#and many others but I'm thinking those threads are dropped

[too-much-tma-stuff]

This idea sort of burst out of me like Alien so it's unedited. There will probably be more.

In short, Cas picks up on the fact that Danny is pregnant at a Wayne Gala and have the right idea but the wrong context.

Masterpost

------

Danny was barely holding it together and really he had been for a long time. It had sort of been fun and games at first when he became a hero. Sure his accident had hurt like hell but he'd sort of repressed that and for real? Lunch Lady? Box Ghost? Even Skulker was sort of a joke and he hasn't actually felt threatened. Sneaking around behind his parents backs and sneaking out with his friends had been fun. It had all felt like a game at first, and then somewhere in there things had gotten very real.

He'd known he couldn't count on his family to protect him but they couldn't even see Vlad was a threat. And he felt like he had lost the last of his innocence when he saw the clone Vlad had made of him melt. He hasn't been in time, he had panicked and he had only managed to save a couple by taking them into his own body to shield their still forming cores. Ellie and... should Danny name the other one or would he name himself when he was ready?

He kept touching his stomach over where he could feel the little balls of his mirror children hovering just below his own core. He was so tired all the time as they relied on his energy, he was eating more then ever and he knew his family was worried. He didn't think he could hide this and he couldn't predict when they would emerge. What if they did in front of his parents? They definitely wouldn't react well. And Vlad kept trying to use this against Danny. Promising to look after him and the babies if he was really insisting on carrying them, as if Danny could rip those tiny 'lives' out of himself now.

And no matter how many times he tried to tell his parents that Vlad was bad news, that he creeped Danny out and made him feel unsafe they wouldn't listen! Dad didn't even hear him and mom made sympathetic noises and then told him to bear with it for Jack's sake because he didn't have many friends.

So of course when Vlad had asked if 'Daniel' could accompany him to a gala in Gotham his father had agreed! Even his mother had agreed when Vlad promised it would be educational and safe! And here Danny was, hanging on by a fucking thread in a suit that felt uncomfortably tight around his middle, having just escaped being paraded around as Vlad heir like a particularly expensive watch. He was behind the snack table having piled a plate as high as he could and scarfing it down before Vlad could find him again and scold him for being rude. He hadn't noticed yet that a family of dark haired socialites kept giving him worried looks. A young woman with dark eyes signing frantically to a man with blue eyes and a dimpled frown.

It was the man who slid up carefully next to Danny trying not to startle since he seemed to have genuine food aggression.

"Yeesh kid you seem like you're starving! All those fancy Hors d'oeuvres are fun but not very cooling and I feel like I'd be a poor host if I didn't offer you something more filling! If you'll come me to the kitchen I'm sure our family butler would be happy to whip something up for you?" The man said with an inviting some that did nothing to sooth the way Danny's hackles raised instinctively.

He was about to say no on reflex when he spotted Vlad heading towards them with an expression like a thunder cloud. Danny's back went ridged and the other man followed his gaze with a frown. "You know what ya that sounds great let's go now!" Danny said dropping his half full plate on a nearby tray and dragged the stranger away with him as Vlad shouted after him.

"Daniel come back this instant! Unhand mister Wayne! Daniel this is unacceptable!"

'Mr. Wayne' took over leading them and spirited Danny through a back door as a bubbly blonde intercepted Vlad and a small woman slid in behind them like a shadow.

"So, Danial I assume?" The man asked, amusement crinkling around his eyes as Danny grimaced.

"Mr. Wayne I assume?" Danny returned, unaware of the way one arm was protectively wrapped around his stomach, but the girl noticed. It was Dicks turn to grimace.

"Okay ya, I go by Dick. What about you?"

"Danny," he said not reacting to the name, he'd heard far stranger. "And what about you?" He asked Cas, startling Dick a little because she was doing her 'shadow thing' and not many people would have noticed her.

"That's Cas, she has a hard time talking sometimes," Dick explained as Cas materialized and gave Danny a reassuring smile and wave.

The teen harrumphed but he did follow them down to the kitchen where Alfred was drinking a cup of tea, staying well clear of the foolishness upstairs. "Ah, hello young masters," Alfred he said, glancing between the three with a raised brow. Though the two who knew him could see the way his expression softened when Danny shrunk in on himself. "What can I do for you?"

"Hey Alfred do we have any leftovers from dinner or something filling we can whip up fast? Danny here is too hungry for just the fancy font for upstairs." Dick asked cheerfully.

Alfred raised his eyebrows again and looked at Cas who was standing behind Danny. Glancing at Danny to make sure he wasn't looking she grimaced then touched her stomach and mimed holding an infant.

Alfred's expression turned stormy for just a moment then smoothed. "Of course we do, Why don't you make our guest comfortable and I'll see what I can do. Do you have any allergies young man?" Alfred asked and Danny shook his head mutely.

"You're the best Alfie!" Dick said, hovering a hand over Danny's shoulder rather then actually touching him as he leas him towards the comfortable breakfast nook.

The boy seemed tight lipped and gaunt, his eyes flicking around them as if he expected a threat to pop up at any time. Dick slipped into the booth across from him. Trying to think of the best way to ask this kid how... why, and who hurt him.

Cas has stayed in the kitchen, but not for long. She came to them with a tray of mugs moments later and slipped into the booth next to Danny. Gently she took his hands and pressed the warm mug unto them. He blinked and focused of it, as if on autopilot he lifted it to his lips, Cas keeping a hand on his elbow to steady him as he drank.

The warm comforting drink, and hand on his arm, presence by his side as Cas slid imperceptibly closet and closer till she was pressed against Danny's shoulder, felt like they were taking him apart from the inside. Thawing out the cold numbness he shielded himself behind. Half way through his tea he glanced up, at the worried blue eyes so like Jazz, so worried and warm.

He put down the mug suddenly as a sob shook his body. Cas wrapped her arms around him and pulled him close, cooing comforting wordless little sounds as she let him bury his face into her chest and just sob heaving, exhausting outbursts of repressed emotion.

"Are the babies okay?" She asked and he froze, his breath catching in his throat. She clicked her tongue and rocked him gently. "Okay, okay, not in trouble," she promised.

"They- I don't know, they were so weak, I’m trying, but I don't know if I can keep them alive." Danny sobbed lifting his hands to cover his face.

"The stress can't be helping," Dick pointed out, climbing across the table like it was nothing to sit next to them and rub Danny's back. Danny gave a little hiccupping hysterical laugh. "Do you have support, or like, do you know your options?" He asked awkwardly.

"I'm not getting rid of my babies! I don't care if the man who made them is an obsessive creep who drugged me! I love them they're MINE!" The feral protectiveness seemed to startle Dick even as Cas continued to make soothing sounds.

"Your choice, only yours," she promised. "Have help?"

Danny sniffled and shook his head. "Safe?" Another shake of the head.

"The man who... did this?" Dick asked as delicately as he could. Another hysterical laugh.

"I've tried! I've tried to tell my parents he's a creep, he's dangerous but they don't listen! My dad thinks he hung the fucking stars, mom says he's harmless. They don't believe me! I-I can't tell them about the babies. They'd make me get rid of them or worse! I can't." Danny sobbed and Cas soothed.

"Okay, okay, you don't have to." She promised. "You stay with us, you and babies safe, never have to see him again."

"Ya right. Wait, your serious? What" Danny asked, pulling back and looking at her with wide bloodshot eyes.

"She's very serious young master," Alfred said as he approached making Danny jump. there was a hard set to the old man's jaw and steal in his eyes that left no room for questions as he set a plate of eggs, sausage, and fruit in front of Danny. "Master Bruce has a foster license and is a mandatory reporter. I'm sure once he hears even a fraction of this he will insist you stay. I will prepare a room for you. Am I to assume the man who's shouting demanding your return upstairs is the source of this distress?"

Danny swallowed and nodded, Alfred nodded back and paused to rest a gloved hand gently on Danny's hair before walking away briskly.

"Eat," Cas said, nudging him gently to let go of her. "As much as you want. Still hungry? We raid Tim's secret cereal stash."

"Gasp! You know where it is? You've been holding out on me?!" Dick demanded with exaggerated betrayal and as the two started to banter Danny ate. He was glad of the distraction, of not having the attention on him as he devoured the healthy, and nutritious meal the butler had made for him. It had been a while since he'd had a good home cooked meal, it made his core feel warm and he could feel the two little echoes as his hummed.

The babies were happy too, he didn't believe these people could keep him safe from Vlad really, but this was nice. Maybe he would let them try, get a few more good meals, a respite, and maybe... maybe his parents would finally notice that something was wrong and actually stand up for him?

That was probably wishful thinking but he could hope right? there was no harm in that.

Part 2

[lixies-favorite-cookie]

calling skz clingy headcanons ◦ ot8

Paring◦ ot8 x reader

Words◦ 3,578

Genre ◦ hurt and comfort

Warnings ◦ reader blows up at the boys a few times, mild cussing I think, hyunjin is lowkey toxic in this but the reader is more toxic, honestly all of our boys are pretty dramatic lmao, they keep getting lazier and lazier😭, I fucking hate y/n in this like fr I'm gonna kick her sorry little ass, seungmins is... suggestive...dirty talk and fingering only for like one line, so is hans lmao all happy endings because I am not sadistic... or realistic

Taglist ◦ @thetoastghost222, @ur-fav-lvr

A/N ◦ honestly this is my super random chaotic thoughts I had at 2am bc I was really hating the way I was writing a love lived between the stars and the sea so I wanted to take a small break and clear my pallet I hope you all like it even though it lowkey sucks lmao <33

Also im lowkey fucking with making headcannons this is kinda fun...

~cookiecreates 🍪

chan

I feel like Chan would be the most emotionally mature about the whole thing, especially when he sees the storm brewing in your eyes before you even spit those venomous words.

"Fuck Chris, do you have to be so clingy all the time?" You shout, your mouth curling in a disgusted sneer. 

You've never flinched away from him like that, never been so mean-

He's first hurt then he sees it-

There are cracks in your demeanor; large gashes in your heart; he could read you like an open book; the stories your soul wished to tell resided in your glassy eyes.

Hurt people hurt people.

You didn't think he was clingy; no, you loved his touch. You were simply overwhelmed, overflowing with so many simmering feelings—his love did not have room to shimmy through.

So he makes room-

He tilts your chin up with a sincere voice and asks, "What's the real reason why you are shutting me out?"

The unadulterated dedication in his words leaves you in shambles. 

Chan would tear open his heart before your eyes just to prove that there are openings for your soul to pour all your pain into him.

and he would still find a way not to spill a drop

"It’s so hard,” you sob. “They told me you were too good for me, that I wasn’t enough. They said I should shut you out, run away before I got too attached. I had to make you hate me so that I could never weigh you down again."

Chan is fuming.

He wants to ask who said that? He wants to ask where they live? He wants to ask if you want to witness their destruction? He wants to ask if he should use a knife or a gun?

