#and it's not like it's gotten significantly better

[nicky35]

UConn vs Villanova

paige: see what happens when you keep her on the ball. almost triple double and she would've gotten it had they not been up by like 50. super efficient night, which isn't shocking for her, but even 3/3 from 3 is crazy. i saw her a couple times come to help on defense, but stopped herself and went back to her man, which is good to see.

sarah: sarah strong just doing sarah strong things. she definitely gives p a run for her money when we're talking about best passer. she is so smart for someone so young. every game i am thankful she chose uconn.

kailtyn: this is what i've been waiting for. we've got glimpses here and there, but she balled out tonight. both sides of the court were looking strong. scoring in multiple ways, only 1 turnover, and no foul trouble! hope this builds her confidence, because even she's not playing well, you can still see her leadership influence on this team. you can tell she's smart and good with this younger group.

azzi: super strong defense. glad that it doesn't seem to go down even when she might've not had a great first half offensively. she looked a lot more comfortable and herself in the second. i'm sure if she got to play the fourth, she would've continued to get back, but it was a blowout, so i'm okay with it.

jana: i'm confused as to why she's still getting significantly less minutes than multiple bench players. i think she was much better at staying calm and disciplined, even when they were being a little rough in the paint with her (big surprise for nova). she's finally shooting 50% from ft, so i guess i'll take that babystep. she's just gotta continue to get more consistent though cause a center like her is gonna get fouled a lot.

kk: she just doesn't move me the way she seems to move others. i need more than "high energy" off the bench to warrant her being the first in and getting the most minutes off the bench. her driving to basket to get layups during the fourth is just not doing enough to justify p off the ball when she's in for the first 3 quarters. she's just still not running smart plays or showing how she can be starting pg next year.

ashlynn: defensively she was not great, but i did love seeing her jumping in to catch or tip rebounds. i will take as many aggressive rebounders as possible with this group. middy looked good, but 3 wasn't really falling tonight. glad she found other ways. overall kinda average, but i would like to see her get more minutes in the first half with more starting players than other bench players.

morgan: stats don't do her justice. you know she's gonna box out every time. love her setting screens and passes on offense (accept that one cross court to allie) but i need her start providing a little more scoring than shooting a three or one layup per game. still love her fearlessness and ability to adjust.

aubrey: she's warming up. just glad her vertical still seems good. that fall scared me for a sec.

allie: i wanna see her cut more and get herself available to be able to take a few more shots when she's getting more minutes like this game. glad she's looking more confident though and like seeing her look for ways to score besides the 3.

q: was there.

[yuseirra]

So what was that whole idea about Kamiki's true nature?

Since I tend to like children quite a bit, there’s one point(out of many)in this manga that really bothers me. Around volume 14, there have been several mentions of Kamiki’s “true nature” and whatnot. For instance, in Aqua’s script, it’s mentioned that Ai broke up with him after realizing his true nature, and so on(it wasn't the case in reality).

But when I think about how the authors wrote this character, it doesn’t seem like he had an inherently bad nature. As the creators of the story and characters, they would know this better than anyone else. If anything, given his circumstances, he seems like someone with a remarkably good temperament. That’s why I couldn’t stop thinking about it when the manga was still ongoing—what exactly led to him being associated with such accusations? I was curious, it’s confusing. He was kind. And it doesn’t seem like he fits into the “kind people turning scary when they snap” category either, because even in those cases, there’s usually a limit to how far the outburst goes. It’s just really strange. How could someone like him lash out at Ai? He couldn’t even get angry in the first place. He missed the moments when he should’ve gotten angry, and even when he had reasons to, he didn’t. They built his character like that, I've been paying attention to how they did and I wouldn't be confused if things were different!

When I look at it, it doesn’t seem like the authors were trying to write him as fundamentally “evil.” If anything, they seemed to be portraying him as “empty,” and they might have been trying to explore that theme.

It’s true that the emptiness and lack of affection experienced by people who weren’t sufficiently loved during the early stages of their lives can be deeply painful and significantly influence their hearts. But if the story is saying that this emptiness and pain were the cause of him turning into a monster or leading to his downfall, then I find it incredibly disrespectful to people who endure such suffering. I don't think that was what the authors were going for, either. In my opinion, those factors alone don’t seem like sufficient reasons for someone with his personality and pain to commit such extreme acts. He wasn’t just an ordinarily “nice” person even; he seemed extraordinarily gentle by nature, at least from what I can tell.

