#and kickstarting the plot of the show

[purpleshoenickelhuman]

Rewatching Dark on Netflix and the sudden realization of the "no little german boy dont go to the weed cave." Shitpost meme is actually relevant to the plot is so fucking funny to me lmao.

[purplecatghostposts]

Lying on the ground… when will my son (Félix) return from the war…

[seasicksilver]

cringe ass

[mistninja]

I would have called the trilogy "The Unexpected Son" instead of "Fitz and the Fool" but i think we can all agree hobb isnt good at titles. Which is wild considering the important role that names play in the story

[bluegiragi]

ok im going to be brave and not be on anon for this because i need to send screenshots as i rave about how INSANE ABOUT THE REDRAW IS. IM NOT OKAY. HOLY SHIT IT WAS SO GOOD. i went frame by frame to compare and im losing my mind because the two year improvement is so OBVIOUS and im like. balls to the walls insane. (i hope this was okay i'm so normal i swear but this was just SO COOL. and showed so much growth i need to speak about it because it was so cool and i was very inspired hi) first off, i didnt even REALIZE it was a redraw. the original was just that good in my mind. i saw it, saw your style and didnt even QUESTION the jump in quality cuz "ah yes ofc thats always been how i saw it in my head" anyways. i have things im literally clawing at the walls for. first things first! GOING INSANE AT HOW OBVIOUSLY YOU IMPROVED IN ANATOMY UNDERSTANDING

LOOK AT THIS. THIS IS SO COOL. THE DETAILS. THE IMPROVEMENT. THIS IS SO INSPIRING. IM GOING INSANE. when i read the og i LOVED the way the hands moved, but the change makes so much SENSE. i love how theres less tension in the redraw, it feels like he's being casual about it. he's calm, he's not kickstarting his engines like he's eager to rock konig's shit!!!! his body is more serious and relaxed, it feels less flirty and more a genuine lesson he wants to teach konig to help the guy out again, the ANATOMY UNDERSTANDING!!!!!

improvement goes SO hard im staring im staring im staring but also haha i see that you drew the right hand this time its not cut off heehee BUT ALSO THE BODY LANGUAGE. in the og he doesnt look tense he just looks uncertain, in the redraw he looks like a startled meerkat standing at attention and again AUGHHHH IT MAKES SO MUCH SENSE IN CONTEXT OF THE PLOT HERE. CUZ YEAH HE JUMPED TO ATTENTION WHEN GHOST CALLED HIS NAME YOURE SO CORRECT IM GOING INSANE AT HOW YOU MANAGED TO CONVAY THAT IN THE REDRAW. but also slay you kept his slutty little waist yippee we never stray far from the source material HUIEHFDIEURFIER ugh i LOVE the soap redraw

in the redraw they feel so much more weighted and aged and grounded and im clawing at the ground CUZ WHOA LOOK AT THAT JUMP IN UNDERSTANDING AT LIKE THE PLANES OF THE FACE AND STUFF WHOAAAAA YOU CLOCKED IN FOR THESE TWO YEARS I LOVE HOW IN THE REDRAW HE TILTS HIS HEAD UP he looks so SMUG and sure of himself it shows off so much CHARACTER UGHHHH HIS EXPRESSIONS FEEL UNIQUE AND BELIEVABLE FOR HIS CHARACTER also heehee i see hand improvement (slay!) i LOVE the head swivel cuz it feels like his eyes are!! leading!! us!! to where!! we should be looking !! next!!! UGHHHH THE IMPORVEMENT.

it adds movement IT FEELS SO ALIVE!! IT FEELS SO MUCH MORE IMMERSIVE!! SHEDDING REAL TEARS!!! AUGHHHHHHH THE ANATOMY IMPROVEMENT (i scream for the millionth time) but also HEEHEE HAND IMPROVEMENT !!! I SEE HAND!! AUGHH IM SO INSANE ABOUT HOW MUCH THE HANDS IMPROVED THEY CONVAY SO MUCH IM STUDYING HOW YOU DRAW THEM SO HARD

also i saw the redraw and went "heeehee he's so burly omg" before i realised it was a remake and now im insane over how much you beefed him up. thats so real and correct of you actually. OKAYYYYY WE'RE GETTING TO THE ACTION. WOW I HAVE SO MUCH TO YAP ABOUT.

LOOKAT THAT IMPACT. UGHHHHHHH LOOK AT THAT ANATOMY UNDERSTANDING AND HOW IT FEELS LIKE REAL MUSCLE HITTING THE GROUND. UHGHHHH IM SO INSANE THAT LOOKS SO GOOD IT LOOKS SO AUGHDYRYURRJHEHBFHFEVHBEH im doing laps. i love how you hint at existing muscle im studying your art under a microscope. THIS SHOT. THIS PIN. its almost the exact same pose but UGHHHH THE IMPROVEMENT.

i love how theres so much more tension in the way you draw figures. it feels so purposeful. i love the bunching of muscles as they interact with each other and the slight camera angle change that makes you FEEL the weight of ghost pressing down. i love the change in expressions too!! it feels like konig is taking this seriously and actively struggling against ghost's grip and IUGHH i could go on forever but also HEE HEE HANDS!!! HANDS WERE DRAWN!! HAND UNDERSTANDING IMPROVED!!! (i love. so much. sorry i keep pointing it out) THIS. IMPACT. GOES SO HARD UGHH.UHEWFHIUFIUHFRDF. i love LOVE the experience that putting FORCE into the movement speaks to

i LOVE HOW DYNAMIC IT IS I LOVE THE SLIGHT ANGLE OF THE GROUND TO REALLY FEEL HOW IT REELS TO HAVE YOUR FACE SMASHED INTO THE GROUND LIKE THAT hehe i love hand i LOVE hand i love how you draw hand THIS SHOTTTTTT THIS SHOT THIS SHOT THIS SHOT (i say. but i am fully aware ive just been going frame by frame)

I LOVE THE CHANGE IN ANGLE I AM SCREECHING I AM FROTHING AT THE MOUTH I FEEL SICKKKKK. THAT PERSPECTIVE CHANGE IM GOING INSANE ITS SO DYNAMIC IT FEELS SO GROUNDED i love how your character interact with each other and the way you draw the give of flesh and cloth is so :((( IS SO. IM STUDYING OKAY. IM LOOKING. IM STARING SO HARD. but also the redraw really makes you feel what its like from konig's perspective and and how ghost is looming over him and you feel it so much more keenly cuz he feels like he's looming over US (the audience) and and THE COMIC MAKING SKILLS SHOW THEYRE SHOWING THEY SHOW I SEE THEM I SEE THE SKILLS love the weight of his knees hitting the floor. love how CLEAR you made it in the redraw even though it was totally understandable in the og love how you panel things you make it look so easy and i KNOWWW its not and its just so AUGHHH

love the perspective change again love how CLEAR AND CLEAN IT IS TO REALLY FEEL KONIG BEING CHOKED (slay) AND THE NEW PERSPECTIVE CREATES SO MUCH TENSION IN FORM AND ADDS SO MUCH TO THE STORY AND AND i love the slight change in konig's pose cuz he's still trying to break free and in the redraw its like a show of ghost's strength and skill that he's not budging even when konig is making a genuine effort AND AND IM. IM SO. UGHHH ITS JUST DONE SO WELL OKAY. HEEHEE THE HAAANDSSS i love how you posed them a little differently to give the readers clear view of what theyre both doing while still keeping pretty much everything the same

