#and it’s Horikoshi’s manga he can do whatever he wants with the story

[thehauntedmarionnette]

Mha chapter 426 releases on July 1st and I swear if Horikoshi makes Izuocha canon the day after pride month I’m gonna riot

[burquillos]

I’d love to hear your thoughts on the final MHA chapter because the internet seems to be very divided

I waited till MHA officially ended! Long post ahead!! People being divided on the ending makes sense. Different people come to watch shows and read comics for very different reasons and with very different expectations for an ending in mind. Especially for a series like MHA which is a battle manga that seeks to subvert shonen genre tropes.

I think part of the reason why people are so divided on it right now is because of leak culture and reaction culture. People have to remember that comic books and manga are a storytelling medium. The author actually thinks about the arrangement of the panels, what’s in the panels, and how the combination of these things can form a narrative. Reading it from twitter thread/discords from people in a rush to translate to get the information to you as fast as possible is NOT the intended way to experience the story.

The “leak format” kind of encourages people to put too much focus on certain panels and roughly translated text that would otherwise feel very different when you are reading the story through the intended medium, and when you pair that with the highly reactive way people ‘consume content’ nowadays, the result is a snowball of very volatile emotions being thrown around without a moment for people to breathe, think, and wonder for themselves “Why did the author write it like this? Was there something I missed? How does this re-contextualize story? Have I actually missed the point this whole time?” etc.

That being said, I sort of have a philosophical way of approaching MHA?? When I got back to it again, I was hyper-critical of it especially because I just came back from reading One Piece (and the writing styles and messages are VERY different). I slowly learned to judge the writing for what it is rather than keep comparing it to other series and I learned it was more enjoyable to experience the story like that.

The ending is a very hard pill to swallow for a lot of people which is understandable, but it didn’t come out of nowhere. I mean, just look at the ending lines of "Do Not Be Defeated by Rain", the poem that inspired Deku’s character:

I am also a stubbornly optimistic person, and my number one rule is never to engage with anything in bad faith. I CHOOSE to see hope through the margins and the final chapter being so open to potential encourages that thinking of mine.

So even though I think there are some things that could be handled better (the villains) and storylines I WISH were explored (OFA vestiges my beloved) there’s no reason why it couldn’t be fixed.

There is this openness to it that leaves so much room for hope and imagination that I can’t truly be mad at it.

I might find MHA lacking as an entertainment piece, but I will defend it to the end as an artistic piece.

Horikoshi has said before that he doesn’t care if his manga is popular or not, MHA is basically a culmination of the stuff he enjoys, and I KNOW drawing whatever the hell you want despite knowing not everyone will like it takes a lot of guts and it’s what makes MHA so human.

All the traces of him are in there, flaws and everything, so you can endlessly turn it around, flip back and forth and there will be always something new to unpack, learn, and realize and the thought of what could've been will always haunt people (just like Star Wars, a series he also likes kajdbaldnlk)

[yonkokraven]

Horikoshi is a terrible writer

God, I wish I was kidding, these last couple of days I've been analyzing the whole damn manga and I finally understood where this guy is going with it and how it fails.

I'm going to make the post with spoilers and talk in random order about different things that he fail at, because honestly it's unthinkable to make an order in this manga chaos.

The League Without Goals:

I really can't understand how people look at this group and say "they have a plan" or "they're good antagonists" when neither of those things are true.

The league was founded by Tomura wanting to show the world that they live in a false peace, at first he wants to kill All Might for being the symbol that brought this false era of peace...

The claim is fair, I'm not going to lie to you, but after the Stain arc, instead of reflecting on how he can show the danger to society, he goes a step further and decides to destroy all the heroes, and the league "adopts" Stain's mentality with its new members.

You think it could improve, I mean, here they should tell us the reasons of the new members of the league about their mentality towards the heroes, but no, nothing, absolutely nothing.

Dabi introduces himself stating that he's there for Stain, Toga too, Spinner obviously too, but they don't reveal why they agree with Stain.

As time goes by we see glimpses of everyone's personality and past, and the first thing that comes to mind when I think back to the entire history of the villains, is that they don't have a group spirit here, in fact, not even a hint of personalities, Dabi and Toga are serial killers, Spinner is a mutant and Compress is a thief. Twice is a disturbed guy who lost his place in society by no longer being able to control his quirk, but he also has no qualms about kidnapping and killing children and god, Magne, Mudstard, Muscular and Moonfish are forgettable

The league's goal changes from "Show society the false peace" to "Let's do whatever we want" after the liberation army arc, here there is no direct reason, but Tenko says that he wants to destroy everything that breathes.

They show us their pasts but there is not really a more appropriate answer to "these people are crazy"

Spinner, who is the one with his head on his shoulders, should question why but he doesn't, He don't tell us what he wants to do other than "follow Shigaraki", and then in the final war they put him almost into a Nomu and leading an army of mutants without any plan of what to do when the world is his, there are no community plans, nothing, just find Kurogiri and destroy Japan.

Toga was deprived her entire life of living the way she wanted and she wants to do that, but when Twice dies she wonders if the heroes don't see her as a person when she can't even wonder why the heroes would see her that way, she kills people and animals without any shame and is plotting to destroy the world.

Dabi wants dad's attention, that's why he's going to destroy everything dad built including his mother and siblings, but he could go one by one, first Natsuo, then Fuyumi, then Rei, then the "Masterpiece" Shoto, or better yet, broadcast the video of Endeavor after the battle against High-End Hood, but instead he waits for the damn climax of the story to try to detonate himself. Not only could he have saved Twice and didn't, but he also has reasons to follow Stain but still sticks to "let's kill whoever gets in our way"... and that's it.

Tomura already came to this story in an extremist way and has reasons to hate society, at the beginning of the story I thought his motivation was going to be to reveal the imperfections of civilians and heroes, but his motivations grow to commit acts of terrorism to ACADEMY STUDENTS. And they are not even varied, it is the same academy and the same damn class

And when I thought that Horikoshi could not make it any emptier, AFO reveals that he always planned to take his body and orchestrated everything that happened to Tenko. AND THE WORST THING IS THAT HE DOESN'T EVEN REFLECT AFTER THAT, IF IT WERE UP TO HIM HE WOULD DESTROY EVERYTHING ANYWAY.