If something external had happened to push him over the edge, then maybe it would make sense. That’s why I think he only changed after Ai’s death.

But in the story, aside from Ai, it feels like no one treats him as a human being. Was he really that terrible? From when? Why is he treated this way?

If this is meant to convey some kind of message, maybe I could understand it.

For instance: “Both deities of the entertainment industry were warped in their own ways because they weren’t treated as human—one was revered as a god, and the other was treated as a monster.” If that’s the point, I might get it. But was that really conveyed properly?

What frustrates me immensely is that Kamiki was consistently abused from at least the age of 10 or 11, throughout his adolescence, and yet none of the adults around him did anything to help—they just left him to suffer. Then, near the end, they react so half-heartedly towards him when he goes to meet some of them, while acting all meaningful and apologetic, as if they’re atoning for their sins toward Ai. But what about him? It seems like no one—not a single person—ever did anything for him except for Ai, no wonder he's so desperate about her, huh?

And really, what did he even actually do? How far did his crimes go? When he says at the end, “I didn’t do anything,” (they actually had him say that) I think that’s half true and half false. From my perspective, it seems like he awakened after Ai’s death and started using his divine powers, determined he would bring her back. If he were a deity, it would make sense for him to be able to guide people’s futures, twist their fates, and decide whether they live or die. That's something he's actually capable of doing, if he's that specific god of light who governs over the industry!! If he committed sins, he should face the consequences. But—

If the story had depicted this situation in a clearer sense, like what is actually going about him in the first place, then they could’ve drawn out discussions about how to respond to this character in a more engaging way.

However, this work portrays the character as inherently problematic, yet when you break it down, it leaves you scratching your head. Everything is ambiguous. So, was he always problematic to begin with, or what? The story also includes parts where the protagonists like Akane or Aqua outright suggest that he’s an issue. Is it just because they need to kill him?

If the story were portraying him as if he had that kind of disposition from the beginning, I wouldn’t have anything to say… I can make that out!! I studied psychology for goodness sake!! As I’ve kept mentioned before, however, this character’s transformation is closer to complete corruption or a total reversal of temperament. People don’t change this drastically on a normal level. It’s just too strange. If this were explored more thoroughly, it might be more convincing. No matter how much I think about it, the only explanation for why this character was written this way seems to be this, that he is really some god, and I think it’s likely correct.

I mean, he was abused since he was a child, but not a single adult at the time properly addressed it. And I don’t even think that alone would have turned him into a criminal. That’s not what caused it— he was holding up for so long, and then, after Ai died, the only person who treated him well was gone. From what I figure, that's like what's the only thing enough to break him THAT BAD. I think he ended up living a miserable existence just to try and do something for her, to dedicate himself to her.

But none of this is clear, and the story just keeps pushing the narrative that “he’s the problem,” “he’s a monster,” and “killing him will solve everything.” Somewhere along the way, this approach starts to feel unnecessarily cruel and upsetting. Am I reading this wrong? But that’s how it seems to be written.

Is it really okay to handle this sort of subject this way? It’s too harsh, both internally and externally. It feels like the character has never been properly addressed or explored.

Sure, he’s an adult now, he needs to take responsibilities. But he was just a kid when he suffered. So young at that. Is it really appropriate to discuss things like a teenager’s “true nature” or whatever? Sometimes you do see kids with genuinely dangerous and cruel tendencies, but he used to be the exact opposite of such a case. He did not display any aggression. Why frame things this way? The way this story handles this is just mean. For someone who endured abuse and kept smiling to get through it, that’s an extraordinary level of strength and character. For his case, it isn’t about “true nature”—it’s a product of his environment. And yet they don’t explore that? They should. The way the narrative directs readers is deeply unsettling. What were the adults even doing? That’s the real issue! That’s where the problem lies! Not addressing that and just concluding with his death feels so infuriating. What is this story even trying to do?!

And to add to that, while we talk about him at 10 or 11 years old, I don’t think he ever received proper love even before that.

That’s why it’s so astonishing that when he met Ai, she said she wanted to live with him forever. It shows how much she genuinely liked him! Despite everything he had been through, he still managed to be that lovable to her. Both of them were so genuine toward each other. For that to happen, she must have been truly happy around him—she must have felt cared for. It's really hard for someone like that to endorse those kinds of feelings towards someone, she really loved that guy and he probably really deserved it at that point.

Looking at this character, even considering what he’s been through, his outward demeanor is still incredibly kind. It’s so rare for someone to stay that way despite everything.

