#and likely was that way even before the institute's destruction messed with the actual archives

[navree]

i request monetary compensation from all the bitches in season 4 who were whining at jon about how immoral it was for him to ask people questions when apparently he could have been making people run to death or otherwise kill them after forcing statements (without even having to ask a question). y'all got the nicest version of what the archivist could be and you were assholes about it for no reason, shame shame i know your name

[spoondrifts]

long post ahead I'm sorry-

crack au where Jonah Magnus is a good guy but everything keeps going wrong and he spends all of his time running around trying to stop his employees from diving headfirst into their Fuck Up™ of the week

in this au Jonah is almost entirely incompetent but he's got the exasperated parent thing down enough to make up for his lack of braincells

he's also at least 7% dumber than he is in canon

s1 Jon: please call pest control there are so many worms

s1 Elias: I already did

Jon: and??

Elias: they ate them

Jon: the worms?

Elias: the pest control guys. the worms ate them

Elias spends the entirety of season 2 desperately trying to convince Jon that none of them killed Gertrude (in this au Gertrude just had a stroke or something in the tunnels). Elias stops Jon from destroying the table but a week later something heavy falls on it and the NotThem escapes anyway. Elias bashes in Leitner's head with a pipe after mistaking him for the monster and Jon gets framed.

now Elias has to convince this hunter that Jon is innocent while Jon runs around and harasses various fear avatars (who are all very amused with Elias' wayward Archivist). Jon assumes Elias knows nothing about all this bullshit because Elias is just his weird and uptight boss who accidentally killed someone, he can't possibly know that there are literally fear gods ruling over them

olive ⚰ has named the group 'Avatars ✨'

JMagnus 👀: Jude please don't hurt him. I'll explain everything when he gets back to the Institute.

🔥: too late

JMagnus 👀: What?

🔥: too late

🔥: burned him

[JMagnus 👀 is typing]

JMagnus 👀: Where is he now.

🔥: going to mike

JMagnus 👀: Mike Crew???

🔥: ya

Elias RACES to Mike's house but he. he fucking misses them. the Beholding helpfully tells him that they're all going back to the Institute so Basira and Daisy can interrogate him, which isn't ideal, he'd really like to not go to jail, so he drafts up an employment contract on the way back and barely manages to escape the whole thing with his life intact.

then he explains everything to Jon because if Jon is going to end up being the Archivist, being uninformed won't do. Jon becomes the Archivist completely on accident and Elias is desperately trying to make all of this work because, haha, the Unknowing is coming up, and Elias is not in the fucking mood to deal with clowns.

olive ⚰ has named the group 'all that is terror uwu'

spidey🕸: lmfaooo jonah how do you make an archivist on accident

JMagnus 👀: He stumbled into it. All I can do now is ensure he doesn't die.

JMagnus 👀: Or get further injured by the rest of you.

🔥: woops

🎭: hEy gUyS lOnG tiMe nO sEe

🎭: gEt iT eLiAs

🎭: sEe

JMagnus 👀: Beholding puns are not amusing from a manifestation of the Stranger.

�� has named the group 'eLiAs bE niCe tO niKoLa cHaLlEnGe'

🔥: haha

spidey🕸: I'm sure Nikola will be on her best behavior

🎭: yEaH i wOnT kiDnAp yOuR aRcHiViSt

[JMagnus 👀 is typing]

mike n ike: hey guys what'd I miss

🔥: arent you dead

mike n ike: yeh but I came back

JMagnus 👀: NIKOLA ORSINOV WHERE IS JONATHAN SIMS

🔥: can't you see haha

mike n ike: heh "see"

JMagnus 👀: NIKOLA

spidey🕸: wow he must be pissed

spidey🕸: he left out the punctuation

JMagnus 👀: I WILL BREAK ALL OF YOUR PLASTIC BONES WHERE'S MY ARCHIVIST

🎭 has left the chat.

JMagnus 👀: what the FUCK

since he's still a coward Elias sends Michael to go fetch Jon, only finding out after the fact that he very nearly almost signed Jon's death warrant. Elias is now speedrunning Jon's development because fuck the Unknowing is coming up really quickly and Tim is a self destructive mess and Melanie keeps trying to stab Elias and Martin is a pining idiot and goddammit he didn't sign up for this

Elias prepares Jon the best he can for the Unknowing, because even though he knows the ritual will fail, the Circus can still cause a considerable amount of damage and he needs them out of the way.

the Unknowing happens. Jon ends up in a wack ass coma, Tim is dead, Daisy's in the coffin, and Basira is starting to look like the better choice of Archivist because jesus christ Jon has no self preservation instinct. Elias doesn't get arrested this time around but his ex husband starts coming by the Institute and fucking with all his employees. and the Flesh is attacking. jesus. goddamn.

olive ⚰ has named the group 'bully elias'

JMagnus 👀: Why are you all so mean to me? I'm arguably the nicest one here.

🔥: ur joking right

Peter Lukas: you're not nice you didn't buy me an anniversary gift 😢😢😢

JMagnus 👀: I was busy.

Peter Lukas: doing what

JMagnus 👀: Stopping the Flesh from destroying my Institute. Besides, you didn't remember my birthday.

Peter Lukas: you're 200 years old how could I remember 😓

helen!!!!!: We All Know I'm The Nicest One Here!!

JMagnus 👀: How did you make your text that colorful?

helen!!!!!: IDK

JMagnus 👀: Liar.

helen!!!!!: That's Literally My Job

olive ⚰: hey eli your archivist just woke up I think

🔥: ew why

helen!!!!!: How Delightful!! Maybe I'll Throw Him A Glad You're Alive Party!!

olive ⚰: should we invite him to this chat since he's an avatar now

Peter Lukas: no 🙅 🚫❌

Peter Lukas: I hate archivists 😤😤

olive ⚰: still mad about gertrude huh

🔥: were all still mad about gertrude

🔥: but jons fine once you burn some manners into him

JMagnus 👀: Can you all please stop hurting Jon? Or talking about hurting him? I would like my Archivist to not acquire any more scars.

🔥: damn

Peter Lukas: damn 😔

Elias keeps trying to teach Jon how to pick certain victims to feed off of because personally he has no qualms about feeding from innocents but Jon!! actually trusts him!!! so Elias doesn't want to push Jon into making decisions that will offend his moral sensitivities.

things are actually going okay for a while. Elias starts going home at a reasonable time in the evenings and Jon is actually getting some sleep. and then-

Elias is having a nice dream about Peter trying to fish Simon Fairchild out of a sky filled with eyes when he abruptly sits up in bed, wide awake.

"Ah, fuck," he says to Peter, who is laying on the floor where it is Lonelier™. "Jon's doing something stupid. I Know it."

Peter's mumbled "isn't he always" goes unnoticed as Elias hurries to the Institute, where he finds a fucking rib on Jon's desk and the coffin in the middle of the room.

Peter Lukas has named the chat 'archivists ruin my sleep schedule and my sex life'

JMagnus 👀: What the fuck do I do?? I can't go into the Buried! Why is Jon so stupid? I didn't know he had zero braincells when I hired him!

🔥: ngl why havent you fired him yet

JMagnus 👀: Beholding won't let me. We're all bound to the Institute.

🔥: F

JMagnus 👀: Why are there no Buried avatars in here? Please someone help me.

mike n ike: lol the buried is gross why would anyone go down there

spidey🕸: does he have an anchor?

[JMagnus 👀 sent an image]

🔥: is that a fucking rib

spidey🕸: wow that's not a good anchor at all

spidey🕸: he needs someone he loves

JMagnus 👀: Thanks. Gtg.

spidey🕸: np

🔥: are we not going to talk about his rib

🔥: how the fuck did he get that out of his body

🔥: yall

🔥: YALL

it takes three days for Elias to find Martin.

"Please tell me why the fuck you're dabbling in the Lonely," Elias says as Martin steps sheepishly out of the fog.

"Ah. Well. Jon can't See into it very well and sometimes we like to spice up our se-"

"Stop before I have to gouge my eyes out again."

"A-Again-?"

Elias drags Martin back to the Institute. Martin starts setting tapes on the coffin because "Jon loves these" and Elias starts bashing his head into the wall.

Jon climbs out of the coffin with Daisy and Elias almost considers locking Jon in his office so the damn archivist can't do anything else ridiculous. instead, Elias very calmly takes Jon by the shoulders, and shakes him like a rag doll.

"Stop fucking with entities, you stupid, stupid man," Elias says, shaking Jon more viciously now.

after several hours of breathing exercises Elias returns to his house and doesn't take his Sight off of Jon for the rest of the night, which is a fun experience for Peter when he wakes up and finds Elias' bloodshot eyes staring directly at him in the morning.

JMagnus 👀 added Daisy to 'archivists ruin my sleep schedule and my sex life'

Peter Lukas has named the chat 'archivist hate club'

JMagnus 👀 has named the chat 'shut up peter'

Peter Lukas has named the chat 'you love jon more than me'

JMagnus 👀 has named the chat 'I don't love either of you I'm heartless'

Peter Lukas has named the chat 'I want a divorce'

spidey🕸: jeez take your marital dispute elsewhere

spidey🕸 has named the chat 'lonelyeyes dni'

Daisy: wtf is this

mike n ike: it's a chat for avatars

mike n ike: and ex avatars ig

Daisy: didn't I kill you

mike n ike: yea

JMagnus 👀: Hello, Daisy. Welcome to the group chat.

Daisy: why is Jon not in here

Peter Lukas: because I hate him 😁

spidey🕸: Elias talks mad shit in here and Jon would get offended

Daisy: if you talk bad about Jon I'll rip your throat out

Daisy: :)

JMagnus 👀: Noted.

mike n ike: he's kinda rude tho

Daisy: I've killed you once

Elias' only goal now is to keep Jon and his assistants from pulling any more wild stunts without his supervision. his renewed involvement with the archival staff results in a few things he'd hoped to avoid: drink invites, physical contact (Martin is surprisingly quick to start hugging Elias once he realizes Elias won't stop him), and- shudder -feelings. because Elias genuinely cares about his staff and doesn't want any harm to befall them. especially Jon. Jon is his Archivist, the only one to ever succeed like this, and Elias will be damned if he lets anything happen to him.

"Why do you care?" Jon asks, once, compulsion thrumming like static on his tongue. "About us, I mean. I would've assumed you'd want to perform the Beholding's ritual."

Jonah Magnus attempted the Watcher's Crown once, when he was young and new. he'd brought his patron close, but not all the way through, and the backlash of power killed all the inmates at Millbank and severely crippled Jonah's connection to the Eye for months afterward. he grew to assume that the Beholding simply preferred the world as it was--ripe with fear for watching. it didn't need a ritual.

he instead dedicated himself to growing stronger, cultivating his Institute of knowledge, his stronghold. if he tore out a few people's eyes when he got too old, then, well, collateral. but he doesn't want the world to end, and knows now that no ritual will ever succeed unless it brings in all the Powers at once. and he doesn't want that either.

it's concerning to him that Jon seems to be collecting marks regardless. the only ones he's missing are the Dark and the Lonely, and Elias is determined to keep it that way.

he explains all of this to Jon who, to his credit, takes it pretty well. Jon is fascinated with historic life and Elias spends some time simply recounting tales of his youth, when he still bore the name Magnus.

they bond. it's good.

and one day Basira does a little too much research and discovers the dark sun waiting in Ny Alesund. she insists they need to go and see what's left of the People's Church, they need to ensure everything is taken care of. Jon is rather insistent too. and Elias wouldn't have been inclined to let them go, except Peter was finally home after weeks at sea, and it wasn't like Jon was defenseless, he could call Elias if anything went wrong...

so, very reluctantly, Elias gives them the all clear. Basira, Jon, and Martin head north, and Elias almost forgets they've gone when he arrives home and Peter already has dinner prepared.

Jon comes back marked by the Dark.

Elias curses himself, over and over, for being foolish enough to let them go, for not keeping a closer eye on them. he knows the ritual won't work unless a certain incantation is spoken, so he'll just have to keep world-ending written chants away from Jon. easy. and it's not like Jon will even get marked by the Lonely. Peter wouldn't.

(but Martin doesn't have the same level of control, and sometimes...)

it's an accident. Martin and Jon are testing it, pushing the boundaries, when Martin pulls them both into the Lonely. Elias threatens divorce until Peter caves and fetches them, but it's too late. Jon has been marked by all fourteen Powers.

Elias tells him, and warns him to check everything he reads.

helen!!!!! has named the chat 'apocalypse babey'

JMagnus 👀: How are you doing that?

JMagnus 👀: And the apocalypse is not imminent. I have the situation under control.

olive ⚰: ha yeah

JMagnus 👀: What do you mean by that?

olive ⚰: nothing

JMagnus 👀: Well, now I certainly think it's something.

olive ⚰: it's just

olive ⚰: don't you think it's kinda weird that @spidey🕸 has been offline for so long

🔥: thats weird shes always online

JMagnus 👀: Oliver, what are you implying?

olive ⚰: idk

olive ⚰: just weird, that's all

🔥: never good when the spiders are quiet

olive ⚰: hear hear

Elias gets a sinking feeling in his stomach, and beside him, Peter looks alarmed. meanwhile, in his flat with Martin making tea in the other room, Jon has a statement clutched in his grasp.

Hello, Jon.

I would apologize for the deception, but I'm afraid that's quite what I'm good at. I'm not one to monologue, that's more Jonah's shtick, so shall we get on with things?

I admit I underestimated Jonah Magnus. He's still remarkably easy to manipulate, but when he abandoned the Watcher's Crown ritual I knew I would have to take a different approach. The Mother is not so satisfied with the world as she may have insinuated. It is our turn to rise, Jon.

At the age of eight, you were marked by us. We sent you to the Magnus Institute in the hopes that a new Archivist would rekindle Jonah's desire to end the world. Unfortunately, it seemed as though he grew fond of you, and so we brought in a new plan. We marked you. One fear at a time. Jonah gave an admirable attempt at protecting you, but ultimately, he is an incompetent old fool, and I am a Weaver. Even Jonah Magnus dances to invisible strings.

Everyone underestimates a spider until it bites. Poison is poison, Jon, regardless of the medium in which it is served.

You will be safe in this new world. Martin, too. Perhaps even Jonah and his Lukas, if the Mother deems them worthy.

Now, please repeat after me...

Jon reads the ink scratched words, eyes welling up with tears and hands trembling, as thunder crashes outside and a howling gale picks up beyond the windows. Martin is shouting something, there's the crawling press of Elias' gaze as it rests heavy behind Jon, a silent observer. He can feel Elias' soothing presence, cool and calm in the raging storm.

Elias is still watching out for him.

Strings are wrapped around his wrists, jerking his arms up in a poor mockery of religious regard, strange hysterical laughter clawing out from his throat.

Jon's tears run red. Somewhere, Elias is still watching.

The door opens.

[burlesque-articulation]

Alright, I pulled out my corkboard and red string again, this time in hopes of dissecting the MAG timeline to see if there is anything there to support my fan theory of:

~Could Jurgen Leitner be Martin’s Dad~

And so far, signs point to a solid "it could be possible”. So in lieu of this, I will be presenting all my evidence with exceptional bias so it better illustrates my desired outcome. Okay? Okay! Let’s get into it.

Let’s begin with 1985, when Jurgen Leitner supposedly begins renting an office in Pall Mall, central London. Presumably this is just where he sets up an office, and not the actual location of the Library, which isn’t something we get-- anyways, getting sidetracked, uhhh.

Right, we know, vaguely, that Martin was born in 1987, two years after Leitner would have set up shop in Central London; and interestingly enough, in that same year of Martin’s birth, Leitner attempted to hire some people to dig a big ol’ hole in the floor of his office to lead into the tunnels built beneath the building. And this could just be wishful thinking, but I believe it is implied that these tunnels connect to the other tunnels of Millbank Prison. Interconnected, and with many exits leading to various parts of the city. Basically, a needlessly intricate means of escape (I guess balconies and back doors just didn’t exist yet, you know) should shit get real. Anyways, the point I’m trying to make, is that it would make sense for Leitner to suddenly be very interested in having direct access to these tunnels from his main office after receiving news that he’s a father, or whatever. Or maybe it’s just because he’s always been a loser that loves vibing in tunnels.

[Obligatory readmore, because this shit gets long, and even more ramble-y. Also I’m not sorry, because y’all are more than welcome to continue scrolling past this mess]

Alright, now fast-forward to 1994, the destruction of the Library. At this point in time, Martin would have been 7. Now hold up! According to the Magnus Archives Wiki, Martin’s father abandoned the family when he was 8 or 9; so isn’t that a whole in the theory right there? No. It’s not. Because the only thing that is implied about Leitner around 1994, is that he went into hiding after the destruction of the Library. At no point is it implied that he even left the country (or even London, but like, I refuse to believe he’s that stupid; even if that alternative is hilarious). To set up my point, I’m going to shift the focus onto Martin now, and what his life might have been like when he was younger.

So, by present events (present actually referring to like, pre-season 4, actually), Martin’s mother is in a care home in Devon. Could be because care homes are cheaper there, or something, I have no idea. Honestly people in my family don’t live long enough to ever even consider this option, so I don’t know how assisted living works at all lmao. But let’s say, for simplicities sake, that Martin actually just grew up around Devon; and I’m throwing a dart at a map and declaring Plymouth as the city he grew up in. Anyways, why does this matter? Because I do in fact believe that Leitner is stupid enough to think that changing which county he lives in counts as being in hiding. And he gets maybe one (1) good summer with his family before the weight of his sins bare down on him, and he realizes that staying in one place really isn’t an option. So maybe he tries travelling around a bit; but inevitably he always ends up coming back to Plymouth. It takes him a year, maybe two, to finally realize that this won’t work forever. His habits are too predictable, and what’s this? The mother of his child is getting sick; and her condition only seems to worsen over time (you know, like how it usually works when someone is taken ill.); and Leitner gets it into his head that he could be the cause of it; so what is the safest course of action, but to completely abandon his family? Surely things will turn out for the better for them all if he were to just... disappear. To cut ties entirely, so as to make sure no one ever comes after them in an attempt to get to him.

And that worked out fucking great, didn’t it.

Bunch of unimportant stuff happens, and eventually Martin ends up dropping out of school, presumably only a year early from graduation (weird but fine); and it’s safe to assume he eventually ends up traveling to London in hopes of better job opportunities. Plus, if he’s gonna be lying on his CV, probably better to head out of county to some place where no one knows him from anywhere to begin with, right? That makes sense, and none of you can say otherwise.

And where does he find himself sliding into a new job position? Oh, that’s right; at the Magnus Institute. In the Library. I’m just saying. I am just saying, that’s a little interesting. I mean, he lied about having a degree in parapsychology on his CV; so if Bouchard really wanted to play along like he thought the CV was entirely legit, it actually would’ve made more sense to put him in Research, or even in Artefact Storage with a degree like that. But nope, Bouchard put him in the Library. Though, I guess we don’t know exactly what all might’ve been on Martin’s faked CV. But I swear to god, if we get bonus content that’s just Martin’s faked CV and it even hints at him working at a “family library/bookshop” I will spontaneously combust.

Regardless, in 2009, supposedly (according to the wiki), Martin began working at the Institute. Personally, I always thought he started working there in 2010, but that doesn’t matter. I actually like 2009 better, because then a year later, Leitner apparently begins working with Gertrude Robinson. Which I find interesting. I mean, really there’s no reason for them not to work together, I just find the timing of it interesting. Of course, Leitner (in MAG80) alludes to the fact that Gertrude was likely only working with him because there was a lack of anyone else around. But that really only explains Gertrude’s interest in Leitner. What attracted Leitner to the Magnus Institute in the first place, I wonder? Aside from the fact that it’s essentially the Library of Alexandria of research on the Entities. 

But Leitner had managed to stay out of public eye for about 16 years, why would he chose right around then to start playing peekaboo with the Beholding? Rhetorical question, of course. Y’all should already know exactly where I’m going with this line of questioning. Martin. Martin is what lead Leitner to the Institute, and to Gertrude. Dude just wanted to check up on his son, and now he’s just as trapped as everyone who works for the damn Institute because of all these weird rituals and shit. Plus maybe there was another reason why Leitner went through so much effort to help Gertrude, even putting himself on the line for it; and I think we can all agree that Leitner is a pretty selfish dude who’s only real character trait is being like a fucking cockroach. Straight up, the only way to kill a cockroach is to beat those suckers until they pop like a fucking pimple-- sorry, I’m actually getting ahead of myself, I don’t want to talk about that yet, um.

