#and more than anything i also think like it’s one of the plot lines that can be very important for ritsu’s growth once he !!!! confesses

[rohirric-hunter]

I don't know if I agree that escalation is important. Another series that did this well is the Redwall series by Brian Jacques. The first book written in the series had a protagonist, Matthias. A later book focused on his son, Mattimeo. The stakes in Mattimeo's book are, if we're quite honest, noticeably lower than in Matthias'. There are still stakes -- one of the villains kidnaps Mattimeo and a bunch of other children and another one threatens their home while they are away from it, but neither villain is as threatening as the main villain of Matthias' story, and both of their evil plots are fairly localized. If they both got away with it then far fewer people would be negatively affected than in the first book.

In fact, both villains are villains that Matthias, as the hero of the first book, would easily have been able to deal with if he had just happened to be in the right place at the right time, but he's not. Matthias' failing as a parent isn't that he is bad at it. It's that his greatest strengths are also his greatest weaknesses. He's a very kind character, and this results in him letting Mattimeo get away with far more than he should, and one instance of him choosing to be kind rather than cautious kicks off the plot and all the ensuing conflicts. (Note that this is not presented as the wrong choice, per se, just an example of how unfortunately bad people can often use people's good qualities against them.)

Matthias then spends the entire book being restrained from being involved directly in either plot (which, again, he would have sorted in about ten minutes most likely) by time, distance, or cave-ins. Getting thrown into a bottomless pit. That sort of thing. There's almost a third plot where Matthias struggles against himself, TBH. His actions only indirectly and distantly affect the downfall of either villain. (This is thematically appropriate for the character, something something themes and motifs, but only tangentially related to this discussion.)

Some of the things that make this sequel succeed where others fail are these:

Matthias is present and active in the story. He is not put on a bus or killed early on; lesser writers use this tactic when they fear the new characters won't hold their own against the old ones. He is present and active; the story is simply not about him. He also passively influences the story through his past actions from the first book (kind of) and who he is as a person.

Matthias is a good parent, albeit not a perfect one. This works to the story's advantage, as Mattimeo ends up sharing many of his good traits that endeared readers to him in the first place by virtue of having been raised by him. Now they endear readers to the new protagonist as well.

Matthias has his own proper role in the story and a satisfying character arc. Matthias enjoyers still have something to be excited about in the story even though he is not the protagonist: here the writer neatly sidestepped the pitfall of alienating readers who are primarily reading the sequel in the hopes of new stuff about their faves.

Stakes really have little to do with it -- if anything the story is helped by the fact that the stakes are all deeply personal to the protagonists and not an Even Bigger Threat that will Destroy the World Even Harder than the first time.

In the case of Tolkien also doing this well, I think the most important takeaway is this: The parent figure must in some clear and important way influence and direct the child figure's story. You cannot write a sequel about a beloved character's kid where things just happen just because. There must be a clear line of narrative that makes sense between the parent and child's story.

But it takes a really talented writer to pull that off (especially if they weren't planning the sequel when writing the first book) and well a lot of people aren't really talented writers.

Generational spin-off media is like “okay, what would be the most in-character way for the previous show’s protagonist to comprehensively fail as a parent?”

[kirkodiletears]

I wanted to answer this question: (it's only a speculation)

"How intense is Luo Binghe love for the original Shen jiu and why is he so damn fixitated him for is it his looks or personality lol ? I'v read so many fics of Shen yuan identity reveal with Luo binghe and the peaklords that always ended positively but do you think it'd be the same in the canonverse? Like if Shen yuan were to reveal he wasn't the original would they react positively or negatively?"

I think 1st thing he feel in love was SJ's looks

"Shang Qinghua: “What was your first impression of the other person?”

 

Luo Binghe continued to reminisce and lightly said: “An aloof and remote, distant and untouchable immortal.”

then he started to do anything to gain SJ's attention/favor... He befriended with SJ's favorite disciple NYY, even if she always got him in trouble, then after he was pushed down to the abyss he realized that SJ would never return his feelings so he decided to destroy him, meanwhile he started to cope with it and started to pretend that SJ was a scum villain who couldn't love anyone but himself (that's probably why he never seen SJ's memories even if he was able to do so) and when YQY died he and SJ's reaction finally shattered his illusions...

Well, in my opinion, you pretty much nailed it. Especially keeping in mind the original intentions of Airplane to write PIDW as a yaoi novel with SJ (SQQ) and LBH as a OTP.

P.S.: Apparently I better quote the text of SVSSS, chapter 81 to be precise, to avoid ignorant comments. There's a huge misunderstanding going on in the English-speaking segment, probably dew to an English translation of SVSSS. Some readers are mislead by two quotes, that they take as a contradictory, which in truth, they are NOT.

The first one is from a Chapter "The story begins". It is the last chapter of the novel, after this the extras start. And this particular chapter is a culmination: this is where the truth is reveled. Like in a detective story, where we finally find out, who the killer is. This meant to become a real "bomb", that makes a reader go WOOOW!!! And this is THE KEY for understanding the whole story: the plot and the characters, especially Luo Bing-mei (and Luo Bing-ge). And speaks about the intentions of the Airplane. (original scrapped outline(c))

The second quote on the other hand speaks of an EXISTING PIDW. (original outline(c))

The first quote, from the final chapter:

Shen Qingqiu looked him up and down. “You don’t look crushed at all after all this foolish messing around ended up completely changing your own novel.”

