking as he gets up to retrieve it, adding it to his growing water bottle hoard. He's gone through three and a half by now, but he's trying not to drink them too fast.

As promised, no food is delivered, and his stomach growls and rumbles in protest. The water helps, but only slightly. He needs to eat.

He also needs to sleep.

The panicked adrenaline spikes that have kept him awake this long are starting to die down, with more and more long stretches of exhaustion between them. The shaking is near constant, bringing with it the weird jittery feeling he gets when his insomnia gets particularly bad.

The window is still unnerving him. The idea of sleeping while they're watching him feels staggeringly unsafe.

But he doesn't think he can hold out now until his family gets here. Sure, they're probably getting close (they have to be getting close), but they're sure taking their sweet time. And he's just so tired.

After a long internal debate, he lays down on the cold tile floor. It's not at all comfortable, but somehow he doubts the cot would be any better. Besides, even if he moves the cot under the window, he thinks it would be easier to see him if he uses it. So on the floor it is.

He presses as close to the wall as he can, curling up into a ball for warmth. He wishes he had a blanket.

He wishes he was home.

He squeezes his eyes shut tight and forces back the sudden wave of overwhelming homesickness. There's no reason to feel this way. It's only been two days! What is he, a baby?

It's fine. It's all fine. They're definitely on his trail now. Raph is leading the team. Donnie is using some kind of invention to blah blah blah nerd stuff. Mikey is razzing his tazz. April is using her investigative journalism skills to find clues.

They're on their way. He just has to hold out a little longer. He can do this.

He sleeps, and in his dreams, something grabs him tight and drags him down and down and down where he can't escape.

-----

The same routine plays out over the next two days.

Leo gets two water bottles delivered, spaced, if he had to guess, about five hours apart. Bishop comes to visit him some time after the second bottle. Leo refuses to answer his questions. Bishop turns the temperature down and then leaves. A few hours later his last water bottle comes. Then nothing for the whole night.

They still don't turn off his lights, but exhaustion is starting to win over the brightness.

More than a few times, Leo tries to summon a portal on his own, without his swords. If his family is going to take their sweet time in coming, he might as well try to help them out. He tries to summon his ninpo (without glowing), tries to feel the tug inside of him that he always does when he teleports, tries to envision the place he wants to go and tunnel through space to get there.

Nothing. Always nothing.

(Donnie can make his constructs independent of his bo staff. Raph can send his projections away from his sai. Mikey's learning to use mystic powers without his nunchucks. So why does Leo need his katana? Why is he the only one this useless?)

It probably doesn't help that he's so damn hungry. It's a constant companion now, a low and hollow ache that chooses inconvenient times to turn into white hot stabs of urgency, into seizing cramps that steal his breath. The water only helps so much - it keeps him alive but doesn't satisfy, doesn't soothe. In some ways it just makes the feeling worse.

And he's always shaking, too, but he doesn't know if that's the hunger or the cold.

Maybe the cold wouldn't bother him so much if it were at least still. But the vents blow fresh air inside relentlessly, and no matter where he goes he can't seem to get out of the direct stream. The cold wind batters his tired body, and there's places his skin is starting to turn dry and flaky. His nose won't stop running, and he's allowed himself a small section of his one roll of toilet paper to blow it, already stiff and congealed and disgusting.

It's miserable.

And there's still nothing to do.

He stacks a pyramid out of his empty water bottles, knocks it down, then stacks it up again. He tries to come up with some new and exciting ways to demolish it, but it's only new and exciting for so long.

He spends a few hours of day three singing karaoke as obnoxiously as possible. He hopes everyone outside enjoys the performance.

He recounts every issue of Jupiter Jim he knows to himself, then the plot of every movie. Then he goes through Lou Jitsu films, then anything else he can think of. That eats up a good chunk of day four.

By the time he gets his first water bottle of day five, he's out of ideas to entertain himself. He's never been good at this. He doesn't know how introverts like Donnie can go multiple days without talking to someone.

But when Bishop comes back with his daily offer of conversation, Leo once again impolitely declines.

-----

Something new happens on night five.

It's been a long time since the last water bottle. Leo has been trying to sleep, but it's not coming easy; he's exhausted, but the floor is so cold and he's so sore from staying on it night after night. Not to mention, his nightmares have been getting worse, and he isn't eager to return to them.

Add on the hunger, and sleep is elusive.

Suddenly, there's the telltale shadow of the window above him turning dark - this time, though, it doesn't light up as much as normal. Confused and curious, Leo sits up and takes a peek.

The room beyond is dim, only the glow of a green EXIT sign and a small desk lamp lighting the space. But it's enough for Leo to see a man standing there, looking inside. It's not Bishop - in fact, he doesn't recognize this person at all. They're wearing fatigues, but it's not anyone he's seen in the room during Bishop's normal interrogations.

The man catches sight of Leo, and the grinning leer on his face makes Leo regret looking.

He beckons for Leo to stand up. Warily, Leo does, unable to help but keep his arms folded tight over his chest. Not for the first time, he wishes he had some clothes - his gear, at the very least. Anything to not feel quite so exposed.

The man reaches down and picks something up, holding it aloft for Leo's inspection. "Want a sandwich?" he asks into the microphone.

The sandwich looks like white bread and bologna. No cheese, no other toppings that Leo can spot. Maybe some mustard, if anything. Overall, the most boring possible sandwich he could have been offered.

Leo's mouth is watering.

He has to swallow hard before answering. He doesn't trust this. Even if his stomach is slamming up and down at the promise of food, food, food.

"I'm not hungry," he lies.

The man laughs. It's not a kind sound. "Sure you ain't," he says. "You spend every night curled up on the floor like the dumb animal you are. Can you even eat this?" He waves the sandwich for emphasis.

Leo doesn't answer. He takes a step back from the window, like that will put any kind of distance between them. Like that will save him.

The man watches him with a sleezy grin. He waves the sandwich again.

"You want this," he says.

Leo shakes his head.

"You really sure?"

Leo shudders. Stands tall. Nods.

The man watches him for a long, long moment. Leo fights the urge to hide.

Finally, with a shrug, the man says, "Suit yourself."

Then he starts eating the sandwich. Right where Leo can watch.

Leo's stomach growls, loud and angry in his ears, and he has to physically hold himself back from crumpling.

After several bites, the man suddenly reaches out and taps the window, indicating the cot stood up in front of the toilet.

"That," he says, giving another tap for emphasis, "doesn't do shit."

Leo wants to crawl out of his own skin.

The need to hide is suddenly too great. He rushes to the cot, grabbing it and dragging it back to the blind spot under the window. He sets it down on all four legs, so it's as close to the floor as possible.

Then he lies down on his belly and wriggles underneath. It's a tight squeeze, and the cot ends up pushed up by his shell, suspended in the air, but he doesn't care.

He curls up in his pleasant lie of privacy and bites his hand to keep from screaming himself hoarse.

After an eternity, the window above him turns white again. It doesn't matter. Leo knows he's still there. Still watching.

-----

"You look tired," Bishop greets him. Leo answers with a dead-eyed stare.

"I keep telling you, if you want your conditions to improve, all you have to do is answer my questions."

Leo says nothing. He just stares, arms wrapped tight around himself to try and keep his body heat in.

"How many gateways are there between New York City and the hidden yokai enclave? How are these gateways accessed?"

For a moment, Leo considers just... telling him.

His family doesn't live in the Hidden City. The yokai have never exactly greeted them with open arms. What does he care if these military guys go after them? At least then, maybe he can finally eat something.

That's not what a hero does, Leo! echoes Mind Raph disapprovingly. Innocent people will get hurt!

Right. He's a hero. And heroes don't give into the demands of shitty guys like Bishop.

Leo swallows hard. "No comment."

Bishop's face changes ever so slightly: his brow creases. Leo wonders if that's good or bad for him.

"You understand that Baron Draxum is a known threat, don't you?" he asks. "We are aware of his plans to commit mass murder on the human population. We also know that he has been dormant for some time, and we need information on what he is planning."

Leo thinks of Barry's ambitions to be recognized as the best lunchperson in all of America and can't help but laugh. It comes out cracked and wheezing.

Bishop's furrow gets deeper. "Do you think this is funny?"

"Little bit," says Leo.

Bishop has a chasm to rival Raph's now. Leo knows he shouldn't, but he grins. It's his one moment of triumph - only he can be this aggravating.

And then Bishop says, "Temperature down seven degrees," and that wipes the smile right off Leo's face.

-----

The plastic of the water bottles is soft and pliable and feels weirdly good under Leo's teeth.

He chews the top of the bottle, gnawing at it until it's completely flattened out, pockmarked with little tiny indents from his incisors. It's not eating - it won't fill his belly or ease the persistent hunger pains. But something about the motion is soothing. The place-bo effect.

Pla-ce-bo, corrects Donnie's voice in his mind, sounding testy.

Where are you? Leo thinks back.

There's no answer.

He's gnawed his way through four water bottles. There's eighteen in total now, two and a half still full of water. He thought about using one to wash up a bit, but decided against it in the end. He knows he stinks, but the last thing he wants right now is to be wet. Not when he's starting to see his breath.

Oh well. It's not like he has anywhere to be.

He turns his attentions to the lids next. These are harder and thus tougher to chew. Still, if Leo uses his molars, he can eventually crack the lip, and then bend the plastic in and in, chewing until he ends up with a flat disc.

It's just small enough that Leo could swallow it, if he wanted to.

He thinks he remembers watching some kind of wildlife documentary. Or maybe he didn't watch it himself, but Mikey told him about it. Or maybe April? He doesn't know. His thoughts swim in and out and get lost on the way.

Point is. Sea turtles in the wild die all the time because of plastic in the water. They cut open their stomachs and find trash inside.

