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lolomidi · 7 months

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The Price of Entertainment: An Episode-By-Episode Analysis of Alastor's Facade

I don’t think any character in Hazbin Hotel has been discussed as much as Alastor, and it’s a testament to how much the writers put in his character that the mystery of his intentions, past, and contract have been so debated on.

There are some takes I vehemently disagree with, but something a lot of people seem to have settled on is that Alastor is, behind his massive ego and cool-headed persona, insecure about his place in Hell after his long “sabbatical.” I want to do an episode-by-episode analysis of Alastor’s behavior and how Season 1 shifts our view of him from an unquestionably powerful Overlord to something with more depth, and while I won’t be speculating on who owns his soul and how he’ll break that contract in those post, I will take a guess at the future of his character in a narrative sense. I will also implicitly be addressing my issues with some of the conclusions others have made, or at least playing devil's advocate.

NOTE: I want to clarify that none of this is meant to depict Alastor as some poor woobie. He’s still awful. He’s in Hell for several reasons and being a serial killer is only one of them. Rather, I want to analyze what is shown to us about him, and how those story beats can be used to determine where he’ll end up by the finale of the series.

ALSO NOTE: I haven’t followed all of VivziePop’s comments outside of the show about the characters, and it’s possible that certain details have been changed between the release of the pilot and the show, so take any mentions of what hasn’t been explicitly depicted within the show with a grain of salt.

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Part 1: Recap Analysis

This section will consist of commentary regarding Alastor's appearance and behavior in the given episodes, with retrospection based on new information given in later episodes if needed.

“Overture”: Alastor is pretty one-to-one with his depiction in the pilot in the first episode. He’s snarky, open about his sadism, but helpful if begrudgingly so. Interestingly, he’s able to put together a well-edited, if tonally awful, commercial, and probably could have done better if he weren’t intentionally being an ass about it. From the finale we know that he and Vox likely used to have a more magnanimous relationship, and it’s likely that he picked up some tools of the digital trade in that time despite or before being turned off completely by it.

“Radio Killed the Video Star”: Vox effectively plays heel for Alastor this episode as we continue that first impression of the Radio Demon. We spend a good time showing off the former’s power and how far his roots have spread throughout Hell’s society, only for Alastor to effortlessly trounce him and steal from his audience, despite being gone for so long and his position in Hell less stable. This indicates that Alastor does still have pull, but at the same time that his position in the hierarchy of Hell is being contested due to the length of his absence. He deals with it easily here, but we’ll see in subsequent episodes that things aren’t as smooth as they first seem.

“Scrambled Eggs”: In terms of the eggs, there’s not much to talk about. He begrudgingly accepts Vaggie’s request to get rid of them “humanely,” but brings them back to the hotel after they prove to be useful spies.

More importantly, we get our first small hint that Alastor’s ego can be bruised when Carmilla doesn’t humor him during the meeting between Overlords. Now, I actually disagree with a lot of the takes on this episode in that I think it indicates that at least some of Alastor’s views and need to prove himself as a powerful Overlord are the result of self-delusion. Yes, he does need to reestablish himself as a person not to be messed with after being gone for so long, but I think it isn’t as bad as some are making it out to be, which makes his behavior in later episodes more strange and excessive if anything.

Carmilla, who mind you is a busy and stressed woman trying to hide the fact that she’s successfully murdered an angel, hits his ego by not caring where he’s been (something he wouldn’t have revealed in the first place), but she also welcomes him back, which is more than you could say to Velvette and by extension the Vees. And minutes before that, Zestial, who’s probably the highest on their totem pole, does go out of his way to meet with Alastor and inquire about where he’s been. Alastor himself gets over the slight pretty quickly and has no issue contributing to the meeting. Overall, he isn’t necessarily terrifying other overlords, but he still has an established place with them and they do seem to get along well enough. He’s “part of the group” unlike the Vees, who are treated more like upstart outsiders.

I also want to point out that despite Zestial likely outranking Alastor in power, they seem to be alright with each other. Alastor is cordial and does not demonstrate a desire to antagonize him like he does Lucifer in the next episode. Speaking of which…

“Dad Beat Dad”: This episode gives us a lot to chew on and is the first major indicator that Alastor’s issues go beyond wanting to be the center of the room. From the very moment Lucifer walks into the hotel*, his eye is twitching and he is visibly pissed. Lucifer undermining him (notably contrasting Zestial, who is polite despite his power) doesn’t help and makes Alastor let loose his first swear in the entire show. Being the petty bitch he is, Alastor, knowing he can’t intimidate Lucifer in any way, immediately goes for his weak point–Charlie–and plays up the role of a caretaker for her and the hotel. It’s a low blow, but it also feels like a defense–he’s signaling to Lucifer that this is his hotel, that things are taken care of already, and that they do not need his assistance, even though they ultimately do in order to get a meeting with Heaven.

But then things get more complicated with the appearance of Mimzy, who, to the surprise of several characters due to his solitary nature, was friends with Alastor all the way back when they were alive, and she carries a load of implications with her. She’s the only crack so far at what a “human” Alastor is like–apparently he’s a heavyweight drinker, a good dancer, and most notably, in Mimzy’s words, a sweet man who "becomes a kitten" when he's drunk. This is a huge departure from the unflappable, egotistical Radio Demon we’ve known up to now, and I think it’s a purposeful choice that we’re hearing this information but not shown it like his early days in Hell just prior. It’s simultaneously left to the imagination but difficult to do so because it contrasts so heavily with everything that has been shown to us beforehand. Another thing is that Mimzy is sure that Alastor will clean up her mess–and apparently this isn’t the first time he has, if Husk is anything to go by. So many people seem to miss this, but Alastor, who hates being tied down or disrespected, has been allowing Mimzy to leech off of him, presumably due to their past friendship making him turn a blind eye.

Alastor is on edge for this entire episode and is already unusually snappy when Husk addresses Mimzy, and pushing the button that was his contract is what sends him over the edge. His temper exploding is a direct result of his feeling that his control over both the hotel (via Lucifer) and his personal life (via Husk’s “doubt” that he can handle everything and that his reputation is what it used to be, plus the reminder of his deal) is being taken away from him. Alastor’s threat to Husk, which seems to not be his usual behavior if Husk’s willingness to show concern and talk back in the first place is anything to go by, is an attempt to remind both of them that he holds the cards, that he’s a powerful Overlord that is not to be trifled with, and he explicitly says as much when he goes out to deal with what Mimzy’s dragged in.

It’s only after he lets his anger out on the mobsters and “proves himself” that he visibly calms down and makes the logical decision to tell Mimzy to leave with a serious attitude, and also doesn’t antagonize anyone for the rest of the episode. It seems like despite his fury earlier, he was listening to Husk, who’s rightfully smug about it. He’s even present when Charlie declares her desire to protect her people, and his smile seems just a tad bit more genuine.

*Note: it’s not impossible that Alastor has some sort of personal grudge against Lucifer which caused his hate-on-first-sight, depending on the circumstances of his disappearance and contract (i.e. if it’s with Lilith).

“Hello Rosie!”: As opposed to Dad Beat Dad, Hello Rosie is arguably where we see Alastor at his most in-his-element. He gives off a lot of conflicting vibes at the beginning, from mocking Charlie’s distress to, in a shockingly honest moment, lecturing her about the importance of a smile to portray strength, a card we’d only been shown due to comments outside of the show. He smugly holds his knowledge over Charlie’s head but is visibly impatient to have her make a blank check of a deal with him, solid enough to benefit him but vague enough so that Charlie won’t feel immediately threatened. He’s clearly been waiting for an opportunity like this since the events of the pilot.

After that, he puts back on his gentleman’s demeanor and introduces Charlie to Rosie, and from here on he’s arguably at his most comfortable in the entire show. He’s relaxed around Rosie and is actually willing to ask for her help (something I can’t see him doing with any other character), casually complains about Susan, is encouraging to and praises Charlie even behind her back, and most notably, gives her his radio cane unprompted. More on that later. He also mentioned wanting to guide Charlie to Rosie specifically, implying that he was being genuine about wanting to act as a mentor to her, though his intentions are probably self-beneficial.

“The Show Must Go On”: The finale is arguably the most revealing episode on what Alastor’s inner world is like, as we see him unmasked several times. For one, his private admission to Niffty, the closest thing he has to a friend within the hotel, that he’s enjoyed watching the other residents connect to each other. This is in direct opposition to his initial (stated) reason for helping the hotel in that he wanted to watch them all fail, and yet he seems content with his initial assumptions being proven wrong. There’s no malice or sarcasm in this moment, he’s relaxed and talking to someone he relatively trusts.

And so he goes into the battle swinging and confident. Then, of course, Adam.

I want to bring up something before we keep going. Yes, fighting Adam without angelic weaponry was a needless risk. Yes, Alastor fell victim to the very sloppiness and arrogance he accused Adam of, and it’s thematically appropriate that he was the only one to lose his battle in that he was fighting for his own ego more than “love.” But also, people seem to forget that Alastor is the only demon in the entire show with a precedent for permakilling without an explicit reliance on angelic weaponry, as the Overlords he toppled in his original rampage seem to have never returned. He’s egotistical, but not stupid. He may have genuinely believed that he had the means to kill Adam himself but didn’t get the chance/couldn’t due to his contract or absence possibly weakening him. But that's speculation for another day.

So, he has to retreat before Adam double-taps his ass and is too injured to return until after the extermination. He makes a grand exit, but not before grabbing the broken pieces of his radio cane. The one he allowed Charlie to use just an episode prior, and presumably is a conduit for his powers, and he grabs it while a murderous angel is inches away from wiping him off the face of Hell.

His portion of “Finale” is the first time we see him singing alone and not playing off someone in a duet. It’s obvious that he’s trying to keep his composure, still speaking to himself in his artificial transatlantic accent (which we now know for a fact he doesn't need to do, seeing as he finally broke character when Adam wrecked his cane) and reassuring himself that he’ll come out on top next time. But here his front shatters and we openly see what the show has been hinting he is for the first time: a deeply paranoid, desperate, and unstable man.

Essentially the worst-case scenario has happened: after a season of interfering with every attempt to capture him on camera, Vox has footage of him at his lowest point for all of Hell to see, and he’ll have “died” a martyr, a weakling, and still in the chains of an unwanted contract. For Alastor, who is so deeply afraid of showing any sign of vulnerability, who wants to be seen as a monstrous Overlord, it’s understandable that this humiliation is enough to send him into a mental spiral and recant any fondness for the hotel in favor of accomplishing his own goals. Worse yet, when we next see him he gives zero indication of any of this even when Charlie and company are simply glad that he's alive, which leaves us to wonder: has he been like this behind the smile from the very beginning?

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Part 2: Closing Thoughts and Future Speculation

With everything we’ve taken note of above, we can start to piece together a picture of who this guy is, and what the writers are going to do with him.

Alastor is sentimental. It’s not just his attachment to older technology or his love for being the center of everyone's attention. He likes being around people, he has friends, one of which he continuously indulged despite her using him multiple times, and he ultimately was starting to enjoy his time at the hotel before his defeat spooked him. Despite him using her, the fact that he was even willing to let Charlie use his cane (and note that he takes it from her as soon as she’s given a substitute, so that is a significant gesture for him) is an implicit display of trust whose implications don’t become apparent until the finale.

But this is paired with deep insecurity. Alastor, despite being one of the most powerful people in the Pride Ring, has a crippling fear of being seen as vulnerable or “lesser” by others. There could be multiple overlapping reasons for this: the general climate of Hell, whatever happened to him seven years ago, his experiences as a mixed-race human living in Prohibition-era Louisiana, his original death, a natural predisposition, etc.

Regardless, this anxiety of his is so overwhelming that, when paired with the ever-present stress of not owning his own soul, it’s driving him insane. He made a splash in Hell upon entry and now he’s desperately trying to reinvoke that in order to defend himself both physically and mentally. He’s the gifted kid who’s slowly going nuts trying to keep up an impossible momentum as they grow older. He’s an ex-human denying his humanity because he doesn’t want to feel human. Everyone’s out to get him, and anyone who could be an enemy is an enemy unless he has total control over them via a contract, power, or the reassurance of years of close friendship. It’s why he’s cordial to Zestial but takes Carmilla (who wasn't even trying to spite him) and Lucifer’s comments personally, in the same way someone with low self-esteem might want to lash out against an authority figure who they feel is looking down on them.

Worse yet, he can’t/won’t let these feelings out and is bottling them up so that no one will know he feels this way (note how quickly he was able to relax in Dad Beat Dad when he was given an outlet for his stress), because that’s a sign of weakness too. It’s honestly kind of frightening that in his final scene he gives zero indication of being injured or of just having had a meltdown. By all outside accounts, he’s his usual chipper self, and no one at the hotel save for maybe Husk, who can’t say anything Alastor doesn’t want him to, would realize anything is amiss. The reason his part of “Finale” is chilling isn’t just because of the implications that he will become an antagonist in the future–it’s that his mental state is so poor that he is no longer acting rationally, which makes him unpredictable in the worst possible way.