BUT ALSO THE BODY LANGUAGE. in the og (i loved this shot of the og btw it still goes hard) he looks slumped over, it feel passive, its like he's defeated and just letting ghost whammy him into the ground over and over which is real but the redraw adds so much DETAIL AND STORY OKAY ITS SO AUGHHH LIKE LOOK AT THE LITTLE WORD ADDITION I FORGOT THE NAME it makes it feel like he's trying to catch his breath and also like he's moving instead of being slumped over and it shows he made an EFFORT in the spar like lOOK HE'S BREAKING A SWEAT HE DOESNT LOOK DEFEATED IT JUST LOOKS LIKE HE'S STRAINING WHICH HE SHOULD BE CUZ HE'S PARTICIPATING IN THE LESSON ITS SO REAL ITS SO IUERHFIUREHFGIURFGRIUGIU ITS SOOOOOO. but also heeehee ghost is so burly in the redraw i love how you gave him a little bit of pudge but thats not the point here sorry i got distracted AUGHHH THE HAAAAAANDS sorry ive been struggling with hands recently and seeing you draw them so well is making me spin circles in joy

BUT THIS. THIS SHOT. UGH. I LOVE HOW HE HAS HIS HAND BRACED AGAINST THE GROUND AND ITS LEANING BACK IN THE REDRAW. he looks shy and startled instead of nervous and uncomfortable AND THATS SO. ITS SO STORYTELLING ITS SO PEAK POSING ITS SO IMPROVEMENT ITS SO. i really struggle with having characters interact believable with the things around them and the redraw just shows how weighted and grounded your art feels and and its so inspiring actually sorry if i keep using the same words but its TRUE love the realistic change of the mask being yanked from the chin instead of grabbing ghost's face and also i love how much more real? the fabric looks bunching in his hands AND ALSO EEE the HANDSSS

but also i cant reall say anything here that i havent said above so instead is repeating myself like a freak i will scream and shout into the void unintelligibly AUGHHHHHH THE POSES THE HANDS IUIE3RIHFTRIUGTUG EEEEEEEE THE ACTION LINES I DONT KNOW WHAT THEYRE CALLED BUT AUGHHH THEY ADD SO MUCH LIFE AND MOVEMENT AUGHHHHH. HEEE HEE HANDS but also i love how he looks angry/intense here instead of shocked like the redraw. its a lovely reminder he is, at the end of the day, a dangerous violent guy in a violent profession. very cool 10/10 change

skipping over ghost being pinned cuz i have nothing better to say than "heehee. nice." and im getting dangerously close to the 30 picture limit ugh i LOVE how you draw ghost looming every frame he's in. he's such a solid undeniable presence that feels so correct with his character. i love how he's so looming he's covering most of konig which adds to the feeling of konig scrambling back like YES. THIS IS SO CORRECT. i love how in the redraw konig's hands are tucked to his chest instead of waving like he's trying to make himself smaller and less of a threat. VERY COOL. very sick. very nice.

to end it off, i love how smug you redrew johnny. like look at that fuckass smile. look at that SMIRK. that eyebrow raise johnny i know what you are. i also love how the long mullet propaganda from the monster au came back to haunt the redraw 10/10 excellent wow that took so long to put together holy shit. IN SUMMARY. dude. i'm sure you dont need me to say anything. dont look at me. but i've been following your art for half a decade (only found this account last year by accident but i've been on the other one) and your improvement is so incredible and its so inspiring and i've been looking up to you since i first started drawing (this is not an exaggeration) and i love your comics and you've always been such a pillar in what i strive for in my skills and I DUNNO MAN YOUR IMPROVEMENT IS SO OBVIOUS AND IM ALSO VERY EMOTIONAL AND ITS SO COOL and i love your art and LIKE AGAIN, ME SAYING THIS MEANS NOTHING BUT like. i know deeply how much WORK goes into skill like this and its so ugh i know ive used the word inspirational like 30 times BUT I DONT HAVE A BETTER ONE and yeah. love your stuff. perceive your skills. sorry i went insane in your askbox i really hope you done mind. i also hope you know how cool you are. <333 have a nice day! :)

"me saying this means nothing" it means everything jelly...(i hope its okay i call you jelly, i went to your blog to see what you like to go by bc after such a long and thoughtful message i felt like i couldn't not refer to you by your name). ive been having a real tough time for a while struggling with my relationship with my own art and my stamina and how things that used to come so quickly and easily seem to come so much slower and. just the fact that someone out there feels so much about my work that they'd sit down to write such a long message (with screenshots!!!!) means so much more than i could put into words...like you interpreting all the little things like slight alterations in posing or angles and even the shading like...the care....im just so touched

im really so unbelievably grateful and happy over this message, it made me genuinely grin from ear to ear seeing you appreciate all these little details and my art improvement and god, you saying you've been watching my work for half a decade is OOFT but so, so humbling and kind. and. yeah uhhhh thank you so much? for all of this? and being here still, somehow? i just. yeah. im kinda just lost for words. thank you so much. what a wonder it is to be perceived...

(also, idk if you ever stop feeling like you don't know how to draw hands, im definitely still in that boat looking at some of my peers!! which isn't to deter you or be condescending and i hope it doesn't come off that way, just that it's a relatable feeling and I definitely know how you feel some days ;_;)

[followingthebutterflies7]

Better Chug That Mountain Dew

Spencer Agnew x Reader

Word count: 1.8k

Summary: Spencer flies to New York to see your Broadway debut as Veronica in Heathers. He thinks he’s prepared, but he couldn’t be more wrong.

Warnings: Jealousy, suggestive content, strong language.

--------------------------------------------------------

Spencer had always supported you. He had been with you long before your name started showing up on cast lists with lead roles beside it.

He was with you when you were still doing side characters and bit parts, juggling Smosh shoots and auditions and late-night table reads. He’d been there when you flubbed your lines during a cold read, when your callback got canceled last minute, when you cried on his couch because you thought maybe you just weren’t cut out for this.

And he had celebrated with you when you landed your first commercial gig, sat with you when you nervously paced the green room waiting for an off-Broadway callback. Always in your corner. Always proud.

And now here you were.

Veronica Sawyer. In a full Broadway production of Heathers. A proper stage. A real audience. You had made it.

He was the first person you called when you landed the role. And the first to scream. He had gotten you flowers, a handwritten card full of awful inside jokes, two Mountain Dew Kickstarts to celebrate together, and one line at the end that said: “You’re gonna blow the roof off, V.”

You told him about everything. About moving to New York, the panic of signing a lease, the chaos of rehearsals. Every phone call was a play-by-play: the set design, the costumes, how your choreographer nearly cried during the first full run-through.

You sent him shaky videos from tech rehearsal, FaceTimed him in full costume, left voice memos rambling about how terrifying and beautiful it all was.

He listened to every one. Saved most of them.

And when you finally said, “Opening night’s in two weeks. Come if you can,” he didn’t hesitate.

He bought the ticket the same day.

Now he was here to see opening night.

He’d been proud. So proud.

But he’d also been warned.

