#and it's all designed?

[meraki-yao]

RWRB Movie Thoughts: Choreography and Rehearsals

There’s been a couple of great essays on the one-shots in the movie and the theatricality of those scenes (see here, here and here), and I just want to talk a little about choreography and ferally scream a little about rehearsals.

Taylor mentioned in one of their interviews that a lot of the intimate scenes had a certain musicality to them, and as the boys both have theatre experience, Robbie communicated with them on the subject almost like creating a dance. It’s essentially, choreography. So here’s my interpretation of the choreography part.

I love dancing and took ballet classes for 14 years, and something really important in dancing and choreography is beats. And there are two ways to go about this.

One is literally every beat is a specific motion, it’s a series of sharply changing movements. It’s very apparent for Henry/Nick during the first section of their first hookup in Alex’s room. You can literally count 8 beats as you would for a piece of music, and for every beat, Henry/Nick is doing a specific move:

1: Block the door -> 2: Push open the door -> 3: Right Hand grab Alex/Taylor’s Neck -> 4: Kiss -> 5: Left Hand Grab Alex/Taylor’s Arm -> 6: Left Hand moves to Alex/Taylor’s Neck-> 7: Blank/No New Hand Movements -> 8: Left Hand in his Hair

You can literally count the beats, and hell, in this scene in Henry/Nick’s case, the beats are fairly even. You can almost follow the motions with a metronome.

The other kind is hitting marks: as in there are “key poses” to strike at certain times, but how to get from one pose to the other is more up to the actor. (There’s a great video explaining this idea in fight choreography/sword fighting: check it out here) I think that’s what the red room kiss counts as the boys have certain marks to hit: both of them hitting the wall, Alex/Taylor grabbing Henry/Nick’s thigh, then pushing him onto the table, then grabbing his waist while Henry/Nick grabs his hair etc. They have specific places for their hands and legs and well, themselves to be, but everything in between is pretty continuous motions that I don’t think can be precisely designed. You can still sort of count a beat, but it’s much less clear than the example of Henry in Alex’s bedroom.

 

So here’s my question.

How many of the scenes in the movie are choreographed, and what scene was which kind of choreography?

There are the two literal dance scenes, and then most of the intimate scenes go without saying, because it’s not just a matter of the choreography, but also requires discussions on intimacy and boundaries. Among the photos Matthew posted about rehearsals, I’m assuming all photos with the boys on a couch are the intimate scenes. (Matthew said the first hook-up was shot exactly as rehearsed)

But another photo Matthew posted was the hospital storage room scene, the absolutely adorable photo with Nick and Taylor squeezed together in the middle of a bunch of chairs.

Which means the mess of Henry and Alex falling into the storage room then flailing their limbs trying to figure out how sit properly without crushing each other was choreographed. And honestly…how? Because that scene looked like such a mess and so damn chaotic, I really can’t imagine any part of it being designed besides the general idea of “fall over, push each other a bunch, end up with Henry/Nick on the right and Alex/Taylor on the left.”

Also the Paris scene. Of course that has to be choreographed, but I just… can’t imagine how? Like the red room scene, Alex’s room, the polo tack room, if I don’t immerse myself in the movie I can sort of see the performance, the directing aspect of the scene, but the Paris scene, I completely can’t. It’s so well done, it looks so damn real. Of course, I know it’s not, but I can’t see it. That’s how well done the scene is. How in the fucking world did they do that? On top of that apparently, people who went to the March screening said there were three positions (which, please fucking release everything PLEASE), so again, how the fuck did they do that?

What other scenes were choreographed? They had two weeks of rehearsal (although Taylor said he got Covid on the second week so I don’t know how they went about that), how much did they do?

God I know Matthew’s slowly releasing behind-the-scenes footage and I’m guessing a, he has a lot, like a lot b, he’s understandably taking his time, but I wonder if he’ll ever let rehearsal videos see the light of day. Besides my own curiosity about how their rehearsal worked, there's also that one adorable picture of what looks like Taylor said something that made Nick laugh which is just so cute, it would be nice to see what the boys themselves were like during rehearsals and what their banter was like

Anyways all this to say MORE BTS FOOTAGE PLEASE 

[cronchy-baguette]

double posting this comic bc tbh it deserves its own post.... thinking about how elphie was definitely crying after she runs off to hide somewhere following popular... what do the two of them think about afterwards....

[chaichai-draws]

Personally I think that Telemachus permanently and irreversibly changed Athena for the better, more on that at twelve

[sanctus-ingenium]

going all-in | print

[rosie-dear-rosie]

I love you speculative biology. I love you worldbuilding projects. I love you creature design. I love you fantasy biology. I love you speculative evolution. I love you science fiction.

[toorumlk]

the weasleys, circa 1995

[onebadnoodle]

miku:mini

[bgmoth]

she really hates ghosts

[crowkip]

yeehaw, baby!

[mansand]

these army ants tend to move in groups of 4, with the line leader leading the expeditions. They have terrible eyesight, so rely on the sound of the Line Leader's bell staff, and the the pheromone map made by the previous expedition to know where they're heading.

[palukoo]

three hearts that beat as one | old hollywood throuples anyone???

[hottubsandwiches]

working on life series winners designs again

[cronchy-baguette]

Is fate something you can earn?

[poorly-drawn-mdzs]

Hey now, Let her cook!

[biggest-gaudiest-patronuses]

so important for every character to be an idiot, but each in their own unique beautiful way