How do Hori expect me to feel bad about their defeats and deaths? They literally grew up in the opposite way to how they should have, and that's when I realized: Hori didn't want to give this group of clowns any redemption at any point.

Before you ask me "then why did Horikoshi make Midoriya, Uraraka and Shoto want to save them?"

No, here Horikoshi is writing 2 things, but he writes them so badly that the fandom interprets something totally different:

1-A hero is a human being, and villains born in their mistakes: The members of the league, if we look at their origins first, arise from the fault of people (not just heroes

Toga must be one of many who has their biology affected by their quirk, at no time do we have reference to the fact that there are specialized centers to help this type of people, because if that were the case, her parents would have accompanied their daughter in that way instead of repressing her.

Spinner is a mutant, so he hasn't grown up in a conventional way (as we're told, he was always alone). But that's the incomplete picture, being a mutant and following Stain's ideology, you add 2+2 and notice that Spinner suffered mistreatment even from heroes, but it's something he doesn't mention, and Horikoshi didn't delve into either his history or the mutant plot.

Dabi is the son of an arranged marriage (know how to differentiate it from a forced marriage) and that's already a lot to say, but his origin resonates with Stain's words about heroes only seeking fame and power. If the top heroes didn't exist or worked differently, things in the Todoroki family would have been different.

Tomura is the mark of an imperfect society, as his problems are not only his own, they come from generations ago. His grandmother left his father for adoption after his grandfather's death, and there is already a big red flag about the safety between heroes.

Then, his father grows up hating heroes because he never knew about the danger that his mother and he were in. And he hits his son every time he says the word "hero" just because he never knew how to properly deal with his father's death or his mother's abandonment.

And after what happened to his family, people look the other way hoping that a hero might appear, when that is not the job of a hero, it is something that everyone can do. Tomura marks the total and combined result of a society that has made heroes into nothing more than a service instead of people, while people simply go on with their lives.

Society in general after the dawn of power remains the same: discrimination, power and ignorance continue to be the daily life of people.

The biggest problem? is that Horikoshi shows us the league at first wanting to point out these injustices, but little by little they get to "let's destroy everything because Tomura is upset."

2- The origin of true heroes

The arcs that resonate the most with the soul of the manga are Uraraka and Hawks' arcs, two of which in my opinion are the best in the work

Uraraka enters the academy with the wrong intentions, but her heart is in the right place, she wants to help people and little by little she realizes something that many people ignore, that heroes and villains are also people.

Hawks is trained directly in the commission as a human weapon, but he does not fight against this because his desire is to be a hero, as he grows up between so much training and work, he realizes that despite being a hero, he is not allowed to be a person, and this is reflected in all the other heroes thanks to his phrase "I just want a world where heroes have free time"

Uraraka is the one who initiates the change to society by asking the civilians to let Midoriya rest in the academy, the civilians are scared but notice for the first time that the heroes are not in good shape either.

And they are not even heroes yet, they are children who still have the spirit to stand in front of the bullets when they should be crying for what happened, they lost teachers and classmates, in addition to being mutilated by people older than them.

In these epilogue chapters, civilians and heroes began to work shoulder to shoulder after this event and the battle in which Midoriya gave his all to prevent everything known from disappearing, and he succeeded by very little.

In chapter 429 we see a child who escaped from hell, and for the first time a civilian helps someone without having to request support from a hero, and it is the same woman who did not help Tenko years ago who still carries the guilt.

But what is the problem with this point?

Two small details, one being that Horikoshi isn't giving dialogue to those who started this change, and if he did, he did it incorrectly.

Uraraka feels bad for not being able to save someone who didn't want to be saved, when she doesn't reflect on how Toga got to that point of no return, or what made the heroes get to where they are now

Midoriya calms her down by telling her that she's his heroine (which isn't bad at all) but it's a very short dialogue for two characters who saw through all the flaws of this system and fight to change that same system for the better.

and Hawks is in a position to restructure the hero system for the better based on the things he knows, taking a correct step in creating a Top that is defined by the actions in the place of power... BUT YOU DIDN'T ELIMINATE THE OLD TOP? ARE YOU SERIOUS?

And now I know why he doesn't do it, because of someone who has taken up more than enough pages in this work, the damn Katsuki Bakugo, another damn symbol of the old society that glorifies power over heroic actions.

Horikoshi himself didn't know what to do with the character beyond the first tests arc and HE SHOWS IT, because it is so contradictory with this character and everything that surrounds him in a disgusting way and the fandom doesn't want to accept it.

He literally doesn't get any attention when he does wrong, when he attacked Kurogiri with Kirishima, when he acts arrogant at the sports festival, when he hits Midoriya at the final exams and verbally abuses him in front of everyone, when at the camp he ignores Mandalay's instructions.

There is only one consequence for him in the manga, ONE, AND THAT IS THAT HE FAILS AN EXAM AND THAT'S IT.

Then he has a nervous breakdown saying "it's my fault that All Might retired" when he doesn't reflect on the danger he put his teammates in or the way he acts.

Here everyone is useless when it comes to Bakugo; Aizawa lets him go with a pat on the arm when he tries to attack Midoriya, 13 should have reported Bakugo and Kirishima to the principal after Kurogiri, Aizawa justifies Bakugo's behavior to heroes who are obviously outraged by his attitude during the festival, All Might ignores that his disciple bled from a punch from Bakugo and also that Bakugo almost killed him in the team tests.

When he is kidnapped, no one points out that he disobeyed a direct instruction in an emergency like the camp, instead Aizawa grabs a microphone and says "He's a great hero."

And in the provisional license exams, the Commission should have intervened and called him to attention, or at least Aizawa, but NOTHING.

Horikoshi makes him absent for a couple of arcs and then Bakugo reappears at the cultural festival where he doesn't change a cent, he just plays the drums, then he passes the provisional exams making the minimum effort possible while Todoroki, Utsushimi and Yoarashi do all the work with the children, and he tells the leader of the children "don't be an idiot" and that's it.

Then the Endeavor arc, he sneaks into Midoriya and Todoroki's internships and disrespects half the world, again without consequences and his appearance in this arc is to justify the disaster of power increase in the next arcs, wasn't it that he had already mastered his quirk? wasn't he a prodigal?

Then there's the war and he only serves as a human shield, receiving a lethal wound and SURVIVING to then wake up in the hospital and ignore that everyone is injured or in mourning and start screaming.

