#and its upcoming film adaptation

[vulpesevanidum]

Always conflicted about anticipating a twist in a story. Yes, yes, it's often intentionally telegraphed and probably should be as a matter of good, well-intentioned writing. BUT I would like to be "defeated" by the author more often. The feeling of things clicking in place after a reveal is nice.

[tepkunset]

Marvel Studios is an American film and television production company. Marvel Comics is an American comic book publisher.

As of the current date, the official BDS Movement has called for a Boycott of Marvel Studios upcoming Captain America film that features a zionist Israeli character who supports apartheid. There has been zero mention of Marvel Comics - or anything else Marvel - in either of their two statements I can currently find mentioning "Marvel" on their website, unless something is missing from that tag.

April 27, 2023: "Palestinians call for widespread boycotts of Marvel’s 2024 film, Captain America: New World Order, unless it drops Sabra/Ruth Bat-Seraph, its “superhero” that personifies the apartheid state of Israel. ... We encourage creative, peaceful protests to challenge Marvel Studios’ – and its owner Disney’s – complicity in anti-Palestinian racism, Israeli propaganda, and the glorification of settler-colonial violence against Indigenous people. ... We urge conscientious audiences worldwide to join us in boycotting Captain America: New World Order, and standing up for freedom, justice and equality."

November 23, 2023: "Marvel’s next Captain America film features Sabra/Ruth Bat-Seraph, a “superhero” personifying apartheid Israel. The character’s backstory includes working for the genocidal Israeli government and its occupation forces. By reviving this racist character in any form, Marvel is promoting Israel’s oppression of Palestinians. It is complicit in anti-Palestinian racism, Israeli propaganda, and glorifying settler-colonial violence. Tell Marvel you won’t buy its toys, clothes or accessories."

It is my understanding that the only way a boycott will work is if it's organized and targeted - thus the reason for BDS in the first place. The demand was that Marvel Studios remove the Israeli character from the film. Since the demand has not been met, then the boycott remains in place. But boycotting some random comic book writer's work and some comic book shop that makes pennies, with nothing to do with the MCU, is not what is being organized at this time.

The character in question hasn't even been featured in comics in 10 years - though of course she never should have been created in the first place. But Marvel Studios is choosing to pull her out of nowhere, when they have thousands and thousands of characters they could adapt instead. Please boycott Captain America: Brave New World (formerly titled New World Order) set to come out February, 2025, even if you're a Sam Wilson fan.

[wh0reforcoriolanussnow]

Imagine if Y/n and tom blyth played Anya and Dimitri from Anastasia. 😍⁉️

Anastasia || Tom Blyth x actress!reader

A/n: IM SO INLOVE W UR IDEA. also, if u haven’t already seen Anastasia? wtf r u doing? WATCH IT RN. guys you’re gonna have to imagine a lot bc of the pics 😭 but dw I wrote whos supposed to be who so it’ll make more sense!!! p.s should I do a fic where tom x actress!reader is in bridgerton?? 👀 send requests if u have any ideas.

Divider by @pommecita

~

y/n_y/l/n_fp

Liked by y/n_y/l/n, y/l/nupdates, and 297,484 others

Y/n and Tom spotted out in London today!! CAN WE TALK ABT HER HAIR OMG??? ITS RED?! AHHHHH

view more comments

user49: OMG SHE LIKED! CONGRATS

↘️ y/n_y/l/n_fp: IM STILL IN SHOCK 😮

user16: RED HAIR Y/N YESS

user037: what hair colour can she not pull off. lets be real here 🤷🏻‍♀️

user88: they’re still together? even after the rumours of her cheating on Tom w her co-star? 💀

↘️ y/n_y/l/n_fp: they’re called rumours for a reason babes x

user20: EVERYONE GO WATCH ‘HER’ RN

↘️ user643: y/n ate in that movie

↘️ user017: it’s so good 😭

↘️ user03: she was so cringe in that movie 😐

↘️ user94: if it was so cringe, why should she be nominated for an Emmy then? 😃

user55: maybe it’s for her upcoming film that she talked about in an interview?

~

mtv

Liked by madelyncline, rachelzegler, y/n_y/l/n, tomblyth and 14,307,583 others

it’s been announced that ‘it couple’ Y/n Y/l/n and Tom Blyth will be playing Anya and Dimitri in Lockshin’s upcoming live action adaptation of Anastasia! Lockshin says to expect release dates soon.

view all comments

y/n_y/l/n: yayayyayayaa

madelyncline: I’m so excited @y/n_y/l/n 😆

↘️ y/n_y/l/n: ME TOO!

user927: ya’ll I’ve been waiting for them to do a live action movie of Anastasia. Just can’t believe y/n and Tom will be in it 😭

user05: OMG OMG OMG OMG

user2: THEY’RE PERFECT FOR ANYA AND DIMITRI

user73: finally they’re in a movie together, can’t wait to see their chemistry even more on screen!

user84: with Michael Lockshin directing and Y/n and Tom as the main characters, I just KNOW this movie is gonna be so good.

user10: SO HER RED HAIR WAS FOR THIS MOVIE?!

user42: y/n and tom are so anya and dimitri coded 🥹

~

More instagram posts (click here)

[thelifeofchuckmovie]

When it comes to ending the world, Stephen King is a repeat offender. He has brought life as we know it to a brutal conclusion several times over the decades, usually highlighting the cruelty and desperation that erupts among the last to go. But his 2020 story “The Life of Chuck” uses doomsday to evoke some unlikely sentiments: Wistfulness. Gratitude. Even joy.

The idea of creating an apocalyptic version of It’s a Wonderful Life is what led filmmaker Mike Flanagan to call dibs on the rights to the novella more than four years ago. The breakdown of society, extinction-level natural disasters, and the disintegration of reality itself is explored through the lens of one relatively meek and mild accountant, played by Tom Hiddleston, whose memories and choices are mysteriously connected to these tribulations. Retirement posters congratulating him on “39 great years” pop up everywhere. But who is this guy? What job does he do (or did he used to do)? And why does it matter so much to the fate of the world? This apparent nobody named Chuck Krantz has lived larger than anyone thought possible.

Having explored King country before in 2017’s Gerald’s Game and 2019’s The Shining sequel Doctor Sleep, Flanagan got involved after reading an early copy of “Chuck” before it was published in the collection If It Bleeds. The Haunting of Hill House and Fall of the House of Usher creator produced the film independently, believing it might be too offbeat for risk-averse studios to greenlight. He even secured a waiver from the striking Hollywood guilds last year to move forward with the shoot while the rest of the industry was stuck in the work stoppage. Now he and Hiddleston are ready to reveal the finished version of The Life of Chuck as it heads to the upcoming Toronto International Film Festival, where it will screen for potential distributors.

Among the skeptics about this adaptation was King himself, according to Flanagan. “His initial responses to me were a little like, ‘Oh, okay. Yeah. If you think that’s a movie…,’” he says. “He did say several times that he thought it would be a challenge to get it supported through traditional means.”

King has now seen the finished movie and no longer has doubts. He described it to Vanity Fair as “a happiness machine.”

“Well, he’s written something very tender and very wise,” Hiddleston says. “I think there is a great wisdom in the soul of the story, which is that it takes courage to hold on to what is good in a world that feels like it’s falling apart.”

Flanagan hopes others see it that way too, although the overpowering dread that begins the story may be more immediately relatable. “I’ve heard it said that every generation feels a little like the world is ending at some point, [but] I still feel like it’s different for us,” the 46-year-old filmmaker says with a mordant laugh. “Institutions we took for granted as propping up our society are failing left and right. Our politics have degraded spectacularly. The sense that it’s breaking down, that the world is moving on, has been increasingly palpable. When I talk to my parents or members of older generations who have been through their own turbulent times, the thing that strikes me is that they’re like, ‘Oh yeah, this is really bad.’”

But…it’s not entirely bad. And that’s the underlying message of The Life of Chuck as its various mysteries play out. “There’s no sense of terror in the way that King drew it,” Flanagan says. “Even as the world feels as though it’s ending, people become introspective, they reach into their past for loves that have left their lives for one reason or another. Strangers engage in open and fearless communication.”

It’s an indie-film variation on the big-budget cataclysm story. “A disaster movie has people meeting the end while running from tidal waves, and this story has people sitting quietly holding hands looking at the stars,” Flanagan says.

The key to it all is Chuck himself, although he doesn’t turn up onscreen until the second segment of the three-act story, which plays out in reverse chronological order.

