#and it's probably going to change many things in and around my life

[zaine-m]

I like to think that Jayce and Viktor get a happy ending in the other universe too

Jayce feels awful that hextech took a life. Especially seeing powder (who is around the same age he was when him and his mom were saved by hextech) holding her dead sister's body

He says similar things as in the start of the trial but now fully meaning them and never mentions trying to create magic

Vander comes to Jayce's trial and stands up for him, saying he's just a stupid kid with a dream to help people who didn't know what he was doing

"Vi's with her mom now, let Jayce go home to his"

He does still sneak into his lab to attempt suicide but this time Viktor's "am I interrupting?" doesn't do anything, Jayce just turns back around and jumped, not being able to handle the guilt of accidentally taking a life while also realizing his life's work only caused harm

He survives the attempt and wakes up in a hospital bed, paralyzed from the waist down with his mother crying next to him

Viktor comes in a bit later while his mom is out making some food for him

His tone is completely too cold for the situation. Jayce is in complete despair and Viktor refuses to match the mood

He says most of the same stuff about how hextech can change people's lives but Jayce responds "yeah, well so far all it's done is a take the life of an innocent child"

"ehh, she was from the undercity. I grew up there, many children did not live to see adulthood"

"How does that make anything better?"

"Because this has the potential to change that. One explosion? There are toxic fumes and polluted waters slowly killing hundreds of children each year"

"Even if I wanted to I'm banned from the academy and ..." *waves at legs*

"pshh, you think trenchers are supposed to be at the academy and everything I did in my life I did while being disabled"

"Listen, I can't help you"

Viktor leaves Jayce's bracelet by his bed and heads towards the door. Jayce takes one look at it and throw it across the room in anger. "you probably shouldn't throw that", "GET OUT!"

A while later Vander comes to invite Jayce to Vi's memorial at the last drop

Jayce feels so guilty when he first comes into the last drop, everyone is staring at him

He sees Ekko, the kind little kid who had sold him such reasonably prices wares just days before his experiments accidentally killed his friend

Powder just starting going at him when she first sees him, her weak child-who-has-never-punched-before fists do very little damage especially because she's going so fast she doesn't fully pull her hands back

Jayce just lets her at it, crying and apologizing between the blows

Vander comes to pull Powder off of him, "it wasn't his fault, he didn't know how dangerous the materials were" she just looks back and screams at him before going back to her bedroom

Vander takes Jayce on a walk through the undercity to talk,

"Everyone in there knew what I did?"

"huh, no?"

"they were looking at me like I was a monster"

"yeah, that's cause you're dressed like a piltie"

"ohh, ha... I'm so sorry about what happened to Vi"

"It's a shame, but she's with her parents now"

*Jayce looks down, only feeling worse finding out the girl he killed was an orphan*

"You want to know how her parents died?" *they arrive at the bridge* "I thought I could help the undercity, create a better world by fighting for sovereignty. I led us across this bridge and lost so many people in the process, the undercity is still recovering"

"I'm so sorry"

"I was like you, I was young and ambitious and I wanted to help people. But you know what I learned. You don't need to make giant leaps to help the people around you"

On the way back Vander points out all the ways he's helped different people in the undercity, helping them make a business plan, caring for their kids when they were sick, helping them find a community at the last drop

He also points out all the things that could be helped like roofs with holes in them and cliffs that should have railings

"You don't need hextech to help the world, Jayce"

Jayce spends his time between his family's forge doing hammer work and around the undercity working as a handyman, building what he can to help people

Eventually he tracks down Viktor, hoping to find ways to make a more systemic change for things like the dirty water and polluted air

Viktor works on studies surveying the living conditions of those in the undercity and seeing what affects it has on expected lifespan and the likelihood of developing different diseases to present to the council

That along with the more pro-Zaun push that's been happening since Vi's death he gets quite a bit of work done

While he's doing this Jayce does what he can to start implementing changes by making water filters and distributing masks to those in the slump levels

After a few years Jayce petitions to be let back into the academy to help Viktor with his work on a formal level and with outstanding testimonials from many people in the undercity he's let back in

When their work making the undercity safer is done they move onto studying how to treat the various illnesses people in the undercity have suffered from living there

first starting with Viktor's various physical health issues and finding that a lot of his issues come from it never being studied how to use mobility aids and how improper use can put a strain on other parts of your body so he switched to a forearm crutch to help his back

I'm gonna say in this universe Viktor just has severe asthma which they're able to find medicines to treat so he still has issues breathing in a lot of the undercity, he just wears a mask most of the time and keeps his medication with him

Viktor and Jayce end up dating but it happens to slowly that it's hard to realize, they just spend all their time together working on their research and then they get an apartment together because they were both looking for roommates

Jayce stopped looking for people to date after the accident because he was going through a big life change and never got back in the game and Viktor always rejected anyone, saying he was too busy with his studies

Jayce is just physically affectionate in a way where hugging Viktor a lot turns into Viktor sitting on his lap whenever his leg is sore turns into Jayce playing with Viktor's hair when he's bored turns into them cuddling on the couch turns into them cuddling in bed turns into kisses on the forehead when one of them is sick turns into kisses when they're not sick

They're at the last drop one day and Viktor gets up off Jayce's lap to use with washroom and Vander asks Jayce, "so you think you'll propose soon" Jayce almost spits out his food, "what, what do you mean?"

"I mean you've been dating for like what 5 years now. You gotta pop the question sooner or later"

"umm... yeah" wait fuck are we dating, have we been dating for 5 years, what

In bed that night: "Viktor, I... I think I might like you... like romantically. I guess I never thought about it but I was talking to Vander and... and you've been the most important person in my life for the past like 6 years"

"Jayce, I thought we were dating? How are you only realizing this now"

"ohh"

"I called you my partner"

"I thought you meant like research partner"

"we kissed a lot"

"I thought those were like just for comfort... between friends"

*Viktor kisses him passionately but not the most passionately they've kissed before*

"Does that seem like it would be between friends?"

"heh, now that you mention it I guess not"

[vatelixx]

In the crooks of your body (I find religion),

mid-seasons Spencer Reid x afab!reader

SMUT!! (and fluff, lots of fluff. no angst this time, mostly for damage control) ─── soft love & early mornings. idk it’s just domestic bliss for a change.

Warnings: light d/s dynamic (sub spencer, im predictable), low-key praise for both parties, pre-established relationship, they’re soooo in love, they’re also domesticated, morning sex (but there’s no penetration, just oral), they’re both nerds, their pillow talk is science, autistic spencer always (it’s canon to me) greek mythology references, probably the nicest thing i’ll ever write.

w.c: 3k

a/n: post-prison (as requested by many) is still being worked on. it makes me sick. i wrote this to improve my mental health. i’d apologise for being inactive recently but it was necessary, ohmygodihavesomuchcoursework.