Then in the Dark Deku arc he mocks Izuku who is at his lowest point and makes the emptiest apologies I've read in a manga, with an apology comes a change and HE doesn't change.

His death and resurrection is totally useless to the plot other than to nerf (not kill) Edgeshot, who turns from a paper man into a surgery man to repair his heart and vital organs that are shown to have EXPLODED BY SHIGARAKI'S PUNCH.

He gets up and fights All For One at his weakest point and eliminates him, which has no real value because AFO then possesses Shigaraki anyway. And to make this more regrettable Bakugo KILLS KUROGIRI WHO WAS ON HIS SIDE.

What makes me the most angry is that Izuku is losing OFA and HE IS THE ONE CRYING

At this last point Midoriya has already completely lost the spotlight because Horikoshi never tires of inflating the Gary Stu that is Bakugo. And God forbid Midoriya to do even a little of what Bakugo did.

Midoriya at the end of each arc has no recognition, in fact, the recognition that Horikoshi gives him is reduced as the arcs go by

The story started with Midoriya saying that this would be like him "he became the greatest hero" and in the last arc he changes it to "we all became the greatest heroes" and it doesn't feel like a true victory once they achieve it, because Midoriya is not even the shadow of what he was.

With Horikoshi's decision to preserve the previous Top of Heroes it is obvious that he will give it to Bakugo, it is a worthless title because it is not defined by heroism, but by statistics that come from power and solved cases.

and this last one ruins Endeavor's ending even more

Speaking of Endeavor, he doesn't have his family anymore, he already lost his position, he's disabled and his money won't be his anymore, since he's going to put it at the disposal of his children. I was wondering if Horikoshi would make him face something legally but with everything that's happened I think it would have been the same result, with him paying monthly damages to his family.

and his family, god, what a family.

Rei needed more introspection and perspective on the situation, especially with Shoto and Touya if she was going to be included in the final battle. And yes, she stays with Endeavor, good for some and bad for others, but I want to know what led her to that, Horikoshi didn't justify it.

Fuyumi was fired not because of Endeavor's abuse, but because of the things Touya did. Again, this information is useless without a proper explanation. What information do you want to leave me with, that she got a new job? Will she work at the UA library or what?

Natsuo will be a Kotaro 2.0 because of his attitude, and honestly I never really liked him, especially because he didn't put any energy into getting to know Shoto or trying to reconcile with Touya after the final battle.

Shoto... poor Shoto, it feels like he was orphaned after the last family talk. In fact it feels disconnected from the story since the Dark Deku arc.

Well, I only have to talk about Eraser, because I already pointed out everything, empty villains, Midoriya's lack of introspection, Bakugo Katsuki's superfluous character... and there's this incapable who must be Horikoshi's self-insert.

Shouta Aizawa, aka Eraserhead, underground hero and the worst teacher in the known universe.

This guy never knew what he did, and just like Horikoshi, he tipped the scales towards Bakugo in every situation he could. He forced his students to give their all, but he didn't help at any time in the evolution of their powers... WHILE HE WAS TRAINING SHINSO.

He's not a teacher, he's just a security measure in case a quirk gets out of control, nothing more, and he even does wrong, he ties up students with his capture weapon and attacks them with his quirk threatening expulsion in any situation that bothers him

Present Mic points this out and many other things but is continually silenced by Aizawa and the fandom, even worse

The Fandom ships them.

and since we're mentioning the fandom, this is one of the worst fandoms in the universe.

90% of them seem to have gotten the story wrong and don't have a cent of criticism towards Bakugo or the league, and don't value the moments of the manga in the proper way.

There can't be a second without them believing that this is Shoujo, because they focus on Bakugo and Deku in the same panel and take it completely out of context (a bad habit that Rukasu created by translating the leaks absolutely wrong on purpose).

Now everyone is angry with Horikoshi not because he wrote a story in the most absurd way possible, but because the league of assassins did not have a happy ending and they just discovered that this was never a shojo.

Horikoshi was right to fear that the manga would be cancelled, because he clearly excels at drawing, not writing. Now we're getting a fan-made Attack of Titan Requiem 2.0 of Bakugo and the league making this twenty times worse than it already was.

I've also noticed that there are some creative people who are writing arc by arc either on tumblr or ao3, which gives me some faith that this nightmare is bearable.

Well, I read opinions, but not from fans of Bakugo, BKDK or the League of Villains.

[stillness-in-green]

Not-Really Chapter Thoughts BNHA 424

You know, I really think there should be a point at which Deku rushing in with no plan and doing whatever he thinks feels right should become Heroic Malpractice.

Just me?

Because, like, Shouto had a plan. He spent the time between the two war arcs specifically developing a brand-new combat technique that he planned to use to shut down Dabi's combat advantage without killing him. He convinced his dad not to change the plan like Endeavor was hesitantly sounding him out about[1]; he went out and talked and asked questions, and even if they weren't the right words every single time, he did his best and he did it with intention. If Dabi proves to be dead, it won't be because of anything Shouto did to him; it'll be because Dabi himself chose to stand back up, take a warp gate across the country, pick a fight with the guy who doesn't have the power set to shut him down without unduly hurting him, and try to replicate an Ultimate Move specifically tailored for someone with a balanced power set Dabi doesn't have.[2]

And if Dabi lives, it's still going to be because Shouto booked it across the country and used that same technique to stop him again.

1: Dabi surely would have preferred to fight Endeavor from the start, and it probably would have been the more "just" choice if it had to be one or the other, but Shouto is the nominal focal character between the three of them, so, critiques of the broader Hero-side decisions aside, Shouto's arc has to come first. This is one of those places where you can clearly see how much the decision to let Endeavor survive where Horikoshi originally planned for him to die hurts the shape of the later story.

2: Obviously ultimately if Dabi dies, it's going to be because his family and Team Hero made repeated choices to ignore and neglect him, culminating in the entire family swearing to deal with Touya together only to passively accept a battle plan that involved splitting them all and letting the kid who knows Touya the least be the one to fight him. But like, in the context of that fight, Shouto isn't the reason Dabi takes all that hurt.