Well, Leo is a turtle in captivity. Maybe that means he's immune. Maybe he could swallow this plastic lid, and then he'd finally feel full and the pain pain pain of his empty stomach would go away.

He does not swallow the plastic lid. But it's more tempting than he'd like to admit.

It's going to be okay. When his family gets him out of here, they'll have a big pizza to celebrate. Maybe he can even talk them into letting him have the last slice.

It has to be any moment now, right? It's been a week. They have to be closing in. Any moment now, the door will open, and there they'll be to take him home.

The air conditioning blows relentlessly against his skin. He sneezes, then rubs the snot on his arm. He's given up on the tissue paper.

It'll be over soon. It has to be. Just hang in there, Leon, just a little longer.

He picks up another bottle and starts chewing.

-----

He's playing a mindless little game with his flattened bottle lids the next time Bishop comes.

"I'm surprised you still have any energy at all," says Bishop, and Leo wants to punch him.

(Really, he wants to do more than that. But those kinds of thoughts always make him feel weird and bad, so he pushes them away.)

"You should have learned by now," he says, pushing to his feet and trying not to show how badly he's trembling, "you can't keep me down."

"This is all unnecessary," says Bishop. "I'll feed you as soon as you answer my questions."

Leo barks out a laugh. "Sure you will."

"I will," says Bishop. He turns and says over his shoulder, "Bring it here."

One of the men in fatigues steps forward and hands a tray with a covered plate over to Bishop. Bishop uncovers the tray and holds it where Leo can see.

Baked chicken, broccoli with cheese, mashed potatoes.

Leo's stomach twists and cramps so painfully he has to bend at the hips and clutch his midriff.

"This is yours, as soon as you answer my questions."

Leo pointedly keeps from looking at the food. He shakes his head. He can't. He can't.

"Such persistence." Bishop's voice is scolding now. "You understand that you are a known accomplice to a terrorist, don't you? But if you become a cooperating witness, you will be granted some leniency."

Leo barks a laugh, lifting his eyes to look at Bishop's face, and pointedly not the food. "What's the point?" he asks. "If I'm not... protected by the constitution, or whatever. Are you going to let me go?"

"No," says Bishop. "But as I have told you, your conditions will become more comfortable." He waves the tray of food.

Leo stares at him, before a manic smile splits his face.

"You... stupid bastard. I can't even answer your questions." He slams a shaking hand against his plastron. "I'm not even a yokai! Do you get that? I'm not a yokai!"

Bishop looks skeptical. "Obviously you are."

"I'm not!" Leo rages. "I'm a mutant! I'm from New York! I don't even live in the Hidden City!"

Bishop's eyes flash. "I see," he says, "so you do know of it."

Leo falters, his body going slack.

What an obvious, stupid mistake.

(Some face-man he is.)

It takes Leo a long moment to answer. Bishop stays right where he is, holding the food so tantalizingly close and yet still out of reach.

"...I don't know about the gateways," he says finally. "I don't know about their defensive capabilities. I don't know what Baron Draxum is planning."

"Your lies are obvious," says Bishop. "You really don't want this? It's your last chance today."

Leo stares at the food. His mouth is watering so hard it might start to drip. Would it really be so bad to answer? They don't live in the Hidden City. And Draxum dropped him off a roof.

Draxum is trying to change, says Mind Raph. You see what these guys are like. You can't turn the yokai over to them. They'll hurt them!

What about me? he asks. Is it okay if I get hurt?

You're a hero, Leo, says Mind Raph. You can deal with it for a little longer. It's just a room. Just a little cold. Just some hunger.

He's a hero. He can deal with it. He can. He can.

He'll make them proud. Show them they can trust him.

It takes everything he has, but he shakes his head.

Bishop tuts. Then he throws the entire plate in the trash.

"Tomorrow, then," he says. Then the window is gone.

Leo collapses on his cot and tries not to cry.

-----

After his third water bottle on day eight, one of the fluorescent lights over his head flickers and then dies out.

It's not surprising, since they keep them running twenty-four seven. The blessedly dimmed lighting is actually nice, for once. Leo thinks maybe he could get some sleep, if the gnawing hunger and the constant shivers don't keep him awake.

He's just closed his eyes and snuggled up under his cot when it occurs to him: they may come in to fix it. If keeping the lights on day and night is part of their plan to torture him, to keep him exhausted and anxious and on edge, then they have to.

Which means his chance is finally here.

He has to be careful about this. He has to be ready to move, but he can't let them know he's ready to move. He has to let them think he's too weak, too exhausted, to make an escape attempt.

(He can't let himself think that, though. He can't give up before he tries.)

So he stays under his cot, but subtly shifts it so it won't restrict his movement. He has to be ready to burst out as soon as he gets a chance. Get past whoever comes in, then get out the door. It's after the last water bottle, so it's nighttime. There will be fewer people. He can do this. He can do this.

Find his swords. Make a portal. Get out.

Just as he was thinking, after a long time has passed, there is a loud warning beep, different from the water bottle beep. An automated voice says from somewhere unseen, "Inmates clear the door. Security personnel entering. Stay still and you will not be harmed."

Then the door slides open, and someone comes in.

It's a man wearing fatigues. Leo thinks this is the one who "offered" him a sandwich the other day. He's holding some kind of gun with a long barrel. He does a sweep of the room with his eyes, coming to rest on Leo under his cot. He gives Leo the same leering grin, and waves the barrel of the gun in his direction.

"Now you behave, and we'll get along just fine," he says.

He steps to the side, and another man enters, this one wearing the kind of jumpsuit Leo sees janitors in on TV. He's carrying a stepladder in one hand and a long tube in the other. Is that what fluorescent lights look like? Leo didn't know.

The man walks to the middle of the room and sets up his stepladder. Then he walks up and pulls off the light casing. When he unhooks the old bulb, it causes the other bulb to flicker, just for a few moments.

Leo explodes out from under the cot, grabbing the man in fatigues by the legs and yanking as hard as he can. The man yelps in surprise, and Leo hears the sound of the gun going off in a random direction. The janitor shouts and drops the light bulb - the sound of shattering glass joins the cacophony.

Leo jumps to his feet and runs out the door they had been too stupid to close, sprinting toward the EXIT sign. He's exhausted and shaky but he's coursing with adrenaline, and he leans on it hard to keep him moving. Don't stop, don't stop, get out of here. He'll figure out what to do next once he's free.

Past the exit sign there's a large open room with desks and computer monitors. Most of them are off, but one lingering woman in a lab coat, seated at her desk, screams when she sees Leo dash through the middle of the office space.

"Security!" she screams into a device on her chest. "Inmate is escaping! Inmate is escaping!"

Leo doesn't have time to shut her up, he just keeps moving. He pushes through the next door and arrives in a hallway; he only has time to glance one way and then the other before scrambling to the left, hoping it was a good choice.

He rounds a corner and sees another green EXIT sign up ahead. It's not where he meant to go - he meant to find where they're keeping his swords first. But he hears shouting behind him and doesn't stop. Fine, so no portals - he'll figure out something else once he's away from here.

He throws himself forward into the exit door, which leads him into yet another hallway. Another long sprint, with shouting and slamming doors at his heels, and then finally, finally, a third EXIT sign, and he crashes outside.

Where there's snow on the ground, snow on the trees.

It steals his breath away. There shouldn't be snow. It's May.

Where is he?

He takes a breath of air so cold it seizes his lungs, then takes a step forward. He'll worry about that-

BANG!

A piercing pain in his shoulder nearly sends him toppling over. Leo shouts, grasping for the wound and feeling something sticking out of his skin. He grabs it and yanks, pulling it free.

It's a dart.

Damn it, he thinks, before his vision goes woozy, and he collapses into the snow.

-----

"Are you proud of your little escape attempt?" comes Bishop's voice.

Leo looks up from his cot. Bishop has to get so close to the window to see him that his nose is pressed flat against it. It should be hilarious, but Leo doesn't really have the energy to laugh. Or to do much of anything.

He's hungry. He's tired. He's cold. He's still sluggish from the drugs.

And they threw away all his water bottles. Fuckers.

Leo rolls over on the cot and covers his ears.

"What a childish response," says Bishop, and that's funny, too, because Leo literally is a child. Or a teenager, anyway. He doesn't feel like it will help him much to point that out, though.

"All you have to do is answer my questions, and all this will be fixed."

That's the funniest thing of all. The idea that he spills his guts and Bishop treats him to a five course meal to make up for all the pain up till now. Hilarious.

He says nothing.

Bishop sighs.

"You are likely still affected by the tranquilizing agent. I'll return tomorrow."

Before he leaves, he says, "Temperature down five degrees."

-----

The same man is back that night. He opens the window and looks down at Leo with the same leering smile. Leo can't even take satisfaction in the bandage on the side of his head.

"Neat little trick you had yesterday," he says. "Almost got me fired."

Leo wishes it had gotten him fired. But he clearly has no luck in this situation.

"You know, I respect the attempt. And you probably would have gotten farther with a little food in your belly." The man reaches down, then retrieves a sandwich, as mouth-wateringly unappetizing as the last time. "You sure you don't want this?"

And Leo knows he shouldn't trust this guy. Leo knows he should say no.

But he's just...

so...

hungry.

So he gets up. And he turns to the window. On shaking limbs that can barely hold him upright anymore. With a body that is laced with pain and aches and cramps.

And he nods.

The man's smile gets wider. "What do you say?" he asks, in the sing-song tone of a parent scolding a child.

It makes a sick nausea rise in Leo's throat. But he wants the sandwich.

"Please," he gasps out.

"Mmm... not good enough." The man waves the sandwich. "You want this? You beg for it."

