#and like we know she finally tells them her secret but it's just soooo unsatisfying that it's fade to white off screen
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I've made my peace with Ena5 but damn, I wish I could be happy for the MizuEna feast but I can't when it's at the expense of Mizuki's lackluster arc conclusion. U_U
#puse fanatacism#I mean at least Mizuki declares that she wants to stay with everyone and decides to not run away#and like we know she finally tells them her secret but it's just soooo unsatisfying that it's fade to white off screen#like the coming out scene should have been the falling action or finale why does it feel like the event ends with just the climax lmao#like I get it I expected the writing to remain subtextual so I'm not that upset with the lack of confirmation of Mizuki's gender id#But I'd argue they could've still done the coming out scene even with vague-ish dialogue#and I bet ppl would be less mad about it if we could at least see a showcase of Mizuki's development and bravery#like âhey I didn't always look like this. Back in middle school this is who I was but I changed to become more authentic to what I wantâ#that would've been fine that would've been *enough* and aligns with Niigo's style of writing tbh#But augh they somehow couldn't think of doing the bare minimum#and you just KNOW that clpl KNEW they were lazy so they spruced things up with visual theatrics#just to distract with how the dialogue was Not Very Good#I will say that the mizuena confrontation does have merits to it#but augh it's also kind of messy cuz skirting around the problem hurts the writing of that scene#ANYWAYS#I quite liked the side stories though in isolation they're pretty good#I also did like the first couple chapters of the event so it ain't all bad#but man this is the one event I will say I truly disliked and prsk had a high bar for me to dislike an event#soooo yeah I still love the game dw#but it also pains me a bit knowing that it'll have a rocky reputation of being the game that trans-baited for 4 years#it's abysmal I'll get over it and I've survived worse narrative decisions from other IPs#but I am feeling the equivalent of having your partner you love very much and you think can do know wrong does something wrong#and u dunno how to feel#do I dare tag?#ena5 spoilers#yeah whatevs
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Ok so now that Iâve thought a while about svtfoe finale I have some opinions
Things I liked:
Marco taking the wand from moon and Marco and Star walking through the portal hand in hand
The firstborn STILL tried to warn & help Star, even after she DIED. What a good unicorn daughter
Marco trying to use Starâs spells and then just creating some spells on the fly figuring itâd work better
Marco was willing to get STABBED to help Tom
We finally got to see Eclipsaâs butterfly form (and baby Meteora got a butterfly form)!
Baby Meteora learning how to dip down being plot relevant
Moon & Comet moment. Even tho Moonâs character isnât great rn, Iâm glad she got a moment with her mom
That Tomco moment (âok can we recognize that Marco JUST FLIPPED A HORSE!â âI FLIPPED A HORSE!â). They are such good friends (and wouldâve been such a cute ship), I love them. Itâs really a shame this show didnât do the tomstarco route (preferably in my opinion with Star and Tom both dating Marco but not each other, Iâm not a huge fan of Tomstar and Star hasnât proven to be a particularly good girlfriend to Tom, but it could be good either way).
Seeing the past queens again I love their designs (I want to know what Celenaâs secrets are...)
Globgor, Eclipsa, and Meteora get to stay a happy family
Actually, surprisingly, I kinda liked Ponyhead in this episode? (A little bit). I liked how she tried to cheer Star up and then went âoh not againâ when she thought Star was gonna get back together with Tom which I appreciated bc theyâd already been together twice before and it hadnât worked, and I liked that Ponyhead was aware enough to realize that probably wasnât a good idea for them to try again
Janna! Her bonding moment with Marco where she actually said they were friends was so cute! And sbsjsvsjshs she dropped her heart rate to 0 for Marco what a legend. Janna Ordania, true ride or die.
More Jackie and her gf Chloe screen time (even if it was a few seconds. It was nice to see anyways)
Meteora and Mariposa get to grow up together after all
Star and Marco get a happy ending (and the show didnât end with them kissing which was nice)
Oh does deleting the magic mean deleting the neverzone meaning Marcoâs not 30 anymore?? I really really hope so thatâd make any Marco ship so much less creepy. Iâm accepting that as my canon thank you very much
Things Iâm not sure how I feel about:
Hekapooâs...complete neutrality towards her upcoming death? Ig itâs good that she evidently realized sheâd done some bad stuff but uh...???