Uraraka may or may not have had much of a plan, but at least the words she said to Toga reflected that she had been seriously thinking about Toga in the here and now, what Toga's told her, what Toga needs. If Toga dies, it will be because Toga chose to give Uraraka an unsupervised blood transfusion with no intention of stopping it. (With the same general caveats as in Footnote 2.)

But Deku? From the very beginning, Deku has been valorized by the manga for how much he doesn't plan. All Might tells him specifically that it's a sign of greatness shown by future "top Heroes" that, in some crisis situation, their bodies moved before they could think. Bakugou's Rising chapter is defined by him reaching that same state.

Deku claimed he wanted to save Shigaraki; he's sad in the latest chapter that he couldn't save Tenko's[3] life. But did he ever have a real plan to do that? With all the quirks he had at his disposal - both his own and those who would be in the flying coffin with him, or classmates whose presence he could specifically request - did he think hard and come up with a technique that would let him stop Shigaraki without harming him? Did he try to connect with the Shigaraki right in front of him by citing to the future?

3: And I have nothing but scorn for Deku's insistence on that name when "Tenko" goes out very pointedly calling himself Shigaraki Tomura.

Well, no. Deku obstinately yelled at the phantasms in Shigaraki's mindscape that he had no plan whatsoever. The only plans we saw him carry out were ones handed to him by the OFA collective that involved "breaking" Shigaraki's psyche; the only plans he came up with himself involved more efficiently breaking Shigaraki's body.

Way back in Chapter 130, Nighteye harshly scolded Deku by saying that his way of thinking was arrogant. He said, "Go after him haphazardly and he'll slip through our fingers. You're not so special as to be able to save who you want, when you want. (...) This world is not so accommodating that you can act the Hero because you feel like it."

It felt like something that Deku should have taken to heart, a lesson to be learned and applied later, but I never much got the feeling that he did. Nothing he did in that moment, in that arc, or anywhere else in the series afterward indicates that he thought Nighteye was right. He just chose not to talk back, and the arc ended with Nighteye dead and no longer around to pose objections to Deku's mode of heroism.

But Nighteye was right. Three hundred chapters later, Shigaraki is dead because Deku could not be arsed to plan for how he could stop Shigaraki without killing him. Because he let Gran Fucking Torino give him the intellectual out that killing someone could be a means of saving them. Because he followed his gut instincts of prioritizing the phantom Crying Child that he always saw as more valid and real than the human being standing in front of him.

Because he haphazardly acted the Hero and let his body move without thinking.

And he wants to act sad about it now? I hope Nighteye materializes in his bedroom to sneer at him every night for the rest of his life.

--

Incidentally, fuck All Might, seriously. "Wow, Deku and Bakugou, you two are the greatest Heroes ever. Fuck me and everyone else who fought tooth and nail, arm and leg, eye and earjack, life and death, to contribute to the pile of damage that was necessary to kill and/or save Shigaraki and All For One. You two got the last blows in, so you're the only ones who get the credit for it in my eyes. Hero Society is definitely going to be different and better with you two around."

[rocknbkdk]

i’m so disappointed with the mha ending, but horikoshi is a man after all.

how can you end the manga 4 months ago so beautifully, just to ruin it with THAT. we waited for 4 months for something exciting, but it a rushed ending of whatever the hell that was. it’s literally queerbait and i stand by it. horikoshi wrote such a beautiful relationship between 2 characters, with OBVIOUS romantic undertones. what happened to katsuki being the main funder? the rest of their lives? their feelings become one? he could’ve written THE shounen with a hinted lgbtq ending. IT HAD THE POTENTIAL.

mha had the most typical shounen ending. THE FIRST ENDING WAS SO MUCH BETTER. no unnecessary love interest for the main character, izuku finally won katsuki over, a (not so) friendship between 2 guys who were the plot and it still had a nice ending without izuku having a quirk. BUT NO. horikoshi had to ruin all of that. he also said he was disappointed with naruto’s ending just to end HIS manga the same way. hypocrisy at its finest???!!!

i actually had so much faith in horikoshi because of how beautifully he wrote himiko and ochaco’s development. himiko learning that love goes both ways, learning that the heroes DO care and ochaco learning how to accept her (in short). & with katsuki and izuku is the same. katsuki learning how to love himself along with learning how to love izuku. wanting to be the reason izuku doesn’t become a hero to being the reason izuku becomes a hero, and i could go on and on…

i feel so mad FOR katsuki, he never got to achieve any of his dreams. he spent 8 years on that goddamn man, to be is forced to be with a woman whose dead girlfriend convinced her she’s straight. AND APPARENTLY HE WAS THE ONE WHO ENCOURAGED IZUKU TO TALK TO OCHACO??? horikoshi wtf.

ochaco’s character development is completely watered down. her learning how to be herself, but she’s just a love interest to horikoshi. she very obviously moved on from izuku… just to fall in love with him again? after 8 years? izu//ocha was obviously very one sided. izuku showed completely no interest in ochaco before, so i don’t get how he randomly started crushing on her. yes, he blushed around her before, but he blushed around other girls as well because he never talked to girls before.

also, i don’t get why HIMIKO was pushing ochaco to talk to izuku? when she was clearly in LOVE with her.

ochaco admitted she dreamt of himiko, we had a togachaco scene just for it to be watered down by horikoshi making izuku appear and then them starting uncontrollably blushing around each other. all of it was completely unnecessary. he forced the underdeveloped ship so badly like even their relationship is underdeveloped and rushed because of, it literally does not make sense 😭😭

honestly sorry for izuku, katsuki, himiko and ochaco because they HAD TO BE WRITTEN BY THIS EVIL MAN CALLED HORIKOSHI.

LIKE LOOK AT THIS PANEL. how is this handhold peak romance?!?! it’s so stiff… and empty… they’re just grabbing each other’s hand. it’s so empty

also the toya situation? his abuser is roaming freely around. he never got any justice, even after death. but that’s another story. HORIKOSHI WHAT HAPPENED TO YOUR WRITING SKILLS

ps don’t get me wrong at all. izu//ocha is such a cute ship, but it’s so bland it doesn’t have enough seasoning for it to become canon

(i’ll probably edit this a few times because i feel like i have more to add that my brain hasn’t realized)

[sapphic-agent]

Let's Talk About the Bakugou Problem

I've been enjoying the Bakugou slander here on Tumblr, but I haven't come across anyone that gets to the root of the problem with Bakugou's character yet. I think it goes further than him having anger issues, being annoying, or even how violent and abusive he is. Why I think Bakugou is a bad character is due to the effect he has on the plot, world-building, and the rest of the characters. There's a lot of layers here, so I'd like to take the time to talk as in-detail as I can while typing on mobile.