By you. By Courtney. By Angela. Even by Shayne, who read the libretto once and handed Spencer a sticky note with the words: “Don’t get weird during Dead Girl Walking.”

Spencer, at the time, had scoffed.

“Please. I’ve seen them flirt with demons in Smosh sketches. I can handle Heathers.”

He thought he was prepared.

Thought knowing the lyrics, the plot, and the choreography would be enough. You’d told him everything; you’d called him after every rehearsal, shared backstage gossip, sent him snippets of songs, and described scenes in painful detail, all in an effort to prepare your man.

And he said he could handle it.

He really thought he could.

Right up until opening night.You’d met him for a quick dinner and a drink before the show. You only had water, to stay hydrated, and he had a much needed Kickstart after a bumpy flight. You’d teased him about it for years. His one true vice, second only to you.

You looked radiant in that chaos of the evening; focused, lit up from the inside. The kind of glow that didn’t come from makeup or lighting. The kind of glow that only came from doing what you loved and knowing you were meant to do it.

You kissed him quickly outside the theater, laughing as you turned to leave, promising to see him after curtain.

Spencer watched you go, heart full.

And then the show started.

He slid into his seat, front row, aisle, black button-up, trying to play it cool. The Playbill in one hand. A bouquet of your favorite flowers in the other.

From the first number, he was done for.

You weren’t just performing, you were transforming. Veronica’s words, her emotions, her anger, her heartbreak, every part of her lived in you. You disappeared into the character.

He had the biggest smile on his face, until it started slipping.

He watched those two dumb jocks hit on you, watched them hover, flirt, touch. Watched you laugh. In character, yes, but Spencer’s hand gripped the edge of his seat all the same.

His smile twitched slightly in Fight For Me.

You were singing to JD, eyes soft, vulnerable. Reaching out.

Hey

Could you hold my hand?

And could you carry me through no man's land?

You grabbed JD’s hand.

Spencer flexed his hands. Smile gone.

Then came Freeze Your Brain.

JD sang to you like you were the only person in the world. Got in your space. Pressed a Slurpee to your lips. You sipped.

Spencer’s jaw tensed. Hard.

Go on and freeze your brain

Try it

He was seething. In the prettiest, most tightly wound way imaginable.

The moment the blue lighting spilled across the stage, he felt it, this low, humming sense of doom building in his chest. He knew what was coming, you had told him about this song so many times before.

The one scene Spencer had tried so hard to mentally prepare for.

But nothing could’ve prepared him for this.

It started quiet. Innocent.

You were alone on stage.

You could feel the energy in the room change. The audience buzzed with anticipation. Spencer sat up straight, every nerve ending on fire.

You started the number with fire in your eyes. He’d never seen you so alive. So in control.

The demon queen of high school has decreed it

She says Monday, 8 a.m., I will be deleted

They'll hunt me down in study hall

Stuff and mount me on the wall

30 hours to live, how shall I spend them?

You prowled across the stage like it belonged to you. Because it did. And Spencer’s pulse kicked up in response.

I don't have to stay and die like cattle

I could change my name and ride up to Seattle

But I don't own a motorbike

Wait.

Here's an option that I like

Spend these 30 hours gettin' freaky, yeah

The lights shifted again.

There was a bed.

JD on the bed.

Spencer leaned forward in his seat without realizing.

I need it hard

I'm a dead girl walking

I'm in your yard

I'm a dead girl walking

Before they punch my clock

I'm snappin' off your window lock

Got no time to knock, I'm a dead girl walking

You crossed the stage slowly, deliberately. The choreography was sensual, full of bravado and desperation. Your voice wrapped around the lyrics with dangerous intent.

You stalked JD, your hands sliding up his arms slowly. Deliberately. Spencer’s eyes widened.

Sorry, but I really had to wake you

See, I decided I must ride you 'til I break you

'Cause Heather says I got to go

You're my last meal on death row

Shut your mouth and lose them tighty-whities

You shoved JD back onto the mattress. Climbed into his lap. JD’s hand slid to your waist.

Spencer’s blood boiled.

Then JD ripped open your blouse. You tossed it dramatically to the side, matching the beat. The crowd gasped. Spencer stopped breathing.

He knew it was acting. He knew the show. Knew this scene.

But knowing and watching were two very different things.

You looked so real. Your hands, your breath, your grin, it wasn’t timid. It wasn’t “sorry, this is for the part.” It was bold.

And then you kissed JD. Hard. Deep. Hands in his hair. Spencer’s eye twitched.

His nails dug into the Playbill in his lap.

He could feel his knee bouncing, jaw locked so tight it ached.

The lighting turned red. Hellfire.

Then, the line.

You turned slightly toward the audience. The spotlight caught your face just right.

Your voice is crystal clear, every lyric dropping like a challenge.

And in the middle of it, in that exact moment, your gaze snapped to the front row.

Right to him.

You held his eyes.

A single second. Maybe two.

And you sang it.

“Better chug that Mountain Dew.”

He stared, slack-jawed.

And when your lips curled into the faintest smirk, he nearly blacked out.

Because that line? That line was a direct hit.

That line was sacred.

He had once said in passing that the only thing he’d marry before you was a cold Kickstart at 9 a.m., and now here you were; mocking, seducing, owning him with five words.

He hadn’t even realized how tense he was until then. Not until those five words punched him in the chest.

Everyone knew he loved that stupid drink. You especially.

You turned back to JD like it was nothing.

He didn’t hear the rest of the song. He saw movement, saw you ducking down to your scene partner for another kiss, but all he could focus on was the electric buzz under his skin, and the fire in your eyes when you looked at him like that.

Someone seated next to him noticed how agitated he was and leaned over. “Are you good?”

“No,” he said, eyes still locked on you. “Not even a little.”

Because it wasn’t just the acting. It wasn’t the choreography. It was you. Performing like your life depended on it. You were electric. Unapologetic. On fire.

And the way you looked at him?

Like you knew exactly what you were doing.

Like you were daring him to do something about it.

He couldn’t stop thinking about the way your hips moved, how your voice hit every note like a weapon, how JD’s hands had lingered for far too long.

He wanted the show to end.

He wanted the curtain to fall.

He wanted you.

--------------------------------------------------------

Backstage after curtain call, you barely made it to the dressing room before your phone buzzed.

SPENCER:

Hope you’re ready to wrap this show with an encore.

At home.

No lights, no audience.

Just you and me.

You laughed, a little breathless. Warm. Buzzing from adrenaline and applause and him.

A knock.

You opened the door.

Spencer stood there, arms crossed. Eyes burning.

“Hi,” you said sweetly. “Did you enjoy the show?”

His eyes dragged down, slow. Then back up.

“Don’t ‘hi’ me.”

You blinked, still smiling. “What?”

“You knew exactly what you were doing.”

“Did I?” you asked, batting your lashes. “I was just playing the role.”

Three steps. That’s all it took.

He closed the distance, voice low and sharp.

“I don’t know if I want to marry you or strangle you.”

You blinked. “That good, huh?”

“You made eye contact with me. During that line.”

“Yep.”

“That wasn’t in the choreography.”

“I improvised.”

He leaned in, lips brushing your ear.

“Tonight, you’re my dead girl walking.”

You shivered.