But instead, he says, ‘Darling, you would have more luck breaking the bounds of the moon than untangling the way you are threaded into my soul."

what. the. fuck.

Chan the next William Shakespeare up in here

...was this based on something I wrote for my new series...yes. am I ashamed... no.

I'm a hopeless romantic who wants to marry a poet.

Sue me.

You never thought the apocalypse would be so rewarding, because you are reeling, spinning out of orbit, a meteor spit out into space, hurling towards unknown destruction—destruction that tasted like fresh morning dew.

Chan was perfect.

what the fuck were you thinking?

He holds you through the night, chasing away the whistling of the cold winter wind, his warm arms creating a home around your heart.

lee know

do not ever ever ever ever ever ever ever call Lee Know clingy unless you are willing to dedicate your life into creating the next wheel of time because after you plant the seed in his head, he will blossom a garden of newfound insecurities.

"Can you please not be so clingy right now? I'm having a really bad headache," you whisper through the thick fog clouding your brain; you have been living with a red hot rod skewed through the back of your brain all day. You didn't mean to say the word clingy, but it is futile to search a thesaurus from a blurry page, and right now the world seems to be nothing more than a piece of abstract art.

He just wanted to hold you and you call him clingy??

To others, the sentence would be like water rolling off their backs, but to him, it was a ragged shard of glass stabbed straight into his chest.

Lee Know is extremely inexperienced in the world of intimacy, often clumsy with his actions—hesitant with his words, so why would you say such a thing?

Knowing how insecure he is??

You would only ever say it if you meant it fully and completely??

Honestly, in his head, he would be lowkey, really dramatic, but he's so beyond hurt, feeling like you're just picking at a gaping wound.

like I said, dramatic.

justified. yes.

dramatic... also yes.

I am a firm believer that his tough-guy act is only that.

an act.

He was pretending like he didn't care what you said, but when he gets into the other room, it takes everything in him not to shatter into a million different pieces, feeling so overwhelmed with how many emotions are coursing through him.

No matter how much you apologize after that, no matter how much you prove what you said was nothing more than your head foggy and in pain, it still will take lifetimes for that scar to fade.

and he will only ever get over it with a million reassurances and a thousand conversations

which you are willing to do as long as he needs it

changbin

Honestly, I dont really have a clue with this one, but I am definitely leaning towards him being more like Chan in the emotional mature way he handles it, but instead of comforting you at the drop of a hat, he just leaves the room and lets you stew on your sorrows.

"Your so clingy," you groan, shoving his arm off; rolling your eyes as the mattress shifts with his weight. You just want to be left alone. You weren't sad. You weren't mad. You were just tired and did not want to be touched.

In perspective, could you have handled it better? Yes, but what can you do now? I'm going to punch this bitch in the face I swear I hate y/n and I'm creating her

He's first very confused, then the hurt hits like a falling star crashing into his chest.

What do you mean he's clingy??

"Fine," he states, still dizzy from the utter whiplash you were giving him.

like what the hell?

Sleeps on the couch that night (bad idea don't do this)

He stews about it far past the dreams in his head

That is, until you trudge out of your bed in the morning with red-rimmed eyes and a face filled with regret.

After a shitty nights sleep without the heat of your boyfriend's arms, you realized very quickly what it would feel like if you were to never feel it again, and all of a sudden, you never want to be left alone like ever again.

The grudge he was previously trying to hold drained out of him, and in that instance, he jumps up, pulling you into his arms.

He is very quick to forgive you, when you voice your reason for snapping at him, was nothing but compressed frustrations manifested into the wrong source.

hyunjin

hyunjin. hyunjin. hyunjin.

I feel like in a fit of both hurt and the toxic trait of self-isolation, he would be petty and stay at the boy's house for a few days.

He had tried to give you a good morning kiss that day, but you were stressed and late for work, rushing to put on your clothes. The way he whined about wanting to be touched ground your gears beyond belief. You got stuck in your shirt, which was too tight after you shrunk it in the dryer, and your firm has yet to give you another one. Hyunjin's flighty hands wrapped around your waist, trying to help you untangle yourself from the mess of fabric, only for the button to get caught in your hair, pain ripping through your scalp.

"Stop it hyunjin!" you shout, attempting to unthread the way your hair has meshed into the slits of the button. "You're so fuckin' clingy."

It was all a mess—your heap of shifting fabric and jerking limbs, hair sticking up at every angle. His heart was crushed somewhere in a pulp on the floor in front of him.

He just wanted to help...

Your red-hot anger quickly bled into a tightening anxiety that pulled underneath your ribs as you imagined the look on your boss's face when you came in disheveled and late.

"I just wanted to help," Hyunjin sniffles, bouncing his eyes around the room, filling with tears. You heartlessly roll your eyes.

"Here come the waterworks," your voice is steady, flaming with annoyance mixed with a sickening tilt of mockery. His jaw drops.

you're being so mean

His ears burn when you glare at him, disgusted by the tears streaming down his cheeks. He desperately wipes his emotions away with the back of his hand, suddenly embarrassed to even be showing you the cracks in his soul.

He runs away, like, quite literally runs out the door, sprinting to his car and driving straight to the group's house, collapsing in a fit of sobs in Chan's arms.

He stays there for a good 3 days, ignoring all your calls and texts.

No matter how much it hurts his heart not to talk to you, he shuts you out in a weak attempt to show you what it would be like to live without him.

But this tactic is short-lived when you arrive at the boys' house, snot sobbing into his chest.

"i-im so sorry," you repeat over and over and over into his skin, hoping the further you dig into his chest, the closer the words will hit his heart. 

He's not going to lie; no matter how much you cry, a little bit of pettiness will still stay during the conversation, a small scar of his hurt dictating his choices.

"Why didn't you come home? I thought we were over?"

"I thought that asking to sleep in the same bed as you would be too clingy"

Your heart cracks. He sees it, immediately regretting all his words.

"I'm sorry!" he yelps, pulling your head straight into his chest again.

You shake your head remorsefully, "No, I deserved that."

Even though so much of him still wants to be petty, his love for you trumps the feeling.

(I'm not forgiving you though wtf)

han (this one is long asf)

Han is freaking out.

I mean like the devil's bony hand gripping at the base of his spine, stale breath wafting down the skin of his neck type of freaking the fuck out.

You had a job that required you to go on-site, on-call often, like Han’s—that’s why you were so understanding about his busy schedule; yours was just as bad.

Today was a nightmare. Your coworker, the devil in disguise, didn't show up for the presentation she had created, and since she threw you under the bus saying you helped her (you didn't), you were forced to come in and present it.

Leaving Han at the restaurant waiting for you to arrive-

You forgot-

It was debatably the biggest presentation of the year, showing off her new design to multiple new investors, and yet your phone kept buzzing.

You told Han this was important

You never sent the message

You don't think you have ever seen your boss so furious

From Han's point of view, he's been sitting here for 2 hours, and you are still not here.

There are so many scenarios flying around in his head—

Are you okay?

Did you stand him up?

Are you breaking up with him?

Did you get kidnapped??

Han got tunnel vision when he was scared, his restless brain shooting out dire scenarios faster than he could decipher the impossibility of them. It was overwhelming. The walls were closing in on him. Nowhere in the world was safe. His head was swimming, the room was spinning, the earth was popping through space.

He keeps texting and calling and voice mailing. The icy anxiety crystallizing in the pit of his core turns his fingers brittle, creaking as he jams them into his phone screen.

He can't breathe.

Too many possibilities.

Untill-

Your boss got fed up with your phone ringing, screaming at you to go answer it since it was clearly more important than your job.

he was a prick

You answer it, the heat of your building anger curdling a deadly brew inside your soul. Without looking at the 200+ messages Han had sent you, you answer the 50th call of the day, immediately hissing into the speaker, "Do you know what you just did, Han? I got yelled at by my boss in the middle of a presentation because your clingy ass can’t exist without constantly needing my attention for more than 5 minutes. Stop texting me." Your finger smashes the end call button before unruffling your skirt and walking right back into the room.

Han feels like he might just melt straight into the seats, the way his whole body burns.

The whole world stops for a moment, the earth bleeding down the walls, swirling into pools of muddy color. He was sinking, lungs filling with the ink of a million different sweltering elements.

He ruins everything.

He was so wholly overwhelmed he could barely crawl into his car, desperately gripping the steering wheel while the earth collapsed in on him.

He ruins everything.

It's almost impossible to get to his house the way his tears blur the road.

(that's actually fr dangerous don't drive while crying)

He ruins everything.

He doesn't cry when you walk through the door.

He doesn't touch you when you run to him, standing over him, huddled on the floor.

He doesn't breathe as you cry over his body, twinkling in and out of consciousness.

He ruins everything.

Your makeup runs down your cheeks as you try to shake him awake.

He fainted in the kitchen. It wasn't uncommon when he was alone during his panic attacks, the anxiety ripping harsh bouts of oxygen from his lungs.

You squish his cheeks together, forcing his lips into a pout, shoving your faces together, pouring unadulterated passion into his system.

He short c i r c u i t s.

"I'm so sorry," you sob against his lips. "I didn't mean to be so mean. I didn't mean anything I said. I was just stressed, and I thought I sent the message telling you not to text me, and I didn't. I'm so sorry. I'm so, so sorry." Your voice is high and wet, pushing his mouth deeper into yours.

It would be sceintifically impossible for your lips to get any closer-

and yet his tries.

He pulls your trembling body into his lap, fireworks exploding from the ashes where your words had lain.

"So you don't think I'm clingy?" His voice cracks, fresh tears collecting on the outer corners of his eyes. You have never shaken your head so adamantly in your whole life.

"No, never, never ever."

"Then come here."

You two have never been so close before in your life, hearts tangling in your chests as he presses your body into his.

You were going to prove just how much you loved his touch.

:D

felix

Oh Felix, my kind sweethearted boy that deserves nothing less than prince treatment. He’s so kind, even though he’s so hurt. He’s actually scared he’s annoying you, so he makes himself more distant so he doesn’t bother you.

""Fuck, Felix, can you not see I am clearly just trying to relax? I mean, you don’t always have to be up my ass all the time," you snap, curling back up into the sheets Felix ripped off. You were exhausted—there was no excuse; you were just really tired. Felix, being the loving boyfriend he is, wanted to hold you while you slept, but of course, you being the dumb idiot you are, shouted at him.

are you stupid like fr cause like THE LEE FELIX WANTS TO HOLD YOU AND YOU SHOO HIM AWAY

you deserve federal prison

Felix is so many synonyms for destroyed that it should be physically impossible to still be alive with a heart that lies shattered in the pit of his stomach.

Felix doesnt know how to feel sad, angry, hurt, upest, embarrassed.

He just clenches his jaw, trying to keep his bottom lip from trembling.

Felix has always been secretly self-conscious about the way he expresses his love toward people, often being very touchy-feely. He understands that this isn’t everybody's favorite thing and how it can get fairly annoying.