──────────────

Saturdays are for this. Waking up to no obligations, work tossed aside, Spencer’s state of impending doom reduces to something distant, untouchable. Barely dawn, there’s a level of domesticity to the art of sleeping together.

Sure, he could go on tangents, disbelieving that he’s allowed to attain this. But it’s futile, he’s long grown tired of exhausting the how to your dynamic, the statistic improbabilities, he always thought you would be reserved to his fantasies. Pandora’s box, a hypothetical kept under lock and key.

But no— he’s willing to accept that, on this one off occasion, he’s made an error in his calculations. An illogical anomaly.

Draped in the mantle of sleep, he feels the soft push of cotton sheets first, then the warm-blooded body curved around him. There isn’t traces of a case lingering at the forefront of his mind when he shifts, drawing himself closer, almost subconsciously, by guided instinct.

Touch. Touch, a natural, biological need. Something Spencer has always shied away from, finding nothing but hurt at the double-edged sword of intimacy. It’s not like he has much experience to base this on. And yet, right now, he’s not thinking factually, from a logical standpoint. Because, okay, there’s comfort in knowing the person that touches you is in fact supposed to touch you.

His hands find your body, his movements still slow and weary, thumb brushing the edge of your vertebrae, the divot just below your shoulder blade.

Spencer is many things. He’s obsessive, incessant, obstinate on occasion. Difficult, to put it bluntly. But despite all that, despite his complications, he’s here, touching, trusting, because for the first time in his life, it feels good.

“Moonless earth theory,” he says, moving to accommodate when you decide to lie on your side. Face to face, in hazy, dimmed light. He stares. “Okay, Abian, Alexander Abian, claimed that blowing up the moon would solve every problem in existence.”

Selfishly, unabashed, he slips his hand beneath your top to trace halos across your skin. “It’s so dumb. If that happened, tides would decrease. And, and, the moon's presence has a partial correcting effect on any instabilaties that arise in a non-homogenous, non-symmetrical—“ he sighs, presses his lips together for a moment, “Basically, the earth would wobble. Which… uh, isn’t very good?”

You’re still half-asleep, dreary to his random information. It takes a moment for your brain to settle, to comprehend what he’s saying, and then another, longer moment, to respond.

“Mhm. Days would be shorter,” you respond before laughing. “This is what you think about when you’ve just woken up? I’m basically a walking lobotomy until at least 10AM. And that’s providing I have a shower, feed my caffeine dependency, et cetera et cetera.”

You look at him, observe the sight: tousled hair, swollen lips half-parted, dilated, heavy-lidded eyes that stare back back back.

“I think about a lot of things in the morning,” he mutters, “A lot of things in general.”

When he leans in to kiss you, it’s languid, slow, he’s still in stasis, a state of suspended animation. Tenderly, as if the contact could break, he parts your lips with his own, his breath warm against your mouth, slow, like he wants your touch burnt into him.

Inevitably, your tongue slides against his, and he moans. Hot. It’s so slow, slow enough that time feels warped, nonexistent, like the universe has just stopped without warning.

He feels you shifting, the movement subtle, legs intertwining, hips flush. Good. So good. His lips break away, only to find their way across a cheek, along the column of your throat, further, over the curve of your collarbone.

He’s pressing kisses anywhere his body allows, touch lingering against your skin, tracing invisible imprints. “Sometimes, well.. um, most of the time, I think about you.”

He laughs, shifting to press his forehead against yours. “It’s a huge interference on my routine. And yeah, there’s also the facts, and the statistics. But then my mind will betray me, and i’ll just think about how you might respond, if I told you them.”

This information isn’t exactly new; you’ve woken up to random, impromptu messages regarding space, earth, philosophy, facts that you can never quite place at such an early hour. Then, there’s the phone calls, the dumb, domestic phone calls, ringing you just to over-explain some new hypothesis he’s studying.

Starry-eyed ambition. Sometimes it hurts to think that the job, the BAU, the nature of the cases, will inevitably warp his softness.

You cup his face, palm pressed against cheek, watching as he melts, molten gold, into the contact. “Yknow, I’d really like to study you in a lab.”

“Mm,” he hums, a sound that translates to please don’t put me in a lab.

His hand wraps around your wrist, preserving the contact, holding onto it like there’s a possibility, an actual chance, fact and figure, that he could lose it.

“I’d just be your lab rat? And they say romance is dead,” he scoffs, “You would commit so much medical malpractice.”

“Pft, medical malpractice. That’s made up,” you silence his protests before they can leave his lips. “I think it would be fun to preform experiments on you. Though, i’m not sure I should be trusted with a scalpel. A law probably needs to be put in place. Yknow, for the safety of the people.”

“Ah, ha.” he’s quick to respond, “It’s the scalpel you’re worried about? You’re forgetting the needle, the drugs, the restraints? You cannot be trusted, you’re a danger to society,”

Spencer pouts, features creased. “And your idea of a fun Saturday morning is committing violent acts against your oh so innocent boyfriend. I see, I see where your priorities lie.”

You grin, press a light kiss to his cheek. It’s soft, tentative contact, and yet he still shivers. No dignity. “Sorry, sorry. What was that last part of your sentence? I zoned out after you said restraints.”

“Right. That’s uh, well. That wasn’t the point I was… trying… to make?”

“Yeah, yeah. Medical malpractice. Evil girlfriend. I get it. You’ve made your point. I am very very ashamed of my hypothetical actions.” you say, hooking your leg around his waist, drawing him onto his back. Spine meeting mattress, your body on top now, straddling him.

You hike up his sweater, running your hand across his torso. There’s something obscene to the way he blushes, draping an arm over his face, as if your movements physically pain him.

“Stop acting coy. I’ve seen you in this position before. Worse ones, if we’re going to be honest here—“

“Hey, hey, hey— I’m not acting coy!" he protests, unconvincingly. He’s breathless, attempting to hide the way his body reacts. As if the slight friction warranted from the movement doesn’t grant him fleeting bliss.

The contact is intense, fervent, your body flush with his. “We really really don’t need to talk about the other occasions.” his eyes shut, head falling back against sheets, lips parted, hands gripping the skin of your hips.

“You’re uh, you’re really unfair,” he mumbles, “And beautiful. I should tell you that more often.”

“You tell me every day.”

Moving off his lap, he’s accommodating as you help to untangle clothes from his body, raising his hips when needed, lifting his arms when necessary. Your touch has him compliant, obedient, eager to fall pliant, beneath you. The sight, god: slender, pale skin, faint blemishes staining his thighs from previous nights, matching with the few that adorn his neck.

“I don’t say it enough, then.”

You laugh, “Oh, you’re such a sap.”