The beginning is actually the end, as the whole world circles the drain. Caught in this spiral is Chiwetel Ejiofor (12 Years a Slave), a school teacher trying to apply logic to the planet’s troubles; Karen Gillan (Guardians of the Galaxy) is his ex, a hospital worker determined to save everyone she can; Matthew Lillard (Scream) is a construction worker neighbor who finds zen amid the chaos; and Carl Lumbly (Alias), plays a funeral director who has dedicated his life to easing people through death.

The end of the movie is actually the beginning, showing young Chuck (Benjamin Pajak) when he was a boy being raised by his grandparents (Mia Sara of Ferris Bueller’s Day Off and Mark Hamill). The insight of these two—coupled with the otherworldly revelations he finds in an eerie room tucked into the peak of their Victorian home—help him learn to seek out bright spots when life is marred by sorrow and darkness.

In elementary school, young Chuck discovers some important things about himself thanks to guidance from a brusque dance instructor (Samantha Sloyan), and a kindhearted English teacher, played by Kate Siegel, who gives the boy (not to mention the audience) some important information that serves as a code breaker for the story's more cosmic puzzles.

As for the middle of the film: It’s a dance number. That’s when Hiddleston steps in.

Compounding the peculiarity of The Life of Chuck is the question: Why is this song and dance sequence so important? The answer is for the movie to reveal, but it matters a lot. “The life of every human being is a constellation, as expressed in this film,” Hiddleston says. “There are certain moments which will burn most brightly as individual stars. Sometimes it feels like the world is going to hell in a handcart, and it’s full of pain and suffering, and it is—but there are moments of deep joy and deep connection.”

Hiddleston shows the audience this single moment in the life of a buttoned-up fellow who somehow controls the destiny of the world. It’s not necessarily the most important day in his life, but it’s a memorable one involving a street drummer (Taylor Gordon), a lovely stranger (played by Annalise Basso), and a fateful decision to cast aside caution and cut a rug. “It’s a reminder to do whatever it is that expresses whatever gives you that feeling of being alive,” Hiddleston says. “Whether it’s music or dancing or math or writing or creativity—do it. Do it now. Those moments are what you’ll remember.”

Flanagan considered casting a relative unknown as Chuck to “give the audience the experience of ‘Who the hell is this person?’” as the peculiar retirement signs begin to appear in the midst of the apocalypse. But he felt the promise of the Loki star would build more curiosity as the world falls apart. “You grow an enormous amount of anticipation to finally spend time with an actor like Tom, who can be a literal god in one story, and then an everyman in another,” Flanagan says.

A TikTok video of Hiddleston getting his groove on sealed the deal. “He had a completely unfiltered joy on his face,” Flanagan says. “He was a good dancer, but that wasn’t what struck me. I wasn’t amazed by the technique so much as the degree of happiness that was radiating off of him. The look on his face made me smile the same way I smiled reading that particular portion of the book.”

The resulting scene was created in a month-long collaboration between Flanagan, Hiddleston, Basso, choreographer Mandy Moore (So You Think You Can Dance, and La La Land), and Gordon, a real-life percussionist who performs under the name the Pocket Queen. “Taylor was there for all of the dance choreography. She wrote that piece of music for that performance. They built it together,” Flanagan says.

Hiddleston rattles off the lists of influences: “I had to learn in six weeks the full regime of any dance training. We did jazz, swing, salsa, cha-cha, the Charleston, bossa nova, polka, quickstep, samba. We were trying to tip our hat to anything that might have influenced Chuck. It might’ve had a bit of Gene Kelly or Fred and Ginger. Certainly moonwalking—Stephen King is very specific about the moonwalk.”

Precision was not the goal, exuberance was what they sought. “We need to always bear in mind that this man is an accountant. We needed this to be an earnest, escalating explosion of joy, and a remembrance of who he was,” Flanagan says. “It’s a chance to step back into the skin of his younger self, not caring that his feet are going to kill him the next day, not caring that he’s going to wake up with a horribly stiff neck.”

A surprising thing happened while shooting the scene over the course of several sweltering afternoons in the deep South. “I burned holes in my shoes,” Hiddleston says. “I was dancing out on the asphalt in Alabama, and by the time we’d finished, you could see my socks through the soles.”

The sequence begins awkwardly: Chuck is self-conscious as he first hears the busker’s rhythm while walking back from a banking conference. That feeling quickly gets shaken off. “Tom was very committed,” Flanagan says. “He was like, ‘If I look silly, that’s fine. As long as I look happy.’”

Flanagan remembers being in a bad place when he first discovered “The Life of Chuck.” Then again, everybody was.

His copy of the manuscript arrived in March 2020. “That was just as the world shut down for COVID,” he says. “We had been a week away from starting principal photography on Midnight Mass in Vancouver and had fled across the border before it closed to make it back to the States. We were hunkered down in our homes and had no idea if this was going to last for two weeks or if this was going to last forever.”

With everything halted as the lockdown set in, Flanagan had plenty of time to do nothing but read. The new King book seemed like the perfect escape. Except…

“The first third of ‘The Life of Chuck’ just rattled me,” he recalls. “There’s no way he wrote this before the world ground to this bizarre halt—but he did. And the feeling of anxiety, and uncertainty, and that everything was falling apart came roaring out at me. I wasn’t sure I could finish it. It just felt too close to the anxiety I was feeling.” But he kept turning the pages. “By the end of it, I was in tears, and incredibly uplifted, and convinced I’d read maybe the best thing that he’d written in a decade. I just was floored by the thing,” Flanagan says. “So I fired off an email to him right away saying how much I loved the story, how incredible I thought it was, how meaningful, and important, and how it had really tattooed itself on my heart and said, ‘It’s the movie I want to make so that it’ll exist in the world for my kids.’”

King’s response: Not so fast. Flanagan and his producing partner, Trevor Macy, had at that point secured the rights to King’s fantasy saga The Dark Tower through their company, Intrepid Pictures. The eight-book series is threaded throughout King’s other works, and adapting it was a massive undertaking that Flanagan is still working to make happen. Other filmmakers had either abandoned the project, were canceled midway through, or bombed miserably. The author didn’t want him to be distracted. “He doesn’t like to give the same filmmaker more than one thing, because it typically means one thing is not advancing at all,” Flanagan says. “He said, ‘Well, let’s focus on The Tower and I’ll try to keep this one available for you for later.’”

The quest to The Dark Tower remains a priority for Flanagan, but a number of disruptions to that epic undertaking led him to reapproach King last year about Chuck. Intrepid’s deal with Netflix, where they had created Hill House, The Haunting of Bly Manor, and other shows, had come to a close, and Intrepid signed a new development agreement with Amazon. That meant starting over on The Dark Tower. Meanwhile, the threat of a double-barreled strike by writers and actors was on the horizon, stalling nearly every major new project. The industry plunged into another production-halting lockdown, this time over contract impasses rather than a virus.

Since The Dark Tower was suddenly further off on the horizon, Flanagan saw a chance to make The Life of Chuck happen in the short term. “It’s so rare that I get to approach any project that just has not an ounce of cynicism to it. I just really believed in this thing,” he says. “But it was also clear that we would have an incredibly uphill battle bringing the story to any major studio. They would try to make it as familiar as possible, instead of leaning into what makes it so different.”

King gave Flanagan his blessing to proceed. “I was off like a shot,” the filmmaker says. “I think I turned in the draft to him before he got around to sending the formal agreement.”

For everyone involved, The Life of Chuck became a bright spot in an otherwise dismal time, which matches the theme of the film. “There is a profound optimism in this story,” Hiddleston says. “As the world is spinning off its axis, there are moments of magic.”

[missempanada]

Help my song reach the Haikyuu!! team

Calling All Haikyuu Fans! 🏐🎶

Hi everyone,

My name is Sara and I’m a huge Haikyuu fan, just like you. Four years ago, just one week before the Haikyuu manga ended I poured my heart into writing a song inspired by its story and characters. Not to toot my own horn, but I think it works great as an outro.

It’s my dream for this song to reach Haruichi Furudate and the amazing creatives and executives behind Haikyuu, and hopefully, to appear in the upcoming film adaptation. And thakfully, this is now possible since the film's producers are gonna be answering questions at a convention. But I need your help to make this dream a reality!

What’s the Plan?

📅 Date: BEFORE August 24.

✉️ Mission: Send this question to the Anime NYC panel before August 24 here (https://animenyc.com/haikyu-panel-fly-connect-q-a/)

Dear Mr. Matsushita and Mr. Taguchi. My name is [Your Name], and I am a passionate fan of Haikyuu. I've come across a song by a fellow fan that beautifully captures the spirit of the series. It’s her dream for this song to reach Haruichi Furudate and the creative team behind Haikyuu and it would be a fantastic addition to the upcoming Haikyuu film adaptation. You can listen to the song here: https://www.youtube.com/watch?v=mWamSJ5bVZY&t=1s Thank you for considering this suggestion.