Shang Qinghua said, “You can’t say it like that ah. Maybe you think it’s just all foolish messing around that isn’t worth a damn, but for Bing-ge, your foolish messing around is probably the meaning of this entire world.”

... holy s***, Great God Airplane Shooting Towards the Sky was able to say something like that?!

Shen Qingqiu was terrified. “F***. You didn’t turn back into the original character, did you?”

Shang Qinghua said seriously, “Don’t be like that. I’m also a young person with literary ideals. Of course, I have my own reflections and emotions.”

Shen Qingqiu laughed coldly. “What literary ideals? How come all I saw in the original work was shameless fanservice?” Not to mention his hand speed that could produce ten thousand words a day, and the courage to even occasionally explode with twenty thousand. If he didn’t have such equipment, there was no way 《Proud Immortal Demon Way》 would have been able to hold out before it was serialized!

Shang Qinghua spread his hands. “You think that I always wrote shameless content that lacked any integrity from the very start? I’ve also written belles-lettres4 before, but they were all unpopular, so I had no choice but to go down a path that catered to the masses. It must be said that writing novels is a very lonely undertaking. Rather than writing a stallion male protagonist who’ll be stereotypical in the end, it’s more in line with my philosophy for writing to create the current Bing-ge━this kind of weirdo male protagonist whose character is a bit more complicated, has contradictions and conflicts, and has a rough destiny.”

Shen Qingqiu concluded, “So, your philosophy for writing is to write about gay guys?”

Shang Qinghua: “Do you look down upon gay male protagonists? Works of art and artists all like to create gay guys. Belles-lettres favors gays, do you know that?”

He waved his arms wildly and passionately. “Cucumber Bro, if the System hadn’t chosen you, this faithful die-hard reader, perhaps the plot wouldn’t have deviated so thoroughly, thoroughly to the point that it deviated all the way back to my original scrapped outline. Even though the me back in reality━who couldn’t endure the loneliness and was under financial pressure━chose to finish writing 《Proud Immortal Demon Way》 according to other people’s preferences and what they found cool... now, all thanks to you, essentially everything that I wanted to write has already unfolded in front of my eyes. Cucumber Bro!”

He patted Shen Qingqiu’s shoulders with deep sentiment and solemnity. “You... are the chosen one; as for my career, I have no more regrets!”

... why did it sound like the System and this world were both products of Shang Qinghua’s resentment over scrapping that outline and going with what was mainstream?

Shen Qingqiu, who shamefully became this kind of “chosen one”: “Who’s your faithful die-hard reader?”

Shang Qinghua waved his hand and one-sidedly declared his victory. “I’m not going to talk to you; you’re an anti-fan.”

Shen Qingqiu was about to say, “I’m only an anti, not a fan!” when he suddenly heard Shang Qinghua starting crooning something like, “Emotions are warm, kindness hard to bear, lips moving together, desires turning the evening to the next morning, never resting from dawn to dusk.” The crucial point was that melody, which sounded extremely familiar to the point that it made Shen Qingqiu’s hands and teeth itch. He pointed at him and said, “Shang Qinghua, what are you singing?”

Shang Qinghua continued to croon. “The warmth of emotions makes gratitude hard to bear. Lips to lips, locked in a kiss. Let this night linger ‘til tomorrow’s dawn. Day after day, night after night; never to end. Will tomorrow be another today? When ‘til Zheng Yang reaches its zenith? As Zheng Yang ascends, the voice of Autumn stirs. A sheathless Xiu Ya, a spurt of cold nectar. Tragic pleas amidst choked sobs, thus in vain; for he rises again5...”

Shen Qingqiu was in disbelief. “F*** you—why don’t you just try and sing another line?”

Shang Qinghua said, “Great Lord Shen, why aren’t you listening to what I’m saying? You must never go around casually f***ing people. Bing-ge will go crazy. I’m telling you, this Resentment of Chunshan is equivalent to Shi Ba Mo6. You two are the legendary national homos, do you understand? I have no problems with you shutting me up, but ultimately it’s useless. You can’t possibly make all the countless people in the world shut up...”

The second quote, from the extras: "

System: 【Basic accomplishment of《Proud Immortal Demon Way》’s original outline, slight deviation of romance plot, objective accomplished. Function to return to original world download complete. Activate return home sequence?】

Basic accomplishment of the original outline, that he agreed with, all the holes which needed to be filled were filled. But, this “slight deviation of romance plot” isn’t quite right. Bing-ge is gay no━how can you say this is a “slight deviation”? Ay okay, okay. In fact, in his original outline, Bing-ge didn’t have a romance plot; he was doomed to fade away, alone and unaging forever. If you insist on adding a plotline, that’s whatever, but he’s wasted this many words… you mean he can return to his original world?!?!"

The second quote is very poorly translated into English. What it actually means, is that Bing-ge does not have ANY SIGNIFICANT RELATIONSHIP, LOVE. Nothing to do with he amount of partners he fucks. And yes - the ending for the tyrant he became in PIDW is not happy in a slightest. This is how his relationship with the harem is described by the PIDW reader's forum in the novel:

"Airplane really doesn’t know how to write romance plotlines, best if he just doesn’t. I feel like Luo Binghe doesn’t have feelings for any of his wives, he just wants to use them. And I can’t see any of those women with real moving emotion for him. "

[fyeahnix]

Ok lemme talk about this season of Arcane, the ending, and most importantly, Sevika. If you don't want spoilers, back away now but I'm leaving this open because people have a tendency to not open or read my posts with read more cuts after them 🙃

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First off, I will say that I like Arcane a lot. Like a LOT. I've watched the first season 4 times (rarely do I watch anything more than once) and I think it's a masterclass in adult animation. Fortiche really put everything into this series.