“I meant it, by the way,” you said softly, stepping closer. “I knew exactly where you were sitting.”

He looked at you like he wanted to tear the world apart just to get you closer.

“You’re evil.”

You tilted your head, all fake innocence. “And you love it.”

His hands slid to your waist. His breath hit your jaw.

“I’m driving us home,” he murmured. “And when we get there, you’re gonna repeat every word you sang tonight.”

“Oh?”

“But this time,” he growled, “you won’t be pretending who it’s for.”

You smiled.

“Then what are we waiting for?”

He didn’t wait another second.

[fairyhaos]

how seventeen act with their writer s/o

requested by anon ^^

masterlist

seungcheol

he is begging. he is on his knees BEGGING you to pls let him buy you a new laptop because the one you use is literally on its last legs and makes ominous sputtering n whirring sounds like a dying cat stuck in a vent every time you start it up. you don't let him tho bc “no cheol the memories :(((“ cuz you've had it for years but he is nearing the end of his tether and who knows. in a few days ur laptop may mysteriously disappear forever and you'll be forced to let him buy a new one

jeonghan

he's like the pet cat you don't own who likes to slink into the room and make inquisitive noises as he watches you work. drapes himself over your shoulders and makes distressed huffs when you try to dislodge him. he's never usually noticeably clingy, but when you try to write, the clinginess always springs out and you can't go five minutes without jeonghan poking his head into the room to check up on you and see what you're up to

joshua

your biggest fan. buys every single novel you write, puts on his glasses, and reads them very seriously in one go on the very evening it's released with the lamp on beside him. he looks so serious every time, but he'll always peer at you over his glasses and then give you a big grin, telling you how much he loves it. gets you to sign a copy for him and brags to everyone he knows that he has your signed novels with special messages just for him that no one else can have

junhui

he's your personal general knowledge bank. when you're searching up obscure things and slowly losing hope on finding an answer, just ask junhui and he'll either a) know the answer or b) knows someone who knows someone else who knows someone else else who knows the answer. don't ask him how to spell words tho bc he's like. hopelessly bad. blinks at you going “what's an [insert word]” before you give up and google it yourself

hoshi

alwaysssss wants to know what you're working on right now. gets all whiny when you get possessive of your work and refuse to show him before it's finished bc come on, it's surely perfect already, why are you trying to hide it from him?? loves helping you do, like, the non writing stuff. writing out plot? nooo. building fantasy maps, figuring out political systems, getting lost on a tangent on figuring out the price of beans in the 1800s? hell yeah sign him up!!! 

wonwoo

knows all the grammar rules in the world. you can ask him stuff like “hey wonwoo can i put a comma here or no” and he'll amble over to peer over your shoulder and tell you whether you can or cannot, in fact, put a comma there. helps you curate all your writing playlists for the different moods you have. gently reminds you to get back to writing whenever you end up scrolling on instagram for too long

woozi

you're even more of a workaholic than he is when in the zone, so he gets to realise how unhealthy it is to be sat in front of a computer for hours straight with no break. you get to act as each other's “let's act like a normal human being now” reminders, depending on which of you is going through a work fixation. you guys both go on runs together in the mornings even though it kills you bc at least it gets both of yo brains kickstarted to spend a day being all creative in ur respective fields

minghao

you value his opinion above anyone else's. above your beta reader's, above your agent's, even above your editor's bc those are more like advice, not opinions. but knowing that minghao likes your work, and knowing which parts in particular he really likes, is so important to you because ultimately, you want the person you love to also love the things that you create. 

mingyu

brings up the fact that you're a writer in every conversation he has with anyone ever. “oh my god look, this menu has writing on it. speaking of writing, my s/o writes actual books as a job!!!!”. your agent made him sign a contract similar to an NDA bc he just keeps yapping about your books even when they haven't been released yet. loves the noises you make whilst you're writing. thinks it's the cutest thing ever when you make overjoyed “AHA!!” sounds when you finally realise what the plot is doing

dokyeom

more than willing to be your rubber duck and let you talk at him until u figure out your own plot holes. he could be in his room scrolling on his phone but the minute you call for him, he's leaping up and bounding over to you and pulling up a chair in an instant, more than willing to let you bounce ideas off him. sits there doing nothing but looking all pretty as you talk at him and work out the tangle you've gotten yourself into. beams and gives you a big kiss when you manage to figure it all out. 

seungkwan

he buys you a biiiig wheely whiteboard and a bunch of coloured board pens to help you plot your novels. when you get stuck, he comes over and stares at the board with his hands on his hips, very gravely considering your dilemma and what would be the best way to get you out of it. you two talk about plot holes like it's the most serious thing in the world and he just nods like a proud father once you both find a solution

vernon

at this point he's like. a professional tea and coffee and biscuits supplier due to the amount of snack runs he does for you. has walked in on you lying face down on the floor during a meltdown one too many times to bat an eye anymore. also great at helping you block out actions during scenes like. he's the perfect doll. lets you maneuver him into the weirdest positions in the world with zero complaints. he just loves helping you however he can, really. 

chan

reads through your drafts whilst you're in the middle of writing, accidentally gets hooked and is begging you every day to finish the novel bc he really wants to know what happens next. he's the best at spotting inconsistencies and plot holes in ur writing so before you even send it off to your beta reader, he gets to have his hands on the manuscript to check for any changes needed. also bc he needs to read the ending asap otherwise he'll probably combust. 

request guidelines

reactions tags: @weird-bookworm @minhui896 @slytherinshua @haowrld @belladaises @newgirlygirl @moonlitskiiies @mirxzii @wonranghaeee @yonabutnotyuna @crackedpumpkin @wqnwoos @kthstrawberryshortcake-main @kawennote09 @a-wandering-stay @icyminghao @valenhui @sweet-like-caramel @odxrilove @kyeomyun @chansburgah @pepperonijem @jeonride @kellesvt @kikohao @astrozuya @eightlightstar @onlyyjeonghan @aaniag @starshuas @all-american-fangirl @f1uffyjun @sea-moon-star @nonononranghaee @isabellah29 @mcu-incorrect @hrts4hanniehae @suraandsugar @pan-de-seungcheol @dokyeomkyeom @melodicrabbit @bananabubble

[shewolfofvilnius]

you do an absolutely ridiculous amount of stuff in BG3

i mentioned this in a reddit reply to a post i made but the amount of stuff you deal with in BG3 as a player is enough for like twenty individual DND campaigns - and instead you have ALL OF THIS going on at the same time:

It's wild given the duration of time but that is such an active period of time in terms of what you're actually doing.

*Stop an elder brain infused and overpowered with Netherese magic

*Kill at least two of the Chosen of the Dead Three, one of whom has a boss form that is a transformed avatar of that god

*rescue Selune's daughter (or kill her)

*potentially overturn a century-old Sharran curse that killed thousands AND later confront Shar herself after (probably) killing the Mother Superior of the Sharran cell of Baldur's Gate (AND possibly setting up your companion to become her chosen)

*stop a centuries old vampire overlord from slaughtering thousands of spawn in order to become an Ascendant Vampire (and possibly help your companion become one)

*potentially kickstart a githyanki civil war that leads one of the two factions to possibly reunite with the githzerai, which is insane,

*potentially install a new Archmage of Baldur's Gate after probably killing the old one (alternately, helping the old one achieve immortality)

*and along the way you also spite Mystra a couple of times (and possibly set up a companion to become a rival god) which leads to Elminster (or at least a simulacrum of him) showing up in your path twice.