It’s a process: getting Spencer to sit up. Because he doesn’t seem to comprehend your intentions, to realise what you’re trying to imply here. Still, when he’s finally perched on the edge of the bed, you rise, shifting to stand between his legs, to look down at the picture of him, bare, undone, so pretty just for you.

He stares up, eyes wide like marbles. “Hi.”

You card your hand through his hair, strands falling between crevices in your fingers. It’s soft, the movement, the gesture, you’re not sinking down to the root yet. “Hi.”

Your name falls from his lips. And yeah, there’s something reverent to the way he says it, the pained whisper. Something that dissolves into a messy, unrefined whimper when you sink to your knees.

“Oh, god. I—,” he swallows, his voice rough. “I, I love you so much.”

There’s this repeated question on your mind, the same one that loops into existence every time you’re in a compromising position: how loud is Spencer going to be today? Because, objectively, he’s loud. It demeans, ruins the chances of abrupt, clandestine touches in semi-public places. In sneaking around. Even when you’ve got your palm against his mouth, he somehow manages to combat, to prevail the suffocation.

Your lips press soft kisses along his thigh, touching those marks now, the ones you must’ve left last night. No? Maybe yesterday afternoon? It’s hard to keep track. “I love you.”

He melts.

“Such a pretty cock. All for me, hm?” jesus christ. You’ve always been so blunt, outward, inherently shameless. Spencer thinks he might die, divine madness. Theia mania.

When you drag your tongue along the length of his cock, there’s a current, sharp, sending his hips bucking. They arch forward, into you, into the contact. Sight shuttered by swollen eyes, he thinks about regulating his breathing, inhale, exhale, the concept falls on deaf ears.

“All yours,” he whimpers, “Yes. Only,.. only you. Always.”

It feels like devotion. The way he confirms vocally, the way you sink down, take him deep into your mouth. His head spills backwards, baring his neck, indiscernible noises bleeding through the open air, sunlight touching his skin, highlighting his intemperate demeanour in diluted canary.

He’ll apologise to the neighbours later.

Shaky, fumbling hands reach out to brush loose strands of hair from your face, to grip, the pads of his fingers meeting your scalp. He would never push, he just needs something firm, solid, tangible to hold onto.

And when you hum around him, just to mess with him, just to hear those sounds, to draw those pleasure-soaked, beautiful noises out of his mouth—

“Oh, oh oh— that’s, yeah. Mhm, yeah. Just… ruin me.” he’d probably thankyou after. Because he’s polite.

You draw back from the contact to catch your breath. Lips stained, now bruising, emitting soft little gasps. There’s tears gathering in the corner of your eyes, reducing your vision to a distorted haze. Blurry traces of reality that all seem so inconsequential now, now that you’re here.

“I love the way you sound for me, Spence. So pretty.”

“Well,” he huffs out a breath, “I’m uh, being taken care of… very well.”

You lean forward to press a kiss against his tip, as if that’s the most innocent, innocuous gesture imaginable. “You deserve it.” your nails run across his thigh, leaving faint white lines in their path. “Exploding that genius brain of yours yet?”

“That shattered the moment you got down on your knees. Maybe, um… okay, possibly earlier.”

“Earlier?”

“Way earlier..”

He whimpers when you drag your tongue across his tip. There’s a plethora of please please please he shamelessly emits, only somewhat satiated when your lips are wrapped around his cock, when you’re demolishing his sanity, and everything else in the process.

He doesn’t even realise how lewd he is, most of the time. It’s not like he’s making a deliberate effort, he’s not sure he’ll ever be able to attain that skill anyway. It’s just… him, raw and unbridled, so delirious from pleasure.

His eyes, dilated, gone, are half-lidded, watching you through thick curls of messy hair, damp with sweat and morning light.

“I’m trying, I’m trying so hard,” he moans, and then words are destroyed, obliterated, as you gag, taking him down to the hilt. “Oh,” he says, “Oh.”

It never lasts long. Not where he’s concerned. Features creased, pleading, you have to restrain him from bucking, nails burning crescent marks into his skin. “Please— please, ‘m gonna…”

He looks done. You hum, oh, silent confirmation, the vibrations stimulate his cock, and then he’s shapeshifting, morphing, transcending into something blissfully gone, releasing deep into your throat.

The orgasm has him ruined, undone. Barely conscious, just floating like something inviolable.

Afterward, he’s urging you to drink water, soft kisses pressed down the curve of your neck as you both readjust. When his phone, his outdated, underused phone lights up, artificial haze, he curses Prometheus for giving humans fire, for hiding it in a stalk of funnel and allowing them to inevitably create technology.

The phone gets locked away in his drawer. He’s half-scared of it anyway.

Spencer has never quite understood the appeal of mornings, but he’s starting to see the merit in them, with you. He’ll tell you that sometime, maybe. One day. Soon.

Right now, however, he descends down your body, lips dragging a path from collarbone to the space between your thighs, where he actively groans.

“Best Saturday morning ever,” you remark, helping him to remove your shorts, then the offending panties that prevent his mouth from working you to ruin.

It’s almost domestic, the way you mirror his actions, feeding your hands through his hair, supporting him as he slips a pillow beneath your hips. Sprawled out across tangled sheets, flushed and restless, you let out an appreciative sigh at the reciprocation.

“Definitely,” he agrees, blowing cold air against your core, just to watch the way you curve, contort. “Though, uh… every morning with you is the best morning ever.” It’s dumb, and god he’s blushing between your thighs.

But, Spencer likes to thank you. Because all in all, he considers himself a well-mannered person. So this, he parts your thighs further, applies slight pressure to your clit, is completely necessary. Mandatory, he’d argue. Something that needs to be embedded into daily routine.

Usually, it’s a slow, methodical process. He can be a perfectionist, a completionist, but he doesn’t mind. He trails his tongue across the inner sections of your thighs, to catch the wetness that stains your skin there.

“You are so perfect,” he regards, pressing a kiss to your clit, mirroring your actions. “So pretty. The prettiest— i’m going to, yeah..”

His tongue moves in languid circles, in soft, calculated motions, before finally delving inside of you, tasting you, drawing a moan, a plea, a muffled prayer from your lips. Okay, alright, maybe his lips too.

“I could do this all day, I want to, I—“ And he doesn’t really have to finish the sentence, because you know him too well, and it’s implied. Implied that he’d spend ceaseless hours here without complaint, oh far from complaint.

He likes to have something to focus on. A task to preform. It distracts his mind, and this one? Yeah, it reduces his thoughts to only you.

If he had it his way, his current mental state would be permanent.

“On your back, pretty boy..” you watch with soft eyes as he mindlessly obeys. Legs bent, pressed against the mattress, you sink down onto his face, getting off from a new angle. Your back instinctively curves, arches, a series of warped moans ripped straight from your throat.