That being said...

While I did like season 2, I don't think it was enough. Animation wise it was phenomenal, writing wise...I think it could have been better. As I've learned through doing research for my Sevika fics, the League of Legends universe, lore, and worldbuilding is fucking MASSIVE and even if I don't give two shits about that community or game, I have to give it props in that department because they really put a ton of work into it to make it feel alive. Maps? Short stories? Timelines? Race and culture? Apex could never...

That ofc is why it's hard for me to say that the writing is amazing. We had far too many characters to keep track of in season 2 with far too many plot threads to finish in two seasons. I think ideally, this series should have been 3 seasons instead of 2. Acts 1 and 2 could have been its own season, and Act 3 could have been its own season. If not that, then at least one more episode per act would have helped a lot. Things just progressed and wrapped up far too quickly for my liking.

Also not a huge fan of how quickly video game related media tends to dip into the whole timeline and multidimensional business. It def works well for some games but here? Idk I guess it was bound to happen given some League character's abilities, but the stakes just elevated far too quickly for me. Not a fan of Viktor becoming one of the main antagonists at all, and DEFINITELY not a fan of the conflict between Piltover and Zaun being sidelined for an "enemy of my enemy is my friend" thing with the war against the Noxians. It makes sense, I just wish "war with the Noxians" came at a later date so we could focus on the twin cities.

And speaking of the generational conflict between Piltover and Zaun, let's talk about Sevika.

As I said before, Sevika is the most qualified person to become the leader of Zaun and I stand by that even after the ending. But first....what about her found family? Isha sacrificed herself and Sevika gets no on-screen reaction? The last two episodes just progressed SOOOO FAST that we and some of the characters didn't even have time to breathe. Did Sevika even get time to mourn for Isha? What about Jinx, who is now gone? Sevika barely even encountered Vander! I would have loved to see some of the aftermath there because I think season 1 did a better job of allowing characters time to process their emotions and grief, even if the pacing was still kinda fast. It was acceptable!

I am sad af she didn't get more lines, but remember, Sevika has always been a side character in this series. An important side character but a side character no less. The promo shot of her now feels like...what was the point? (more on that in a sec) but considering how many characters and plot points and plot threads they had to account for, I am not surprised she didn't get more screen time. Hell, Vi and Caitlyn didn't even get a chance to have a full conversation on eveything that happened and Caitlyn didn't even apologize on screen. The fuck bro.

Now about Sevika's ending....I am very happy she isn't dead. Like dawg, you have no fucking idea how happy I am about it. SHE FUCKING LIVED. But....

I am seeing some people saying they're not happy or they're confused or that her ending doesn't make sense. And I just disagree with those points. Let me explain why.

I posted something earlier today about it, but again, as people don't open my read mores, I'll repost it here:

We absolutely do not know how much time passed between the war and the final few shots of the season. So Sevika joins the council. I DO NOT THINK she would do this unless there's a good reason for it, and that's why I'm guessing she will be Zaun's ambassador on the council. That war probably significantly changed the relationship between Piltover and Zaun and while old wounds will take more than a fucking war to heal, her being on the council now means she directly has a say in Zaun's future. Remember, the council was literally about to hand Zaun their independence before Jinx blew it up, and Mel was in support of it. As I said before, Sevika is respected down there at a bare minimum with all the factions. She would know better than anyone how to lead Zaun at this point. So yeah I get the hesitation, but it makes sense in my eyes. And it makes it likely that Sevika could show up again in a future League animation, if not become a whole champion.

I like her ending. I am sorry but it just makes fucking sense. Sevika is extremely loyal to her home and her people of Zaun. We've seen that time and time again. She was willing to go to war and die for those people not just against Piltover but also the Noxians, so why on fucking earth would anyone believe she's making a bad choice here?

She is now in the best possible position anyone in Zaun could be to advocate for their independence and support their growth. She knows the chem barons and brought them to peace, she gained the respect of the Firelights with Scar leading them in Ekko's absence, and she even got the Jinxers together with them before the Noxian attack on Zaun. Sevika has experience, she has the ear of the people, she knows what it's like down there, she is made to lead and help advocate for them!!!!

Believe me I get that whole "changing things from the inside" angle doesn't work more often than not, but this doesn't feel like "changing from the inside," it feels like "let me advocate for my people's actual independence so we have a starting point to become self sufficient." Again, Piltover was literally about to let Zaun gain their independence, and while none of the previous council members that agreed to it are there, Mel is/was. Who's to say she didn't help negotiate for Sevika to sit on the council and start (or complete!) the Zaun independence process before she left for Noxus? I can't imagine Sevika would just show up to the table and sit there if she didn't have a damn good reason. Like come on now. This woman has seen first-hand what Piltover is capable of and does not like them nor looks like she wants to be there. But she's seen what Piltover has done to her people first-hand, and after learning from both Vander and Silco, this is how she feels she can best protect her people.

She IS the new leader of Zaun and their ambassador at the council.

And lastly, we've been told that some characters will be returning in future League animations. Mel seems like an absolute given, but what about Sevika? Zaun's story is only just beginning, and yeah they said they'd like to branch out to other regions, that doesn't mean a cameo or maybe another medium can't be used to continue that story (a book, perhaps??).