*You can possibly have to deal with the kua-toa imbuing a redcap with a tiny sliver of the power of a god (enough that if a Durge pledges to be BOOOAL's chosen, Bhaal gets legitimately pissed and you get a big hint as to Durge' identity WAY earlier).

*Silvanus clearly has a hand in the events of the grove, and seems to be eyeing Arabella as either a powerful follower or possibly a future chosen, and you're placed in the position of potentially helping her.

*A son of Mephistopheles actively tries to get you to deal with him so that he can seize total power over the universe.

*You have two different but intersecting plot chains at least tangentially involving Zariel (Wyll & Mizora, plus her top fighter/pet Karlach), while the main non-companion B-plot of the game (Elturian Refugees) is a direct epilogue to the Descent Into Avernus campaign.

*You find out what happened to both Balduran AND his legendary dragon Ansur and have to do something about it.

*Jergal just chills out in your camp making fun of your love life, and you just have to sort of put up with it.

*And related to above, along the way you probably meet the person who becomes your spouse/beloved, all but one of which tie into the above.

*And Minthara (the only one I hadn't mentioned yet) was at one time in her life a highly favored woman of her powerful house who was personally handpicked by two of the aforementioned Dead Three's chosen, and you can either slay her or recruit her.

*AND if you're Durge you also get the fun happy b-plot of your own showdown with not just your sister but your father, and either becoming Chosen of Bhaal or at minimum personally resurrected from the dead by Jergal if not made his Chosen (it's conflicting exactly what Redeem Durge' status is w Withers/Jergal exactly).

*and that's not even including rediscovering the ancient Sharran grymforge, the Shadow Druids' plot, the fate of the Harpers, the dude who wants to blow up refugee kids, the gondians, the ironhand gnomes' misadventures, Mol's whole deal, and like 30 other side plots.

That is a lot. No wonder we make it from level 1 to level 12 in just four months.

[graceshouldwrite]

Writing Compelling Side Characters

**NOTE: Some of these tips don't really apply to ensemble casts, where there are multiple Main Characters (plural).

1) Agency - motivations, actions, effects

Technically, they ARE side characters in your MC's story, but don't base your writing on that fact.

Side characters need:

Their own REASONS for joining the story (because they want to, not because the PLOT wanted them to) Example: In Arcane, Caitlyn inadvertently gets involved with Vi due to her compassion and desire to help the undercity, not because the plot needs a love interest

A GOAL, on which they act INDEPENDENT of the plot, and actually affects your MC/the main plot (not the other way around) Example: In Loki, Sylvie's independent goal is to take down the TVA, and her actions reveal the TVA's corruption to Loki, influencing him to join her in fighting against the TVA instead of working for them

A STAKE in how things end (e.g. someone getting paid after agreeing to join a heist); they aren't just in it to be a "comic relief" or a "damsel in distress" Example: In Breaking Bad, Jesse joins Walt in cooking meth because he makes BANK from selling drugs, not because Walt needed a funny and traumatized sidekick

Their own RELATIONSHIPS with other characters, aside from the MC—they have their own friends, enemies, love interests, etc., and these relationships can completely change the plot Example: In the original Percy Jackson series, all of the side characters (e.g. Annabeth, Nico, Thalia, Luke, etc.) have their own relationships with each other that greatly affect the plot. Check it out: Annabeth's attachment to Luke, even after he became evil, completely changed the plot in several ways: kickstarting a journey to save her from Luke in The Titan's Curse, revealing his true evil identity as a vessel for Kronos (big bad!) in The Battle of the Labyrinth, and mainly contributing towards Luke's reversion away from evil in the last book due to him remembering his promise to take care of her a long time ago, etc.

Their own PAST that affects how they act, move forward, and how they treat the MC Example: In Avatar: The Last Airbender, Azula's pressure on herself and desire for perfection is greatly driven by her father's expectations of her as the fire-bending prodigy, resulting in a childhood of earning parental love and care AFTER she proves her worth to him. This created a mentality ceaselessly focused on her goals—which are usually her father's missions—causing her to be deadly, manipulative, and constantly causing problems for the main character.

The side character is not an extension or byproduct of the MC's plot; their own story happens to collide and intertwine with your MC's plot, but is ultimately independently driven.

2) Affecting the ending

The story can't have reached the same ending regardless of the side characters' existence. They must be necessary to the MC in helping them reach their goal faster, more prepared, etc. For example, in Avatar, Aang would not have been able to reach his goal of defeating the fire lord without the help of his friends, who each taught him valuable life lessons as well as combat skills.

Each character must have an independent impact on the MC—don't treat them like a group (e.g. "the side characters," who are one individual collective). Arcane does a great job with this, as each side character has a completely different impact on the MCs (e.g. Silco, Ekko, Caitlyn, and Vi—not a side character but for the purpose of this analysis, bear with me—all have a different impact on Jinx). It isn't just a literal impact. It's what the MC learns, and the theme of the story. They should help the MC realize things about themselves, and contextualize the MC by showing them in different situations with different people.

3) Avoid stereotypes Don't create characters from moulds and conform 100% to the trope: e.g. the "comic relief" can also be "the outlaw/rebel" or the "love interest," the "brooding antihero" can also be the "caregiver" or the "wise one," the "seductive girl" can also be the "science nerd" or the "broken optimist," etc. Mix and match. Everyone has more than 1 personality trait in real life, and probably fulfils more than 1 role to the other people in their lives. Give them intersecting personality traits to flesh them out.

4) Theme and Arc Especially compelling side characters have their own arc and embody their own theme.

Example 1: Mr. Darcy in Pride and Prejudice is more than the brooding love interest—he develops by being less arrogant and learning to see people beyond their social status, and opens up to new ideas, people, and situations.

Example 2: Nico di Angelo from the Percy Jackson series goes on a journey of self-acceptance and embracing his identity, instead of just being the stereotypical emo kid who is constantly in a state of angst.

Example 3: In Arcane, Silco goes from a ruthless crime lord who believes that attachment is weakness, to someone who genuinely cares about his adoptive daughter, so much so that he can't give her up even in exchange for his lifelong dream.

∘₊✧────── ☾☼☽ ──────✧₊∘

instagram: @ grace_should_write

Hope this was helpful, and let me know if you have any questions by commenting, re-blogging, or DMing me on IG. Any and all engagement is appreciated :)

Happy writing, and have a great day!

- grace <3

[writeforthepeople]

Summary: You've been working as a producer on Smosh Games for a while now, but working late nights on the upcoming D&D project with Damien gave you both a chance to realize your feelings.

Warning: Very fluffy

Word Count: 2.4k

You walked into work late today, you had been adjusting your hours so that you could stay late and work with Damien on the new D&D series for the SmoshCast channel. He had bookings in the mornings for voice over and it was really the only time that worked. On your way to your desk, you passed Spencer who was wrapped up in a conversation with Marcus but smiled and waved at you as you passed.