I think Alastor’s character arc isn’t going to be redemption by way of going to Heaven, I don't think that place is his style anyway, but rather redemption of his own self-image. I don’t think the writers would make what is arguably the most popular and well-developed character in the show just to say that he’s hopelessly evil and simply end it at that. We’ve been exposed to multiple facets of his character, and while his deeds and probably his intentions are sinister, his underlying motivation for it all seems to be “freedom,” which decidedly isn’t (unless your name is Eren Jaeger).

I do believe that he’ll have his villain moment where he indulges in his worst impulses, but that ultimately it won’t do anything to fulfill him, because as we see in the official comics before the release of the show (which may no longer be canon but still give a viable “baseline” for the characters), when his desire to be feared and respected is granted, it only isolates him. Like the others, he’ll have to hit rock bottom before he can climb back up.

Pentious, who was successfully redeemed, needed to understand that people weren’t out to get him, which allowed him to make the decision to put his friends before himself and trigger his selfless sacrifice. Angel, who’s well on his way to redemption, needed to realize he wasn’t alone and could rely on others, and his confidence and self-love has grown enormously since then. I think these are both lessons Alastor will need to learn eventually as well. He’s the manager of the hotel, but also undoubtedly a patient. He’s hungry for freedom, but only when he learns these lessons will he be truly free.

Or maybe I’m thinking too much into it idk lmaooooo

#hazbin hotel #hazbin theory #hazbin hotel theory #hazbin analysis #zestial morde #carmilla carmine #lucifer morningstar #hazbin lucifer #charlie morningstar #hazbin hotel rosie #hazbin alastor #hazbin hotel alastor #alastor #thank god i finally released this now i never have to think about this show again #that tragic feeling when the tumblr sexyman bait is the best character in the show #alastor does not have a blanket hatred for everyone who's more powerful than he is #if he did then he'd despise charlie too and genuinely doesn't seem to #rather it's towards ANYONE whether stronger or weaker than him who refuse to acknowledge him #oooooooh this boy's got a complex but he's a VivsiePop character so it's par for the course #but anyway some of the takes people have made on him are abysmal to me so i wrote my first tumblr post in a decade

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kaibutsushidousha · 4 months

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Thoughts on Kirschtaria?

I love Kirschtaria lots but he isn't exactly easy to talk about. Olympus was 4 years but I still think it's too early for this post. Kirschtaria is the one who knows what the entire Animusphere plot is about. Until his final scenes, where he opens rebellion against the CHALDEAS and tries to unfold his secret plan, he's under constant surveillance by the priestess and pretty much all of his actions and speeches inform of CHALDEAS's (Marisbury's) beliefs rather than his own. A good analysis of Kirschtaria needs to wait until we know what exactly he was involved with.

The post-rebellion parts, where we get to see his past and learn about his ideals, are not easy to talk about either because Kirschtaria is too much of a straightforward hero behind his mage posturing and 5D chess. He's cheerful, accepting, driven to be productive, loves his friends, believes in everyone's inherent potential to be good, and wishes to end inequality above all.

One of the parroted Animusphere beliefs that Kirschtaria showed to genuinely believe in is the idea that humans are unequipped to immediately make the right choice but he puts a positive spin to it making we are experts in fixing mistakes later.

I don't think I can find anything original to say by explaining how his experience with Pino taught him that beauty can come from the least expected places and how much that is reflected in his relationships with Caenis and Beryl, so I guess all I got to close off this with post with is some speculative trivia that never leaves my brain.

I strongly believe Kirschtaria's characterization is the result of Nasu really wanting to write his original version of Jesus but knowing exactly how much of a bad idea it is to portray the central figure of a massively active religion. This is the same guy who made the Buddha into a boss character with no speaking roles and removed Hassan's Allah Akbar chant from every rerelease of Fsn for sensibility reasons. Jesus himself gets referenced as the Messiah sometimes but never by name. Nasu plays safe with this kind of thing.

So instead of Jesus, we have Kirschtaria. Named after the Japanese "kirishito" spelling of Christ, but written with a very unusual romanization because Nasu really wanted the English spelling of the name to contain an anagram of Christ (irscht). Then he put Kirsch through the basic Jesus plot of carrying out a major project to free mankind from its history of sin and enable everyone to do better, with the only life paid as the price being his own. And in true Jesus fashion, this ends with Kirschtaria dying by the side of a huge sinner that he personally pardoned and inspired to be better. And since subtlety is for pussies, we also get a scene where Caenis sees Kirschtaria shirtless and practically straight up says "Dude, you look like one of those Jesus portraits".

I could continue with commentary on how Pino being poor, sickly, and homeless is in line with the standard archetype of characters who appear to receive miracles in the Gospels, or how Nasu's interest in Jesus is tangible again with his next story portraying both Avalon le Faes as prophesized saviors born through special means for the sole purpose of going on a painful journey of pilgrimage fated to culminate on them sacrificing themselves to absolve the people of an ancestral sin but I think it's better not to stretch the idea too much.

#type moon #fate grand order #kirschtaria wodime #jesus christ

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somehow-a-human · 5 months

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Whose POV is it Anyway?

A Conclusion.

DO NOT ASK NEIL ABOUT FAN THEORY

Okay. Well. That was more intense i'll say than I expected. There is a lot happening with these filters over these 6 episodes and it was a bit more detailed and harder to follow than I had originally expected but we got through it and I have more than a few final thoughts to wrap this up.

For reference & context, I recommend reading these posts:

Whose POV is it Anyway? - Introduction

POV "Your 'Something's Wrong' Voice"

POV a Trip to Hell and a 25 Lazarii Miracle

POV a Companion to Owls

POV The Dirty Donkey & I think I Found a *Clue*!

POV Bodysnatchers & Cosplaying a bookseller

POV 1941

POV The Ball

POV The End?

Lens Filters

Shall we conclude?

So, if you remember back to my originally introductory post for this series, the thing that kicked off this entire analysis was a bit of commentary made by the cinematographer Gavin Finney in this article.

Finney Describes the Bronze Glimmerglass filter as being used for "bookshop scenes", the Black Pro Mist filter for "Hell", and Black Diffusion FX for "Crowley's Present Day Storyline". I still hate that wording.

Something in that zinged my brain just right and I launched into research about the cameras and these specific lens filters. Give that post a read seriously or none of this will make much sense. ANYWAY.

What I had decided for writing these posts, since we had two main characters, was that I was going to apply the Bronze Glimmerglass (BGG) filter to Aziraphale's POV, since it was mentioned it's applied to bookshop scenes and he's always there anyway, and the Black Diffusion FX (BDFX) filter to Crowley's POV, since well, that's what they said it is kinda.

Do I think it is as simple as, it is either Crowley or Aziraphale's POV? no.

It was a decent jumping off point though, and it was working really well for the first few episodes but once we got past the halfway mark of the season, the lines started to blur, and I think that is perfectly in line with our story.

The BGG filter is usually applied to scenes in the bookshop, featuring Aziraphale, or the record shop, sometimes the coffee shop when Maggie is being lovesick over Nina. We even see it in heaven during the Job minisode and its on THICK during the Whickber Street Ball. The BGG filter is romantic, idealistic, it's just that a filter. Looking at the world through rose colored glasses! Looking at the world likely how Aziraphale would like to see it.

The BDFX filter is cooler toned, more realistic, it's used in scenes with Shax and Crowley, and often Nina when Maggie isn't around because these characters are pragmatic. They aren't dreamers, they see things for the reality that they are.

Whenever Crowley shows up and says something snarky to Aziraphale to break him out of his fanciful delusions and insults him (affectionate), like the scene at the coffee shop, or the scene at the pub, the filter switches from BGG to BDFX. We're being broken out of the dream, brought back into the colder reality.

I think it makes sense to apply the filters to characters for a lot of the season because their actions fit in their characterization. Aziraphale is daydreamy BGG, Crowley is a realist BDFX. It just works. But then we start to add in the demons attacking The Ball and the offer from the Metatron and everything falls apart. The BGG filter is gone. The dream is gone. We're in cold reality, even in the bookshop where we are usually consistently in a dreamy state.

Even Crowley gets the dreamy effects of the BGG filter and of what-could-be peace & domesticity in the bookshop when Aziraphale is in Edinburgh and he's forced to just hang around and chill with Jim. I'm sure that type of life is all he wants with Aziraphale. Quiet, wearing his cardigan and carrying books around for his love.

I'm glad I wrote my opinions before that C & A were possibly imagining each other in the Edinburgh POV chapter so that theory can exist on the internet somewhere but I think this is more likely the case. The filters are more likely indicating to us what the wants dreams and desires of the characters are compared to the realities they see. What do they choose to see better? Worse?

What does this mean for the Final 15? It's simply reality, and neither of them want it.

I'd like to remind you dear reader that this is one opinion, of which there are many on this website, and plenty of them are worth reading and considering. I don't expect that I'm right. I expect that I'm wrong. In fact, I'll probably write another series of posts next month detailing precisely how everything here is completely backwards to how it ACTUALLY is! Well maybe not. That is to say, if you don't agree with this, that's cool, I might not either tomorrow, but wasn't it entertaining to read?

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canmom · 2 months

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Hello! I absolutely love your blog, everything from your festival recounts to animation analysis and programming (one of tumblr's recommended posts was the one where you made your own rasteriser, and I liked your attitude in what I've read so much that I'm gonna attempt to conquer my 3-year-long grudge against using opengl during college and do something similar now that I'm a bit older and have no deadlines :D).

But anyway, I have 2 questions (sorry if there's easily accessible answers, tumblr search is not helping): 1. During your animation nights, does the screen stay black while everyone watches their own video while you provide commentary? I haven't caught any yet but maybe someday! And 2. do you have any youtube channels or just one-off video essays that you like that also cover animation/directors? Or, even programming lol.

Sorry for the long ask have a nice day!

hiii! i'm very touched that you like my dorky eclectic blog <3

For the Animation Nights, I just stream the video over Twitch from local sources on my computer, typically by playing the video in mpv and recording it in OBS. This is obviously not ideal from a video quality perspective, but it's the easiest way to watch video in sync without making everyone download files in advance. Then we all chat in the Twitch chat box (in large part to crack stupid jokes, it's not that highbrow lmao). I've gotten away with it so far!

As for youtube channels, I can recommend...

anime production/history (i.e. sakuga fandom)

SteveM is likely the most sakuga-fan affiliated anituber. He makes long, well-researched and in-depth videos on anime history, usually themed around a particular director or studio.

Pyramid Inu might be my fave anituber - very thoughtful analysis of Gundam, obscure mecha anime and oldschool BL and similar topics. tremendously soothing voice too.

The Canipa Effect does excellent deep dives into the production of specific shows, both western and anime. I appreciate the respect he gives to the Korean animators of shows like AtlA in particular!

Sean Bires's 2013 presentation on sakuga is pretty foundational to this whole subcultural niche, and a great place to get an introduction to the major animator names to know and significant points in the history of anime. unfortunately a couple of the segments got slapped down by copyright but the rest holds up!

animation theory (for animators and aspirants)

I'm going to focus here on resources that are relevant to animation in general, and 2D animation. if I was going to list every Blender channel we'd be here all week :p

New Frame Plus is one of the best channels out there for game animation, describing in tightly edited videos how animation principles work in a game context and analysing the animation of various games. highly recommend

Videogame Animation Study is similar, examining the animation of specific games in detail

the 'twelve principles of animation' (defined by Disney's Ollie Johnston and Frank Thomas) remain the standard approach to animation pedagogy; there are various videos on them, but Alan Becker (of Animator vs Animation) has quite a popular series. I haven't actually watched these but many people swear by them! Dermot O'Connor expands the list to 21. Note that some of the terminology can be a little inconsistent between different animators - c.f. 'secondary motion'...

Dong Chang is an animator at Studio NUT, who produces a lot of fantastic, succinct videos on standard techniques in the anime industry, timesheet notations, etc. etc. Studio Bulldog, a small anime studio, are a good complement; they focus more on douga than genga and are generally a bit more traditional.

programming

big topic here, I'm going to focus on game dev and tech art since that's my field. but also some general compsci stuff that's neat

SimonDev - graphics programmer with a bunch of AAA experience, fantastic explanations of advanced optimisations and some of the more counterintuitive aspects of rendering

Acerola - graphics programmer who makes very detailed guides to a variety of effects with a very rapid and funny 'guy that has seen monogatari' editing style. When he's good, he's really good. His video on water is probably the best one I've seen (though I can recommend a couple of others).

TodePond - the most charming, musical videos about recursion and cellular automata you've ever seen. less programming tutorial and more art in themselves.

Ben Eater - known for his breadboard computer series, a fantastic demonstration of how to go from logic gates up to the 6502 with actual hardware. worth watching just for how clean he puts the wires on his breadboards like goddamn man

Sebastian Lague, Useless Game Dev - both do 'coding adventure' style videos where they spend a few weeks on some project and then document it on Youtube, resulting in a huge library of videos about all sorts of fascinating techniques. great to dive into

Freya Holmér - creator of the 'shapes' library, makes videos on mathematical programming, with gorgeously animated vector graphics. Her video on splines is a particular treat.