Anyway yeah those are my thoughts...

[lightlycareless]

I was thinking about your portrayal of Naoya and I was already thinking of a JJK actor au which led me to think of how actor Naoya upon hearing that Y/N was going to be in this new romance movie, I feel like he’d immediately use all his connections(Ofc he could audition but he needs to make this a sure thing plus he’s fs a Nepo Baby XD but at least he’s got the skills too) just so he can be in that movie with Y/N(Maybe the Male lead was gonna be Nanami too!). I bet they’d end up getting together by the end of filming Teehee. You don’t have to write anything if you don’t wanna but I thought you might think this au is fun too if only to just daydream about it :D

Heya anon!!

Thank you for your patience hehe. I have to say, AU’s where Y/N or Naoya are a celebrity is kind of like my guilty pleasure; I don’t really indulge much on it because I don’t have a plot line most of the time, but this was the perfect excuse to see what I can do with it :> I just hope you enjoy it!! Also, this is going to be a two-part oneshot so… yeah hehe.

Btw, thank you all for those who voted for fluff, but we know how this goes so I had to put a little bit of drama somewhere :) it’s Naoya we’re talking about.

Warnings: AU. Naoya and Y/N are actors; he’s an idiot, a nepobaby, womanizer, etc etc, but we already knew all that. What’s interesting is his so called redemption OOF.

Happy reading!

Established actor Naoya that’s quite popular amongst the audience even with the rumors of his difficult work ethic, less than desirable personality, and blatant nepotism, thanks to his good looks and deceiving charm.

Because of his status, whatever project he wants, he gets. Sure, there are some that still have the audacity to require an audition from him, but it’s just a formality that he dejectedly complies to—Naoya knows that even when doing a bad job, he’ll still get the part at the end of the day.

But that doesn’t mean Naoya goes for any kind of role; he’s quite specific about what he wants: a pretty co-star.

And the studios had a variety of reasons to allow such demands, starting from a financial benefit: with a handsome face like his to match with an equally attractive coworker, he’ll only sell-out all functions; and in turn, he’ll get his fair share of enjoyment with his fellow partner of the moment. The same ones he discards immediately after getting bored; careless if they unwittingly got feelings for him—but nonetheless a win-win situation all around.

Such a quick lifestyle has him already setting eyes on his next target, a relatively unknown rising star with a seemingly promising future whom he was immediately smitten by upon seeing her for the first time, just as the rest of the world was.

“Y/N L/N” Naoya would repeat, enjoying how the sound of your name rolled off his tongue—fitting for someone of your beauty: vibrant eyes, rosy cheeks, shiny hair… and to top it all off, a humble yet shy demeanor that just made his obsession for you grow tenfold.

Wouldn't be the first time he’s grown interested in up and coming actresses, because in Naoya’s perspective, they’re much easier to impress, far more gullible to manipulate how he wants…

But it would be the first time he’s ever been so desperately obsessed to be with, for soon after he saw you, you became all he thought about. Causing him issues with his current fling (it briefly grazed the headlines, his team quickly fixed that)and some commitments he almost fumbled, keyword: almost.

Naoya couldn’t explain it; there was just something about you that attracted him, almost like you were destined to be together.

He needed you—one way or the other—and he needed you now.

Per usual, he soon demanded his manager and assistants to get a detailed list of all your upcoming projects, to see which ones he could be part of, and if neither were to his advantage, make those opportunities. Naoya was not to let you go so easily.

”A movie adaptation for some romance series that’s been in the talks for a while now.” His manager highlighted. “It’s her biggest work yet as a protagonist—in fact, development just started because of her.”

”Romance?” Naoya breathed, excited at the implications. “Do they have the male lead yet? I don’t think I need to tell you what I want, do I?”

”Oh, uh, no—you don’t, but… about that—“

”What is it?” It was always frightening to see how easily his behavior oscillated when facing his disapproval, but once already here…

“What?! What do you mean the casting’s already done?! Why wasn't I made aware of this????”

Because as obvious as his womanizing ways were, it would be physically impossible to have him assist every single call in hopes he’d settle with someone attractive enough for his standards.

Besides, this project already had their co-stars in mind way before it was even announced, the studio was just waiting for the right female lead to come along: and when that proved to be you…

Nanami was quickly brought on board, perfect for the role in all ways that mattered: from physical similarities to his character which made the fandom very, very satisfied, to work ethic; his professionalism was always beyond everyone’s expectations, no one has ever complained about him.

Kento was, hands down, a dream to work with—and considering what all of this meant, it was safe to say that Naoya was not happy about it.

”Well, get them to change actors!” He quickly demanded. “Call them and let them know I want the part, should be easy enough considering my status, no?”

”Ah, I— I guess I could but I’ve heard other people tried before and failed… so I don’t want to waste your time if you’re going to face that same result…”

The way how other’s interest in the film is implied behind his words makes Naoya’s eyes widen. Because surely no one cares about participating in that irrelevant series he’s never heard of until now, if it didn’t mean getting to work with you, that is. Everyone’s favorite girl of the moment.

His girl.

Ever the competitive one, it doesn’t take him much longer after that to call who he had to call, bribe who he had to bribe to finally, after many insistences, sign the contract that effectively labels him as your co-star.