Leo stares, eyes wide. But the sandwich... the sandwich...

He gets down on his knees. Feels a searing flush of humiliation. His stomach is rolling and gurgling and cramping with pain, a hollow, empty chasm inside him desperate to be filled.

He lowers his head.

"Please," he says. "I... I want the sandwich. I'm... begging you, please."

The man laughs, loud and long. When Leo finally finds it in him to raise his eyes, the sandwich is already half eaten.

"Hey, good job," says the man, licking a bit of mustard off his thumb. "That was real convincin'."

And then he takes another bite.

Just like that, Leo forgets about the pain, the aches, the cold, the hunger. All that's left is pure, white hot, screaming rage.

Leo lunges at the window and slams his fist into it so hard it cracks. Not enough to break the glass. Not enough to free him. But enough that the man startles and steps back.

And Leo starts to laugh. High and manic and unhinged even to his own ears.

"I'll kill you," he says, and his voice sounds almost joking, and yet- "I'll kill you. You're dead. You're dead, as soon as I get out of here, you're dead, I'll kill you, I'LL KILL YOU!"

The man has dropped the rest of his sandwich. He fumbles for his gun, left somewhere on a table to the side. For one satisfying moment, Leo sees a flash of genuine fear on the man's face.

"Shit," he says, his voice far away the further he gets from the microphone. "Pretty scary, frogboy."

Then he slams a button, and the window goes black, and Leo gets a glimpse of his own reflection.

His face is gaunt and drawn. His eyes are ringed by deep circles, so dark they look like bruises. His body is shaking like a leaf.

And his stripes...

His stripes are lit up like when he uses his ninpo, but they aren't their usual Neon Leon bright.

They're almost black.

Leo gasps and stumbles back just as the window goes white. The full body quakes he feels now aren't from the cold or the hunger or the exhaustion.

He turns and sinks onto the cot. Puts his face in his hands and tries to breathe. Tries to will his ninpo to stop rolling and snapping and to go back to normal.

This isn't what he wants. This isn't him.

This place is breaking him. He's letting it break him.

He pulls his legs up onto the cot and buries his face in his knees. Wraps his arms around them and rocks gently, the way Donnie used to do when things got overwhelming. Maybe he understands that better, now.

This isn't him. He's Leonardo, Neon Leon, the face-man, the jokester! The one who's always ready with a quip and a laugh. The one who can do anything!

Except portal out of his room. Except escape from this building. Except resist begging for a sandwich like he's a dog.

Leo's breath hitches, and for once he doesn't stop himself. He knows the guy outside is probably watching. He knows there are cameras recording this. He hates giving them the satisfaction.

But he's tired, and hungry, and he...

He wants to go home.

He cries, silently, until he's completely rung out.

-----

Maybe they aren't coming.

That's the thought that pops into his head, just a bit after the first water bottle of the day.

He knew they would have gotten a late start, because he stormed out. And he knew it would take them awhile to figure out who took him - he hadn't heard of the EPF before, so why would they? And he knew it would take them time to figure out where he had been taken, which must have been pretty far out if it's snowing outside. But the EPF got him here within a night, he's pretty sure, so unless they have a super fast jet, he must still be on the continent somewhere.

So... so surely they must have figured it out by now, right? Raph is leading the team. Donnie is doing science things. Mikey is razzing his tazz. April is using her investigative skills.

Unless they aren't coming.

Maybe... maybe it's true. Why would they want him back, after all? Leo took Raph's leader position, and since then all he'd managed to do was piss Raph off. Mikey and Donnie hadn't been happy about it, either, and he'd noticed that they'd been avoiding him more and more. April claimed she wasn't taking sides, but she always seemed to be on Raph's anyway. And Dad... well, he was probably disappointed that he made Leo leader only for him to do nothing and then get himself kidnapped.

He doesn't bring anything to the team. He doesn't bring anything to the family. And no one likes his jokes.

So. Maybe they just... aren't looking. Maybe they aren't going to come.

Maybe he's held out this long for no reason. Maybe he's been cold and starving for no reason at all.

Maybe it's time to give up.

---

Don't give up, says a new voice in his head.

You are not alone.

-----

He has no energy left to stand when Bishop comes. The man looks down at him, lips pressed into a thin line.

"You don't look well," he observes.

No shit, Leo wants to say.

"This has gone on long enough. Answer my questions, and we will provide you with food, clothing, and medical care."

The list is getting longer. Leo's fuzzy eyes stare up at Bishop. Medical care. Does he need that?

"You already know what I want to know." Bishop has a furrow between his eyebrows now. "Will you talk to me?"

He could. He could do it. He could finally have some relief from all the pain. All the hunger. All the cold.

But they might hurt the yokai in the Hidden City.

They might hurt Draxum.

They might hurt his family.

And maybe, if nothing else... if Leo could just keep his mouth shut, just this once...

Maybe that would finally make Raph, Dad, and everyone proud of him.

Maybe they'd finally trust him.

Maybe, at least, he can have that much.

Leo shakes his head.

Bishop scowls.

"Temperature down ten degrees."

-----

Leo isn't shivering anymore. That's probably a bad sign.

He can still see his breath, each time he exhales. It rises like smoke, before disappearing into the air.

He doesn't have any energy left, not even to chew on his new water bottles. He hasn't even collected the last two, and they sit crowded together in the slot, untouched.

He kind of wishes they had just dissected him from the beginning. It would have been faster. Freezing to death, he's decided, is a real zero out of ten. Starving to death isn't any better. No stars.

Even though the damn lights are still on, he feels extremely sleepy. It's probably the cold. He wonders what will happen if he brumates. He's never done it before, not like his little cousins, and he has no idea if it's even safe.

Probably not, given he has no calorie reserves left. All it means is he won't be drinking water, either.

But he's so sleepy.

It's going to be time soon for Bishop to come back. Leo doesn't know what the point is anymore. Maybe he'll just sleep through it. Yeah, that would really make him mad. And making Bishop mad is all he has at this point.

And he'll get to sleep. It's a win-win.

So thinking, Leo rolls himself over onto his belly. Then, one by one, he pulls his limbs into his shell.

He doesn't do this much anymore, not since he started growing. His body just doesn't seem to fit his shell like it should - a side effect of the mutation, probably. It's not really comfortable to be inside for long.

But Leo is sleepy. And his shell feels like the best place to be.

So he pulls in his legs, then his arms, and then, finally, his head.

It's not any warmer in here. But at least it's dark.

At least he's not shivering.

Leo sighs, content, and closes his eyes, and drifts to sleep.

-----

(Outside his cell, there's a bang, and shouting, and a gunshot.

The sound is muffled, and Leo sleeps on.)

-----

Part 1 (here) | Part 2 | Part 3 | Part 4 Part A |

#rottmnt #rise leo #agent bishop #cw: psychological torture #dandy fanfiction #I want it to be clear that any time Leo is hearing “Mind Raph”#that's just his own inner voice manifesting #please don't be mad at Raph himself lol

757 notes · View notes

findingavoiceif · 4 months ago

Text

Intro post:

Step into the shadows as an Elyn, a creature feared and hunted for your dark, mysterious origins. After narrowly escaping the brutal grasp of your former master, you find yourself in a world that views your kind—Elyndras—as beings of nightmare: demons with unsettling, untapped powers.

But in this land where terror and superstition reign, your journey is just beginning. Thrust into an unpredictable adventure of treachery, harrowing dangers, unexpected sorrows, and moments of tender love, your path twists in ways you never imagined.

Forge bonds with one of four unique companions, each with their own secrets, desires, and hidden wounds.

Tell me, creature of the night... Will you reclaim your power, your voice, your freedom?

Features:

Choose your name,gender and parts of your appearance.(Some of the mc's features are locked to fit their heritage)

Romance one of four companions or maybe...5?

Trigger warnings-

Finding A Voice is rated 16+ for violence,self-harm,hunting of an entire species,assault,language and fade-to black scenes.

Love interests:

Quill Riviera – The Charming Bard

Quill’s got that effortlessly cool vibe—shoulder-length auburn hair streaked with dark highlights, usually tied half up, half down like he didn’t try but somehow nailed the look. His light brown eyes glimmer with mischief, though his right eye is a little clouded from an old injury, and his full lips always seem to be curled into a teasing grin. Freckles dust his nose, and he’s got a small gap between his front teeth, giving his smile a touch of imperfection that just adds to his charm.

Underneath his confident exterior is something darker, though he keeps it hidden well behind sarcastic jokes and playful arrogance. His tan skin, slender hands, and lean frame are decorated with piercings—hoops and studs running up his pointy ears, an eyebrow piercing above his sharp, teasing gaze. You’ll catch a glimpse of a burn mark on his left hip if he ever lets his guard down. Despite the mystery and flirtation, Quill’s a bard at heart, working part-time at the inn, always ready to spin a story or play a song. But don’t let his facade fool you; there’s more beneath the surface.

Pierre Blanchet – The Cold Commander

Pierre cuts an intimidating figure—a tall, athletic knight with flawless bronze skin, dark red eyes that he’s always been self-conscious about, even though they burn with a fire few can match. His curly blonde hair is cut short and shaved at the sides, making him look every bit the battle-hardened warrior he is. A small mole beneath his nose and a permanent shadow of stubble give him a rough, no-nonsense appearance.

Despite his role as Knight Commander, Pierre’s introverted nature and quiet insecurity make him seem distant, even rude at times. He doesn’t let people in easily, but those who get past his defenses see the man beneath the armor—stubborn, loyal, and fighting his own inner battles. His large hands grip a sword with ease, but they fumble when it comes to opening up to others. If you can break through his walls, though, you’ll find a heart worth fighting for.

