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lost in soulless city

Hello 👋, My name is Momen Al Madhoun / I am a digital artist /a father of two children " Ezzdeen & Amir " I live in Gaza City in the heart of the Genocide, working tirelessly to amplify my voice to the world through my artwork.

I want to say thank you a lot. Your donations helped me improve our displacement conditions. But my family still needs your contributions to keep going We rely on you, you are our hope for survival.

🌟 Our campaign is vetted by 🇵🇸 @/gazavetters List at #291

Gofundme Campaign Link

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the asahinas are so pretty

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my favorite part abt them is that THEY FUCKING LIVE TOGETHER

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dc comics fandom is like if goncharov (1973) was a real movie but people did all the "making stuff up about it!!" anyways and if you tried to talk about the contents of the actual movie people would call you an elitist snob and gatekeeper

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light up the fire

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do u think prsk writing is good?

it's inconsistent. sometimes it's pretty good, sometimes it's not so good. this is something i would like to go way more indepth on but i don't think i'll have the time for a while, but i'll outline a few things here.

honestly early events are much stronger than some more recent ones. partially this is preference on my part due to preferring more character driven stuff which most early events were, but also in general the writing was much higher quality.

most year one events had a very strong sense of flow between them that has been lost over time. while events usually revolved around one character's issues, they would introduce aspects of the other characters and their issues which would be focused on later. if you read wonder halloween you'll notice there's foreshadowing for emu's arc across smile of dreamer and wonder magical showtime. this is partially because of the fact the events were so early on. we weren't as familiar with the characters as we are now and we were also new to the plots. you can also see how much more cohesive stories were back then as well because of there being way more mixed events marked as key story, like twilight parade and sakura for ln and picnic for n25. while most events still pick up from where the previous left off the sense of flow for most units just isn't felt as strongly as it was going through, say, l/n arc 1.

it also in some ways feels like the writers had a much stronger vision for early events than they do now, though distribution meta may come into play a bit. first arcs were the ones planned from the getgo. this is what they had already planned ahead for by launch. pretty much everything past year 1 was written after the game launched. we know they have a clear end, and it's evident they also had a clear start. we're currently filling in the middle and some events really feel like there's a slight lack of vision for the middle. vbs is a good aversion what with rad weekend having happened (aside from arata and souma's arcs lmfao), but other units and characters feel shafted.

to add to that last point as well as distribution meta. tsukasa5 is arguably one of the hardest hit. what seems to have happened is that they needed a second wxs event to focus on daigo's troupe, and tsukasa is the character who is most fitting for that troupe's speciality. unfortunately in order to come up with the actual plot, they had to retcon elements of tsukasa's character. tsukasa5 overall is probably one of the worst written of the recent events. it's really rough and doesn't make sense in some parts. it truly just exists bc they needed a wxs event with daigo and a wxs event in that slot.

kanade is another character who got hit hard. while she had the white day event in 2024, she was heavily shafted in terms of n25's story due to the focus being on mizuki and ena for half the year. mafuyu and ena's events were also very focused on them as individuals, leading to kanade getting like no character development for a year.

for non-2024 examples the 2nd arc enders were a mixed bag. step by step is very clearly a shoe-in because they needed to pad for time. retie functions perfectly well as an arc ender and reads like one in a few places, especially near the end. while minori had some good moments in this event it honestly feels like a mixed event. hell look at the banner card. shizuku and airi are also only in this event for a few lines of dialogue it's really rough.

oyf is incredibly rushed and tries to wrap up way too many loose ends from lutf. it feels like this arc was cut short, and you can really feel it in arc 3 when all the loose ends that still existed after oyf get their proper conclusion. side characters barring kotaro excluded, tatsuya and gurney flap had the shittest resolutions ever (tatsuya is also. barely a character lol). kohane had some good moments here, but other than that it was a really weak event.

same can be said for ohe they really needed more time and it's painfully obvious considering how much foreshadowing they did with rui only for... him to get one chapter in an emu event. there's some other things that really make this feel like it was meant to be rui or be two events one rui one emu, like the travelling troupe show. remember when rui wrote that show about his life and wxs rewrote it to show him he had a place with them. clpl doesn't. obviously it's always been important to all of them but it's significance to rui specifically has always been highlighted for obvious reasons. hell it was even mentioned in wxs first live like a couple weeks before this event dropped. while again this has good emu moments and good wxs moments it's painfully obvious at points that this was either a rui focus at one point or they combined two events. i wonder if part of the reason for that is because they realised that rui graduates at the end of the next arc so "wxs disbandment arc 2" (tentative name) will probably be more centered around him, especially with asahi's return looming over the story, and they didn't wanna make it seem like they did the same character arc with him twice.

sayonara persona and starry song are fine.

clpl really fucked themselves over with wles and the event schedule lol.

another issue with the writing from a technical standpoint is that recent events have really obnoxious exposition. listen i know we all make fun of people who only read chapter 1 and 8 of an event but did you know that actually works. you can sometimes even just read chapter 8. there's this need to constantly remind the player of stuff that happened earlier on in the event, sometimes in gratuitous detail, and i can understand why this might be necessary for the really long events like lutf or curtain call, but most events since 3rd anni have been under 1hr 30, in most cases just over an hour. the player can retain significant events that happened in the previous chapter. we don't need it constantly explained and it can actually make the audience less engaged if you constantly treat them like they don't understand what's going on. even for a game aimed at the tween/teen demographic you don't need to handhold them through the story. while yes younger audiences won't have the same literacy as an adult you should also trust that they can follow the basic story and read into basic subtext (honestly prsk is usually fine with subtext this is just an example).

"outline a few things" my ass this is pretty much everything i wanted to say. i do games writing next year and i think we cover VNs so maybe i can provide more insight then if the blog isn't dead.

(obligatory i'm not saying you can't like the events i outlined here i'm just saying that from an objective standpoint they're not the best. doesn't mean you can't find enjoyment in them. like whatever you want i'm not here to dictate your opinions)

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1月8日0時より「HAPPY BIRTHDAYライブ 志歩」を開催🎂

当日バーチャルライブに参加すると、限定称号��限定スタンプを獲得することができます✨

※限定称号および限定スタンプは再登場する可能性があります ※詳細はお知らせをご確認ください

[Google Translated Vers.]

"HAPPY BIRTHDAY LIVE Shiho" will be held from 0:00 on January 8th 🎂

If you participate in the virtual live on the day, you can get limited titles and limited stamps ✨

*Limited titles and limited stamps may reappear *Please check the announcement for details

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World’s Finest, Part III Superman: The Animated Series

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they got banned from playing games on the batcomputer

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drew VBS as solo CD covers!

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Dick Grayson, I love you Dick Grayson. Like I really really really really really really really really really really really really really really really really really love you

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i'm gonna be honest i don't get why they say everypony instead of everybody in mlp. it's not like the word everybody is human-specific. the ponies have bodies. the word everypony, however, is pony-specific in a world where ponies are not the only people in their society, which means it would be more accurate and inclusive to use everybody instead of everypony. it all makes no sense to me

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Managed to finish one more piece of animation before the new year! Part ?/??? of my Super Sons anim project, based on Superman #10 by Peter Tomasi and Patrick Gleason.

To anyone who's read the comic: why yes this DID get away from me when storyboarding, but I was having so much fun.

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is this anything

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konton boogie woogie

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holding space for this song about holding space for the lyrics of Defying Gravity

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“He would not fucking say that” is a Schrodinger’s phrase when it comes to Batman. There is probably Batman run where he would say that. There is also probably a run where Batman would kill the other Batman for saying that.