#and like three lines in the first books

[octoir]

tomarry hot take: I actually don’t think Harry would even come close to defeating Tom in a duel

I think he COULD come close, with extreme levels of training and practice, but that classic “step into DADA and whoop Tom’s ass” scene? guys…I have something to confess.

Tom’s a fucking nerd.

he’s studied and practiced dark magic for years. he’s canonically regarded by DUMBLEDORE as the most brilliant student to ever walk through Hogwarts. Tom would DESTROY him.

imho the real fun of tomarry comes from the subsequent arc of Harry training to defeat him, and then actually coming close, and THEN Tom starts to become intrigued bc who the fuck is this semi-competent little shit?? and why is he now thinking about him all the time??

[feroluce]

I've been yapping at a new friend a lot lately about Boothill & Rappa; she described them as "sidekicks in chaos" and! Yes! Finally!Someone else gets it! They're SO cute and so sweet, I adore them. They speak so highly about each other and they have a lot of respect between them! I love them being friends!

With the way Rappa calls him Lord (vs Ninja for everyone else) and how much she openly admires and mimics him, I'd like to think Boothill was the one that showed her the ropes when she was first brought into the Galaxy Rangers. Mentor/mentee and teacher/student are too strong of labels for how I see them, though.

Rappa and Boothill are like a college senior taking the new little freshman under their wing. Or the much older and more experienced coworker trying to look out for the fresh-faced little newbie who's just entering the workforce.

As for how they met and became friends in the first place, I like to imagine it was a case of Boothill's soft heart and being unable to turn a blind eye to things. ☆

Like Boothill wasn't on the mission where the Galaxy Rangers found Rappa, he was off on his own Hunt at the time. But given that the Galaxy Rangers have a leader (La Mancha) and they do seem to have some kind of organized efforts, I wonder if there's any kind of secret hq, or at least certain places where they tend to congregate, like how the Masked Fools have their taverns. Anyway.

Boothill maybe sees Rappa for the first time at one of these hqs (he came back when he heard there'd been a major breakthrough with Dr. Primitive). Or he maybe just happens to run into that Galaxy Ranger from 2.6 that initially found her, who then just. Wasn't really sure what to do with her after the raid. Boothill walks in all these Rangers sitting around like "well now what" because none of them actually expected Rappa to survive the memetic virus. Honestly, her brain should have fried.

Either way, Boothill comes across her by total coincidence. But I think he'd have a lot of sympathy for her because like. Aeragan-Epharshel had been an uncontacted planet before the IPC came around. And since they were there to fuck the place up, they definitely didn't expose the natives to the rest of the cosmos. To say that Boothill "left" the planet is a massive underestimation- he didn't just leave, he escaped. And when he got out, he was completely alone, with very little idea how the rest of the world worked or how to get by.

And right now, Rappa is much the same.

She doesn't know anything beyond the lab she was held captive in all her life. There's no way they would have allowed her to learn that kind of stuff, and I'm sure Kucha wouldn't have told her out of kindness. It would be cruel to taunt her with things she couldn't have.

So someone needs to teach her The Ways of the World! It's just a matter of deciding who.

Boothill: ...What're you morons doing.

The Rangers, in the middle of a very intense rock-paper-scissors tournament:

And Boothill likes these people. He really does! ...Ok, except that one guy. He's kind of a prick. But the rest of them are at least mostly decent! But he wouldn't trust them to keep a pool, let alone a whole human being. If he lets this girl go with any of these dumbasses, there's no way she'll make it. So Boothill smacks them around a bit and announces fine, he'll show the new girl how to be a Galaxy Ranger! If any of them have a problem with this, feel free to make complaints to his revolver ☆

Rappa watches all this go down with stars in her eyes, because Boothill is just like the heroes in her manga! Wow! So cool!

(When it came time to actually leave though, Rappa made some sad eyes at the Ranger from 2.6 that actually found her- for better or worse, she got a little attached. The Ranger told her to go on! Go! Just get out of here!