Leitner’s biggest character trait, and on some level, character flaw, is his Self-Preservation instinct. When the going gets tough, his own health and safety comes first. But maybe he gets a bit sentimental in his old age, and maybe he struck a deal with Gertrude; if he helps her stop the Unknowing, (or actually I think it would’ve been the Dark’s ritual first), she will bring his son down to the tunnels so Leitner can see how he’s grown, and maybe even talk to him. I just think that would be interesting character motivation; because at the end of the day, it’s still a pretty selfish motivation. But at this point, Gertrude’s only other option for help is a teenaged Shadow the Hedgehog wannabe; so she’d likely agree to just about anything for the extra pair of hands. And given what later happens in regards to the Dark’s ritual, which then results in Gertrude’s death; Leitner gets scared back into his hole in the ground.

But hey, I guess things actually kind of worked out for ol’ Jurgen. Because like a year later, his son* (*allegedly, according to apparently no one but me) starts living in the Archives. It’s like he’s living in his son’s basement, he can just pop up for tea and say hi whenever. Maybe complain about all the bugs that keep crawling around. Or not, because Jürgen Leitner is a coward. But I 100% would not put it past him to shuffle his old bones up into the Archives to stand creepily at the edge of wherever Martin was sleeping and angst quietly at the sight of his son. It’s creepy, funny, and sad. Basically a peak TMA scenario right there.

Then Leitner gets brutally piped by Bouchard. Actually, can I say it like that? “Piped” isn’t some kind of... new-age slang for something, is it? God, I hope not. Anyways; Leitner isn’t just beat upside the head with a length of pipe, but literally pulped by Bouchard (or at the very least implied so), in a way that makes identifying the guy difficult enough that he remains a John Doe straight up until Elias confesses to the murder. Now, obviously there are plenty of reasons for this; given that both Daisy and Basira are familiar with the name Leitner, so presumably other sectioned officers would be as well; so there was at least a slim chance that whatever officer got sent to the Institute upon the discovery of the body might just recognize Leitner immediately. But, and sorry to sidetrack here, but there was just one thing that really stood out to me about Martin. One thing that always stuck with me, that for some reason was the main thing that made me thing Leitner could’ve been his dad.

Martin looks like his father, whoever that may or may not be. It is explicitly canon, that Martin looks like whoever his dad is. So wouldn’t it be better safe than sorry for Bouchard to beat Leitner to a pulp wherein no one could easily discern any major features of him once he was found. After all, it would make things rather messy and a bit too complicated if everyone who saw the body was like, “wow! That looks just like you, Martin.” So really, it’s for the best that not only did Bouchard kill Leitner, but he thoroughly did so. 

And so, I will end this already way to long of a ramble with the one thing that solidified me on this theory, and Spoilers for Season 5 of MAG, but... In MAG181 Salesa says, “Now you mention it, you actually remind me of Jurgen a bit. In his younger days of course.” to Martin. Of course, Martin did just shoot out a snappy one-liner about books, but... it’s the clarification of Jurgen “in his younger days”, that gets me. Mikaele could just have easily said something about Martin just “sounding” like Leitner. But the way this reads, and how it’s spoken, even, it seems more like someone that might’ve been looking at Martin for awhile, squinting at him as if he’s seen that face somewhere before, and then right when Martin mentions books, it finally clicks. After all, it would’ve been almost 20 years, or possibly more, since Salesa would have left Leitner’s employ.

So yeah, I admit this theory has a much weaker backbone then my Banks/Folger post, but... I just think it’s neat. And it’s another one of those things that actually doesn’t have any affect on the major plot whatsoever. I dunno, maybe it was meant to be some sort of subplot early on that got ditched or something? Point is, that’s all for now, and with any luck, I will never post another crack theory again, and the TMA tag can be safe from my ramblings once more.

[zoanzon]

The Monkey Archives: Episodes 30-35

Guess who's been forgetting to post his updates like he should be? That's right, this idiot!

Technically they'll still be 'fresh' as they were sent to my friend right after listening, I just forgot to actually crosspost them until now.

Merry Hannukwanzmas?

Episode 30

God, the Killing Floor. 0.0

That fucking description, both of the place pre-Incident, and what it was like as a labyrinth. I won't say it's the worst one yet, but it's definitely one of the starker ones.

Also, guessing Tom will be a reocurring/reappearing character; just something about his description makes me think 'supernatural entity/avatar' more than just another person caught in the mess.

(And his place was said to be in disrepair after vanishing: was he stapling meat to the walls and floor?)

Also, the stuff about 'slaughter not ending when you close the door' and all the door imagery in the episode.

- MC seeing the 'Exit' and opening a door into the killchute

- Door into the Pit

- Door into the actual outside, letting him free from the labyrinth and the actual factory

- And, semi stretching it, him resigning right after: he 'shut that door' but the abattoir is still going.

And last thing: the builders commenting that the place is large enough. It's Weirdness is starting to wholly spill free? Perhaps boosted by tje weight of all that blood and pain?

Episode 31

God, just...the British-American comparison/contrast. :D

Guns, and distance, and the demeanor differences...

Also, yikes; wolfman was actually scary. Considering what the story's done so far, guessing we'll see him again down the road...

And damn, the post-transcript; the mess with Prentiss has to shift soon, or else the team is gonna snap (which, I guess, would still shift the situation).

Also, something I've noticed for a while but have been forgetting to note: damn, does John do the voices of the characters exceedingly well. Like, droll/condescending John, versus the emotion in the voices of those he's transcribing, is just amazing. It's reminding me of Will Graham from Hannibal weirdly enoguh, though I can't place why...

Episode 32

oh GOD I LISTENED TO HIVE ON THE WAY TO WORK

God, I'm going to need to relisten to that before I go to the next ep. Will send preliminary thoughts as I can, then will send further thoughts during/after second listening.

[Note: Have not yet relistened, need to do so soon.]

[...]

Ok, on my lunch break, so preliminary thoughts:

Prentiss definitely isn't doing well at transcript time, but unsure how much is her own mental instability - ie, would've happened without the Influence - and how much is her being worn down from the Influence's corruption.

Pretty sure her accounts have codified that 'entity' of the Hive, both as an actual entity and/or perhaps as an 'alignment force', something you resonate with like a tuning fork. There's a phrase that comes to mind from a fic I've read: 'Even inert objects can still shape other ones.'

I'm not sure if the Hive is anything we'd consider 'sapient', but that could be even worse in some ways.

And the Hive hates the Institute, and seeing/understanding stuff. (Eye's domain, perhaps?) So Prentiss isn't just fucking with Martin; she might be gearing up to try and raze it. (Or, she's got Plans, which honestly is more terrifying than plain destruction.)

Also, she used the term Beholding. I've seen that in one or two TMA posts before I started listening, though I don't remember the context; I have a feeling her usage is...unfortunatly correct.

(Ie, both correct, and unfortunate for being so.)

God, just all the ways this chapter relates to the underlying myth arc...

Episode 33

Makes me think of a lottery of sorts? Like, 'The Lottery' where they stone people, or something like Hunger Games. Needing to feed something, or pay a tole perhaps?

(Curious why Sean was voted for and not her, if she kept asking questions the crew didn't want to answer.)

Wondering if the Tundra transports a single piece of cargo, rest is just 'dressing' to keep the facade up.

Also, interesting insights into Lucas family, and their fingers in many paranormal pies. And Elias; I'm torn on whether he's unaware of the true depths of the paranormal stuff, if he's trying to protect John and the others by trying to keep them out of things, or if he's very aware of what they're poking their noses into in a 'secretive, perhaps antagonist' way.

Episode 34

Ok, those kids were creepy. Unsure if we'll see them again: my guess is that, if this connects ro the larger meta-arc, it'll be the main character - Dr. Elliott - reappaearing, or will use John's noting of other academic circles giving the Institute shit as foreshadowing for an arc with 'other institutions attacking the Magnus Institute'.

Also, lol at Dr. Elliott being perfectly fime with the older equipment, especially after my comment guessing 'giving the equipment shit' would be a reoccuring thing.

Episode 35

GOD, Lightner. Also, he's actually encountered in-transcript; guessing the Institute will have fun with that. (Writing this just as tje transcfipt ends, before John comments on the file.)

Also, hey there Jarod! Glad to know you've been in this mess from the teens. (Also, listening to Megadeth; wonder if that's a nod-to anything, lol)

Also, if that room/the tunnels aren't plot-relevant down the road, I'll eat my metaphorical hat; and the same goes for architect Smurk, especially with John noting the paranormal spike regarding his buildings.

(And yes, I'm guessing Smurk's attempt to design churches WILL be relevant to later myth-arc.)

Also, the end of the episode, ohhh dear. I'm...pretty sure I can guess what company just dropped off a package...

(Here's to hoping it's not a coffin...)

[soveryanon]

Reviewing time for MAG136!

- In a very interesting way for an episode dealing with The Web (both as an active force outside of the Institute and… very close to it: Annabelle sending Alison there, Jon being unable to focus on his lighter), this episode dealt, in a lot of small ways, with the idea that members of the Archives team are… regaining control of themselves and their lives?

Melanie is attempting therapy! She’s cautious about it but she’s taking measures to try and get better, she’s putting efforts into it, she wants to feel better!

(MAG136) ARCHIVIST: If you don’t mind me asking, [STATIC:] where are you off to…? MELANIE: Therapy. [STATIC ENDS] … Wait. ARCHIVIST: Oh…! Oh, God, Melanie, I’m, I’m sorry, I didn’t mean to, uh… MELANIE: [EXASPERATED SIGH] It’s fine. I would probably have told you eventually, anyway. ARCHIVIST: Even so, I shouldn’t have– MELANIE: Just… forget it. [SILENCE] ARCHIVIST: [SIGH] It’s good, though. I–I’m glad you’re getting help. MELANIE: Yes, well. We’ll see. There’s a… a lot of crap therapists out there. ARCHIVIST: I guess. Still, it–it is a good step.

Jon is right on this and… there was already something hopeful in the way that Melanie didn’t explode at Jon for accidentally compelling her; she wasn’t pleased by it but… she could have shut the conversation down. Instead, she tried to minimise a little what Jon had done and asserted her boundaries, which she did again with the therapist, but without cutting either of them out. She’s clearly not in the bestest of places, was uncomfortable with the topic… but I’m so glad and proud of her for taking this “step”, for deciding that she had to deal with her demons – possibly from way before she even came to the Institute for the first time?

Meanwhile: it wasn’t so much about Jon’s actions but about what he finally admitted – that he’s aware that he made a choice, that he’s actually had… a very twisted and casually self-destructive way of facing the coffin and of considering his own life since he’s woken up:

(MAG136) ARCHIVIST: My– [PAUSE] [INHALE] [SIGH] My memories of the coma are not clear. But I know I made a choice; I made a choice to become… something else. Because I was afraid to die. But ever since then, I… I don’t know if I made the right decision; I–I’m stronger now, tougher, I can… … If I do die, now, or get sealed away somewhere forever… I don’t know if that’s a bad thing. And I don’t want to lose anyone else so, if I can maybe stop that happening, and [DRY CHUCKLE] the only danger is to me, I– I’ll do it in a heartbeat; worst case scenario… the universe loses another monster. DAISY: That’s messed up. ARCHIVIST: [LOW SELF-DEPRECATIVE DRY LAUGHTER] … Yeah. I suppose it is.

It has been a process for Jon, too; the theme of “choice” has been sneakily prevalent in season 4 so far, following up on season 3:

(MAG087) Georgie: [SIGH] Look I’ve, I’ve got work to do. You listen, or don’t listen, or cross-record, or whatever you want, just… just think about it first, okay? You can choose to leave it alone. [DOOR CLOSES] ARCHIVIST: [SIGH] [TAPE PLAYER IS LOADED] [CLICK]

(MAG092) ARCHIVIST: I never chose this! ELIAS: You never wanted this, no. But I’m afraid you absolutely did choose it. In a hundred ways, at a hundred thresholds, you pressed on. You sought knowledge relentlessly, and you always chose to see. Our world is made of choices, Jon, and very rarely do we truly know what any of them mean, but we make them nonetheless.

(MAG111) GERRY: Thing is, it’s harder than it looks. What’s out there doesn’t care about blood. […] But they care about your choices, your fears.

(MAG117) ARCHIVIST: [SIGH] You– you know what, no. I’m… I’m done with that. No more paranoia. It’s almost got me killed more than once, and… Georgie was right. If I am… slipping, then I need people I can trust. And I… I don’t think that can happen naturally for me an–anymore, so… I’m making a decision. I trust them. All of them. E– except Elias, obviously, that’s not– I mean…

(MAG121) OLIVER: The thing is, Jon, right now, you have a choice. You’ve put it off for a long time; but it’s trapping you here. You’re not quite human enough to die, but – still too human to survive. You’re… balanced on an edge where The End can’t touch you – but you can’t escape him. I made a choice. We all made choices; now you have to– […] Make your choice, Jon.

(MAG132) DAISY: I don’t want t–to be a s–sadistic predator again… I–I don’t want to… hobble around, like some pathetic, wounded prey either… I don’t know which would be worse. And I’m sc–scared, now, that I’ll never get the choice… ARCHIVIST: One thing I’ve learned, Daisy, is that we all get a choice. Even if it doesn’t feel like one.

(MAG134) PETER: … Look. I’m not gonna pressure you into doing anything you don’t want to. It won’t even work unless you’re willing to commit.

(MAG136) DAISY: Get over yourself! You’re always talking about choices – we all made ours. Now I’m making the choice… to get some drinks in. Coming?

So, although his memories are still missing and he might not remember Oliver either (Jon has never mentioned him so far, and given how Jude had been able to kick Jon out of her dreams, he might have done the same thing despite giving a live-statement), Jon is aware that he made a decision – maybe without knowing in the details what was at stake (there could be a few things we could still scream at Elias in MAG092 re: informed consent :w), but he was faced with two options and elected one over the other. It has its own shades of tragic undertones and heartbreak, but it’s also… his own choice, this time around, and still more controlled than “sign papers to become Head Archivist of an eccentric Institute (sells your soul to a Fear god that you’ll now have to feed through other people’s terrors or your own)”. By pushing and questioning Jon, Daisy had been able to make him say what he chose to do (and as seen above, why), and his handling of the coffin was one of such things. Even if, indeed, the Web sent him in that direction (leaving MAG131’s tape for him, maybe manipulating him to some extent through the lighter), Jon, like Martin, is still appropriating what they did as being his own decision:

(MAG134) PETER: What does puzzle me, though, and I mean that genuinely, is… why you were piling tape recorders onto the coffin, while Jon was in there. [PAUSE] It’s a question, Martin, it’s– it’s not an accusation. MARTIN: I don’t know. And I just… felt like it might help. He’s always recording, I thought… it–it might help him… find his way out. PETER: Interesting. Were you compelled? MARTIN: [SULLEN] … I don’t know. … M–maybe? I–I, I definitely wanted to do it… PETER: But? MARTIN: I’m… I’m not sure where the idea came from.

(MAG136) ARCHIVIST: I… [SIGH] I don’t feel like I’m exactly in the best place to judge the… intersection [CHUCKLE] between free will and humanity. Still trying to figure that out myself. [SILENCE] DAISY: Jon… when you went into the coffin. Was it you choosing to do that? Did you actually think you could save me, or was… that something telling you to do it? [SILENCE] ARCHIVIST: It was me. I was… drawn to it, I’ll admit, but it was my decision.

Jon agreeing to Daisy’s proposition to go get drinks may also be going in his own right direction – back in season 1, Jon would have probably shrugged off the offer? But as Helen told him, “people change” and right there, Jon had a micro-choice; he could have refused and, still, after a small hesitation, decided to go along with it instead.

Of course, when it comes to reclaiming their life back in this episode, the most striking was Daisy; Daisy, who had already explained who she wanted to be (MAG132: “I d–, I don’t… I don’t know who I am without, without the chase… I just know… that I… I don’t like who I was back outside. I don’t want to be her again. I want… to be… better…”) and who, so far, has managed to stick to that; Daisy, who handles herself as best as she can even (especially!) though it requires other people because she wants to avoid being alone for PTSD reasons:

(MAG133) [CLICK–] DAISY: You sure? ARCHIVIST: No, uh, it’s, hum. It’s fine. DAISY: It’s just… Basira’s busy.

(MAG136) MELANIE: Well… uhm. Daisy’s been, erm… I’ve been keeping her company. Er, while… while Basira’s busy. She’s, er… ARCHIVIST: Oh, no, I, uh… I–I know. […] DAISY: [QUICKLY] You’re not babysitting me, alright?! I know that’s what the others think, sometimes, but… that’s not it. I just… don’t like…  being on my own if I can help it. You know. Flashbacks, panic attacks, the usual. Just trying to avoid it if I can. ARCHIVIST: I know, Daisy, I–I do. It’s hard. DAISY: Yeah, well. Don’t let me get in your way.

There is currently something so strong in what we’re seeing of Daisy? In the way she’s aware of her limitations and manages to prevent the conditions leading to potential breakdowns? I feel like she’s following the same logic as when we knew her as a Hunter: when she was seeing a problem, she would just… neutralise it. Hence beating up Mike, hence immediately going for Jon’s voicebox; hence her Cold Factual Violence overall against spooks/vampires/“monsters” of various kinds. Basira had said that she liked Daisy because she was “solid”, because of her certainty, and this is still the same Daisy – though not hurting others anymore! And she pulled an incredible power move:

(MAG136) ARCHIVIST: It, uh… Hm. Is, uh… Weird question, but… I… [EXHALE] I haven’t seen you in my dreams? The last couple of weeks? DAISY: … Oh, uh, no. I… I work here, now. I figured it seems to protect the others, so… ARCHIVIST: Oh. Right, so… Wait, did you talk to Lukas, or…? DAISY: [CHUCKLE] Broke into Elias’s old office. Found an employment contract; filled it in, and signed it. ARCHIVIST: And that worked. DAISY: Seems so. ARCHIVIST: And you’re not… worried about… DAISY: Basira’s trapped here. So are you. Not gonna be going anywhere anyway. ARCHIVIST: … I suppose not. So… no more dreams. DAISY: Not of you and your weird eyes. Just the coffin. ARCHIVIST: Is that better…? DAISY: ’T’s mine. ARCHIVIST: … right.

She weaponised what they have gathered, through experiences and guesses, to get free of the dreams she hated! It’s not absolutely clear whether she signed to become an Archival assistant or a regular staff member; on the one hand, Jon’s concern hints towards archival assistant, since as far as we know, the Archives seemed to be their own business, including trapping their staff (though damn, I remembered MAG102 being more explicit on the matter but: actually, no, since Martin saying that regular crew are able to quit was immediately followed by “Hannah just left to have her baby, though.”: was that “though” a “by the way” or a way to tamper what he had just said, and this is the most they can do, but still not quite quit…?); on the other hand, Daisy hasn’t specified what it was.

Anyway: it’s such a POWERFUL MOVE to… 1°) break into Elias’s office, 2°) just sign herself up like that?, 3°) ESPECIALLY given how Elias had initially coerced Basira into signing herself up to avoid turning the scene into a bloodbath, even before being told of the repercussions (that she couldn’t quit, that Elias dying meant that they would die too). What Daisy did sound like a direct answer to MAG092, and I’m loving it, loving that Daisy… just used what they had learnt of the dreams’ mechanism to protect herself and chose to bind herself to the Institute while exactly knowing what it meant, without anything blackmailing her into it. Elias hadn’t bothered to tie her down for who she was? Watch as she’ll decide that for herself.

This is also the first person of Extended Team Archive to… have given herself to The Eye fully knowing what she was doing. You better be grateful for the gesture, Big Eyeball!!! The others had to be misled or coerced into serving you, and Daisy, of all people, chose to give herself to you!!!

(- If Daisy became an Archive Assistant: I hope that she’ll get to read a statement at some point? Well, technically, best thing would be for nobody to read a statement but. Martin did it a few times (and read one in MAG134!), Tim ALMOST did it, Melanie did it twice, Basira did it once… it’s a bit of a Tradition. (And who wouldn’t want to hear Fay Roberts for almost an entire episode outside of Daisy’s own live-statements?! I’m a simple woman, okay.))