You took a seat and spent a few minutes checking your email and replying to a few messages. You felt a tap on your shoulder and turned to see Spencer. "Hey Spence!" You said, spinning your chair to face him. "Hey y/n, did you get my email about tonight?" he asked "No, I am still making my way to the top" you responded with a small chuckle.

"No problem, just letting you know I had something come up and can't make the planning session tonight, but I think you and Damien have it at this point. You are the producer, so I will let you produce and will go over the notes tomorrow". You nodded up at him but your heart sank a little. It meant that you and Damien would be alone..and that made your heart race, despite trying to push that aside for weeks now.

"Ok, yeah I think we have it handled! I appreciate your faith in me" you did appreciate it, this was your first time being lead producer on a smosh show and wanted it to be perfect. "You two have more D&D knowledge than anyone else here. I think I distract from the planning at this point. I will leave you to it though!" he smiled and walked off, leaving you to get back to work. It took you a while to catch up on your inbox and schedule a few meetings, but before you knew it 4pm had snuck up on you and most of the office was heading out for the day.

You said goodbye to a few people as you made your way to the kitchen to get some tea and a snack to bring to the conference room with you. You turned around when you heard someone enter "If it isn't my partner in crime" Damien spoke, grinning and walking your way. You felt the smile stretch across your face instantly. You weren't sure exactly when it happened, but your crush on Damien had really escalated. You always thought he was cute, but this was different, he was occupying so much of your mind and you couldn't seem to shake it.

"I was just grabbing us a snack for our planning session, do you want anything specific?" you asked, even though you knew he would want a water and one of the protein bars Garrett often made for the office. "I'll grab us a few things" he smiled at you "we can't forget a kickstart for our favorite director" he grabbed one from the fridge before you could speak up "Oh! You didn't see his email? He has entrusted us with the rest of the process so you're stuck with just me" you said scrunching your lips together and shrugging playfully. He put the kickstart back in the fridge, "there are worse ways to be stuck" he responded, his face in the fridge still. You were glad, otherwise he would have seen how red your cheeks grew at the comment.

"Ready to get started?" he asked turning around with a few snacks in hand. "Lead the way" you nodded and you both headed to a small conference room. You took a seat next to Damien and started to pull out your notes and you laptop, he did the same. As they went over some backstory ideas and potential plot twists, you couldn't help your heart from racing, the way he spoke was so enthusiastic and authentic that it entranced you. You were lost in explaining your thoughts on the big bad guy for their first trial that you didn't notice how close the two of you had gotten, his knee gently brushing yours as he bounced his leg. You wondered if this was a nervous habit or just a tic. These meetings continued over the next few days, and you found yourself checking the time, just waiting until he came back into the office. Until today when you got a text from Damien.

Damien: Hey Y/N, I forgot my laptop at home and am in a VO session. I know I am asking a lot but is there anyway we could meet at my place tonight for brainstorming? It would take forever for me to make it home to grab my stuff and back to the office? Damien: or we can always rescheduled. I am so sorry! Y/N: You live close to me right? I can just meet you at your place, I have to go that way to go home anyways Damien: Are you sure? That would make things so much easier. I can order us dinner? Y/N: Sounds great! Meet you there around 5? Damien: Perfect. Thanks Y/N

"Ok, no need to panic" you said out loud to yourself. "Why are we not panicking?" you heard Angela behind you. Your cheeks flushed red and you locked your phone. "What? nothing. No reason at all" you shook your head but knew that Angela was not going to let that go. She had become such a close friend, you knew she would read right through that reaction "ahhh, yes, very nonchalant, not suspicious at all." he laughed through the end "come on, dish, I have time to kill" she laid on the couch next to your desk and you looked around "Nothing" you tried to shrug. "I am just going to Damien's for our session tonight instead of here" you tried to play it off cool.

Angela knew you had a small crush on Damien and often teased you for it. "Uhhhh WHAT" she almost yelled. "It's not a big deal" you said, unsure if you were convincing her or yourself. "This is news you tell your best friend y/n" she sat back up on the couch and playfully threw her arms out. "Right, your crush inviting you over to their house to hang out...one on one...is just not news worthy" she said shaking her head at you.

The sigh you let out said it all. Looking around again you caved, needing to talk to someone about this. "That makes it sound like something it isn't. He forgot his laptop at home so it is just easier to meet there. This isn't a ploy at something" you explained "Y/N I am going to hold your hand while I say this" Angela started "The tension between you two the last few weeks has the office going crazy. It is SO obvious. There is no way that this isn't what that is." Just then you saw Amanda walking over "There you are! We are about to start test playing the game for today, you ready?" she said to Angela "Hey Y/N, I miss seeing you in the morning meetings!" she smiled. You have been missing them so you can meet late without working too many hours.

"I should be back on regular hours in a week or so" you admit, Angela pipping up "but for now she has late meetings with Daaaamien" in her sing songy voice. Amanda raised her eyebrows at you "so the rumors are true, the lovebirds are spending more time together?" you were beet red at this point "That is not what is happening, we are working on the new D&D show" they shook their heads walking off "Give in to love Y/N!" Amanda said on her way to the gaming stage.

If that didn't raise your nervous enough, the drive to Damien's would. Were they right? did Damien also have a crush on you or were people just making assumptions like they often do. They used to think that you and Spencer were an item when you weren't.

You weren't sure if you should knock or just text him when I arrived, you had never been to his house before. You decided just to knock, and he opened the door quickly. "Thank you SO much for this" he said, stepping aside to welcome you in "I feel terrible, I hope this wasn't too far out of the way". he spoke kindly as you stepped inside. "It's no trouble at all. It's nice to switch things up from the office anyways" you said, hoping he wouldn't feel so guilty. You looked around the apartment, noticing how well he decorated. "Your place is so nice" you smiled. "Thank you, I do my best" he smiled at you and there was a moment before he spoke again. "Oh I got us dinner, we can work at the dinning room" and he lead the way to the dinning room table. He had gotten ramen and you immediately noticed it was a place that you love. "Oh! I love this place" you said while taking a seat. "I noticed you had ordered it a few times at work. Hopefully I got the right order." your heart started racing again, a feeling you think you are just going to have to get used to. He remembered your favorite meal..and you weren't supposed to read into that for the rest of the night?

You two ate and talked mostly about the locations for the players, building some characters to exist in the various establishments. Damien had so many fun characters planned, it was a little sad knowing many of them likely won't even be seen. Especially with the chaotic cast that would be filling out the players. As things started to wrap up, Damien cleared the table and you followed him to the kitchen "Thanks again for dinner, that was really sweet" you said, setting your water glass in the sink. "Anytime, I'm just glad I got your order right" he said as he leaned against the kitchen island. "So were getting close to submit everything, yeah?" he asked and you nodded. You knew that in reality, you had enough to submit but you didn't want the sessions to end.

"Yeah, I guess we are" you couldn't help but sound a bit sad "I think we make a good team" he said with a smile "I will miss your little brainstorming sessions." he added. "I will too, you really help bring out my creativity" you respond honestly "this project is really fueling that need right now". He looked down for a moment "I think I'll just miss getting to hang out with you" his words made you catch a hitch in your breath. "We- we can hang out anytime" you said, quicker than you had meant to.

"Do you want to stay and...watch a show or something?" you could see he was nervous. "I haven't gotten caught up on ink master yet." he added, knowing that it was one of your favorites.