The idea of this guy having a “noble soul” or “pure spirit”, "nobility" might connect to the Sarutahiko reference (since that god is described that way), but beyond that, this character’s natural disposition seems to have been one of the kindest in the entire story. He’s just been twisted by his experiences. I can believe he really was like that. Even Ai had a dark personality, yet he somehow endured without letting that show at least outwardly—even when he was just a kid, even younger than her!

He was genuinely a good person. For someone like that to end up this way? It’s because he lost Ai and couldn’t handle it. He had given all his affection to her. Maybe if there had been someone else in his life to help him, things could’ve been different, but no one besides Ai treated him well. The way the character was written really does suggest that’s the case.

The problem isn’t so much the framework or the plot but the way it’s executed. It’s so lacking in consideration. This kind of material is too heavy to leave in the realm of mystery-solving. Even so, if they wanted to depict his personality or actions as the problem, they should’ve written his personality differently and laid the groundwork with different foreshadowing.

They wanted to add mystery elements while still portraying him as kind, so there’s this constant mismatch. The result is that his character remains unclear. And they can’t fully commit to making him a villain because the character is tied to mythology—he’s clearly based on a god from myth, and that god was incredibly benevolent. Oh my gosh..why do this to a god known for being a loving husband?

Also—again—talking about the “true nature” of a 14–15-year-old? Sure, it’s not entirely out of the question, but isn’t still that going too far? No one talks about Airi’s true nature, so why his? What even is his “true nature”? Blaming a kid for this? For feeling hollow from having been neglected and unloved? Seriously… when adults start telling a child they’re “hopelessly empty” or whatever, I’m just sitting here clutching my head in frustration. He was just a middle schooler! What are you doing? And the adult doing the gaslighting? They’re not even a proper human being! Sure, adults like that exist in real life, but still!

The problem is that the story doesn’t dismiss it as nonsense—it actually builds that trait into his character. It doesn’t outright contradict it. I guess it’s not entirely wrong of them to point it out, but still… it’s so frustrating. These elements function as part of the plot and keep things intriguing, but it feels careless. The story doesn’t address the core issue, the problem of the adults having hurt a kid, and that makes it harmful. Anyway… Kamiki’s life was just awful. He could’ve turned out so much better. That’s what’s heartbreaking about him. And it’s not even entirely clear whether he didn’t turn out okay. His responsibility on this all is so ambiguous. What if he really didn't want to hurt anyone like he's said, but things turned out that way anyway—what are we supposed to do with that?

Well, considering what he thought about Ruby, I guess that’s not entirely the case(omg) but I think the whole "feeling Ai" might have actually had some sort of base from his standpoint. What if he knew doing that would work for certain but held back but didn’t kill her because she was his and Ai's child (he says that she's theirs) then felt “I should’ve tried something when I had the chance” in his dying breaths huh? Wouldn’t that be tragic? Messed up but I think that's what could have been what's going on! I could see that being possible. But still, what kind of nerve does he have… ugh… the audacity… How could he do that to his own daughter lol. At this point I think that's the writer's fault, not the character because it's so ridiculous. What even is this manga? I’m at a loss for words.

Honestly, I wish they hadn’t used such heavy themes. The manga can be entertaining but it’s too emotionally taxing. The author handles these serious topics in such a strange way, and it’s exhausting. I'd go as far to say it feels a bit irresponsible at times.

[serpentface]

You meet your other sister-in-law very briefly.

She arrives unannounced in full Odonii garb and a long cloak for the cold, soaked through with rain. She's taller than most men, and carries herself like one too. Her hair spills out of her veil, not only unbraided but a horrendous mess. It's kind of fascinating. You catch a glimpse of a handgun slung across her back, hidden beneath her cloak. This is especially exciting; you’ve never seen one up close. You try to peek around her to get a better look at it, and flush in embarrassment when she catches you, shooting you a cold glare.

It doesn't seem like she speaks much without being spoken to, and you aren’t really the type to initiate conversations either. Livya fills in for the both of you, prompting your sister-in-law to introduce herself. Her name is Couya. You give her a respectful bow and curtsy, she gives a very slight bow back without looking you in the eye. She compliments your necklace. Or at least, she mumbles something while looking in the general direction of your necklace, and it might have been a compliment. You aren’t sure whether there’s something wrong with her or she’s just rude.