Celeste Dupont – The Witch of Warmth

Celeste is the type of person who draws people in with her warmth, even though her pale skin and sharp grey eyes might make her seem icy at first glance. She keeps her silky black hair tied up in a messy bun, and no matter how chaotic it looks, it only adds to her effortless elegance. Her lips are always painted a cherry red, and a small scar on her bottom lip hints at the fact that there’s more to her story.

As a baker and healer, she’s as likely to serve you a fresh loaf of bread as she is to patch you up after a tough battle. A rune tattoo graces her palm, a subtle sign of her Valdranna heritage—an immortal witch with powers as ancient as they are mysterious. With her hourglass figure, dark eyeliner, and a nose ring that looks like a simple dot, Celeste balances the mystical with the everyday. She’s your boss, your best friend, and maybe something more if you’re lucky enough to win her heart.

Ash Valdaryn – The Sickly Royal

Ash is the reason this whole adventure started, their deep violet skin standing out against the pale world around them. Their lavender hair, soft and wavy, falls just past their shoulders, and they dress in flowing, feminine clothing that complements their elegant, yet slightly fragile build. White eyes gaze out from beneath small, curling horns on their forehead, giving them an otherworldly look that is as captivating as it is delicate.

Ash’s health is failing, which is why the journey began in the first place—to find a cure for the illness that threatens to take them away. Despite their condition, they insisted on coming along, determined to be part of the adventure. They may look fragile, but there’s a quiet strength beneath the surface—a will to live, to fight, to hold on. And though they may be royalty, with all the expectations that come with it, Ash’s soft voice and gentle demeanor make them someone you’ll want to protect... even though they’d never ask for it.

#interactive fiction #romance #medieval #medieval fantasy #choicescript #dashingdon #if wip #interactive novel #if intro #choice of games #Finding A Voice

259 notes · View notes

ma1dita · 9 months ago

Text

when the curtains close

a 'partners in crime' installment - luke castellan x dionysus!reader prev -> love me dry | next -> asking for trouble words: 5.3k summary: (post-tlt) The one where you lose two people in the Labyrinth that day. All strings are cut. (Pollux, Annabeth, Percy, and Mr. D find out the biggest difference between you and Luke.) (Luke Castellan x fem!Dionysus!reader) a/n: yeah to me this fic sounds and feels like that tiktok of the girl humming to her microwave. depictions of the titular battle of the labyrinth at CHB, some blood/gore, death & grief. the usual. you forced me to by lizzy mcalpine. references to cat on a hot tin roof by tennessee williams if you squint (posted 5/14/24)

—

The first time Pollux has a panic attack, time seems to stop and the world keeps moving on without him.

He’s reminded of a time when you rambled on about how anxiety takes possession of the senses like a moment frozen in a snapshot meant for you to identify. In the memory, you had your feet kicked up on the dash flipping through a DSM-5 while he and Castor took turns speeding up and down Farm Road (totally normal older sister behavior from you, and when a cop pulled you over, the three of you narrowly escaped a ticket by talking in riddles and godly smoke that smelled like grapes). Pollux still remembers the sound of laughter in the car blending like three different chords to an archaic melody (or squawking crows in the strawberry fields)— the bond between you three laid out before time knew limits and was always meant to be.

It’s still his favorite song. You’re their favorite (and only) sister, they love to joke. These are facts that will never change.

“You two have each other, and well, I’ve got this,” you had said, the Zippo flicking open and closed against your thumb in the blossoming darkness of the car. Pink and purple rays of waning light blanketed the old hatchback as it steadily made its way back towards Half-Blood Hill, comfortable silence shared in the way only siblings can stand to be quiet—when there are no words needed to get a point across. But you’ve always set yourself apart from the pack, not needing anyone like how they need each other.

Not since Luke left, at least. The growing distance between you three since your untimely resignation from camp was proof enough. Pollux’s eyes met Castor’s in the rearview mirror as they both noticed your sad smile. His brother’s voice broke through the silence then, having always been the one blunt enough to say what was on his mind, “You’ve got us too if you let us see you more often.” Your fidgeting stops.

“It’s not you two, it’s just hard to be back here sometimes. I see things for what they used to be instead of how they really are now. Now it’s just… it has to be all business.”

Pollux cracked a smile, “S’what you get for growing up. Soon we’ll just be annoying voices in your head like you are to us.” Shutting your textbook, you turned to look at them from the passenger seat, eyes that match theirs darting between their blond heads, “All of us have to grow up eventually. Except maybe you two— I prefer you in my nightmares like the kids from The Shining. Whenever you get sick of Dad, come see me. Gods know that camp deserves a break from the two of you too.” Your knuckles knocked against both of their heads affectionately as he put the car in park, “My built-in bodyguards, huh? Always looking out for me.”

All words and meaning escape Pollux now as he stands in the greenery of the North Woods with battle gear ill-fitted to his large frame. It’s the first siege he’s ever taken part in, the first time he’s had to use battle strategies outside of Capture the Flag and the first time he’s slashed his way through monsters and demigods with the intent to try and kill or be killed. Sword and Shield could have never prepared any of them for this—as his eyes meet Castor’s and then yours with all of you thinking the same thing, the three of you join the sea of iridescent orange through mind-numbing black moving like a sharp three-pronged sword.

This type of stuff isn’t typical for him, he thinks. He and Castor are used to being comedic relief— being the source of laughs and juice boxes for pesky little campers instead of facing the real world outside the boundaries of the Mist. Perhaps your father babied them to make up for the time he lost with you, but there’s a moment where he wonders how being kept soft will keep him alive in a world as harsh as this one.

Childlike innocence is ripped away from them in the bubble they’ve inhabited until this moment. Home is now a warzone and like lambs set up for slaughter, the twins both turn to look at you as a shuddering gasp leaves your mouth at the carnage in your surroundings, monster blood and fallen friends and enemies at your feet. Breaking away from formation to take a deep breath, he looks at the sky and wonders where your father is, but smoke and soot fill his lungs and he coughs desperately for a breath of fresh air.

Pollux thinks he must have stopped breathing before Castor took his last breath. It wasn’t supposed to be a competition, but sometimes life was just funny like that.

5, 4, 3, 2, 1.

Just like you told him.

Castor was always the more manic one while Pollux knew how to endure. Children of Dionysus are forced to befriend insanity before it makes an enemy out of them—twisting the ugly into what’s real and creating something beautiful out of the deranged. You’ve shown the boys how you detach from emotion by recognizing the details—separating fact and fiction, a methodical process only describable by the blood that runs through your veins. Pollux doesn’t know where to start—everything happens so fast but it plays out in front of him like someone put the pieces together to a stop-motion animation.

He sees Castor’s sword fall to the ground when he gets slashed on the forearm and sees him get clubbed over the head with a metal weapon he’s only seen bad renditions forged for theater practices and hanging on the walls of the armory. Castor falls first to his knees, and then into the dirt with a thud. He never knew there could be that much blood coming out of a person, much less a mirror image of himself. Pollux sees your face come into his line of vision, deep maroon splatters on your face glittering with hints of ichor and then you’re moving because he can’t. The enemy is coming back for him now, and for a moment he wonders if Castor will be mad if he lets him. He sees you turn in an instant, swinging your sword down on the neck of the aggressor, a teenager not much older than he and his brother are—were. It’s funny how his brain immediately makes the switch to past tense, and how he can’t stop thinking about how he’ll now and forever be older than his twin. Pollux then sees you catch the body of the boy you just killed as life seeps out of him slower than it did for Castor.

It doesn’t make him feel any better, though.

His knees hit the ground next to his twin, touching the sludge of dirt soft like quicksand and moist with what he hopes is not blood, but Pollux is not quite sure of what else there is to hope for. His fist is wrapped around Castor’s shirtsleeve, touching faded orange and sweat as he holds on for dear life. Maybe if he tries hard enough his soul will still be intertwined with his. Your hand touches his shoulder, five fingers reaching out to brush the back of his neck and the feeling of your skin helps him refocus a bit, even if you’re saying something he can’t make out. Then the metal of your Zippo lighter feels cool to the touch within his palm and he knows what he needs to do.

The battle isn’t over, but for the three of you, everything stops here. There is no going forward without your brother. You were never meant to be children of war.

Pollux hears the sound of his heartbeat thundering through his ears, blood rushing through his veins and can’t help but notice the silence amid the chaos. There are no words fit for this—and even if there were, Castor and you were always the more talkative ones. He hears the spark of the purple flame between his fingers, blowing the smoke over him and his brother’s body, and their father’s powers blanket them like how you used to tuck them into bed, warm and safe. This is what your family is—unconventional and unending even in different realms of existence. And then Grover’s scream of panic echoes through the air and everyone hears that. Hysteria ensues as monsters and demigods alike run amok, and Pollux realizes he’s stopped shaking.

In his father’s domain, he will always find comfort.

You stand above him now directing campers calmly with a free hand—a brewing storm crackling underneath your skin that he now understands. Hidden by the illusion of smoke, Pollux’s tired bones rest alongside his brother’s dead ones— together as they always were meant to be.

The three of you together, his little family—that is a fact he hoped would never change.

The smell of grapes envelops him as he leans his forehead against your muddy leg… when did the battle end? It almost masks the scent of death that rips through the air as your hand brushes through his sandy hair. Pollux stinks of sweat and you stifle a laugh as you see him smell his armpit. You three were always the same type of fucked up. He doesn’t look down at Castor laid across his lap but knows he would’ve found it funny too. Ignorance of reality even for a moment serves as a comfort. Purple meets purple as he looks up at you with a smile that doesn’t fit his face anymore and he croaks, “Wonder what dad would say about our first battle…”

Glory was never meant to be this bittersweet—it tastes like blood in his mouth until he wipes it away from his cheek and realizes it’s Castor’s. In a way, it’s his too, everything about him and within him is exactly the same down to the star stuff the fates wove them from.