It's very important to imagine this like a movie where the kid frees the wild animal they bonded with skhzksksjk)

Afterwards, Boothill does actually take Rappa aside and ask if she even wants to be a Ranger. If she doesn't, it's fine. The Galaxy Rangers do a lot of charity work, and everyone knows someone who knows someone who knows someone. They'll find somebody that can help her figure things out and get settled. She can have an actual life now.

Rappa gives a passionate speech (that Boothill catches about 50% of sdlkfjasdl) about how she wants nothing more. She'd wanted it before she even knew the name for it. This was what she'd dreamed of, laying across the bed in Kucha's room, reading through his manga collection for the nth time.

Kucha isn't with her anymore. He'd died just to get her out of there. But she can take the opportunity he gave her and make the most of it. She can still keep her dream alive.

So yes, Rappa wants to be a Ninja Hero. Please teach her!

(Boothill: Bein' a Galaxy Ranger ain't easy shirt. Ya gotta be able to hold yer own in a fight. Can ya even do that?

And then Rappa fucking suplexed him and Boothill was like ok so the first parta bein' a Galaxy Ranger is- JSJJSJDKSK)

They're mentioned together so much outside of the main game, too. So I'd like to think even after Boothill passed on to Rappa all the street smarts he could, they still remained pretty friendly, and make the time and effort to meet up whenever they pass nearby. They just ended up getting along so well!

Like no, they don't see each other very often. They're each on their own separate Hunt. Galaxy Rangers still largely work alone. But they're the kind of buddies that can still happily greet each other the same even after months of not speaking. ♡

(Clutching my heart imagining Boothill telling Rappa she is now a full-fledged Ninja Hero, and she is now strong enough to make her solo journey! But he does give her his phone number. And he tells her that if she's in trouble- like real, real bad trouble- call him. Call him and he'll come runnin', to any corner of the galaxy, ok?)

[redbootsindoriath]

Welcome to I-just-realized-that-I-only-posted-4-times-in-the-whole-of-last-year. I was largely uncreative throughout 2023 and 2024, unfortunately, but I think I've finally compiled enough stuff for a short queue as a sort of apology to you guys. A lot of the art is over six months old, some of it from more than a year ago, which means I get to dust off my backlog tag again.

A majority of the queue is going to be stuff from my own original works, which I am aware is not the reason most of you guys follow my blog, but alas, the artist must be a slave to the muse. Last month I picked up writing again more than 5 years after setting aside my main writing project, so there's been a lot of character design and other worldbuilding taking up most of my free time lately. Which is exciting for me, but I know it's nothing compared to Tolkien's legendarium and I apologize for that. Unfortunately I haven't worked on much Tolkien stuff for quite a while, which is going to make this a very unusual and jumbled series of posts with artwork from all across the board. Some of it is going to be unfinished in a big way: stuff I meant to share here when it was done but never got around to finishing.

First post should be up tomorrow at 11 a.m. GMT (I think), and then one per day at that same time until the queue runs out.

[kyouka-supremacy]

(╥﹏╥)

[ackaff]

Hey its okay, The deep sea is a haunted house: a place in which things that ought not to exist move about in the darkness, okay?

[asexualsimonsnow]

A few people in the tags on my Agatha romance plot line poll are voicing the same sorts of thoughts I had. I did not like her romance plot line because she had all these lines in the two previous books that, to me and many others, were implying her aromanticism. To have a chapter from her POV where she expresses feeling broken due to a suspected inability to feel that type of attraction only to later have this “resolved” by her finding the right person was extremely frustrating and disappointing.

Even beyond an aro reading of the character, it’s disappointing to see her coupled up at the end of the third book. So much of the first book was about subverting the expectations that come from these types of stories. One of these expectations seemed to me to be not just that the chosen one gets the perfect girl, but that all the characters are neatly coupled up by the end and have romance as a part of their story. In the first book not only is Agatha not with Simon, the chosen one, her supposed destiny, she’s not interested in coupling up and fulfilling that expectation placed on her by the world in which she lives and by the type of story she inhabits, at all. It feels like backtracking on her character growth to watch a romance play out for her in the third book.