He’s already so terrified you’re going to leave him; he overanalyzes every interaction.

But this interaction did not need to be analyzed to know what you meant. You were very direct about that.

The way your venomous words attached to his stomach, pumping him with poison that swirled his stomach sick.

You don’t apologize when you wake up, not believing you need to justify yourself. He was being clingy, and you had every right to express your opinion about it.

im going to punch this bitch in the face

As surprising as this is, he actually doesn’t cry about it. He doesn’t cry about it because he is so worried that him crying about it would annoy you, so he would rather let his sadness seep into the back of his brain than show you emotions that could potentially turn you off.

Like I said, destructively kind.

He really takes what you said to heart, trying his best not to give you any skinship unless it’s to guide you through a crowded room or pull you away from the bustling activity of the road, holding your hand until you get to your destination.

He actually feels like he can’t function without your touch, but he muscles through it, relishing in the small actions he can get.

He tries to show his love in other little things that aren’t physical touch. It gets to the point where he is so deep in his head he shies away when you try to initiate skinship, terrified he’s going to get back into the habit of the joy of touching you and make himself seem annoying again.

He’s so beyond scared of being a nuisance.

It’s been two weeks with this flighty physical touch, and it all finally starts to click when you notice his smile isn’t nearly as bright anymore and some of the stars in his eyes have faded away.

"I want you to be clingy again, please, please, please. I mean, cling wrap, Kola. If you ever think you’re being too clingy, please hug me a little tighter. I’m an idiot, a complete and utter moron. Really, I should be evaluated on why I am even able to exist in society."

His heart literally bursts so relieved he can finally touch you again.

He gives you the most dopamine-coddling, brain-boggling cuddles known to mankind that night.

Your skin is so close together it feels like there isn’t a part of your body Felix doesn’t occupy.

He has created a home in your heart that no other man will ever stay, where he will rest until the day you fade away.

seungmin

Oh bro is pissed

"You're so clingy," you deadpan as his arms wrap around your waist. You had seen a stupid TikTok prank on your For You page and had the brilliant idea to try it on your boyfriend. But the way his whole body tenses against your skin, muscles rippling underneath your fingertips, you know you are so beyond fucked. "What did you just say to me, baby?"

well you just signed your death certificate

So many ideas brewing in that beautiful head of his-

Like, your ass will be red, your stomach will be painted, your mouth will be filled, and you will be descending into the grave. Like all the rest are lovey-dovey 'I’m sorrys,' no—your sorry will be told on your knees.

He will edge you intill you are teetering on the ledge of oblivion

"You want to cum, baby?" He's so condescending, easily lifting your waist from the sheets, his sticky fingers creating bruises when he pins your legs down to gain more access to ruthlessly abuse your g-spot.

"Yes, Yes, Yes, please," you beg, body trembling on the bed, large qaukes of pleasure rushing through your bones as his mean fingers plunge into your messy cunt.

"But that would be too clingy wouldn't it?"

oh how i want his fingers

(this one is really short bc i hate writing smut but i feel like this would be smutty)

jeongin

I honestly have no clue. I feel like he’d be more confused than anything because, like, me?

clingy?

mf I barely touch you?

Honestly, kind of annoyed more than sad—like pissed that as soon as he wants to touch you, you think he's clingy. But he's like Chan in the fact that he sees past your words and into the anger brewing in your eyes, allowing both you and him to cool off before he says something he will regret.

He just walks out of the room and lets you calm down.

I am also a firm believer that this man is healthy as hell.

He could tell that his heart was starting to beat a little too hard and his head was getting a little too fuzzy with all the raging words he wanted to say. But instead, he just walks away and lets you calm down, then talks to you about it before you go to bed because he is also an extremely firm believer in the fact that you should NEVER go to bed angry.

this one is shorter bc like I'm lowkey running out of motivation and ideas

did you like this? check out my new series a love lived in between the stars and the sea here

or maybe read doomsday here

[anneapocalypse]

On Wuk Lamat, and Female Characters in FFXIV

The Thing with Wuk Lamat is you can tell me you think she had too much screentime; you can give me numbers on how many lines she had or how many scenes she's in relative to other characters or other expacs; you can prove to me "objectively" that she gets more focus than other main NPCs; you're simply not going to convince me that this is something I should be unhappy about. And not just because it's silly to think you can use numbers to prove a story is good or bad and make someone else go, "Wow, you're right, let me just throw away all the joy I experienced with this story and revise my opinion because you've scientifically proven to me that I'm wrong."

Because while I love Final Fantasy XIV and I have greatly enjoyed its story in so many ways, fundamentally one of my biggest beefs with this game has been how much female characters have been denied complex character arcs and growth and agency and interiority.

Minfilia gets treated as a sacrificial vessel who lives for everyone but herself and doesn't even get to have feelings about her own death because that entire arc is focused on a male character's angst about it instead. The game tells us in the Heavensward patches that Krile sees Minfilia as her best friend and then just forgets about that later and never follows up on what that loss must have meant to her. Ysayle is basically right about most of what she's fighting for but harboring a bit of self-delusion is apparently such a terrible sin that she has to pay for it with her life, while her male foil is deemed so worthy of salvation that there's a whole plot point about how important it is that we risk our lives and others' lives to save him. Y'shtola is a major character who's been around since the beginning, and the game keeps dropping maddeningly interesting things about her (apprenticed to a cranky old witch in a cave! saved her own life and the lives of her friends with an illegal and dangerous spell and it worked! reserved and undemonstrative yet regularly through her actions reveals herself to be deeply caring! disabled!) and then shows complete disinterest in following up on any of those things with the kind of depth and care shown to male characters with complex arcs like Urianger.

In general there is also a repeated thread of female characters being portrayed as weak or overly emotional: Minfilia is weak because she doesn't fight and needs to be eaten by a god in order to gain "a strength long sought." Krile is portrayed as not being able to pull her weight with the Scions (despite the fact that she actively keeps five of them from dying in Shadowbringers) and the only thing they could think of for her to do in Endwalker was be yet another vessel for Hydaelyn (hmm, that sounds familiar) and it's not until Dawntrail that she gets much actual character development in the main story and even that has to come alongside "Look, she can fight now so that means she's useful." (And I love Picto!Krile, I'm just saying, there's a pattern.) Alisaie, despite having very good reasons for needing to find her own path apart from her brother, is portrayed as having to prove herself when she returns, that she's "not the girl she once was," and "will not be a burden" (while Alphinaud is repeatedly given the benefit of the doubt and reassurance and affirmation from other characters even after he takes on responsibilities he isn't ready for and fucks up big time).

And if you follow me you know I adore Urianger, and I love Alphinaud and Thancred and Estinien too, so please don't misunderstand what I'm saying here! I'm not knocking those characters, or saying we shouldn't also love them. I just use them as a comparison to demonstrate how the female characters have been neglected.

Lyse has some of the stronger character development among the female Scions, and while she's still kind of portrayed as being too emotional and hotheaded in early Stormblood, I think it's actually explored in more depth in a way that I like; Lyse has good reasons for wanting to fight for her nation's freedom, but having been away from Ala Mhigo for several years now, she needs to understand the stakes for the people who've been there fighting for years, what they've lost and still have to lose. She grows as a person and rises to the challenge of leadership, and I'm even okay with the fact that she leaves the Scions afterward because it feels right for her to stay in Ala Mhigo, and at least she doesn't die.

And by all accounts she was, like Wuk Lamat, widely hated when her expansion came out.

Unironically I think the other female Scion with the strongest character arc is Tataru. She tries to take up a combat job, finds that it's not for her, and decides to focus on where her strengths are instead. In doing so, she both holds the Scions together as an organization in the absence of a leader by capably managing their finances, and also comes into her own as a businesswoman and makes international connections that benefit both the Scions and her personally. In contrast to Minfilia, she's not portrayed as weak because she doesn't fight, and is actually allowed to be an important character who's good for more than being sacrificed. Tataru is still distinctly in a supporting role for the player character, however, and her character arc happens as a side story that takes up a relatively small amount of screentime over several expansions, which I think is probably why she doesn't evoke such a negative reaction.

But there is a pattern of the game's writing showing disinterest in the interior lives of female characters generally, and in making their growth the focus of a story.

So yeah, I'm going to be happy about Wuk Lamat! I'm going to enjoy and celebrate every moment of her character arc, of her personal growth, of watching her put the lessons she's learned into action. I'm going to love and treasure every moment when she gets to be silly, embarrassing, emotional, scared, grieving, confused, upset, seasick, impulsive, and still deemed worthy of growing into a hero and a leader. I will love her with all of my soul and you simply will not convince me that it wasn't worth the screentime after such a profound imbalance for basically the entirety of the game. We've never had a major female character get such a strong arc with this much love and attention put into it and that means more to me than I can truly say. The backlash to it is disheartening, as this kind of thing always is, but I'm not going to let it ruin the wonderful experience I had playing it and how much joy it continues to bring me.

And for those of you who don't want any of that for a female character, thank goodness you have Heavensward and Shadowbringers and Endwalker and no one can take those away from you.

(And if you follow me you know that I love Shadowbringers and Endwalker and have very fond memories of Heavensward despite some issues with it, so not only can I not take that from you, I am not trying to!)

Some of us have been real hungry for a character like this with an arc like this, so, I think, y'know, maybe we can have that. As a treat.

[steddie-island]

Life finds a way

Written for week 5 of @softsteddieseptember | Prompt: Adoption Rating: G | WC: 1,113 | Tags: Established Steddie, mention of Al being in jail, anxiety about becoming parents ao3 | Divider credit

The plastic seat dug into the backs of Steve's thighs. They'd been sitting in the waiting room for over an hour now. At least Eddie had stopped pacing, had settled for bouncing his leg up and down and fidgeting with the cap of his water bottle.

"Hey." Steve reached over to catch Eddie's hand. He threaded their fingers together and gave a gentle squeeze. "We'll be okay. We can do this."

"Yeah." Eddie didn't sound so sure. He brought his other hand to his mouth to start chewing on his cuticles. It was the same position he'd sat in the night before, only Steve wasn't across from him this time.

Steve rested his chin on Eddie's shoulder and switched which hand he had laced with Eddie's, so he could wrap his other arm around his partner's back. "We'll be okay."

"We've done this before."

"Not like this," Eddie murmured. "Not with— not with someone so small. What if— what if I fuck up? What if I don't know what I'm doing and I fuck up in a way that— that can't be fixed? That I can't take back? What then?"

Eddie's hair was bigger, wilder than it normally was, showing just how many times he'd dragged his hands through it, or had his face hidden in his palms. There was a half empty pack of cigarettes on the table that Steve knew for a fact had only been opened a couple of hours earlier.

"We might fuck up, but it won't be on purpose. Everyone fucks up sometimes." Steve kissed Eddie's knuckles. "I'm not saying it won't be hard, but we can do it. And they're your siblings."