*Note: I'll be following the anime as it's easier for me to follow and pick specific examples. Manga readers if you have anything to add I'd love to hear it, even if it's against what I've listed here*

*Note: Bakugou fans you're more than welcome to read, though I warn you might not like what you see. I tried to keep this as constructive as I could without letting my own biases seep in (whether I succeeded is up for debate) so that everyone could read it whether you like Bakugou or not. I'm fine with criticism towards my points, I only ask that you remain respectful. I won't engage with anyone who disrespects me or other users*

1. Consequences

This is a big one among Bakugou critics, so I think it's a pretty good place to start. Bakugou has almost never faced actual consequences to his actions (there's a difference between something bad that happens to happen to him and the world around him not accepting his behavior). There are two instances that I can think of that there was a direct ramification to something Bakugou has done. The first was during the Deku vs Kacchan fight where Bakugou does get suspended for four days while Izuku gets suspended for three days. The other is when he and Todoroki fail the provisional licensing exam. However, there's a problem with these two instances I mentioned.

With the D vs K fight, Bakugou was the one who goaded Izuku out of the dorms and instigated a fight. Izuku was trying to get him to go back to the dorms so they could settle their "issue" under adult supervision. He was trying to do the responsible thing. For Izuku to only receive a day less of punishment seems unfair. Though, you could make the case that he should have ignored Bakugou, it's still very clear that one was way more at fault than the other and there was barely a difference in their punishment.

The provisional licensing exam actually did well with failing Bakugou. It was almost a great lesson; that he can't say and do whatever he wants and expect the world to roll over for him. Unfortunately, it's undermined by Todoroki failing as well. Yes, Todoroki failed because of Inasa. But a) Inasa attacked him first which should have resulted in disqualification (what was Todoroki supposed to do, not fight back when he was being assaulted?) and b) Inasa's entire character seems shoehorned into the story. He doesn't really add anything to Todoroki's character as most of his problems with Todoroki were already resolved back in season 2. He also contributes nothing to the overall story. Shindou, for example, has a hand in testing 1A and forces them to work together congruently. Inasa seems like he was put in the story simply to make Todoroki fail. Why does Todoroki have to fail? Because Bakugou does.

It seems like Horikoshi always softens the blow for Bakugou in a way, if he's dealt any blow at all. By not allowing Bakugou to face consequences on his own, he might as well not be facing them at all.

Why are consequences so important? Because Bakugou's privilege is a problem.

I don't think I've seen anyone address this. The root of Bakugou's behavior comes from the fact that he was allowed to do all those terrible things because the world around him was tolerant of it. Teachers turned a blind eyes when he bullied Izuku because he had a great quirk and Izuku was quirkless. He's allowed to do and say whatever he wants because he has a great quirk. While people seem to be harder on Izuku because of either having no quirk or not being able to fully control his quirk. This is a huge part of the story that was set up in the beginning, but was almost never addressed despite being persistent throughout. And it's the most present with Aizawa.

Bakugou attempts to attack a fellow student the first day of class? Simply restrained, no repercussions. Bakugou uses excessive force against a classmate despite his teacher telling him to stop? Nothing more than a few not-so-nice words. Bakugou assaults his partner and refuses to cooperate? No words at all.

Now look at Izuku. Doesn't have full control of his quirk? His teacher attempts to humiliate and expel him in front of his classmates on the first day of class. Saves a classmate in an admittedly risky rescue mission? Said teacher proclaims he lost his trust and labels him a problem child (despite the orchestrator of said mission- Kirishima- being in the same room and not getting spoken to at all).

(I don't know if Aizawa's projecting, but pandering to the kid with the strong quirk while simultaneously disliking All Might isn't a great look.)

Even before UA, Bakugou is praised by the heroes for his strong quirk against the sludge villain despite the fact that his quirk made everything worse while Izuku is scolded even though they were the ones who did nothing while he did what he could to save someone.

"All men aren't created equal." That's one of Izuku's very first lines and a central point of the story. It's something you expect it to address multiple times, especially in regards to Izuku and Bakugou. But Bakugou being spared from consequences every single time he does something terrible means that the statement is validated, but the problem still persists and is never rectified or solved. Even if you think Bakugou "changed," that doesn't make his privilege go away.

2. Plot Compensation

The story goes out of its way to make Bakugou seem like a better person than he is.

My first example is the Sports Festival, specifically his fight with Uraraka. In this fight, Bakugou is met with booing from the audience for not going easy on her. And right off the bat, this is weird. Because not only have we never seen this attitude toward women heroes before or after this, the show is trying to tell us something when Aizawa tears the crowd down. Almost as if saying, "The crowd is dumb and wrong and if you think like the crowd, you're dumb and wrong." Aizawa claims that Bakugou is treating Uraraka like a real opponent by not going easy on her.

...is he though?

Because we never see Bakugou stand still in a fight like he does with her. Bakugou's fighting style relies a lot on mobility. During his fight with Tokoyami, who he knew he had an advantage over because of the light from his quirk, he isn't standing still. During his fight with Todoroki he isn't standing still. He only does this with Uraraka. Because this isn't Bakugou showing respect, it's him still looking down on her. He doesn't see her as a serious opponent, just an obstacle in his way.

And I know this sounds like a bold claim. But if you recall, Bakugou immediately confronts Izuku after the fight and accuses him of giving Uraraka the idea she used during their match. He assumes it was a ploy from Izuku, implying that he didn't think Uraraka capable of coming up with a plan with the potential to work against him. This isn't respect for an opponent.

(Note: the only thing in Bakugou's favor is it's probably not because she's a girl. He just naturally looks down on everyone who doesn't immediately stand out to him with a show of power like Todoroki)

Then we have the revered scene with the League or Villains.

This scene is praised because it "subverts expectations." That the violent, angry kid doesn't want to be a villain. He wants to be a noble hero. Aizawa- again- silences claims against Bakugou, citing that he wants to win and he knows he can't do that if he's a villain.