“Just like that— mhm..” you mutter, gripping his hair tighter now, mostly for stability. It’s hard to look down, to see the obscene sight he’s been demeaned to.

His thoughts are always haywire, spitballing off one another. It’s a constant cycle of overthinking, over-analyzing, brain fried beyond reason. But you? You make him feel grounded, tethered, to the very world itself. You’re the one constant that he can predict, and yet, oxymoronically, still so unpredictable in the same breath.

So human..

When you begin to rock against his face, to take the initiative, using him, he simply reaches down, hands trailing across his overstimulated body to stroke himself because of course he’s hard again. How could he not be? He’s at the altar of your body, and god he knows how to serve.

Spencer’s pretty certain he’s forgotten how to breathe, and it’s a hard, harsh gasp when he has the chance to drag air into his lungs — before diving back down to you, because yeah he needs it, he needs you.

It’s messy, muffled whimpers, and desperate sounds emitted from both of your mouths. A constant onslaught of him, his tongue working halos against your clit. When he comes, he’s got his face buried into your heat, obstructing all of his senses. Delirious. Pussy-drunk.

There. There. There. He makes sure to prolong the pleasure, to work you through the bleeding mess of stars, and cosmos, and heavenly bliss, until you’re squirming away from overstimulation.

There’s a set routine when it comes to aftercare. One that both of you fail to adhere to, every. single. time. You’re both firm, assertive, in the belief that you should be the one to look after the other, so it ends up being a lazy, mutual act. Showering, the way he buries his face into your shoulder, naked body pressed against naked body. Hydration, soft touches, muttered words that help you return from the astral plane.

“I can’t believe we’re getting back into bed,” you say after you’ve changed the sheets, traded your ruined clothes for fresh pyjamas. You’re wearing Spencer’s shirt, fumbling buttons, half sealed, exposing your collarbone, draping over your shoulder when you preform any sort of physical movement that requires arms.

“No complaints though.” by nature, your body finds his beneath blankets. “I’d happily rot here. They could make a shitty reality show, it would be good entertainment.”

“I think I’d get fired from the BAU,” he protests, “You know, the first reality TV show aired in 1948. Candid Camera, on ABC, the premise was uh… hidden-cameras? So, yeah, the usual invasion of privacy, sounds entertaining.”

“Mhm. Sounds like something you’d hate.”

You’re lying face to face, arms draped over each other. The Lovers of Valadro position, he calls it. You’re not sure if that’s romantic, or slightly morbid.

“Here’s the plan,” you press your forehead to his, staring at those doe-wide eyes, “We’re going back to sleep. Then, I guess you can be a rule-abiding FBI agent, or whatever, and finish up your reports. As long as you’re done by 4. Because I want to see a movie,” he laughs, in that knowing way. “Yes, yes, i’m aware it’s your turn. Which means we’re gonna end up watching some documentary. Just uh? Make it space themed, yeah? Or, dinosaurs. I can settle for dinosaurs.”

His lips meet yours, abruptly, and he’s grinning into the contact. “I love you so much. I, we, still need to watch MoonWalk One. The Mars Underground, um.. The Valley of the T-Rex? There’s another that I read about yesterday. The Universe at the Edge of Knowledge. Oh, or Dark Universe. You’ll really like Dark Universe, and Edge of Knowledge has this, this cool segment on —“

“Okay, nerd.” you laugh, “Whatever one you want, we’ll watch. I’m still halfway through Paleoworld right now, 30 episodes in.” he knows that, because you’ll message him through the duration, make use out of that untouched (borderline) dusty phone he neglects.

He intertwines your fingers, presses a soft kiss to the back of your hand. “Yup. Yup. Whatever. Can we nap now?”

[fuckyeahisawthat]

Re-skimmed through a bunch of Dune Messiah last night because why not and now I am having thoughts:

The thing that sticks with me most is the tone. It's melancholy, it's eerie, it's unsettled and weird. Cannot think of a more pitch-perfect director for it than Denis Villeneuve. He's gonna nail it.

There is...not that much...actual story? Denis has referred to it in interviews as "a small book" and I'm like my guy it is 350 pages. But there are actually not that many plot beats. It's just that every. single. scene. is WILDLY overwritten. The real challenge of adapting Dune is not the giant worms or the dense complicated worldbuilding or the fact that actors have to say the name "Duncan Idaho" repeatedly with a straight face. It's that there are pages and pages and PAGES of internal monologue that have to be externalized somehow for film.

After a re-skim my gut instinct for "how much story goes in a feature film" is that if you just wrote out the dialogue and action that happens in every scene in the book in screenplay format you'd end up with...maybe about an hour of material? Which is great, actually, because it means there is room to add stuff. Like a whole new independent plotline for Chani if they decide to do that.

It may seem insane to add things to an adaptation of what's notoriously one of the wordiest series in classic sci-fi but it's worth remembering that they added quite a bit to Dune Part Two. Most of the first hour of the movie--almost everything before the worm ride except for Jessica drinking the Water of Life--is stuff that isn't in the book. And it's the best part of the movie essential to making the movie work as well as it does. Yes, they also cut elements from both parts (the dinner scene, the whole plotline where Gurney thinks Jessica is a Harkonnen spy, Thufir Hawat's fate, Leto II the Elder, murder toddler Alia) but I understand why each of those elements was cut or changed in the service of cinematic storytelling.

There's an interview (can't remember which one) with Jon Spaihts, the other co-writer of the scripts along with Denis, where he talks about how Dune is like a stage play, with so many of what would be the big action set pieces happening off-page. I kept thinking about that comparison while reviewing Dune Messiah because in addition to the scenes that do exist being wordy and internal as fuck, an absolutely insane list of major events/reveals/emotionally significant moments happen off-page. The list of things that we don't actually see in the main action of the story, that we're only told about after they happen, includes:

Chani finding out Irulan has been secretly dosing her with birth control for YEARS

People trying to capture a sandworm and take it off planet

Chani and Paul finding out Chani is pregnant after 12 years of trying to conceive

Paul flying an ornithopter carrying his extremely-about-to-go-into-labor partner while blind

CHANI DYING (first time reading I did NOT know this was coming and damn near threw my Kindle across the room at the way the information was delivered)

Alia executing a bunch of people including a Bene Gesserit Reverend Mother

Paul walking into the desert at the end

You could add all these moments into a scene-for-scene film adaptation of the book and probably still have room to add more material.

The other thing that jumps out is that Paul doesn't really...govern...much. Like there's this whole subgenre of post-Dune/Dune Messiah-era fic that's just some combination of Paul, Chani, Irulan and sometimes Feyd traipsing around the palace having feelings while vague politics happens in the background, but I forgot that Dune Messiah is actually kinda like that??