That earned a sound that halfway between a scoff and a whine. "I know. I know. What the fuck— he's old, he's not supposed to be out there just— making more kids he can't take care of."

It'd been a week since the call from the state. A week since they'd found out Al was in jail again, leaving behind two kids that no one else wanted to take responsibility for.

Steve wasn't sure he'd ever seen Eddie this torn up before.

"There are a lot of people out there doing that." Steve caught Eddie's other hand and held them to his own chest. "We don't have to do this. If you really think we can't do it, if you don't want to—"

"I want to," Eddie said quickly, his eyes going wide. "We've talked about having kids before, I just… didn't think this would be how it happened."

"I know. I didn't, either. I didn't think it would be like this, or be so soon…"

"Yeah. Yeah, fuck." Eddie pushed his fingers through his hair again. "I'm scared, Stevie."

Steve cupped Eddie's face between his palms. "It'll be hard. I'm not saying it won't be. We might fuck up. We will fuck up, there's no way for us not to." He smiled a little. "But those kids will be so loved. They'll never have to wonder for even a second whether we love them."

Moisture welled up in Eddie's eyes. He cleared his throat, blinked the tears back, nodded. "Yeah. Yeah, we have that going for us," he said. "And… you want this? With me? You want to do this?"

Steve pulled him in, kissed him gently before resting their foreheads together. "I've never wanted anything more in my life," he admitted. "If you're in, I'm in."

Eddie wrapped his arms around Steve's back, pulling him closer until Steve was sitting in his lap. He brushed their lips together before meeting those eyes he would never get tired of getting lost in. "I'm in."

"Mr. Munson?"

Eddie jerked up out of his seat, nearly dropping his water bottle in the process. "Here— I mean, that's— me."

Steve stood up, too, as the caseworker they'd already met with to fill out paperwork came through the door. There was a bundle in one arm, and her other was holding the hand of a little kid with dark curls and darker eyes.

Steve had always thought that Eddie got his looks from his mom, but those eyes were Eddie's. "Oh…"

There was a soft intake of air. Eddie took a cautious step forward, then squatted down so he was even with the kid in front of him. "Hey, sweetheart. What's your name?"

The kid shot a shy look up to the caseworker, then back to Eddie. "Andrew," he said, but it came out more like Andwew.

"Hi, Andrew. I'm Eddie." He smiled and held his hand out, and Steve melted as the little boy in front of them took Eddie's hand. "You'll be coming to stay with us for a little while."

Andrew bit his lips and looked up at the caseworker. There was so much Eddie in that nervous little glance. "Sissy, too?" he asked.

Eddie gave him a nod. "Yeah. Both of you."

The caseworker smiled and smoothed a hand over Andrew's curls. "They're very nice," she said. "They'll take good care of you."

Andrew looked past Eddie to Steve for the first time. "Who him?" he asked.

Steve squatted beside Eddie and held his hand out, too, just like Eddie had done. "I'm Steve. I'll be taking care of you, too." He gestured to the shirt Andrew was wearing. "Do you like dinosaurs?"

"Yeah." He ran a pudgy little hand over the print of his shirt. "They go—" He held his hands up like claws and made a dinosaur roaring sound.

Oh, yeah. This kid was a mini Eddie, and Steve was in love.

"They do! They're so cool, aren't they?" Eddie looked at Steve, his eyes swimming, his smile wide. "How about we take you and your sister home, we can make some dinosaur nuggets and watch a movie?"

Andrew perked up at the offer, and he didn't look back to the caseworker this time. "Can we?"

"Yeah!" Eddie straightened up and offered Andrew his hand. "We definitely can, if you want to!"

"Okay!"

Steve stood and held his arms out for the baby wrapped in a soft yellow blanket. He could make out her dark hair, not as curly as her big brothers' hair but the same dark shade of brown. That was definitely Eddie's mouth, too. "Hi, sweetheart. You're coming home with us," he murmured.

"Call if you need anything," the caseworker said with a squeeze to Steve's elbow and a smile at Eddie. "I'll check in in a few days."

"Thank you," Eddie said. He bent to pick Andrew up, then rested a hand at the small of Steve's back to guide him to the door. "C'mon. Let's go home."

[captainjonnitkessler]

I understand if you want to stay out of it but I’m curious as to you’re thoughts on this discourse

https://www.tumblr.com/dappercat123/737173649266737152/your-arguments-sum-to-in-my-perfect-world-there

Anon, I'm going to be entirely honest with you. I have been waiting for an excuse to put my thoughts about this down. Forewarning that this is going to be long and take a dim view of organized religion.

TL;DR: I think everyone in that thread is maliciously misinterpreting evilsoup's point, which is basically that they think Gene Roddenberry was right about what a post-utopian society would look like re: religion. And you can agree or disagree about whether a post-religious utopia is likely or desirable, but to say that anyone who thinks it is is actively calling for and encouraging genocide is a gross misuse of the term (especially coming from at least one person that I'm pretty sure is currently denying an actively ongoing actual fucking genocide).

@evilsoup can correct me if I'm misinterpreting their points, but as far as I see it there are two main points being made:

A) In a perfect utopia with absolutely no source of oppression, marginalization, or disparity, religion would naturally whither away with no outside pressure being applied.

B) This would be a good or at least a neutral thing.

As far as A) goes - a lot of the responses evilsoup got were basically "well *I* would never choose to be nonreligious, so therefore the only way to create that world would be by force, and therefore you are calling for literal genocide". But aside from the fact that evilsoup was very, very clear that they thought this would be a *natural* event and that trying to force people to be nonreligious would be evil - we're not talking about (general) you. You can be as religious as you want but you don't get to make that choice for your grandkids, or your great-great-great grandkids, or your great-great-great-great-great-etc. grandkids. Just because religion is an integral part of your identity doesn't mean it's something you can pass down, and if you're not comfortable with the idea that your kids might choose to leave your religion, you shouldn't have kids.

I personally don't foresee religion disappearing entirely, but it is pretty consistent that as a country becomes happier, healthier, and wealthier, it also becomes less religious. Religiosity is inversely correlated with progressive values. And the more democratic and secular a nation is, the less powerful religious authorities become - In the 1600s blasphemy and atheism were punishable by death* in Massachusetts and today I can call the Pope a cunt to his face** on Twitter with no repercussions whatsoever. Political secularism is an absolute necessity for true democracy and it necessitates removing power from religious authorities, which has and will likely continue to lead to a decline in religiosity - not just a decline in how many people identify as religious, but also a decline in how religious the remaining people are.

*Blasphemy laws and death penalties for blasphemers/apostates are still VERY much a thing in many places. It's hard to see a path where those places become more democratic but don't become more secular and repeal those laws.

**Well, to the face of whoever runs his Twitter account, but the point remains.

I also believe that many religious communities have been held together for so long via coercion - either internal coercion like blasphemy and apostasy laws, shunning, and threats of hell or other supernatural punishment, or external coercion like oppression from the majority religious group or ethnic cleansings. In a perfect utopia, neither form of coercion would exist and I don't think it's crazy to think that religiosity would drop severely and become a much less important part of people's identities, in the way I think the queer community would not exist in a world where queerphobia didn't exist.

ANYWAY, all this is actually kind of moot. It could happen, it could not, nobody is calling for it to be forced so we'll just have to wait and see. The real point of disagreement is on B).

I'm gonna be honest - I think a lot of the responders are rank hypocrites and are really hung up on the idea of cultural purity, which is something I'm wildly uncomfortable with.

First of all, the idea that a deeply-held religious belief could be diluted until it's just a cultural thing that nobody really remembers the origins of isn't some evil mastermind plot evilsoup is trying to concoct, it's just how cultures work. There's tons of stuff about American culture that are vaguely rooted in what were once deeply-held beliefs and are now entertainment. Halloween is rooted in sacred tradition and now it's a day to dress up and get candy. Christmas is one of the most sacred holidays in Christianity but nobody bats an eye if a non-Christian puts up some lights or decorates a tree just because it's fun. I have no doubt that every culture on Earth has traditions that used to be deeply sacred but are now just fun family traditions. People in Japan use Christian symbology as an "exotic, mythical" aesthetic the exact same way people in the West use Eastern symbology. And if you're okay with it happening to Christianity, why wouldn't you be okay with it happening to any other religion in the absence of oppression?

And there's the idea that if a culture fails to get passed down *exactly* as it is now, it's a terrible loss and the result of malicious outside influence. But . . . cultures change over time. No culture is the same now as it was two or five or eight hundred years ago and I don't believe that change is inherently loss. The things that are sacred to you may or may not be sacred to the people of your culture in the future. That's just the way things work, and I don't think it's inherently good or bad.

And finally, people keep accusing evilsoup of "just wanting everyone to assimilate to your culture", but it absolutely does not follow that a lack of religion means a lack of diversity. Different nonreligious cultures are every bit as capable of being diverse as different religious cultures, so it's weird to insist that evilsoup wants there to only be one culture when they never said anything to indicate that.

[centrally-unplanned]

Time for a pet peeve take response - let me capture our target below:

[Unpopular Fantasy Opinion Take:] The fantasy genre by-and-large took the wrong takeaway from Tolkien, and has been generally spiraling since as a result. They took his surface-level aesthetics and fantastical elements, and left his engagement with real, historical texts, his philology & his moral seriosity. In a different timeline, subsequent authors would have adopted Tolkien's erudite love of language and mythology and applied it to other cultures & mythologies - not just superficially, but by engaging with the great Chinese novels or the Shahnameh like he did with Beowulf. Even when you *do* see more recent novels "inspired by" other cultures, they are very blatantly just taking the (degraded distillate of the) Western, Tolkien-esque tradition and coating it in a thin veneer of Chinese or Mesoamerican lore.

This is not the first time I have seen this specific take, and it is part of a "fallen literature" genre that is always confusing supply & demand, with a hefty bout of selection bias for good measure.

To get the obvious out of the way, the "lessons" people took from Tolkien are entirely what audiences want to read, and were never going to be any other way. Most people don't wanna read hard, heavy books! Even if they want that sometimes, for every one Gravity's Rainbow they are gonna read a dozen Gone Girl's as a palette-cleansing snack, which means by-the-numbers the latter will dominate. Fantasy did not invent the genre of adventure stories and swashbuckling heroes and hot maidens to woo and mystical mumbo-jumbo; people stapling tried-and-true genre tropes onto elves and orcs once they took off was a given. The "shallow" part was the only part that could have changed; a world where the median fantasy novel is dealing with theological issues could never have been.

And to top this all off, no disrespect to Tolkien at all, but like...he isn't that deep? The "moral seriousness" of the Lord of the Rings is very simple - characters are often cartoonishly evil or blatantly good, the conflicts they face are often black and white, and in particular the moral dilemmas faced by characters boil down to tests of courage more than half the time. What Tolkien does have is his own unique interests? Like in Middle Earth the "act of creation", from art to life, is itself a moral undertaking with metaphysical implications. This is super cool - but it is also again very simple, it is barely even discussed in the novels and his ideas can be summarized in a paragraph. This is all good btw! The novels would not benefit from more complicated morality. But modern books are just as complex, and often more so.