- I’m really curious about how Elias and Daisy would interact, now. Would it be biting/tense/mutual snarling, or taunting about Daisy still being a “rabid dog” at heart…? Or precisely not anymore: because Daisy acknowledged in front of Jon that Elias had not been that off about her (MAG132: “Did you ever hear the, the story Elias told me? About what I did. How I am… He, he didn’t get a detail wrong. The Hunt… Hunger was in me all my life.”)…? I also… get the feeling that maybe, the current Daisy might be perceiving her encounter with the Institute as a chance, since it ultimately led to her snapping out of the Hunt (though she would have reasons to want to break Elias’s arm for the fact that Basira got trapped because of him).

- I wonder if Martin saw Daisy’s name pop up amongst the new staff members? Or if Peter just told him right away what she had done? Is Daisy now actually getting a salary from the Institute? (I’m not sure that Elias “We really don’t have the budget for that” (MAG067) had even bothered to pay her when he was using her ~services~ so… drain Peter’s money, Daisy, gogogo!! And Use Your Powers to give everyone in Team Archive a raise, Martin :w)

- The fact that Daisy said that she had broken into “Elias’s old office”… Well, Elias’s office had been characterised by the clock in the background; since we could hear one in MAG126, I was assuming that Martin and Peter were in there (especially since Martin was doing Peter’s directorial work) but had noticed that there was no such sound in MAG134. Were they outside of the Institute? Or has Martin stopped working in Elias’s office since Daisy had forcefully gone inside of it, deeming it unsafe?

- Anyway: Jon-Melanie-Daisy seem to be creating an awkward support network, right now, and it’s ADORABLE and good (+ extra cookies to Melanie for seeking therapy!). They still have trouble talking: there were sooo many pauses and silences when Melanie was in front of Jon; Daisy is still not… super at ease speaking about how she feels (while she’s way chiller when it comes to describing how she broke into Elias’s office. Daisy, ilu.); Jon searched for his words a bit to describe how he was perceiving himself at the moment… But they’re trying and still getting those words out and explaining themselves to each other a bit. And it’s PRECIOUS, godsdamnit.

- ALRIGHT, NOW TO DIVE RIGHT INTO THE SILK-STICHED MEAT OF THIS EPISODE:

(MAG111) GERRY: Nice lighter. You a spider freak, then? ARCHIVIST: What? Oh! Er, no. I-I never really, uh… I never really thought of it. I–I’m Jon. I’m with the Magnus Institute.

(MAG136) DAISY: [SCOFF] She’s… Web. Spider’s sneaky like that. [PAUSE] Like that lighter you’re always using. Where’d you get that? ARCHIVIST: Mm. [STATIC] Good point. We should keep our eyes open. Anyway, how’s Basira doing?

………………. It was impossible to tell whether or not there was static back in MAG111 (at least for me: there was a constant static-y background due to Gerry being there), but here, yep, there was some. So something is DEFINITELY preventing Jon from lingering too much on the lighter (like an oily surface his attention keeps slipping on?) and what it means. … And apparently, he still has it with him – I had wondered if he hadn’t lent it to Martin for MAG118’s plan, burning statements? I mean, maybe he did and the lighter found its way back to Jon anyway, or it was still with Jon during the Wax Museum explosion, but Jon still has it with him at the moment.

How many silken strings have tied around Jon’s body and head without him noticing, I wonder… the episode was about a “Puppeteer”, after all (or… maybe a bit more about the puppets.)

……………….. Sounds like Jon is back to smoking again, too, given Daisy’s comment? And Jon’s smoking habits have been Smelling Like Web Spirit: he had apparently stopped around the time he began to work at the Institute (since he told Leitner he had “been quit for five years now” in MAG080, in February 2017); Elias had ranted about Jon smoking in MAG039 (“He’s not smoking again, is he?”: was it because he knew of Jon’s smoker history? Or because Jon had gone back to… smoking a lot since he discovered that the lighter had been delivered to him in MAG036?); Tim implied that he might have noticed that Jon had been smoking again recently at the end of season 2 (MAG079: “he’s going to do something, and it’s going to be bad. And I don’t mean like ‘sneaking a cigarette’ bad. Like properly bad.”); Jon ~conveniently~ felt the urge to smoke a cigarette and left Leitner alone to face his death (Elias.) in MAG080 (Jon minimised it at the time, but… it means that he had cigarettes on him.); and after that, we only got the mention from Daisy digging through his stuff in MAG091, and him offering Gerry a cigarette in MAG111.

One thing that makes me Hysterical every time:

(MAG091) DAISY: One wallet, brown leather, no cash. One packet cigarettes, Silk Cut. One lighter, gold, spiderweb design.

OF ALL THINGS, JON SMOKES “SILK CUT”

“SILK

CUT”

COME ON, SPIDER, COULD YOU TRY TO BE A BIT SUBTLE WITH THAT BOY?!

- Actual footage of Jon forgetting about his lighter (ft. Daisy):

- I find it very interesting that Daisy was able to notice the lighter and Jon’s lack of oversight about it since… when Daisy was introduced through Basira’s words, Basira explained that Daisy had first been sectioned over a Spider-related case:

(MAG043) BASIRA: […] Daisy was sectioned years before I was even on the force. She’s never been that forthcoming about any of her own experiences. Takes Section 31 very seriously. The most I could get out of her was that she was originally sectioned for something she referred to as “spider husks”. The way she described it, it sounded like she’d found a bunch of shells. The sort crabs leave behind when they grow, but… I could never figure out if it was meant to be the husks of people-sized spiders, or the spider-like husks of people? And Daisy never seemed like she wanted to clarify. I’m sure she mentioned vampires once as well, but… I think she was joking. … Probably. … Maybe…

We have learned, since then, that it wasn’t exactly true: Daisy’s first section’d case had to do with the coffin, but Daisy also told Jon that only her superior had known about it prior to Jon's pulling the story out of her (MAG061). So Basira couldn’t have known that Daisy had lied or dodged to tell the truth, but still… one of Daisy’s first cases had to do with Spiders.

(And Daisy has been ~taking care~ of the vampires, too, which are known for their mind-controlling powers. When Trevor had met a Spider-Woman, he had mentioned that his experience with vampires had probably helped him to identify that the compulsion to get out and get high wasn’t his own… So it seems like Hunters might have a little immunity or at least resistance to manipulation. I’m EVEN MORE RELIEVED that Jon got Daisy back.)

(… And afraid, oh so afraid for Daisy’s life-expectancy, since she’s already so important when it comes to potentially dealing with threats, and being a presence which allows the Archive team to re-form a bit.)

- MAG110 and MAG136 are quite good to listen to one after another, besides Neil Lagorio’s existence – they dealt with the same movie-making world, of Web apparently, and there were some tiny things which were quite interesting? Both statements were given by women isolated from their peers and put into a situation they probably wouldn’t have picked if they’d been allowed to retain more options and Choices:

(MAG110, Alexia Crawley) “I’d held some ambitions about directing myself one day, but it soon became obvious that that wasn’t going to happen. Maybe if I’d got a feature under my belt before I was outed as trans, it might have been different, but… as it was, this revelation burned too many bridges, and when the dust had settled, it was made abundantly clear to me that I was never going to get a movie of my own. And it was either cinematography, or nothing. So I stayed.”

(MAG136, Alison Killala) “He even kept in contact when I left to have my baby. It wasn’t planned […]. Anyway, even once I’d sorted out childcare arrangements, I found myself… more and more unwelcome in the industry. It wasn’t that people weren’t willing to hire me – by this point I had a hell of a special effects resumé – but the hours you were expected to be working, the way shoots were set up, the culture of drinking, networking… none of it was really possible alongside parenting.”

There was, also, the obvious theme of… the fictions reshaping reality, or becoming a reality: Dexter was obsessed with a Spider that seemed to only exist in his dream of a story, and he recreated it on the set in the end. Neil managed to finally recreate his last story with himself:

(MAG136, Alison Killala) “he would twist his fingers into all sort of bizarre, intricate shapes, until I could see the strings flowing over them… ‘We made them dance,’ he would say, wonder and nostalgia in his voice. ‘Oh… how we made them dance.’ […] He told me later his… greatest regret was not being able to finish his final film. An arthouse piece simply titled Dancer. He never explained what it was about, nor do I think it actually… came out in the end. […] And as I walked away from Neil, the last time I saw him alive… he was dancing. The cables shifting, and moving him in a graceful, sweeping ballet. And he was crying with joy.”

On the theme of “smoking” as related to the Web, it’s ~curious~ to note that it was also present in MAG110 and MAG136’s statements, and not in moderation either:

(MAG110, Alexia Crawley) “[Brandon Alma] took to the role immediately, with a gravity and a weariness that I don’t think could have been entirely feigned. He was the only one who didn’t seem excited by the movie, and spent his off-hours smoking and reading quietly in one of the trailers.” (MAG136, Alison Killala) “I had to fight every instinct inside me, everything that wanted to burst out in admiration for his work and his… profound effect on my life. But instead I chain-smoked and laughed, trying my best to come across as my hero’s peer…!”

So, hum. Smoking hadn’t been exclusively a Web-thing before (there was of course the Anglerfish’s baiting, and its shells smoking to disguise the odour of death), but I still find that noticeable.

- There is an OBVIOUS problem with the timeline of Neil’s death, from MAG110 and MAG136’s given mentions:

(MAG110) MARTIN: Martin Blackwood, archival assistant at the Magnus Institute, recording statement number 0121403. Statement of Alexia Crawley, given March 14th, 2012. (MAG110, Alexia Crawley) It seems like a sick cosmic joke that that was the day the press broke the news of Neil Lagorio’s death. Half an hour after the cast walked into that building, one of the grips stumbled across the news story whilst idly checking his phone. Lagorio had been privately suffering from Parkinson’s for almost a decade, and had been bedridden in his Connecticut home for the last year.

(MAG136) ARCHIVIST: Statement of Alison Killala, regarding her time as friend and carer to special effects artist Neil Lagorio. Original statement given 1st December, 2012. Audio recording by Jonathan Sims, the Archivist. (MAG136, Alison Killala) “It was almost six months ago when the woman came to our door. […] I don’t know how long I was watching those films. They don’t… It was hard to keep track of time. According to my daughter, I was missing for five months. When Annabelle let me out, Neil was dead. […] She told me to come here. She told me to give them to you. I resisted for some time, but I’m done now. She’s won. And I’d… very much like to go home.”

If Annabelle visited Neil’s house six months before Alison gave her statement, it should have been in June; while Alexia’s statement put Neil’s death before March (presumably February, since Martin added as part of the follow-up that “Apparently, over the last five years, every February, a corpse is found washed up on Redondo Beach.”). It’s not clear either if Alison lived in the UK but she did mention the “UK press” at some point; while according to the official version given by Alexia, Neil had lived and died in the US.

So what happened…? Has someone in the Archives been purposely messing up with the dates regarding The Web…? Were there two “Neil Lagorio”s towards the end…? Did The Web messed up the files a bit through someone? (Noticeable, too: Jon who ~listens to all the tapes~ didn’t mention the echoes with MAG110’s statement, which was read by Martin. Did he listen to this one, or had the tape… disappeared when he went back?)

(I know that the popular theory regarding MAG114’s statement and what was happening in Hill Top Road is “parallel worlds”, but it always sounded textbook Spiral to me – we also have been demonstrations of entities rewriting reality to erase people or twist people’s memories, see the Not!Them and what happened to the statement-giver’s husband in MAG038. But I’m a bit short on explanations regarding the obvious problem of timeline in MAG110 and MAG136……………..)

- Relistening to MAG110, I just realized that someone had completely flown under my radar: Brandon (Brendon?) Alma, the main actor, who… was the one controlling the story and the set, actually?!

(MAG110, Alexia Crawley) “Most impressive to me though, was a guy named [Brandon Alma]. He was playing the closest thing the film had to a protagonist, a… homeless ex-Methodist minister who’d found himself on the island by chance and served as a connecting thread, wandering between the scenes and the vignettes of the inhabitants, after each ended with their march to the Spider. Brandon took to the role immediately, with a gravity and a weariness that I don’t think could have been entirely feigned. He was the only one who didn’t seem excited by the movie, and spent his off-hours smoking and reading quietly in one of the trailers. It was a shame because, for whatever reason, he also seemed to be the only one that Dexter would listen to. I only saw them talking once or twice but every time, Dexter would be wrapped, nodding at… whatever Brandon might have to say. […] [Dexter] then gathered up the cast and, with Brandon leading them, took them through a small door in the side of the workshop. And they disappeared inside.”

He was playing a character who was the “CONNECTING THREAD” between people getting eaten by the spider, Dexter “would be WRAPPED” and agreeing to everything Brandon told him, and Brandon was the one to lead the actors into the workshop where they were all killed/consumed/drunk hollow, UHUHUHUH. Maybe the book that Dexter had found wasn’t actually the (only?) thing that messed up everything? Or did Brandon come from the book? Was he actually the spider himself, or just there to ensure that the spider would emerge and be fed…?

(MAG110, Alexia Crawley) “I don’t know when he first mentioned his spider film. It didn’t… bubble out into a full obsession until two years ago, but I know he talked about it plenty before that. […] [蜘蛛が食べている] (Kumo ga tabeteiru). I think that was the name, anyway, something like that; he was normally slurring quite badly when he said it. He thought it translated to “The Spiders That Devour” but a Japanese friend once told me it was actually closer to just “Spiders Are Eating”. According to Dexter, Kumo was an old tokusatsu movie which, he believed, had come out sometime in the mid-to-late sixties. It was about a Spider – just the one, despite the title – that grew to a colossal size and terrorized a small unnamed island off the coast of Kagoshima. What struck him about it, though, was the utter absence of anything resembling a hero or a protagonist. No one fought against the monster, and although there were vignettes in the lives of those under the Spider’s shadow, they all ended the exact same way – with the character in question marching slowly, and calmly, into its waiting jaws.”

(And it would sound EXTREMELY Web to have all the attention focused on Dexter… while the true puppeteer would be somewhere else, hidden.)

- Something striking in many Web mentions is that: it likes Order (… and apparently drinking people hollow – requiring the fluids to sustain itself? To be able to moult and grow in size?)

(MAG127, Breekon) “We had some luggage once. A thrumming, silk-wrapped thing of The Spider, hiding away in an old steamer trunk. We stepped heavy through the dining car and found an old woman near the caboose. 'Something strange in the luggage car,' he said, and I finished as was our way. 'You should come and see it.' She stood and walked with us readily enough, though tears flowed silent down her cheeks and pattered onto the faded carpet. The Spider’s always an easy job – no fuss, no complication, everything planned and prepared. It knows too much to truly be a Stranger, but hides its knowing well enough to endure. We knew she wouldn’t scream as she was hollowed out and drunk.”

(MAG110) MARTIN: Apparently, over the last five years, every February, a corpse is found washed up on Redondo Beach. It will be a shrivelled husk, with all moisture and internal organs apparently removed.

(+ Daisy’s early Section 31 case with the “husks” of people/spiders/etc.)

On the matter of order: the victims in Kumo (MAG110) also weren’t making a fuss when they marched off to get eaten, it was the same behaviour as what Breekon described. Regarding Alison’s story, it seems like although she was officially the puppeteer of Neil’s body… SHE was the one who had been puppeteered around:

(MAG136, Alison Killala) “I became his carer a few months later. It just seemed to make sense. A frugal life, lucrative career and… prickly personality had left him with lots of money but no real support; while my life had left me in a position where I cared… deeply about his well-being and was in… desperate need of money. Everything just… lined up so neatly. […] he threw himself into a new project, one I would never have expected, but that suited my engineering background perfectly. […] I protested, of course! This man was my hero, I–I loved him, and there was no way I could subject him to this… awful indignity. But my objections were ignored, as always, and Neil insisted that this was what he wanted. So I built that… strange contraption. Using the skills I had developed across my whole life, to fill every corner of Neil Lagorio’s house with wood, and steel, and cable. […] I barely even noticed when the harnesses were no longer necessary; when the loops for those hooks were now embedded directly into his body. I must have asked him about it. But at the time, it just seemed like… such a natural progression.

Neil had exactly the Right Person available for what he needed when his body started to shut down; Alison wanted to refuse and ended up accepting. Even before Annabelle came in, it… doesn’t really sound like Alison had been the one in control in that whole situation.

And on the matter of people being at the right place at the right time for The Web’s purposes: SQUINTS at the fact that 2012 was when Jon started working at the Institute. We witnessed Melanie, Basira and Daisy’s first steps there, we know that Tim went to get a job there because he was looking into his brother’s death, Sasha might or might not have been interested in the supernatural for years (it could have been the Not!Them rewriting that bit; we at least know that Sasha wasn’t particularly well-off so… maybe she just plainly needed the money); we know that Martin just happened to be hired after submitting his CV everywhere he could (the question of why ELIAS, who PERSONALLY INTERVIEWED HIM, hired him is… another Big Question), but… why did Jon start working at the Institute? He didn’t particularly expect to Georgie to identify what the Institute was, so it wasn’t a life-long dream of his that he would have mentioned many times as a student…

(Re: the Web and Order, SQUINTSSQUINTSSQUINTS again towards the one particular person who has mostly been associated with that: “loves scheduling”, has specific days on which he eats lunch with the Institute’s librarians, insisted on Tim doing the paperwork for his absences, That One Thing About Keeping Receipts If You Want To Claim Your Expenses (Unless You Die)… that guy.)

- I still wonder how the Web works on people exactly, though… especially given all the talks about making choices and decisions, it would seem a bit odd to end up concluding that “anyway, the Web will make you want and do whatever IT pleases, you can’t do anything about it”…? (Though yeah, THAT is frightening.)

Given that Alison compared herself to Frankenstein, I wonder, in her case, if despite her ~adamant refusal~ to puppet her friend and idol…

(MAG136, Alison Killala) “Even pyrotechnics, while… impressive and visually spectacular, they just didn’t give me the same sharp joy as making something that could move, that came alive, directed and controlled by my hand… I always felt Frankenstein should have been an engineer, not a medical student, as reading that book I couldn’t help but see myself in that obsession. But I suppose everyone’s already done the-monster-as-the-robot, haven’t they?”

… some parts of her didn’t actually want it? And this is how The Web might operate overall? Humans are complex, we’re always mixing up emotions and different desires at the same time; maybe The Web mostly just brings to the surfaces the ones it needs to push people in the direction it wants…? (In that case, re: Trevor and the Spider Woman… it wouldn’t be surprising, as an ex-heroin addict, that some part of him would still feel the tinge of the craving…)

- What was Neil, in the end? Was he a Web avatar who found a way to feed his god mostly through fictions? Was his ex-partner “Gabe” Gabriel, the Spiral’s Worker-In-Clay…? Was he a plain person, able to use some powers here and there? The thing is:

(MAG136, Alison Killala) “his satisfaction with his latest and… as it turned out, last… foray into horror, with The Harvestman. He’d always had a fondness for spiders, he told me. And I of course reminded him that harvestmen… weren’t technically spiders.”

She is right! Though this could be a case of misleading us to focus on the symbols rather than their effects; Neil’s work was… indeed clearly linked to the idea of hidden control:

(MAG110, Alexia Crawley) “he claimed to be working with Neil Lagorio to make the Spider. Now you might never have heard his name before, but I guarantee you you’ll have seen his work. From the mid-seventies right into CGI, Lagorio was THE name in Practical Creature Effects: suit work, stop-motion, animatronics, whatever the method, he was the master. […] I’d had the pleasure of working with him way back in 1989 on Orbit – a medium-budget sci-fi vehicle for some… aging action star. Neil was working on a twelve-foot tall animatronic robot that featured heavily in the climax. The picture was, unsurprisingly, a flop; but I still remember his work. How he brought a… lump of wood and steel to life. Th–the huge, intricate mechanisms that allowed his crew to puppet it into motion that was so natural you could forget that the back of it was completely hollow…!”

On the one hand, he sounded pretty harmless. On the other hand, there were these “original cuts” (and the cruel broken SMILE you could hear on Jon’s face when he mentioned them while reading the statement was… gosh.). Was Dexter Banks invited to one of those screenings, and is that why he was haunted by the memories of a movie he couldn’t find again…?

-… So, what does it mean for ANNABELLE to send these original cuts to the Institute?

(MAG136, Alison Killala) “There were two sorts of people in the world as far as Neil saw it: those who were worth his time, and those who were not. And if you were in the latter group, he honestly couldn’t care if you lived or died. Not that most people could tell which side of the line they fell on; there were even days that… I wasn’t sure myself! Sometimes, I remember, he would invite people over to his studio that I was sure he hated, for screenings of his “original cuts”. I was quite… jealous of this at the time, as I’d never got such an invitation. But it was probably for the best. I didn’t… realise it back then, but… [SIGH] those guests… they never quite looked the same afterwards. […] She told me to take the films. His… “original cuts”. She told me to come here. She told me to give them to you.”