The pudding being able to keep your mind sharp in the magic dimension. On the one hand, I liked that thereâs a REASON Glossaryck likes pudding so much and that we finally got an explanation for it, on the other hand I sorta wish that theyâd figured that out BEFORE now. Now it kinda seems like the writers just needed something to explain how the Butterflies could stay focused in the magic dimension (but again, if they needed a plot device Iâm glad itâs the pudding so...idk)
Ok what was the purpose of Tom riding the evil unicorn. I donât get it. Donât hate it or love it, am just confused.
Marco getting stabbed and hiding it from Tom and Star was some Good Angst Sh*t. The fact that that had absolutely no purpose, however, was not. I wish either Marco didnât get stabbed, or there was actually some consequence to Marco getting stabbed as it was kinda pointless otherwise
The fact that both Star and Marco were willing to leave their families and worlds for the chance to be together. Obviously they care about each other, but theyâre willing to give up their lives and families at 15 to be together? :/ (side note those shots of Marco huddled against the magic dimension rock were really pretty)
The portal thing. It didnât make sense
Mewni and Earth being cleaved together. I mean on the one hand thatâs cool, on the other hand that seems like itâs gonna create so many problems & just leaves me with a lot of questions. For example wonât humans just oppress monsters like mewmans did? Can Tom get back to his family? Is the underworld part of the Mewni dimension or is it itâs own? Did all the dimensions get merged into Mewnearth or just Mewni and Earth? How will Earth culture and Mewni culture learn to coexist?
Moon redemption. It seemed too easy, she didnât really have to work for it! I mean her character was growing on me pre-her-working-with-Mina, but then she was revealed to be working with Mina and she made SOLARIAN WARRIORS I mean come on! I kinda wanted her to be redeemed bc I was unsatisfied with the Mina twist, but the way they did it was kinda :/ I want Star to be able to have a good relationship with her mother, but since Moon Did That and didnât really face any consequences besides her daughter being mad at her for an episode...
That Solaria & Eclipsa & Meteora moment. I mean it was cute Solaria accepted them but she literally created Solarian warriors and committed monster genocide soooo...thatâs definitely not enough to redeem her and itâs not great that sheâs portrayed sympathetically
Things I didnât like:
That they actually went with the âerase all the magicâ plot line. Svtfoe is about Star the rebel princess, frequent subverter of expectations, so it was weird to me that they actually destroyed the magic and there wasnât some twist like the four butterfly queens work together and unlock some super butterfly form or join hands in a circle around the Solarian Warriors and say the Whispering Spell or something else to defeat Mina. Iâm surprised Star seeing her supposedly finished tapestry didnât motivate her to find a different way because sheâs Star Butterfly, rebel princess who fights for whatâs right and nobody can tell her what she has to do, she finds her own way.
Eddie and River bumbling and telling Mina about the magic sanctuary. I wish River had saved Globgor bc it would really show he can be competent and would also be cute bc dad solidarity
Mina, after being built up as the big bad, was defeated way too easily
Glossaryck, the MHC, (and presumably all of the queensâ spells INCLUDING THE LASER PUPPIES) just. Died. I mean the MHC sucked so oh well about them and glossaryck was kinda the reason this all happened (which btw is very confusing. Why did he give the first queen the wand if he knew all this crap was gonna happen anyways?) so Iâm not super sad about him but Starâs spells didnât deserve that, nor did the other queensâ, or the laser puppies!!