Actually just a little aside here - a lot of people do this thing with Tolkien where they mention his letters and drafts like that is canonical story text? Yeah he wrote like an essay about the theological implications of the various orc origin stories, but he didn't publish that, it is nowhere in the Lord of the Rings and is barely in the Silmarillion. Other authors have notes like those; you just don't read them.

And the "other cultures" stuff is particularly egregious - I'm sorry, are we just not reading many modern stories? You think Spinning Silver isn't pulling great threads from Slavic folklore? You think the Chinese Gays in Mo Dao Zu Shi/The Untamed aren't dropping refs to Daoism and the four classics in between their will-they-won't-they necromancy shenanigans? In response this author would, of course, pivot from their bailey of "no one references other traditions" to the motte of "and if they do it is shallow" with no definition of what qualifies as such, nor again any admittance that audiences care way more about getting the gays than the deep cut cultural refs. The fact that the median person in the west prefers their Dungeons & Dragons campaigns in a default Tolkien-esque setting because the point is to have a comfortable backdrop for ease of play of a combat dice game will just not factor into their analysis.

The elephant in the room for all of this is that foundational texts differ, structurally, from modern texts, because they were made in different environments. The Lord of the Rings probably wouldn't sell well today! The prose is wooden, the characters are flat, it throws random lore it never explains at you, Tom Bombadil is just there as a walking momentum-destroying plot hole, etc. People read it because it was a first in a world that didn't have books committing to this level of world-building & detail in a fantasy environment. And as a new genre, things like his crazy level of language building are appealing, it's all so new and different, something cool to dig into.

But imagine picking up your 185th elves-and-orcs sword & sorcery book in 1998 and reading "ah yes Quenya is just one of two alphabets for the Elven tongue and it is inspired by Finnish-Germanic and I write entire poems in it even though I never finished a cohesive dictionary or grammar system but I do have 15 pages of pronunciation notes"?? You would throw at it at a fucking wall, absolutely insufferable. It was cool the first time, and that is why you learn Elvish, just like you learn Klingon. That was never gonna keep as a zeitgeist - instead just popping up here or there as this or that series takes off.

You have to accept that audiences are in the driver's seat on this one - they have infinite stories to choose from, they are absolutely not being dragged along by willful writers. Which means genres will evolve and change over time - and that is fine.

[raven-at-the-writing-desk]

He’s not a NRC student but…

Rollo: “What are YOU doing here?” (Assuming that pre Playful Land piece you wrote happened and Rollo just happened to be at NRC for whatever reason.)

[Referencing this fic!]

This interaction is fr the "wow, these people are so weird; thank god I'm the normal one" meme 🤡 Pretend Gidel's off chasing butterflies or something--

So tell me, do you wanna go?

“What are YOU doing here?!”

The words had been taken right out of his mouth. They were spoken simultaneously, two accusatory fingers pointing in the opposite directions. One away from him, one toward…

A young man with a silvery bowl cut, bangs short, dark circles under his even darker eyes shaded by a tricone hat. His robes were elaborate in their stitching, golden thread spinning into flowers that hugged his waist and circles his arms. The aura he radiated was quiet but intense, all the heat and power of a devastating wildfire contained in a single human being.

“I remember you!” Fellow cried, brusque with his declaration. “You’re that shitty brat with the awful personality! The one that brushed us off at the docks and threatened to set me on fire!"

"And you are the incredibly shifty, invasive conman who sought to lure innocent children into the claws of magic." Rollo grimaced, pressing a handkerchief to his nose. "... It seems you've dropped the polite pretenses since our last encounter."

"Yeah, well, no point in puttin' on those airs anymore. I left my last job, so I'm not obligated to kiss ass."

"How... good for you."

Rollo’s reply, while curt, was phrased politely enough—but the pause stuck out. His eyes burned with disdain, as though he were regarding something offensive. A piece of trash, maybe. No, dirt. Perhaps something even lower than dirt.

Rollo averted his gaze, as if to end the conversation then and there. The dismissive motion grinded Fellow’s gears, sandpaper rubbing on his skin.

What, am I not worth his time to talk to? Who does he think he is?!

Fellow clenched his jaw and forced a smile. “So, my good man! What have you been up to since we last met, hmm?”

“… Official business.” Rollo glanced at the documents tucked under one of his arms. “As Student Council President of Noble Bell College, it falls to me to act as our representative and to engage with other magic schools.”

Fellow blew out air through his teeth. “You’re a real hotshot, huh?”

One of the lucky ones, polished and put on a pedestal. Envy tugged at Fellow’s heartstrings. What he would give to be a part of that glittering world, not a worry to his name.

“One could say that, yes.” Rollo seemed to be frowning with his entire body. His expression, his posture. “Hmph. It is a burden I did not ask for. How troublesome.”

Fellow straightened—irked. “What are you talking about? You have any idea how many people would kill to be where you are? Be a little more grateful, wouldja?”

“Excuse me?” Rollo’s brows twitched. “Who are you to judge others and determine how they ought to behave?”

“You don’t have to be a somebody with a fancy title to know when there’s a bad seed around.”

“You do not know me,” Rollo said icily. “Do not presume that you do.”

You could never understand what I’ve been through!!

He looked the beastman up and down, noting the patchwork in his attire, the holes in his façade. “… Pray forgive that I do not place much stock in your word. You do not present as a scholar, nor an upstanding adult of any sort.”

The comment cut deep, striking at his core. Fellow lashed out in defense.

“S-So what?! I don’t need a hoity toity kid like you labelling me. You’re bound to school and its rules. Me? I’m free to go wherever I like, whenever I please.”

Rollo sniffed, unimpressed. “So you claim—yet you linger at the feet of this institution of those who worship sin. It’s perfectly clear what your motive is, Mr. Honest. Like an parasite drawn to rotting fruit, you seek to be in the vicinity of that power, hoping to leech some of it for yourself. You too are one of the mindless sheep clamoring for a crumb of magic, not recognizing that pursuit will inevitably lead to your demise.”

Fellow blinked. His anger wavered, mixing with confusion. “Wh-What the hell, kid! You always gotta talk like a doomer?! Unclench your face for a second and take a breather, sheesh! I’m getting depressed just standing here listening to you mouth off.”

Rollo scoffed. “If you ask me, you do not take life seriously enough.”

“Life’s meant to be fun. Not all work, no play. You’ll become a dull and jaded grown-up if you keep going down this path.”

“I would rather be that than a fool who holds fast to his childish delusions.”

"Psssh. Least I'm not a hardass. All the privilege in the world and you still gotta act all sour."

Rollo stared at him, his gaze cold and steely. Fellow returned it. The same thought filled both of their heads.

He isn't satisfied with what he has now. He wants something more for himself than this. He's...

Deplorable, Rollo thought.

A greedy bastard, Fellow thought.

And when, at last, the staring became too much for either to bare, Rollo coughed into a fist. "If you will excuse me. I mustn't dawdle. These documents have to be delivered to Headmaster Crowley in a timely manner."

He paused deliberately.

"... I will pray for you," Rollo murmured as he walked off, his steps brisk and snappy.

Fellow gawked after him, appalled.

"Yeah, good riddance!" he hollered. "Hope the door hits ya on the way out!!"

[disniq]

heyyy it's the tropes jason anon again back at it with a new question! what quotes from the comic books would you say describe jason & his philosophy well? thank you so, so much for helping me out ❤

Hi again Anon!

Full disclosure here; I don't think Jason has been written consistently enough over the years to necessarily have one set, inarguable philosophy. But I do think there are certain themes that carry through.

So;

Red Hood: Lost Days #3

This is, notably, the first time Jason kills. (I'm not including Garzonas, which is debatable, or the Cheer incident, which is a retcon) He finds out his hand-to-hand teacher has a barn full of drugged children about to be sex trafficked. The cops and politicians are in on it, making lawful justice extremely unlikely, but taking out one man takes out the system. Jason crosses that line for the first time because nobody else is there to stop it, and this is the most practical route.

He does not see it as "murder" because he feels it was deserved.

Red Hood: Lost Days #4

After that line has been crossed - as Talia points out here - a pattern emerges. It's notable that Jason does not kill all his dubiously skilled teachers, only the ones he deems the worst of the worst - people deliberately and repeatedly harming everyday people, especially children.

Jason reiterates this in his famous utrh speech. He's not talking about killing every rogue, every criminal. He's talking about killing the worst of the worst, the people who can finagle their way out of the system, the people the system fails to catch.

Under the Red Hood

It would be remiss of me not to include that one time Jason killed a nazi. Good for her dot gif.

To Jason, these people are beyond the regular means of justice, so he provides his own. He stops them from hurting anybody else.

This is not an exclusively post-resurrection opinion of his, either. Jason expressed similar thoughts during his Robin run.

Batman #422 (thank you @benbamboozled 😘)

This woman, Judy, baited her sister's murderer into attacking her too and then slits his throat. She's unrepentant, and Jason agrees with her decision. (Bruce, for the record, gives a speech on how "nobody is above the law" which is. An interesting stance for an illegally operating vigilante to take lmao)

It makes sense to me that Jason, as someone who has seen the system fail repeatedly (both as a civilian and as a hero), would have those kinds of doubts. The system doesn't always work. The system often fails the most vulnerable people.

When Bruce was failed by the Gotham justice system, he became his own extra-judicial system. When Jason is failed by both the justice system *and* Bruce's own vigilante system? Why wouldn't he do the same.

Unfortunately, this thread is mostly dropped for a while with the wave of writers who either actively hate Jason and try to make him capital E Evil or who are playing shameless self insert with him, but there are two more recent panels that I want to include too;

Task Force Z #12

So, in TFZ, Jason pushes who he thinks is Bane off a roof for killing Alfred. It... is not actually Bane, but instead the brainwashed former corpse of Gotham re-reanimated via comicbook science and. You know what, it doesn't matter. What does matter is that Jason regrets killing Gotham because he didn't deserve it, but reiterates that he will kill the real Bane if he gets a chance.

Jason sees killing as something he can do that others can't, that others maybe *shouldn't* have to do.

The Joker: The Man Who Stopped Laughing #8

And finally, I adore this little beat in JTMWSL. This is something Jason thinks about. He's not just some brute that doesn't understand that "killing is bad". He thinks about it, reads theory about it. He sees that between the black and white, there are many, many shades of gray.

He understands that people who don't kill with their own hands aren't necessarily good people - like these cops here, gleefully waiting for him to be killed in prison. And that the people who *do* get their hands dirty aren't necessarily the bad guys - like poor Judy.

And I think he probably varies where he places himself on that scale at any given moment.

[the-fiction-witch]

No Girls?