There is a whole thread of Paul feeling kind of abstractly bad about being Space Hitler but he does not, in fact, actually do anything about it. And like yes both bureaucracies and religious movements can grow to have a life of their own that seems beyond the control of any one person. But also my dude you are the Emperor of the Known Universe. Someone is signing those space checks for the Endless War budget. You are not powerless here.

The one thing that really, clearly drives Paul to actively do things in the plot is not feeling guilty about having unleashed catastrophic religious war on the universe. It is protecting his family. Chani, Alia, his unborn children, and you could probably throw in Duncan by the end. That is what motivates him to act at key moments, and to want to hold on to power. And hey, y'know, if I'd experienced almost everyone I'd ever known getting murdered in a single night, I would probably get a bit intense about that too! It makes sense from a character point of view!

I'm very curious to see how these threads interweave with each other in the film, because the Villeneuve films put a lot of emphasis on Paul's agency and the fact that he may be constrained by shitty circumstances thousands of years in the making, but he still makes choices within that context. I can't see the narrative allowing film!Paul to get away with the same Poor Little Dictator routine as in the book. There are a few ways they could play this but I think the most interesting one is kinda the way they started going at the end of Part Two. Which is that as soon as you start reaching for that kind of power, then power becomes its own end and you will end up doing increasingly horrific things to maintain it. I think it would be quite interesting if the film shows us Paul not just being like "woe is me" but actively choosing to make the world worse because his trauma-driven fear of losing the people he loves makes him cling ever more desperately to power for its own sake.

If they went this route I think it would make Paul's decision at the end hit even harder. FWIW I actually really like Paul walking off into the desert at the end of the book. I think it brings things full circle with his relationship to the Fremen and creates this beautiful arc going back to the duel with Jamis. He first won a place among the Fremen through respecting their customs even though he really did not want to fight and kill someone he had no beef with. And by respecting the Fremen custom of the blind walking off into the desert, he proves himself to be fully Fremen and protects his children not by making them heirs to the throne but by making them Fremen.

And yeah, to a modern audience here on Earth it can look like "Paul conveniently fucks off and doesn't have to raise his newly-motherless children." And we can have a whole discussion about the unexamined ableism of the idea of someone who's gone blind voluntarily choosing death so as to "not be a burden" on their community. But neither of those readings is really the point here. Within the logic of Fremen cultural values, where the survival of the group as a whole is more important than the life of any one individual ("your water belongs to the tribe" etc.) Paul's choice is a willing and intentional self-sacrifice (see also: fedaykin) that wins him huge respect. There's a line in the book about Paul that's like "He would be one of them forever now" and damn if that didn't give me shivers. Like!! The political-symbolic implications!!! Which maybe I'm particularly attuned to because I just wrote a whole fic about what does it mean for an outsider to become Fremen but hmm something something Paul's final* act not being an exercise of Imperial power but an expression of kinship with an oppressed group and that being the thing that's needed to keep his family safe even if he is not physically present with them...IT IS RICH SYMBOLIC TERRITORY.

(*Yes yes I know about events in the next book. Shush.)

This kind of stuff is why I tend to think Chani may start out in a very different place in the story but the end will still be pretty close to what's in the book. It's too thematically powerful and tragic to go any other way.

But also...if they change things around enough that she is still alive at the end of the movie...I won't be sad about it.

[0cta9on]

One Year of 0cta9on

Hello everyone! :]

Today marks exactly a year since I debuted as a writer! In an ideal world, I would’ve had some crazy story planned for today, but my current circumstances didn’t allow for that, so enjoy this semi-sappy yap session instead :>

I started writing during a particularly low point in my life where my mental health was in the gutters and I had an insane amount of free time. I’ve always liked imagining stories in my head, so the next obvious step was to start writing those stories down. Hence, 0cta9on was born :]

Channeling my energy into something creative provided me with a distraction from all the things that weighed on my mind and become a source of joy for me. While I know I’m not the best or most well-known writer in this community, seeing even a single comment on my work fills me with such an unexplainable amount of joy. To know that there’s people out there that enjoy the silly little stories I put out is genuinely insane in the best way possible <3

Since I’m mainly a fluff writer, I wasn’t sure what other writers in this community would think of me. But my worries were almost immediately quelled when I first joined the writer discord and became friends with a bunch of amazingly talented writers. Shout out to @msafterhours, @writerpeach, @octoberautumnbox, @gangplanksorenji, @prael, @kooyabooya, @okaylikeschaewon, @mintwithchoco, @defmaybe, @sinswithpleasure, @midnightdancingsol, @capslocked, @svndaysaweek, @usedpidemo, and of course many, many more for being so kind and welcoming <3

Recap of my past year of writing:

Wrote 8 chapters of Unlikely Duet, my cute little slice-of-life romance series starring best girl, Minji <3 Chapter 8 is the longest piece I’ve written so far at +18k words!

First Snow was the first fluff one shot I made. Rough around the edges, but we all start somewhere.

Beach Day and Good Idea were my first attempts at writing smut and they are… alright, I guess :> Part of me wants to go back and revise them, but I barely have the time and motivation to work on new drafts ;[

Masterpiece is still probably my favorite fluff one shot I’ve written so far, and while it’s not the best written by any means, I still really like how it turned out :]

FFF2+4 and Train Ride to Heaven for me marked the start of when I started becoming more comfortable writing smut. I’m still not that great, but it’s fun and I think that’s all that counts for me :]

Stuck with You was the first commission I ever did! Writing someone else’s idea is always difficult, but I’m glad the buyer liked the final product :]

Stroke of Luck was the first time I ever wrote a threesome. I think it went okay :>

Wrote And We Danced and Sunscreen for a fun prompt challenge hosted in the writer’s discord (You can thank @mintwithchoco and @msafterhours for these <3). The latter ended up turning into a quaint little mini series :]

Lessons was my second ever commission and my first attempt at femdom. While femdom isn’t really my thing, it was a fun challenge writing about something new and I really like the little gimmick I threw in there :]

I wrote Today, like, two days ago at 1am without much revising or editing (Shoutout @defmaybe for reading through it before I released <3). Go read it if you haven’t yet pls n thenk yew :>

Wrote 15 shorts from ideas submitted by you guys! Some of my favorite stories I’ve written have been shorts and they’re always nice when I’m low on ideas :]

While I likely won’t have anything out for a while, I think it’d be fun to pull back the curtain a little bit and hint at what I’ve been working on :]

🐰🦋// She’s just your coworker. Just that. Nothing else.

🐻👖// It started out with a kiss, how did it end up like this?!

🍁✨// Upcoming New Variety Show: Fan Date! Episode 1, starring [REDACTED]

🍔🧀// Time changes, but summer stays the same

I’ve run out of things to talk about, so this concludes my one year anniversary post :> Despite my unplanned and prolonged hiatus, I want y’all to know that I do NOT plan on retiring anytime soon. I have so many stories I still want to tell, whether you like it or not >:]

Have a good day/night and I love yall <3 Have a Minji :]

[sunflowervoltwentyeight]

Happy 28th! Here is my November 2024 fic rec, organized by word count, from longest to shortest. You can view my other fic recs here. Enjoy!