Let’s unite and make this happen together! 💪🏐

Thank you for your support and let’s do this!

I made a Twitter account so this reaches more people!! Please RT to help if you can!!

As I said on Twitter, I've actually tried reaching out to Furudate by sending a handwritten letter twice. The first time was in 2020 and then again in 2022. You can see the envelope of the last letter in the picture below. The sticker is from Milvilla and I actually bought an extra Hinata sticker + Bokuto and Tanaka as a gift since Furudate said in an interview that they are their favorite characters.

[goryhorroor]

Upcoming horror movies (some without release years) - not in order

Longlogs - FBI Agent Lee Harker is assigned to an unsolved serial killer case that takes an unexpected turn, revealing evidence of the occult. Harker discovers a personal connection to the killer and must stop him before he strikes again.

Nosferatu - A gothic tale of obsession between a haunted young woman and the terrifying vampire infatuated with her, causing untold horror in its wake.

Bermuda - Unknown details but it will be set in the mysterious patch of the Caribbean where planes and ships have gone missing over the years.

Twisters (ok thriller but imma count it because i can) - A sequel to the 1996 film about stormchasing scientists studying tornados.

Immaculate - Cecilia is warmly welcomed to the picture-perfect Italian countryside, where she is offered a new role at an illustrious convent. But it becomes clear to Cecilia that her new home harbors dark and horrifying secrets.

Ghostbusters: Frozen Empire - The film centers on the Spengler family as they return to where it all started – the iconic New York City firehouse – to team up with the original Ghostbusters, who’ve developed a top-secret research lab to take busting ghosts to the next level. But when the discovery of an ancient artifact unleashes an evil force, Ghostbusters new and old must join forces to protect their home and save the world from a second Ice Age.

Mickey's Mouse Trap - follows a group of friends who become targets of a serial killer dressed as Mickey Mouse

Imaginary - When Jessica moves back into her childhood home with her family, her youngest stepdaughter Alice develops an eerie attachment to a stuffed bear named Chauncey she finds in the basement.  Alice's games with Chauncey become increasingly sinister, and Jessica intervenes only to realize Chauncey is much more than the stuffed toy bear she believed him to be.

Skeletons in the Closet - Haunted by a malevolent spirit since childhood, a desperate mother allows herself to become possessed in order to save the life of her terminally ill daughter.

Lisa Frankenstein - love story about a misunderstood teenager and her high school crush, who happens to be a handsome corpse. After a set of playfully horrific circumstances bring him back to life, the two embark on a murderous journey to find love, happiness… and a few missing body parts along the way.

Winnie The Pooh: Blood & Honey 2 - oh yay? I guess a sequel

Adrift - It is described as a supernatural ghost story set aboard a ship. It is an adaptation of a short story by Koji Suzuki

Dustbunny - It follows a young girl who asks her neighbor to help her kill a monster under her bed after she thinks it has eaten her family.

Faces of Death -  follows a woman who discovers violent videos that recreate death scenes from movies online. 

Heretic -  two religious women who become the focus of a strange man's games. 

History of Evil - In the near future, war and corruption have plagued America and turned it into a theocratic police state. Against the oppression, ordinary citizens have formed a group called The Resistance. One such member, Alegre Dyer, breaks out of political prison and reunites with her husband Ron and daughter Daria. On the run from the militia, the family takes shelter in a remote safe house. But their journey is far from over, as the house’s dark past begins to eat away at Ron, and his earnest desire to keep his family safe is overtaken by something much more sinister.

MaXXXine - Six years after the ‘Texas Pornhouse Massacre’, Maxine is now LA-based and on a driven quest to become a star in the acting world. But things take a sinister turn when bodies once again begin to fall around her.

Dracula - A futuristic sci-fi western version of Dracula.

Apartment 7A - Prequel to the 1968 film Rosemary’s Baby.

Baghead - follows a young woman who inherits a run-down pub and discovers a dark secret within its basement. Enter Baghead - a shape-shifting creature that will let you speak to lost loved ones, but not without consequence. 

Out of Darkness - In the Old Stone Age, a disparate gang of early humans band together in search of a new land. But when they suspect a malevolent, mystical, being is hunting them down, the clan are forced to confront a danger they never envisaged.

Stopmotion - stop-motion animator by the name of Ella whose latest project might just be driving her to the brink of madness.

Late Night with the Devil - 1970s talk show host Jack Delroy on his last legs, wrung out by personal tragedy and in need of a ratings win. His plan to feature as a guest a young girl who is allegedly possessed seems like a Halloween night layup… until the cameras roll and all hell literally breaks loose.

You'll Never Find Me - An isolated man living at the back of a desolate caravan park is visited by a desperate young woman seeking shelter from a violent storm. As the savage storm worsens, these solitary souls begin to feel threatened – but who should really be afraid?

The First Omen - When a young American woman is sent to Rome to begin a life of service to the church, she encounters a darkness that causes her to question her own faith and uncovers a terrifying conspiracy that hopes to bring about the birth of evil incarnate. (this might be a prequel to the omen)

Abigail - After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl. 

Return to Silent Hill - James, a man broken after being separated from his one true love. When a mysterious letter calls him back to Silent Hill in search of her, he finds a once-recognizable town transformed by an unknown evil. As James descends deeper into the darkness, he encounters terrifying figures both familiar and new and begins to question his own sanity as he struggles to make sense of reality and hold on long enough to save his lost love.

Infested -  invasion of venomous spiders, forcing residents of a suburban building to find a way out.

Tarot - Tarot follows a group of friends who recklessly violate the sacred rule of Tarot readings – never use someone else’s deck. In the wake of broken rules, consequences follow, this time in the form of unleashing an unspeakable evil trapped within the cursed cards. 

The Strangers Chapter 1 - a couple, have to survive the night while being terrorized by masked strangers in a remote Airbnb in Oregon

The Watchers - the film follows a young woman who becomes trapped with three strangers in a shelter deep within a forest in Ireland where the group must fight off mysterious creatures every night in order to survive. 

Never Let Go - a family who has been tormented by an evil spirit for years as their lives become more dangerous when one of the kids questions if the evil is real. 

The One - Follows character Taylor as she becomes a contestant on a reality TV dating show to find love. Taylor's experience takes a turn as she gets down to the final three and becomes terrified of not finding love (with a horror twist)

Thread: An Insidious Tale - new actors who play a husband and wife who use a spell to travel back in time to prevent their daughter's death, which has worse consequences than imagined

Weapons - The movie is about the disappearance of high school students in a small town, similar to the movie Magonlia's from 1999

A Quiet Place: Day One - New characters in New York

Alien: Romulus - takes place between the first & second movies

Beetlejuice 2 - not much is known about the plot details, but Beetlejuice will have a wife & Lydia's daughter will be in it

Speak No Evil: this is the English remake (all it really says; but it's just the 2022 movie but English?)

Smile 2 - it's a sequel but no details have been revealed

Terrifer 3 - not too many details revealed but it will take place on Christmas Eve

Wolfman - not too many details revealed but it's a new take on the werewolf tale

I Saw The TV Glow - Teenager Owen is just trying to make it through life in the suburbs when his classmate introduces him to a mysterious late-night TV show — a vision of a supernatural world beneath their own. In the pale glow of the television, Owen’s view of reality begins to crack.

Don't Move - A seasoned killer injects a grieving woman with a paralytic agent and she must run, fight and hide before her body completely shuts down.

Arcadian - Nicolas Cage comes back to save the day - and his children - from ferocious creatures at their remote farmhouse.

All My Friends Are Dead - College friends? Remote Airbnb? A secret murderer? What could go wrong in this classic toxic friend group killing spree? Looking forward to attending the biggest music fest of the year, this group of friends get together for what should be a killer weekend.

Monolith - It is about a disgraced journalist who investigates a conspiracy theory while trying to salvage her career.

some movies coming out maybe not this year but have been floating around: The Toxic Avenger (I think remake), Witchboard (remake), Year 2 (about werewolves), Shelby Oaks (A woman's desperate search for her long-lost sister falls into obsession upon realizing that the imaginary demon from their childhood may have been real), Salem's Lot (remake), Little Bites ('70s-set monster movie that highlights the lengths a parent will go to protect a child), The Crow (Reboot), Jordan Peele's untitled movie, I've also seen there's going to be another Saw (but it hasn't been confirmed), and another Scream (but that production is already a trainwreck so who knows)

[literaryvein-reblogs]

How to write genius level characters? :(

One of the most reliable measures of intelligence today is the Stanford-Binet Intelligence Scale—currently in its 5th edition, with an upcoming edition in the works.