Careless if his decision would prove detrimental to the project in the long run, or if it would strain relations between him and Nanami. Naoya never really minded him, outside of being bundled together with some other actors the audience generally cataloged as the most handsome in the country—if this change meant they’d never get to work together, fine! He had obtained a much better reward in return anyways.

Naoya wasn’t to allow anyone to deprive him of what was rightfully his—even if he wasn’t aware of it beforehand—and thus, when the fateful day to start working alongside you finally came along, the moment he’d see you for the first time without the interference of a screen, or through a picture—

His breath ran short. Heart skipping a beat when his eyes fell on your figure: truly, the cameras did you no justice.

You were far more breathtakingly beautiful in person.

So much was his shock, that the smooth introduction he had planned for the moment was limited to a stuttering mess, a shame to someone as charismatic as him.

”You’re—you’re Zen’in—No, I mean, I’m—“ Naoya says, a stranger to the heat forming in his cheeks, inwardly demeaning the weak presentation he must’ve given you now.

But if he wasn't already fixated enough on you, the way you appeared to be indifferent to his nerves completely captivated him. A wide smile on your lips as you greeted him with that same enthusiasm that made the whole world fall to your feet.

”Nice to meet you, Naoya!” You chirp. “I can’t believe we’re working together… I mean, so early in my career! Thank you so much for this opportunity, I promise I won’t disappoint!”

”The pleasure’s all mine.” And so is the curse you’ve seem to have unwittingly placed upon him after sweetly declaring you’d be under his care.

He’s made up his mind, Naoya will make you fall in love with him in less of what it takes to wrap up this movie. He’ll make you his, and will go to any length to ensure so.

Even if it meant ignoring your father’s (your manager, a veteran actor of days past) clear warnings.

”Don’t think I don’t know how your kind works.” Eiichi, your father, threatens Naoya during a short moment of privacy. “And I’m well aware of the rumors that surround you, even if you have your team quiet them. I should’ve known you were up to something the moment you insisted on Nanami’s removal—but I’ll let you know that whatever it is that you have in mind, I won’t allow it.”

”I assure you, Eiichi-san, I have no other intentions with your daughter outside of making our best efforts to have this picture timely done.” Naoya cynically responded, which just made your dad even angrier. Your co-star thinks your manager is an all bark, no bite type of dog. An old dog too, and treats him like such.

“Then surely asking you to act appropriately for once in your life isn’t too much to demand, is it?” He frowns. “Especially for someone who’s barely starting in the genre.”

”Wait—you mean to say—“

If this is your first romance movie, does that mean…

You haven’t done your first on-camera kiss?

Or perhaps even better—you haven’t kissed anyone at all?

Not quite, nor were you ever going to disclose personal matters that truly only belonged to you.

But if your father intended to protect you, he really, really shouldn’t have said that. Eiichi shouldn’t have gone ahead and essentially pushed you further into Naoya’s claws, his words being the last piece of motivation to become completely unhinged and make your time with him… tense, to say the least.

Oh, but how could he not? You were simply too adorable when trying to do your best to fulfill everyone’s expectations: barely putting up a fuss when Naoya got a bit too dramatic to what the script demanded, far more handsy, even when not recording: all for the sake of staying in character, he’d claim.

And when he dejectedly worked on those scenes where nothing of his interest was happening, you didn’t even complain. You kept quiet, submissive, taking the situation as best as you could and kept on working—because that’s what professional actresses do, isn’t it? And you’re nothing but the best.

But things didn’t really escalate until it was time to record that long-awaited kiss; what the script demanded to be the first kiss between their characters, in other words, something sweet, overall a touching scene.

However, Naoya naturally had to blur the line between his work and personal life—and instead of taking this moment as what it was, just two people trying to get the job done, he decided to… mark it as some declaration of feelings.

Confirmation that the time the two had spent together, a few weeks now, had actually amounted to something; aside from figuring out what your soft lips tasted like.

Because to Naoya, those interactions in between breaks, outside of the set, and even during filming, had been quite meaningful to him. To you too, he suspects.

Your shy nature just didn’t allow you to openly affirm it, a little push was all you needed to do so.

”Don’t be nervous, dumpling.” Is the nickname he’d given you upon seeing your excitement for last week's catering. You’ve politely told him it wasn’t necessary to call you that, but he insisted otherwise, calling it their very first inside joke. What everyone does to get along better. “Just follow my lead and I’ll worry about everything else, ok?”

Not exactly the reassuring words you were searching for, but for someone of Naoya’s expertise, alongside the physical hold he had over you at this point, hands over your arms, keeping you close to his chest… it’s not like you could demand otherwise.

And so, after everyone was in position, the director finally signals the scene to begin: Naoya delivers the script with an uncharacteristic perfection, outside of that slight rush behind his words, eager to get to that one particular moment, it’s obvious he’s been looking forward to recording this.

To kiss you, which he abruptly does by suddenly moving his face towards yours and then, captivating your lips onto his—giving more than his interpretation of the character’s desire: it was him wanting to take in your scent, warmth, touch, everything, and bask in it.

Claim it as his own, for those in the room, and the world in due time, to see.

One might’ve even assumed you were fine with his intentions too, given how you didn’t complain nor fight back against his desperate gesture, struggling to follow his lead in a way that appeared he was trying to eat you alive.

Which thankfully didn’t happen once the director cut the scene, and just before you ran out of breath.