Next to your Heartbeat (where I should be) by jaded25 (130k)

"We were meant to be but a twist of fate made it so we had to walk away"

All it takes for them to fall in love is one night. All they have to do is wait one year to see each other again.

Yet, when Louis returns after his year abroad, the boy who's got his arms wrapped around Harry isn't him. It isn't a stranger either, which should make walking away all that easier. After all, friend's don't lust after their mate's boyfriends.

Technically, doing the right thing should be easy - but when has Louis ever been known to taking the easy way out?

To Haunt a Heart by etherealbliss / @givesuethemoon (110k)

A high-profile double homicide in the quiet, small town of Ashford, WA sends shockwaves through the public. Louis, the lead detective assigned to the case, is headstrong, earnest, and desperate to prove himself. Harry, the widow of one of the victims, is insufferably rich, wears far too many vintage dressing gowns, and is desperate to prove he’s not guilty.

Their desperation unexpectedly blossoms into something beautiful behind closed doors, amidst the ticking time bomb of a slowly unravelling mystery that the two soon find themselves deeply entwined in.

Where Words Fail, Music Speaks by Larry_you_know / @larryyouknow (45k)

Louis is a world class violinist. He’s one year over forty, living his best life in New York. One day, he comes to a small town in Connecticut where he inherited a house from his late father. The town looks nice and its people welcome him warmly. The problem is that Louis never knew his father and he doesn’t intend to change anything about it - his father can stuff his last will up his treacherous ass. In a strange coincidence, Louis meets town troubadour Harry, who seems wonderful to him just right until he reveals that Louis’ father was like a dad to him.

Even though Louis tries to convince himself that it shouldn’t - it hurts.

written for 1D Silver Fox Fest

Too Much, but It’s Enough by ohpleaselarry / @ohpleaselarry (40k)

There are about a thousand things Louis wishes he could go back in time and fix. A thousand things, and nearly all of them include Harry.

There are the more simple things, like showing him more support, telling him it’s okay to be himself, gently reminding him that a condom in his pocket is rather obvious in skinny jeans, but if he could just choose one thing, just one to change, he’d probably just have told the lad he loves him.

Always has. And always will.

Baby, What a Big Surprise by kiwikero / @icanhazzalou (33k)

As Harry settles into his seat, self-consciously adjusting his shirt over his slightly distended stomach, he can’t help but wonder how he got himself into all this. But he knows, of course he knows. It isn’t exactly easy to forget the moment that changed his entire life forever.

It all started with a party.

Or, the one where shy, quiet Harry has no idea he's a carrier, and a one night stand with the most popular boy in school shows him just how wrong he was.

Featuring Lottie as Harry's best friend, Niall as her boyfriend, and, of course, Louis as the popular boy with a soft spot for his little sister's quirky friend.

Into This Mess by crimsontheory / @ireallysawanangel (20k)

The first day of Louis’ promotion is going well, far better than he expected. That is until his new partner shows up, who just so happens to be the guy who stumbled half-dressed out of his flat that same morning.

Or the enemies to lovers detective AU.

Have Me And Hold Me by letsjustsee (8k)

His clumsy trips were now even more burdened by the sudden downpour. Twice he almost fell making his way back to the ceremony area, mostly due to his insistence on running across the lawn in between trips. The rain was relentless, coming at him from all angles with a deafening wind that muted everything outside of his own heavy breathing. He felt like he was making pretty good headway, all things considered. His pace was stalled only momentarily when, on his tenth or so trip, he thought about what someone looking out the window at that moment would see. Louis in his formal shirt and trousers, barefoot, stomping through the muddy lawn to gracelessly lug two chairs at a time towards the building.

Or, a wedding day AU in which Louis will let nothing stand in the way of a perfect day - especially a little rain.

If We Make It Through December, We'll Be Fine by penceypansy / @penceypansy (8k)

A job promotion of his dreams, an eight month long distance relationship, a cancelled train, and an emotional misunderstanding - Louis is just trying to make it home for the holidays.

No Faith Left to Lose by louieshalo / @louieshalo (7k)

Louis shoves an album booklet — Harry’s album booklet — into Harry’s hands, folded open to a familiar page. “I need you to tell me that that goddamn song is not about me.” His voice cracks a little in his vehemence, and ice fills Harry’s veins as he glances down at the creased page.

He doesn’t need to look closely to know what it is Louis is talking about — the title is printed plainly on the page, Second Chances, along with every incriminating lyric, line by line. It’s his most blatant offense off the entire album, probably; sickeningly indulgent and too obviously vulnerable to even defend himself against. The song is a surface-level dip into the fantasy world Harry toys with when the ache of loneliness gets to be too much in the middle of the night, the brief glimpse already toeing over the boundary he’d promised himself he’d set for his career.

Most damning, though, is the tiny embossed dedication at the bottom of the page;

“For who I’d be if I wasn’t afraid,” Louis recites, looking expectantly at Harry. “What the fuck does that mean?

or, the one where they miss each other more than anything.

With You I Am Never Alone by LiveLaughLoveLarry (SoLongAndThanksForAllTheFic) (6k)

Louis comes up with the idea of holding a Thanksgiving dinner for their families. Harry loves it. And him.

[regular-gnome]

huh...

So when the Archivist find a planet capable of sustaining life but currently without life, they... Release single celled organisms? ...Just to archive them in the future? That's so odd to me.

Why not just wait, is archiving some sort of deep-seated urge or instinct that they NEED to do? Isn't it counterproductive to not just let life naturally develop, or is artificially creating new life apart of the reason they exist?

The short answer (its kinda a tdlr, the text got long)

So life develops slowly and needs stable conditions, what is hader when things like stars have finite lifespans (our Sun is already halfway through!). The Starchildren can’t create life or bring it back, and not all planets have the right conditions for it to start in time when planet is habitable, but might adapt once it’s there. They treat planets bit like gardens in a region where apocalypses are common, with the Archive serving as a storage for seeds, saplings, and tools. Its more usable and not as much lifeless museum of life

Most planets do well on their own, so only parts are collected but beyond that left alone, and some are destroyed or struggle to progress beyond microbes. In those cases, they might step in to improve conditions or remove threats. Sometimes, they just observe how life adapts to what chaos it has. If it can.

There are also personal reasons for work, things like attachment or desire for control, but their mission began when the first life-sustaining planet was destroyed, leaving them alone in the void believing everything was lost forever. When life SLOWLY re-emerged on other worlds, they began preserving and protecting it, spreading across the void.