[visenyaism]

I mean I’m salty that they cast the Velaryons as black people and proceeded to reduce Laena’s role even more than what it was in F&B and gave her entire relationship with Rhaenyra to Alicent so-

Like you’re not wrong but there’s valid reasons to call HOTD bad too.

yeah how they treated the velaryons even worse than the books after casting them as Black was easily the show’s weakest point it WAS bad i won’t argue with that. I more so mean when people call the entirety of the show like writing cinematography acting objectively wholly terrible now when everyone was cheering for it last year is weird to me

[lunarflare64]

Jesus fucking christ read The Lady's Handbook For Her Mysterious Illness

[bigcats-birds-and-books]

Books of 2024: THE WAY SPRING ARRIVES AND OTHER STORIES, edited by Yu Chen and Regina Kanyu Wang (feat. first daffodils!!)

I've been pining after this one since the hardback released, but I'm more of a paperback person so I Waited, and in my Waiting I missed the seasonal alignment to start reading it (come on: I can't be expected to read a collection with this title any time except at the very beginning of spring, right??). But! Guess what!! Spring is once again Arriving, and things are starting to bud and bloom, and I love that!

[sunset-peril]

Here we go! A 20K word story for your weekend enjoyment. I tried to remove all the typos from the original publication, and I changed a few things around. Let me know if typos/inconsistencies exist.

Technically a sequel to Trial of the Zora Armor, but I think it can be (at least mostly) read without reading Armor first.

[aldieb]

ok foreigner is over for me on book 11. bren cameron you will always be famous but i opened deceiver and was immediately thrust into a detailed objectively written recap of the intricate politics underlying the last book. the jacket copy doesn’t even catch up with what’s happening in this book until you turn to the right flap. bro who is reading this not for the alien anthropology and family drama

[cdaae]

Case in point about quality/people eating it up, the aforementioned author posted two snippets of her book where the story hasn’t even started yet but there’s a missing word and a typo because she seems to think she’s beyond needing an editor. Mistakes happen but come on. In the first sentence of your dedication? Maybe other people don’t mind but it’s not a selling point for a book to me and believe me, the rest of the book is like that too. Every bit of it I’ve ever seen has had an issue, from typos, to missing words, to character name continuity.

[tearlessrain]

please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!

gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.

SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:

diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.

non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.

the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.

now, on to how I apply this to bdsm in fiction.

if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.

if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.

this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.

it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.

but yeah, spontaneous writer plug aside, that's what I mean.

[catbolt]

Sylus is attentive, extremely so. Nothing about you is secret from him, whether you wish it was or not. Since you've been together, you've found yourself a victim of his control-freak tendencies— the fact your location, step count, heart rate, and apartment security cameras had all become his personal business was something that took a while to get used to. He's respectful as he can be about it, regularly reminding you he does it only to make sure of your safety and always coming clean whenever he's been snooping. Over the months you've grown to find it endearing instead of creepy, because it makes crystal clear how he simply cares so damn much about you.

You can't hide from him, even when you want to the most. When you're holed up under the blankets in the dead of winter, the shitty weather and 4pm sunsets bringing out the worst of your depression, he texts: "Sweetheart, 150 steps? Am I reading this right?"

You cringe, wanting to disappear. "Stop tracking me," you respond back.

"Have you not gotten out of bed?" His follow up text comes in immediately, and then those three dots pop up on your screen again. He's not giving you a chance to respond with the "I'm fine" he already knows you've halfway typed out. "I'm coming over. No questions asked."

Before you know it he's at your door, making himself at home without asking, his care quiet and efficient. Mephisto keeps you company in bed, chirping and whirring on your nightstand as Sylus busies himself tidying the apartment. After a moment, Sylus brings you a glass of water, toothbrush and toothpaste from the bathroom, a hair tie— little things that make you feel a bit more like a person again.

He then slips into bed next to you, helping tie your hair back into a neat ponytail as you demolish the first glass of water you've had all day. You give him a wordless, grateful look.