”Naoya, while I appreciate the enthusiasm, that was—a bit too much.” The director said; if he was aware of your and Naoya’s fluster, he didn’t comment. “Let’s do it again, from the top.”

Normally, Naoya would’ve retorted at what he considered unnecessary reshooting, apparently his time was far more valuable than the rest even when he was being paid millions to be there… but this time around, he was nothing but obliging, in fact, Naoya even suggested that they’d go at it once more just to be sure they captured the right sentiment. Fulfill his desire.

With each time becoming more and more desperate than the other.

Naoya frequently claimed himself to be immune to any kind of addiction, thought of it as weak for the character, above such “petty” faults—But when it came to you… he just proved to be as human as the rest.

He physically needed to have all of you; they’d have to forcibly pry him away to stop—

Or for you to do so, swiftly placing your hands over his chest and pushing him away when it became too much, putting an end to the scene before the director could and subsequently raising many eyebrows around you.

”What’s wrong, Y/N?” The director asks upon seeing your distraught face—exhausted from the many reshoots, and of course, Naoya’s overbearing ways. “Is everything alright?”

”Ye-yeah, I just… I’m sorry, I think I need a break.” You silently plead, looking over to your manager who was more than ready to step in if your request was dismissed; which thankfully, wasn’t. The director sighing before turning around and stating:

”Alright everyone, take 5.”

The perfect opportunity for Naoya to follow through with his so-called affirmation of feelings, trailing behind you soon after.

“Hey, dumpling, wait up! There’s something I need to—“

”Not right now, Naoya.” You respond, your pace unwavering. You didn’t even turn to face him. “I have to—be alone for a moment.”

”Y/N—“

Your father and sister, manager and assistant respectively, close in on you and break eye contact between the two, allowing you retreat into what he assumed your dressing room—

And leaving him behind to deal with his anger, which he immediately takes out on the director, stomping his way to him and giving him a piece of his mind.

“So you’re just going to let her go?” Naoya hisses, the man, having worked with him on previous occasions, simply sighs.

”What do you want me to do, Naoya? You saw how she ran away.” He responds. “Besides, we’ve been at it all day, I’m tired too.”

”This is just going to ruin the pace of the film, you know that, right? You should, considering your… experience.”

”Look, Naoya— it’s quite obvious what you were trying to do back there, I’ve seen it before; but we’re not going to discuss that.” He adds. “The girl is new in the game, naive, and overprotected. Did you know that her management sent us a long list of requisites after the studio offered her a contract? If it weren’t for her family, she would’ve been immediately dismissed.”

”Requisites? What kind of requisites?”

“None that I can discuss with you, but I guess I could tell you the obvious: you were not part of them. There’s a reason why Nanami was firmly set for your role, but guess that doesn’t matter since you know your way around these things…”

”Is there something else you’re hiding from me? Why bring it up if you’re not going to tell me anyways!” Naoya growls. Why was Nanami brought up again, out of nowhere??

”Just take 5 minutes, Naoya. Clear up your head, we still have a long day ahead.” The director insists. “And if it’s worth anything, Y/N will be back, she’s very dedicated to her work, I’ll give her that. Even with your weird… plays, I’m sure.”

But that wasn’t enough to calm Naoya—not with the way you essentially fled from him.

Your behavior led a part of him to feel… inadequate. Underperforming—stupid.

Rejected.

And he’s never been rejected before.

A dangerous observation to make considering his easily ignited attitude.

The moment you were back, he’d demand an answer. Hear, directly from you, why you’d cruelly dismiss his advances when he had been nothing but nice to you.

… but that moment wouldn’t come today.

In fact, not even in the subsequent ones, for after everyone was abruptly requested to go home, the studio announced that filming would go on a brief hiatus to sort out some… unexpected issues—which Naoya immediately connected to you given your radio silence.

Forcing him to directly reach out to you… but you’d never answer. In fact, all of his attempts were swiftly ignored; your team didn’t even acknowledge them! As if dealing with junk mail.

Naoya’s desperation naturally spiked after that, frantically searching for an answer—

Which he’d get soon enough, but only through a tabloid which probably described the worst case scenario he could’ve imagined unfolding for this situation:

“Y/N to abandon latest project—close sources blame differences between protagonists.”

Naoya’s heart sinks.

Also, I wish to apologize if these little comma things “ appear weird? Like not the right ones at the beginning? I’m currently out of my home so all of my writing is being done through a tablet lol I’ll come back later to fix them :> I hope it didn’t ruin your reading experience :’v

And I might as well comment I didn’t feel like ending part one with just the headline, but at the same time the whole naoya’s heart skins doesn’t completely convince me…. But I don’t know, might be my impostor’s syndrome or something who knows!!!! All that I know is I have to make Naoya pathetic on the second part, so if anyone has any ideas of what you’d like to see send them in hehe I want to make him suffer :) or at least guilty, damn…

Anyways, I hope it was to your liking!! I shall proceed with the following part after I write down a little smut hehe. Thank you so much for sending in this ask, take care and hope to see you soon!!!

[vidavalor]

<<I would also not accept Crowley hate. I just never see it.>>

Same. Yeah, it doesn't exist. A lot of people's internalized issues at work, if you ask me, as to why there's only hate for Aziraphale when there shouldn't be hate for either of them.