There are definitely many more channels I can recommend on these subjects, but I'll need to dig into my history a bit - unfortunately I need to rush out right now, but hopefully that should be good to be getting going with!

#animation #programming #computer graphics #anime

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meimi-haneoka · 10 months

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Cardcaptor Sakura Clear Card Chapter 80 (FINAL): Comments + JP-ENG translation differences

CCS Faaaans!!! Welcome to our last (?) monthly appointment with the analysis, commentary and list of translation differences for THE FINAL chapter of Cardcaptor Sakura Clear Card!!! 🥹🥹🥹

Aaaaaah, I can't believe that after seven years and a half of serialization, we're finally here!!

I still remember the strong emotions I felt when I had seen the pages of Nakayoshi for chapter 1 in advance, back in June 2016....it seemed like a miracle, to me. Like a "mirage". And back then I still didn't know just HOW MUCH of a precious miracle this sequel would've become to me!

So it's with shaky hands and a trembling, emotional heart that I write this post to you...I hope you can excuse the length of it (maybe take a break in between?), I'll do my best to highlight the translation differences (unfortunately we definitely got some for this finale, one in particular made me quite mad) so you can spot them immediately among the sea of words and feels I will inevitably pour into my writing...

The "Beaver Moon" was big and shiny just a few days ago, and like all the full moons at the end of the month, it brought us a chapter, a very special finale for this series.

And as I usually do, I really cannot skip this silly moment that accompanied me for so many commentary posts, so here you go, my dear readers, the last Gif Of The Month!!!

I had already decided that, no matter the content of the chapter, I would've used this, because it is my intention to give my congratulations to CLAMP for reaching the end of this wonderful story and also thank them for giving me a multitude of emotions over the years. I've been happy, angry, excited, teary-eyed, frustrated, confused, hopeful, in pain, in love. I'll always be grateful to them for changing their mind and deciding to give us a sequel of this beloved series, after so many years of dreaming of it, and for making me fall in love with the new characters, none excluded!

So, off we go, under the cut for this commentary of the finale!!

The Color Page

Oh my heart 😭😭😭 I really wondered if they would go for it, if they would shoot us with feels right from the first pages and they did, they paid homage to the color page of chapter 50 of the old manga!! ❤️ We can see the same bluebirds that were featured back then, still holding in their little beaks lots of ribbons coming from the pink roses bouquet that Sakura is preciously holding... And that also made me realize that these are the same birds that were featured last month for Akiho and Kaito's color page too!!! ✨ They definitely, definitely wanted us to get the message that all of them will be truly happy from now on. ❤️I actually appreciate even more that Mokona-sensei took care in including those birds for the color page of Akiho/Kaito too.

Back in the old manga, CLAMP had given a comment for the illustration of chapter 50, saying that it was created that way to give a sense of looking forward to the future, and the absence of the Star Wand here was a precise request from Ohkawa to Mokona, because Sakura would've tried her best from now on, without necessarily relying on her magic.

Here, in chapter 80, we can somehow see the same theme but Sakura isn't proceeding "forward" towards a specific direction, it seems more like she's floating comfortably, assisted by her loyal Flight Card, embellished for the occasion (it makes it look kind of "upgraded", right?). I get a sense of Sakura feeling way more comfortable with her natural gift than she's ever been.

The blue sky, the ribbons, the bluebirds, the bouquet of pink flowers, the presence of a flying Card, Sakura's bare feet and her beautiful smile are definitely elements common to both illustrations.

Here Sakura wears a longer outfit, more elegant, which of course makes her look more grown up, as it should!

The editorial text on this last page doesn't carry words of thanks like in the color page of the final chapter of the old manga (those this time around were printed directly on the cover of Nakayoshi), but actually "My invincible spell is....'Everything is surely going to be alright' "! I think it was a very nice choice to feature the Invincible Spell in the front page of this final chapter. ✨

Between this and the absolutely divine Sakura on the cover of Nakayoshi, I can feel my heart softening and filling up with lots of hope and comfort, helping me to cope with the imminent "loss" that I'm going to experience.

BUT! It's not time to let us be caught by those mischievous feelings that want us to cry at all costs, and so we're gonna proceed for the actual chapter!!

The Books In Fujitaka's Library

The final chapter starts with Sakura chatting with Eriol and Kaho in a videocall over the phone!! The thing that immediately stands out is that Sakura is still wearing the full-winter uniform, so it's apparent right from the first panel that rather than turning back, the events are proceeding forward from where we left them, exactly as Sakura wished.

It's still winter, spring is almost here and we're almost towards the end of the 1st year of middle school for Sakura & co.

Another thing that I, as a foreigner, couldn't help but doing is calculating what time should've been for Eriol and Kaho, since they live in Europe like me! 😂😂😂 Having followers and friends all over the world, it's just normal for me. Well, if this is early morning, it should be night for the Europeans, so maybe that background at the window should be black?? 😂😆 Who knows if sensei will fix it, in the tankobon?

But enough with the silly things, let's see what Sakura is discussing with these two.

The very first thing we hear is quite shocking: Sakura slept four entire days to recuperate from the insane fatigue after the last battle!!

When I've heard that, my immediate thought was going towards all kinds of realistic, very practical issues like "did they keep her hydrated, in these four days? What about the bladder? 😱" but come on, way crazier things happened in this finale and this is the last thing we should worry about 😂

Eriol sweetly says that everyone waited impatiently for Sakura to wake up (I can imagine that!! Syaoran and Akiho must have died of anxiety). In Japanese, his sentence is somehow left trailing off, it gives me the impression that he wanted her to know that she's cared for, but in a very polite manner and avoiding to make her feel guilty for it. Sakura, as the good girl she is, tries to apologize for making them worry, apologies that Eriol doesn't need, so she ends up thanking both him and Kaho for what they did for her (and we can see Kaho peeking in the videocall! I'm glad she recovered too! As usual she's wearing nice outfits, the transparent veil over the skirt is interesting!).

Kaho, with her usual "maternal" aura, says that seeing her in good shape and hearing her cheerful voice over the phone is more than enough to her, which makes Sakura happy.

Eriol then proceeds to ask a question about the books he saw flying away at full speed after Sakura removed all the spells and the graphics from the artifact (the huge book), which then transformed into said smaller books: he wants to know where they ended up to, and lo and behold, they're nowhere other than in Fujitaka's library, in the basement of Sakura's house! 😱

So we can see a flashback depicting a scene right after Sakura woke up (she's still in her PJs), and her father shows her a pile of ancient-looking books sitting on his desk and on the floor.

Yes, those are all the magical books that Akiho had read and (unknowingly) engraved on herself, which were about to crush her soul. There's really a lot of them, so I don't have a hard time believing that she was really on the verge of losing her soul forever.

As Fujitaka tries to explain himself, it seems Sakura worked so hard and in the end those books ended up landing right at their house!

And then, in a very moving scene, we see Fujitaka being just so happy because finally, after so many years (since 4th grade) of just watching over his daughter going through several hurdles and not being able to be helpful in any concrete way (because he didn't have magical powers, and even when magic was passed onto him, he didn't know how to use it), NOW he can finally be of assistance to her.

He then tells her not to worry, because he already got several "weird" books in his collection (hell we knew, the Cthulhu books were surely a surprise 😂), and that anything goes where it's supposed to go, when its due time comes. He believes these books, too, will reach their new fated destination one day, so until then, he will take care of them. ✨

By the way, you all saw it, right?? YES, it's there again. Fay's tattoo on that book! 😂CLAMP REALLY wanted us to see it, didn't they?

Is this insistence in featuring elements coming from Tsubasa a sign of something in the future...? Or are they just messing with us....?

I bet even this book one day will find its way to Celes country, to have that tattoo used in the way we all know.

Anyway, I REALLY loved this scene because it just shows CLAMP's firm intention to involve *all* the main and side characters in this collective effort to help Sakura solving Akiho and Kaito's situation (Fujitaka was indeed the one missing from the support group!).

It's just so good to know that a tiny frustration that Fujitaka expressed in this arc (how he couldn't be of help to his own daughter) was finally put to rest too, with this new task he took upon himself.

I strongly believe that Sakura, once again guided by her infallible instinct and empathy, subconsciously wished those books into her father's library, because she just knew that her father would be the perfect person to guard them and keep them safe for the time due.

The Cards

Back to the present, Eriol comments that Sakura's father is really dependable, and she can only warmly agree!

But Sakura's got questions of her own, for Eriol. She asks what happened to the transparent cards (note: even this time, Sakura keeps calling them with the japanese term 透明, "transparent", and never calls those cards クリアカード, the English term that gives name to the arc).

Eriol gives his own explanation: the transparent Cards were probably bound into the book of the guardian Sakura met (and not "befriended" like the ENG wrote), and as such, they became magical power used to activate the "forbidden magic".

About the newly created Remind and Blank Cards, Eriol guesses that the last magic that Sakura summoned thanks to those two Cards was so "violent" (the term used 凄烈 means "violent, intense, fierce") that it ended up exhausting completely the Cards' magical power.

Sakura says "so...they're gone", confirming that yes, even those two disappeared after being used.

Eriol asks about the Cards Sakura had from before, our dear Sakura Cards, and she releases them in the room to show to Eriol their current appearance: it seems like they have taken up some elements from the transparent cards, mixing up their designs! They look really cool and empowered, like this! Eriol attempts to explain this occurence as an influence of the fact that Sakura used some of them with her new Dream Staff, hence why their new appearance!

It seems like she'll be able to use all of them with that staff from now on, so this is a first hint to something that will be referenced in a stronger way in a few pages.....

Kaho gets closer to Eriol's computer and says "Don't worry, I can see they still love you all the same, Sakura-chan, there's no problem about it!" and then she spots Flight among the deck. Sakura confirms happily that it's still here and Eriol says "it's a testament to its perseverance!".

And then, Sakura wants to talk to Eriol about Akiho and Kaito too......but we're not allowed to hear it yet, because we only see Sakura nodding and "uh-uh"-ing at the phone and then Kero warns her that she's going to be late for school, so our girl hurriedly hangs up with her friends abroad.

Her dear small glutton guardian tells her to not push herself since she barely woke up yesterday, and when Sakura goes to pick the pin she wants to use today in the jewelry box (it's the pin Yukito gave her as a present in chapter 1!), she picks up the Star Key. And here, unfortunately, I have to point out the first concrete translation difference of this chapter in a scene that many were waiting for:

ENG: "This key....I wonder if it'll leave someday, too. To go to where it should be, to the side of the person it chooses to be with"

JP: "This key, too...I wonder if one day it'll go...to the side of the person it should be with"

Now, what irritates me here is that in their usual need to embellish the translation, they added an unnecessary "the person it chooses to be with", which is something they made up because there's no mention of the verb "choosing" or anything like that in Japanese, and so it makes it seem like the key will one day just go away on its own, on its own volition.

Now, this is a VERY important scene because we all know what this is foreshadowing, the transition of the Star Wand from Sakura Kinomoto to the Reborn Sakura Clone in Tsubasa Reservoir Chronicle through a dream, that cameo that made us scream all over the world in 2009. That scene was accompanied by a very beautiful and mature speech by Sakura Kinomoto herself, a sign that this "handover" was totally a well pondered choice of Sakura herself, not the key's.

The translation of this scene here in Clear Card tampers with the understanding of the events we got from Tsubasa and it really makes me wonder if the translator knows of this reference at all.....

Continuing on, Sakura goes downstairs and meets Touya having breakfast (and omg Kero goes to him!!! I still can't get used to these two interacting in the open), as usual Touya teases her calling her "monster", to which Sakura stiffens, but she shakes it off to thank her brother, to which he answers "no snacks for four days"!

Sakura at that point gets angry asking why, but he diverts her attention pointing out that she's gonna be late, so the girl bolts out of the door......not hearing her brother saying "that's the amount of days you haven't woken up, you silly!" (and Kero goes along with it).

Now, the ENG translation here interpreted this as a "payback", like Touya isn't going to make her snacks for 4 more days as a "payback" for making him worry like that, and initially I interpreted it like that too. But as I checked the Spanish translation, they interpreted it differently, as if Touya wasn't talking about the snacks that he won't prepare for the next 4 days, but actually the ones Sakura didn't eat during the period in which she was sleeping, and I think they're right because Touya calls Sakura "dummy, silly" so he might be referencing the fact that she misunderstood, here! Anyway, it's not a serious difference but I wanted to report it here anyway.

Sakura finds Syaoran out of her house waiting for her, and we see him all happy and embarrassed to go pick his girl up right outside her house to go to school together 🥰Syaoran got contacted yesterday from her (I don't know why in the ENG there's "last night", it's just "yesterday"), telling him that she was ok now, but of course that wasn't enough for our worrywart prince charming, so he's here this morning to escort her to school! Sakura can't avoid commenting "aw, you were worried about me!" and Syaoran honestly but embarassedly answers "that, and I wanted to see you as soon as possible". Omg these two...flirting like crazy in front of the audience even in the finale!! 😂(well of course!!). As one of my friends reminded me, this line was already said by Syaoran before, when he was revealing the whole truth about the Sakura Cards and was explaining to Sakura that he came back to Japan earlier than scheduled also because he wanted to see her sooner.