"You know, I won't think you're weak if you ask me for help," he murmurs gently, his voice gravelly and tender. He squeezes your shoulder.

You want to tell him that you know, but that it's just really hard. He gives you a warm look that makes you feel like he's just read your insecurities like a book, his hand slipping into yours beneath the blankets. He intertwines his fingers with yours.

"This is why I keep tabs on you, sweetie. I need you to know that I'll always be here."

[A/N]: this a combination of some similar requests and an expansion on one of my sylus headcanons! if you sent a request along these lines hope you enjoy :)

[weggebobble]

try as they might, and they will try, they will never successfully franchise-ify dune. there's twenty four books. there's six books. four of them are good. the four good ones are good because every plotline is attached to three separate subplots all intertwined in a delicate braid. if you remove any plotline the whole thing collapses. every character has a mirror and a counterpart and a narrative foil. dune family trees look like the back of a tapestry. the final line of the first book is about how being a concubine is good actually. dune adaptations are not supposed to be marvel movie posters filled with actors you recognise, every character should be played by some unknown little freak. the longer the series goes on the more it becomes about politics and economics. about 40% of each book is internal monologue. at its core it's space wizards versus bdsm warriors on cocaine planet and trying to deny that is rank cowardice.

[nereidprinc3ss]

fixation

in which you love spencer reid's hands so much you could... well, you could practically eat them. or at least let him put his fingers in your mouth.

18+ (fluff, suggestive) warnings/tags: finger sucking...lol....., established relationship, ummmm d/s adjacent dynamics, like softdom spencer but there's no sex, pet names, teasing a/n: this was inspired by @gublersg1rl who said 2 nights ago she would suck spencer's fingers as he was reading a book. my beautiful angel with so many great ideas in her beautiful head. anyway this will not be my magnum opus in terms of quality but its just a fun short little thing I hope u like :D

Spencer is reading. 

He got home forty five minutes ago, and he’d hugged you and he’d kissed you—and they were good hugs and kisses, but as you sit curled on the opposite end of the couch from him, watching him read, it doesn’t feel like enough. Three days isn’t the longest he’s been gone, but you missed him like he was gone longer. And now, he’s not truly ignoring you—but he’s not giving you enough attention. It’s unintentional, but it’s making you feel all kinds of needy and overly-affectionate anyway. 

Especially when he’s so gorgeous. Ankle crossed over knee, lithe fingers skimming over the page to keep track of his place. Those hands are truly distracting. It’s unlike you to be struck by such wildly inappropriate thoughts so out of context, but here you are, having been without him for days, practically feverish on the couch as you imagine all the things they could do. All the things they have done. The way they've traced down your bare spine, up your side, so lovingly in the middle of the night... how they've touched you elsewhere...

And... that's enough.

Despite the whole committed relationship thing, you still feel a bit scandalized picturing him like that. And you know from experience these thoughts will only get worse if you stay over here, staring at him, wanting him, so you crawl across the couch and under his arm, settling your head in his lap and looking up at him expectantly. He chuckles—a quiet, dry thing, that says he’s only partially surprised by your behavior. 

“Well hello,” Spencer says, taking one hand off the book to settle on your leg. 

“Hi.”

For a moment he just studies you, affection seeping into his eyes along with the humor already there. “Can I help you?”

“Mhm.”

His brow darts up. 

“With what, baby?”

Baby. Your whole body tingles. He only calls you that when he’s feeling especially soft toward you and your whims. In turn you soften, and you both become rather mushy. 

Unfortunately your brain is not excluded from melting, and you look up at him helplessly. 