My thing is, however, the League targeting him in the first place. Why would they do this? Bakugou clearly has a heroic quirk. He scored first on the entrance exam. If they did any research at all beforehand, they would know that Bakugou was at the top of his class before UA and is in the top five currently. And they'd know he has wealthy parents.

(You would think Dabi especially would draw parallels to Endeavor and would be aware that Bakugou's ambition and heroic quirk don't make him similar to the League who have been discriminated against, shunned, and abused for most of their lives. Even with his behavior at the Sports Festival, Endeavor isn't the noble and kind type like All Might and most other heroes. So I'm not sure why Bakugou's behavior immediately screamed villain potential)

Nothing about him suggests he's had a hard life like most of the League. Nothing about him suggests he'd want to leave his comfortable life and secured future to become a villain.

This scene sets up Bakugou's redemption, right? It leads us to the Deku vs Kacchan fight and All Might's advice is what makes him take on his "save to win" mentality.

But not only does this seem like a convenient plot device, it decidedly ignores the uglier part of Bakugou's decision.

Bakugou rejected the LOV because he saw them as losers. But what if they hadn't been losers? What if they had been doing as well as they were at the end of season 5? Merging and becoming the MLA front, organized teams, wealthy, successfully recruiting members right under the heroes' noses.

Maybe Bakugou wouldn't have outright joined them. But at this point before shifting his perspective, his answer might have been very different.

But the story goes out of its way to hammer in Bakugou's scarce good traits to take your focus away from his overwhelming bad ones.

3. Bakugou's Character Shift "Development"

The way Horikoshi wrote Bakugou in the beginning is very different to how he is portrayed later in the show. No, I don't mean his development. I mean the major shift in his character between seasons 1/2 and season 3/4.

Bakugou in the beginning of the show is cruel, meanspirited, and violent. And he's still all of those things throughout the show. The one difference is that it's played for laughs in later seasons.

Bakugou's actions and words in seasons 1 and 2 are portrayed a lot more serious than in later seasons. He's an antagonistic force, one that Izuku has to strive to overcome not just to be a good hero, but for himself as Bakugou has been one of the most prominent obstacles in his strive to become a hero.

Look at his behavior during the battle trials. It's something serious, something that has even All Might worried. Bakugou knew he could have very well killed Midoriya and didn't care. It's brutal and almost hard to watch because at this point in the show Midoriya is weak and tiny (visually, we know he's never really been weak) compared to Bakugou and can really only outsmart him to win.

We never see Bakugou display anything close to this level of violence in later seasons. Not in the Sports Festival or 1A vs 1B or D vs K or the licensing exam or even against literal villains. Season 1 went out of its way to show Bakugou's cruel behavior even using it as something Izuku has to learn how to overcome even if he has to risk everything.

By season 3, the perspective has changed. Bakugou name calling people, belittling people, yelling, and his acts of violence are now exaggerated for comedy. None of his actions are taken as seriously as they were before, despite some being almost or just as bad.

(It's worth mentioning that this was also around the time Bakugou began to get popular among fans)

A great example of this is in season 5 when he throws his headpiece at Izuku and makes him bleed. His casual act of his aggression towards his lifelong victim is present to make the audience laugh, despite the fact that Izuku was bleeding and the 1A boys are (rightfully) horrified.

(I'd like to add that there was no real reason to do this. Nothing he was saying would have exposed OFA and even if it had, he was done talking by the time Bakugou threw it)

If Bakugou had really changed at this point, this would have never happened in the first place. I can't call this changing or development, I call this his actions shifting into comedic relief and away from the serious connotations they previously held. By taking that away, it allows Bakugou to continue to do the same things he has all his life while under the guise of development. It undermines what's supposed to be his redemption arc.

4. Other Characters

Bakugou isn't the only one who gets a character shift. It's approximately the moment that Bakugou begins to get more attention that the other characters lose the substance they had at the beginning of the show.

The ones hit most notably by this are obviously Uraraka and Iida. They were Izuku's first friends, his original trio. More than that, they are set up as interesting characters with their own arcs and paths for becoming great heroes.

Even though I did have my complaints about her fight with Bakugou in the Sports Festival, it does turn Uraraka onto improving past her goal of becoming a rescue hero. She wants to become better in other aspects of being a hero so that she can succeed and keep up with her stronger classmates. She proved herself capable of this during her fight with Bakugou and it was the catalyst of her character development.

Iida was not only resolving himself with caring for Midoriya as a friend as well as being his rival and wanting to surpass him. There's also this darker side to him that no one expects from goody two shoes, straight-laced Iida that had so much potential for exploration.

Both of them are tossed to the side in favor of Bakugou. I would even go as far as to say that after season 2, they're almost irrelevant until season 6 and even then they're limited (before season 6 Uraraka's only character trait is that she ignores he feelings for Midoriya to become a better hero, which came out of nowhere and does nothing for her character). And they barley ever get moments with Izuku during time despite being his first friends.

Todoroki is a similar yet very different case. At the beginning of the show, he was intense and has strong feelings. (An interesting parallel is that if Iida was his friend becoming his rival, Todoroki was his rival becoming his friend and both relationships speak to Izuku as a character) Even if he didn't express them, we as the audience knew they were there. But as times passes he becomes flat and dull. Even though he's supposed to be part of the new trio, he's barley present (the dynamic between the three of them is uninteresting all around as it's basically Bakugou yelling at Izuku with Todoroki in the background. They never have any deep or heartfelt moments nor do they have good chemistry) and barely gets any one-on-one interaction with Izuku despite them being very good friends.

(I can't blame this all on Bakugou as the show also shifts from focusing to Todoroki to focusing on his own abuser which is part of the issue with his lack of character, but Bakugou's character does contribute to this problem of making the abusers more sympathetic than the victims)

Most if not the rest of 1A fade into the background after this, save for a few who have notable moments sprinkled in throughout the show. You can take this as a Bakugou prevalence problem, or it can be seen as Horikoshi just not knowing how to balance characters.

However, the character that suffers the most because of this is Izuku himself.

I don't think it's a bad thing that Izuku admires or looks up to Bakugou. I don't think it's a problem that he doesn't see anything wrong with Bakugou's behavior against him. Izuku grew up in an environment where that was normalized. That he's worthless because of his lack of quirk and Bakugou deserves to be on top because of his great quirk. Of course he internalized that, even though he knows that a quirk doesn't determine someone's worth. He was never given the tools or the means to beat that mindset.