The fact that Moon and Star grabbed tha alligators by the eyeballs. I know that this is such a small thing but in the series finale for the main character to still be doing stuff that hurts other characters like that and for it to be treated as a joke...it just sits bad with me. Theyâve tried to develop Star, and been mostly successful, but for her to still be doing stuff like this and being a bad girlfriend to Tom and spontaneously deciding that she hates magic and needs to get rid of it no matter what happens to magical creatures and such after sheâs supposedly grown so much just seems counterintuitive and bad. Like I swear Starâs my favorite character (bet thatâs a surprise with how much Iâve talked about Marco this post) but sometimes itâs so hard to like her itâs annoying
Mina lived. I mean what was the point of that? Sheâs not gonna learn to not be racist towards monsters and it looked like she got pretty killed by the unicorn in the magic dimension so like. Whatâs the point of her coming back
All the cruelty towards unicorns. I mean, the firstborn DIED. We saw her SKULL. What the F*CK thatâs messed up! And the other unicorns died too, and the dark one also disappeared except for its skull. What was that about?! Were we supposed to just not care bc theyâre made of magic? Bc if so that didnât work
No but seriously itâs so messed up that Starâs unicorn daughter DIED and we saw her SKULL and itâs just treated as a joke what the hell that unnerved me sm
It was very anticlimactic how there werenât any real challenges to the Butterflies destroying magic. Neither Mina nor the evil unicorn got anywhere close and for the series (not just season but SERIES) finale, you would think thereâd be more of a final fight, and more tension/suspense so the final payoff seems more satisfying. Idk I just thought it went way too fast, especially for the actual end of the show. I thought the full time should be used for fighting Mina, not starco development (and I say this as a person who likes starco)
The cheek marks being gone. I know it makes sense with the plot of getting rid of the magic, and because mewmans were originally just humans, but since I didnât like the magic-being-deleted plot line and because I have some sort of sentimental attachment to the cheek marks apparently, I donât like that theyâre gone
The uncertainty towards Tom/most characters from other dimensionsâs fates. Again, I like starco, but even the most die-hard starco shippers probably think that the way characters who werenât Star or Marco were just written off was unsatisfying, right? In particular, Tom deserves WAAAAAAAY better than he got. And Kelly, is her dimension merged with Mewnearth? Was the vision Ponyhead was describing actually what happened to her?
#ok ok Iâm gonna end this now before i think of more stuff this is already too long#might come back if i remember anything else but for now Iâm done#basucally even though there were a lot of things i liked it was underwhelming#svtfoe#svtfoe spoilers#personal
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Revisiting EMP - yay or nay?
Gathering my thoughts on TST.Â
First, I want to say how much I *loathe* the âredemptive Maryâ arc and explain why itâs so wrong, because I see a lot of casuals accepting it at face value.Â
1. Mary shot Sherlock. He literally died. Only superhuman love for John Watson brought him back from the dead.
2. She would have shot him again at the empty house if her face wasnât plastered on the building.
3. It was never explained WHY she shot him. To keep John from knowing about her secret identity? That justifies killing your husbandâs bff who has offered to help you out? Similarly, we never see her apologize about it or justify it except as sheâs dying. âOh, so sorry I murdered you that one time.â
4. When Mary shoots the coin sheâs a bit off -- meaning perhaps she really did intend to kill Sherlock but âmissedâ by a few milimeters? There are other explanations for who called the ambulance (my money is on CAM).
Then at the end of HLV, and all of TST we have Sherlock, Mary and John basically acting like none of this happened and everything is fine. We get AGRAâs backstory and hey, itâs not all that bad. Sure AGRA, the team, âdid things for moneyâ, which probably meant bad things like assassinating innocents too, but heck, Mycroft used them so they couldnât have been that bad. And Mary did try to leave that life behind. etc.
If this were HONESTLY going to be left like this, with Mary as the redeemed hero, Iâd hate this show to my dying breath.Â
BUT IF MARYâS REDEMPTION IS ALL BALONEY FUZZ, WHAT ARE THE OPTIONS?Â
OPTION #1. TST all happens âin the real worldâ of the show but itâs all a deliberate trick. Mary is really evil.  This would have to mean:
1. Mary deliberately played the role of âheroâ and sacrificed herself in order to permanently separate John and Sherlock. Mirrored with Emelia Riccoletti. Maybe Mary was already dying so âshe made her death countâ. But yet -- didnât she just give birth like 6 months ago? Wouldnât her doctors then or, you know, her HUSBAND doctor, have noticed if she was deathly ill? But maybe itâs a secret twin? Letâs move on....
2. Somehow, probably during TFP, Mary will be revealed as the ultimate villain. Mary must actually be dead, because I canât buy that everyone in that room was in on it or wouldnât have noticed it was all fake. So weâll get some new posthumous backstory on Mary that shows she was a villain all along and never loved John at all but merely hooked up with him to hurt Sherlock. Or possibly Mary is a twin and one of them died but the other will show back up at the end. (âItâs never twins.â)
In this scenario, we get Mary finally revealed as a total psychopath, the answer to Moriartyâs âBurn the heart out of youâ. (with Mary as either Moriarty or his minion), and John perhaps confesses that he wasnât happy with Mary anyway.