“Um…”

Spencer’s hand falls from your knee, taking an unnecessary but appreciated route down your thigh and up your stomach before settling on your cheek. He brushes away a few baby hairs before two knuckles begin drawing soft lines from the corner of your mouth up toward your ear and back again, and your stomach becomes a hail of butterflies. He’s got this soft smile on his face and you love him so much and he’s so sweet and perfect, you could just—

You’re not thinking very clearly when you tilt your head, angling your chin up until you catch his fingers against your lips. His eyes remain on yours as he traces the shape of your mouth with those same two knuckles—until you’re slowly parting, obstructing his path and offering a very different kind of invitation. Spencer’s eyes narrow fractionally and you watch the way his focus changes, the way he only tests the waters at first, letting the tips of his fingers trace the length of your bottom lip, before barely tugging down just enough to feel the soft warmth of the border of it. They skate over the ridge of your teeth and find the tip of your tongue, at which point you can’t help from closing your lips around his fingers, eyes fluttering contentedly as you draw them deeper into your mouth. His brows draw together, and those pretty pink lips part soundlessly like you’re the eighth wonder of the world in a way that has your thighs clenching. You hear the book shut and fall carelessly to the side table. He doesn’t even bother saving his place—too busy bringing that newly freed hand to your hair and combing gently against your scalp. 

It’s strangely calming to have him like this—he’s undeniably with you, undeniably close, against your lips and tongue. All your worries about his distance dissolve and you feel incredibly comforted. With his other hand, his thumb begins stroking a line from the bridge of your nose up your forehead, and you could pass out. 

“Comfy?” He asks after a long moment, slowly withdrawing his fingers from the heat of your mouth. You pout. 

“I was.”

Spencer hums, eyes soft on you. “I don’t think I should be nurturing your oral fixation, angel.”

“You didn’t like it?” You challenge, turning your head inward to nose at his stomach. He  cups your cheek with damp fingers and pointedly turns your head outward again. If he wasn’t so blushy and flustered and cute you might’ve cared more about the feeling of your own spit on your skin. 

“Don’t make it about me.”

You allow a minute to pass in silence. 

Fine.

“I liked it,” you say shyly. 

Spencer’s response is deeply fond as he smiles down at you. “Did you?”

Like he couldn’t tell. 

“Mhm. You should let me do it all the time.”

His smile flickers wider the way it does when he’s about to tease you. 

“I don’t know if you deserve it. I don’t know if you can be good all the time.”

You make a face. “Shut up.”

“Is that what we say when we want something?” Before he can pull his hand away, you nip at his fingers. He laughs. “You’re off to a terrible start. I think you need to work on your manners. Not bite the hand that… goes in your mouth.”

“Is that the saying?”

“I’m pretty sure,” he nods sarcastically, helping you up until you’re sitting across his lap. He lovingly tucks hair behind your ear, eyes warm as they flit across your face up close. “You know, that was incredibly unhygienic. So much bacteria it boggles the mind.”

“Yeah? That kinda turns me on.”

Spencer leans in to kiss you sweetly, choosing your mouth over his worry about bacterial transmission. “You are so psychologically concerning,” he whispers against your lips. You sling your arms around his neck. 

“Because of the bacteria thing or the oral fixation thing?”

His hands settle on your hips. “Both, lovely. For so many reasons.”

It’s only another tease, but you pull back anyway so he can see the full force of your pout. “Don’t say that. It’s mean.”

“I was kidding! It was a joke. I was joking.”

“It was mean.”

“Okay,” Spencer begins, patient and happy to untangle this ridiculous snag if that’s what it takes to make you content again, “Freud’s psychosexual stages of development are contentious at best. I’m not worried about your oral fixation because I don’t really believe in such a thing. I was just teasing you, but I’m sorry I hurt your feelings.”

“So you’ll let me do it again?”

Spencer pulls you back into another kiss. 

“You’re kind of insatiable, you know that?” 

When you don’t answer, only wait for him to respond, he sighs goodnaturedly. 

“You know you can have any part of me whenever you want it.”

You give him a winning smile and kiss his cheek in reward. 

“You’re so nice, Spence.”

“I thought I was mean.” 

“Now you’re nice.”

“Because you got what you wanted?” You nod enthusiastically. He seems not quite as thrilled, though perhaps distantly amused by his own helplessness when it comes to you. “Yeah, I feel like that happens a lot, doesn’t it?”

But it clearly doesn’t bother him that much. He’s still smiling when you kiss him again.