"I would love that" you smiled, and headed into the living room. You took a seat on the sofa, Damien sitting next to you. He turned on the show and you watched in silence for a while before you spoke up "I love this guys work, I would kill to have him do my next piece" you say, not taking your eyes off the TV. "I didn't know you had any tattoos" he said glancing over at you. "Oh.. yeah I have a few they are just more hidden" you admit, your cheeks blushing slightly. "I have one on my ribcage, it is a quote from my favorite song and a bee but it is on my hipbone. So not quite as many as you but maybe someday" he chuckled. "Well that is really cool, you'll have to show me sometime" he realized the implication of what he said. "Like pictures I mean" his cheeks flushed. "I don't mind showing you!" you said, surprising yourself with your courage.

You stood up and slightly moved down your joggers, revealing your hip tattoo. This felt so much more intimate than you thought it would. Most of the office has seen you in a bathing suit at parties, and even in a hot tub video that you were in for a crew games video. I had a small scar here from an accident and the artist was able to cover over it, so you can still feel the bump" you graze your finger over the area "but not see it so much. It really helped me feel better about my body" you admit, a story you've told before but not directly to Damien. You look down, not wanting to make eye contact after sharing that.

"I think your beautiful" he said, catching you off guard. You look up and he is looking right at you think time. "You do?" you asked, sounding surprised as you sat back down next to him. "I-well" he started "of course I do. I kind of thought that was obvious" he tilted his head slightly and turned his body to face you. "Do you really not know?" he asked, his voice a bit quieter but still making you feel like he was focused on you. "Know what? What do you mean?" You needed him to say it. It wouldn't be real until he did. "Know that I like you" he said, shaking his head. "I thought you knew that already, I know the rumors around the office have made their way to you and I have been going out of my way to spend more time with you"

He started to ramble and you couldn't keep from smiling "Damien" you cut him off "I like you too...I thought YOU knew that" he smiled back. His shoulders relaxed as the stress was alleviated "That is ...such a relief" he said leaning into you a bit. "So you're telling me we've both just been trying to find a subtle way to know if the other person feels the same?" you ask, wanting to almost laugh. Just then, Damien reaches out and lightly touches your face and before you could lean in to the touch, he kissed you. It was soft and sweet, testing the waters, but when you kissed back he leaned in, his fingers cupping your ear and wrapping into your hair. He pulled back slightly "We did, and wasted so much time" he smiled before you kissed him again.

[madonnamadeofasphalt]

EA & Bioware honestly did an incredible job at killing any enthusiasm I had for a new Dragon Age. Fucking hell, man, I've played the first two games so much I could probably go through them with closed eyes and still pick all the right dialogue options to get My Exact Personally Canonized Plot. And the only reason I didn't do the same thing with DA:I is because it was made after EA completely gave up on optimizing their shit so the fucking thing takes up like a billion terabytes of disc space and takes 10 hours to download and install. I honestly think it's the best-written cRPG franchise to ever have a budget that doesn't involve a list of Kickstarter backers or getting an eccentric Estonian billionaire fixated on the project. And the gameplay is also there, I don't really care about that part.

Then they proceeded to fire all the talent that made me love those first three games, and scratch and restart the production twice, and be suspiciously cagey with any details or gameplay footage for a fucking decade, so my hype consistently went down and down. And yet I still managed to hold out some hope that somehow, by some miracle, it wouldn't fucking suck.

I kept that hope until the trailer dropped. You know the one. The one where we see a bearded Varric. This, I think, was the exact moment when I lost any desire to play fucking Veilguard.

Like, first of all, Varric being there at all is already an issue. Leave the man alone. His presence was already kinda forced in DA:I. And after DA:I and Tresspasser, his story couldn't be more finished if he got killed, eaten, shitted out, condemned to hell, redeemed by divine sacrifice, bathed for eternity in the everlasting light. There is no point to Varric anymore. Whatever arc they've given him in Veilguard, and I don't even give a shit enough to read the spoilers before writing this post, it has no business existing. Fuck you. The only reason he's there is because he's a recognizable IP, and when you're a certain kind of soulless corporate moron, you think there's nothing more important than putting a recognizable IP in whatever new bullshit you're trying to peddle. Maybe if you didn't fire every decent writer in your trash fucking company, you'd have someone to tell you about the importance of Ending The Fucking Story When The Story Fucking Ends.

But that's not even the core of the problem. Beard? they gave Varric a Beard? Varric I fucking hate everything that's even tangentially connected to dwarven culture with a passion which is why I've made a point to shave my beard all my life to spite anyone who gives a fuck about it Tethras? beard? you gave him a beard? He changed so much offscreen in the goddamn timeskip between these two games that he got a motherfucking berd? fucshhfdbeard? feadsgfsvarricafgfdh BEARD? yyousftoiuslyhhabevarricasgsfucningbeardandthivkimgosabedineditit?beard????

PS. (edit after finding out spoilers) I've gone to TV Tropes to read up on Varric's role in DATV after writing this (just in case I'm wrong and dumb, and there's actually a deeply compelling narrative reason for his presence), and, well, this shit is cheaper than I thought. And more importantly, just as I thought, there appears to be no justification for the beard beyond "adding a beard is a cliche way to show that a bunch of time has passed, and we didn't care enough to think this shit through". I'm fucking tired, man.

PPS. (edit after reading the rest of big spoilers) This is so much worse than I could even begin to suspect. This is worse than the final season of Game of Thrones. This is the final season of Game of Thrones if they straight-up fired GRRM, burned his notes and hired a showrunner who's only read a one-page summary of the first six seasons. This is fucking depressing, man. I'm genuinely fucking sad. So many subplots that were started over the course of these three games, that were clearly going somewhere, scrapped in favour of a simplistic good vs. evil story that would get rejected by fucking CD-Projekt in 2007 for being too basic. All because the artists who poured their hearts and souls into this bullshit franchise got thrown out like trash by its "owners". Morrigan's kid, the Well of Sorrows, all the implied complexities of Tevinter politics, the Crows, the Old Gods, Andraste. All went to shit. Death to capitalism.

[tofupixel]

Hello! I randomly came across your art on my feed, first of all its absolutely fckn amazing. You’re are very talented and all of it is so beautiful, but I’ve also seen that you’re creating art for a game, and/or making a new game in general. Really curious as to what game, if you’re able to tell me! It looks amazing! I’m a sucker for indie farm/fantasy type games! Tysm ♥️

thank you!

oh yay i get to talk about sprite festival

its set in a fantasy world where these little 4 legged creatures are spirits that come in many varieties. they are based on a species my friend/the creator made called chowlings but other species will be in the game.

it's a sandbox / rpg game where players will be able to customize their home/plot of land and even their own character with an editable spritesheet. there will be fighting, battling and farming elements as well.

base sprite vs customized one

there are a few artists working on it, not just me, but i do most of the exterior tileset, specifically the natural stuff

RN i am working on an inner forest explorable biome which will be more ancient, with densely packed giant trees and ruins and stuff.

the little walking guy i was working on today is based on this concept by the creator:

no page yet for the game but we are aiming for kickstarter this year. i will post more about it when i'm able!

here's a video of the UI test as a treat! i dont have a lot of nice looking stuff to show off cos it all gets put together by someone else in the engine so lol

thx for asking !!