Media The Maze Runner : Death Cure

Character Newt

Couple Newt X Reader

Rating Smutty / Flirty

Concept A Glade with No Girls

Smut: Sexy Discussions / Sexual Language / Semi Nudity

I sat watching the ocean shift and change with each of its little waves, the ship to the side being worked on relentlessly by anyone with enough skill to do so. I sat repairing various clothes and tent flaps that had been dropped off to me a skill I'd always used and honestly enjoyed something about sitting down with a needle and some thread was so very calming indeed. But I wasn't alone I had newt beside me one of the group A boys who had gotten cosy with Vince I got along with most of them but newt especially we had a comfort with each other I suppose he had a day off from his usual work welding and cutting metal work on the ship a task Vince trained him in as his steady hand was well suited for it. But today he was resting his ankle up sitting with me as I worked. 

"Why didn't you try a big ladder?'

"We did. Couldn't build one big enough."

"What about like scaffolding?'

"Y/n I don't know how else to explain this to you the walls were too big to do that." 

"Did you try a big stick?" I asked and he glared at me "do like a pole vault" 

"Your really just not getting how big these walls are"

"No if it's a wall it can be scaled." 

"Okay so if you could get to the top then what?"

"Walk along the top."

"That doesn't connect. And moves every night"

"Fine. Still sounds dull"

"Says the girl who lived in a shopping centre with a bunch of cranks for two years"

"I wore stylish pre apocalypse fashion, ate so many fancy candies and slept on a whole bed of teddy bears. My life was awesome" 

"Sure sounds like it" he laughed

"So how many girls again?'

"One"

"Ooohh bet you boys fought over her. Or what she just one of those free love types who'd let all of you straight boys at her"

"No, she was only in the glade a week so"

"How long were you in there?'

"Three years"

"And you had one girl for a week?'

"Yeah'

"I'm surprised she got out the box without being drowned"

"...by what?" 

"A river of goo"

He glared at me again "we didn't all immediately jizz ourselves when we saw a girl"

"Really? Cause I think sixty boys in a large maze together for three years would be pretty hyped for a girl. Except the gay guys they probably didn't care all that much. Bisexuals hyped over threewaY possibilities. Asexuals wouldn't really care either" I explained

"I mean Thomas may have jizzed himself but that's because she's his girlfriend"

"Ohh. But you really spent three years with nothing but big smelly boys?"

"Yeah, and it wasn't that bad we had showers"

"Yeah I know what boys are like you showered once in a month if your lucky"

"...true." he sighed 

"Didn't you have buckets too?'

"Yeah for klunk" 

"Did you have laundry?'

'not really. Just brush it off if it gets dirt on it"

"Ugggh I get why the one girl lasted a week she probably couldn't stand the smell, sweaty smell unwashed teenage boys who don't wash their laundry and have shit buckets, all allowed to fester and go all sour"

"Okay now you say it… we probably were disgusting" 

"You shower more now right?"

"Every other day, I would everyday but the showers aren't that private…" 

"Awwww you shy newt?" I giggled

"Shy? Don't want people seeing my dick? Whatever you wanna call it" 

"But really no girls?"

"No girls."

"Awwww poor newtie spent all the formative teen time without anything to imagine" 

"I can imagine. I have an imagination"

"But you spent all that time without comparison. From when you where a tiny baby boy to now big strong boy" I smiled leaning on his shoulder 

"It wasn't that bad"

"What did you use to do? At night?"

"Sleep?"

"Newt, you were trapped in their from what 13 onwards. Your really going to try and tell me you didn't.. you know after lights out" 

"Did you?'

"Constantly I was bored. It helps me sleep"

"Do you… still?"

"Yeah, why?"

"Just… curious" he blushed "no, I uhh never really had time, or the privacy"

"Awwwwww poor newtie." I giggled hugging him tightly and immediately I noticed "hi"

"Hi"

"Be careful with that I only just repaired those pants newt" I warned him going back to my sewing as he turned bright red "newt?'

'yes?" 

"You ever seen boobs?"

"... How much boob?"

"How much have you seen?"

"I saw Teresa's in her shirt… and also a little down her shirt"

"Dirty boy"

"She was laying down it wasn't intentional!"

"That it?"

"That's it" 

"You ever touched a boob?"

"Nope"

"You ever seen ass?"

"I mean I've seen Minho. And fry. Infact most boys"

"I meant girls"

"No."

"Ever seen a? Lady area?"

"No,"

"... would you want to?" I asked 

He went bright red stuttering a lot barely able to make eye contact with me "I mean uhhh well I uhh I guess I uhh what I mean is uhh kinda"

I chuckled and finished my last few stitches throwing my finished work in the basket "you're sweet newt" I smiled moving to stand In Front of him and I lifted my shirt long enough for him to look before dropping it back down and giving his cheek a kiss even if he was basically frozen with his eyes wide in place "see you later" I laughed taking my basket and headed back to camp 

[drabblesandimagines]

Omg happy early birthday!! 🎈🎂 I hope your birthday week is phenomenal and you are able to spend it with all your loved ones! ❤️🩵🩷 Thank you for providing such wonderful writing with such good portrayals of many characters. You are without a doubt one of my favorite writers 🫶🏻💫

As for the ask, I'm thinking about a laid back breakfast in bed with Leon. Up to you though.

Again happy early birthday 🥳🎉

Thank you so much, sweet anon! And, eee, that's so sweet of you! I'm truly honoured that anyone my stuff, but to read that I'm one of your favourite writers is so mind-blowing!

Hope you enjoy x

Breakfast In Bed Leon Kennedy x female reader, fluff

You wake up, alone, to an annoying, repetitive and shrill beep, but it’s not your alarm clock…

You sit bolt upright with in realisation.

It's the smoke alarm.

You wrestle the covers that have become entwined between your legs as you slept and stumble out of bed in a panic, nearly face-planting into the door. You throw the door open to a whiff of acrid smoke, and hear Leon curse from the kitchen in between the beeps.

By the time you get to the kitchen, you find your boyfriend frantically whipping a tea towel back and forth at the smoke alarm, the windows now thrown wide open, and a smoldering frying pan of something in the sink.

The beeping finally ceases and Leon gives it one last whack of the tea towel as he sighs in relief. He runs a hand through his hair, places the other on his hip and turns - his eyes widen when he sees you stood there. You tilt your head inquisitively.

“What…!”

Before you can finish your question, Leon has stepped forward and thrown you over his shoulder. “Uh-uh, nope. The birthday girl gets breakfast in bed.”

“Leon!” You protest, unable to hold back a giggle as he strides back towards the bedroom and carefully drops you onto the mattress in a practiced motion.

“Mm-mm, it’s tradition.”  

“Is it tradition to burn down the apartment too?”

He rolls his eyes as he leans over you, caging you between his forearms. “Dunno what you’re talking about, sweetheart. Smoke alarm was due its monthly check.”

“Interesting timing.”

“Well, what greater gift on your birthday than to be safe in the knowledge that all the alarms are in working order? Now…” he tugs the blanket back up over your torso, unable to resist pressing a kiss to your lips – soft and slow, perfect for that time of the morning. Just as you were about to raise your hand to thread your fingers through his hair, he pulled back with a smirk.

“Now, I just need a little time to finish breakfast off, so if you could please just stay tucked up until I can bring you it in bed?”

You nod – you’d never been able to refuse him when he kissed you just so and especially then combined with those puppy dog blue-eyes.

“Good.” He smiles, giving you a kiss to the forehead before he retreats.

You dutifully wait in bed, scrolling through your phone, ignoring the fact that no further noise comes from the kitchen, but the apartment door definitely opens and closes 20 minutes later…

It isn’t much longer after that when Leon steps into the bedroom, a tray in hand. He places it carefully on your lap - a stack of chocolate chip pancakes, a glass of orange juice and a mug of coffee.

“Leon, this is so sweet." You beam, picking up a fork, ready to dig in.

They look suspiciously like your favourite order from the cafe down the street.

He has a sheepish smile on his face as he climbs into bed besides you, kissing your temple.

“Happy birthday, baby.”

--

Masterlist . Requests welcome . Ko-fi

*Photo credit.

[mdhwrites]

"In the first episode, Luz brings wild animals and fireworks to school without permission or without any regard to safety."

Isn't that just a case of Early-Installment Weirdness?

Boy there are so many problems with accusing this of that. See, Early-Installment Weirdness IS a thing. In TOH, one of the best examples of that is how in the same episode that Amity goes "I've never seen a spell like that cast before" you also have the power glyph. A famous one from another cartoon is how Andrea of Molly McGee starts as an EXTREME bitch but quickly shifts to more so being unaware and selfish, rather than actively malicious. Hell, I know one of my own series has it where I have a transmuter in the first chapter change pancakes into a pot of flowers which I made WAY too casual for the amount of energy shifting to something living should take.

A common thread between all of these though are that they don't show back up. Andrea's characterization becomes consistent AFTER the shift to it and she never goes back to being as bad as she was in her first appearance. The power glyph is never mentioned again, MAYBE visually it's seen like once on the coven head but glyph magic is just Luz's. And yeah, my own story sticks to its power costs better afterwards. That is the biggest sign of Early-Installment Weirdness because in the long run you can see that these elements were dropped because they were incongruent with the actual goals of the show.

But do you know what does keep appearing? This characterization of Luz. S1 is filled with times when Luz will disregard other people's feelings, fuck something up because of it and then have to make amends. Episode fucking two reinforces the idea that she treats the world as fantasy. Yesterday's Lie actually HINGES on the idea that Luz is actually selfish and uncaring of those around her because she could not appreciate what she had and that she had to be special. This is what Vee calls her out on. It's also why, in the blog you're referencing with this, I bring up how in S3 she has a dilemma where a decision that she made on her own blew up in her face. In response to that, instead of thinking ANYONE else should comment on it, she makes a drastic, big deal decision... That also gets her out scott free from all consequences which is exactly what she did when she ran to the Isles. I'm not even exaggerating. In episode 1, Luz decides to stick to the Isles because otherwise she has to go to a camp she doesn't want to where she'll actually have to put in the effort to improve as a person and respect reality so she sticks to her fantasy world. In S3 Episode 1, she decides to abandon AN ENTIRE WORLD to their fate, that she believes is her fault, so that she can stay at home and live with her caring mother and new sister while she will also send her friends to ostensibly their deaths because of how big of a deal this is. And like in that blog, S3 E2 only reinforces the idea that Luz only cares about what is important to Luz when her goal on the Isles is not beating the Collector, she says that to everyone who doesn't know the truth, but instead to find Eda and King, make sure they're safe, and leave. She tells that to her mom, the only person who knows already she doesn't give a fuck about this place.

That's also without bringing up btw the signs that reference her early montage that appear in S3 E1, meaning the show wants you to remember it, especially when Luz sighs at the sign. It is NOT an element that is just one and done and a whoops on the writer's part. It is the first action in a long, LONG line of selfish, unthinking, uncaring actions for our 'protagonist'.

Our protagonist who is told that she has never, ever, done anything wrong. That's abhorrent. See you next tale.