After a good dose of blushing which is always good for the health in the early morning, Sakura thanks Syaoran not only for walking her to school, but also for all the rest that he's done. She's clearly referencing the events of 4 days ago, and Syaoran answers that if he helped her even just a little, then he's happy. This vague reference to the events of 4 days ago seems lost in the ENG, as Syaoran casually answers that he's happy if he can help her sometimes (?). 少しでも means "even just a little", not "sometimes".

On the way to school, Sakura says that she already contacted everyone to say that she woke up and to thank them, but she seems to be wanting to go thanking Yukito directly at his house later, also because Nakuru and Suppi are there! As Syaoran adds, Sakura can see Tomoyo and Akiho later at school. Sakura says "...yes" with a slightly sad face because she already knows something about one of them.....

We switch to Yukito's house for the last look at our "snow bunny", still in Nakuru's company (when are they going back to England???) and wondering what kind of sweets should he offer to Sakura today, while Nakuru is hellbent on finally having Sakura call her "Nakuru-chan" today (I told you, she's like a 5 years old girl, she sees herself as a kid like Sakura 😂).

Then, turning suddenly serious, she says to Yukito: "Don't you dare doing anything else that requires a 'payment', understood?", which immediately made me realize that Nakuru remembers about Yukito's pact with the Tsukimine Shrine!! Then, they didn't just recover the memories strictly relating to Akiho!!!

Yukito, with a big smile, says "well...I can't promise you that" which understandably triggers in Nakuru a "Yukito, you're really stubborn!!" from the bottom of her heart! 😂

But there's a kitty sleeping on a cushion (or feigning to?), our dear Suppi who thinks to himself "All of you moon-aligned types are stubborn!!" and let me tell you, this arc showed us ALL the proofs of that! 😂(Yes, Kaito, we're looking at you! 😂😂😂).

Brand New World With You

Homeroom is starting in Sakura's class and Tomoyo makes sure that Sakura will take it easy since this is her first day back at school.

The teacher comes in, and she's already got a news for everyone (and here my heart already knew what it was): Akiho Shinomoto will be transferring away in one month! (Yes! it's Shinomoto again!)

The class is shocked, as Tomoyo is, but Sakura smiles and doesn't look surprised at all...

At lunch, everyone is so sad about Akiho transferring and Chiharu expresses how much she'll miss her, but also Naoko who loses a precious advisor for her scripts and a great actress since she wanted to cast her for the next play, seeing how wonderful she was in "Alice in Clockland". Tomoyo says that the chorus club will miss her too, and Yamazaki comments that Akiho lived in Hong Kong before transferring to Japan, so he asks her if she's still going abroad, even this time around. Akiho confirms, and then remembers that she needs to go to the teacher's room. Sakura insists to accompany her even if Akiho knows the way by now (and here we have a sweet, nostalgic recall to the same scene of the first chapter Akiho appeared in, chapter 7! Even the lines are almost the same). Of course, Sakura insisted because she wants to have a private chat with her....on their way there, she says she heard from Eriol that morning that she would be transferring abroad, but she would like to ask the reason why to Akiho herself.

Akiho says that, after all that happened, that same night she talked to Eriol (she calls him "Hiiragizawa-san" ❤️) for the first time.

He told her that he would be supporting her in any choice or anything she'd want to do from now on (the "anything I would choose" is missing from the ENG translation), and support her even with Kaito's circumstances.

Akiho was told by Eriol that Kaito kept hurting himself the more he used time magic, and that he shouldn't have been in a good condition after messing even with the "forbidden magic"....but apparently, Sakura managed to work a little miracle when she used Rewind on him.

When Sakura brought Kaito back to his original appearance, the pocket watch she used was almost completely repaired and its time stopped, and thanks to that, Kaito's time is stopped too.

I had already noticed that Kaito's life seems to be strictly connected to that pocket watch, as the more damage he took on his body, the more the watch broke. Sooooo in this scene we have some important information:

1- Eriol mentions the time magic Kaito used, how he kept using it and also the effect it would have on him, so it's legit to think that even him recovered the memories of the unrewritten timeline, not only the stuff strictly concerning Akiho.

2- Kaito's life is in a halted state (reminds you of someone?) and this means that his life is not flowing like other people's: he won't age, but his physical condition won't also get worse, as Sakura infers right after. The ENG translation suggests that Kaito won't be feeling any pain at all, but that's not the case: Sakura uses the words もっと辛かったり痛かったり, "more in pain and have a rough time (than this)", so he's still going to feel not so well from time to time, but at least his condition won't get worse than this.

Akiho confirms, and explains that because of this, they're going to look for a magic that will be able to heal Kaito and, in addition to that, a magic that would be able to make his stopped time move forward again. This won't certainly take short time and it won't be easy....but Akiho smiles beautifully while saying that she's sure that there is a book that carries those spells she's looking for.

And then....with a sad smile, she says there's another reason.

And here my heart sinked because I wanted to see her so badly and I got the confirmation she wasn't with them.......😭

I'm talking about Momo, of course, and Akiho agrees with me because the other reason they'll travel around is that she wants to see her beloved Momo and even the "Alice in Clockland" book.

This indeed sounds a lot like the resolutions of the characters of Tsubasa in their own finale, but after all, we've been saying for long time that Kaito and Akiho had many situations paralleling those of the SyaoSaku in TRC.

Akiho, with the most radiant and beautiful smile she's ever had, says that she's sure she'll find so many other books she's never read, beside the ones she'll be looking for.

"Because now I can go wherever I want, whenever I want, all by my own volition. Together with Kaito-san"

Sakura points out that books are, indeed, really special and important to her.

And really, Akiho's smile on this beatiful spread was enough to heal my heart from the disappointment of knowing that Momo wasn't with them, because Akiho really looks happy to start this journey with Kaito...she feels free for the first time ever.

No more clan dictating where she should go or what she should read, at her own expense at that, but also the situation between her and her beloved Kaito found its solution, with her stating loud and clear that even if he's her most important person and he did all of that for her, she's the only one who can decide her own happiness and change her own life. Akiho is finally free from all constraints, both from evil and from love, and honestly it's so comforting to see her so confident and happy.

My True Name Is....

And talking about Kaito, we switch to the Shinomoto mansion, where we see him in bed (he's still recovering - also we see his room for the first time!) and Akiho is telling him of how her friends took the news of her transferring abroad.

She was happy to hear that they're going to miss her, I bet this was the first time that people took any interest in her, so much to get to the point of saying "I'll miss you".....which totally explains why she's glad to hear that. She finally made true friends, here in Tomoeda.

Kaito is pleased to see her happy.

Akiho says that she's going to prepare dinner (my heart got warm thinking that now it's her the one cooking for him and he doesn't protest or anything) and she's going to make the no-fry croquettes that Sakura taught her (remember??? They had dedicated a chapter to that, and they were so important because Akiho learned them precisely for Kaito).

But Kaito kind of "interrupts" her, saying the thing WE ALL were waiting for him to say:

Kaito, JP (lit.): "I'm sorry. For having thought (all that plan) on my own and decided things without your permission. Even though I know that you're someone perfectly capable of writing her own chosen future on her own blank book"

Oooooooh. The feeling of puzzle pieces going to their right place, the sense of accomplishment, the satisfaction in reading these words from him. HE FINALLY UNDERSTOOD. And it took almost k*lling himself and causing to the very person he was trying to make happy an indescribable grief, to come to this point.

What a lack of self-esteem and underlying depression can do.

But thankfully, they all managed to save things at last minute and now he's learned his lesson. So the first thing he does when he's able to, is apologizing to Akiho. But not only that.

Akiho says Kaito's name, probably wanting to answer something in return, but he interrupts her again, saying something I've been dying to hear him say (lately I expressed here and on Twitter my wish to see precisely this scene in the finale):

"That's my alias"

Akiho is shocked at hearing that, and he says, with a serious face, "Can I tell you my true name?"

At this point, I was hollering, I won't really hide it or anything.

If you're CLAMP fans, you probably know how IMPORTANT and VITAL is an information like one's true name, especially for a magician. Yuuko in Holic said that if you give someone your true name, they can take your soul.

And I'm 100% sure that even Akiho knows how important true names are in the magic world, this is something that Momo already mentioned in one of the Drama CDs but here she confirms it herself, saying hesitantly: "Are you sure I should be hearing something so important?"

With the next thing Kaito says, I was almost calling an ambulance.

Heh, I know, this is me, what can I do? Their story got me by the throat and coming to this point is such an achievement, for me. 😅

"I want you to know it"

That あなた between brackets is so powerful. "You, above all".

In that "you" there's all the things he's not saying aloud, how unique and important she is to him. How much he trusts her with the most vulnerable part of himself. How much he's willing to give his entire soul, his everything to her, but this time in the correct way, without damaging anyone.

Akiho must be noticing all of this, because Mokona doesn't allow us to see her face, only her closed hand rising up, but from her ".....okay" I'm sure here she was quite touched.

So Kaito finally proceeds to reveal this secret that everyone was wondering about ever since chapter 51:

"Cristaux. That's my true name".

Cristaux is written with the katakana クリスト (pronounced kurisuto) which has already been misunderstood by many for "Christ" 😂, but thankfully CLAMP have put in the furigana the correct spelling in romaji.

Cristaux is a french word used to indicate crystals. Yes, plural.

So our crazy magician was named after crystals at his birth.

Of course, of course. Isn't crystals the overwhelming theme of this arc, after all? CLAMP made sure to feature some in many many color illustration they've done.

Also, while talking to a friend, I realized that now we might understand a bit better why Kaito made a very pensive face, disguised as Syaoran, when Sakura pointed out in Clockland (ch. 66) that the castle of the Queen had foundations made of crystal........

As usual with CLAMP, we've had the solution to the mystery under our nose the whole time! 😂This feels like Tsubasa 2.0, for real! 😂

It is surely an inusual name, but I mean, it seems many of the names CLAMP choose for their characters aren't that common, after all.

With this reveal, Kaito decided to start anew with Akiho, this time around from a basis of honesty and trust. He's never going to put up masks with her ever again (and even though it's confirmed they still talk in keigo to one another -which is something I've always imagined-, we've seen him using his true pronoun "ore" with her in chapter 78). This is the perfect foundation for a relationship based on communication and trust. Bravo Kaito, you did your homeworks.

Akiho places a hand over her chest, as if the precious name entered her heart, and says something that made me completely melt:

"I've written it on the most important page of my book. So I can never forget it".

This line makes me particularly emotional not only because it sounds SO SWEET, on the verge of flirting, but also because it seems to me like a callback to something that was said in a sadder situation.

Back in chapter 35, when Sakura ended up trapped into Akiho's artifact, she experienced Akiho's past on her skin. The day of the magic ceremony that turned Akiho into an artifact, some people from the clan/Association said "let's engrave all the magical books we can find into this girl's body, so she can never forget them. Just like a blank book".

Back then, these horrible words were used to abuse a poor child, but that child today turned them into the power to choose for herself.

She appropriates the same "book" analogy to turn it into a way for her to choose on her own. Kaito's name is a precious information that she chooses to write on her heart so she can never forget it.

It is a way for her to cope and have a catharsis for her trauma.

I honestly keep getting such wonderful messages from the story of these two characters, and I'll never thank CLAMP enough for creating them.

Kaito smiles softly at Akiho's words.

Then we go back to Sakura, Syaoran and Tomoyo, the "fab 3" who are going back home together, and we get some more information: it seems Eriol called Syaoran too (man, this guy called half the world to give explanations left and right 😂) and told him that he's going to buy Akiho and Kaito's house and look after it for them.

Sakura is really glad to hear that because it means that Akiho's huge collection of books will be safe and guarded in its library.

Tomoyo asks what they're going to do about Akiho's room at the Kinomoto house: in fact, if you look at the first panel of this chapter, you'll see that the additional portion that sprouted on Kinomoto house is still there: this means that Sakura gave everyone back their memories, but that magic didn't affect the discrepancies that arised from the rewriting of their world, hence why Akiho's room is still there.

Sakura talked about it with her dad and they decided they're gonna leave it untouched, as it is, so Akiho can always go back to it at any time. Did I cry at this? Yes, a little, because this is a sign that the Kinomotos will still keep considering her one of the family even if she'll be away, even if she'll have her life with Kaito, and I couldn't ask for anything better, for my sweet Akiho. It is so important for her to keep the bonds she created over time and know that now she's also got a network of people there for her. A second family where to turn to.

Sakura's having a real hard time accepting that Akiho will go away, and her smile becomes sad, before hugging Tomoyo and crying out "But I'll still miss her so much!!" 🥹poor Sakura 🥹I know, it's always so sad when someone that important to you leaves...

You'll Be Together Forever!!

One month passes by, and we can see some sakura flowers starting to bloom, this means we're at the end of March (and so we were in February before, just like I imagined). School year must be over pretty soon.

It's the big day, the day of departure for Akiho and Kaito, and Sakura+Syaoran went to see them off. Have you spotted it, on Sakura's scarf? Yes, that's the pin shaped like a teddy bear, the same Kaho gave her as a present and that she was wearing in the OG manga during the run at the bus stop to tell her feelings to Syaoran!