[…] ARCHIVIST: [INHALES] Statement ends. Hm. Neil Lagorio… You ever see any of his work? DAISY: No. Not really into films. ARCHIVIST: Oh, they were… Well, let’s just say that it’s not a complete shock there was something unnatural to them. Didn’t know we had copies in the Institute, though; let alone original cuts. [CHUCKLE] Records indicate they [PAPERS RUSTLING] ended up in… Artefact Storage. DAISY: Probably best that they stay there. ARCHIVIST: … Yeah. Yes, of course.

(…………. You could HEAR that Jon was dangerously close to going to check them out if Daisy hadn’t reminded him that Jon, No.)

At the time, Gertrude was still running the Archives… but, again, it’s also around that time when Jon integrated the Institute as a researcher. (He said he had been working there for “four years” in MAG001, which was set sometime in the second half of 2015 – though I wouldn’t past it s1!Jon to round up, like, 3 years and 20 days to “four years” to sound… more impressive. However, we know for sure that Jon was working at the Institute in 2012 (MAG051: “One of my first cases as a researcher for the Institute in 2012”).) So why did Annabelle send the “original cuts” to the Institute, and who were they for…? Was it to send a message to Gertrude? Was it because the Web was veeeeeeeeeeeerrrry aware that the boy who had ~gotten away~ (el-o-el) was now working there (and was apparently a bit versed in Neil Lagorio’s work)? Was it a way to sneak into the Institute? Was it for Elias? Was it to avoid the “original cuts” affecting innocent bystanders? Was it a proclamation from Annabelle – demonstrating that the older generation was fading out and now she was taking over?

That last point is something that I really felt with Annabelle’s visit and Neil finally dying (… or moulting like a spider). It’s interesting that in both MAG110 and MAG136, there was something about the character the story was about… not having a keen relationship with modern technology:

(MAG110, Alexia Crawley) “And so it was for the first few weeks. Dexter… clearly wasn’t sleeping. He had insisted on using old equipment and avoiding digital almost entirely, to the point where several of the crew were using pieces of kit they’d never even seen before. This meant that workprint had to be made manually for the dailies, something he refused to let anyone else do.”

(MAG136, Alison Killala) “We stayed in touch over the next few years, even worked together on the Wire-Runner, his one, underwhelming foray into CGI.”

We saw in MAG123 that Annabelle had started working using Internet, though using someone else to achieve it. I don’t have many theories or speculation about that one – I only find it curious that, given how MAG065 had introduced the idea that tape recorders… are digital, too, we’re still not sure about what it is that prevents Spooks from recording on Jon’s computer. Gertrude had commented that the tape recorders were a bit ~old-fashioned like her~ to defend her use of them to Lucia (MAG130), so… I don’t know! But potentially, I wonder if there might be something about the younger generation of avatars being more fit to use modern technologies, because some elements are their own idiosyncrasies while older techs were their predecessors’.

- Hi, do you sometimes get just PUNCHED IN THE GUTS by Jon.

(MAG136) ARCHIVIST: My– [PAUSE] [INHALE] [SIGH] My memories of the coma are not clear. But I know I made a choice; I made a choice to become… something else. Because I was afraid to die. But ever since then, I… I don’t know if I made the right decision; I–I’m stronger now, tougher, I can… … If I do die, now, or get sealed away somewhere forever… I don’t know if that’s a bad thing. And I don’t want to lose anyone else so, if I can maybe stop that happening, and [DRY CHUCKLE] the only danger is to me, I– I’ll do it in a heartbeat; worst case scenario… the universe loses another monster. DAISY: That’s messed up. ARCHIVIST: [LOW SELF-DEPRECATIVE DRY LAUGHTER] … Yeah. I suppose it is. DAISY: Did you know the coffin wouldn’t kill you? ARCHIVIST: I– guess I thought imprisonment wouldn’t… wouldn’t be as bad as it was. DAISY: [SHAKY SIGH] ARCHIVIST: And it’s a lot easier to make that choice than it is to actually… endure the result. You might have noticed when I was in there with you, I… I had regrets. DAISY: Yeah. I remember. ARCHIVIST: Plus, I thought… [PAUSE] W– [SIGH] Well, I didn’t know what being down there had done to you. DAISY: You thought I was gonna kill you? ARCHIVIST: I was a possibility. DAISY: Guess so. […] ARCHIVIST: I am alone, Martin is– DAISY: Busy. doing. paperwork. Not like he’s dead. Beside, he’s not the only other person here, you know. There’s me; Melanie; Basira– ARCHIVIST: Traumatised; traumatised; and paranoid, because of me.

;; I’m worried about these missing memories and what it means / what happened… Jon had told Basira that he could remember most of The Unknowing:

(MAG122) ARCHIVIST: My turn. What… what happened to me? BASIRA: How much do you remember? ARCHIVIST: I don’t… Music. Everything was wrong. Gertrude was there, and then… dancing. I think? Then… pain. And I was somewhere else. Dreaming. BASIRA: Dreaming. ARCHIVIST: Yes. …

(MAG123) ARCHIVIST: Two years ago. … That doesn’t seem right. It doesn’t feel like… … There’s just this… great… gap of time, where I wasn’t.

Back in MAG122, I had feared that he would have gotten something cauterised in the process, probably guilt, hence Tim’s death being erased… But no, it’s FAR from being the case: Jon has been a guilt-ridden ball of softness and caring and heartbreak since the beginning of season 4. So why are these memories still absent…? What happened in his dreams, for him to not remember exactly how he got to choose…?

(EXTRA-WORRIED since Elias had told Basira that Jon was “at a very delicate stage right now” in MAG127; and as much as I think that Elias probably doesn’t want to risk Jon managing to successfully compel him or extract a statement out of him right now… I’m Really Worried about the fact that he described Jon as being in transition. Choosing should have been the end result, right? So… so what is the next step……………)

Sobbing a lot about the fact that Jon isn’t sure that coming back was worth it, and that he’s been very casually self-destructive about the coffin. He kind of finished his sentence from MAG132 here:

(MAG132) ARCHIVIST: I’m… I’m scared. [SHORT CHUCKLE] When does the fear go away…? A–anyway, I–I’m sorry. You too, Basira, if you’re hearing this. I know you’d… stop me. You’d be right to, but… But if this goes wrong, all you lose is– …  I’m not risking anyone else.

“If this goes wrong, all you lose is” / “worst case scenario… the universe loses another monster”. A o u c h. He’s been the most outrightly emotional we’ve ever seen him in season 3 and 4, he was so afraid of becoming inhuman starting MAG092, he finally chose (and is aware of it) the avatar option because he was afraid to die (that’s one of the most human things he could possibly admit…?), and, since he’s woken up, he has dealt with rejections one after another: Georgie was thrown-off by him badly enough to leave (clearly dissatisfied with… the fact that Jon kept saying he was “fine”, when a normal human being shouldn’t have been), Basira was extremely cautious and still refuses to trust him, slaughter-infused Melanie BLAMED HIM FOR TIM&DAISY’S DEATHS, Martin avoided him time and time again:

(MAG122) ARCHIVIST: Honestly, I… I, I think I’m alright? I mean, that’s… good, right? I… GEORGIE: After a six months coma? No. It’s not. This isn’t how it’s supposed to go, Jon. ARCHIVIST: I… What? Y–you, you’d prefer I was… brain-damaged? Dead? Or– […] Georgie, I– GEORGIE: Jon. If this really is a second chance… please, try to take it. But I don’t think that it is. ARCHIVIST: Georgie, I don’t und– GEORGIE: Take care of yourself. ARCHIVIST: [SIGH] [DOOR OPENS AND CLOSES] [SILENCE] ARCHIVIST: … What about you? Disappointed to see me alive? … Basira? BASIRA: We can deal with that later.

(MAG123) MELANIE: Tim is dead. Daisy is dead. And you, what? You’re just fine? ARCHIVIST: No, I’ve been in hospital for six months! MELANIE: Something has been in hospital. Something that’s got your face like– I warned Basira, I said not to let you back in here, but she just doesn’t listen! [STOMPING? AND FURIOUS STRANGLED NOISES] ARCHIVIST: Melanie, Melanie: it’s… it’s me. MELANIE: Oh! Okay, so what, “Hi Jon, how are you, get anyone killed lately?” ARCHIVIST: … I… MELANIE: Wipe that look off your face. Like you’re not the reason all of this is happening. Like you’re any better than– ARCHIVIST: [MESSY STUTTERING] MELANIE: –than him! ARCHIVIST: Basira said Elias was gone!

(MAG124) MARTIN: … Look, Jon, I, I’ve really got to go, so… ARCHIVIST: Oh, er, okay… MARTIN: I’m, I’m sorry that you– ARCHIVIST: Wowowow, it was… good t–, it was good to see you. MARTIN: … Yeah. [STEPS LEAVING] ARCHIVIST: … yeah… [CLICK.]

(MAG129) MARTIN: Please, stop finding me. ARCHIVIST: … What happened, Martin? [SILENCE] MARTIN: You died. ARCHIVIST: I came back. MARTIN: Yeah. [OPENS DOOR] I’m not gonna let it happen again. ARCHIVIST: … wait… Wait! W– [DOOR CLOSES] [SIGH] [CLICK.]

(YES, GRATUITOUS QUOTE-COMPILATION, BECAUSE THAT’S A LOT.)

It’s been a rough two months since he woke up, alright. I’m so glad that he managed to get Daisy back: not only it was a victory that actually felt like one (the removal of Melanie’s bullet meant that things got… strained), but Daisy has been asking the right questions and they’re so… like-minded? kindred spirits? lately, two Survivors able to understand each other, that it feels good and… a bit more hopeful.

(- I still want Jon to get the chance to have a discussion with Georgie, to explain himself and what happened, to explain that even though he decided something she’s disapproving of… he still wants to do some good, as much as he can? é_è To thank her for having watched over him and having given him so much valuable advice? For Georgie to accept that Jon did the best he could do in the situation he was in? Basira used to listen to Georgie’s podcast while in the car with Daisy so maybe Daisy heard some bits of it. Let Georgie and Daisy meeeeeet too!!)

- So much for Jon getting a stronger hold on his power, he still accidentally slipped and compelled:

(MAG136) ARCHIVIST: If you don’t mind me asking, [STATIC:] where are you off to…? MELANIE: Therapy. [STATIC ENDS] … Wait. ARCHIVIST: Oh…! Oh, God, Melanie, I’m, I’m sorry, I didn’t mean to, uh… MELANIE: [EXASPERATED SIGH] It’s fine. I would probably have told you eventually, anyway.

Still too curious and not the best at self-restrain, though… he had been doing way better lately. I think the last time he had accidentally compelled was in MAG114, with Tim? On the other hand: it looks like his Insights are a bit more controlled since, unless he reveals that he has Known for a while, he… doesn’t seem to know about Basira’s activities. So maybe sternly forbidding him from peeking worked with that one, given that he had motivation to not screw things up (even more) between them…? He was a bit more relaxed with Melanie this time around! (Well. And Melanie was way more relaxed around him too, which… says something considering their previous exchanges.)

- What is wrong with Jon’s body. This makes the second mention of casual weirdness, after Jared commenting about Jon’s rib:

(MAG131) JARED: Huh. That’s a weird one. Not sure I like it. Still. Mine now.

(MAG136) DAISY: Not of you and your weird eyes.

Too many eyes, or something else…?

- I’m so emotional over the fact that Daisy is… currently giving back to Jon? Telling him that his way of thinking or his overall situation is “messed up”; reminding him that he’s not responsible for everything that’s happened to Melanie, Basira and herself; pushing him to snap out of it and have a nice time…? The fact that she included herself in the (short) list of people around Jon, and that:

(MAG136) ARCHIVIST: And you’re not… worried about… DAISY: Basira’s trapped here. So are you.

She listed him alongside Basira when justifying why her decision to tie herself to the Institute was worth it – they’re in this together and it’s not only just “with Basira” in her mind. It includes Jon.

- … and not Melanie there, BUT!! PROGRESS:

(MAG112) DAISY: Yeah. Couldn’t find Tim, but he’s gone with Martin and… the other one. BASIRA: Melanie. DAISY: Sure.

(MAG136) ARCHIVIST: I am alone, Martin is– DAISY: Busy. doing. paperwork. Not like he’s dead. Beside, he’s not the only other person here, you know. There’s me; Melanie; Basira–

She marked a verrrry slight pause before saying Melanie’s name but still: Melanie is now her own person in Daisy’s mind!

- And I’m SO EMOTIONAL OVER MELANIE OVERALL but also so proud that… apparently, she took it upon herself to take care of Daisy, and went as far as to go ask Jon to replace her when she couldn’t do it?

(MAG136) MELANIE: Well… uhm. Daisy’s been, erm… I’ve been keeping her company. Er, while… while Basira’s busy. She’s, er… ARCHIVIST: Oh, no, I, uh… I–I know. MELANIE: W–well, I’ve kind of got to… uhm. I’ve got somewhere to be. Do you mind if, if… she hangs around, with… […] [IN THE DISTANCE] Hum, yeah, he’s, he’s fine with it. So… […] DAISY: I didn’t ask her. To do that. ARCHIVIST: I–it–it’s fine.

I’m glad that Melanie makes sure that Daisy doesn’t end up alone, and that… she went to Jon for this ;__; Melanie knew better than everyone how it felt to be not emotionally supported by someone, namely Basira (MAG131: “Basira is… um. Basira deals in ‘intel’ these days, in usable data, assets. Not feelings. Not people.”), so I find this super-sweet that she… is apparently making extra efforts to not replicate the situation with Daisy? Some feeling of community/teamwork has been recreated lately, all around Daisy, and aaaaah… I’m so glad ;; Really sad that Martin isn’t there and that Basira is still closing herself off, but so glad about the faint Melanie-Daisy-Jon dynamic… (And so worried. Because now, I wonder how Jonny is planning to rip it away from us.)

(Though: Melanie didn’t try to set-up for Helen and Daisy to stay together. Is Helen mostly absent/can’t get out of her door much…? Or was it because Melanie didn’t absolutely trust Daisy’s Hunter instincts to not kick back in, if she was too close to a Spook-she-doesn’t-know-yet for long…?)

(I wonder if it’s Helen who suggested therapy to Melanie, or if they talked about it? In any case, having Helen around seemed to have helped Melanie a bit, overall ;__;)

- Though logistically: it’s hilarious that Melanie&Basira probably still live in the Archives, that Daisy is probably doing the same (unclear whether or not Jon Still Has A Home outside)… and that Daisy didn’t even mention that hi, she had signed some paperwork and was now an Official Member of the Institute. It took Jon two weeks to learn about it, and only because he asked about his dreams. (Daisy must have done that quite fast after getting out of the coffin? For someone who “missed dreaming”, she reacted immediately x”))

………………… I’m not sure that Basira will take that the news that Daisy is now tied to the Institute kindly, though, given the current state of things.

- Elephant in the room, Melanie’s ~therapist~ is ringing SO MANY warning bells:

(MAG136) THERAPIST: Right, have a seat. Do you mind if I record our sessions? MELANIE: I do mind. Yes. THERAPIST: Ah? I mean, it’s just for my own notes. MELANIE: I categorically and completely do *not* give consent for you to make any recording of me, ever. Turn it off. Please. [SILENCE] THERAPIST: I… I see. Yes. Of–of course. [CLICK.]

…………………. See, even besides the use of a tape recorder (who would use that in 2018 for very professional, serious and health-related purposes, if they’re not spooky?!), it’s how the therapist handled the act of recording in itself which makes me shiver. During a first session, a first encounter, when you’re supposed to not make the patient uncomfortable, turning it on before asking Melanie if she would be fine with it. Trying to argue with Melanie’s refusal when Melanie explicitly said she would be bothered by it. That small silence before complying – while Melanie was just stating her rights… (Though on that last one, Melanie’s background as a podcaster is showing; she was very efficiently able to state her will without leaving room for any loophole!)

There are many options for What The Deal Is With That Therapist:

1°) A totally normal person who just happens to use tape recorders in 2018 and was startled by Melanie’s professional-sounding declaration.

2°) Someone tied to the Lonely…? It would be a terrifying job for a Lukas, totally twisting the purpose of a therapy by… cutting you off from others? ;; (Peter had mentioned the possibility of therapy to Martin back in MAG120: “Oh! And if you want to talk to a counsellor, the Institute will of course cover any cost.”)

3°) Someone tied to Beholding: Gertrude had the contact information for one (MAG130: “If that’s your primary goal, my dear, I would suggest you speak to a qualified counsellor. We can suggest one, if you like […]. Hang on, let me see if I can find you the number for that counselling service. They’re actually quite good.”), and that last “I see” was quite striking, Avatars tend to make small references to their patrons all the time – though this one could have also been a nod to Melanie’s…

4°) … since the therapist seemed so taken aback by Melanie offering a resistance: … W e b…? Annabelle was even created during, specifically, a psychological experiment (though we don’t know if she was a psychology postgrad herself, or just a random test subject with a different background; the voice sounded maybe a bit too old for someone who still looked like a “student” in 2012, but then Elias is supposed to be middle-aged so, eh). It wouldn’t be the most subtle thing ever but then: given that Jon didn’t give any reason, why did he pick this specific statement this time around? Outside of the statement, who is a “puppeteer” in this episode? Which would raise, once again, the question of What Is Behind tape recorders; and, if Web, what allowed Melanie to not obey: was it because she used to be Slaughter-infused…? (I had wondered, especially after MAG125, about the relationship between the Slaughter and the Spider: the way Elias had specifically mentioned that Melanie had a “visceral hatred of being trapped” in MAG102, was run by “the self-determination you prize so highly” in MAG106, and the fact that Melanie had described him as “pulling all the strings” in return, had left me with the lingering of impression that… potentially, there was more something about Web than Beholding at work here, and that obviously, The Slaughter, being uncontrollable violence and chaos, wouldn’t be the best of pals with the Eight-Legged-Mrs.-Order Fear entity…)

The way Melanie described therapists at the beginning of the episode (“We’ll see. There’s a… a lot of crap therapists out there.” and it’s true, and she’s still trying!!! Good!!) already introduced cautiousness about the whole process; if this one turns out to be Bad, it wouldn’t be representative of every one of them. Still, kinda hoping (for Melanie) that unless this one manages to prove that her first few seconds were absolutely not representative of what she can offer, Melanie will try to find another one elsewhere ;; I’m impressed that she didn’t just go “Nop ahaha bye” when the tape recorder began to get used… without her consent. It wasn’t good when Jon was doing it, but from a therapist, there is something very, verrrry chilling, and this new character absolutely managed to sound as untrustworthy as Peter in just a few seconds ;;

- On the list of worrying things: URKKKKK that… Basira apparently still hasn’t told the others about her visits to Elias. She’s likely doing her own researches, as Elias had suggested, to check if there were some truths amongst what he told her about The Dark’s activities… but URRRKKK that she hasn’t said a word about it yet. Not good, Basira ;; Elias is spilling his poison and she’s drinking it raw – it will most likely mess her up… and mess up the others, too, if they’re not aware that Elias still has, in all likehood, Plans.

… On the other hand, I got the impression that her relationship with Daisy had improved a bit? Daisy sounded less… heartbroken, this time, giving me the impression that, yes, things aren’t perfect, but not excruciating either?

(MAG136) ARCHIVIST: I haven’t seen her much since… Well, she seemed a bit… tense, the last few times we spoke. How are you guys– DAISY: [CLEARS THROAT] ARCHIVIST: –doing? DAISY: N–no, Basira, she’s… She’s been good. We’re… together so it’s good. [SIGH] Wish she wouldn’t keep treating me like a china doll. But it’s alright. ARCHIVIST: That’s understandable, I suppose. DAISY: [BREATHING HARDER, FASTER] Yeah, well… What do you think?

See, I can’t really decide whether Daisy’s awkwardness was because it was a touchy subject and she was aware that no, things aren’t fine… Or if it was a matter of “oh lord, no, I can’t tell Awkward Nerd Guy that YES, things have been super-steamy in the tunnels lately, he would probably faint if he knew we were doing it in his Institute.”