But we still have Sherlock being SOOOO blind for ages and ages, and John acting like... what? Why would he go back to her after she shot Sherlock? At all? Â So, this option is problematic. Itâs still possible, absolutely, and Iâd say itâs the most likely scenario. Because Iâm coming to accept that MOFTISS are willing to sacrifice logic for drama. But still pretty unsatisfying. John continues to just be a victim and have no agency. And I can see that âSherlock is blinded by sentimentâ but that badly and for that long? Ugh.
OPTION #$2: EMP.Â
None of what we saw in this episode was ârealâ but it was only a âone possible futureâ projection from coma-Sherlock. This solves the ridiculous âredeemed Maryâ arc.Â
In favor of EMP:Â
* Lots of inconsistencies in TST like characters and things being mirrored on screen for no good reason (Sherlock on the stairs when Lestrade and John are taking the piss, John and Mary in bed, the door in the Watson flat).  Alternative explanation: These are deliberate artistic choices to tell us subconsciously that âsomething is wrongâ, that weâre not getting a reliable narrator. Instead of EMP it could just be telling us that Mary is lying or Sherlock isnât seeing things correctly.
* We have little lines of dialogue changing like âMummy is comingâ vs âIâm comingâ. No idea what an alternative explanation is.
* Jumping in front of a bullet? Like seriously? Thatâs as stupid and unrealistic as the delayed action stabbing.Â
* Thereâs the weird water/MP imagery the first time Sherlock notices the statue of Thatcher bust and a few other times. Alternative explanation: itâs another one of the showâs âvisually demonstrating something happening in Sherlockâs headâ that heâs noticing something is wrong (the shark/Mary/Moriarty) but doesât fully understand yet. We had tons of this sort of thing in ASiB. So it doesnât necessarily mean EMP, but itâs suggestive nevertheless.
Against EMP:
* Iâm frustrated with the apparent writing inconsistencies if this is all EMP. We see so many scenes that donât include Sherlock such as Lestrade and Hooper in the hall, John and Mary in their flat, Maryâs New Jersey woman bit on the plane, Johnâs flirtation with bus lady. Letâs say Sherlock is imagining this entire episode -- then some of those feel very OOC to me. The whole âgingersnapsâ scene at the start. Why would Sherlock imagine himself as that much of a buffoon? The infidelity. Sherlock might guess that John would be unhappy with domesticity and might fall prey to temptation with some random woman. I can see that. But the whole thing with the flower in Johnâs hair feels too much of a âreal dadâ moment for Sherlock to dream it up. Then thereâs the scene on the plane where John is feeling guilty remembering his affair. That feels more like a true John moment than something Sherlock would imagine about John. Thereâs the little parenting convo between John and Mary about 666 and the Omen and all that--that felt like something only real parents would be exhausted/exasperated enough to say, not something Sherlock would imagine new parents to say. Or we have John and Lestrade teasing Sherlock about the baby and Sherlock being clueless. With some of these things, itâs difficult for me to believe that the character of Sherlock would imagine them in his head --they seem outside his realm of experience not to mention why he would BOTHER imagining such things on this future path that are so mundane and donât directly affect him or the mystery. So that remains my strong bone of wariness about EMP.  Alternative explanation: Moftiss simply arenât that bothered about being consistent with Sherlockâs dream narrative and just want to to have fun showing this âalternate pathâ.Â
* I think people will lose their shit if this turns out to all be a dream. Â In Dr. Who they let the audience in early on to the fact that it was a dream. So then youâre always thinking âis this still a dream thenâ? Like, TST would make so much more sense to me as a dream if theyâd interspersed little bits of John sitting at Sherlockâs bedside or even ANY bedside (keeping it cryptic). I honestly donât feel like theyâve given us enough SURFACE CLUES to set up EMP for the general audience. Like, not just flipped cameras and shit, but bigger, more obvious things. Like in TAB when the entire room shook and then theyâd break back to the âreal worldâ, or characters were saying things like âyouâre in too deep, you need to wake up!â That sort of thing was just not present in TST. And I think the fact that itâs not there is really significant.Â
* The birth announcement in the paper. I know many dismissed this as just being PR, but Iâm still disturbed with the idea of non-Sherlock characters breaking the 4th wall about the baby and Sherlock being on the phone all the time (i.e. not in a coma) if Sherlock is actually in a coma dreaming all this time.
At this point, it seems like BOTH option 1 or 2 are problematic and have some major story holes. Â On the other hand, if neither is true, and Mary retains her redemptive arc til the bitter end, I will stick a fucking fork in my eye.
Thoughts welcome.
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