Akiho thanks Sakura for coming so early in the morning, and Sakura says she absolutely wanted to be there to see them off, actually she apologizes for making them delay their departure due to this meeting. Akiho is dressed with a cute outfit that is very remiscent of the one she's wearing in the color page of chapter 79.

A little separated from them to give their privacy, we see Kaito and his big suitcase, standing next to Syaoran. OMG it's so inusual to see them like that!!

Then, Kaito says "Time magic....I can teach it to you, if you ever want to use it". Syaoran is very surprised to hear that, and Kaito says that when he was still in the dragon form, he heard him apologizing to Sakura for not being able to use that magic because he hadn't learned it yet, remember?? 🥹

And Kaito just offered himself as a teacher, surely as a way to thank him for everything he's done to save him and Akiho.

But not only that: in a very sweet panel, he says he knows Syaoran won't use it in an inappropriate way, and I can totally hear that implied "as opposed to me". Oh yes I hear it loud and clear by the way this is phrased in Japanese. 😁

Then, he happily takes out his phone and asks him to exchange contact numbers, because they can be convenient for any occurrence! I feel like that was a good idea because they're surrounded by magic matters so much, it's always good to be able to count on the experience and knowledge of other magicians.

We see Syaoran being a bit perplexed at the request, but then reluctanctly (?) takes out his phone 😂oh lord his reaction is so funny....and this is also another proof that the characters remember what happened before, because Syaoran could have this reaction only for that reason 😂😂😂

While looking at them interacting so funnily, Akiho takes the chance to get closer to Sakura and whisper a very important information to her (it came!!! it came for her too!! I KNEW IT!! It's not WHAT I imagined but I've been saying forever that this would come 😂):

Akiho, JP & ENG: "My real name...is Cosmos"

What you guys can't see if you're reading the ENG version or any other language, is the duality of Akiho's true name here.

It's actually written in Japanese kanji, but the furigana that tells how to pronounce it are katakana for "Cosmos".

So it's like this:

Japanese name: 秋桜 (pronounced Akizakura, it's how Cosmos are called in Japanese)

Furigana (reading): コスモス (Cosmos)

It's not uncommon to find the Cosmos flowers being called directly with their katakana spelling, in Japanese.

All of this makes total sense for Akiho because her favorite flower is a specific type of Cosmos, the Chocolate Cosmos! They say they really smell like chocolate! So, just like Sakura, she's got the same name of her favorite flower.

But this duality of her name also allows Akiho to say what she's about to say:

Akiho, JP: "When we met for the first time, I was happy to learn I had one same character in my name as yours!"

I'm glad to see that more or less all the foreign translations did their best to explain the trick of the kanji, adding an explanation in the bubbles (they were big enough, thankfully). The ENG for example talked about "sharing a name" but Akiho here is meaning more "sharing a character" of the japanese name.

Sakura is of course really honored and happy to hear that, and thanks her for sharing such an important detail about herself.

And now, hahaha.....comes the part where I laughed SO, so much, because while to some it might sound strange for Akiho to do something like this, to me it isn't strange at all! Cause she's like that, her personality is far stronger than most think...

Our little mischievous Akiho here reveals to Sakura, still whispering, that she isn't going to share her real name with Kaito yet, because she's still a bit upset with him!! 😂😂😂

Oh lord, Akiho....oh dear....you have all the right to still be a bit upset, make him work hard to get such an important information from you!! 😂 I can't believe right now we have Kaito basically in Akiho's hands while Akiho, the one who seemed the most in love out of the two, is actually still withholding that from him! 😂😂😂 aaaaahhh trust CLAMP to always give you something interesting....this is totally in line with how I perceived her personality. 🤭I loved it!

Kaito needs to be really, really careful from now on! She's not gonna take any crap from him! 😂

And now I have to warn you because precisely as we reach the very last line Sakura will say in this arc, there is going to be another translation mistake, which I consider far worse than the other one I pointed out. I think getting it wrong precisely at the most important emotional point ruined a job that wasn't overall so bad, with this chapter (compared to others....).

Sakura, smiling, supports Akiho's idea, saying "Sounds good!", and then, utters the very last line of the arc:

ENG: "After all, we have a long future together ahead of us!"

JP: "After all, you'll be together forever from now on!"

I think you can easily guess why this translation mistake irritated me so much. I've checked the other translations and the Spanish one, the one I trust the most, agrees with me, just like the French one.

This translation is a failure for two reasons:

it failed to convey the fact that Sakura here is using almost exactly the same words she used in the OG manga at the end of volume 12, when she ran into Syaoran's arms, saying that they would be together forever from that moment on. I think iconic lines like these should be translated in the way the readers know them from the previous work, otherwise it's useless. You don't get the reference. In Japanese, back in volume 12 of the OG manga, it was "kore kara wa zutto issho da yo!" while here it is "kore kara wa zutto issho nandakara". And there is a reason for that.

this translation inexplicably made it about all of them, when Sakura was talking specifically about Akiho and Kaito instead. That "nandakara" at the end suggests that this sentence is strictly related to the one that came right before, "sounds good", as an answer to Akiho's plan to withhold her true name from Kaito for a while. Sakura here is simply saying that Akiho's idea sounds ok to her because those two will be together forever from now on, so she'll have all the time of this world to tell him eventually her true name, when she feels ready. Also, in Sakura's words, there's a deeper meaning: it's the last wish of happiness for those two, which comes from her own lived experience. At the end of volume 12 we saw Sakura uttering those same words, in her happiest moment of reunion with Syaoran...Sakura knows that happiness, the happiness of reuniting and be able to stay all the time with the person you love the most. This is the same thing she's wishing for those two right now, with these words. To be together forever and savor that same happiness she's living herself everyday. But if the translation makes it about all four of them, or even just about Sakura and Akiho, this underlying message, this last parallel between the two pairs is completely gone. Also, what's the sense in saying "we have a long future together ahead" if Kaito and Akiho are leaving?? It doesn't make sense to me. They once again managed to remove any hint of Kaito and Akiho being destined to be together for life, and bent the phrase to include everyone, just because they could. I find that quite disrespectful in my opinion.

Anyway, if you made it this far in reading the post, you now know how that line should actually be. I feel so embittered and disappointed that this happened precisely at the end...

But this time, as opposed to the OG manga, there's one more page to bring this arc to a closure: we can see the back of the new empowered Sakura Card (on the Card there's a mix of both the Star circle and the Dream circle), and the text reads:

JP, lit.: "When all the Cards are gathered, that's the beginning that comes from an end. A beginning to move on"

You have surely recognized it , this is exactly the same page that appeared at the very beginning of this arc, it's just that back then we had a Sakura Card's back, a more unsettling background, and lots of blank cards floating. Right now we have the back of the empowered Sakura Cards, a more serene background and instead of the blank cards, we have cherry blossom petals! ❤️

But most importantly, the sentence slightly changed too, communicating to all the readers that from the end of all the tribulations that our characters went through in this Clear Card Arc, they finally managed to move onto a happier life.

I think it's very beautiful how CLAMP decided to conclude this story, with a message of hope that not all endings are necessarily something bad, but they can simply hide behind them the beginning of something new and more positive.

Lord knows how much I needed to be reminded of this, in this moment of my life.

And surely this is also true for the end of this beloved series for many people around the world: after 7 years and half it's so hard to say goodbye to such a beloved story, but CLAMP want to give us one last present before saying goodbye to it for an indefinite period!

On the right side of the Japanese last page (this was not translated in the ENG one) we find the announcement that the April issue of Nakayoshi on sale on March 1st 2024 will bring us a special chapter of Cardcaptor Sakura Clear Card! Precisely one month before the release of volume 16! There's no info about how long it's gonna be, but anything is strongly welcome to say goodbye in a more gradual way...I wonder what it'll be about? This can be literally anything!! I would love for them to feature a situation in the future, rather than in the past....

Beware, because I've heard that Anime News Network translated this as a "special arc" in their news and that caused a ruckus...I've already tried to warn people on Twitter that's not correct, "tokubetsuhen" is the same term they used for the special short chapters they have published till now.

And so...it ends. We've reached the end!! Omg! I still can't register it fully....🙈

I will write some short additional comments about the chapter here but you'll have to wait for another, separate post to have my impressions and commentary on the entire Clear Card Arc.

I just want to say that this finale didn't feature everything I hoped/wanted to see, but other things were definitely granted.

It's just impossible to make everyone happy so I completely understand that.

And even though I'm truly disappointed about Momo and the choice to make her leave her two kids like that, I feel overall this disappointment doesn't stain my appreciation for this finale.

The things I wanted to see and got, the general happy and relaxed atmosphere, seeing all four of them so friendly with eachother, Sakura's final blessing with those words are enough to make me feel still quite satisfied with the finale.

Also, this feels so much more open than the OG manga. A lot more open. There are tons of elements one could grasp to in case they wanted to make a spin-off, or feature some of these plot threads as a cameo in another work. Akiho and Kaito's situation in particular, with their travels around the world, seems to be screaming "you'll see us again soon". I don't know if I'm just delusional but I've seen so many people saying the same.

And I have to say that despite my first choice was for Akiho and Kaito to stay in Tomoeda, they gave me enough good reasons to justify them departing again. I did, in fact, predict that an eventual resume of their travels could be plot related (if they had to continue escaping the Squids' radar or if they had to find a way to fix Kaito's situation).

Plus, Akiho seems so happy and free. How can I rebel against that, when they depict her so happy of her choice?

Also, nice of Eriol to step up and help those two. He's the other poweful and experienced magician who can put at their service all of his knowledge.

And then, Kaito's character development. Even here, I felt like I would've wanted him to say more, but then I remembered that Ohkawa in a Space long time ago had already said "I would want the readers, once it's over, to re-read this trying to understand 'why this character acted in this way?' " and it was clear that she was referring to Kaito. So, not exposing in detail Kaito's heart and the motivations that brought him to this point is totally intentional. She wants us to get there on our own. After all, she gave us another huge hint in this chapter, by making him reveal his true name to Akiho. I can only be grateful for that, especially for how he worded it.

Cristaux and Cosmos...while I'm really happy they have the same initials, I'm still trying to get used to those new names! 😂even though I know they'll keep using their aliases so it's not a big problem, we'll keep calling them Kaito and Akiho!

(And yes, I'm a bit disappointed that Akiho's true name isn't Alice! 😂)

It was nice to see SyaoSaku blushing and flirting in this finale, especially now that Touya gave his blessing to Syaoran, he can go pick her up for school when he wants!! 😂 I'm sure we'll get more SyaoSaku fluff in the special chapter, as this finale was mostly used to wrap up other stuff.

As I said, I adored the few panels of interaction between the two Moon Boys, Akiho's mischievous prank to Kaito....yes, I still have lots to be grateful for, in this finale.

I think this post just won the record for the longest one, so let me just take this space really quick before wrapping up to thank all of you who have read my posts, shared them, supported me, chatted with me about the story, and overall contributed with interesting discussions in this little personal corner. I would've never imagined, not even in my wildest dreams, that the existence and content of this blog one day would've reached even CLAMP, and this will stay as one of my biggest gratifications, especially cause they seemed to appreciate the effort. I just wish their story was treated better by some official translations.

I tried to do whatever I could to spread warnings about heavy translation mistakes, in addition to my interpretation of the story as I was reading it and analyzing it, since I've seen it helped many people understanding the story better and coming to terms with frustrations they had about it.

Clear Card Arc is undoubtedly more complex and requires a lot more of attention than the OG manga.

But I'm positive that re-reading everything in one go might help A LOT in that regard, maybe keeping my translation posts beside you....so I urge everyone to re-read the story when you have time, because it's worth it. Really.

That said, I'm not going anywhere for the foreseeable future: of course I'll comment the special chapter, but I also have in store the "Clear Card Trivia" series of posts, a post with the timeline of the events and a master post about my own review of the entire Clear Card Arc. And then, there's the season 2 of the anime too! You can bet I'll be here to comment on it every week!!

In the meantime, I want to thank all of you again for your patience, for reading me till now, and I also want to thank once again CLAMP-sensei for the wonderful sequel they brought to us in these past 7 years. ありがとうございます 🙏

See you soon!!

#card captor sakura #cardcaptor sakura #clear card arc #ccsakura #ccs spoilers #clamp #sakura card captor #sakura kinomoto #syaoran li #akiho shinomoto #yuna d. kaito #chapter 80 #translation differences

157 notes · View notes

lucky-clover-gazette · 3 months

Text

kings rising highlights & annotations

chapter 4

indented text is from the book. some quotes have commentary, some do not. some comments are serious, and some are definitely not. most of them will only make sense to people who have read the series. and, like, there are spoilers. so please read the books first if you're interested!

also: part of the reason i'm doing such a close reading is to study cs pacat's style, especially in terms of how she does romance and erotica. there are "craft notes" that might seem weird, like i'm being redundant or restating something rather than analyzing, but those are more things that i want to remember/take away from the writing!

i'm going to tag these longer posts with "sam reads capri" in case anyone wants to read them all at once.

this is a google doc i wrote with overall content warnings for the captive prince series. it's not perfect, but i do think it's important to include.