(… reminder that in this episode, Jon had to read “He even kept in contact when I left to have my baby. It wasn’t planned, but while I may not have had much time for make-up and monster suits, the bodies inside of them were, er, a different matter.” with his own tongue.) (That’s not topping Timothy Hodge’s statement and Jon’s annotations from its patreon Deluxe transcript, but eh, it was still a beautiful line <3)

And the parallels between Daisy&Basira and Jon&Martin keep piling up! First Basira and Martin both were “busy”; now, it’s the single-minded longing for the other when they’re separated – Daisy having thought that she would never see Basira again when she was in the coffin, and now… Jon’s first reaction when Daisy taunts him about acting like he’s alone being to say that YES HE IS… because Martin isn’t there.

Holy Arceus on top of Giratina, Jon, what would your season-1 self would say about the Current You. (“Things change. People change.” Helen told him a few episodes ago, AND YEP. Y E P.)

- I’m… a bit worried about how Daisy handled Martin, however. It fits her and the… individualistic? bits of her that we had seen: if she sees a problem, she’ll try to deal with it through her own actions – Jon is sad because Martin isn’t there? Then no, she’s not going to drag Martin kicking and screaming back to Jon if she wants to cheer Jon up; she’ll push him to stand back up on his own.

(MAG136) ARCHIVIST: I’m, I’m not “swanning around”– DAISY: “Boo-hoo, I’m so alone and a monster!” ARCHIVIST: I am alone, Martin is– DAISY: Busy. doing. paperwork. Not like he’s dead. Beside, he’s not the only other person here, you know. There’s me; Melanie; Basira–

1°) She’s partially not wrong? Though I still feel like, without knowing what Martin is doing behind the scenes together with Peter, there would be causes for concern and that Martin… is not in a good place nor there on his own: his lines in MAG124 and MAG129 sounded, more than anything, like he was straightforwardly blackmailed into not talking with the others (we know that, from Martin’s point of view, it’s a bit more complicated and not the end-goal; but still, his insistence to Jon about how he couldn’t hear what he had to say, had to leave, etc…. weren’t reassuring at all). Daisy might be projecting a bit on that one since she has deepened her network since she came back, probably because Basira was astray: she now remembers Melanie’s name, she listed Jon together with Basira as people trapped within the Institute (implying that she would not leave them behind). She might see Jon as hyperfixating on something that can’t be resolved right away, like her situation with Basira…? Unless it’s plainly because “Blackwood” hadn’t impressed her much in season 3 (she doesn’t know him! Even if Jon cares for him, maybe she doesn’t see him as all that valuable), or because… spooks are happening and the Lonely is managing to cut the ties that Martin die have with people, who are now just not finding him relevant anymore…?

2°) So nowadays, people are aware that Martin is doing “paperwork” – are they aware that he’s basically doing Peter’s work as an ~assistant~? Or are they plainly assuming that “Peter Lukas” is his alias…?

3°) ;; I’m super happy about Daisy inviting Jon for drinks, and Basira possibly joining them… but also worried about how Peter might just rub that into Martin’s face? Jon used to not be… social with the assistants. It would be so easy to tell Martin that it’s finally happening because Martin is not there… (And yes, Martin made his choice to protect the others, presumably Melanie&Basira, because Jon was away! And nowadays, it still stands, the fact that it would also protect Jon was only added to the pile! And he was told by Peter in MAG126 that he might “not want” to share what had happened with Jon at the end of it, implying that he would change; Martin knows these aspects of the deal! But Martin is not absolutely selfless either, and there could easily be some envious outbursts at the idea that Jon seems to be… happier, nowadays…?)

(… Martin had been so snappy to Basira in MAG088, and there was the whole talk between Basira&Melanie about how Martin seemed to think they would “steal his precious Archivist” in MAG106; who would have thought that Daisy and Jon would ultimately be the ones to go out for drinks together.)

- ANYWAY, Jon & Daisy & potentially Basira are going out for drinks and I don’t know if it will be an awkward mess or a nice time for all but. The potential for silly Tipsy Activities is strong – trying to make Jon guess ridiculous trivia facts through his Insights? Basira noting that Jon is behaving exactly like Martin presumably did at the end of MAG098 (talking a lot about a certain someone who isn’t really there at the moment)? Daisy sharing cop stories?

(… I also can’t help but think about the whole assistants-and-assimilated gang going for drinks during Jon’s kidnapping between MAG099–MAG102. Worst moment ever until they’re too inebriated to Coherently Think about why their lives suck and… see, that episode from Brooklyn 99? Going out of their way to find the most ridiculous kinda-harmless ways to exact revenge on what’s pissing them off at the moment, ie Elias? … Going to his office to wrap his whole desk in cellophane. While he’s standing there, just unable to do anything (they’re too many and too far gone for his power to work). While Tim is throwing serpentine streamers everywhere, Martin is crying because Elias’s paperweight suddenly reminds him of Jon, Daisy is seductively slurring the worst pick-up lines to Basira, and Melanie had stolen a spoon in the bar and tries to recreate “The Horribly Slow Murderer with the Extremely Inefficient Weapon” on Elias, again and again and AGAIN AND AGAIN– (maybe Basira told the truth in MAG106 and Melanie had indeed managed to make Elias cry, she just can’t remember about it). Basira was absolutely sober through it all, but when Elias tries to get explanations from her passiveness, it’s a mix of Her Iconic “I don’t know.” and the fact that she’s trying to get better at this new job of watching without doing anything. Elias would almost begin to regret Gertrude.)

Title for MAG137 is out and W O W is that an interesting one?! I have no idea if it will deal with one of the current threads or give information about other ones; it’s… a broad title which works for a lot of things. Tied to a very small mention we got in MAG105, so could be dealing with Gertrude’s studies on The Slaughter (and possibly her dealing with that one’s ritual)? If dealing with The Dark again, there are many angles which could work: attack on the Institute (get to meet The Creature, Jon.), Julia in present-time, Robert Montauk in the past, orrrr even something about the Elias-Rayner relationship that we now know was a Thing? (Though I feel that, if we get some information about that last one, it’s likely to be given in Ny-Ålesund.) Could also work for Hill Top Road, specifically Agnes and Ray? Could work for The Corruption (since The Hive had… personal feelings about The Institute) and maybe shed some light on whatever it was trying to achieve in the tunnels with the ring of worms (ritual attempt, or had Gertrude taken care of that one already?), or even something about John Amherst (Melanie… ;;)? Could work with Gertrude’s activities overall – with Elias, with Peter, with Jude… (Would be hilarious if it was about Elias and Peter, what the heck are you to each other, you terrible beings.) Could also work for Annabelle if it’s about balance? Aaaah, so many possibilities!! And it’s probably not even one that I thought of! =D

… and we’ll be getting a mid-season break, after all. Given how the break had been narratively inserted in season 3 (matching Jon’s kidnapping), will it be the case again and, if it is: what could possibly go wrong that we wouldn’t get a recording in-universe for three weeks? Four episodes left, a rushed trip to Ny-Ålesund could still happen before that and… leave them (/the surviving ones) in tatters afterwards, uuuuh…

[centaurianthropology]

The Magnus Archives ‘Drawing a Blank’ (S03E03) Analysis

So now we start digging into season 3 proper, the introductions done, the characters in place, and the new mysteries beginning to unfold.  This episode, we have a lot of loose ends, but few answers.  Come on in to hear what I think about ‘Drawing a Blank’.

So, the Stranger, huh? I actually had to go back and look at the transcript for ‘The Librarian’ to find that one.  And here’s the thing: Leitner never mentioned the Stranger to Jon. He only told Elias about it.  So any information he gave about the Stranger wasn’t given to Jon.

Gertrude, on the other hand, did mention the Stranger briefly in ‘The Kind Mother’.  However, Sims didn’t note the mention during his addendum at the end of the tape, or his analysis of the statement itself.  So why did he twig onto the Stranger so suddenly as something important?  Especially if he didn’t hear Leitner mention it or tie it into the Great Old Ones? Does Sims have his old tapes?  I doubt it, since he doesn’t even have clothes. So how does he suddenly not only remember Gertrude’s passing mention of the Stranger—one that was tied not to mannequins but to the Not-Them?  Did he tie the mannequin to the Not-Them and that’s how he got there?  Is the Not-Them the trouble the Stranger has so recently caused them?  Why is he so suddenly oriented perfectly to tracking and investigating the Stranger, when before this it was a mention in one single episode that sailed over his head? Was it some sort of continuity error, or is Jon getting insight he shouldn’t have?  If this is the case, does he even notice that he’s referring to the Stranger as a solid and real thing, and making a ton of connections to it, when he didn’t even mark its name the first time he heard it?

So, while waiting on that answer to come along, let’s look at what we do know about the Stranger. Leitner associated the Stranger with the Unknowing.  I suspect that the Unknowing has something to do with the complete destruction of an Archive and the blinding of the Beholding.  We can therefore assume that, in the scheme of these Great Old Ones, the Stranger stands opposed to the Beholding somehow.

We also now see that the Stranger is associated with facelessness, or perhaps simply the lack of eyes.  It’s easy enough to link this to the Closed Eye.  There’s also a sense of the Uncanny Valley about the Stranger, something not quite right in everything about it.  Could the students from ‘Anatomy Class’ be tied into this somehow?  They were also fans of dismemberment.  Could what happened to Chloe’s boss Lana also have happened to the people that the students disassembled in their share house?

And given what Gertrude said in ‘The Kind Mother’ I think it’s a fairly safe bet that the Not-Them is also an aspect of the Stranger, which further ties Breekon and Hope to the Stranger. Breekon and Hope delivered the table to the Institute, setting up another aspect of the Stranger to strike at the heart of the Beholding.  It seems that Breekon and Hope may be a sort of hands-on way that the Stranger gets around, while other aspects like the coffin take people and try to control them, and the Not-Them replaces them.  So given that, is the mysterious coffin from ‘Do Not Open’ also tied in with the Stranger?

Sims also ties circuses into the Stranger, so perhaps we should consider whether or not the Circus of the Other is also an aspect of the Stranger.  Certainly the taxidermy tiger might be tied in with that sense of artificiality that the Stranger has going.  The potentially animated clown doll would also work with that aspect.

And this ties in one more aspect of the Stranger that links a great many of these aspects: people vanishing.  Now, given what happened to Lana, I think it’s safe to assume that those people die, but by and large the people who are targeted by the Stranger go away.  Maybe they’re replaced, maybe not, but they all leave behind them people confused and mourning.

Confusion and not knowing. The opposite to understanding and enlightenment (even to the point of breaking your mind).  And so the things that tie the feel of the Stranger together are the opposite to those which tie the Beholding together.  I have the feeling we’re going to need a lot of red string to link together all the things that tie thematically to the Stranger. Off-hand I can think of the following: the anatomy class students, Breekon and Hope, the coffin, the Not-Them, the People’s Church of the Divine Host, the Circus of the Other, and I’m sure I’m forgetting a few others.  Maybe once we’ve got a good list of all the being tied into the Stranger, this initial picture of confusion and not-knowing will start to take a clearer shape.  And maybe by that time, Sims will have realized that he seems to have homed in on the Stranger without any real reason for doing so, or any good solid knowledge about it as a basis.

Beyond the Stranger, we learned a little more about Sims and his situation.  It seems he definitely has the compulsion to record, and one that Georgie finds disturbing enough to liken to drug abuse (and I loved Sims’ indignant “I could be doing drugs!”).  He can’t not take down the statements, and even now calls what he does ‘his job’.  I’m not sure how aware he is of his fixation. Probably no more than Martin is aware that he had to start talking to Daisy as though he was giving a statement.  And given that he hasn’t really recognized his compulsion as such,

And also, he has stalkers? Is that the Institute’s people, or someone else?  Plenty of factions probably want to get their hooks into a budding Archivist before he becomes terribly powerful.  Some might even want to kill him to prevent that very outcome.  But given that they’re delivering statements, and we know that Elias knows exactly where he is, I think Elias is trying to lead him to certain conclusions.  Maybe to the conclusion that he’s as trapped in his role as Tim is?  Maybe that he is needed at the Institute?

And is Jon correct in his idea that if he doesn’t act, people he cares about will get hurt?  He’s not exactly known for leaping to the correct conclusion where mysteries are concerned (see here smashing up the spider table).  And even if he is right, who would be in danger?  Georgie?  Martin? They’re basically the only two who have been described as ‘close’ to him by any stretch of the imagination.  

Whether Sims is right or wrong, he’s decided to get to work.  I imagine we’ll find out what that means fairly soon.  We can hope that it means reaching out not only to Georgie, who is only peripherally involved, but to Martin as well.  Perhaps even to others he’s run across in the statements who might be helpful or sympathetic.  Trevor the Vampire Slayer might well be an ally, if he could be found. Gerard Kaye, if he isn’t really dead (and I won’t believe he is until we see that body), would be particularly useful. Melanie, if she’s back from India, might be willing.  Hell, if Antonio Blake, the dreamer, might be reached, he could prove invaluable.  

There are factions we haven’t really explored, and I have the feeling that, as Sims reaches out, he is going to start running into them.  Might we meet members of the Lukas family?  How about the Open Eye?  Could Sims get confronted by members of the People’s Church?  As much as I want our Archivist back with his friends in the Archive, the possibilities for expanding the TMA universe and fleshing out a lot of the factions in their own words seems particularly exciting this season. And I for one am looking forward to finding out more.

Conclusions

A solid episode, despite my ongoing questions about how Sims knows about the Stranger, and what it is exactly that he does know.  The story itself was spooky, and the introduction of the Stranger as potentially a nemesis to the Beholding is intriguing.  Sims is on the path to finding out more about it, and likely about the Unknowing, without perhaps even knowing why he’s on that path.  Certainly he’s being driven by compulsions, and possibly even knowledge he doesn’t realize he shouldn’t possess.  

This season is taking an interesting new shape.  After the paranoia of season 2, it’s sort of fun to see an expansion of the universe, and to see a much more proactive (hopefully in a saner, better way) Sims. Now all that’s left is to wait to see how he messes it up, because I may love him, but Jonathan Sims is a human disaster.

[sherristockman]