She's just her for filial duties at the family shrine, and she doesn't stay long. Livya stops her on her way out. She says she's disappointed that the one time in a year she can be bothered to come by, she shows up looking like a disheveled street-whore in priest's clothing. Look at Hibrides, she didn't even know we were having company and still did up her hair so nicely, and all by herself too. Thank God your father isn't here to see this, he's suffered enough embarrassment as it is-.

Couya stands in the doorway in silence through this whole speech. You thoroughly inspect a loose tile in the floor and try your best to pretend you aren't there. Livya doesn't take her hand off your shoulder the whole time.

---

[I've been writing an overview of Hibrides' first several years of marriage for the hell of it. It's just a summary but it's written with like, the slightest bit of prose, so figured I'd dump a section here]

[samaspic31]

Exactly. has star wars always tried to be radically progressive ? sure, yeah, the ot compared the alliance to vietnamese anti american imperialism resistance, the prequels depicted victims of religious persecution and genocide as sympathetic at the height of demonisation of islam and violence in the middle east. Has it always suceed? does it give characters played by actors of all ethnicities the same care ? does it avoid falling into racist tropes? fuck no. And it’s undebatable it historically has centered white characters. So yeah the dudebros are wrong to say star wars’ thesis is either politically neutral or milquetoast liberal “both sides have flaws”, but that doesn’t make star wars good at being radical and exempt of examination of how itself perpetuated racism in many instances. both can coexist.

"in star wars, the villains are old white men for a reason" and the heroes are almost always young white people. So.

[bluemew-theturtle]

So like did we all agree we're going to ignore the fact that China is a little old lady now, or is it just me.

[meat-loving-meat]

hinds and hounds

[sonflwers]

she vaso on my vagal till i syncope

[youredreamingofroo]

I don't think anybody rlly cares but I'd like to share that one of my parakeets, bolt who has been incredibly hand averse since I got him, has finally started to become comfortable with me, comfy enough to feed from my hand without *bolting* (ba-dum tss) at the slightest hand movement 🥹🥹 I'm sooo proud of him, I was super worried he would never become comfortable with me, he still has a lot to work on, as he still is jumpy, moreso than Scones (his companion), but progress is progress and this is the best kind of progress rn !!!

[notmoreflippingelves]

I need to ramble more about Esteban Flores, because everything about this character and his arc seem as though it was tailor-made for me and specifically designed to make me absolutely feral.

This going below the cut, both because I do not want to spoil the entire show for my friend who is think of watching Elena of Avalor and because I go full-on apologist here and I feel like that will annoy some people.

Imagine making the absolute worst mistake than anyone could possibly make, because you are 18 and scared and stupid and tired of being ignored. And it results in you losing your family and your freedom and what little self-respect you had left because you know all of this is very much your own fault.

 And so you proceed to spend the next 41(!) years eking out a miserable existence in an oppressive state. Upon fear for your life, you are forced to be the reluctant right-hand of the evil witch-queen who conquered your country, killed your aunt and uncle and trapped your cousin in magical prison. In spite of this, you nevertheless do everything within your limited power trying to hold the kingdom together and make sure the people don't starve, because the queen certainly doesn't care about anything except greedily bleeding your country dry.

And no exaggeration, this is just what canon explicitly gives us outright in the pilot. Like that's not even getting into head canons/interpretations/common sense of what exactly this sort of life entailed for you. Because this is a children's show so there's only so much they will let us imply about living under that kind of system. Especially as a young, attractive, terrified person who is the last living member of the previous royal family who is likely being kept alive partly as a combination trophy/punching bag for the evil queen (even if the show never actually states this outright).

And then by some miracle, what's left of your family comes back after all this time. The evil queen is overthrown, partly because you yourself finally stood up to her at a critical moment. You and your country are finally free again, and what's more, you and your family are finally together again after over 4 decades. But you still feel like an outsider--partly because you always were an outsider in your family even in the better times and partly because  over the past 41(!) years, time stood still for all of them except you.

And as a result, no one ever cares to ask what those 41 years were like for you or even just if you’re doing okay. Not only because your family can’t even begin to comprehend what it must have been like, but also because they don’t care to even *try* to understand. Because the narrative has decided that everyone else’s respective traumas is worth way more than your own.  (Though tbf the narrative really doesn’t dwell much on anyone’s trauma in general but yours gets especially neglected , except to briefly play it for laughs or to remind you that your trauma is *your own fault and only your own*).