‘Does it bother you to think of him hurting your country?’ ‘You know it does. Are we playing now with the fate of nations? It won’t bring your brother back.’ There was a violent silence.

the girls are fightinggggg (love damen calling laurent on his misdirected bullshit)

‘You know, my uncle knew who you were,’ said Laurent. ‘He spent this whole time waiting for us to fuck. He wanted to tell me who you were himself, and watch it wreck me. Oh, had you guessed that? You just thought you’d fuck me anyway? Couldn’t help yourself?’

i’m sure it’s easier for laurent to entertain the notion that nothing damen did was real at all, and doing so also hurts damen, so two birds one stone

‘You said, “Kiss me”,’ said Laurent, each word enunciated clearly. ‘You said, “Laurent, I need to be inside you, you feel so good, Laurent,”’ He switched to Akielon, as Damen had, at the climax, ‘‘it’s never felt like this, I can’t hold on, I’m going to—’’

i did my complex analysis of laurent’s mean girl era last chapter. this is a good example of him just being a petty bitch for the reasons outlined in that analysis

‘Charcy,’ said Laurent, ‘was a distraction. I have it from Guion. My uncle sailed for Ios three days ago, and by now he has made landfall.’

and it worked, and laurent was too emotionally compromised to anticipate or prevent it. imagine laurent learning that, directly after being tortured. and now he’s dealing with this. Ls on Ls on Ls.

(or did he know? stuff he says later makes me think he might have, but then again, he also lies to damen a LOT in this scene)

‘I see. And my men are to die fighting him for you, the way that they did at Charcy?’

i mean the previous chapter already established that they both know laurent meant to be there, but if they’re doing cheap shots, i guess this works fine in a pinch

Laurent’s smile was not pleasant. ‘On that table is a list of supplies and troops. I will give it to you, in support of your campaign to the south.’ ‘In exchange for,’ said Damen, steadily. ‘Delpha,’ said Laurent in the same tone. He felt the shock that made him remember that this was Laurent, and not any other young man of twenty.

He had not come here prepared to negotiate. Laurent had. Laurent was here as the Prince of Vere facing the King of Akielos. Laurent had known who he was all along. The list, written in Laurent’s own hand, had been prepared before this meeting.

all true, but don’t underestimate the fact that laurent did NOT anticipate falling in love or actually trusting you as an ally

He said, ‘Did you plan this from the beginning?’

so "from the beginning" is complicated here. if i'm going to try to sort things out to the best of my ability, i think a good place to start is making a list of things laurent could NOT have expected at the beginning of the series, when he was presented with damen:

that damen would not immediately take any opportunity provided to him to escape captivity

that damen is a respectable and admirable person and invaluable strategic and military asset

that damen and laurent would fall in love (and even still now, i don't think laurent is letting himself believe damen really cares, and certainly isn't letting damen do the caring)

that the regent would try to assassinate his own nephew. laurent says in the text, at some point, that this was a genuine surprise, and that he didn't think his uncle would ever go that far

but, okay, even if laurent didn't expect the assassination attempt, or any of the other minor things in vere like the patras debacle, did he expect at some point to find himself and his men forced to do a military campaign? he must have, which is why he started the correspondence with delpha. i suppose he could have planned to do that from vere, too, and just adjusted things when he was forced to travel. and nothing that laurent failed to expect directly got in the way of the foundation of his plan, if his objective was to obtain delpha and make enough allies that together they can take down the regent.

so to answer damen's question, yes! laurent planned this specific long-term objective (taking delpha, getting kastor and the regent in ios, methodically turning a faction of powerful akielions against kastor and gaining the support of vask and patras) from the beginning. because he recognized damen the moment he saw him, laurent could immediately put together that kastor is allied with the regent, who would totally come up with something like this to torture laurent. and so laurent put his mental energy into planning a way to gain enough political and military power to defeat both kastor and the regent, and further manipulate them into being so confident that they would have no time to retaliate when the people laurent enlisted attacked them. i don't think laurent gave a shit if kastor lived or died, or stayed on the throne, as long as the regent was defeated, but it made sense for kastor to be a priority as well since the alliance between kastor and the regent makes the regent more powerful.

and, to be generous to laurent, none of this really has anything to do with damen. like none of it is designed to punish him, it doesn't even really involve him. it's another instance of laurent just living in a different genre from the start. damen's pov has been so fixed on his relationship and interactions with laurent, but there's been so much more happening that we just haven't seen. and laurent, i think we can assume, is and has always been deeply focused on things other than their relationship.

but even now, this plan doesn't do damen direct harm. the most harm it does is make things awkward with nikandros, and make damen feel bad about the regent being in his own country (which was probably going to happen anyway). but still, damen is super pissed. he doesn't realize or admit it, but i almost think the fact that laurent always had this plan makes him a little insecure. like, to realize that he hasn't been as important or useful to laurent as he previously assumed. on top of all the other stuff pissing him off about the situation, he's also jealous of an abstract plan, because it's had laurent's attention from the start, and right now laurent is choosing that plan over their friendship/relationship. a kingdom, or this.

laurent doesn't want to deal with "this," and honestly has some pretty pressing matters beyond "this" to handle, so he's chosen "a kingdom." even if damen's heart is still stuck with "this," he'll have to follow laurent's lead and focus on "a kingdom" too. i'm sure they'll both do a perfectly professional and functional job of this, and it won't make things inconvenient or uncomfortable for any of their allies at all.

‘The hard part was getting Guion to let me into his fort.’ Laurent said it steadily, the private edge to his voice a little more private than usual.

do they ever talk about it? like does laurent ever tell damen what happened in the cell?

also i like how damen doesn’t take this as like flippant and arrogant, as he would have in book 1. he immediately clocks that laurent is hiding something and just deflecting.

Damen said, ‘In the palace you had me beaten, drugged, whipped. And you ask me to give up Delpha? Why don’t you tell me instead why I shouldn’t simply hand you over to your uncle, in exchange for his aid against Kastor?’

like you ever would.

‘Because I knew who you were,’ said Laurent, ‘and when you killed Touars and humiliated my uncle’s faction, I sent the news of it echoing to every corner of my country. So that if you ever crawled back onto your throne there would be no possibility of an alliance between you and my uncle.

good failsafe, laurent didn’t know he wouldn’t need it. although i’m sure it’s both vindicating and hurting laurent to hear damen threaten this, making the failsafe necessary, even if we know that damen’s heart isn’t in it.

'Do you want to play this game against me? I will take you apart.’

this is all very complicated and unnecessary and frustrating to damen, but it's laurent's area of expertise. this kind of emotionally evasive manipulative political negotiation makes him feel empowered. the approach laurent takes in this scene is almost certainly a way for him to cope with the things in his life that feel uncontrollable and uncomfortable, by doing something familiar that he knows he can control.

‘Take me apart?’ Damen said deliberately. ‘If I opposed you, the remaining scrap of land you hold would have a different enemy on each side, and your efforts would be split in three directions.’ ‘Believe me,’ said Laurent, ‘when I say that you would have my undivided attention.’

this is soooo amy dunne of him

Damen let his eyes pass over Laurent slowly, where he stood. ‘You’re alone. You don’t have allies. You don’t have friends. You’ve proven true everything your uncle ever said about you. You made deals with Akielos. You even bedded an Akielon—and by now, everyone knows it. You’re clinging to independence with a single fort and the tatters of a reputation.’ He gave every word its weight. ‘So let me tell you the terms of this alliance. You will give me everything on this list, and in return I will aid you against your uncle. Delpha remains with Akielos. Let’s not pretend you have anything here worth a bargain.’

damen honey i’m so sorry but you cannot win this one. especially when you yourself would probably lay down your life on instinct for laurent if someone randomly came into this tent and tried to kill him

‘Please,’ said Laurent, ‘insult me further. Tell me more about my tattered reputation. Tell me all the ways that bending over for you has damaged my position. As if being fucked into the mattress by the King of Akielos could be anything other than demeaning. I am dying to hear it.’

and somehow laurent still manages to turn even his own shitty decisions back on damen, implying that even if laurent owned up to being fucked by damen, it couldn’t be anything other than demeaning, and damen is a fool for considering it to be genuine lovemaking

‘Did you think,’ said Laurent, ‘that I would come here without the means to enforce my terms? I hold the only proof of Kastor’s treachery that extends beyond your word.’ ‘My word is enough to the men that matter.’ ‘Is it? Then by all means, reject my offer. I will execute Guion for treason and hold the letter over the nearest candle.’

cunt (affectionate)

‘Are we going to play another kind of pretend?’ Damen said. ‘That it never happened?’

and in this game of pretend, damen doesn’t get to hand-feed a pretty blonde named laurent >:(

‘If you are concerned it will go unmentioned between us, never fear. Every man in my camp knows that you served me in bed.’

“you served me” GOD laurent you are such a bitch

And that is how it is to be between us?’ said Damen. ‘Mercenary? Cold?’

if laurent was normal, there are plenty of reassuring things he could tell damen to explain that they can do this together, and ios will be okay, and they're in a good position to win as a team. but since he's being a salty little bitch, he's not going to do any of that, and he's going to make damen feel extra bad by using their romantic history against him. and despite all of these slights against him, damen knows that he has no choice but to give laurent delpha and ally himself with laurent's cause. because laurent really has planned this from the beginning. sure, current damen probably still would have done all that if laurent had just asked, but book 1 laurent had no idea of anticipating their allyship, and book 3 laurent is intentionally trying to push him away.

‘How did you think it would be?’ said Laurent. ‘You’d take me to your bed for the public consummation?’ It hurt.

this is a brutal scene for damen, even if i understand laurent’s headspace. i’m sorry buddy, breakups are no fun.

actually, do you think damen has ever experienced a breakup? he’s a prince who grew up with a harem of sex slaves. jokaste just kind of did whatever she wanted and damen was chill with it. so probably not.

It was too neat. He hadn’t thought as far as Kastor’s defeat, or who would become kyros in Ios, the traditional seat of the King’s closest adviser. Nikandros was the ideal candidate.

not laurent doing damen’s job for him…

‘I see you’ve thought of everything,’ said Damen, bitterly. ‘It didn’t have to be—you could have come to me, and asked for my help, I would have—’ ‘Killed the rest of my family?’

i mean, laurent definitely wants the regent dead. i think this is just a dig about auguste, and furthermore about damen not telling laurent the truth at any point.

also, damen straight-up admitting that he would have helped damen is something laurent would have needed a gun to his head to say out loud, and there aren’t even guns in this world. i said this in a note last chapter, but laurent assumes that damen is just as terrified of attachment and vulnerability as he (laurent) is, but we see that damen is willing to swear attachment and make himself vulnerable in order to support laurent and build trust. laurent is just denying that aspect of damen, because he’s traumatized and stubborn and doesn’t want to be let down.

Thickly, Damen remembered running his sword through the man he’d believed was the Regent; as if killing the Regent would be his expiation. It wouldn’t.

that explains why damen acted how he did in battle. but he also knows, in the reality of this moment, that it wouldn’t have made up for auguste even if he had killed the regent. killing a member of laurent’s family isn’t going to make up for the fact that he killed a member of his family.

He thought of all Laurent had done here, every piece of impersonal leverage, to control this meeting, to ensure it played out on his terms. ‘Congratulations,’ said Damen. ‘You’ve forced my hand. You have what you want. Delpha, in exchange for your aid in the south. Nothing given freely, nothing done out of feeling, everything coerced, with bloodless planning.’

this is almost laurentian, in terms of dialogue. very poetic and theatrical. damen is not handling this breakup well, and it’s almost like he’s defensively taking on some of laurent’s overdramatic bitchiness. it’s a reaction from him we haven’t really seen since book 1.

this dialogue also feels slightly anachronistic, in a good way. with some minor editing it could be a believable text that modern au damen would send after laurent breaks up with him in a formal email even though they still have to work on an assignment together. i think it's the "nothing given freely, nothing done out of feeling, everything coerced, with bloodless planning" that really gives off the vibe of an emotionally compromised teenager trying to cope with the fact that they still have to see their ex in english class.

‘Good,’ said Laurent. He took a step back. Then, as if a pillar of control had finally collapsed, Laurent surrendered his full weight to the table behind him, his face drained of all colour. He was trembling, his hairline pricked with the sweat of injury. He said: ‘Now get out.’

laurent: i won. get out. also laurent:

Laurent had known who he was, and had still made love to him. He wondered what mix of yearning and self-delusion had allowed Laurent to do that.

may i interest you in the “sam reads capri” tag on my tumblr blog, damen?

also i just think “he wondered what mix of yearning and self-delusion has allowed laurent to do that” is a BANGER line. maybe one of my favorites in the series. astute, bewildered, devastating (sad), and devastating (scathing) all at once.