======+++++======

I have a public Discord for any and all who want to join!

I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past. I have an Ao3 for my fanfiction projects as well if that catches your fancy instead. If you want to hang out with me, I stream from time to time and love to chat with chat.

A Twitter you can follow too

And a Kofi if you like what I do and want to help out with the fact that disability doesn’t pay much.

[kalinara]

As whump fan, I am very fond of this issue and the one preceding it. I always enjoy a good coma.

The art in this issue is lovely overall, but I'm not utterly sure those glasses are the best idea for a coma patient. I feel like they could be very easily dislodged. Also, this is probably a time for a gown rather than scrubs, as I don't think scrubs are supposed to go UNDER the cast.

As much as I've enjoyed Krakoa on a whole, I am a bit frustrated by the way so many plot threads got dropped to accommodate it. It makes a certain amount of sense, of course. Krakoa was such a big deal, a sanctuary where, flawed as it was in SO many ways, mutants could finally feel like they had a future. It makes complete sense that all the old grudges and pain were temporarily buried. But I am actually rather glad that From the Ashes seems to be at least something of a return to form. Even if Scott's name is infamous for other reasons, and there might be a new justification for a Schism, it gives me some small hope that some of those discarded plot threads might actually get resolved.

(Mostly I just really want a lot of people to realize that they've been a dick to Scott Summers, and give him an honest apology. But I'm biased.)

(All-New X-Men #08, 2016)

[flaggermuser]

Look At This Photograph

1,229 words || AU, Tender Threads timeline, Hurt/Comfort, GN Reader, Doctor Reader, Happy Ending, References to Childhood Trauma ||

A little gift for @sehtoast feat. Tawny (GN Reader)

It follows on from When You Loved Me

This is also unbeta'd so we are dying like kings

Tawny.

Ben had heard Homelander say your name enough times for him to become curious enough to meet you finally. He knew all about the bad room, the unending nightmare of experimentation that Homelander was subjected to as a child.

But he’d never heard about you before Homelander went ‘home’. Homelander even admitted that he didn’t know about you until he found that fateful file with your name.

Then he tracked you down.

And now, Ben stands with Homelander, patiently waiting for you to open the door. He notices how Homelander fiddles with his suit, almost nervously, as if his appearance must meet your approval.

The moment you open the door, Ben is slightly taken aback, able to hide his initial surprise quickly.

You’re nothing like the others in the lab.

“John!” Your arms fling open, and you pull Homelander into the tightest parental hug.

Hearing you say Homelander’s real name throws Ben off a little, something that, this time, he’s not able to hide. Yet he manages to collect himself enough to see how Homelander melts into you and your embrace.

“They love me,” Homelander explains with a smile. “They had to leave because they loved me.”

It seems to last for centuries, neither of you willing to let go of the other until Homelander eventually, and with much hesitation, pulls away first.

“Tawny, this is my boyfriend, Ben.”

Now your attention is on Ben, your lips curving into that warm smile that Homelander won’t stop raving about. Something undeniably nurturing about you makes Ben’s guard drop only slightly.

“Welcome, Ben. John has told me so much about you. Come on in.”

It’s precisely how Homelander described it in vast detail.

Everything from the slightly tasteless couch and armchair set to the mantlepiece covered in those ornate frames. Despite Homelander’s numerous attempts to explain how different you are, Ben remains on edge, ready to defend Homelander.

“A glass of milk for John, lemonade for Ben and some cookies for both.”

It feels strangely familiar, like when Ben used to visit his grandparents. It's a very simple but extremely loving gesture that makes Homelander practically beam with happiness.

“So Ben,” you begin. “Homelander has told me everything about you. It's so nice to meet you finally.” There you go again with that tone, filled with sincerity and unfathomable kindness. 

“Likewise,” Ben musters, still unsure. “It's a nice house you have.”

“I’m glad you think so. I try to keep it nice, although I don’t get many visitors. Well, I never used to.”

You reach across, taking Homelander’s hand and squeezing it as tightly as possible, looking at him with an adoring gaze. It's no wonder Homelander latched onto you as quickly as he did.

You give your love so freely - Homelander doesn't have to do anything to earn it.

It’s unconditional.

Homelander excuses himself, leaving Ben alone with you. He’s trying not to look at you; he doesn’t want you to notice how uneasy he is. Luckily, Homelander has been too preoccupied with you to notice how awkward Ben feels.

“You're uncomfortable, I can tell,” you state it as a fact but tenderly, attempting to ease the tension caused by Ben’s anxiety.

“I'm anxious too,” you confess. “I admit part of me worries that you think I'm unsuitable to be in John's life. He told me you know about the lab and what was done to him. I know you must have questions; I’ll do my best to answer.”

Can you read minds?

“Why did you join the project in the first place? Surely you knew what they were doing?”

“I didn't,” it's the truth. Ben can tell when people are lying. “I joined because it was advertised as a once-in-a-lifetime opportunity; I thought it would be something else.”

The first few tears prick your eyes. “I stayed because I couldn't leave him to cry alone in the dark at night. He needed someone to care for him, so I did my best.”

You sniff, barely able to utter another word before Homelander kneels at your feet, taking your hands in his and glaring at Ben.

“What did you say?” Homelander hisses, clearly angry that Ben made you cry.

“John,” saying his name draws his attention back to you.

Ben watches how you hold Homelander's face in your hands and look at him like he's the most precious thing in the world to you.

Ben sees it then - Homelander might not be your son by birth, but he is by circumstance.

You love him with all your heart.

“Don't be silly and get upset with Ben,” you continue. “He's just asking me questions about my time at the lab. Of course, I'll get a little sad; they’re painful memories, but it's fine, honestly. He loves you very much; he wouldn't ask me if he didn't. He wants to make sure I'm good enough for you.”

Homelander looks back at Ben, his eyes filled with regret, “I'm sorry, Ben. I'm just so…”

“Protective,” Ben finishes. “I know you are, Johnny. I'm sorry too, I just had all these questions and…”

“Ask them,” you respond. “Ask them all.”

It’s late.

Ben should have been snuggled up in bed with Homelander, but he couldn’t sleep until he did one final thing. 

He knocks on your door, rocking his heels while waiting on your porch, his hands clasping something behind his back. The hallway light turns on, the locks unlock, and the door opens a little, revealing your face. 

You quickly undo the locks, almost throwing open the door and grabbing Ben by the biceps, your face filled with worry

“Ben! Is everything okay?” Your voice trembles. “Are you hurt? Is John hurt? Has something happened?”

“No,” Ben splutters out. 

The worry melts away into a warm expression, and you happily welcome him again, only for Ben to stop you in the hall. He doesn’t want to go further; this is only a flying visit.

“I just came by, and I wanted to give you something,” he says, handing you a gift hastily wrapped in brown paper and string. He waits with bated breath as you open it.

Your eyes well up, and tears slowly fall down your cheeks as you cover your mouth with your hand, the other trembling while you hold the photograph.

It’s Ben and Homelander, sitting on the couch in Homelander’s penthouse with smiles on their faces. A private and tender moment captured forever and sealed in a simple frame. It’s clear from your reaction that this means a lot to you.

“Oh, Ben, this is wonderful,” you say, reaching out to grab his forearm. “Thank you so much. It’s going right on the mantle.”

“I’m sorry for earlier.”

“Nonsense.” The look in your eyes shows that this parental love extends to Ben. “You’re just looking out for John, and I appreciate that—truly, I do. He has some wounds that run very deep, those that will never heal and leave everlasting scars. I can only do so much. But he has you to help him through the pain.”

Ben wraps his arms around you, burying his face in your hair and softly sobbing. He feels silly for being so anxious about you and your intentions, but despite your past misdeed, you have the purest heart.

And you loving John as a parent loves a son is enough for Ben.

[goodluckclove]

I've been meaning to say something. (100 follower hot take)

Hey! Thanks for stopping by. I hope you've had a nice day. Why don't you rest with me for a while? I made some chocolate chip cookies - with shortening instead of butter, so they're very soft and very chocolatey. I made way too many and they aren't my wife's favorite, so I could use some help in eating them.

You're probably a writer, right? Or maybe you think about how you could be. Browse the tags here, or on other social media platforms. Maybe you used to write stories as a kid. I bet those were fun. Teachers might've thought they were impressive, or they dissected them line by line until the words didn't make sense in your head anymore. Either way, if you're here you're probably here for a reason.

(rant alert)

I dipped a toe in online writing communities on and off. My last attempt was forty-five minutes scrolling through the writing hashtag on Youtube Shorts (so TikTok, I guess? I don't know). I didn't like it. I really didn't. The thing that sticks out the strongest in my mind is one particular video where a woman claims that every story needs a second act plot twist.

Huh? Every story? All of them? Why? Since when? Who are you? What qualifications do you have to make a statement like that?

That's the common thread that makes a lot of writing spaces very uncomfortable for me. Successful writers are really only successful in their genre and for the given moment, so they don't have that much objective authority in the craft. And yet I see a lot of people deciding the things that you can't do in writing. Or the things you have to do, and how you have to do them. It was so much of Writeblr at first glance that I almost dipped out once again. I didn't, though, and I'm glad I didn't because now I get to watch some of the next great storytellers from across the world grow and examine and forge their way forward.

No one can teach you how to write. No, that's not true. Teachers teach literacy. Handwriting. Typing maybe - do schools still teach typing? Let me try saying it in a different way - no one, not one single person on this goddamned planet, has the right to tell you how to make a story.

I was supposed to get my MFA in creative writing before my first breakdown. My uncle stayed in the program I was meant to be in, and a few years after I dropped out he graduated. Recently I had the thought to look up his thesis novella, and as I searched I found myself regretting my decision to leave school. If I stayed and got to develop my writing in an actual class, with other writers and a knowledgeable professor, how much further along would I be than where I am right now?

It was bad. His novella was terrible. It was so bad I had a small existential crisis for, like, three days. He spent so much money on years and years of professional education and came out with a truly soulless story that read as if you prompted an AI to write the next Great American Novel. So if you think you need a writing degree to be a legitimate author, it could help connections-wise, but it ultimately won't be the thing that does the work for you.

Not all advice I see online on writing is bad. I find the people who are able to capture the "I" statements of therapy and phrase advice as things that have worked for them, or things that they personally enjoy, to be fine. Some writing advice can spark inspiration.

But if someone is the type of person to boil every story down to troupes and cliches, and then immediately say that every story that uses the trait they don't like is automatically bad for everyone? I'm dropping the kindness for a second - that's trash. That's a trash take and I see far too many writers use it as a reason to stop before they begin.

I don't like whump. I say my reasons in previous posts if you go back through my blog. But you will never hear me say that any story with whump in it is bad, because I don't know that. You might prove me wrong. I am an adult human being and I have the humility to admit that I can like something I didn't expect to. I genuinely enjoy the direction of The Human Centipede (only the first one) and if you cringed just now that probably means you haven't seen it.