“I’ll be the one to tell him. You take care of Castor,” you answer, as if there’s anything else he would want to do and then he realizes you’re crying— and he’s seeing all of the pieces put together in front of him in this photograph in his mind.

Pollux blinks slowly.

Suddenly the image he has of you is more defined— there is new meaning to the sadness you could never shake off all these years, and he is too young to lose his greatest love, which makes him realize then that so were you.

How long does this have to go on? he wonders, grabbing onto your hand with an eagerness only comparable to the feeling he got when you and Luke whisked him and Castor away from Florida all those years ago. This punishment of living while half of his soul does not—what is he supposed to do next? This was supposed to be the safe place. There is nowhere left to run. His thumb rubs circles into the back of your shaking blood-soaked hand, a secret within the smoke.

Pollux thinks there will always be a part of him frozen in time now, a memory of this day hung up in his mind like a portrait as he holds Castor’s cold hand in his warm one.

—

Annabeth finds you in the middle of the strawberry fields before the sun sets. She knows you won’t be sleeping tonight, not if you can fight it— not when there’s so much to do. You’ve long grown out of your ripped-up and tie-dyed camp shirts, and the one slung on your frame is newly pressed and starchy from the storage room of the Big House, still stiff against your freshly washed skin. When she’s close enough to touch you, you’ve been scrubbed clean of today.

She doesn’t have to be a daughter of Athena to know that you know that she’s there even if you can’t see her, but for once she feels like she has to hide. For once, Annabeth Chase doesn’t know what to say. How can she explain the feeling of guilt that coils around her brain like barbed wire—how can she even begin to apologize for the thing wearing her brother’s skin, knowing that it killed yours? For once, her hubris is crushed by the sinking feeling of humiliation.

“Was your first quest all you thought it would be, Annie?”

As she takes her navy cap off, silver braided strands around her face wave in the wind as a reminder of what Luke put her through. Though as she looks at you now with your berry-stained fingers plucking at stems one by one instead of using your powers, she thinks that your mind is elsewhere—anywhere but here, where everything is a painful reminder of your five years as a camper.

Five years with Luke.

Mourning him isn’t a new feeling for either of you, even though he comes in and out of your lives like a poltergeist you want to bash across the head, just always out of reach. But he’s a constant, even when he’s not here and he’s what binds you two together as you huddle hidden away from the rest of camp.

“He did this for you.”

It’s not a question, more so a fact out of Annie’s mouth when you finally meet her eyes and sigh, “Luke’s always had a way going about things. The most stubborn man to ever live.” You toss another strawberry into the crate at your feet. No one’s working right now, trying to tend to the injured and the dead. Everyone’s doing their best to chase away the nightmares that are bound to come, and she knows you’ll be making rounds with her on the night shift to ease everyone’s anxieties. But there’s a thought so strong it makes her head hurt, bursting at the seams until she can’t stop with her last-ditch effort to fix her found family.

“Maybe if we find him, we can save—”

“He’s been out of time for a while now, Annabeth. We both knew that,” you say, voice firm and unwavering. You’ve never sounded so monotone before, and it hits her as her mouth falls agape, “You’re giving up on him? Why… why would you give up on him?” Anger courses through her veins like fire and she’s mad that she’s at the center of this prophecy, of Hermes’s anger for his doomed son who will love you until the ends of the earth.

And what of her?

What of the hope she has in happy endings, how is it that you’re so damn calm? Annabeth kicks at the crate, strawberries rolling out in different directions and your jaw tightens as you let her be petulant, let her scream and yell until her inner child can catch up with the reality of the world around you.

“How could you?”

Your name echoes as she repeats it, grabbing at your shoulders and she’s as desperate as the truth that shakes her when you cup her face in your hands and wipe her tears.

“You’ve carried the weight of the world Annabeth– you know what it feels like to let it go. It’s time to let him go. There’s nothing I can do or say to fix this.”

Then it hits her that you knew of his fate and yet this was still the outcome. There was nothing else to do but watch him be puppeteered by a Titan and have to fight evil while it wears his face.

“He came to you after he saw me, didn’t he? Why didn’t you tell me? Why don’t you love him anymore?”

Because it wouldn’t have changed a thing, your eyes say. Instead, you grimace as you say, “Wouldn’t that be funny if it were true?” You lean down and pick up the fallen berries, some bruised and covered in dirt, and then you look at her again with teary eyes.

“Some prophecy huh? To lose a love to worse than death. What could we have done besides love him until the end?”

“He’s still in there. I know you know that too. Don’t talk about him like he’s not,” Annabeth insists, and a sad smile settles upon your face. It’s as gentle as the kiss of the breeze on your cheeks.

“I lost a brother today, Annie.”

“Me too.”

—

The funny thing about planning funerals is that with all the fuss it takes to organize one, you still find extra time on your hands. Barely getting any sleep and dragging yourself out of your dad’s bed, Pollux snores loudly next to you after hours of working on Castor’s shroud. Sleep wasn’t expected for either of you, but being unconscious was the only way of giving your brains a reprieve. The both of you have been busy doubling down on the preparations, even if it means Mr. D won’t be back in time while he’s out rallying gods for war.

The faster Castor’s earthly body is reconnected with his soul, the easier his trip will be into the Underworld, Nico says, and it’s funny how comforting the little emo pipsqueak can be when it comes to matters of death.

Perhaps this is the solace you bring to others with things you’re able to control—keeping camp afloat is something you were always good at, and helping every traumatized child that comes up to you for a juice box or a lullaby eases the guilt that follows you. Walking around Camp Half-Blood for more than a weekend made you feel like a judge, jury, and executioner. Though most of the campers from almost five years ago have either aged out, defected, or died—the ones that remain still look at you like you’re trouble.

Perhaps you always will be.

You even found yourself with the time to pray to Hermes last night for your brother’s safe passage into the afterlife, though if he’s angry at Annabeth, he must hate you for letting Luke go. Dinner didn’t seem appetizing enough anyway, so your whole plate was tossed into the hearth. You hope he likes chicken and rice.

But if a god can’t fight fate, what did he expect you to do?

The Iris Message to your dad last night was difficult, to say the least. Pollux’s hands shook as he continued to paint grape vines onto the silk cloth and the both of you didn’t say anything when your father started to cry. He out of all of the gods knows what it’s like to be tested to the limits—to endure pain and it’s a gift you and your brother are grateful for in times like these. Watching the god display the human emotion that either of you couldn’t as freely made it more real though.

There was also the interesting predicament of Chris Rodriguez being locked up in the basement of the Big House. Replacing screaming fits with serenity was almost second nature, and your gentle hands were what got Clarisse to truly respect you again for the first time in years. You could hear her sneak downstairs and talk to him while he slept (and the look in her eyes when you’d greet her with a cup of coffee made it known to you that she finally understands what it means to love someone who’s lost—two demigod daughters filled with a lot of rage and hurt were more alike than they think).

So the morning of your little brother’s funeral, you found yourself on the shoreline of Canoe Lake, setting your Redbull against the post of the dock and looking out onto the water.

You needed to do something with your hands. In the past few days, if your fingers were not occupied by pen and paper, a guitar, supply crates, or anything else that was helpful to others and all the more distracting for you, it’s been so easy to pick at any little thing. Perhaps it was your subconscious trying to reflect the damage on the inside, but today, your nail polish was chipped beyond belief. A small price to pay to not lose it without a signature boyish smile to ease your worries and amber eyes that could help you escape from the routine.

Running camp was always easier back then with your runaway boy and his scarred cheek.

How pathetic.

Crouched over in the sand, you plucked stones and filled your pockets with them. They knocked against each other — weighing your pockets down as you walked closer to the dock. Swinging your feet off the side and chucking them into the water, you could barely achieve a ripple.

It’s so quiet that you end up wondering if the rocks in your pockets would weigh you down to the bottom of the lake. It must be nice down there, to exist away from everything.

Bubbles surface slowly in front of you, then Percy’s head bobs in the water as he squints at you through sunlight.

“You chucked a rock at my head!”

A smile tugs at your lips, almost indiscernible but definitely there, “I was trying to skip them. Didn’t know you were doing water tricks in there, kid.” His grin gleams like freshwater pearls, pulling himself up onto the dock as his hand clasps yours. Shaking his sopping hair, Percy’s gangly frame sits next to yours like a wet bag of sand—all wrinkly and misshapen and sprinkling you with lakewater.

“Maybe next time don’t pick rocks the size of your fist. How many have you got in there? Your aim is scarily accurate,” he laughs and you huff and shake your head when his hand sticks into your pocket and takes out a few smooth ones to roll around in his hand. You mirror him, watching him skip a few stones into the water that reach a good distance before sinking into the depths of the lake.

There’s something sad about feeling comfortable to trauma dump on the teenage son of Poseidon, but with the way he grabs your arm at your third unsuccessful toss of a rock, you can’t do anything else but sigh.

“Why didn’t any of you call me, Percy?”

He was waiting for this question—it’s been banging around in his head since the beginning of Annabeth’s quest, and perhaps her talk with you yesterday didn’t go as expected so once again he’s left with the difficult part.

Things happen to turn out pretty difficult for him a lot, he's noticed.

Many things could have been made easier in the past few weeks: Ariadne being your stepmother and her blessing to you would’ve made the Labyrinth easier to navigate, and having another demigod to fight alongside him instead of a mortal girl would’ve been a plus too. But he looks at you with ocean eyes and a smaller smile that reminds you of how he looked at you when you dropped him off in Montauk the summer you met him and quit your head counselor job.