Using the tool/scale, scores are converted into nominal categories designated by certain cutoff boundaries for quick reference:

Measured IQ Range — Category

145-160: Very gifted or highly advanced

130–144: Gifted or very advanced

120–129: Superior

110–119: High average

90–109: Average

80–89: Low average

70–79: Borderline impaired or delayed

55–69: Mildly impaired or delayed

40–54: Moderately impaired or delayed

To write your "genius" character, you may want them within the Gifted to Very Gifted categories.

Note: With reference to this list, Roid (2003) cautioned that “the important concern is to describe the examinee’s skills and abilities in detail, going beyond the label itself”. The primary value of such labels is as a shorthand reference in some psychological reports.

These are the factors measured by the scale, and you ideally should aim for your "genius" character/s to exhibit high levels of:

Fluid Reasoning: Novel problem solving; understanding of relationships that are not culturally bound

Knowledge: Skills and knowledge acquired by formal and informal education

Quantitative Reasoning: Knowledge of mathematical thinking including number concepts, estimation, problem solving, and measurement

Visual-Spatial Processing: Ability to see patterns and relationships and spatial orientation as well as the gestalt among diverse visual stimuli

Working Memory: Cognitive process of temporarily storing and then transforming or sorting information in memory

Or maybe your character doesn't excel in all of these areas but in a specific one, or just a few of these. Maybe they perform within the average or high average in some, but are highly gifted in other areas.

The following may also guide you in writing your genius character, based on research compiled by Dr. J. Renzulli, which can be found in the Mensa Gifted Youth Handbook:

Characteristics of Giftedness

LEARNING CHARACTERISTICS

Has unusually advanced vocabulary for age or grade level

Has quick mastery and recall of factual information

Wants to know what makes things or people tick

Usually sees more or gets more out of a story, film, etc., than others

Reads a great deal on his or her own; usually prefers adult-level books; does not avoid difficult materials

Reasons things out for him- or herself

MOTIVATIONAL CHARACTERISTICS

Becomes easily absorbed with and truly involved in certain topics or problems

Is easily bored with routine tasks

Needs little external motivation to follow through in work that initially excited him or her

Strives toward perfection; is self-critical; is not easily satisfied with his or her own speed and products

Prefers to work independently; requires little direction from teachers

Is interested in many "adult" problems such as religion, politics, sex and race

Stubborn in his or her beliefs

Concerned with right and wrong, good and bad

CREATIVITY CHARACTERISTICS

Constantly asking questions about anything and everything

Often offers unusual, unique or clever responses

Is uninhibited in expressions of opinion

Is a high-risk taker; is adventurous and speculative

Is often concerned with adapting, improving and modifying institutions, objects and systems

Displays a keen sense of humor

Shows emotional sensitivity

Is sensitive to beauty

Is nonconforming; accepts disorder; is not interested in details; is individualistic; does not fear being different

Is unwilling to accept authoritarian pronouncements without critical examination

LEADERSHIP CHARACTERISTICS

Carries responsibility well

Is self-confident with children his or her own age as well as adults

Can express him- or herself well

Adapts readily to new situations

Is sociable and prefers not to be alone

Generally directs the activity in which he or she is involved

Sources: 1 2 3 4 5 6 7 8 9

Hope this helps with your writing. Do tag me, or send me a link. I'd love to read your work!

[jbaileyfansite]

Interview on Today (2024)

Jonathan Bailey and Matt Bomer tell a decades-spanning love story, set against a dark time in American history, in the miniseries "Fellow Travelers."

"It's a once or twice in a career experience to get to tell characters' stories for three plus decades," Bomer tells TODAY.com.

It also seems to be a "once or twice in a career" friendship between the two stars.

As we sit down to chat after their appearance on TODAY, I tell Bailey this interview will be audio-only, not on camera.

"So you'll get to hear Matt's Elphaba riff," Bailey jokes, before Bomer belts out a near-perfect tenor rendition of the closing notes of "Defying Gravity."

In addition to "Fellow Travelers," which premiered on Showtime in October 2023 and led to both stars receiving Emmy nominations, Bailey is also gearing up for the release of the film adaptation of "Wicked."

"I wore my emerald shirt to support," Bomer says later.

Throughout the interview, they share effusive praise for each other. Bomer was a "huge fan" of Bailey's work before they met, he says, and the "Bridgerton" actor then "exceeded all expectations." Bailey credits Bomer, who served as an executive producer on the show, with making "the whole thing happen."

"He's been a hero for a long time," Bailey says of his co-star.

Their friendship may be the happily ever after that, on its surface, is absent from their show.

"Fellow Travelers" chronicles the love story between political consultants Hawkins "Hawk" Fuller (Bomer) and Tim Laughlin (Bailey) over the course of four decades. Their relationship starts against the backdrop of the Lavender Scare in 1950s Washington D.C. and runs all the way up to San Francisco in the '80s, at the start of the AIDS epidemic.

The show is romantic, sexy, moving and devastating, right up until the last line.

An 'instantaneous' friendship

Bomer says their friendship was "instantaneous."

"I feel like we went from coworkers to friends the first time we read together," he says. "It was so great to have someone I could completely trust as my scene partner and lean on and who made me better every day as an actor an a person at times."

He adds, "It was never really an effort."

Because their characters maintain an off-and-on again relationship over the years, Bailey and Bomer saw their characters through different ages and life phases.

That “nature of the love story” means they “grew with every scene," Bailey says.

"One of the most bonding experiences was seeing each other turning up through the different decades — see how we were aging, sometimes gracefully, sometimes not, and then sometimes gracefully again,” he says. "We're bonded, I'd say, for life."

‘Fellow Travelers,’ ‘Bridgerton’ and ‘Wicked’ — oh my!

The intensity of the show's emotions was matched by the intensity of filming.

Bailey, known for his breakout role as romantic hero Anthony in "Bridgerton" Season 2, filmed Season 3 of "Bridgerton" and his upcoming film "Wicked" at the same time as the Showtime drama.

When asked on TODAY Aug. 16 how he kept all the roles in his head, he simply answered, "I don't know."

But he did recall a time when his roles as Tim in "Fellow Travelers" and Fiyero in "Wicked" overlapped.

"There was one afternoon where we had a two-way trailer," Bailey said. "And the trailer was sort of rocking."

"I was like, 'What's going on in Johnny's trailer?'" Bomer recalled.

"I came out really sweaty," Bailey continued. "My Tim glasses were on, and I had on Adidas from the waist down, and I had been practicing my 'Wicked' choreography."

At its busiest, "Fellow Travelers" filmed for entire days — literally.

"Some of the days were like 20 hours," Bailey recalls to TODAY.com.

They filmed Episode 6, "Beyond Measure," largely set in the ‘60s —years since Tim and Hawk last spoke — in about three days, Bailey says.

"We had to wrap the show. You had places you had to be, and the schedule was so tight, we were just doing 18-hour days, 20-hour days," Bomer adds.

This happened after theactors had filmed the final scenes of the show.

"So we'd done the real heavy moment —," Bailey says, as Bomer adds, "We had this great release for the whole experience. But then we had to go back."

And about that ending...

"Fellow Travelers" turns out to be a frame narrative. The show both opens and ends in the '80s during Tim and Hawk's last reunion, before Tim dies of complications from AIDS.

Tim's death is not shown on screen. Instead, it's revealed through the final scene, which sees Hawk and his daughter looking at Tim's name on the AIDS Memorial Quilt in 1987. For the first time, Hawk tells her about his relationship with Tim.

The last lines of the show are Bomer's.

"He wasn't my friend. He was the man I loved," Hawk says.

Both actors confirm that the last time Tim and Hawk saw each other was in 1986 at the political gala shown in Episode 8. After Tim tries and fails to get an audience with the California governor to advocate for a crucial AIDS bill, he interrupts the event with a protest. But before taking the stage, Hawk kisses Tim, who then tells his longtime love to go home.

"I have to fight this fight. That means letting go of everything else. And if you're around, I will not be able to let go," Tim says.

Bomer calls their ending "brilliant."

"To see Tim in this moment of absolute triumph, where he is his most authentic self, pumping his fist in the air with a passion and a cause — everything that he had tried to hard to be in the '50s, he is celebrating out loud in the '80s," Bomer says. "I just thought it was such a beautiful, heartbreaking way to go out."

Tim’s arc “ends with his strongest moment, even though his body is dying," Bailey adds.