<<I think for that to work, you have to take Crowley as the protagonist of the story and Aziraphale as an -- um, adjunct? romantic interest? Rather than seeing them as 2 equal players in the story.>>

If you want to get really technical about it? From a writing standpoint, Aziraphale is the main character because it's his story arc we're following the most throughout the story. He is the character who will under go the most change from chronological start-to-finish in the story. He and Crowley are two halves of a whole, though, so it's a little tricky and they're closer to being co-main-characters than you might get in other stories. Inside the story, though, the characters are definitely equal partners, and I agree that it's irritating to not always see that reflected in attitudes towards the characters.

The funny thing is, though, that people who think Crowley is the sole main character are showing that they don't really know what one is and are just focused on Crowley. For reasons. I wouldn't presume to know why, exactly, but I suspect that they are likely of 'want to fuck him even though he's fictional and subconsciously hate the main character who gets to' variety. Also shows how little they know the character as Crowley would not. care. for it. if he were to learn that they were disparaging his angel.

<<the Edinburgh minisode, that make it look like Aziraphale is still toeing the Heaven line and he is the only one who still (in 1827!) has learned nothing>>

Yeah, that attitude in people is showing that they're not really putting together the minisode, imho. Aziraphale struggling with conflicts of what he's supposed to be according to Heaven versus who he really is are not the same thing as Aziraphale being on the side of Heaven. He's never been on the side of Heaven. He gave away his sword in Eden. He lied and miracled to save Job's kids. He's been badass since the start.

I think it's also a feature of some people not seeing that Aziraphale is kind of dryly bitching about his job to Crowley in 1827 more than he is actually disagreeing with Crowley and Elspeth. He lives on Earth. He knows how lunacy Heaven's ideas about things are. He's complaining to Crowley about what he's up against and getting some reassurance in Crowley's wtf that's crazy! response that he's not alone in thinking so. The moment that he learns that Dalrymple isn't just a ghoul but someone who wants the bodies for greater good reasons, Aziraphale is happy to throw over whatever Heaven nonsense he's supposed to at least pretend to believe to help. He'll always do what he can to help. It's just all very tiresome that people think Crowley is perfect. He's not always right. There also isn't always a "right" at all.

<<such as the way the f15 was shown (many people do not sense any real threat from the Metatron, don't get the "able to see/hear what's happening in the shop", don't see anything weird about Crowley letting Aziraphale go off with the Metatron, etc.>>

Yeah, this... 😂 My favorite wtf interaction that I've had here on the Tumblr Dot Com is the person who told me that Aziraphale and Crowley weren't worried about being spied on in The Final 15 and when I pointed out things like... Aziraphale, looking out the window at Our Villain, doing the downward hands of "not right now" at Crowley, and trying to get him to stop talking? I was told-- kid you not-- that he just turned his head.

The closet is a theme of the season and there's an entire foreshadowing plot with the Nazi Zombie Flesheaters about Crowley and Aziraphale being spied on through the window and people who cannot make simple connections enough to understand what's happening, so... how's that for irony? There's a whole plot about people being unable to make connections... about which this person couldn't make a connection.

I agree to some extent that it's designed to appear a certain way, with particular emphasis on Crowley acting out of character, but it's not so cloak-and-dagger that we can't see that something is amiss. The number of people who don't seem to see Crowley as acting out of character by letting Aziraphale go alone with The Being Claiming To Be The Metatron amazes me. It should be the primary question to come out of that scene. This is what we were saying above, though-- they are too focused on precious demon got his feelings hurt to notice that there is something really, really wrong with precious demon. He just sat there and let Aziraphale go alone with someone who had tried to kill him and he'd never do that of his own free will and that's somehow not the biggest point of discussion?

But this is also the same problem as most people just believing without question that it's The Metatron at the door. Sure, it might be, but they definitely gave us a laundry list of clues that suggest we should at least be questioning it. Five angels cannot recognize him and he has to get a demon to identify him but that's not Satan? Really? After a whole season of "who are you" in every other scene? And all the minisodes being about Hell? Even if it's not, the point is that it's all very weird and many people are just taking what's happening as if nothing is weird, which I find to be... well, weird.

So many people think that The Metatron was legitimately offering Aziraphale a job and everything was on the up-and-up and... why would he ever do that? He'd never offer Crowley to be restored as an angel, either. That'd collapse Heaven and Hell in a day as every demon then would demand their own status as demons reviewed. They think this is The Metatron and they still believe him, even though he just tried to murder Gabriel? I was so surprised to see the number of people who don't think Aziraphale is in any danger here and think he just got promoted when the whole season seems like it's building towards something quite different but we'll see what happens in The Finale.

The gods of the Disc have never bothered much about judging the souls of the dead, and so people only go to hell if that's where they believe, in their deepest heart, that they deserve to go. Which they won't do if they don't know about it. This explains why it is so important to shoot missionaries on sight.

Eric, Terry Prachett

[eerna]

Hiii I have some thought contributions to the Arcane symposium if you'll have me!