Long answer under the cut

Life in general develops extremely slowly. Earth is around 4.5 bln years old (Ga), it's estimated that it took around 1,1Ga to go from anoxygenic bacteria to aerobic bacteria (after some ox producing bacteria ruined the party for all those who couldnt deal with it, also called Great Oxygenation Event). From there, it took roughly 0,5 Ga for eukaryotic cells to develop. Shortly after (like 0.1 Ga), life transitioned from single-celled to multicellular organisms. In comparison it took 1.7 Ga for evolution to progress from algae to humans—about 1.6x faster than the journey from primordial soup to microbes

There could be planets capable of supporting life that are just off the mark, preventing organic material from developing well enough. Some might have all the right conditions but lack the right combination of energy sources, maybe too far from a star, maybe something else. But, once life forms and we get a "Last Universal Common Ancestor" (LUCA) It could spiral to the point where, as on Earth, almost no surface remains untouched by life (you really don’t want to know how many bacteria are on your phone). But thats only really because life got a really good footing here. If a catastrophic event wiped out all complex life, bacteria adapted to extreme would probably be fine and maybe evolve further.

If primitive cells formed under specific conditions and those suddenly changed, all that progress could halt or go back entierly to a primordial soup (Going with the Heterotrophic Theory, this is my gen favourite term for this, soup). And there is another aspect. Suns are not eternal; our sun, at ~4.5 Ga, is already halfway through its lifecycle before becoming a red giant. At that point, Earth will lose its "habitable" status. If Earth went through a hard reset, and assuming everything went the same, next intelligent life might be one witness their star’s death, sooo there is a finite window of habitability.

Each evo step is faster than the last one, Archivists intervene at mostly early stages making the beginning bit smoother, more controlled. They aim to make planets with potential more habitable or stoping them from losing it. For example they might create an atmosphere if one lacks it but is otherwise perfect, and past that let life develop naturally.

And even with perfect conditions, factors like astronomical events could mess up whole process. In the infinite space it's not really a question of if but more which planet heads into a catastrophe, so they stay around. Archive functions like a backup, preserving progress where possible. If a planet faces extinction, they might change the enviroment, whatever is esponsible for it, maybe introduce creatures more capable of surviving—or even short-lived organisms, some that arent meant to survive but will provide enough short term nutrients for the native organisms to pull through.

That being said they usually try to avoid too much interferance, sometimes its just patching up small element before it becomes an problem. But sometimes they will just stay clear. If one is doing okay or particularly fascinating they'll stay back and watch how it adapt to the unique environments. World where due to temperatures the only habitable zone is on the edge of a star’s light? Organisms adaptation might give some insight for future and give templates for backing up similar ecosystems elsewhere. But there are limits to their interference. If saving a planet requires more effort than its results justify, they let it fade, something Wayfarer was upset about

There’s also a personal element. Archivists sometimes release life forms they’re familiar with—ancestors of creatures they once befriended. While they know these won’t develop into the same beings, it’s comforting to see familiar traits re-emerge (and to know how to deal with them). When universe is so hellbend on reminding of inevitable end, its a small victory.

Those are some words about methods, when it comes to why they even start its bit diffrent. The Starchildren’s mission stems from witnessing the first total extinction of life on a first developed planet. Unable to create life or reverse what had happened, they were confronted with the vast emptiness of the void and believed all was lost, that was it. And then saw the painfully SLOW emergence of life elsewhere, collectors agreed on a mutual goal to prevent life fading out of existance, not taking for granted it will work out. Bit ironic joke of fate that ones suited to live in isolation of void are also one to seek company. When the only other comapny is one that lives in blink of an eye its easy for the unguided Starchildren with almost divine power develop some quirks and complexes (not an excuse, just a reason).

But maybe its by design, just the right trait to have something always watching tirelessly over the gardens, ensuring there is someone there. I wouldn't say there isn't a quiet internal push for it, a drive that took root in the right environment and grew into a lifelong mission. Magic, like energy, isn’t created—it once formed part of Everything. When Everything awakened, it wanted to be more, sought to ensure there would always be something

[delphiniumpacificguinevere]

Gosh, this is gonna be a long story… I mean really long…

Absolutely starting with T.H.White’s the once and future king. My parents were like changing working places in different countries all the time and so my siblings and I were usually went to international schools which were taught in English, u know, global language, and international schools in all countries teach in English. So back to about 7 one of my teachers (a very sweet British lady) gave me that White’s novel and I was just so into it. But then I’m started to focus on other stuffs and did not think about Arthurian for years.

The when I was like 13 or something(can’t remember lol) my family moved to the UK and my school was like spending the whole year teaching Le Morte D’ Arthur in Literature class, but what’s the most important for me is that, they adapted the book into a stage play (not a big one, just school show) and selected performers from among the students. Yes, and I have been chosen to cast Guinevere. (I still don’t know why my teacher choose me a new coming student and English is like my 3rd or 5th language, maybe just eney menny miny moe ur gonna be Guinevere in this show lol). I was under huge pressure but also very grateful for the trust so I was like “I’m gonna do this beyond just ok, come hell or high water”. I made the whole year absorbing all Arthurian sources as much as I could and I spent most of my time learning about Gwen (Obviously). I feel like I started to have a strong and deep emotion connection to the Camelot Queen and by the end of the show I felt like I wanted to cry so badly, I was so attached to Guinevere (it was really embarrassing i still can’t figure out what’s wrong with myself lol).

Yeah, I think this is where I really started to get into the Arthurian legend, I even think that liking it was the reason I chose to stay in the UK. (Yup, my parents have since happily gone on to work in other countries, but I said I don't want to wander around, I’m gonna stay here plz let me stay) Gosh, it's so convenient that if you live in the UK if you see a certain location of interest for Arthurian you can just go there and check it out…

btw my sister is also quite into Arthuriana (well, under my influence), but she’s pretty stick to Arthur & Guinevere, so every time u know when i say “aww i feel like Guincelot and even MordGuin is cute” she’s like “damn u…” lol, sisterhood<3

Plz ignore this part:

And thanks for the Isles of Britain to “adopt” me lol, feels like I'd be more likely to call the UK my home rather than others, as although I've lived in many countries (thanks to my parents? I guess I should be thankful? But I actually don’t really think so) I haven't grown attached to any of them probably because none of them have I lived for time long enough (even those where my ancestors came from, how to say this, like my lineage). Being mixed race identity crisis has always been a thing, even exacerbated by changing residence all the time in my childhood, so it really feels good to have a place a country to be called home u know… Seriously, in that way, Arthurian legend has changed my life (my saviour) (this sounds really really weird I know…)

Yeah i just yapped too much, ignore me plz… but this question just brought so many precious memories to me🥹… thx 4 this question for just be brought up🥺

arthuriana fandom. what was your FIRST introduction to arthuriana im v curious,,, like was it a book a movie word of mouth etc etc

[rawliverandgoronspice]

.