How Statins, Pesticides and Wireless Radiation Affect Your Heart Health Dr. Mercola 30 Tips in 30 Days Designed to Help You Take Control of Your Health This article is part of the 30 Day Resolution Guide series. Each day a new tip will be added designed to help you take control of your health. For a complete list of the tips click HERE By Dr. Mercola One in 4 Americans over the age of 45 is on a statin drug to lower their cholesterol. Are these drugs really as bad as some of the evidence suggests — or might they be even worse than suspected? Stephanie Seneff, Ph.D., is a senior research scientist at Massachusetts Institute of Technology (MIT) whom I’ve interviewed on a number of occasions. She’s an absolute treasure trove of valuable health information. Here, we discuss statin drugs, which are also featured in her fictional book, “Cindy and Erica's Obsession to Solve the Healthcare Crisis in America,” for which I wrote the foreword. The story, while fictional, is based on Seneff’s own life and passion for science, and delves into autism, Alzheimer’s, statins, vaccines, glyphosate and more. In this interview, we focus on another book, “The Dark Side of Statins: Plus, the Wonder of Cholesterol,”1 the last one written by Dr. Duane Graveline, who himself was a victim of statin side effects and died from complications related to statin use. Seneff’s husband was also severely affected by statins, which triggered her scientific exploration into these popular drugs. “He really changed my career by getting sick,” she says. “He was diagnosed with heart disease 10 years ago and put on a high-dose statin — four times the normal dosage. The doctor said, ‘You have to take this for the rest of your life. If you don't, I will no longer be your doctor.’ And he immediately started suffering from side effects — muscle pains and weakness; even the road rage and behavioral changes. I just knew this drug wasn't working and I started researching statins … In fact, I started doing it as part of my work at MIT. I started analyzing statin side effects and finding all kinds of horrible things. He got off them after a year. He slowly tapered it down and I'm happy to say he's statin free and doing great at this point, 10 years later. His doctors keep on reminding him [to go back on a statin] and he keeps on telling them no, politely.” How Studies Overestimate Statin Benefits As noted by Seneff, it’s pretty easy to overestimate the benefits of statins by confusing people with absolute and relative risk. This is a statistical trick used quite frequently to demonstrate drug effectiveness. Seneff explains: “They do a study in which the absolute risk is very rare. Let's say 2 percent of the population is actually expected to have whatever it is they're monitoring, like, say, a heart attack. They then look over a period of time and find that 2 percent of the control group has the occurrence [they’re looking for, in this case a heart attack] and the treatment group has, let's say, 1.5 percent instead of 2 percent. That's a 0.5 percent decreased risk from [the individual’s] standpoint, but from their standpoint, it’s a 25 percent improved performance because it's 0.5 out of 2 — one-quarter of the relative risk has been taken away. Therefore, it's a 25 percent improvement, which sounds much better than 0.5 percent.” Statins Offer Poor Defense Against Heart Disease Unfortunately, while statins may decrease the frequency of mild heart attacks, they will not necessarily lower your risk of heart disease or death from a major heart attack because of the damage they do to your muscles, including your heart muscle. On a side note, statins’ ability to lower the risk of minor heart attacks is likely related to their ability to lower C-reactive protein, far more so than the lowering of cholesterol. However, according to Graveline, you only need one-tenth of the dosage, say 2 milligrams (mg) rather than 20 mg to get this anti-inflammatory benefit, and there are far safer and more effective ways to lower inflammation than taking a statin, even at a low dosage. As Seneff says, “You're trading heart attack for heart failure, and I think a heart attack is preferred over heart failure.” There are three primary reasons why statins fail to decrease the rate of death from heart disease: 1. Statins lower your cholesterol, which is an important precursor for many of your steroid hormones, including progesterone, testosterone, aldosterone, cortisol and vitamin D. Cholesterol sulfate (produced when you expose your skin to the sun) enters cell membranes and helps build structured water that protects against oxidative damage. Cholesterol is also needed to create DHEA sulfate. 2. They also deplete your body of Coenzyme Q10 (CoQ10), which is needed for muscle health, and lowers your levels of vitamin K2 and HMG co-enzyme A reductase, the latter of which is an enzyme your liver uses to make ketones. So, if you're on a statin drug, you have dramatically impaired ketone production, even if you’re fasting. 3. Statins also lower dolichol, which Graveline believed is just as important as CoQ10. Not only does dolichol play an important role in mitochondrial function, it is also responsible for the process of putting sugar chains on top of glycosylated proteins. This is important because these so-called glycosaminoglycans help maintain the barrier function in the cell and regulate the uptake of nutrients. In practical terms, this means that your muscle cells (including your heart cells), which require lots of energy, get heavily impacted by statins. One side effect from lack of dolichol is Type 2 diabetes, and statins have indeed been found to cause drug-induced diabetes. Dolichol also fixes DNA mistakes. CoQ10, a powerful antioxidant, also helps, and both of these DNA “repair masters” are depleted by statins. Statins Make You Age Faster Contrary to popular belief, high cholesterol is not a primary risk factor for heart disease. It’s actually a vital nutrient needed for health that shouldn’t be artificially and indiscriminately suppressed. “That's absolutely true,” Seneff says. “When my husband was prescribed a statin, I knew cholesterol was vitally important to the body and I knew there was high concentrations in the brain. Two percent of the body's weight and 25 percent of the body's cholesterol in the brain. So, you don't want to mess with losing cholesterol in your brain. Of course, statin side effects include a lot of cognitive issues and that was one of the things that faced Graveline. He suffered something called transient global amnesia after taking statins for about three months. The doctors said, ‘No way the statin could be causing that,’ but he wanted to [stop taking] it anyway … A year later, the doctor said, ‘Well, the statin didn't cause it, so you should go back on the statin because you still have high cholesterol.’ He went back on [the statin] and shortly thereafter he had another episode of transient global amnesia. From that point on, he stopped taking the statin. Then he became obsessed and wrote several books on statins … [H]e died of an ALS-like condition, which he suspected the statins had contributed toward … [I]n the book he says, ‘Statins make you grow older faster.’ And I think that's a very good way to describe them. They give you all the things you get when you get older, faster. And since you never got old before, you don't know how fast you're supposed to get old, so you just think, ‘Well, I'm getting old. This is just the way it is.’ And it's not. It should be much, much slower … So, everyone gets duped. Each person individually gets old fast and doesn't realize that's happening to them because of the statin.” Beware of Cellphone Radiation to Protect Your Heart Two factors that can have a significant impact on your heart health and risk of heart disease are exposure to glyphosate-containing pesticides and electromagnetic fields (EMFs). Seneff touches on both of these issues in this interview, noting that each also has a tendency to worsen the effects of the other. “I think glyphosate messes up your natural electrical system, which makes you much more susceptible to EMFs,” she says. Considering the evidence, I firmly believe excessive exposure to microwave radiation from cellphones and other wireless technologies are a hidden and completely ignored contributor to heart disease. While evaluating studies showing you can radically reduce biological microwave damage using calcium channel blockers, Martin Pall, Ph.D., discovered a previously unknown mechanism of biological harm from microwaves emitted by wireless technologies.2 Embedded in your cell membranes are voltage gated calcium channels (VGCCs), which are activated by microwaves. When that happens, they open up, allowing a massive influx of intracellular calcium, which in turn stimulates the release of nitric oxide (NO). Inside your cell and mitochondria, this NO combines with superoxide to form peroxynitrite. Not only do peroxynitrites cause oxidative damage, they also create hydroxyl free radicals, which are profoundly destructive and cause mitochondrial dysfunction. One of the tissues with the highest density of VGCCs is the pacemaker in your heart. What the research tells us is that excessive microwave exposure can be a direct contributor to conditions such as cardiac arrhythmias.3 According to Seneff, EMFs also contribute to arterial calcification (blocked arteries). So, if you care about your heart health, and/or already struggle with heart problems, you’ll want to make sure you: Avoid carrying your cellphone in a pocket near your heart Avoid using portable computers and tablets Turn off your cellphone at night, as even if you are not talking it can damage you up to 30 feet away unless it’s in airplane mode with Bluetooth and location services turned off Turn off your Wi-Fi at night (ideally in the day also) Most importantly, turn off the electricity to your bedroom at the circuit breaker each night. This typically works for most bedrooms unless you have a room or rooms adjacent to your bedroom, in which case you might need to shut that off too. This will radically lower electric and magnetic fields while you sleep. If you need a clock you can use a battery operated one and even better a talking clock with no light that can be picked up on Amazon Shocking Glyphosate Statistics Both glyphosate and EMF exposure have dramatically increased in recent decades. Between 1974 (the year glyphosate entered the U.S. market and just over two decades before GE crops were introduced) and 2014, glyphosate use in the U.S. increased more than 250-fold. Globally, glyphosate use rose nearly fifteenfold since 1996, two years after the first GE crops hit the market.4,5 Recent research shows that while few individuals had detectable levels of glyphosate in their urine in 1993, by 2016, 70 percent of them had it.6 Overall, the prevalence of human exposure to glyphosate increased by 500 percent during the study period (1993 to 2016), while actual levels of the chemical in people’s bodies increased by an astounding 1,208 percent. Glyphosate Increases Allergenic Potential of Proteins Seneff has done a lot of research on glyphosate, teasing out a number of mechanisms by which it causes biological harm. Much of this was discussed in “Roundup Herbicide May Be Most Important Factor in Development of Chronic Disease.” More recently, Seneff and her research partner, Anthony Samsel, a research scientist and environmental and public health consultant, have found a significant amount of circumstantial evidence suggesting the chemical takes the place of glycine (an amino acid) in proteins, thereby impairing trypsin’s function, which is to digest proteins. This increases the proteins’ allergenic potential. Glyphosate also causes leaky gut, allowing undigested proteins access to your general blood circulation. The end result is autoimmune disease, as your immune cells go into overdrive. “We have an epidemic in all kinds of different autoimmune diseases and food allergies, and I think all of that traces back to glyphosate,” she says. The “gly” in glyphosate actually stands for “glycine,” which is one of the most common and also the smallest amino acid. So, glyphosate is basically a glycine molecule with a side chain attached to the nitrogen atom, and even though it’s a modified glycine molecule, it’s still glycine.7 This is why it can replace the regular amino acid glycine in your system. Unfortunately, it’s now toxic. Seneff explains: “Certain proteins have certain glycines that absolutely have to be glycine in order for them to work properly. A good example is myosin. Myosin in the muscles [allow for] muscle contraction. It's a really important protein in the muscles for movement. It has a glycine at position 699 in the amino acid sequence. If you change that glycine into alanine, which is to say you add one extra methyl group, it ruins the protein. It only has 1 percent capacity to contract. It loses 99 percent of its capacity to contract. Really amazing. So, if you put glyphosate instead of glycine, you're going to have at least as bad an effect as you would with alanine, and probably worse. It will cripple the protein and maybe that's how you get chronic fatigue syndrome.” Other Adverse Health Effects of Glyphosate Collagen also contains large amounts of glycine, and we have an epidemic of joint pain, back pain, knee and hip pain. These too may well be the result of glyphosate exposure. Glyphosate also impairs health by causing imbalance in your gut microbiome, and by weakening your immune system. Seneff explains: “The neutrophils are unable to do their job and then the tryptophan gets squirreled away inside the macrophages as kynurenine, [which] then gets taken over to the brain, causing all kinds of trouble in the brain. So, there's this whole complicated thing that's going on between the brain and the gut — the gut-brain axis communication system — with the microbes being messed up by the glyphosate, the gut being leaky, and the leaky gut barrier introducing a leaky brain barrier. So, the barriers are all leaky. The placental barrier is leaky too, so the placenta gets in trouble during pregnancy. All this stuff that's happening because of glyphosate. It’s such a cascade.” Glyphosate also depletes food of tryptophan by impairing the shikimate pathway in the plant. As a result, food is becoming increasingly tryptophan depleted, leading to widespread deficiency. Eventually, you can get into a situation where the tryptophan gets totally depleted, and when your liver doesn't get enough, it cannot make enough N-arachidonoyl dopamine (NADA) — one of the most important signaling molecules in your body — because NADA depends on tryptophan. Downstream, you may also end up with serotonin and melatonin deficiency in the brain, which can lead to sleep disorders, depression and violent or suicidal behavior. Aside from tryptophan, disruption of the shikimate pathway also decreases all of the other aromatic amino acids, including tyrosine and phenylalanine, along with all of their derivatives, which include dopamine and melanin and folate. Supplements Recommended for Statin Users As mentioned, statin drugs deplete your body of a number of important nutrients. For this reason, Graveline recommends taking the following supplements if you’re on a statin drug: Ubiquinol, the reduced version of CoQ10. Folate. Avoid folic acid, the synthetic version of folate, as it is oxidized and will use up a lot of antioxidant capacity in your liver to turn it into folate. Moreover, if you have been exposed to glyphosate, your body’s ability to do this will be impaired. A good supplement form is 5-methyltetrahydrofolate (5-MTHF). Vitamin C. Your best bet here is to simply eat vitamin C-rich foods, and only take a vitamin C supplement if you’re feeling ill. The liposomal version of vitamin C is very effective. I typically recommend taking it every hour until you feel better. Liposomal vitamin C may also help abort an allergic reaction when taken in high amounts. Selenium. Statins wreak havoc with selenoproteins, so a selenium supplement is advisable. In fact, most people need to take supplemental selenium. Lecithin. I'm not a big fan of lecithin and I would suggest simply eating one whole organic, pastured egg per day instead. Lecithin is phosphatidylcholine, which eggs contain plenty of. If opting for a supplement, I recommend using a liposomal form. Also make sure it’s not made from genetically engineered soy. A safer alternative is organic sunflower lecithin. Animal-based omega-3 fats. Ideal sources include small fatty fish such as sardines and anchovies and salmon roe. Ideally, check your omega-3 index to make sure you’re in a healthy range. D-Ribose, as statins interfere with D-Ribose processing. Magnesium. Most people are deficient in magnesium, but if you’re on a statin, you may be at even greater risk. Having low magnesium also raises your risk of suffering adverse effects from EMF, as magnesium is a natural calcium channel blocker. When you take high enough doses of magnesium, you actually lower your risk for developing damage from EMFs. Alpha lipoic acid. This is a sulfur-containing molecule which may be part of its benefit. Vitamin K2. Statins block the K2 pathway and impair vitamin K2 absorption, and K2 is important for the prevention of arterial calcification, as it helps shuttle calcium out of soft tissues into your teeth and bones, where it belongs. Pyrroloquinoline quinone, more commonly known as PQQ. Similar to CoQ10, PQQ helps improve mitochondrial function. Chances Are You Don’t Need a Statin That statins have proliferated the way they have is a testimony to the power of marketing, corruption and corporate greed, because the odds are very high — greater than 100 to 1 — that if you're taking a statin, you don't really need it. The only subgroup of people I believe might benefit from it are those born with a genetic defect called familial hypercholesterolemia, as this makes them resistant to traditional measures of normalizing cholesterol. Even more importantly, cholesterol is not the cause of heart disease. Heart disease is largely caused by inflammation, as several experts have explained in detail, including Dr. Ron Rosedale, Dr. Uffe Ravnskov, Dr. Stephen Sinatra and Stephanie Seneff. Increased cholesterol is your body’s natural response to inflammation. It is wrongly blamed because it’s found at the “scene of the crime,” but it’s not the criminal. If your physician is urging you to check your total cholesterol, then you should know that this test will tell you virtually nothing about your risk of heart disease unless it is 330 or higher. HDL percentage is a far more potent indicator for heart disease risk. Here are the two ratios you should pay attention to: HDL/Total Cholesterol Ratio: Should ideally be above 24 percent. If below 10 percent, you have a significantly elevated risk for heart disease. Triglyceride/HDL Ratio: Should be below 2 percent. Remember, your body needs cholesterol. It is important in the production of cell membranes, hormones, vitamin D and bile acids that help you to digest fat. Cholesterol also helps your brain form memories and is vital to your neurological function. There is also strong evidence that having too little cholesterol actually increases your risk for cancer, memory loss, Parkinson's disease, hormonal imbalances, stroke, depression, suicide and violent behavior. So, please, think long and hard before filling a prescription for a statin drug, and begin by implementing healthy lifestyle strategies instead. You can find a long list of articles detailing heart healthy strategies here.

[soveryanon]

Reviewing time for MAG129 /o/

    - Overall, I’m… so, so proud of Jon since the season has begun? He’s trying! Trying so much and so hard! And it’s still the same Jon who is prone to outbursts, who can say mean things… but now, he’s also learned that his actions and his words can be destructive, that they can hurt people, that he can hurt people he cares about simply because he voiced what he felt! It’s not so much that his snappiness disappeared; it’s more that he’s now able to quickly understand that it can have consequences and wound even when he didn’t mean to?

(MAG129) ARCHIVIST: No, it’s fine, I know you’ve got… whatever this is, I’m not going to question you. MARTIN: Thank you. ARCHIVIST: [SPITTING] Even if it looks like you’re doing something really stupid. [SILENCE] … Sorry. MARTIN: It’s okay. I get it. ARCHIVIST: I just– I worry. […] [SIGHS] I suppo– … I miss you.

I mean!! Look at him!! He could compulse, has decided not to, and reassures that he won’t; he still snaps, but understand when he went too far and was actually demeaning; he explains his reasoning instead of clamming up! He caught himself when spurting one of his “I suppose”s and openly admitted something meaningful instead! Yes, alright, that should be basic, but that’s still a lot of progress and very impressive for someone who regularly fails to understand people around him, has trust issues, and used to go on the offensive when feeling cornered or criticised. (Would season1!Jon have behaved this way, uh?)

I’m also so fond of the way that Jon is once again… trying to make Martin talk? Restarting the conversation when the silences stretch out, talking about Martin? It’s horribly sad, but… the aesthetic of Jon trying to reach Martin feels so satisfying at the same time…

- I’m, however, a bit tad worried about how Jon sometimes flirts with becoming a The Eye apologist. 1°) He has been casually dropping a bit of an “us vs. them” mentality, lately, and it isn’t clear if it’s pure pragmatism (because they’re chained to the Institute) or Something Deeper:

(MAG123) BASIRA: [SIGHS] Alright. Best I can understand it, Beholding, or The Eye or… whatever you want to call it, we’re one of the only powers that hasn’t actually taken a shot at our ritual. Yet. And everything out there knows it. ARCHIVIST: … No, I mean, we… we can’t be the only ones, surely? BASIRA: I don’t know. Probably not. But we made a big noise with The Unknowing and… other stuff, and… now they’ve taken notice.

(MAG129) ARCHIVIST: You’re working for someone… really bad! MARTIN: Yes, I’m not an idiot, Jon, but it’s no… worse than working for something really bad, so… ARCHIVIST: At least The Eye hasn’t gone after our own. Lukas has vanished two people!

“we”, “our own” can be neutral and coming from an objective fact (the Institute is still their workplace, it’s about their colleagues!), or from a strategic point of view, or… a deeper feeling of belonging. I’m not sure. I hope that Jon is aware of what he’s saying and that it’s not the latter option ;;

2°) Jonathan “The Eye Did Nothing Wrong” Sims, DO WE TALK ABOUT IT. Elias killed Gertrude and Leitner! He allowed Sasha to die! He manipulated and chained them to the Archives! He traumatized Melanie! Jon should know that even without knowing that he also traumatized Martin (which… yeah, is only one of the things Elias has done in a long list, but in this particular case, especially horrible: Jon telling MARTIN, of all people, that The Eye ISN’T HURTING THEIR OWN…). That’s a lot of harm against its own people, even without taking into consideration the few Beholding statements that have popped up, including Albrecht’s death two episodes ago? What the heck, Jon? (Melanie would stab you again for this.)

It actually sounds like, overall, Jon is equating Peter’s actions with the Lonely, while at the same time… totally separating Elias’s from Beholding? I don’t know if it’s Jon being casually hypocritical, personally biased, or if there is something behind that (Elias not being Beholding’s Best Avatar, after all?).

- I don’t know if Martin realizes how much what he says makes it sound like he’s being coerced into avoiding everyone in exchange for Peter not harming the staff any further, and like there is no bigger plan beyond that – like Martin is just a victim with everyone else being used as hostages?

(MAG129) MARTIN: Oh… … Okay? W–well, sorry, but I’ve… I, hum… ARCHIVIST: You have to leave. Suddenly. […] Lukas has vanished two people! MARTIN: Yeah, and if it wasn’t for me, it would’ve been a lot more. [SILENCE] This isn’t helping anything. […] ARCHIVIST: If–if you do need to talk, I– MARTIN: I can’t. ARCHIVIST: No. No, o–of course. [INHALE] Listen, Martin, you should know– MARTIN: Jon– ARCHIVIST: –Daisy might be alive, Basira is– MARTIN: Stop. Stop, please, I–I shouldn’t know any of this, I… [PACKING UP] I–I–I really need to go, I–I’m…

It’s never “I’m not interested” or “I don’t want to” – it’s always how about Martin can’t by obligation. However, the way Peter presented it in MAG126, Martin’s “isolation” is not the main goal: it’s a means to an end, since Martin agreed to all of this in order to stop the New Threat that Adelard was investigating. We know this. But from an external point of view, with just the glimpses of conversations Jon has had with Martin… Jon would have many reasons to think that there is no plan, no further motive for Martin, and that Peter is simply forcing Martin to do things while threatening everyone else? That… could actually make Jon worry even deeper, if Jon ends up thinking that Martin is not even working on something, but only coerced into not having any contact with the others because Peter is messing with him?

(It’s possible, and even likely, that Peter’s agenda actually involves a lot more than what he’s told Martin: that this is also a way to separate the team that had managed to defeat Elias, and/or to give Jon a taste of the Lonely, and/or to deprive Jon of potential anchors, and/or to keep using Elias’s “learn to fly by falling” approach to force him to develop his powers in a semi-hostile territory, and/or to prevent Martin and the assistants from meddling with The Lonely’s or Beholding’s plans… But I’m still a bit hopeful that Peter didn’t completely bullshit Martin about the New Threat as a cover for other reasons – that it’s still, indeed, an actual thing that will need taking care of? Martin is wary of him, that’s good; I don’t think that he sees Peter as trustworthy, and he’s probably expecting backstabbing or a twist before the end. But there would be something… really pathetic if there was actually no New Threat and that Martin had been roped into a series of lies, without managing to achieve anything. So many things have already been pathetic in Martin’s life (his one-sided crush, the fact that he doesn’t seem to be close to a lot of people even outside of the Institute since nobody had checked on him during the Prentiss siege, the fact that he sacrificed his whole life for a mother who hates him because he physically looks like his father), it would be… very heartbreaking to add more to the list with this;;

- I’m so relieved that Martin is aware of and acknowledging Peter’s sketchiness very naturally ;; 1°) And on the subject of Beholding being no better than a Lukas: Martin is not wrong, technically? Beholding is one of the Fears – it’s not a ~good~ option either, it has never been? The fact that they used to accumulate, read/record and archive statements can’t be good on the long run if it’s serving It? Maybe even preparing The Watcher’s Crown? Martin himself used to be a bit complacent about the work in the Archives (even post-reveal in MAG092), while Tim was the one to constantly remind the others that the Institute was bad, too:

(MAG098) MARTIN: [Elias] did suggest I try to get you involved and– TIM: And I suggest that he not be a scary, magic psychopath. … Whoops! Too late. MARTIN: … Yeah. TIM: [SIGHS] Sorry. MARTIN: No, I– I get it. Heh. They’re not exactly much fun. TIM: Look, it’s not that. I… [SIGHS] This place is evil, Martin. And I think doing what It wants? Probably makes us evil. And It wants those things to be read. I mean, I’m not going to stop you, but, at the same time… MARTIN: I– I get it.

Martin never really fought or tried to escape the archival work, but he’s aware enough to point out that it’s not a Good Option vs. A New Bad Option (which would be Peter); they’re all… bad.

2°) First there was Martin’s stern “Peter.” in MAG126 that just made Peter stop trash-talking Jon, now the mention that Martin is ensuring that no more staff members get wooshed into the Lonely… Martin has an iron grip on Peter, uh.

3°) Martin feared that he could be perceived and described as “Martin Blackwood: he was always scared, then he died. The end.” BUT SERIOUSLY. If he dies (and if there is a body), put “I’m not an idiot, Jon.” on his gravestone.

(- I’m ;; still hoping that those two researchers are aliiiive and that they’ll be able to get out from the Lonely. I mean. They resisted against the shady new management and against orders from a boss who 1°) is apparently incompetent at the job since he delegates all his tasks to an assistant, 2°) was probably chosen for reasons having to do with his privileged background, 3°) didn’t allow them to see him even once since he arrived, and yet had Ideas about how to rule the place. You’re brave, researchers! Fight against the system!! You don’t deserve to die for this!!)

-When listening to MAG129’s statement, I was a bit lost and went back and forth between many guesses as to which power was at work. I was expecting a Buried one from the title, but then, discovering to the statement itself, I kept wondering if it wasn’t something else: Corruption, since there was the sense of decay and the disgust when Kulbir went to the firm’s building? Dark, with the lights slowly fading out? Lonely, since everyone seemed to have disappeared? Vast, with the sky joining in that mess? Still Buried, since the firm used awful puns that sounded very Buried? I think I was just a bit surprised to see the Buried associated with water, of all things, despite the fact that it was nothing new in (what-we-assume-to-be-)Buried statements: MAG015 (cave diving), MAG088 (with the “DIG” book found on the beach)… Which makes sense considering what drowning is about? But because of MAG051 (“High Pressure”; hi Simon), I had come to naturally associate water=ocean=Vast, which I feel a bit stupid about since it’s obviously not how The Fears work; it’s not about elements or symbols but what they do to you. Still: I had that moment of “Oh? … Oh, right!!” during MAG129. It’s… a bit more obvious when relistening, given Kulbir’s main concerns and how the world shifted around him:

(MAG129, Kulbir Shakya) “but by that point, I was already too deep in debt and there was just… no way I was going to be able to stay. […] I felt… disgust rise in my throat, the awful, humid air of the waterlogged place sitting heavy in my lungs. […] The water was warm, and after the heat of the summer’s day, I breathed in, expecting the smell of petrichor. But the scent of the rain was something else – something earthy and cloying I couldn’t quite place. […] I tried to relax, to let the rhythmic tapping of the rain lull me off to sleep, like it always had when I was a boy. But I could find no comfort in it. It sounded too much like it wanted to get in. […] I was tired, I was hungry and, without the motion of the rain, the air had become intolerably humid. Every breath I took filled my lungs with that thick, wet scent, and it felt like I could barely get enough oxygen to think. The walls of my house were slick with moisture now, and there was nowhere I could go to be dry, no way out of this oppressive, cloying damp. […] Inch by inch, foot by foot, everything was descending into the water’s embrace. It would wrap itself around me, reach down my throat and fill me with its choking darkness. There was nothing I could do.

Aaaand obviously, given the many double-entendre opportunities revolving around “crushing debts”, of course The Buried would be targeting poor people feeling ~pressured~, anxious about their situation.