I see people understandably angry at how Arcane handles who is or isn’t a villain and I suppose my two cents is that I didn’t have any hope of them handling it right in the first place, even back in s1 there were always parallels made, always some “both cities have good and bad” nuance when one city doesn’t have air to breathe and is colonized by the other. If anything the beginning of s2 was more consistent in that the second Caitlyn is personally inconvenienced she goes full chemical warfare and mass institutional violence

Personally I thought it unlikely that they suddenly change narrative tones and resolve the plot in a way that was satisfying to me, and I knew the pacifist “choose love not hate <3 zaun and piltover arms in arms” both-sides ending was inevitable, so I’m glad they at least had that whole thing with Viktor and Jayce and the timelines to distract me from it

“they shouldn’t have made Viktor, a Zaunite, the villain” but Arcane always made the villain a Zaunite! Before Viktor there was Silco, Piltover chooses peace but Jinx blows the council up and now they have to do a whole “look what you made us do” arc. This was my beef with Arcane from day 1 (it wasn't emphasized enough, IMO, that the villain is Piltover's oppression and marginalization of Zaun, and that this context renders null any "both cities" comparison)

Also Vi was written so poorly this season what's up with that

All that being said I suppose it’s more complicated to discern “writer’s intent” from that kinda show than it would be in a book or an indie project where there are fewer people involved in the plot writing and less interference. Like one deleted scene or one line of dialogue omitted radically changes the message. But well, there's the intended message and there's the manifest message and as the audience we are allowed to criticize both

Of course we shall, step to the podium~ Truly, the "writer's intent" is truly so complicated here, because anti-capitalist messaging in mainstream art powered by capitalism is always a nightmare to get through.

Oh yes it's a good take, I remember the discussions from s1 era well! However, I still don't think the "both sides have good and bad" thing is a red flag in stories, simply because it's true IRL. A ton of people have trouble committing to a side in a conflict because neither is totally morally pure, which completely blinds them to the truth that NOTHING is morally pure and choosing the lesser evil is the way to go. Silco was a brilliant villain to me because he was an oppressor himself, as people in power are rarely anything else, but that didn't mean that Zaunite ideals were worth any less! After all, Ekko held the same anti-Piltover ideals, but he is morally pure and thus unable to become an influential politician. He can support a small society, but not a large one, because no one really can do that without resorting to some bad shit. Just because Silco dreamed of being the same as Piltover's elite and became a class traitor by forcing his citizens into another toxic work culture, except this time they made HIM rich instead of Piltover, doesn't mean we should just give up on trying to make things better. Zaun during Silco's reign is just as worthy of freedom and equality as Zaun during Vander's reign. It doesn't matter that there are terrorists living there now - that doesn't excuse Piltover's violent actions. And s1 seemed to be aware of that, considering how the Enforcers were depicted, and in the end it's the Piltover council who are forced to give up instead of the Undercity. And the choice of peace wasn't as morally pure as it sounds: the council opposed it and was forced into it by Jayce and Mel's combined power, even Jayce was resistant to the terms at first, AND it still left the Undercity in Silco's hands, fixing absolutely none of the sins they committed there. It wasn't an evil terrorist blowing up a bunch of hippies, it was a hurt Undercity girl setting in motion an event that has been brewing for a long, long time, against a system which gave too little, too late.

So yeah, in short, I don't interpret s1 as ever trying to question whether Zaun was right to demand more from Piltover by saying "well both sides are bad so nothing should change". It simply showed the ugly truth to any revolution: leaders are practically never good people, and those who get too close to it are doomed to very cursed lives. And yet, giving up isn't an option, because the system IS bad and the system HAS to be changed, and if that isn't gonna happen by the way of peace, then you can't help but sympathize with those who were wronged when they do something horrible.

That's why it only worked when it focused on individual characters - that way you can understand why everyone is acting the way they are acting, and you avoid falling into broad strokes. S2 instead focuses on the aesthetic of revolution and war and the characters get lost in the big picture, which absolutely sucks and completely negates everything I've been typing about here. In fact, who knows, maybe my opinion changes too after I sit with s2 for a while and contextualize s1 within it. Maybe I was just wishfully thinking and misinterpreting this whole time. I already feel like a clown for defending this show, so I can totally accept that I could probably be wrong here. But I just wanted to write it all out in the name of discussion and interpretation!

[howtodisappearcompletelyand]

20/10 stars little guy

[wellzofyouth]

That one post of my mine predictably aged like fine wine. Never let somebody on comic twitter in the writer's room😭😭😭 Like imagine a 1 to 1 adaptation of literally any event?? -1b at the box office. "Who are these people???"

[nedlittle]

[alt]

2x21 "crisis" really is a perfect episode

[kiyomitakada]

i am going to scream (wip rambling in the tags)

[desertdragon]

This shit is so ass I just want it to be over

[girlscience]

okay okay okay okay. I KNEW that the fight between Luffy and Usopp was going to be different from the rest of the show so far and I knew I was going to have thoughts about it but oh my god I did not expect it to FEEL so different. Like up to this point they have faced some fucked up people and had some serious fights, but the Strawhats themselves haven't really felt serious. This alone feels like it legitimized Luffy's captaincy and proved how the crew will trust and follow his decision making. (which is why I really really love Zoro's part in it because even Luffy was having a hard time doing this and Zoro told him he couldn't waver because if he did who could they trust? and I have so many feelings about that) Anyway, this was really the first incident related only to the crew themselves that has felt actually serious and I really appreciated that.

[nicxxx5]

some of you guys have really extreme takes and need to like...chill the fuck out

[orcelito]

asshole commenter didnt reply to my thing so. ????? guess they just decided to leave it at that????

[yuridovewing]

There was a bit when Alderpaw was about to get his full name where he was anxious about Puddleshine not being there (because at that point, the Kin was forcing him to be their medic) and he was like "but I want Puddleshine to be here at this really important moment for me :(" and I know im grasping at straws here but.... gay

[asakamasanobu]

can nakamura please bring back ritsu’s father issues …….. please i’m asking for a friend