Hawk meanwhile, "hits the 'f-it' button," Bomer says.

"To kiss Tim openly is such a huge, revolutionary act (for Hawk)," he adds. "So he's definitely made the choice that he's going to take a complete new path for his life."

Bailey says the gala was the last time Tim and Hawk saw each other “in this world.”

"From the last scene, you can tell that he will live on as Hawk's great love of his life," Bomer adds. "Forever."

Source

[toorumlk]

Hey! Do you think there’s any chance they might not make Romione canon in the upcoming HBO series because of the popularity of other pairings and JKR’s somewhat recent statements concerning the ship?

fair warning this is gonna be a long post!

you know anon, i’m not gonna deny that the possibility of romione not being canon in the hbo series doesn’t keep me up at night HOWEVER COMMA-

I believe romione will be safe because i’m placing a lot, if not all, of my faith in the upcoming hbo series being repeatedly described as a "faithful" adaptation of the 7 novels. which we can deduce to mean romione friends to lovers slow burn endgame and all that good stuff (maybe i'll talk about the potential of book romione and the serial tv medium some other time)

and sure, it can all be marketing/pandering/etc. but i find it so hard to feel cynical about hbo because i love LOVE their shows and i'm of the belief that they know how to tell a good ass story (and romione happens to be a good ass romance subplot). i also have such positive feelings about the showrunner Frances Gardiner (consulting prod on succession and also has killing eve under her belt) who JKR chose herself and one of the exec producers of the show who's set to direct of a bunch of episodes Mark Mylod (succession, the menu, tlou, got)!!!! and if you know me at all you'll know that succession is one of the main pillars of my personality and i fucking love that show so bad I would follow anyone who was part of the making of that show off a cliff if they asked me to. and Mark Mylod is a fantastic fucking episodic director who's directed and produced some of the best episodes of television ever, so i know he knows how to tell a good story. and though i'm a lot less familiar with Gardiners' work, she is a female creative who has some of my personal favourite episodes listed in her imdb (chiantishire, living+, tailgate party) who's pitch of the show made joanne give her the job so.... and y'all know im a canon bootlicker and love the books so all i'll say is.. real recognizes real.

so knowing the creative team behind hp series had a direct hand in making my favourite show of all time gets me so excited and giddy!!!!

but here's where my personal theories and speculations start: I really think with this hbo series, JKR is on a mission is create something wholly and newly hers. she was barely involved creatively in the production of the movies until DH pt. 1 and 2 and the movies have almost become an entity of its own that's drifted so far away from her. of course i realize me even just talking sympathetically about JKR is deeply touchy and might piss some people off but as a fellow creative, i feel for her man!! when i think of the best books in the series in my opinion that are filled with the best bits of world building and political commentary, what i find is that GoF was handed to a director who didn't even read the book, OotP was the shortest movie in the franchise despite being the longest book and how it entirely missed the Quibbler plot and all of harry's rage, or HBP that was filled to the brim with *chefs kiss* tom/voldemort lore which was done a complete disservice in the grey and brown sludgy mess that is the HBP movie.

and knowing that JKR now has a strained relationship or had a falling out with most of the top dogs involved in the films like Kloves and Yates (hallelujah what who said that) and Emma Watson and Daniel Radcliffe means this show has the chance to be a behemoth that’s entirely joanne’s, like the books are. it’ll be free of Kloves' Hermione and harmony (harry x hermione) favouritism or Watson's take on Hermione's character that makes my ass itch or Yate’s complete inability to direct his actors and make non-action scenes have heart, soul and heft. but i also can’t not address the elephant in the room: this section of the discussion is filled with every shade of grey possible because what led to the falling outs was that they all vehemently disagreed with JKR's anti-trans views and good on them they absolutely should! but like.............. i hated kloves' writing and his butchering of ron's character, i think yates is a static and boring director and im not a fan of emma's acting so like... a win is a win? NO IT'S NOT. but IT IS. BUT IT'S SO NOT. but do you see what i'm getting at???

the point i'm trying to make is that joanne is not the same person she was when she was first writing the books or when the movies were being made. I think she's a lot more ruthless and cutthroat now and while i disagree with her methods and condemn her transphobia.... i think this newfound hardness to her will lend itself to making the hbo series the best HP adaptation it can be, I'M SORRY it's absolutely fucked and i acknowledge and abhor her gender critical politics as a queer woman but im also an artist who just wants good, high quality stories to be told 😔😩

and as for the other popular ships and JKR's somewhat recent comments about romione:

I think its safe to say that joanne dgaf about this fandom and what's popular in it anymore LMFAOOOO 😭😭😭 i genuinely respect that she's always stood ten toes down about how draco's not some antihero, bad boy love interest and at best is a cautionary tale on prejudiced bullies, so I don't think that's changing anytime soon. especially considering that the dramione cottage industry that its fans have made is more or less a reactionary "fuck you" to joanne and canon which they do by writing fanfic about crimes against women and making merch and binding physical copies of said fanfics (really showing it to the big baddie transphobic DV survivor by *checks notes* auctioning hermione off as a sex slave) so I doubt she'd ever consider other ship's popularity seriously. as for the possibility of harry and hermione becoming endgame um..... if the show plans to faithfully adapt the books then we'd get harry and hermione’s quintessential sibling dynamic plus we’re already free from Kloves (also i have faith in francesca and mark knowing that harmony are just plain BORING) so i think the chances, again, are low. and if joanne really wants to stick it to her old colleagues, she can go down the route of pushing romione that much harder (and she really wouldn’t have to do much, it’s all in the books already) 😭

as for the comments on romione that she’s made in recent years, i think a lot of it’s been blown out of proportion or have gone through a terrible game of telephone. what she said (paraphrasing here) about ‘wishing she’d handled ron/hermione differently because a lot of what went into them was a wish fulfillment fantasy’ has turned into ‘jk rowling regrets making romione endgame???!!’ which is just *takes a drag from a cigarette* just another tuesday around here. i also would link to two meta posts by @saintsenara on the topic of endgame romione which i wholeheartedly agree with it

all i have to say is that going into making this show i hope joanne remembers that she based ron’s character off of a person in her life she liked when she was younger and who is still a good friend of hers now 😭😔

you guys probably know i’m in animation school which is basically film school in a different font. so i’m quite literally training to one day work in the story department on projects and work alongside writers, directors and producers, so this stuff means a lot to me! she and the creative team behind this upcoming show have the chance to make something really special and i’m finding it hard not to root for them!!!!!

[niceonet]

TRAİLERDB - DEVASA+ (2)

As the film industry continues to evolve, sneak peeks into upcoming releases offer us a tantalizing glimpse of the stories, characters, and visual spectacles on the horizon. Whether you're a fan of thrilling blockbusters, heartwarming dramas, or spine-chilling horror flicks, there’s something for everyone to look forward to. 

New Movie Trailers

As we dive into the world of cinema, new movie trailers are a crucial part of what excites fans and sparks discussions before a film's release. Each year brings a wave of trailers that not only provide a glimpse into what to expect but also set the tone for upcoming films. From thrilling blockbusters to indie gems, the latest movie trailers give us a sneak peek into groundbreaking stories, captivating performances, and stunning visual effects.

The anticipation builds as studios release new movie trailers, often showcasing the top talents in the industry. The art of creating a compelling trailer has become a skill in itself, as filmmakers and marketing teams work diligently to distill the essence of a movie into a short, enticing clip. Whether it’s the heart-pounding action of a superhero flick or the emotional depth of a biographical drama, these clips are designed to hook audiences and keep them talking.

Every film genre has its unique traits that shine through in new movie trailers. For instance, horror films employ eerie soundscapes and unexpected jump scares, while romantic comedies highlight heartfelt moments and witty dialogue. The best trailers leave viewers wanting more, teasing just enough to spark curiosity without giving away key plot points.

Moreover, latest movie trailers are a great way to gauge audience reactions. Fans often flock to social media platforms to share their thoughts and predictions, creating a buzz that can significantly impact a film's opening weekend. Additionally, trailers can also offer retroactive enjoyment, as audiences revisit them after watching the film to appreciate the marketing and artistry involved in their creation.

With numerous film festivals and award shows showcasing new movie trailers, the excitement only amplifies. Events like San Diego Comic-Con and the Sundance Film Festival are just a few examples where audiences are treated to exclusive previews of highly anticipated films. These moments not only build hype but also reflect the creativity and diversity of storytelling in contemporary cinema.

In conclusion, new movie trailers serve as a vital connection between filmmakers and audiences. They encapsulate the essence of what’s to come, setting the stage for cinematic experiences that captivate viewers around the globe.