If he’d imagined it, it was as a single, cataclysmic event, an unmasking that, whatever followed, would be over. Violence would have been both punishment and release. He had never imagined that it would instead go on and on; that the truth had been known; that it had been painfully absorbed; that it would be this crushing pressure that wouldn’t leave his chest.

damen always thought that he would be the one to rip off the bandaid for them both, so the entire time he has been saving them the pain by waiting. but now he knows that laurent never had a bandaid, and he (damen) has been left to slowly and painfully pry off his own. the pain isn’t over, it’s just beginning. and laurent has felt it this entire time, in a way damen put off for himself.

Laurent had tamped down the smothered emotion in his eyes, and would endure an alliance with his brother’s killer, though he felt nothing but aversion. If he could do it, Damen could do it. He could make impersonal negotiations, speak in the formal language of kings.

(also wow do i want to tell damen that laurent isn’t averse to him, he’s just lashing out, and badly needs someone to show him love and support at this time. but as always, oh fuck, he can’t hear me. and to be fair, it isn’t really in-character for damen to just passively accept poor treatment, or to force laurent to accept his support when he’s been told to go away.)

The ache of loss didn’t make sense, because Laurent had never been his. He had known that. The delicate thing that had grown between them had never had a right to exist.

and yet it did exist, and it does exist, and it will exist, and that’s why we’re reading about it.

damen and laurent both feel like they have a right to their kingdom’s thrones as princes, but they don’t have the right to simply be people in love. again, a kingdom or this. the themes are theming.

If it hurt, it was fitting; it was simply kingship.

what did i just say??? THE THEMES ARE THEMING!!!

If he could give Laurent up, he could do this.

stoppp can someone get him a pint of ice cream and an olivia rodrigo album (should i make lamen divorce era playlists. like one for each of them.)

Damen remembered hoping for a homecoming where it could be between them as it was in the old days. As if friendship of that kind could survive statesmanship.

damen’s being soooo broody about the ways kingship nerfs his social and romantic life, omg. it’s a hint of his immaturity and relative youth to other people in power, and his difference in jadedness and trauma compared to laurent. he is still lowkey a frat guy who wants to party, even though he cares about his schoolwork and future prospects

‘He’s playing us against each other,’ said Nikandros. ‘This is calculated. He is trying to weaken you.’ Damen said, ‘I know. It’s like him.’

"yes, honey..."

nikandros private twitter venting moment #4. especially considering damen’s response

‘He left us at Charcy.’ ‘There was a reason for that.’ ‘But I am not to know it.’

damen doesn’t really know the reason, but he can assure nik, there was a reason. nikandros private twitter venting moment #5.

It was not worth Delpha. He could see that Nikandros knew it, as Damen had known it. ‘I would make this easier,’ said Damen, ‘if I could.’ Silence, while Nikandros kept his words in check.

nikandros private twitter moment #6. this time he just posts a blurry picture of laurent’s offer and captions it with “🤬🤬🤬🤬🤬”

‘The men will talk,’ said Nikandros. He was pushing the words out with distaste, he did not want to say, ‘About—’ Damen said, ‘No.’ And then, as though Nikandros couldn’t help the words that came out next, ‘If you would at least take off the cuff—’ ‘No. It stays.’ He refused to lower his eyes.

kind of curious why, in this moment, damen is so determined about this. he’s had reasons in the past, but it would be cool to get some current insight, if it’s not just an instinctual thing

Nikandros turned away and put his palms flat on the table, resting his weight there. Damen could see the resistance in Nikandros’s shoulders, bunched across his back, his palms still flat on the table.

nikandros private twitter moment #7. he just posts this meme with no further elaboration:

Into the painful silence, Damen said, ‘And you? Will I lose you?’ It was all he allowed himself. It came out in a steady enough voice, and he made himself wait, and say nothing more.

AWWW poor baby :( no like fr damen :(((( it’s going to be okay

As though the words were coming up from the depths of him, against his will, Nikandros said, ‘I want Ios.’ Damen let out a breath. Laurent, he realised suddenly, wasn’t playing them against one another. He was playing to Nikandros. There was a dangerous expertise in all of this; in knowing how far Nikandros’s loyalty might be stretched, and what would keep it from snapping. Laurent’s presence in the room was almost tangible.

i think this was more an unintended outcome of the plan, but i’m sure mean girl era laurent would be pleased to know that his actions inadvertently incentivized damen’s best friend to declare himself loyal to his ex (laurent) instead

‘Listen to me, Damianos. If you have ever valued my counsel, listen. He is not on our side. He is Veretian, and he’ll be bringing an army into our country.’ ‘To fight his uncle. Not to fight us.’ ‘If someone kills your family you don’t rest until they are dead.’

i know this is nikandros trying to convince damen that laurent isn’t just going to let go of what damen did to auguste, and can’t be trusted as an ally. but it also makes nikandros accidentally sound like a book 1 laurent apologist, by making the statement with “you” as if it’s a universal maxim. like, if nik was in laurent’s shoes, he would have wanted damen tortured and dead too. nik is an interesting guy, because he's a little more aggressive with his principles unprovoked than damen, but he’s also similarly limited in perspective due to his status and lack of humbling experiences. i’ll try to do more complex analysis in addition to memeing on him, if/when opportunities arise

Nikandros was shaking his head. ‘Or do you really think he’s forgiven you for killing his brother?’ ‘No. He hates me for it.’ He said it steadily, without flinching. ‘But he hates his uncle more. He needs us. And we need him.’

damen going full ant with a bindle :(((

‘You need him enough that you would strip me of my home, because he asked you to?’ ‘Yes,’ said Damen.

nik private twitter vent #8. this time he literally just tweets a single “.”

The men came to attention as he passed, and said only, ‘Exalted,’ if he spoke. It was not like sitting around a campfire swilling wine, exchanging low tales and ribald speculations.

he should be at the club

Jord and the other Veretians from Ravenel had been sent back to Laurent to rejoin his army in the extravagant tents at Fortaine.

jord and the others standing awkwardly nearby laurent’s tent, trying to ignore the muffled adele ballad playing within

Alone, he didn’t have to be King.

i can’t believe that damen, groomed from birth for eventual kingship, now resents that kingship almost exclusively because it means he can’t be boyfriends with laurent. blonde man brainrot

He wasn’t alone. She was naked, at the base of the stark pallet, her full breasts hanging downwards, her forehead to the floor. She didn’t have palace training, and so could not quite disguise the fact that she was nervous. Her fair hair was caught back from her face in a fragile clasp, a northern custom. She was perhaps nineteen or twenty, her body trained and ready for him. She had prepared a bath in an unadorned wooden tub, so that if he pleased he might make use of it; or of her.

the way this is written, especially in the context of the series so far, makes this hard to read as anything other than revolting. i think this is due to a few craft elements:

the clinical description, lacking sensuality entirely

damen relating the things he’s observing to the aspects of the institution that he understands (she wasn’t trained in the palace = slaves are trained to do this. she was placed here for him to use = she didn’t show up here because she wanted to be here, or even knew him at all, or wanted pleasure of her own). unlike his past self, who passively understood the institution but chose not to think too hard about what it implied, the mental connections damen has made through being a slave himself prevent him from regarding this slave with the same thoughtlessness

damen's observations portray the anxiety and vulnerability of the slave, rather than willingness or submission. in book 1 we have a lot of moments where damen thinks of slaves as lovely, sweet, aimless non-people, almost like they're lobotomized. he regards them in a way that's both condescending and unconcerned for their free will, because they don't want or need free will, because they're slaves. his issue with the mistreatment of the akielion slaves in vere wasn't with their enslavement itself; it was with the cruelty of their masters, non-slaves who have free will and therefore should use it honorably. at the time, he truly believed that, as long as a master is kind, a slave has no reason to feel anxious or vulnerable or afraid, because there is honor in a slave's submission. if book 1 damen noticed that a slave was nervous, he would have found it adorable and charming, and would have taken it as an invitation to prove himself a caring master. but that doesn't even cross his mind here, while noticing this slave's nervousness in book 3.

another interesting craft detail: a sort of parallelism in the last part. damen notices that the bath, an object, has been prepared for him—just as the slave, a person, has been prepared for him. he groups them together, in that their same designated function is to be used: "he could make use of it; or of her." and that's where he stops the description altogether, because i don't think he feels comfortable with what that similarity between person and object implies.

it's easy to simply tell a reader that a character has evolved. if this story was written by a different author, there might have just been a moment where damen said out loud, "actually i've realized that slavery is bad," while the topic was otherwise avoided beyond its relevance to the story.

it's much harder to show, consistently throughout the story, exactly how that evolution has occurred, and the difference in damen's perspective compared to how he'd thought about slavery at the start. well done, pacat.

He had known that there were slaves with Nikandros’s army, following behind with the carts and the supplies. He had known that when he returned to Akielos there would be slaves.

… but seeing it in person is still viscerally uncomfortable

‘Get up,’ he heard himself say, awkwardly, a wrong order for a slave. There was a time when he would have expected this, and known how to behave around it. He would have appreciated the charm of her rustic northern skills, and bedded her, if not tonight then certainly in the morning. Nikandros knew him, and she was his type. She was Nikandros’s best, that was evident; a slave from his personal retinue, perhaps even his favourite, because Damen was his guest and his King. She got up. He didn’t speak. She had a collar around her neck, and metal cuffs around her small wrists that were like the one that he— ‘Exalted,’ she said, quietly. ‘What is wrong?’ He let out a strange, unsteady breath. He realised that his breathing had been unsteady for some time, that his flesh was unsteady. That the silence had been stretching out between them too long. ‘No slaves,’ said Damen. ‘Tell the Keeper. Send no one else. For the length of the campaign I will be dressed by an adjutant, or a squire.’

see my previous comment. this is really well-done, especially the panic attack-esque reaction and ptsd trigger. i made a comment a WHILE ago about the way both damen and laurent have ptsd in this series, but it manifests differently due to their proximity to their own traumas. laurent’s trauma was prolonged but a few years in the past; he’s had a lot of time to learn how to cope with it since. but damen’s trauma began when the story began, and it’s been intense and unrelenting basically the whole time: his father’s death, kastor and jokaste’s betrayal, his enslavement, his time in arles, his loss of identity by laurent’s side, and his forced return to his royal identity and obligations. that’s a lot of shit to unpack, and most of it is still happening. it's raw, and damen has had no time to process. nor has he received comfort, or even acknowledgement of what's happened to him as the trauma it is.

"he realised that his breathing had been unsteady for some time." this is a person experiencing a ptsd trigger for what might be the very first time, realizing as it happens just how quickly and thoroughly trauma can disorient his mental, physical, and emotional awareness and self-control. there is the complex intellectual development i discussed in the previous comment re: damen's feelings about slavery, but it's also this visceral gut reaction that tells damen and the reader that things will never be the same.

‘Wait.’ He couldn’t send her naked through the camp. ‘Here,’ he unpinned his cloak, and whirled it around her shoulders. He felt the wrongness of it, pushing against every protocol. ‘The guard will escort you back.’

he felt the wrongness of doing the right thing, but he still did it anyway. i think that is a big moment for damen, especially relating to akielion slavery.

i know i talk a lot about laurent in these notes, because i love laurent very much. but i also love damen, and i’m glad that he is our narrator. his pov is a big reason why these books work, in their chosen genre, at all. and i do think that this genre was a choice—laurent may be living a gritty psychological thriller, but a big theme of the series as a whole is that laurent was sweet in the past, and has the right to a life where he can be sweet again. but laurent, as we meet him at the start of these books, is heartless by choice. damen is many things, but he is never heartless. and whatever genre these books are, i think they're deeply defined by the fact that they're written with heart. they are not cynical, and they are not jaded. that's why damen, and not laurent, is our narrator. laurent's cynicism and jadedness are a foil to damen's idealism and trusting/forgiving nature. while damen does have some things to learn from laurent about strategy and cultural misconceptions, the ethos of the series matches damen's emotional and philosophical outlook far more than laurent's. ultimately, damen's heart helps laurent reclaim his sweetness, and become a better ruler and happier person. damen's heart is also what leads damen himself to reform akielion slavery, unite his kingdom with vere, and step out from his father's shadow. this is, at the end of the day, damen's story. and i don't think it would be the same story, with the same meaning or heart, if it was told by anyone else.

which, regarding meaning—in addition to the individual chapters, i do want to start thinking more about some of the more overarching things going on with capri. so i might as well start now. and if i had to start formulating an overall series thesis at this point in the re-read, i think it would have something to do with the concepts of submission and captivity.

captivity and submission both imply, in our common perception, a coerced and degrading loss of free will. and we certainly see that, in the way damen and laurent have both been held captive and degraded throughout their stories. we also see how, despite being victims themselves, they both have used captivity and submission to coerce and degrade others (laurent coerces and degrades damen to avenge his brother) and deny them free will (damen is complicit in the institution of akielion slavery, which denies slaves free will). for a lot of the series, damen and laurent are in constant disagreement about which of them is morally worse—damen thinks laurent is worse because of the coercion and degradation, laurent thinks damen is worse, and therefore deserves the coercion and degradation, because damen is complicit in akielion slavery and killed his brother. but we as the reader start to realize, as the series goes on, that they're both right about some things, both wrong about other things, both hypocrites on occasion, both doing harm, both trying to help, both captors, and both captives.

from this, it would make sense to assume that captivity and submission are the problem here, and the story's thesis is that those concepts are always dishonorable. however, i don't think that's the point at all. i think capri is about the ways captivity and submission can be honorable, if actively chosen with the moral responsibility, complex thought, and emotional depth of a person with free will. after all, what are loyalty and integrity, if not freely-chosen emotional and intellectual captivity? what are vulnerability and attachment, if not physical and emotional submission freely given?

damen and laurent are both complicated people who do dishonorable things. however, in their own respective arcs and in their shared romantic plotline, they both come to understand the multifaceted nature of captivity and submission, and reclaim those concepts as sources of empowerment, healing, and positive change. it's the difference between damen being forced to submit to laurent as a slave in arles in book 1, and damen choosing to stay by laurent's side in book 2 as a man. it's the difference between laurent submitting to his uncle, being manipulated into vulnerability so he can degraded and abused, and submitting to damen, making himself vulnerable despite his trauma so he can be truly loved and cared for.

this isn't a fully formed thesis yet, but it's good to at least get it cooking. and i'm not trying to guess the author's intention as much as summarize my own succinct interpretation. there isn't, like, One Right Answer here, and i'm not setting out to read the author's mind.

but still, i dunno, man… i think i'm onto something. after all, we have these major arcs about damen realizing slavery is wrong and laurent struggling with submission, and yet both of them proudly choose to keep the cuffs. and in a more metatextual sense, the evolution of this story's genre and purpose (slavekink erotica -> whatever the fuck these books are) is not irrelevant. so i'll keep an eye on it, and hopefully come up with something solid by the end of the re-read. i unironically love the challenge of writing a succinct thesis, which is not the nerdiest thing i've ever said, but it's definitely in the top 5.