For a little while, life is pretty okay. It’s weird not having to watch your step every instant to make sure you’re not putting a toe out of line. And so you never really fully break out of your “survival mode” conditioning, making sure that you are still considered important and valuable enough to keep around.

But all the while, you know that your past—and especially your terrible little secret—is eventually going to come back to haunt you. And it does. First via blackmail and then via the return  of the evil witch-queen herself. Fortunately, she is defeated for good before she can take avenge your “betrayal of her” but you still have to deal with seeing the ghost from the past who terrorized you for 41(!) years.

And then, your secret finally comes out in the open and you are disowned by your family—the family you *just* got back a few years ago—for an admittedly super bad decision that you made over four decades ago and have regretted ever since.  Rather than face the rest of your life in isolation (as though you didn’t already have enough of that during the previous regime), you escape before you can be sent into exile. This puts you directly in the path of *another* terrifying, evil magical milf who you are forced to ally yourself with. Because you have 40+ years of conditioning that when a woman like that says “jump,” you say “how high?” if you are to have any hope of survival.  Especially given that the only people who could’ve protected you from her are the family and friends who have just definitively washed their hands of you.

Despite this, you are still trying to seek your cousin’s forgiveness and to protect her in the little ways that you can. But you are constantly getting rebuffed over and over again, and if anything, your attempts at reconciliation only seem to make your cousin angrier, and she now hates you just as much as—if not MORE than—the woman who actually murdered her parents.

Your cousin is so angry at you specifically that she actively ignores the greater threat of Witchy Milf 2.0, because she happens to see your face and is enraged. This ends up backfiring spectacularly for you both, though it does indirectly lead to the defeat of said Witchy Milf 2.0.

But guess what?  There’s no time to breathe or celebrate, because her defeat occurred during the successful summoning of a third power-mad, feminine-presenting magical humanoid and her allies. At least, this one treats you with some initial respect and actually gives you outright what you-think-you’ve-thought-you-always wanted. But she also turns your family and friends to stone in front of you as a warning of what’s to come if you dare to defy her.

But this time, you are finally done with this, have finally lost enough that you have paradoxically found your courage. You sacrifice yourself to save your cousin, and she is finally able to accept that you’ve sacrificed and changed enough that she can forgive you. And her forgiveness is so powerful and pure that it not only restores you to life but also undoes all the other evil magic. Together, you defeat this final enemy, paradoxically by banishing her to the same Underworld where your mistakes accidentally sent your aunt and uncle and her parents long ago.  Peace has been restored. You have returned for good and are finally secure in your family’s love.

And after all that, there are *still* people (both presumably in universe and in the fandom outside of it) who say it's too little, too late and that it would've been better for everyone if you'd simply stayed dead.

Like I'm just... are we really victim-blaming the character who has 45 years of unprocessed trauma and guilt (both survivor's guilt and guilt in general) because of a decision he made when his brain was still developing and he was being manipulated by an older, much more powerful person?

[edgarallen-foe]

i don't like one of those asks i got a while ago... i never want to imply that juno was anything but wonderful during our relationship - i couldn't tell you one thing i wish was different when we were dating. he was the perfect boyfriend for me. it was only months after we broke up that it came to my attention how nasty he's gotten.

[sleepy-stitches]

hi. ive taken this trip now. ive come out with new and controversial opinions on bus systems

[maximusboltaqon]

look if triton was able to be vox-ified after being literally blown up by a bomb that he was holding inches away from his face. then i think some of the other inhumans were also ok. like i think they could have just broke the mind control on most of them and theyd have been ok. there were like,, 15k inhumans attacked by vox,,, i think more than just the royals got out of that one

[sevicia]

last few times I've come to the hospital the mental health section receptionists have been like "Hi Dante!" like they don't even ask for my RUT anymore which is yknow the standard thing to do. they're just like yeah yeah Dante we've all heard of him we all know him .... and the 1st lady to do that wasn't TOO surprising since she's the one who usually makes my appointments but just now I had to change some appointments I had in March to fit better w/ my school schedule and the lady that greeted me I had seen maybe ONCE during my whole time coming here .... and she called me by my NAME ?????

[minafeu]

Me this afternoon before publishing the new chapter: There is nothing you or I can do to bring him back now

Me after finishing chapter 2: He has risen baby girl *iris by the goo goo dolls plays in the background*

[thousandheadeddolphin]

Guess who just got a new pfp

[opens-up-4-nobody]

holy moly your art has improved so much since the last time ive been on here!!!!!! every time i see your blog your art gets even better

Aw, thanks 🖤