New Movie Trailers 2024

As we step into 2024, the excitement for upcoming films is at an all-time high. New movie trailers are being released at a brisk pace, teasing audiences with glimpses of thrilling plots, stunning visuals, and star-studded casts. Below are some of the most anticipated new movie trailers 2024 that have already caught the attention of film enthusiasts.

1. Action-Packed Blockbusters: This year promises a wave of adrenaline-pumping action films. One of the standout new movie trailers showcases the return of a beloved franchise, with high-octane sequences that leave viewers at the edge of their seats. Expect epic battles, mind-bending stunts, and heart-stopping suspense.

2. Exciting Adaptations: Fans of literature and comics will not be disappointed, as several new movie trailers reveal adaptations of popular books and graphic novels. The trailers give us a sneak peek into how filmmakers are bringing these stories to life, with stunning visuals and captivating performances that honor the source material.

3. Thought-Provoking Dramas: 2024 also promises to deliver a slate of new movie trailers that focus on compelling narratives and character-driven stories. These films address contemporary issues and human experiences, showcasing talented actors in powerful roles that are sure to leave a lasting impression.

4. Family-Friendly Flicks: There’s something for everyone in the upcoming year, with new movie trailers featuring animated films and family comedies. These trailers highlight the creativity and humor that make them perfect for audiences of all ages, filled with endearing characters and heartwarming stories.

5. Highly Anticipated Sequels: Fans of franchise films will be delighted to see the new movie trailers for sequels that expand on beloved stories. With returning characters and fresh plotlines, these films promise to deliver the nostalgia and excitement that fans crave.

In conclusion, 2024 is shaping up to be a remarkable year for cinema, with a variety of new movie trailers set to ignite the passion of moviegoers around the globe. Stay tuned as more trailers drop and the release dates approach, because this year is sure to be unforgettable!

Latest Movie Trailers

As movie lovers know, the excitement for a new release often begins with the unveiling of its trailer. The latest movie trailers give us a glimpse into upcoming films that promise to captivate audiences and spark conversations. With a wide array of genres, these trailers highlight the creativity and talent of filmmakers, showcasing their unique storytelling approaches.

This year, we have seen some incredible trailers that have set high expectations for moviegoers. From thrilling action sequences to heartfelt dramas, the latest film previews provide tantalizing sneak peeks into the narratives we can expect to enjoy on the big screen. Movies like Dune: Part Two and Killers of the Flower Moon have already generated a buzz through their stunning visuals and compelling storylines presented in their latest trailers.

One of the most exciting aspects of latest movie trailers is seeing our favorite actors and directors return to the forefront of cinematic storytelling. Not only do the trailers highlight their impressive performances, but they also give insight into the dedicated craftsmanship behind the scenes. Whether it's a gripping suspense thriller or a light-hearted comedy, the trailers are carefully crafted to deliver maximum impact and entice audiences.

In addition to the theatrical trailers, some films also offer teaser trailers, creating an air of mystery and anticipation. These short clips foster an engaging conversation among fans, fueling speculation about plot details and character arcs. Social media platforms have become a hub for sharing these insights, leading to a vibrant fan community eager to discuss the nuances observed in the latest clips.

As we venture further into 2024, the influx of new movie trailers continues to build excitement for the upcoming releases. Movies such as Ghostbusters: Afterlife 2 and The Marvels are generating significant hype, with trailers that showcase not just the actors but also the innovative special effects that cinema has to offer. This wave of new trailers keeps audiences engaged and eager for more.

Stay tuned as we anticipate the release of these films. The latest movie trailers are just the beginning of what promises to be an exhilarating journey through the world of cinema.

[genericpuff]

Rachel did a live Q&A in the LO Discord server and gave some news about the Animated Series, it’s still happening! (Surprisingly) Any thoughts on that or things you’d like to see from it?

Right, like every other time she's said it's "still happening" with no evidence to actually support it. That's always been the issue and still is.

Sorry, that's not me being snarky at you, I'm more so frustrated and absolutely fucking done with all the empty promises and platitudes.

Best case scenario with what was said during the Q&A was that she said "it's still happening" (worst case was that she didn't address it at all).

Like, how is this:

"I can say that… we are currently doing work on it… and it is going well.. and that it looks really cool and that I wish everyone could see what we’ve done because it looks really really really cool, and it’s happening, but that’s all I can say at this point… I can say, making tv shows takes a really long time, it takes so long" (last night's Q&A)

Any different than this:

Any different than this:

“Um, it’s been really interesting. It’s been educational for me. So, what I—what has been done so far is beautiful. Like, if I could share it, I would. But I can’t. Because it’s very naughty.” - Girl Wonder SDCC (July 2023)

She's been saying this for the last two years since people started getting suspicious it wasn't happening in the first place, and despite all the reassurances that "it's still happening", it doesn't seem to have anything to show for itself. Cast list? Nope. Director? Nope. Writers? Nah. Just a showrunner whose bio still says "TBA" and who, despite having a whole ass 40 minute long interview with Girl Wonder, still didn't have anything to show for what's to come, just more empty promises that it's "still happening" (and a lot of banter about Stephanie's life, rather than her involvement with LO).

In fact, most of what Stephanie talks about in the podcast concerning LO is pitching it, not developing it. And this interview happened just a few months ago. Go listen to it yourself if you don't believe me.

So at this point, I see "it's still happening" as "don't panic" corporate speak for "we're still pitching it and trying to find a network for it so we can actually move onto development." Yes, animation takes a long time, even Hazbin Hotel took about three and a half years to finally release after Prime bought the rights to it in 2020. But LO, again, clearly hasn't even started the animation process yet. And while we're comparing it to Hazbin, note that HH actually had LOADS to show for itself along the way of being developed and did a much, MUCH better job at staying relevant and pulling in new people and hyping it up. Even people who never watched Hazbin before in its indie days on Youtube were hearing about it, it made an active effort to sell itself to new viewers and break out of its bubble on Youtube. Is LO doing that? No, not really. Most of the people who know about it are diehard fans who refuse to read anything that isn't shown directly to them on Webtoons, and diehard haters who are tired of the garbage that gets advertised on Webtoons. Ask anyone who doesn't use Webtoons, and best case, they'll know someone who reads LO, worst case, they won't even know what a webtoon is.

Shit, even the new upcoming Zelda movie has names attached to it, including Avi Arad, Wes Ball, and Derek Connolly. And my god, it's gonna SUCK DICK with that bad of a line-up (the guy who ruined the OG Spiderman trilogy and created Morbius, the guy who directed the Maze Runner films, and one of the leading storywriters behind Rise of Skywalker, fucking YIKES) but hey, at least it has more than one name attached to it.

But okay, if we're gonna play the comparison game, let's be fair and compare LO to some other works in its own lane. Let's Play announced last year that it would be getting an animated adaption, and it already has a studio backing it that is FAR more suited for it than JHC is to LO - OLM, the same studio whose animated for massive franchises like Pokemon, Yo-Kai, and Gudetama. JHC meanwhile has animated... motion capture kid shows like Word Party. Because that's the only kind of animation they actually specialize in when it comes to their in-house services. Sure, they also have Harriet the Spy, but that wasn't animated by them, that was animated by Titmouse Inc (heh sorry).

I'm the Grim Reaper recently had its own animated adaption announced, and who's in charge of it? Oh, only SAM FUCKING RAIMI-

And look, maybe the Let's Play and I'm the Grim Reaper adaptions won't happen either. I just think it's ironic that they both have more to show for themselves in terms of credible names attached to them than what LO has managed to scrape up after five years of promising that it's "still happening" (especially when one of those series is nowhere near as big as LO and the one that WAS as big as LO walked away from Webtoons entirely). For Webtoons' own "worldwide phenomenon", they sure have given LO the shit end of the stick by pairing it with a family-with-kids-under-10 production studio that doesn't specialize in animation and a showrunner who got her start with the Cosmopolitan (weird how LO has so many plugs with Cosmo, huh? Why is JHC producing the show again?)

At the end of the day, nothing's changed. It's still just the ole' "it's still happening" record on a loop, while the comic itself falls further out of favor with people. And it's likely gonna be going behind DailyPass soon, so just think about what that's gonna do to its relevancy after it gets sent away to the equivalent of the Webtoons graveyard.

As I've said countless times before every time this topic comes up, at best, if it is still happening, and I'm wrong about all of this, they are doing the worst job I've ever seen at hyping people up and keeping them informed. It is NOT a good thing that people have to keep asking Rachel if it's still happening.