“You’ve already made a lot of difficult decisions. We weren’t sure if…”

The rotten wood beneath you creaks under your shifting weight as you turn to him, tucking your legs underneath your bottom.

“Didn’t think I could handle it?”

He shakes his head, “The opposite, actually. Annabeth has this notion that you’re the only one that can save him. You know, back on my first quest I met Luke’s dad and he told me something…”

You swallow instead of answering. There’s no way Percy is giving you Hermes’s advice right now. Somehow this feels like karmic retribution after years of spiting that asshole, and what he tells you next is more of a sign that it must be true.

“He said, ‘Do you know what that feels like? To be so close to someone you love knowing neither of you has any choice but to keep hurting each other?’ I didn’t get it then, but I do now.”

“With Luke and his mom?” you ask, picking at the remaining slivers of varnish on your thumbnail.

“With you and Luke. I didn’t call you, because… why would I want to see you hurt after everything?” Percy says this like it’s something he would do for everyone.

Perhaps it is, but the knot that forms in your throat feels as heavy as the boulder you almost sunk into his skull. He’s tall enough to lean your head against now, and you don’t mind the water spots that will form along the side of your funeral outfit. The shape of him it leaves will remind you of the little brother you gained through so much loss.

“Plus he has a new girlfriend. Absolute horse of a girl,” he jokes. It slips over your head but you still giggle, “I could’ve taken her.”

“I know, that was Grover’s worry. You’re prettier anyway…” Percy pauses, and then clears his throat, “You’ve always taken care of this place, y’know? Even after….I just think someone ought to take care of you.”

Your shoulder bumps against his as you finally skip a rock. It only bounces across the water twice and you think Percy might have had something to do with it, but you’re not bothered by the help this time around.

—

You wake up in the dark of night to see your dad looming in the doorway to his office. With drool and a post-it stuck to your cheek, he comes over to ruffle your hair in amicable silence.

“Hard at work or hardly working?” he chuckles, leaning over your shoulder to scan over the paperwork sorted into piles for him to sign from his absence.

“Hm. You wish,” you scoff, leaning against your arm as you look at him. He’s not in his usual eyesore of attire, wearing a clean-pressed suit with his hair slightly slicked back.

“You look good. The meeting went okay?”

“Grover will be fine. The Council of Cloven Elders? Not so much. Neither are the gods ready to take sides. Putting out little fires everywhere as we speak.”

The wheels of the office chair roll as you swing your feet, and if you both listen closely enough you can hear Pollux snoring upstairs. Chiron loved the earplugs you gave him.

Your father’s face smooths out a bit at the sight of you and the sound of his son’s breathing upstairs and he asks, “Are you? Good?”

A shrug slides off your shoulders, “How does one be good in a world like this one?”

A startling scream echoes off the walls of the Big House, rattling the floorboards from below as your father grimaces.

The work is never done for you two.

“Don’t look at me like that. It was worse when he first came here.”

“Don’t doubt it,” he mumbles, brushing lint off your shirt before he notices you’re donning neon orange. “Didn’t do laundry, princess?”

“Pollux and I haven’t gone back to our cabin since... I can wake him up if you—”

Mr. D shakes his head and goes to toss his body onto the couch against the window, shutting his eyes and taking a deep breath.

“Dad? Do you think Chris is a bad person?”

A beat passes and you think he may have fallen asleep, but then his voice sounds like gravel scraping up his throat.

“I don’t think anyone can be bad, kid. I think it is more often that people get lost. What Rodriguez needs is someone to take hold of him gently, and hand his life back to him—you…Clarisse… that’s what we’re giving him.”

Now you’re silent, staring at the dust on his name placard at the edge of the desk.

“Do you think otherwise?”

He calls your name again, and you look up like you’re about to lie to him but don’t have the energy to.

“Princess, do you think you’re a bad person?”

He stands up and walks around to your side of the desk, sitting on the edge so you have to look at him.

“I killed someone. During the battle. Didn’t even think twice about it, slashed his neck as soon as Castor went down and…” you sniff. “I kill monsters, Dad, not children. How does that make me any different?”

The last time blood was on your hands like this it was Luke’s in the Garden of Hesperides. All these years later you ended up being right— the only person you vowed to get bloody for is Luke Castellan, and now in a twisted turn of fate, you’ve bloodied your hands because of him.

“Because you did it for your brother. There are no other explanations needed.”

He sees the exhaustion in your eyes, the drop in your shoulders, but your dad also sees the strength in your bones that spans generations and he knows you and Pollux are strong because you are both his.

“Humans believe in life everlasting—glory, as some call it, but they’re too focused on achieving it on earth instead of enjoying what life has to offer,” he scoffs, “Everyone has the guts to die, but no one has the guts to truly live. How sad.”

“His name was Rowan. Son of Hecate. I taught him how to whistle the summer I left. This is all my fault, Dad,” you say shakily as he comes near and pulls you into his side. He shushes you but you relent.

“Luke’s killing all these people to fulfill a promise he made for me. I’m just fucking disgusted with myself for being the cause of it all. What good life can I deserve when wherever I go I leave a trail of blood?”

Love and addiction must be so alike; to know that to be sober you can’t indulge in the vice ever again—not only does it hurt you, but others around you. But through the years you’ve always kept the taste of his name in your mouth, the feeling of his skin under your fingertips, and the knowledge of why he’s destroying the world so he can make you a better one. Insanity stems from fighting for so long that you embrace the pain; feeling something so intensely that when it consumes you you’re able to walk out the other side and wear it as armor.

Not everyone is hardwired to persevere.

There are moments like a night like these where it would be easy to give up. Instead, you pour two glasses of whiskey you’ve conjured and hand one to your dad. You both sip on your drinks slowly, embracing the crawling feeling of the burn.

“Liquor is one way out and death is another,” your dad sighs blissfully. He almost looks rejuvenated by the alcohol he knows he’ll hear about from Zeus later, but perhaps the death of his son is a good enough pardon.

“For some of us, we don’t have to think about the answer.”

Mr. D grabs a pen off the desk and starts signing papers to do something with his hands, and then you speak again, “I think I’d rather die for people I love,” and your dad’s attention whips to your blank face staring at the moon outside the window. “Instead of killing for them. I’ve never been a good soldier, Dad.”

Mr. D looks at you thoughtfully and wonders where all the time has gone that you sit there in front of him with more knowledge than him at your mortal age before saying, “You’re my daughter. You’re a fighter. Death is for chumps anyway.”

He lifts you by the arm to try to usher you up the stairs but you stay in his office chair swatting his hands away.

“Got work to do, you and I. Not getting rid of me until it’s done.”

“When are you going home?” he asks, pulling up a chair next to yours.

“I am home.”

You don’t look up from the papers you were filing, stubbornness leaking through your voice.

“If there is a war coming, I want to be home as much as I can. I’m finishing my last semester and I’ll be here before and after classes. You can’t stop me, dad.”

And he knows that too.

There is no such thing as leaving Camp Half-Blood for you.

Never for too long. Your love for it is scattered everywhere campers can see.

—

In all these years, you never believed I loved you. And I did. I did so much. I did love you. I even loved your hate and your hardness. - Tennessee Williams

#luke castellan x reader #trouble!verse #made by ma1dita ♥︎#pjo x reader #percy jackon and the olympians #luke castellan angst

408 notes · View notes

servantofthefates · 1 month ago

Text

How to Avenge Yourself with Tarot

Never hurting the undeserving proves your kind heart. But not letting people get away with hurting you proves your self-love.

Step 1: State your case.

In a dim, quiet, private place… shuffle your cards, as you recount to them every detail of how you were cruelly injured. As if writing in a diary, divulge aloud your agony. Let your heart fill with ache. Let your body swell with rage.

Step 2: Choose the punishment.

When your pain and fury are at their peak… find the card in the deck that in your soul you believe to fit the misdeed.

Death: Serious illness

The Devil: Emotional abuse

The Tower: Sweeping chaos

The Moon: Damaging secrets revealed

Five of Wands: Friends turning foes

Seven of Wands: Crippling stress

Nine of Wands: Paranoia

Ten of Wands: Bone fractures

Five of Cups: Bouts of depression

Two of Swords: Significant errors in judgement

Three of Swords: Sudden loss of love

Five of Swords: Defeat in competitions

Eight of Swords: Mental or physical imprisonment

Nine of Swords: Insomnia and anxiety

Ten of Swords: Festering cuts and bruises

Knight of Swords: Physical and verbal abuse

Five of Pentacles: Financial ruin

Step 3: Decide the duration.

Find a second card in your deck. Remember that even the smallest cut left unchecked can lead to death. So unless it is warranted… be fair and be prudent.

Ace of Wands: A few days

Ace of Swords: A week

Ace of Cups: A month

Ace of Pentacles: A year

Step 4: Carry out the sentence.

Hold both cards in your hands, with the punishment on top, and the duration behind it, hidden in the back.

Gaze at the card… and with every fiber of your being, imagine it moving.

If it is the Knight of Swords, watch him gallop on his way to cut your oppressor in half. If it is Death, see your oppressor lying lifeless by the Reaper’s horse. If it is the Ten of Swords, let your oppressor take the place of the corpse in the card. Watch their back ooze with blood from every wound, gash and slash.

Step 5: Let it go.

Your raw vulnerability in admitting your injury has connected you to the higher power you have faith in, be that the Universe or a deity.

They have heard your appeal, which will soon be fulfilled. Offer them your gratitude in advance. Your wounds are now in good hands.

It could take days… weeks… even longer. It will happen once your oppressor believes they have gotten away with bruising you. At that moment, a colossal flame will engulf their contentment. And you will know in your heart that the debt has been collected.