[moregraceful]

It feels like getting pulled underwater—the sharp sideways tug, the slight drag of resistance, then falling, falling, till the waves close over his head. But Logan can breathe when he rights himself again, even if the light has a watery filter to it and the voices have a distant echo. // Sometimes Logan gets a glimpse of guys who've been long gone from the teal, clustered at the far end of the bench or sitting in the box across the ice. He heard Jason's voice in the hallway loud and clear, that infectious laugh. And he could have sworn he saw Raffi fucking Torres getting out of a car in the players' lot. Something tells him not to look up the rosters.

Commissioned @impmakesart to make a painting based on the Sharks' Cali Fin hype reel + the flip side by frausorge. Imp was amazing to work with and I could not be more emotional about this piece and so, so pleased with how it turned out!! 🙇🏻‍♂️🙇🏻‍♂️ Commission him here. Thank you Imp!

[phagodyke]

the masculine urge to take a saucepan off thr draining board and bash myself repeatedly over the head with it until I pass out and no longer have to experience feeling Bad 😍

[varjopeura]

.

[pawphin]

long ramble in tags tldr: kindness rules

[nomairuins]

so close to being done with one step in the larger step in the larger step of the spreadsheet.

i ran out of space in the tags so im continuing them under the cut bc i wasnt finished... and if you let me finish i would of finshed my santance

anyways i have some countries like. the borders r pretty close to irl countries and i have them in my notes as x country but other ones i split them into like. just smaller subregions of the continent based on irl like. regions. like i split africa into . Madagascar + East Africa + Central Africa + Southern Africa + Western Africa + Northern Africa and its referenced off of maps where those r like. the recognized regions (well. madagascar is usually just counted as either east or southern africa but yk). but idk... im worried its a shitty thing 2 do i just dont know what else 2 do with it. maybe i should just use an actual world map instead since im going more realistic with like. the time periods and stuff. IDK i just rly wanna avoid the shit the sims does so much where it lumps a bunch of cultures together like. the chinese world in ts3 world adventures having a torii gate for the icon. -_- yk. the map was kinda superfluous anyway and more judt a way to visualize where the worlds we have were distributed + also was mostly influenced by that one ts4 mod which takes that more simplistic approach but maybe i can just step away from that and just go more realism based Its just hard bc i dont wanna like. lose the more like. silly isnt quite the word (itis kind of but not fully) ig i mean i dont wanna lose the abstraction kind of thing the sims has. but like. I am auite literally making a spreadsheet to get rid of some of the abstraction the sims has so what am i on about. IDK i just have been thinking abt it a lot basically... like sims im already making shit up and locking the sims to like real world history stuff it only makes sense to like. do the same thing with The world and not have it be abstracted. so yes that was a lot of words to say i think im just gonna move to thinking of the sims as living on Basically earth. In my personal the sims palace that ive made up. this is not to say i personally think of the sims as tkaing place on earth or anything ive just decided to do like. Bc this whole thing is basically an au im making anyway like. taking ts3 sims and making them be from the 1950s thats already Not what the game is like. so ill just make it a Realworld sims au. ok yay 👍 thats all sorry for talking sm abt something so pointless and also for not using a SINGLE paragraph break im basically just writing in this like i write in the tags (stream of consciousness) but the tags have the benefit of being naturally split up so yes i dont think anybody is reading this far. when i was little and playing skyward sword for the first time roughly 7-8 years old i got to the like trial on skyloft and i got so scared i smashed the cd so that i wouldnt have to do it . and then i blamed my dog for it. and i did this even tho lamp had JUST started a skyward sword playthru which idk if i knew at the time but i do feel rly guilty abt it. but i was rly scared. ok thats all

[arolesbianism]

I have obtained a new oc and in the process I've already signed myself up for needing to make at least 3 new ocs for his story which he now has despite me initially Intending for him to be a side character for a different side character to hang out with. My townhouse has over 200 characters on it.

[princessmyriad]

.

[heartlesscorpse]

Life w/ Mr Crawling!

A QUICK WARNING BEFORE YOU READ: This is following after the Blissful Love Life ending, if you don’t want spoilers I suggest scrolling! — Anyways moving on from that, I FINALLY got the fucking motivation to put something out after how many months, (yay!) Starting off with my new horror game fixation :)))) Finally got my brain juices going, and I thank Homicipher for this. This is probably going to be me posting abt it for a while. BUT it gave me the motivation to write stuff at least. If you also noticed I changed the formatting a little with my hcs and I think I like it better this way w/o the bulleted list, so Imma def keep this.

⭑.ᐟ — Ever since you’ve escaped the other world with Mr. Crawling, you had some small difficulties in getting back in the swing of things. You no longer had to worry about your safety, check over the shoulders for any monsters, you had your normal life back now.

⭑.ᐟ — And this time you had Mr Crawling to share it with! :D

⭑.ᐟ — When you first brought Mr Crawling home with you, man was absolutely ecstatic and he immediately went exploring around the house while you fixed him some food to eat.

⭑.ᐟ — Mr Crawling really liked your place, it felt cozy and warm, it had you too of course, and it was so much more welcoming and nicer in appearance compared to his world. Plus there was a lot of new stuff he hasn’t seen before.

⭑.ᐟ — It was a nice change not having the house to yourself anymore, Mr Crawling made the place a little more lively with his presence, following you around the house like a lost puppy, occasionally asking a few questions.

⭑.ᐟ — You showed him many things, movies, books, and lots of other things. He even had his first shower too!

⭑.ᐟ — You even tried teaching him basic words in your language such as “hello”, “goodbye”, “thank you”, or “please”. While Mr Crawling was having a hard time getting a gist of them, he still tried his best. <3

⭑.ᐟ — With your old life back it also meant you had to pick up your job/college again too.

⭑.ᐟ — Mr Crawling was never fond when you left the house for this long, so he mostly sat around at the front door waiting for your return.

⭑.ᐟ — Then upon your arrival it’s extra cuddles tonight to make up for loss time. He’s sad that you left him alone for this long :((

⭑.ᐟ — On the bright side however he likes going on grocery runs with you! Since nobody else could see him, it wouldn’t bring any unwanted attention. Of course with Mr Crawling’s babbling as he followed you into the aisles, you brought headphones/airpods with you so people didn’t think you were insane for talking to yourself.

⭑.ᐟ — Mr Crawling in general is very happy you let him tag along with you leaving his world, he couldn’t be any happier getting to stay by your side. And his love for you grew as well! :)

⭑.ᐟ — The first time he tried saying something in your language was “I love you” to show his gratitude. Though it sounded a bit butchered for a first attempt, the sentiment still meant a lot to you and it was a step towards somewhere to say the least.