As for worst case... you wanna know what other projects come to my mind that have fallen into the same state of development hell and decay as LO's TV show? YandereSim and Cryamore. What do you think the popular opinion is about those works and their creators now? Because if you don't know either of those names and are about to google them, let me give you a heads up warning - it's not positive.

If it happens, it happens. It will hopefully be before I get all the therapy I need to undo what LO has done to my brain so that I don't have to make repeat visits LOL But if it's after, hey, maybe the show will be good! Assuming Rachel doesn't, y'know, E.L. James the whole thing. Because frankly, the show will need to cut and rework a LOT of stuff to be any good IMO and I don't think that will be possible if Rachel gets directly involved. But I'm not even hoping for that scenario because there's literally NOTHING to give me that hope, "it's still happening" is nothing more than "don't panic" corporate speak to me at this point. It's cynical, but I just can't waste my energy caring about it anymore.

[laracroftdaily]

Lara Croft Crowned Most Iconic Video Games Character of All Time, According to BAFTA Poll

BAFTA has revealed the results of its landmark players’ poll to establish the Most Iconic Video Games Character of All Time. Launched to celebrate the 20th BAFTA Games Awards on Thursday 11 April, the poll was engaged with by over 4,000 players from all over the world. 

Taking the number one spot is the generation-spanning heroine Lara Croft, star of the Tomb Raider franchise. Lara Croft first appeared in 1996, nearly three decades ago, and since then she has been remastered and evolved several times for television, film, video games and even her own live immersive experience in London, England.

First introduced to the world in 1996 in Tomb Raider for the Sega Saturn, Lara Croft has appeared in over 15 games, three films, multiple novelisations and comic book adaptations, and an upcoming Netflix animated series.

[harrypottermovieproblems]

Hello, all!

We find ourselves at a funny little crossroads today. There is officially an HBO television adaptation of Harry Potter in the works, one with a clearly stated commitment to open casting that could create an inroad to character representations aligning with a great many fans' longtime hopes and dreams for Harry and Hermione especially. Ten years ago, this would have been everything we could have ever hoped for in this fandom. Today, news of this new television show cannot bring joy.

The movie adaptation has brought many book fans a great deal of frustration over the years (hence the creation of this blog); while being greatly beloved by an entire generation, it simultaneously dropped the ball in many areas focusing on characterization and worldbuilding. And yet the faces of that film franchise - the actors of the main trio especially - have been invaluable voices in the public struggle to push back the flood of anti-trans rhetoric free flowing from JK Rowling's social media accounts.

On the other hand, we finally have a long-form adaptation of the series on the horizon, but it comes less than fifteen years after the end of the original movie series and therefore inevitably falls into the exhausting position of being yet another franchise remade too soon. And most importantly, of course, the main and inescapable effect of its creation will be lining the pockets of a woman who has been actively and enthusiastically supporting bigotry against women - both trans and cis - in society and in politics.

There have been rumors that Warner Brothers is trying to buy the rights to the entirety of Harry Potter from JK Rowling, and if true, it has to be admitted - ironically, given the nature of this blog - that I hope they succeed. If the choice is between lack of artistic fulfillment in the portrayal of a fictional world or real-life financial support of a woman actively making the world a more dangerous place for vulnerable populations, there is only one choice to support.

A few years ago, I started writing a detailed post that was a general post-mortem on our collective fanship of JK Rowling, and never completed it due to general feelings of exhaustion, disgust, and feelings that it was redundant. But briefly:

Many years ago, JK Rowling made a post on her personal website about her portrayal of Aunt Marge's bulldogs. She was dissatisfied with how she had written them, because she hadn't known a lot about bulldogs at the time and hadn't taken the care to portray them in a way that did them any justice. While she meant no harm, she's since learned better and wishes, in retrospect, that she had portrayed them differently.

When I think about JK Rowling, I think about that post a lot.

Even before her newest and most outspoken TERF era, even prior to all of the issues involved in the Fantastic Beasts spinoff series, JK Rowling wrote a beloved children's series that was seen as highly progressive upon publication but also contained a number of elements that have aged, shall we say, very poorly. Some of these were markers of the time when Harry Potter was originally written - many things from the 90's have aged badly - and some of them are down to the personal ignorance of the author, whether or not you assume that ignorance came hand-in-hand with malicious intent.

She could have spoken out about this if she wished - you know, like she did with the fucking bulldogs, to say that she had no ill-intent at the time but that would write these elements differently today if she had the chance - but as far as I'm aware, she has not. In fact, despite having endless wealth and resources at her disposal now, as opposed to the original start of her writing journey as a single mother scribbling ideas on cafe napkins, her portrayal of delicate issues of things like race, gender, and sexuality in her writing has only gotten worse.

The 'JK Rowling was always a secret conservative' rhetoric is strong, especially on Tumblr, and while I understand it, I genuinely think that it is misguided. The woman spent most of her life voting in favor of and speaking out for leftist and progressive politics. We (progressives) are not immune from propaganda, radicalization, or being raging fucking bigots. However she votes now, whatever idiots she is friends with now, the call very much started from inside the house on this one.

So, to circle back to the original point of this post:

This new HBO television series, in a best-case scenario, could take all of the tone-deaf sociopolitical issues with the original novels and fix them. It could take all of the creative issues with the movie franchise and fix those too. It could give us a diverse cast and tell an emotional story that does credit to what so many people held dear about the book series while growing up.

(I doubt it will, but it could.)

And yet this would still be a thing that on some level brought me no joy, because at the end of the day, it would also be putting pallets and pallets of cash into JK Rowling's pocket as she continues to dig her way down the conservative rabbit hole instead of fixing any of the mistakes of her early writing career.

Gross.

xoxo

[thelifeofchuckmovie]

There are multiple Stephen King-centric stories to emerge from this past week pertaining to some anticipated upcoming Stephen King movies. And there was an update from writer/director Mike Flanagan regarding how his adaptation of The Dark Tower series is co-existing with his developing Exorcist movie.  

Not only has Flanagan been talking about The Dark Tower, but he’s made a couple of fantastic revelations about his new movie The Life Of Chuck (based on the Stephen King novella of the same name), and we have some major behind-the-scenes news regarding director Francis Lawrence’s The Long Walk, which has started production and added to its cast. The King Beat is here to catch you up on all of the developments. Let’s dig in!

Mike Flanagan’s Description Of Tom Hiddleston’s Big Dance Sequence In The Life Of Chuck Will Make You Want To See The Movie Immediately

Anyone who has read “The Life Of Chuck” has long known that dancing would be a crucial element of Mike Flanagan’s adaptation. After all, the middle section of the three-part story is entirely about an impromptu bit of body moving in public when the titular character gets caught up in the music being played by a busker. That being said, it’s nonetheless fascinating to learn how Flanagan is approaching the sequence in the adaptation – and based on his recent comments, it’s going to put broad smiles on the faces of anyone who watches it.

The most recent episode of the podcast Talking Scared features a number of professional storytellers discussing their favorite Stephen King short stories, and in the 30 minute interview with Mike Flanagan, the filmmaker goes into deep detail about the Life Of Chuck dance sequence. In the movie, Tom Hiddleston is playing the titular Chuck Krantz, and his performance is evidently so delightful that it actually left Flanagan’s face hurting from smiling too much. Said the writer/director,

It's one of those that you read it in a book where dancing is described. And I think King did a really good job with that. You read it in a script where dancing is described. But when you see it and hear it, and we're talking, it's a five-and-a-half minute scene. It's substantial... I've watched people when they watch this, and even people who have seen the movie dozens of times and worked on it... when we were on set filming, it took four days to shoot it, and my face hurt from smiling that long, that sustained, for four straight days. Like, my cheeks hurt by Friday. And, that's the thing I see, is you watch this smile break out over everybody who's, who's watching it.

This description of the sequence in the new film is exactly what one would hope for. The second section of the novella is all about celebrating the random joys of life, with Chuck finding himself caught up in the moment listening to music and finding a wonderful dance partner in a beautiful stranger who also happens to be walking by. It’s a sequence full of effervescence, and it sounds as though Mike Flanagan has worked particularly hard to capture it on screen.

The filmmaker also helped clarify why it is that the movie is earning comparisons to Frank Darabont’s The Shawshank Redemption – which is a film that can be described as an antidote to cynicism. Flanagan explained that his approach for The Life Of Chuck was to make the work sweet but not overbearing:

That joy comes in and it's not saccharine and it's not forced at all. It's kind of undeniably purely joyful. And there are so few opportunities in storytelling to exist in a moment utterly devoid of cynicism and not trying to force an emotional reaction where you're presenting something so purely what it is that the natural human response is to put down the guards and just let yourself be happy to experience it.