#Witch tips #Spells #Witchblr #servantofthefates #Self love #All About Tarot #All About Spells

177 notes · View notes

miiroki · 5 months ago

Text

𝘿𝙖𝙚𝙢𝙤𝙣 𝙏𝙖𝙧𝙜𝙖𝙧𝙮𝙚𝙣 & 𝙣𝙞𝙚𝙘𝙚! 𝙍𝙚𝙖𝙙𝙚𝙧/𝙤𝙘

𝘐𝘵 𝘸𝘢𝘴𝘯'𝘵 𝘩𝘪𝘴 𝘧𝘢𝘶𝘭𝘵 𝘵𝘩𝘢𝘵 𝘩𝘪𝘴 𝘴𝘸𝘦𝘦𝘵 𝘯𝘪𝘦𝘤𝘦 𝘸𝘢𝘴 𝘣𝘰𝘳𝘯 𝘸𝘪𝘵𝘩 𝘴𝘶𝘤𝘩 𝘢 𝘥𝘦𝘭𝘪𝘤𝘢𝘵𝘦 𝘨𝘳𝘢𝘤𝘦, 𝘢 𝘨𝘦𝘯𝘵𝘭𝘦 𝘴𝘱𝘪𝘳𝘪𝘵 𝘵𝘩𝘢𝘵 𝘴𝘦𝘦𝘮𝘦𝘥 𝘵𝘰 𝘸𝘩𝘪𝘴𝘱𝘦𝘳 𝘰𝘧 𝘧𝘳𝘢𝘨𝘪𝘭𝘪𝘵𝘺. 𝘚𝘩𝘦 𝘸𝘰𝘶𝘭𝘥 𝘯𝘦𝘦𝘥 𝘴𝘰𝘮𝘦𝘰𝘯𝘦 𝘵𝘰 𝘴𝘩𝘪𝘦𝘭𝘥 𝘩𝘦𝘳 𝘧𝘳𝘰𝘮 𝘵𝘩𝘦 𝘸𝘰𝘳𝘭𝘥'𝘴 𝘩𝘢𝘳𝘴𝘩 𝘸𝘪𝘯𝘥𝘴, 𝘢𝘯𝘥 𝘸𝘩𝘰 𝘣𝘦𝘵𝘵𝘦𝘳 𝘵𝘩𝘢𝘯 𝘩𝘦, 𝘸𝘪𝘵𝘩 𝘢 𝘩𝘦𝘢𝘳𝘵 𝘢𝘭𝘳𝘦𝘢𝘥𝘺 𝘣𝘰𝘶𝘯𝘥 𝘵𝘰 𝘩𝘦𝘳 𝘪𝘯 𝘵𝘦𝘯𝘥𝘦𝘳 𝘥𝘦𝘷𝘰𝘵𝘪𝘰𝘯?

Warning: targcest, (niece and uncle) 𝐦𝐚𝐬𝐭𝐞𝐫𝐥𝐢𝐬𝐭

one: ✶ two: ✶

It was in the wee mornings on a warm day that Prince Daemon Targaryen, Prince of the City, had been forced to partake in breaking fast with his family.

Consisting of his father Prince Baelon the Brave, his mother Alyssa Targaryen, his elder brother Prince Viserys, and his lady-wife, Aemma Arryn.

For a young prince of merely 16 name days old, Daemons world was small, and only consisted of his family, sword fighting, and Caraxes. His thoughts of marriage and husbandly duties were of no importance to him, and held no precedence in his mind.

Daemon walked the bustling halls of the Red Keep, his head held high as the servants, guards, and common men alike showed respect by bowing slightly to the young boy.

Reaching the dining room, he was welcomed with the smell of warm food, his mother calling out to him and patting the seat next to her.

Daemon quickly situated himself, readying his stomach for the food and quickly pounced on the meat pies across the table, slightly splashing Viserys’ beige tunic.

—

The day seemed to drag on for far to long. It was late into the afternoon that Daemon was made aware that he was now an uncle to two Targaryen babes.

The news had him running to the birthing chambers, where his brother and his wife sat, cooing at the whining twin girls.

Feeling awkward, Daemon stood rigid near the entrance of the large room.

“Brother, come. Would you like to see them” Viserys had hollered. If Daemon didn’t know any better he would have guessed that Viserys himself birthed the babes, he looked even more elated than Aemma did, which was hard to achieve.

Daemon shuffled quietly near the couple, and peered down at the babes. He couldn’t help but poke the cheek of the one in Viserys’ arms.

“Be gentle Daemon” Viserys somewhat scolded him.

Before Daemon could retreat his finger, the babe had grasped it with both her tiny hands, babbling quietly.

When Daemon broke free from her grasp, she started to wail, and wail she did. So he quickly extended his finger to satiate the crying newborn.

Viserys and Aemma let out a shared chuckle, before offering the babe for Daemon to hold.

“What if I drop it” He whispered.

“It is not an ‘it’ brother, her name will be Rhaella” Viserys stated while softly stroking the girls head, “and the youngest will be Rhaenyra”

Daemon reluctantly held the babe awkwardly in his arms, adjusting to fit to the curve of the squirming girl.

Once settled Rhaella quickly found comfort in her uncles arms, and fell asleep, chest slowly falling up and down. Daemon kept his eyes on her, and his gaze never faltered. He wasn’t much for babies and children, but he knew he’d adore his new niece.

Aemma giggled from her position of the bed, “Rhaella seems to be quite fond of her uncle already” she rocked the sleeping Rhaenyra calmly. “Let’s hope young Rhaenyra will feel the same way”

—

“Rhaella, come out!” A man’s voice had echoed in the gardens of the Red Keep, situated behind the throne room.

Daemon was now 1 and 20, while his darling niece was only a mere 5 name days old. She was currently playing with him by hiding in the palace bushes, that littered the gardens of the Red Keep.

“I’m coming to get you…” Daemon said tauntingly, knowing that Rhaella can hear him well thanks to her frenzied giggles, that bounced off the stone walls.

Daemon slowly stalked deeper into the garden, while his eyes followed a girl shaped shadow that darted from bush to bush.

He sighed and stopped in the middle of the grassy area, hands on his hips. “Where is that little girl? When I find her I'm going to gobble her up” he dramatically stated to himself, making sure he’s heard.

Rhaella had wanted to move to the bush to his far right but before she could leave her spot she was caught and lifted into the air.

“I got you now!” Daemon declared, lifting her by her arms and bringing her closer to his chest while he pretend to eat her dramatically like a dragon.

Rhaella’s giggles and laughter could be heard all throughout the halls of the Keep, as she flailed her arms and legs out, trying to escape the dragons grasp. “Not fair uncle” she whined, when Daemon finally settled her on his arms.

He grinned and laughed slightly, brushing parts of Rhaella’s hair away from her face. “Don’t you think your uncle is mighty and clever enough to find you wherever you are?”

Rhaella huffed and flopped into Daemons chest admitting defeat.

Daemon laughed louder as he held onto her tightly, bundling her up in his arms even as she giggled and squirmed.

288 notes · View notes

aachria · 9 months ago

Text

The long awaited (maybe? Idk how many of you were waiting for this) SSSBMTY College AU!

Majors in bold

Headcanons in regular text

Notes about the art indented in orange

Luffy — Undeclared

Was forced into school by his gramps. (The university dean. The fucking dorm building all the Strawhats but Jimbei live in is named after him.)(it was this or join the navy.) Takes the most random classes he can. Some of them are advanced and require perquisites and no one knows how he keeps getting into them. Wears shorts and sandals in winter & will run any errand or do any odd job for food. He has a very nice bike he got for free from a garage sale that Franky fixed up. There's a campus wide bet on when and what he'll choose as his major. His bucket hat was a gift from Shanks, the universities World Economics prof. Has a million friendship bracelets on his ankles because Ed makes them when they're stressed. Never has a bag on him. Fights Canadian geese on the way to class, like a fucking maniac. Protected species who?

When I tell you that this drawing of Luffy is the first time I've ever drawn actual feet with toes that don't look fucking ridiculous I need to cheer for me. Why is he a different flavour of boy every time I draw him please. His ass isn't rubber in this universe, of course he's scuffed to shit. Chopper ran out of Spiderman bandaids, sorry bud. Advocate for the Single Piercing Luffy™ agenda, he went and got it done with Ed when they got their helix.

Ed — English major Psychology minor

Took History of Piracy for easy grades & a story idea. Known around campus as that asshole who'll tell you exactly which of your roommates ate your leftovers for $5. Is roommates with Luffy because of a system mix-up when they got distributed. Always wears a Burberry trench coat Nami thrifted for $3 and gave them as a bday gift. Carries everything in a ratty falling apart messenger bag. Them and Luffy filled out marriage papers on a dare, Zoro (who got legally ordained on a dare minutes before) oversaw that, Zoro and Ed filed the papers when they were drunk. So Ed and Luffy are legally married. And they don't even notice until tax season and Jonah, Ed's accounting friend, asks about it.

I need you to ignore the inconsistence with the hands in these ok? Some of them get very nice and normal hands, and others get weird shaped blobs. Sorry Ed, them's the breaks kid.

Zoro — Health and Fitness major Mathematics minor

Literally no one knows why he has a Mathematics minor, least of all him. P sure he walked into the wrong class on the first day and just stuck with it. The most terrifying captain of the kendo team the university has ever had. He's won more championships and trophies in his tenure than the school has in its history, the revenue he brings in from sponsorships and such make them turn a blind eye to his... eccentricities (three sword style. Nobody has stopped him yet, anyone who says it's illegal gets penalized). Has had campus security called on him so often from being creepy when walking home from the gym in the dark there's a poster of him in the security office that says 'NOT ACTUALLY A THREAT. JUST WEIRD AND WALKS WITH PURPOSE.'