(MAG129, Kulbir Shakya) “The first words did nothing to dissuade me from my assumption it was junk mail: “Drowning in debts? We can help!” in big friendly text that seemed at odds with the pseudo-respectable image the rest of it seemed to be striving for. […] At the bottom, in that same friendly typeface, it assured me: “We can help with the pressure.” I don’t know what I expected. I really don’t.”

(It feels, more and more, like Puns are a way to get More Powerful when you’re serving an evil power. Only One True Fear: Puns.) Interestingly: it was also the case for Jackson Ellis in MAG097… but his dire situation got alleviated a bit after he had moved in in Bucoda:

(MAG097, Jackson Ellis) “My parents were dirt poor themselves, and couldn’t help. […] The forest pressed in on all sides, like it did everywhere in the Pacific Northwest, I suppose, but it was an effect I was struggling to get used to. […] As it turned out my situation wasn’t quite as dreadful as I thought. I discovered the next day that my work had actually paid me a small amount. It wasn’t clear whether it was meant to be salary or severance, and I couldn’t get through to anyone who might have been able to explain it, but it was enough to ease the relentless pressure, if only a little bit.”

Was it thanks to the fact that his situation got better than Jackson wasn’t entranced by The Pit like all the other residents?

- This wasn’t the first time that people escape through a near-death (or death?) experience: Antonia Hayley (MAG051, Vast), Carter Chilcott (MAG057, Lonely) were prime examples:

(MAG051, Antonia Hayley) “I should be dead, really. It’s a weird feeling. You ever had a near-death experience? I’ve had a few – they’re not uncommon in my line of work, but this… it feels different. It’s not like I put myself in danger and managed not to die; I should be dead. Decompression sickness that severe is almost never survivable, and I should have had an embolism. The fact that I didn’t… blind luck. It’s hard to reconcile yourself with avoiding of a death you feel… should have been yours.”

(MAG057, Carter Chilcott) “[…] I began to very seriously consider the idea… that I had died, and this was hell. Given that worry, the way I finally escaped could be considered ironic: I starved myself to death. Well, not to death, I suppose, given I’m alive enough to talk to you, but close enough. […] After everything else, I had no guarantee it was even possible for me to die, but I had to try. When I finally faded from consciousness, for what I hoped was the last time, it was the greatest relief I have ever felt. … I don’t… know exactly when I realized I wasn’t dead. There were various moments I… faded back into consciousness, and I know that I felt the re-entry, very hard, but it’s difficult to pin down clear thoughts before the hospital.”

(MAG129, Kulbir Shakya) “I don’t know if you’ve ever drowned, but it’s the most painful thing I’ve ever experienced. I tried to remain calm, to think of my grandfather and his firm, stony face […] My lungs spasmed painfully, desperately trying to wring air out of the warm, rancid water that filled them. And as I felt the water embrace me, fully pressing in on all sides… I gripped the last connection I had to the world I knew. The last thing I was conscious of… was the water getting colder. I don’t… remember them fishing me out of Regent’s Canal. Or most of my treatment, to be honest. At a certain point it all blurs together. I’m alive. And that’s what matters.”

I remember that Jonny more or less said that it’s impossible to truly understand how the Fears operate, given how they’ll always escape our rationalizations – but anyway: I get the impression that when they’re going all out, they kind of trap people in a reflected reality, and when people manage to escape them, they get spat out and back into our world? We had multiple witnesses whose testimonies didn’t match the official findings of later investigations, and it’s hard to tell who is lying and who is telling the truth: is the Police twisting some information in their official records since they’re alluding to Section’d events? Are the witnesses mixing up some details because their memory is at fault? When spook happens, there often seems to be two realities: and sometimes, there is no difference between the two; sometimes… something happened in one and had other consequences in the other (I mostly remember how the guy in MAG072 got his fingers cut yet they were still on his hand when everything stopped, though he saw his fingers cut with his ring on one of them, ring that he didn’t have on “his” finger anymore).

Here, Kulbir both got to “die” (or almost? or died for real?) and to hold on to an anchor (an item symbolizing someone that he loved):

(MAG129, Kulbir Shakya) “I could feel that warm, grasping water cover my feet, my ankles, slowly working its way up my calves, but at that moment, all I could think about… was my grandfather. And how he had looked when they had given him his diagnosis, calm and solid. […] He had always endured his problems, never tried to squirm out of things he felt he had to face. I gripped the sheath in both my hands and waded to the window. Corpses floated by, slowly waving at me gently, their lifeless hands grey and bloated. I ignored them. And stepped out into the water. […] I gripped the last connection I had to the world I knew.”

Which is something we’ve mostly seen in statements dealing with the Lonely, I felt? Naomi Herne heard her dead fiancé’s voice leading her out in MAG013, and Gerry had advised Andrea Nunis to think about her mother in MAG048 (which indeed allowed her to escape the anonymous crowd).

 - Regarding Kulbir’s grandfather: I wonder if he had a tie with something that was mentioned in MAG076, amongst the reports of William W. Hay about World War 2 dug up by Melanie?

(MAG076) “what I saw in the infirmary at Amritsar. Two dozen Ghurkhas tearing each other to pieces, consumed by the terrible butchery they had inflicted. Such things are not to be dwelt on, but serve to illustrate my proposition that violence, inflicted, received or even just witnessed, can not only deal injury to the body or the mind, but to the soul itself.”

The grandfather was specifically said to be a Ghurkha and brought back his weapon from it…

(MAG129, Kulbir Shakya) “We actually got into a… blazing row over his old kukri. He had been a Gorkhali, serving in the Fifth Gurkha Rifles during the Second World War. I have… complicated feelings on his military history, of course, but… he had always been fiercely proud of it. And that old knife had been one of his most treasured possessions. I didn’t keep it polished like he had, even at… ninety years old, but it reminded me of him. I could see his calloused hands on its hilt, as he meticulously, almost mechanically, cleaned it. Humming a tune the name of which I never learned.”

(Could have been Slaughter-infused, but I’m really not sure that it was even relevant here? What mattered was apparently the emotional connection.)

- ;;;;;;;;;;;;;;;;;; So that’s what happened to Jan Kilbride in the end (take that, myself, for sometimes daring to hope that he could have still been alive). We had heard Gertrude mentioning that she had Plans revolving around him back in MAG099 (recording from September 2nd, 2007):

(MAG099) GERTRUDE: […] For the Buried, however, I do have what I believe might be quite an effective plan forming – assuming, of course, that my suspicions about Jan Kilbride are correct, and that’s something that should be easy enough to determine once he’s back on Earth. Considering what’s probably happened to him up there already, I feel almost… bad, but there’s ten years yet before I can afford a conscience.

And Melanie had read Jan’s statement in MAG106 (left on February 10th, 2008) observing that the statement ended quite abruptly, and that Jan himself had disappeared from public views or records since coming back to Earth:

(MAG106) MELANIE: […] Also I, hum… I can’t find Jan Kilbride. He definitely returned. I’ve got more than one photograph of the trio’s arrival back on Earth, Carter Chilcott being attended by medical personnel, and the other two looking tired… but alive. There are also a couple of short newspapers stories mentioning their safe return. But it seems as though Kilbride made his way over to the Institute, a few weeks after touchdown, made his statement, and then… nothing. I can’t find any sign of him. And neither can Basira or Martin. Not on Earth, at least. I really don’t want to say he vanished into thin air but… he’s vanished into something.

Did Jan live in the tunnels for a while or something? He apparently managed to totally vanish from official records, and we know from MAG097 that the Buried’s “Sunken Sky” took place (or at least attempted to) on June 17th, 2008 – in Bucoda, America:

(MAG097, Jackson Ellis) “[…] [The pit] was bigger. And the road had swelled, to encompass it. There was someone else looking at it, though. An elderly woman, face pinched and thoughtful, stood at the edge looking down. I didn’t recognise her, or the car she stood next to. She definitely wasn’t from Bucoda. Sat in the car next to her, I could see a young man who had clearly been crying. I couldn’t get over how blue his eyes were… The old woman caught my eye, and looked from me, to the pit, and back again. I thought about saying something when she gestured for me to leave. And I did. I decided that I was no part of whatever was happening. So I drove away and didn’t look back. That night, the earthquake struck that destroyed Bucoda entirely, so I guess I’ll never know what was going on.”

Given that Jon mentioned that:

(MAG129) ARCHIVIST: […] But I don’t want it. I don��t want to know. … I don’t want to see. … No more than I wanted to see how Gertrude stopped The Buried and their ritual, but that came to me as well. [HUFFS] They called it “Sunken Sky”! And she calculated, correctly, that casting a void-touched body down The Pit at the right time would be enough to disrupt it. Something she found in… Jan Kilbride. … But Gertrude also realized that the body need not be alive. Or in one piece. She thought it was a mercy. It wasn’t.

(Tim’s voice from MAG086: “Regarding a… blanket. Dead friend. Monster. Regarding his unavoidable and gruesome end. How he tried to hide. He couldn’t.”)

… it was apparently a gruesome end, and the tears might indicate that Jan knew what was coming. Gosh, the way Jon mentioned that it wasn’t a mercy… He got too much information about it, uh é_è

- *cough*

(MAG129) ARCHIVIST: One thing that always strikes me when I read statements like this is… the bias of survivorship. With one or two notable exceptions, the only statements the Institute receives are those where the witness has… successfully escaped whatever terrible place or being has marked them for a victim. … I wonder how many don’t make it out. How many of those shapes in the water were once just like Mr Shakya. Hm.

1°) Yeah, without even counting the survivors describing how they witnessed someone dying or disappearing, we got a few statement-givers who flirted a bit too heavily with death (Nathaniel Thorp in MAG029), or were on the verge of turning into something else (Jane Prentiss in MAG033), or should be dead (Trevor), indeed. It happens. Also, Jon could add himself on the list, maybe, since he hasn’t managed to escape the Institute.

2°) I’m still so relieved every time Jon uses keywords indicating that he’s not perceiving the events these people go through neutrally – “terrible place or being” and “victim”. We saw a few monsters/avatars torturing people like it’s a game, but it is definitely not Jon’s case, and that’s a relief…

3°) ;; And it’s indeed a sad reminder that the only stories we get are from people who managed to get out (even if some of them met a gruesome end shortly after giving their statements, as we learn through the follow-ups), and that we can’t hear about the ones who were consumed/eaten alive/killed with no surviving witnesses… (Do you sometimes think about the fact that Jon gave that role to the tape recorder, in season 1 already? That he wanted to use it to chronicle what was happening in the Archives, to not become “another goddamn mystery”, because he didn’t want to end up like Gertrude or statement-givers? I wonder if Jon still thinks of a life after him and after the assistants, by now – if he still thinks it’s possible that maybe someone, one day, could find the tapes they left behind and reconstruct what they experienced. It doesn’t seem like the tape recorders are cooperating lately, though; they come and… go, and don’t allow people to hear what was said elsewhere.)

- I’m… intrigued by the fact that, so far, all of the things that Jon has suddenly Known (the leaks through the door) were information that had not been recorded on tapes – or, more precisely, that he hasn’t got any random outburst of Knowledge about things that have been recorded. Jon hasn’t mentioned anything about knowing that Basira had visited Elias (MAG127), nor about Martin’s conversation with Peter (MAG126), and we still haven’t heard any hint about whether or not he has listened to MAG118 and MAG120’s tapes; given how he gave his condolences to Martin about his mother, it’s more likely that he indeed still hasn’t been able to access MAG118’s. Are the tape recorders and the Spooky Magical Knowledge complementary things, or… actually competing against each other? (=> Does conversations getting recorded make them unavailable for Jon’s Spooky Powers?)

- Anyway: The Tape Recorder either liked Martin again, either knew that Jon was coming, since it clicked on in the room Martin was in before Jon entered.

- Where is MAG118’s taaaaape ;___; I’m pretty sure that Jon hasn’t consulted it since:

(MAG129) ARCHIVIST: I, er… I heard about your mother. MARTIN: … Yeah. ARCHIVIST: I am… so sorry. [SILENCE] MARTIN: Thank you. [INHALE] It’s… [SHAKY EXHALE] It’s better, this way. ARCHIVIST: If–if you do need to talk, I– MARTIN: I can’t. ARCHIVIST: No. No, o–of course.

I feel like Jon would have said something… more, here, if he had heard that one? Giving his condolences neutrally like this feels like he still only knows Martin’s mother from what he learned in season 2: that Martin sends letters to her, that Martin dropped out of school when he was seventeen because he had to care for her and to sustain them since she got terribly sick. (And Martin’s “It’s better, this way” makes me hate Elias even more, since… it can mean that Martin thinks that it’s better if she’s not suffering anymore? Or… that he thinks that it’s pulling him out of an unhealthy situation, since she hated him anyway and he had built so much of his life around being able to support her – sacrificing his education, having to lie to get hired somewhere, getting hired in Spooky Dangerous Institute to get a salary. If Elias hadn’t said anything, Martin might have been able to keep deluding himself into thinking that she wasn’t good with him because of the sickness, because it can make people meaner to close ones witnessing their decay…? But no, Martin Knew The Truth when she died. Did Elias know, in MAG118, that she wouldn’t be living for much longer…?)

And am I a puddle on the floor at the fact that JON TOLD MARTIN THAT HE WAS THERE IF MARTIN NEEDED TO TALK ABOUT IT? Yes, I am a puddle of whimpering feelings on the floor. It’s… something that I would have never expected Jon to say. He usually offers his presences for spooky stories, not for… emotional support.

Jon

told martin

he would be there

for emotional support

I still have trouble letting that sink in.

- And!!!

(MAG129) ARCHIVIST: … What happened, Martin? [SILENCE] MARTIN: You died. ARCHIVIST: I came back. MARTIN: Yeah. [OPENS DOOR] I’m not gonna let it happen again. ARCHIVIST: … wait… Wait! W– [DOOR CLOSES] [SIGHS]

1°) Is this the first time that Jon has acknowledged (implicitly, since he rolled with the mention) that his “coma” wasn’t exactly a coma? Unless he took that “You died” as an exaggeration. So far, it had been euphemisms (“dreaming” in MAG122, “coma” in MAG123, “when I was… away” in MAG126), so! Does he know that it wasn’t a normal coma by now? Or is he still unaware of it?

2°) Martin’s answer… ;__; Not “my mother died”, not “Tim died”, uh. We did hear Martin begging for Jon in the season teaser, and it didn’t sound like it was only because of his crush – they objectively needed help and the fact that Jon wasn’t there forced them to find alternative ways to deal with what they were facing (Melanie&Basira holed themselves up in the tunnels, Melanie defended the Archives against the Flesh attack, Martin reached an agreement with Peter to help him against a new issue). The fact that Jon “died” changed things, logistically. But it also sounds so personal, in Martin’s mouth (a bit bitter?), and once again, I’m remembering how he had lost all his deepest connections at that point: Sasha, Tim, Jon, his mother… and yet, he took the decision to work for Peter, and we know from the trailer that he checked if “they” (Basira and Melanie, and probably the Institute’s staff) would be safe. Martin ;__;

(Okay, I freaked out at first with Martin’s answer, because… “I’m not gonna let it happen again.”: was he referencing Jon COMING BACK FROM THE DEAD? But it was probably about Jon ~dying~ in the first place. Or about Jon finding him a third time. I hope so?!)

- I wonder if… if the situation had been different, if it had been Tim inside of the coffin, if there had been a chance to save him, and not Daisy… Would Martin have reacted differently?

(MAG129) ARCHIVIST: No. No, o–of course. [INHALE] Listen, Martin, you should know– MARTIN: Jon– ARCHIVIST: –Daisy might be alive, Basira is– MARTIN: Stop. Stop, please, I–I shouldn’t know any of this, I… [PACKING UP] I–I–I really need to go, I–I’m… ARCHIVIST: Right. … right.

Martin didn’t like her much, but Tim… Tim was another story. Maybe that would have been enough to shatter the fragile equilibrium and to make him try to help with it, even while still working with Peter.

Even outside of “what if”… It’s ironic, because Jon tried to reach out by talking about people around them – barely mentioning himself (except when it came to his feelings over Martin���s work and busy state, and the quick mention of his powers at the beginning of the exchange): “Basira is off doing… God-knows-what, and I can’t talk to Melanie.”, “I, er… I heard about your mother.”, “If–if you do need to talk, I–”, “–Daisy might be alive, Basira is–” “What happened, Martin?”. And right now… it might actually have been more effective if Jon had behaved a bit more self-centred? Breekon sneaked into the Institute and could have harmed them: meaning that Peter won’t raise a finger if they’re attacked and that they’re probably more vulnerable than Martin thought. Jon’s powers are growing, now with an additional invasive dimension, and there is the risk of his inner door opening (and of him drowning). Even Melanie’s surgery: Jon was hurt! Mentioning that would have been enough for Martin to freak out, usually!

Conveying that Jon is at risk, that Jon could become a risk, could have made Martin reevaluate his priorities? Martin’s deal with Peter is based on the assumption that Jon and the others would be safe at the end; if they’re harmed and snatched by something else beforehand… it changes the configuration a bit.

(- BUT JON CHOSE TO PRIORITISE WHAT WAS HAPPENING TO THE OTHERS!!! HE TRIED TO INFODUMP TO MARTIN WHEN HE HIMSELF IS DEPRIVED OF ANY INFORMATION, BECAUSE MELANIE DOESN’T WANT TO TALK TO HIM, BASIRA IS FORBIDDING HIM TO “KNOW” ANYTHING ABOUT WHAT SHE’S DOING, AND MARTIN REFUSES TO SHARE ABOUT HIS OWN AGENDA WITH PETER!!!

I don’t know why, but this is… one of the aspects that punch my feelings the deepest? That Jon is desperately trying to share what is happening around him, to rebuild bridges, to avoid miscommunication or leaving others in ignorance? Because he has known first-hand, since the beginning of season 4, what it is like when nobody wants to share their plans with you? Because obviously, obviously we’re heading towards a Disaster if they don’t manage to unite what they’re doing and what they’re thinking, when there is so much at stake and when they have multiple potential ends of the world to thwart?)

- MAG126 confirmed that Martin is Concealing and very much feeling; that he’s forcing himself to pretend indifference. And yet, he still slipped from that self-inflicted behaviour at the beginning? (Highlighting that Peter is not his first evil boss?) And sounded like he panicked when Jon began infodumping?

;; I would like to be able to feel GLAD that Martin is showing some determination in the path he chose; he’s clearly not fine but also firmer and… hanging on to what he planned. And it surely feels, already, that he’s barreling head first towards complete disaster. Jon and Martin feel more and more that they will compete for the role of Most Self-Sacrificing Idiot in order to protect everyone, instead of working together…

- Given Peter’s reaction after Martin had barely talked with Jon:

(MAG126) PETER: You talked to him. MARTIN: I… I, I tried not to, I–I, I didn’t mean to… PETER: You talked to him. And that’s understandable, Martin, of course it is! Please don’t think I’m upset, it’s just… not ideal. Shows how much work we still have ahead of us. […] I had hoped that all this time apart would have given you the space you needed, but… MARTIN: … You said he’d probably never wake up. PETER: And he beat the odds. Which is good. But it does make things more complicated. It doesn’t… actually change… anything. MARTIN: A–a simple “hello” isn’t going to make any difference to– PETER: We’ve been over this. The sort of power you’re going to need relies on your– MARTIN: [SULKY] Obedience. PETER: Isolation. It needs to be you, Martin. You’re the only one who could possibly balance between the two.

… yeah, I’m not eager to hear what Peter thought about Martin and Jon talking again this time. I hope that Peter won’t ~generously offer~ a way for Martin to be completely out of Jon’ reach ;;

At the same time: really not sure that Peter’s (official) plan is working and that Martin is doing much progress? Yeah, he had it audibly rough, sounded bitterer and drier. But he doesn’t sound hollow or indifferent? He doesn’t sound like he’s in his natural state when forcing himself to be isolated? And after this conversation, I’m not sure that Martin will be able to do any progress Lonely-wise: I mean, if he had a crush on Jon back in season 1 already, when Jon was… like that, HOW could his heart remain still with current!Jon? When Jon is trying hard to share things and moments with him, when it’s Jon who seeks him out and wants to know what is happening in Martin’s life, when Jon apologizes spontaneously, when Jon is showing that Martin not being around him is hurting him? When Jon is showing so hard that he cares about him? I hope that Martin gets to stock up on these feelings to fight off the Lonely’s influence :|

- *crawls on the floor* everything hurts and I hate it and I’m loving it at the same time hhhhh…

(MAG053) MARTIN: [SIGHS] I just worry. You needed five stitches after you “accidentally” stabbed yourself with a breadknife. If you’re still claiming that’s what happened. ARCHIVIST: I am. MARTIN: Then you’ll forgive me for worrying when you use sharp knives.