What I despise is the fact that everyone around him enables it.

As I stated above, Aizawa is definitely the worst when it comes to this. Not only shoving Bakugou and Izuku together and making it Izuku's job to get Bakugou to cooperate, but hardly if ever condemning Bakugou when he lashes out against Izuku. Even without their history, what Bakugou does is wrong and should be treated as such.

Unfortunately and even though I love All Might, he's also guilty of this. It's true that he might not know the full extent of their toxic relationship, but All Might sees Bakugou instigate a fight with Izuku and decides it's okay to tell Bakugou about One For All. Bakugou did nothing to earn this honor: he hasn't shown Izuku support and hasn't been a reliable ally he could depend on. But even disregarding that, Bakugou had just been captured by villains who work for All For One. He was the last person on Earth who should have been entrusted with this secret.

The adults in Izuku's life enable and reward Bakugou's bad behavior and urge them into forming a relationship and partnership that frankly shouldn't exist (and only does to make Bakugou a better person and hero, it does nothing for Izuku). It's to the point where almost Izuku's entire character revolves around his relationship with Bakugou and how he improves because of it and how he helps Bakugou improve. And he further projects this when he "subtly" implies that Todoroki should forgive Endeavor, which feels like a justification towards the audience of his own feelings towards Bakugou.

5. Accountability

I mentioned consequences as my first point. But what many who want this miss, it goes hand-in-hand with accountability.

Unlike consequences, Bakugou more or less does take accountability in the form of his apology. But the apology was lackluster for a couple of reasons. The main thing is that it feels like a list of excuses rather than simply owning up to the fact that he was shitty and there's really no good reason for it. But simply explaining why you hurt the person you hurt isn't giving them the apology they deserve. It's making it about you.

Another thing, though, is that the apology is very scarce. It skips over the worst of Bakugou's actions. Nothing he said was anything 1A didn't already know. They don't know about the s*icide baiting which is one of the worst things he's done to Izuku (and that's only what we saw, who knows what Bakugou's been saying for years?). It also ignores everything he did in UA, which was a very big part of the problem. He treated Izuku poorly months prior to the apology and that shouldn't be ignored.

As far as accountability goes this apology isn't that great. But it's something. No, what's worse is that the other characters don't hold Bakugou accountable.

The other characters more often than not turn a blind eye to Bakugou's behavior. We've already covered Aizawa, but the rest of 1A is guilty of this too. No one says anything about the Battle Trials. Hardly anyone condemns Bakugou when he attacks or insults Izuku. Sometimes they'll chime in like Uraraka or Kirishima, but other than that no one outright tells him off. This is out of character for Iida in particular because he's such a stickler about rules and courtesy for others (he literally told off a six year old when he punched Izuku and tried to stop Mineta from perving on the girls, why wouldn't he do the same when it comes to Bakugou?). It's almost like the characters are blind to Bakugou's behavior.

What's weirder is that Mina and Kirishima- who were both stated to hate bullying- are friends with him. Why would the show go out of its way to tell us this only to saddle them into the "BakuSquad?" It doesn't make sense.

It's hypocritical that everyone in 1A is so tolerant of Bakugou but get annoyed with others; like Monoma for example. Or even Mineta because as much as I dislike him he's constantly being called out by 1A. It means that they know certain behavior is wrong and/or shouldn't be entertained, so we know they aren't completely unaware. But the fact that they largely ignore Bakugou's behavior and condemn Monoma's is so weird. You can't excuse one and not the other.

Conclusion

There's certainly more than this to my dislike of Bakugou. But I think I've mostly covered his negative impact on the story. Doing a deep dive into his awful personality is something I wouldn't wish on anyway. Many others have done that anyway, so I'm content to leave it out. But I hope you liked my little breakdown!

[theloganator101]

The Great BNHA Review: The Finale

So in the end... where does this leave us?

A society that really hasn't changed that much, Izuku was alone once again because his hero friends are too busy, and it ends with Izuku being handed a suit to fight alongside them... Reinforcing the fact that Izuku couldn't be a hero on his own without someone handing him something to make him a hero.

What a lackluster and rather bleak ending when you think about it. Because they still have the ranking system so it's once again enticing heroes to compete in a popularity contest to be known, which is why Bakugou is doing poorly and Aizawa admitting that he didn't do shit to curve this behavior.

(Points at Aizawa) Teacher of the Year everyone 🙄

So with the story now completed, what I hope to eventually happen in a few years is for people to truly see the series for what it is. A poorly written story where the main character never grows, the worst anime character hogging all the attention away from things that should be important, and contains harmful messages for preteens-teens if we were to take this at face value.

So let me ask this: Was this story worth telling?

I'm only asking because since it's known that Hori just got tired and wanted to be done and over BNHA as soon as he could. Which I know WOULDN'T have happened if he just pulled a Yana Toboso and just put the manga on hold to truly figure out what he wants to do instead of working on it continuously with only a handful of one week breaks.

His story couldn't explore the themes it established, and what it DID covered, was handled poorly.

And if you want a piece of media that explores what BNHA tried to do, here're some of my recommendations .

The main character being the odd one out? The Owl House.

Family Issues? Gravity Falls.

Discussions on justice and the grey area of good and evil? Death Note.

Hell, Glitch Productions does a better job at developing the romances of their characters than this anime series did in it's entirety!

And trauma being handled in a tasteful manner?

But back to the topic!

The thing is why couldn't we explore these themes and topics that was promised to us? Was anyone REALLY asking for Endeavor to make amends with his family? Did anyone RELLY think that Endeavor's redemption was worth screwing over the Todoroki family members?

This series just wants to have it's cake and eat it too! We want to have cool fight scenes and root for the heroes to win, but we would also want to explore the world they live in and how it functions. And since considering the badly handled topics of the story and the characters themselves are as interesting as caricatures of the tropes they embody to where there's no depth or complexity.

Then you just have a story that GOES NOWHERE!

How much of Hero Society has really changed at the end? It only beckons for the same events that happened throughout the series to happen again! And the people who were horrible, I.E Bakugou and Endeavor, get they want without consequences! None of the major characters go through significant development so it makes it hard to see that they've grown at the end!