There are so many types of books and movies and plays and comics out there. To enjoy a specific genre is fine, to ignore the existence of everything else is a really, really, really odd thing to do. Maybe someone will hate your story because they think everything should be Neil Gaiman, and therefore have no way to understand your epistolary high-Western. You are not the wrong end of that situation just for existing.

And at there is a definite threshold on how many writing tips you can gather before they stop being useful. If you find them interesting, that's one thing. That's fine. But if the culture of creativity online has made you feel like you need to educate yourself on every possible angle before you can write a story, you are actively harming yourself.

Imagine taking the level of structure you put on yourself in that way and putting it on children playing pretend in the backyard. Oh, Susie, don't you know that it's overdone for your Kitsune have dead parents? Xyler, shouldn't you ask someone else before you decide how Spiderman would react to this? It would make no sense and they do not need it. Kids will make a whole world out of nothing and it's the most fucked thing in my heart that at some point they get access to Reddit and dipshits start insisting that's wrong.

They aren't wrong and you aren't either. Your favorite creative influencer can't tell you your story, strangers on the internet can't tell you your story, your teachers and loved ones can't tell you your story. They can influence it, but they can't write it honestly the way you can.

You do that. That's the thing you do.

Man that makes me upset. I can't tell you how to make a story, either. If anyone sends me asks for writing advice the most I'll do is say what I've done before hopping into your DMs and starting a direct conversation. it's so personal to each individual artist, and I'd like to think that the people selling these classes and software and promoting these platforms haven't thought about that before. Otherwise it does feel manipulative. If you have a willingness to practice and imagine and really experiment with the possibilities, you are ready to write your story.

And if it doesn't work? Try again. That's what you do.

Stephen King has written roughly a thousand books and maybe five of them have decent endings. He is unimaginably successful.

I'm rambling now. I think I got that out of my system. I was really worried to say this out of fear of being too weird or somehow reverse-gatekeeping so hard that it circles back into also being a bad thing. I've just spoken to a lot of people who I still think of throughout my day, and I truly ache for them to get past the fear of creation. Because it's worth it. It's worth it and it's fun, even when it's messy and you're tired.

Let it Be just came on. Beatles. I haven't listened to The Beatles in a long time. Feels a little apropos.

I love you, reader. Reader, Writer, Colleague. Take care of yourself. Especially the little you, still sitting there in the backyard of your soul, bathing in the sun with their bare feet in the damp earth.

Consider joining them, maybe.

[ambeer6]

Longer than expected yapping about case 2 of DRDT. (dated ep 14 of ch 2)

Some thoughts about the chapter 2 case. Warnings for all the obvious.

First of all, I think Teruko is right about how the pulley system was set up. Rope over the rafters on the ceiling, then through the seesaw and then around the carousel. Then tying the rope to the correct length before letting go, so there's no worry about stopping the carousel with your bare hands. This simply makes sense.

Something that confuses me, is the amount of people arguing against this idea? Not many people on tumblr thankfully, but I don't really see why this setup would be unbelievable.

Advantages of the pulley:

Using a pulley reduces weight. Arei would be far easier to lift using this method. Even a kid could lift her this way by simply leaning into the carousel.

Using the pulley means you don't have to pick up Arei and hook her into the noose. You can simply leave her unconscious on the ground and hook the noose around her instead, then push the carousel.

Even if you're okay with her dying of strangulation, it's easy to tie the rope to the right length and just let her drop to break her neck. It grants Arei a quick death. (and you'll be done quicker)

Even if the killer is strong enough to just lift Arei into the noose, using a pulley is much easier and means you'll spend less time holding her. I know not everyone would care, but I certainly wouldn't enjoy holding onto an unconscious girl and trying to lift her into a noose, let alone an awake girl trying to struggle. (if you believe she woke up)

Downsides of the pulley:

A lot more work to clean up afterwards. Especially since we know most of it wasn't actually cleaned up, all they did was hang Arei into a different place afterwards. (I wonder if they were in a hurry, or if they assumed that somehow people wouldn't realize Arei couldn't have broken her neck from the short rope on the swingset)

a lot more work to set up to begin with. You'll have to either get up very early, or set it up the night beforehand if you wanted to be completely prepared for the murder. Clearly this wasn't just a spur of the moment thing.

That's pretty much all I can think of, honestly. When talking about the advantages or downsides of the pulley at least.

Other stuff that's maybe a bit silly to bring up:

Those fish are a bit big to have fitted through the holes in the jerrycan handles.

How do we think those jerrycans were attached to Arei? Like, I know the handles are broken (also giggle at the size of the holes and the size of the fish), but my question is more like... did they use rope? It sounds logical to use rope, but they don't mention any rope burn on Arei's body.

Maybe the 'glove is for ropeburn' truthers meant the ropeburn on Arei herself? Did the killer place the glove on Arei's neck before hanging the rope with the jerrycans off her? If they got rid of the jerrycans afterwards, maybe they also took Arei's glove. (disclaimer: I don't think they used the glove this way, but I'm open to arguments in favour of it's usage)

Rose mentioned she memorized the trash. Do you think there's a chance the needle and thread will be brought up by her? I feel like if those are going to be important, then Rose will be the person to mention seeing them in the trash.

Clothes baul.

Something else I want to mention is that the way some people talk about this case makes me uncomfortable. I want to remind people that this is just a story that someone wanted to tell. I understand that the people saying they'll drop hang themselves if the killer is a specific person are just joking, but if I were the dev, I'd feel extremely uncomfortable from just how many people are talking about the case like this.

I understand not wanting a certain character to die and I can't stop you from making jokes about it, but saying that killing off your fave character is a horrible writing choice and you'll kill yourself over it, would put immense stress on the dev, as well as everyone who helped with the project.

Also on the topic of writing: people make illogical decisions sometimes, but especially when under stress. The case needs to make sense, but I don't want people arguing something is bad writing because the killer made one or two illogical decisions along the way.

Another thing I noticed is that a lot of people are assuming what I call the "Ellery Queen case logic", which assumes that the reader (or viewer, in this case) should be able to solve the full murder based on the clues given during the investigation, before the confrontation (trial, in this case). While definitely understandable, it's great being able to solve things beforehand, we need to remember that this is not the only way to go about writing cases. Personally I've engaged more with what I call the "Arthur Conan Doyle case logic", which leaves the most vital piece(s) of evidence hidden from the reader (viewer) until the end of the final confrontation. This makes is either very difficult, or even impossible to solve the case beforehand, meaning you'll have to wait until the very end to even see the final piece of the puzzle.

Now, there's no saying whether Despair Time uses either one or the other case logic style (they could mix it up between every chapter if they want to), so because of that, I ask people to be polite about people's theories, even if they don't explain every single piece of evidence, or if they state that we need to wait for more evidence to be revealed even though the trial already started.

Nothing wrong with voicing your own ideas on people's theories, it can be helpful if they actually misremember something (I misremembered stuff too, so it was good to have it pointed out!) and can help people rework their theories with your arguments in mind, but I just ask that you're not condescending about it if you do.

THAT'S ALL! THANKS FOR READING!

[starlight-bread-blog]

Katara made it very clear that she never ever wants to see Yon Rah again and most of the Zutara fandom supports that decision of hers.

So I guess the possible downside of Katara choosing to marry Zuko means sharing Zuko's burden of reforming and rehabilitating depraved war criminals like Yon Rha and all those who are even worse than him.

Then there's this whole thing with Aaron Ehasz imagining Zuko being Azula's Iroh and she reforms in that way along with my and a few other's ideas of Aang showing her how open and master her own chakras. Speaking of Iroh, does anyone remember his ruthless and brutal 600-day siege anymore? There's no way he'd avoid dropping bodies that whole time.

Looks like Katara will ironically be taking Aang's advice about forgiveness after all but I don't think it'll be necessary for Katara to look for Yon Rah again and say so.

What do you think?

Tw: War crimes, genocide and nazism.

Disclaimer: I don't know what actually happened post canon. I tried to look on internet forums and it seems as the topic wasn't addressed in the comics. For this answer, I'm going under this assumption.

Sorry for not getting to this sooner, life got busy and I didn't want to give some half assed answer to such a delicate topic. There's a lot to comment on so I'll break this down step by step.

"Katara choosing to marry Zuko means sharing Zuko's burden of reforming and rehabilitating depraved war criminals"...

The fire nation commited atrocious war crimes, leaving them with with many war criminals. War crimes are more than punishable. If it were real life, neither Katara or Zuko would have to reform and rehabilitate any of them.

An example of this would be the Nuremberg trials after WW2. Even recently, in 2022, Irmgard Furchner (an 98 year old women) faced a trial for being a secretary of a concentration camp (to put it lightly, she was very much a murderer). No one is getting away with their actions.

I read the relevant section from a Red Cross's document titled "Analysis of the punishments applicable to international crimes (war crimes, crimes against humanity and genocide) in domestic law and practice". (The section being "States’ obligations under IHL to prosecute and punish international crimes").

I found something interesting. (ID in alt text).

*Grave breaches are more serious, vile violations of humananitarian law. Everything above applies to "genocide and crimes against humanity".

If Katara were in a position of power in the Fire Nation, not only would she not have to reform anyone, she also might get to help with the trials for them.

"Then there's this whole thing with Aaron Ehasz imagining Zuko being Azula's Iroh"

I don't know about his plans for Aang's other ideas, so I can't comment on them. What I did find was a short thread of his. And after reading it, I maintain that – like most ideas – his vision can work with sensitive execution.

Azula was still very much a 14 year old victim of grooming when the series took place. Her brother can help her through her redemption under one condition – the desire to be better should come from her.

He shouldn't sit through any mistreatment whatsoever. He'll guide her through a path he already went through, but she has to walk with him. Azula needs to be safe for Zuko. Only then, redemption would be possible.

"does anyone remember [Iroh's] ruthless and brutal 600-day siege anymore?"

The difference between Iroh and Yon Rah is what they're up to now. In the present Yon Rah is just some guy living with his mother. Meanwhile Iroh took back Ba Sing Se from Fire Nation colonizers.

Yon Rah isn't out here fixing his mistakes, he just got off scot-free. On the other hand, Iroh is a changed man and took action to correct his past on the same scale.

At the end of the day redemtion isn't Aang's idea. It's one of the major themes of Atla. It wants to show that people can change and grow. So it does. Zuko changes, Mai changes, Ty Lee changes, and Iroh is their future.

He tried to conquer Ba Sing Se, and now he took it back from conquerors. He was the worst of them all, and now he's unrecognizable. He's warm, wise and sweet. There's a meaning to it.

That doesn't mean that war criminals in the current day, scums who made no affort, will get away with their crimes. That doesn't mean Katara would have to go through the mental torture of reforming her colonizers.

That is it! I hope I didn't come off as aggressive, I didn't mean to. Thank you for the ask, sorry for taking me forever to write this, and have a lovely day!