Zoro's sword patch on his jacket was designed by Usopp, embroidered by Luffy for a class (shittily) and fixed up and sewn on by Ed. Those docs have seen war. He has put them through hell. He has walked through a fucking river with those things, he superglues them back together every time they break. Franky had to strongarm him into getting the soles professionally replaced.

Nami — Meteorology major Finance minor

All of her clothes are thrifted designer things. Regularly terrorizes Value Village employees. Anything she has that isn't thrifted she gets from the many estate sales she plagues, snatching grandma's entire Chanel collection and all her nicest jewelry. She has absolutely everything anyone could ever need in her purse. Tampons and pads? She gotchu. Extra pens? It'll cost you, but yeah. A curling iron? Sure, why the hell not. She runs the betting pool on Luffy's major with Ed. She also writes a gossip column for the school newspaper and has a podcast she uploads a new episode to every few months. Shows up to every class looking like a supermodel no matter the time. 7am? Perfect. 10pm? Fabulous. Your go-to if you get locked out of your dorm. Has a moped but barely uses it.

Nami's bag is a large Prada Gallaria Saffiano bag, which I painstaking drew to accuracy down to the colour even though it still looks ever so slightly different, because Nami is a big purse girl. The compass rose necklace was a going away gift from Nojiko when she left for uni. I think her haircut is so cute I love her sm. Don't pay any mind to how fucking disheveled half of their lineart looks next to her pls.

Usopp — Graphic Design major

Not a member of the archery club, but shows up enough he’s in all the team photos. Was originally the designated driver, had a pretty little mini van they called the Merry, had one of those fucking fuzzy dice hanging mirror things in the shape of a sheep’s head. Got in a bad car accident and she got totaled by some jackass in a red Honda Civic. Dating Kaya, who’s a nursing student. They barely see each other because she’s so fucking busy and half the students are convinced the girlfriend Usopp is always talking about and calling is fake. The Strawhats have a dnd campaign that they run every other week, Usopp DM's. On weekends he works at an axe throwing range and holds the record for most bullseyes in a row. They have his picture mounted on the wall.

Usopp's necklace is the old key to the Merry, and he engraved his belt buckle for a project. I cursed his ass with the giant fuck off portfolio bag because those things are so big and unwieldy. The people in his program's studio never clean their paint up properly, that's why he's covered in it. Advocate for the Usopp With Gages™ agenda. God he is such a cutie patootie.

Sanji — Business degree

Literally grew up working in a restaurant, he’s only going to school to get the degree so he can open his own and also because Zeff threated to castrate him if he didn't get a higher education. Cooks basically every single meal for the dorm, since it’s just the Strawhats (it's a new (old it's old and was refurbished. Everyone assumed it was haunted.) building that they just dedicated to Garp. Has no other residents yet). Him and Zoro fight so much in their shared room half the time he ends up kicking him out and making him sleep in the community room lmao. He just shows up in half the culinary classes because he hates the business ones so much, the one time someone tried to tell him to leave he cussed them out for a full ten minutes while gesticulating wildly with a knife in hand. They never tried that again. Saw one of the profs berate a young lady for wearing a dress shirt to class because it’s impractical and proceeded to take that personally. Yeah he wears three piece suits to all his classes, he could still kick you ass in ‘em. Shut up. Volunteers to show around foreign exchange students because he can speak at least 4 foreign languages fluently. Is it to woo pretty French girls with his charm? Wouldn't you like to know.

I could not draw Sanji in a decent pose for the life of me, his ass was just not having it. He's got one of them really nice leather messenger bags with the lined pockets and filigree, he's very proud of it.

Chopper — PreMed

One of the few Strawhats who regularly sees Usopp’s reclusive girlfriend, and is very confused as to why people think she isn’t real. Still a literal child (is 15 still a child? Yeah that's like barely a teenager), a goddamn prodigy and got in with an incredibly good recommendation from the best doctor in the country, who just so happens to be his adoptive mother. He’s literally too cute for anyone to question that, plus he’s the sharpest tack in the damn class. He knocked his front tooth out ages ago (it was an adult tooth) but he's too fucking busy to get an appointment to get it fixed, just adds another layer to his babyface. Nice girls keep asking him if he's here to go see his parents or older siblings, he's endlessly infuriated by it and Sanji is endlessly jealous. Saved Ed from choking to death in a Domino's parking lot the first time they met, he dropped his pizza doing it so they bought him another. The rest is history. Does not feel cold, wears chunky boots year round. Got them reflective ass eyes like a deer, no one has ever taken a good picture of this child. He looks fucking possessed in his school ID.

TELL ME WHY I ALMOST FORGOT TO DRAW CHOPPER. I finished drawing Franky and was like "gee, only Brook and Jimbei to go! Good for me," and then I had to pause while looking as the picture of the group I was semi-referencing for heights n shit and was like "OH FUCK THE CHILD—" He's so cute tho. He's giving lil baby Goro Akechi. The argyle sweater vest and Timbs were a must, so was his hockey boy haircut. Matching backpack and tie for the win. Oh and the freckles, Chopper with freckles is everything to me.

Robin — Has a million hyper specific degrees. Currently earning her third doctorate.

Very mysterious and sexy. Mature student who occasionally gives lectures in the archeology program when she has free time. Owns a motorcycle but barely rides it. How is she not in debt after so much schooling? Don't fucking ask if you want to live. Is that why she lives in the dorm building? Do. Not. Ask. She and Luffy attend the same Theology class, no one knows how Luffy is passing with such good grades, but Robin is adamant that he doesn't take notes or borrow hers, and takes to having the same scores as him with grace. Child actor on one of those show like Barney (but not Barney dear lord) or Reading Rainbow and people only knew her as 'that kid with the creepy fuckin stare.' She was a meme a few years back, they called her the devil child. Every time someone asks her about it she just says she has no idea what they're talking about while giving them the creepy stare.

Women with Big Bags truther, right here. Robin deserves to be put in a suit. Goddamnit, get that woman in a suit!

Franky — Has a bachelors of Engineering, a bachelors of Architecture, and is earning his (water specific) Architecture degree

Currently the groups designated driver (after the tragic death of the poor Merry) with his supped up SUV, the Sunny. How do all the Strawhats fit inside? The power of love, obviously. That car will NOT fucking move if even one of the seatbelts is undone. Made Ed and Luffy wedding rings after he found out they accidentally got married. (Only after laughing for a half our straight, almost passing out, and laughing again. Then he cried for another hour about how beautiful it was.) He sometimes works as a nude model for life drawing classes on campus. Half of the the Strawhats have, in one way or another, seen him in the buck. Has knee braces from an... incident... with a train when he was younger. Now he volunteers at KidsAbility and has a shift on the campus crisis/suicide hotline. Huge advocate for mental health services at the school. He lives in the dorms for the ✨experience✨. Even worse than Luffy, mf wears booty shorts in the dead of winter. He's constantly dressed like It's laundry day. One of those guys from a famous Vine when he was younger that just gets stopped while he's walking so people can go "TRAMPOLINE VASE GUY??" (Iceberg was recording. I love Iceberg.)

Yes Franky is wearing an I ♥ MILFs shirt, what of it? It was a gift. Drawing him was an exercise in struggling with the pompadour and getting uncomfortably close to drawing Syndrome. Yes, he's cold all the time. No, he will not stop.

Brook — Literally no one knows. Something music related probably.

Fucker has been around forever, there’s old ass profs who swear to god they went to school with him and he hasn’t aged a day. Regularly plays local bars and cafes. Doesn't own a cellphone, he can literally only operate rotary phones. Computers confuse the shit out of him. Knows nothing about pop culture or recent events, but is up to date on everything in the music industry. He sometimes helps organize the old library archives because he's somehow the only person who understands the system they're organized in. Sometimes he'll just namedrop a famous singer/band he's either played with, done karaoke with, or done background vocals/instrumentals for and you have to guess whether he's telling the truth or just saying shit. There's a campus wide betting pool (run by Nami and Ed, go figure) on whether he's a vampire, ghost, time traveler, or Dorian Gray in disguise. Prepares the questions for 70s night pub trivia. Every time the Strawhats plan a ghost hunt he's busy, then at the end they find out that all the paranormal shit they've been experiencing is just him running his errands. It's happened at least four times.

Is Brook off-putting enough? I was trying to make him off-putting. He swears up and down the neck tattoo was gotten on a dare by Elton John, what, you gonna question a man who looks like he stepped out of Coraline? The skeleton gloves were a gift from Ed.

Jimbei — Has already graduated as a Marine Biology major Political Science minor and is taking both a Gender Studies course and a Peace and Conflict Studies course years later.

Teaches martial arts at a local dojo on weekends and volunteers with the martial arts team on campus. Robin helps him organize protests on weekends. He's good buds with a lot of the faculty and gets invited to after work drinks regularly. He helped establish a program that walks people who stay late at the library to their dorms when he was first a student that's still going strong to this day. Lives off campus and has the Strawhats over for BBQ on long weekends. Literally the only time the Strawhats eat food not made by Sanji. The Grill Master™. Somehow holds some kind of record or high score at every single bar/pub in town. Knows every single mailman and janitor by name. MVP of the catch and release fishing club, helps plan all of their trips.

I struggled with him. I struggled hard. That's a man who went his whole childhood with a horrendous underbite and only got it fixed once he was an adult. Ed gave him the fishing lure earrings out of guilt after he brought them on one of his fishing trips and they fell in and nearly capsized their boat. IT'S A REUSED PLASTIC BAG JIMBEI IS RESPONSIBLE ABOUT THE ENVIRONMENT—

440 notes · View notes