[nataliescatorccioapologist]

Really trying to have faith in the writers because so many elements of Season 3 have been incredible, but I just can’t get behind Lottie’s death. And it’s not even just because she’s one of my favorite characters—it feels pointless, like it was done purely for shock value rather than as a natural progression of her story. I get that they need to kill off some of our most beloved characters to create tension and show us that no one is truly safe, I appreciate that. But those deaths still need to feel earned.

We never really got to know adult Lottie. Last season, her arc mostly revolved around Nat, serving as a vehicle for her development rather than her own. And this season? All we got was her babysitting Callie, shoplifting, and then mysteriously dying—not as a culmination of her journey, but seemingly just to kickstart a new plot where the other characters have to solve her murder. No emotional depth, no exploration of her guilt and trauma, very few opportunities for the audience to feel empathy toward her this season. It’s frustrating because Lottie had so much potential, and instead of exploring it, the writers treated her as a stepping stone for other people’s stories.

Nat’s death felt very sudden and I’m still not sure I really agree with it, but at least she got a fulfilling arc. She starts to heal and forgive herself, and she redeems her survivor’s guilt by not letting Lisa die because of her the same way Javi did. Lottie didn’t get that. I really hope we at least get to see Lottie’s death scene (and her death dream/vision) in flashbacks later in the season, kind of like what we got with Travis. I need more.

[bogleech]

Mortasheen: The Tabletop RPG slowly releasing as of right now

If you backed the Mortasheen kickstarter 3 years ago, check your emails, because I just put up version 0.1 of the first initial digital-only edition; it contains the entire gameplay system by Morgan Mullins, pages and pages of monster abilities, dozens of setting locations including NPC characters and even some non-monster (but still not normal) wildlife, plus over 100 monsters with playable stats. If you aren't a kickstarter backer you'll have to wait until later this year for the general public release. First there will be a free update of this digital version adding several more monsters, one additional chapter of various other tweaks, then work can begin on the final public version for both digital and physical.

I spent about 15 years of my life waiting to be able to put this out. It outlasted my 20's and now outlasted my 30's. For 99% of that development I was left out of the loop on what was even happening with it while I hoped it would come out any year now to maybe possibly make me a little bit of money while being poor the entire time. I almost feel like it kind of took half my life away?

In the time this RPG has been in development, the entire "Adventure Time" franchise debuted as a Nickelodeon short, got picked up as a Cartoon Network series, redefined the animation industry, revealed several plot points coincidentally almost identical to many major reveals of the Mortasheen setting, ended, and has now returned as a spinoff.

I can't wait til I can show it to everybody else but for now it's for all those backers who waited two years longer than the time frame I expected. Here's some of my more recent artwork for it without any context:

I wish I was making this post on some kind of actually special day or something and not just a random friday in january but I basically uploaded a passable book the very moment I had a passable book.

[man-down-in-hatchet-town]

You know, I get that not all Starkid fans have chosen to make the leap over to join the Tin Can fam as well. A lot of the newer Hatchetfield fans in particular are just here for that one particular tiny town in Michigan. And that's fine! Like what you like! Fandom how you want! Still, I would like to say two things:

1) Now is the perfect time to give all the awesome stuff TCB has to offer a chance, and

2) Starkid, and therefore our beloved Hatchetfield, owe so much specially and specifically to Joey, Corey, AND Brian.

Obviously Joey is one of the main Faces of Hatchetfield and his performances as Ted, Wilbur, Pete, Ethan, and Dan are all so iconic and beloved. Seriously, can you imagine Ted being as watchable in the hands of someone else? He’s also done great work in so many other Starkid projects.

Meanwhile Corey has been so vital behind the scenes. He designed the iconic sets for TGWDLM and Black Friday (the mind-blowing moment when the set BECOMES Wiggly? That was HIM)! Over the years this man has designed most of the sets, he has directed (VHSCC! ❤️), he has assistant directed, he has overseen social media and massive kickstarters, he has produced. As one of Starkid’s main behind-the-scenes creatives, Corey has done a huge amount of the extremely vital but not particularly fun or flashy work. His job is traditionally a pretty thankless one and we should pour gratitude in his direction.

And Brian. He gave us the Award-winning sound design for TGWDLM, but also I personally think he is one of the main actors responsible for Starkid existing the way it does. This whole company and fandom all go back to AVPM, that lightning-in-a-bottle show that was so strangely magnetic we’ve been able to build everything else on top of it. I’ve seen a lot of Potter parodies over the years, and I genuinely believe that the number one factor that gave AVPM its unparalleled magic was the Voldemort and Quirrell storyline. Without Quirrellmort, I’m not sure AVPM would have taken off as it did, and it’s quite likely Starkid would never have existed. And Brian, as Quirrel, was essential to pulling off and selling that extraordinary bit of plot.

So, yeah, even if you’re only a Starkid fan, or even just a Hatchetfield fan, you’ve benefitted massively from the tireless work Joey, Corey, and Brian have put into those things we love. If you can, giving even 3 or 4 bucks to their Tinlightenment kickstarter would be a lovely way to say “thanks” for bringing us fifteen years of Starkid magic and especially that Tiny Town of Hatchetfield.

TLDR; The Tin Can Bros have all specially and specifically contributed to the existence of Hatchetfield and Starkid as a company, and, if you can, giving to their kickstarter is a great way for Starkid fans, even those who don’t follow TCB, to say thanks!😊

[edenspoem]

omg ellie meeting baby for the first time?? like after giving birth and ellie just being in love and in awe

this plot point needs to be discussed over a nice cuppa tea 🤵‍♂️ we need to ponder. we need to ensconce this in the deepest backwoods of our noggins. we need to consume this perpetually. this is the kind of shit that has me curling up into a soft ball crying over the softness of a situation like that. explosive softness rather like the intense emotion of meeting baby for the first time delivers so tenderly because poor ellie has such a soft spot for children. she will literally hold that child until nigh morningtime— assuming reader gives birth during the night since i think birth occurs more commonly then, either way i can see her just cradling the newborn and showing off sundry necessities from your hospital bag like a fucking haul, giving a whole tour of the hospital room, "aand.. this is the painfully tiny bathroom. bask in it, you won't be seeing another one for the next few years. instead, you get to shit yourself, and nobody will bat an eye!" literally the most oddball things simply to interact with 'em. although, for anything directly after birth, she legit won't get out of your boobspace during initial skin–to–skin time. wrestles her own shirt off since she wants to participate in it as well, speaking pleasantly soft at the level of a gale, "you've had 'em for at least thirty, babe. can i just— for a little bit, it'll be fine—" and her pry fingers are already swooping under to collect the baby, scrunching her face into a wince when her decision kickstarts a shriek and cry, "jesus, fuck, i'm sorry, it's just your other mom! can't i say hi?" her excitement definitely clouded over the obvious reality that babies indeed cry, like hell. but her, steady in a chair with one leg flicked over the other, clasping the baby to her warm, bare chest, never letting go even past the point of falling asleep whilst cradling; utmost precious sight to grace my imagination. that and ellie pecking little kisses every few minutes. overall, she is so hands–on immediately. skin–to–skin cures her soul i think.

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my professional babyholder