If that sounds like it is a very different mode for Mike Flanagan – a filmmaker best known for his work in the horror genre – you’re not wrong, and he said as much in the interview, adding,

I've never worked on anything that had that opportunity. I'm going the other way. I'm way more interested in making people uncomfortable and scared. [Laugh], you know? That's my whole business. And so to exist in a story that was just bringing forth this kind of earnest and bittersweet and realistic and honest joy and introspection. It's my favorite movie I've ever gotten to work on for that reason.

That’s a terrifically exciting sentiment given the extreme quality of Mike Flanagan’s filmography – but that’s not the only cool update that we have from him this week about his new Stephen King adaptation.

Mike Flanagan Reveals One Key Way The Life Of Chuck Will Differ From His Previous Stephen King Adaptations

Mike Flanagan’s love of Stephen King’s work is unquestionable, and it’s obviously reflected in his work. Gerald’s Game and Doctor Sleep feature details that are changed from their respective source material, but they are primarily very faithful adaptations. There is, however, one thing that the upcoming Life Of Chuck has that those two movies don’t, and that’s voice over narration that brings King’s words directly to the screen.

In the Talking Scared interview, Neil McRobert highlights a particularly beautiful passage from “The Life of Chuck” about the character reflecting on his impromptu dance while dying from cancer, and while discussing the material, Mike Flanagan explained how the film adaptation demanded that the prose being directly brought to the screen:

Frequently, when you look at things like that, the concept of narration in a movie, it's wildly improperly used, and it's a crutch in a lot of cases. It's unnecessary or it's distracting. This is one of the only times in my life where I looked at it and said, 'It is essential to this story that King's prose be driving and structuring the movie.' And I'm so glad that, that we did it that way. I don't want to spoil who narrates the film, but that's a big part of it. And having the right voice to these words is critical.

Continuing, he added that there is plenty in the story that is visually captivating in The Life Of Chuck, but that voice over narration was a necessary component in bringing it together. Said Flanagan,

It's a literary experience that has some incredible cinematic weight to it. It's visually incredible to watch the stars burn out or to watch a wonderfully classically choreographed dance number or two. All that is there. But then more than any other thing I've ever worked on, the prose was essential. And not just as a King fanatic, not just as a Constant Reader, but just for this particular story, it had to be there.

The Life Of Chuck is set to make its world premiere this fall at the Toronto International Film Festival, and being a completely independent production, it does not yet have theatrical distribution. Fingers are crossed that will change following its Canadian debut and that the movie will find its way to theaters before the end of the year.

[gunsatthaphan]

~ Monthly BL Breakdown: January 2024 ~ 

✨ Happy February!!! 🎭

Disclaimer: ALL shows can be streamed here or here, as well as on Youtube and other platforms. For more info on where to watch what, check out this post! 

New breakdowns are coming at the end of every month - feel free to add stuff! -> previous breakdowns

What came out this month? (green = seen/currently watching)

🌟 BL Drama no Shuen ni Narimashita: Crank In Hen - January 2nd (Japan) 

🌟 Ossan's Love Returns - January 5th (Japan) 

🌟 Refund Love - January 7th (Thailand) 

🌟 Time The Series - January 9th (Thailand) 

🌟 Intern in My Heart (BL side couple) - January 10th (Thailand) 

🌟 Sukiyanen Kedo Do Yaro ka (Although I Love You, and You) - January 11th (Japan) 

🌟 Beside You (mini series) - January 11th (Thailand) 

🌟 I Wish You Love - January 21st (Thailand) 

🌟 Happy Ending - January 23rd (South Korea)

🌟 Love for Love's Sake - January 24th (South Korea)

Monthly likes/dislikes

👎🏻 I've been catching up on some KBLs from last year this month and sadly most of them were very disappointing. I put a few on my watchlist that generally had good reviews but yeah let's just say I'm glad I didn't miss anything in the last 2 years lol. The only one I liked was Love Mate, the rest was pretty much pointless. Hopefully the upcoming ones will be better 🤞🏻

New series & movie announcements

🎥 Beating Again (dance-themed, starring Kaownah K., Earth K. and others) - Date TBA (Thailand)

🎥 Unknown - Date TBA (Taiwan)

🎥 The Book Store - Date TBA (South Korea)

🎥 Term Begins - Date TBA (Thailand)

🎥 Mafia Prince and the Bookworm - Date TBA (Thailand)

🎥 Black Forest - Date TBA (Thailand)

🎥 Go Alone With Me - Date TBA (Thailand)

🎥 Can I Love You? - Date TBA (Thailand)

🎥 The Shining Star - Date TBA (Vietnam)

🎥 At My Fingertips (Unintentional Love Story spinoff) - Coming May 2024 (South Korea)

🎥 Connecting To You - Date TBA (Taiwan)

🎥 The Star (movie) - Coming March 2024 (Thailand)

🎥 What's the Nong? - Date TBA (Thailand)

Other news from the BL world

❗️ Actors Mike Chinnarat, Fluke Pusit, White Nawat, Pluem Purim and Lee Thanat have left GMMTV.

❗️ After Korean actor Choo Youngwoo won an award for "Best Rookie Actor" at the recent KBS Drama Awards, he came under fire for not mentioning his participation in the BL You Make Me Dance which launched his career and earned him the award.

❗️ Actors Jin Hoeun (All Of Us are Dead), Kwon Hyuk (The New Employee), Byun Junseo (Perfect Marriage Revenge) and Nam Yoonsu (Extracurricular) have been confirmed to star in the upcoming BL Love In The Big City, which portrays the life and love of an HIV-positive gay writer.

❗️ ZeeNunew and GeminiFourth won an award respectively for "Best Thai Artists" at this year's Seoul Music Awards.

❗️ The Chinese BL Stay with Me is getting an audiobook. The series furthermore recently confirmed its second season, further details are unknown.

❗️ Over a year after its initial premiere, the Thai BL To Sir, With Love won "Popular Foreign Drama” at this years's Vietnam Face Of The Year Awards.

❗️ The Thai BL Playboyy will no longer air on youtube after the suspension of the channel due to explicit sexual content. The show will continue to exclusively air on Gagaoolala, as well as RakutenTV.

❗️ Actors EarthMix had a cameo appearance in Ossan's Love Returns; they will star in the Thai adaption of the same name later this year. Details about the production are still unknown.

❗️ MileApo (KinnPorsche) were announced to star in the upcoming series Shine. The show is an extension/spinoff of Man Suang and focuses on Khem and Chatra's story in more detail.

Upcoming series & movies for February

👉🏻 Anti Reset - February 2nd (Taiwan)

👉🏻 Perfect Proposal - February 2nd (Japan)

👉🏻 City of Stars - February 2nd (Thailand)

👉🏻 Love Syndrome: The Beginning - February 8th (Thailand)

👉🏻 Baka Pwede pa? - February 9th (Philippines)

👉🏻 1000 Years Old - February 14th (Thailand)

👉🏻 My Strawberry Film - February 16th (Japan)

👉🏻 A Secret Love - February 17th (Thailand)

👉🏻 Unknown - February 24th (Taiwan)

👉🏻 Wedding Impossible - February 26th (South Korea)

👉🏻 Kiseki Chapter 1 & Chapter 2 - February TBA (Thailand)

[disneytva]

"Mufasa: The Lion King" Extended Synopsis Confirms "Kiara" Becoming First Disney Television Animation Character To Be Part Of Disney's ""Live Action Remakes"

In a surprising and weird present from Walt Disney Studios & Pastel Productions for Disney Television Animation's 40th anniversary, Mufasa: The Lion King a upcoming photorealistic computer-generated imagery prequel to The Lion King (2019) will incorporate aspects of The Lion King franchise created by Disney Television Animation.

The prequel film unveiled it's extended synopsis a few days ago on Walt Disney Studios website where it reads

The prequel about the rise of one of the greatest kings of the Pride Lands, goes back to the African savanna where Rafiki tells Kiara—daughter of Simba and Nala—the story of her grandfather while Timon and Pumbaa add color commentary.

This will mark the first time a Disney Television Animation character will be make it's way to the infamous Walt Disney Studios Live Action adaptations. coincidentally the movie opens on theaters on Disney TVA's anniversary month (December 20, 2024), additionaly Seth Rogen EP of the upcoming Disney TVA "Darkwing Duck" and "TaleSpin" reboots for Disney+ voices Pumbaa in The Lion King adaptations.

If you have missed The Lion King II: Simba's Pride was done at Disney Television Animation within its now defunct Sydney, Australia units. The Ghost And Molly McGee creators Bill Motz and Bob Roth did additional writting for the VHS sequel.