(MAG129) ARCHIVIST: Even if it looks like you’re doing something really stupid. [SILENCE] … Sorry. MARTIN: It’s okay. I get it. ARCHIVIST: I just– I worry. You’re working for someone… really bad!

OOOOOOH

(MAG126) MARTIN: … It’s because he’s back, isn’t it. [SIGHS] He’s back, so now you’re going to be… around, again. Listening in. Mff. You missed him, didn’t you. … Yeah. … [VERY SHARP SQUEAL OF DISTORTION] Yeah, me too.

(MAG129) ARCHIVIST: [SIGHS] I suppo– … I miss you. MARTIN: [SNORT] ARCHIVIST: I’m just… MARTIN: Lonely. ARCHIVIST: [SIGHS] Yeah.

DID THE DYNAMIC

(MAG102) MARTIN: […] Look I’m, I’m so sorry, Jon, I– Elias didn’t even tell any of us that you’d been kidnapped– ARCHIVIST: Oh. MARTIN: –I didn’t know– ARCHIVIST: Hey– MARTIN: No-one else was telling me– ARCHIVIST: Hey, hey, hey… MARTIN: And there wasn’t any— ARCHIVIST: It’s alright, it’s alright. Elias didn’t tell anyone, there was, there was no way you could have known. I-I mean, I wasn’t exactly here before. MARTIN: No, you weren’t. … But I am sure that if you could have been, you would have.

(MAG129) ARCHIVIST: I, er… I heard about your mother. MARTIN: … Yeah. ARCHIVIST: I am… so sorry. [SILENCE] MARTIN: Thank you.

FLIP AROUND…

Martin used to be the one worrying for Jon!! To think about Jon when he wasn’t there!!! To feel like he had let Jon down!!!! (When he apologized in MAG040 for leaving Jon and Tim behind, too… ;;) There are many reasons for Martin to be one of Jon’s concerns, indeed: concern, because he hasn’t been there for the past months. Guilt, because Martin is the last of the original assistants left alive. Worry, because the Lukases are not known to be harmless people. Defamiliarization, because Martin used to seek his presence rather than avoid him.

But Jon also sounds so sad, trying to connect with Martin again… His voice was still dragging and a bit brooding when he introduced the statement right after – Martin’s behaviour is leaving him miserable, uh…

- Jon agreed to not try to see Melanie, and sticks to it. He also accepted to try to not Know about Basira’s errands, and… unless he’s dissimulating it from the tape recorders, it looks like it has worked so far? (He hasn’t even opened the coffin!) (Yet.)

(MAG127) ARCHIVIST: I, er, I should probably… talk to h– BASIRA: You should probably stay as far away as possible. She doesn’t want to see you. ARCHIVIST: No. No, o–o–of course.

(MAG128) BASIRA: Right. [SILENCE] [INHALES] Right. Keep it safe, I’ll be gone a few days. I have some leads I need to follow up. ARCHIVIST: Sorry…?! BASIRA: You heard me. Don’t ask about them, and don’t know about them either. ARCHIVIST: I can’t exactly control that! BASIRA: Learn. […] I’ll try and be back in a week or two. Don’t think about me. ARCHIVIST: Right. BASIRA: And don’t open the coffin.

(MAG129) ARCHIVIST: […] I haven’t heard from Basira, since she left on whatever secret errand, and I feel like I’m no closer to understanding any of this.

… I wonder if Jon will try to do what Martin asked of him:

(MAG129) MARTIN: Stop. Stop, please, I–I shouldn’t know any of this, I… [PACKING UP] I–I–I really need to go, I–I’m… ARCHIVIST: Right. … right. MARTIN: Please, stop finding me.

… or if, precisely, he’ll keep trying to see him. (Or if he will Know and… pretend he doesn’t.)

- Meanwhile, Jon’s powers are getting a bit out of control, uh… It’s, I think, the first time that Jon has expressed disgust at the idea of seeing/knowing things?

(MAG129) ARCHIVIST: […] Or perhaps I shouldn’t wonder. [HUFFS] Even as I say it, I can feel the knowledge, pushing in my mind. Eager to find a way in. But I don’t want it. I don’t want to know. … I don’t want to see. … No more than I wanted to see how Gertrude stopped The Buried and their ritual, but that came to me as well. […] I don’t like this. I don’t like… not being sure what’s going to be in my mind. What thoughts are mine and what are from… elsewhere. Why I just know some statements are what I should be reading.

Jon’s complaint is the complete opposite of how Elias had described the Beholding folks! (MAG092: “We thrive on ceaseless watching, on knowing too much. What we face is the hidden, the uncanny, and the unknown.”) It looks like the knowledge of what happened to Jan Kilbride shook him pretty badly (it sounded… especially gruesome), and… indeed, Jon would fear losing himself with what is happening.

… So I’m really Not Impressed at him for suddenly forgetting his recriminations when he got the Knowledge of what he was supposed to understand from this statement. Is Beholding trying to appeal to Jon? Jon’s anxiousness and irritation totally disappeared right after he got the Additional Knowledge, so if it was the case… it worked. Jon, don’t be so easy!! It’s not because you’re getting the information you’d like to that it’s a good thing… ;;

- Okay, I’m probably granting too much consciousness and purpose to something that is supposedly (re)acting on instinct (“like a muscle spasming on reflex”, Jon had offered in MAG080) but.

(MAG129) ARCHIVIST: […] I don’t like this. I don’t like… not being sure what’s going to be in my mind. What thoughts are mine and what are from… elsewhere. Why I just know some statements are what I should be reading. I assume this one is related to the coffin. To Daisy. … I haven’t heard from Basira, since she left on whatever secret errand, and I feel like I’m no closer to understanding any of this. … [SIGHS] I suppose if this one managed to free himself from The Buried or, to find a way out of… whatever part of Choke embraces drowning, I… [STATIC] I need an anchor.

It really sounded like Jon: i don’t know what to doooo, i have no direction, no idea… Beholding: *sends Jon towards a Relevant Statement* (●♡∀♡))ヾ☆*。 Jon: k thanks that’s a buried one, what’s the point of it then ¯\_ಠ_ಠ_/¯ Beholding: (ilu but you’re so slow, do I have to SPELL IT OUT) Σ(￣ロ￣lll) *sends static-y additional knowledge* Jon: oh– OOOOOOH.

To be fair with Jon, there were multiple things that I thought about when assuming that Jon had been directed towards this one (which was then implied to indeed be the case during his post-statement)?

* First: it’s a bit surprising that Jon is learning so much about the rituals that Gertrude managed to counter, considering Beholding’s is coming close? It’s like Jon is being given tips about how to possibly… ensure that Beholding’s won’t happen. We saw in MAG126 how Gertrude learned the location and some elements involved in the Spiral’s Great Twisting; and Jon apparently saw/felt/got first-hand knowledge about Gertrude’s reasoning, and what she did with (/to) Jan Kilbride in order to stop The Buried’s Sunken Sky ritual. I don’t know if there is a sort of intention in Jon’s outbursts of knowledge: if Beholding is simply answering Jon’s curiosity calls, or if it’s able to select what to give and hide from Jon. Giving information about Gertrude’s counter-rituals feels a bit dangerous considering how Jon’s loyalty to his patron isn’t… well, we’re still not 100% sure that Jon would be down for the Watcher’s Crown since he hasn’t specified anything in that regard (I mean, it seems obvious that Jon doesn’t want it to happen! And he’s probably remaining silent about it because it’s not safe to be a bit too openly antagonistic to your own patron in its place of power? But at the same time, Jon Made His Choice to be able to wake up, and we still don’t know what happened exactly.) On the other hand, there is… something to be said about how the two last Archivists weren’t exactly super into their own patron: Gertrude was actively working against it, Jon is maybe a bit more ambiguous (or at least passive) at the moment… is ot a Beholding thing to shoot yourself in the foot just to see what happens?!

* When I wondered about how this statement could tie in with the coffin, I thought about the rain, actually!

(MAG002, Joshua Gillespie) “It was a hard, heavy rain, the sort that falls straight down with no wind to disturb it, until everything is dark and wet. It was barely past midday, but I remember the sky was so overcast and gloomy that I had to get up to turn on the light. And that was when I heard it. […] It was almost… melodious. It sounded almost like singing, if it was muffled by twenty feet of hard-packed soil.

(MAG129, Kulbir Shakya) It started raining on the walk home. … When would you start to worry about the rain? I don’t mean about it ruining your day or wrecking an event you’re planning, but at what point does it stop being normal, and start to alarm you?

I thought it might be because reaching The Buried (or allowing The Buried to reach you) might be easier when it’s raining, or something of the sort?

* Orrr if the point might have been to tell Jon to ~dig~ into the “[Eberhart?] and Strauss” firm. (Not sure about the name, it was never mentioned before? One “Harry Eisenhard” had disappeared in MAG099’s statement, which was a Buried one, but it’s clearly not pronounced the same.)

* Or if it wasn’t something about needing to Face The Fears in order to find a way out.

* Or maybe it was Beholding telling Jon (to open the door and) to allow himself to get drowned, because it’s Inevitable anyway. (The whole anchor thing would be even more relevant given Jon’s situation! Give him reasons to care, give him safeguards able to tell him off if he slips!)

* tl;dr Can’t blame Jon for being too oblivious about what was supposed to be “the clue” in that statement, since I… didn’t bat an eye about “anchors” either – I mostly perceived them as a way to escape the Lonely specifically until now >>

- I’m!!! so happy that

(MAG099) ARCHIVIST: Is it… Why are you so insistent on keeping me around? GEORGIE: Because you’re trying to cut yourself off, and that’s… that’s really bad! Look, when’s the last time you spoke to someone who wasn’t me? ARCHIVIST: That’s… I… I–I talked to Martin a, a… a… a few weeks ago…? GEORGIE: Did you talk to him? Or did he talk to you, while you tried to find a way to escape? ARCHIVIST: I… uh… GEORGIE: Look, you’re worried. I get it. But if you really think you’re turning into something… inhuman, you need people around you. You need anchors. ARCHIVIST: All my “anchors” are just as deep in this as me. GEORGIE: Well, you still need them. ARCHIVIST: [SIGHS] Maybe you’re right. I… I’ll talk to the others. […]

Even if she’s not there, Georgie was right! “Anchor” was the word she used! ;w; (She was also the one to coin “avatar��� before we learned that Gertrude also used it! Georgie is good at finding the right word when people are describing concepts!)

… Though it’s not a matter of stopping Jon from turning “inhuman” now ;; Elias had told Jon it was an irrelevant distinction back in MAG092 (“Jon, what does human even mean? I mean, really? You still bleed, you can still die. And your will is still your own, mostly. That’s more than can be said for a lot of the ‘real’ humans out there.”), Jon mentioned that he didn’t feel as heartless as he expected to with that development (MAG126: “I thought… moving away from my humanity would have made that seem more acceptable. That sort of sacrifice… but it just makes me sad…”), and it indeed feel like it’s not at the top of Jon’s fears anymore? (But he would still need anchors for this precise reason, probably ;;)

- Jonathan “I need an anchor!” Sims, why are you so relieved about that fact as if it were a helpful indication; must I remind you that

(MAG122) ARCHIVIST: Georgie, I– GEORGIE: Jon. If this really is a second chance… please, try to take it. But I don’t think that it is. ARCHIVIST: Georgie, I don’t und– GEORGIE: Take care of yourself.

nobody

(MAG127) ARCHIVIST: How’s Melanie? BASIRA: How do you think? ARCHIVIST: I, er, I should probably… talk to h– BASIRA: You should probably stay as far away as possible. She doesn’t want to see you. ARCHIVIST: No. No, o–o–of course.

currently

(MAG128) BASIRA: I’ll try and be back in a week or two. Don’t think about me. ARCHIVIST: Right.

wants

(MAG129) MARTIN: Stop. Stop, please, I–I shouldn’t know any of this, I… [PACKING UP] I–I–I really need to go, I–I’m… ARCHIVIST: Right. … right. MARTIN: Please, stop finding me.

to see or talk to you. I mean. Even friggin’ Elias, of all people, doesn’t want Jon to see him (for nebulous reasons):

(MAG127) BASIRA: [SIGHS] Fine. So you won’t see him, but you’re happy for him to hear our conversations. ELIAS: He can listen all he wants, but he’s at a very delicate stage right now, and I… fear my presence would be a… a distraction. I’ve made it clear my cooperation’s contingent on his not seeing me, and my terms have been accepted thus far.

Well. To be fair, Jon didn’t present it as the Solution – it’s a lead:

(MAG129) ARCHIVIST: […] I need an anchor. I… I could go in… myself, I, I could find her. And… then, I just need to get out. I need something out here. Something I can know the way back to. I, I don’t know what. But… [HUFFS] It’s a start.

I don’t know what or whom he would be choose, though? Georgie elected to leave him to his own devices at the beginning of this season; Basira has repeatedly mentioned that she doesn’t trust him; Melanie is currently healing and not fine (and she didn’t like Jon even before getting tied down to the Institute). Even worse, for Basira: Elias made it pretty clear in MAG092 that if anyone is Daisy’s anchor, it’s Basira. And Basira presented Daisy in a similar way, too:

(MAG092) ELIAS: […] Should I, or the Institute, be destroyed, you will all, unfortunately, follow suit. […] And it would not be a pleasant death. DAISY: Bullshit! ELIAS: Then shoot me. Just squeeze the trigger, and watch the only person you care about die screaming. Your last connection to humanity. Do it. BASIRA: Daisy…

(MAG117) BASIRA: […] But at least Daisy’s coming along. I mean… I know she’s… difficult. Everything they say about her, it’s true, it’s fair. But… she’s solid. She’s a fixed point. And if she’s there, I know exactly where I stand, exactly what I’m doing relative to her. She has no doubts. […] Despite everything she’s done, she’s… she’s still the best partner I ever had.

(MMMMM, Elias’s line to Daisy is very close to Kulbir’s “I gripped the last connection I had to the world I knew”, isn’t it?)

Given Daisy and Basira’s relationship, and given how Jon presented the “anchor” as something that would help you to get out, it kind of excludes right away that Basira could potentially go inside to rescue Daisy; she would need her to remain outside of it in order to find her way back to her? Though, with how Basira managed to escape The Unknowing by herself in MAG119, and how she mentioned the events in MAG128, maybe she would be able to find her own way out of this one by herself, too (is she her own anchor, after all?) – but Daisy would probably not be able to leave the coffin if they’re both inside of it.

* Regarding Jon: I wish that Martin could turn out to be his anchor, because this season is breaking my heart, but I feel like their exchange at the beginning of the episode was kind of… making it clear that it couldn’t be him, that he wouldn’t agree to it (or then, Jon would have to push for it, and maybe push too far). On the one hand, Jon has been able to find him twice (MAG124, MAG129) thanks to Spooky Powers, when Martin wasn’t expecting Jon to be able to; on the other hand… they have never been especially close – mostly because Jon isn’t especially close to anyone. They used to look a bit closer from the outside, but I felt it was mostly because Martin hadn’t given up on Jon in season 2 (unlike Tim)? Jon trusted him in season 3, Jon tried to talk to him in MAG102, Jon is currently missing him and worried for him and trying to talk and reach for him (AND I LOVE IT, OKAY), but Jon barely knows Martin and I wouldn’t say there is a deep, stable emotional connection between them at the moment? If it had to be someone, I would be leaning towards Georgie.

* (Or The Admiral, but I doubt that Jon would be willing to involve him. Though: I have trouble picturing him making Georgie come to the Institute, too… He didn’t want to involve her much, making her enter The Eye’s temple would sound very risky in that regard, especially with Peter Lukas currently running it?)

* (I keep thinking about Helen because of the doors and because LISTEN… listen…

(MAG127) BASIRA: And don’t open the coffin. ARCHIVIST: [HUMOROUS EXHALES] It is addressed to me! [SILENCE] … Yes, alright. … Alright. [CLICK.]

=> if you get inside the coffin through another door, you don’t need to open the coffin! No breaking (implicit) promises! >:D)

* There is still the possibility of Jon’s grandmother, but I didn’t get the feeling that they were especially close when Jon recalled his childhood with her in MAG081…?

* If the “anchor” is an item: there are the tape recorders, though it’s mostly them who seem to find their ways to Jon, these days. There is also the Web lighter, the status of which is currently unknown: did Jon still have it on him during the Unknowing, or had Martin borrowed it to burn statements in MAG118? What happened to it during Jon’s coma? Same as the tape recorders, though: is it the lighter that follows Jon, or Jon who is drawn to it?

(MAG111) GERRY: […] Nice lighter. You a spider freak, then? ARCHIVIST: What? Oh! Er, n–no. I–I, I never really, uh… I never really thought of it.

* Other contender: the Archives themselves, or the Institute overall?

(I regret even deeper that Basira hasn’t apparently shared with Jon her discussion with Elias, because it implied that Elias still has plans regarding Jon… so if Jon really can’t make it out alone, I wonder whether someone would bulge to save him this time, if things were to derail horrendously. If past experiences are any indication: no, nobody would help him, especially not Elias since Jon was kidnapped for a whole month outside of The Eye’s reach and he only got saved because “Michael” went to finish him, even when The Unknowing was coming up. But. Still.)

Anyway! The lighter made me think again about how it’s not exactly that, but I feel like there is a bit of “Ariadne’s thread helping you through the maze” imagery in the idea of descending into the coffin? Not exactly since it doesn’t seem to be about marking the way back but having something to go back to, but! As I said, a bit. (Fun fact apparently, web strings used by spiders when they go from one place to another can be called “Ariadne’s threads” in French. The more you know.)

- I Can’t Expect Things To Go Greatly In This Series, so: I wonder if even Jon manages to get in and to find Daisy… either she will be either far too gone already and they’ll have to confine her somewhere instead, either Jon will make a mistake resulting in her death – while Basira was working on her way to get her out of it alive. In the latter case, it would definitely cement the fracture between Basira and Jon in such a way that they would both be at fault: Jon would have tried to help but would have broken the interdiction of not opening the coffin; Basira would have wanted to save Daisy but, by refusing to share what she was doing, only nurtured Jon’s eagerness to try to fix things. So yeah. There are many ways it could go very bad, and I have had too many moments of “actually, things are only getting worse, I miss the time when they were less Worse” to hope for how the situation could improve :|

(But maybe it could not be a disaster. Maybe Jon could wait for Basira to come back before trying anything; maybe they would manage to save Daisy; maybe Basira would come back with Simon Fairchild on Elias’s recommendation because he still has a terrible sense of humour, and Jon could take example on how Gertrude stopped the Sunken Sky by throwing Simon into the coffin, neutralizing two threats at the same time. Would make him (rightfully) lose humanity points in Basira’s eyes, though.)

(- Melanie’s bullet was removed, tho!! Which is definitely an improvement, even if she’s currently a wreck.

First was Melanie, now is Daisy… even if the Mission To Rescue Daisy ends in a disaster, maybe trying to get Martin back will come after. Even though we know that Martin has an agenda.)

- If Jon does end up going down into the coffin: I wonder if we will hear him live? Or if he’ll describe what happened afterwards? …………….. or if the scene would switch to Elias describing the events for us. :||||| 

- CHEERS!! The Pit (MAG097) had teeth inside and a tongue, so we know that Buried things can bite. That leaves plenty of opportunities for Jon, who *gasps* is still missing a Buried scar, to get it from there.

The Dark also had the creature that can wreck you. The Flesh has plenty of ways to twist you a bit. As for the Lonely:

(MAG125) ARCHIVIST: […] It’s… frustrating, to be honest. I finally feel myself, I feel… focused, and ready – and I find myself basically alone.

(MAG129) ARCHIVIST: [SIGHS] I suppo– … I miss you. MARTIN: [SNERK] ARCHIVIST: I’m just… MARTIN: Lonely. ARCHIVIST: [SIGHS] Yeah.

Whether it’s part of Elias&Peter’s plan or a nice bonus snack for Peter: the Lonely is already affecting Jon. Slowly completing the “collection”, uh.

  MAG130’s title is already out, and MMMMMMM. Biggest plot-twist would be if The Flesh wasn’t involved, uh. (Can we have Melanie back a bit? ;w; Maybe giving a statement about how The Flesh attacked two months ago? ;w;)