#capri #sam reads capri #captive prince #kings rising #lamen #laurent of vere #damen of akielos #this one is very damen-centric yay <3333

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sporadicartcomputer · 18 days

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SecUnit and Mensah's reunion, the whole scene was utterly delightful. Just look at this. “That she understood this much made me melt. I hate that this happens, it makes me feel vulnerable… I hadn't been afraid that she wasn't my friend, I had been afraid that she was, and what it did to me.” Exit Strategy, p 115.

(Some semi-relevant rambling under the cut)

I'm sure there's a lot of commentary to be made about this part of the book and Murderbot's emotional development there, but let's just say I'm not the person to do that. It's a bit too personal for me because of how much I relate to Murderbot. Still, I felt the need to acknowledge how good and well-written this specific thing is. Sometimes I see, on my feed, people making analysis and notes of this emotional side of the books and the relationships in it etc. and I eat it up every time. It's great that there are people who can talk in detail about these things that are only just passing thoughts for me, if that makes any sense

My only addition here would be that I think Mensah's character is great. If I'd been in SecUnit's position, she'd be my favourite human as well, and I'd totally get blood on my hands for her ha… I feel similarly about a few other characters in the series, but I'm sure I'll devote posts more particularly for and about them some other time

#murderbot #tmbd #tmbd fanart #murderbot fanart #exit strategy #dr mensah #ayda mensah

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phoenix-downer · 7 months

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KH4 First Trailer

This is the first KH4-related translation post I've done (nearly two years late ;lakjsdf my how the time flies), and hopefully there will be many more to come. I'll be focusing on the dialogue and text in the trailer and not so much on the camera angles, character expressions, etc. this time around just because I want to keep the focus on the translations.

Here’s a general key for the kind of analysis I like to do:

JP: Official Japanese Dialogue

EN: Official English Dialogue

TR: My Translation (usually more literal and thus more stilted than the official English version. I’m not using natural-sounding English in order to stick as close to the Japanese versions of the lines as possible for the purpose of analysis)

Notes: things I found interesting, grammatical points, extra thoughts, etc.

One last note: media doesn’t exist in a vacuum. Every work of art must be viewed through the cultural lens of the people who made it. Kingdom Hearts, for all its ties to Disney, is still very much a Japanese game, so it should be analyzed in light of that.

With that in mind, let’s continue.

JP 自分が望む結末ではなかったと絶望するのならー

EN If this isn't the ending you desired—if it brings you despair—

TR If (this) wasn't the ending you hoped for—if (you) feel despair—

Notes: Sigurd is apparently the character saying these next few lines.

The word for "ending" here, ketsumatsu, is an interesting word choice. It is often used in the context of stories (though it also has other uses), which fits really well with how KH4 will play around with the concept of reality vs. unreality. So on a meta level it's like, "If you didn't like how KH3 ended, if you didn't like how Sora ended up, then help him escape Quadratum."

Also, the word the official English version translates as "desired," nozomu, can mean "desire, want, wish for, hope for," and it's an antonym of zetsubō, the word translated "despair." So there's this nice poetic contrast going on between hope and despair in this bit in the Japanese version.

JP 他の世界に退場すればいい

EN then leave this world for another

TR —(then you) should leave for another world.

Notes: This particular word for "leave," taijō, can be used for leaving venues, stadiums, parking lots, rooms, sports games, etc. It can also be used for actors exiting the stage. Take a look at definition #1, which translated states, "Leaving venues, stadiums etc." and #2, which translated states, "Actors etc. leaving the stage" (Source):

I thought that was really interesting, because using a word with these specific connotations makes me wonder if this is more of that meta commentary, this time about how we should direct Sora the character to leave Quadratum if we so desire. Sure, the general sense of "leave" or "exit" is the main meaning here, but I always get so intrigued by word choice and all the connotations a word has.

Also, the phrasing isn't exactly the same, but there is a euphemism in Japanese for the place your soul goes when you die, takai, that uses the same kanji as hoka no sekai that we see in "another world" here, it just uses the onyomi pronunciation instead of the kunyomi pronunciation for "another" hoka/tai and has no no particle.

Googling hoka no sekai brought up a lot of images about parallel worlds and the isekai genre, so that's probably the most accurate connotation given Sora's world traveling adventures thus far, but I still thought that was an interesting tidbit, even if it's a complete reach on my end. Like sure Sora can go to other worlds, but he's still dead, so he's still going to more places where he's dead and can't go home where he'd be fully alive.

JP 選択肢は無限にあるはずだー

EN Your options are endless.

TR (Your) options/choices should be endless/limitless—

Notes: I really like how the English version contrasts "ending" with "endless." You don't like the ending Sora got in KH3? Your options for taking him to other worlds are "endless." The Japanese version has this interesting tidbit too where the speaker conveys an expectation. He says hazu, which means "expected," "should be," "must be." So he expects Sora's options are endless, but it has a slightly different nuance than if he'd just said they are endless.

JP 心は魂に宿り　魂は運命によって在るべき場所へ導かれる

EN The heart resides within the soul which in turn is guided by fate to its rightful place

TR (The) heart dwells in (the) soul, (and the) soul is guided by fate to its rightful place (lit. the place it should be).

Notes: There's not really any difference between the official English version and my translation. It's just interesting to break it down. For whatever reason the "rightful place" of the soul has the verb of existence for inanimate objects (aru) instead of the one for animate objects (iru). Not sure if that's a set phrase or if the soul in this context would be considered an inanimate object (time to go down a rabbithole about animacy in Japanese).

This bit also kinda reminded me of how Xehanort talked in KH3 when he was recounting the cycle of light and darkness. The language has a very "mythological"/storytelling feel to me, which makes sense given whoever is saying these lines is talking about fate, destiny, the nature of the universe, etc. And then the floating text in the darkness also reminds me of the Dive into the Heart sequences with the disembodied voice as well, so it could also be a reference to that.

JP 選択は再び委ねられる

EN The choice is yours once more.

TR (The) choice is left (to you) once more./(The) choice is entrusted (to you) once more.

Notes: Once again, this bit of text seems very meta. It feels like it's addressed to the fans, given how we're the ones who will be controlling Sora in KH4. And of course the image shows his chess piece with his crown symbol on it, so the implication is that Sora's heart will be the one guiding him once more, and his heart will be guided by fate.

JP あなたはこの世界に来て7日間　ずっと眠っていたの

EN You've been asleep since you arrived in this world seven days ago.

TR You came to this world seven days ago (and you)'ve been sleeping (the) whole time.

Notes: I don't love my translation because nanokakan more literally means "a period of seven days," but yeah I think I get the gist across.

Strelitzia refers to Sora as anata here when the norm is to refer to other people by their names in Japanese, even when addressing them directly, so either she doesn't know his name yet or she's being very polite, almost distant. She also ends her declaration with no, likely to indicate she's offering more of an explanation (it also makes her sound pretty cute and feminine).

Also, as I'm going through this trailer again, I'm reminded that Sora doesn't talk at all. He has the battle grunts during his fight against the Darkside, but he doesn't have any dialogue. I just thought that was interesting, because Xehanort commented on Sora not having a voice in Melody of Memory as well. Somehow that also told Xehanort where Sora's heart is located (foreshadowing for this game I suppose). I wonder if Sora will be similarly voiceless at first in KH4 or if he just is for this trailer for dramatic effect because Nomura knows everyone wants to hear him speak.

And then of course I have to mention the significance of Sora being asleep in Quadratum for seven days. Seven has a lot of significance in the KH universe, given how there are seven guardians of light. Seven is also the length of a week, and it's a number that has connotations of wholeness and completion in certain cultures.

JP ここはクァッドラトゥムー

EN This is Quadratum—

TR (This is) Quadratum—

Notes: Not really anything to note here other than the gorgeous graphics, how Sora doesn't look at all like his usual cheerful self (no smile to be found), and the colors in Quadratum seem very warm/brown/earth tones/"real" and not super bright and colorful like in the "main" KH universe.

JP 生者の世界ではあるけれどー

EN It's a world full of life—

TR (It's) a world of living people/the living but—

Notes: Seija is translated as "full of life" in the official English version, but it more literally means "living people" or "the living." So Strelitzia is pointing out that all around them are living people and yet, for her and Sora, it's still a world of death because she and Sora should be dead.

JP 私たちにとっては“死の世界”ってことになるみたい

EN but for you and I, it's similar to an "afterworld," I suppose.

TR —for us, (it) seems like it's "a world of death."

Notes: This is where I wish the English version was closer to the Japanese version. "World of death" or "world of the dead" would've been a closer translation, and I'm not sure why it wasn't used (perhaps to avoid mentioning the dreaded "d" word). I do like the pun-like quality of "afterworld," combining "afterlife" and the oft-used-in-the-KH-universe "world," and since the translators have access to information I don't about the game's lore, I can't say whether crucial lore has been lost in translation, but I wanted to point out the difference here.

Also, the grammar pattern Strelitzia uses here, koto ni naru, indicates something that's outside of her and Sora's control. This being an afterlife of sorts for the two of them was decided by factors beyond their control, in other words. She also uses mitai to indicate her speculation/observation.

JP だがー

EN However—

TR However—

Notes: This is back to Sigurd speaking, and very ominously so.

JP 一度退場すれば元の世界に戻れると思うなー

EN if you do leave this world behind, don't expect to return to the one from which you came—

TR —once (you) leave, don't think (you) can go back to (your) original world—

Notes: This ends on a rather ominous note. Again the word taijō is used here for "leave" much like earlier in the trailer. I remember this dialogue when I first watched this trailer because it was such a wham line. What do you mean Sora can't go home? He can go to other worlds but he can't go home? What will it take to bring him home then? Something pretty drastic from the sounds of it.

Also, I like the formal wording of the official English version. Sigurd sounds like he's from a different time.

Then of course this next bit cuts to Donald and Goofy, searching for ways to find Sora presumably:

JP どこにいるんだろう？

EN I wonder where he is.

TR (I) wonder where (he) is.

Notes: Nothing really to talk about, just that the "I" and "he" is implied in Japanese (Japanese tends to drop pronouns in places they would be required in English because there's enough info provided by context, verb conjugations, etc. to figure out who the speaker is talking about).

JP 手がかり見つかるといいね

EN I don't know, but I sure hope he can help.

TR I hope (we) can find (a) clue.

Notes: A bit of a difference here, Goofy is focused more on finding a clue in Japanese whereas in English he's hoping "he" (Hades, presumably) can help.

JP おい

EN Hey!

TR Hey!

Notes: Hades' Japanese VA has a very distinctive voice, and so right from this word you know it's him a;lsdkjf and he's as snarky and blunt as ever lol.

JP どこへ行くんだ

EN Just where do you think you're going?

TR (Just) where (do you think you)'re going?

Notes: I love the sass and snark of the English translation, and it captures the vibes of the Japanese version well (Hades uses ~nda at the end of the sentence to indicate he wants more information out of them). They found Hades, but now they'll actually have to deal with Hades...

And that's what I have for now! I am curious about what promo material will be released next and what new tidbits we'll have to speculate on. Fingers crossed we get more info around the anniversary this year!

The Japanese trailer is here.

The English trailer is here.

#kingdom hearts #kh #kh4 #kingdom hearts 4 #sora #strelitzia #kh sora #sigurd #hades #donald #donald duck #goofy #kh analysis #phoenix translates #phoenix-downer #kh4 spoilers #kingdom hearts 4 spoilers #long post

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