So overall, BNHA is an Anime Series that crashed and burned. Something that I hope more people will start to recognize and call it out for both the mistakes of the series and Kohei Horikoshi.

And with that, my career of criticizing BNHA has come to an end. Thank you all for liking my rants and posts, and I truly do hope you'll keep following me for whatever's in store.

So now that's done, I can finally move on to something actually good...

[itsnothingofinterest]

So now that the stories basically over I’m starting to think horikoshi never wanted to actually make any commentary or do anything with the societal issues and he only had them there out of obligation. We know horikoshi is a huge fan of American media especially comics. A lot of what he brought up, discrimination and mutant racism villains who are also victims and you can see where they’re coming from like magneto domestic issues with neglectful and abusive fathers and lingering trauma following a legacy, all of it is in comics that have been trying to make commentary on society and bring up actual societal issues. Maybe horikoshi really was just making a story with what he thought was cool in the moment, and he included all that stuff just because it’s been in media he’s consumed before and he was writing what he knows. Maybe since the start all the theorycrafting people has been for nothing and Horikoshis end goal was always no matter how bad stuff is as long as individuals can be good everything will work out just fine and everything will get better. I dunno just rambling here since the manga is ending so soon.

Honestly, I could see a bit of these arguments. This whole epilogue had made Horikoshi, an author I really respected the writing of not too long ago, come off as a bit of a hack.

I don't think it's quite as simple as him just throwing in whatever he thought was cool or what comic books make look interesting; I personally suspect it may have started out more as "what motivates these villains that they'd fight so hard for," but I do think he put a lot of thought into these set-ups and circumstances hat led the villains to think destroying society was the right & reasonable way to go about things. One thing he was really good at was finding logical conclusions to a society of super powers; stuff like quirk marriages, prejudice against people who's powers make them ugly, or dangerous, or suck, and especially the consequences of "Super Hero" being a professional industry.

His problem was just that he had no idea how to solve these things at all, least of all by teenagers (teenagers who're minor celebrities by the end, but also sidekicks at best). So the villains, who he set to to get saved to make the kids seem more heroic, die anyway because that's all the kids could do for them. And then everything that needed fixing just solves itself because of ~good vibes~ and 'zomg Deku's so inspirational' that suddenly no one is awful anymore (again, read in this tone). And for some reason it never occurs to Hori that he could've had his villains live and go free through means as contrived as heroes getting free time because of those ~good vibes~.

In short, Horikoshi could write this stuff once upon a time; but his main problem looks to me that he simply couldn't write satisfying resolutions to the society-scale issues he set up and stick the landing to save his life.

[menofsweaters]

I've been thinking a lot of deep thoughts about the end of MHA, so I've decided to spit them all out here rather than letting them live in my brain 24/7.

The more time that passes, the more satisfied I am with the ending, particularly with the deaths of the villains. The ending is definitely not what I would write or choose if I had the option, but I think I'm savvy enough these days to recognize the difference between "this is not my preference" and "this is poor writing." I'm also looking in from the perspective of consuming MHA for enjoyment and entertainment, whereas I believe the author was writing this ending in an attempt to make a political/literary statement, not to please the masses.

All of the most sympathetic and tragic members of the League of Villains met grisly ends by the time the manga wrapped up, and I don't think that's a coincidence. Twice, Toga, Dabi, and Shigaraki were all fan favorites with deeply moving backstories, but that didn't save them from dying. You can say they were all doomed by the narrative, but I think these characters were doomed by their own choices at every turn.

All of these characters - to varying extents - had the opportunity to stop their villainy, but were too dedicated to a certain cause or obsession to do so. Dabi is the most obvious example, as he could have returned to his family at literally any time and saved all of the Todorokis a lot of strife, but the others were also offered outs by the heroes they interacted with, and they all chose death and destruction over surrender.

I'm trying to make a point here but it's kinda hard to verbalize.

Basically, I think Horikoshi wanted to show us that it doesn't matter how "good" or "bad" you are as a person, it doesn't matter how moving your story is, it doesn't matter how deeply you believe in your cause, it doesn't matter if you love your comrades - your actions are the things that matter. As beloved and tragic as all of these characters are, they still murdered and maimed many innocent people, they still destroyed cities and hospitals, they still tortured families and loved ones.

Those innocent people are the ones who really suffer in bloody coups. I genuinely do not give a shit about anyone's ideals if they consider everyday people as acceptable canon fodder for the revolution. The LOV's ideals, Stain's ideals, the PLF's ideals, whatever you want to call it, are not worth the abject destruction of society over.

AFO and other power-hungry dictators feed off of people like Twice, Toga, Dabi, and Shigaraki. People who suffer from mental illness, who are estranged from their families, and who are rejected by society. The LOV was used by more powerful forces to commit horrific acts. As engaging as those characters are individually, they still fell prey to a violent ideology that offered nothing for them and everything to the person in power.

I guess what I'm saying is that it's easy for even the best of us to get wrapped up in some "cause" and end up suffering over it, or causing others to suffer. I think Horikoshi was trying to make a statement about who ends up paying the price in war and I'm finally accepting that statement. Those deaths were meant to hurt and they did, and I think that's why some readers hate it so much.

I've got more to say about the whole "they didn't fix hero society!!" stuff, but I'll gather those thoughts later.

[irontragedyreview]

People who are saying "you can't criticize Horikoshi, it's his story and he can do whatever he wants", etc. Yeah, it's his story but he's made it public so I can do whatever I want and if I want to be a bitch and I call hi, mediocre I’ll do it. Like I love Naruto with all my heart and I have defended Kishimoto over certain criticisms in relation to female characters, etc. I have also criticized him for the absolute shit that Boruto is, even considering that as a manga Boruto isn’t 100% his work considering that at the beginning he was involved in the movie but on the manga he was only a supervisor. What I'm trying to get It’s that if you believe that just because a mangaka creates a story it should be free from criticism then you aren’t ready to get involved with any type of media or sincerely the public believes that consuming a movie, book, etc. means being a passive subject without critical thinking.  

That being said, Horikoshi largely deserves as much criticism as he can get because these chapters were truly a shit show since this last arc began. Let's just start listing first, AFO vs Endeavor and every hero in existence was too long and repeated for a large number of chapters the formula "villain takes the advantage, heroes take the advantage, the villain takes the advantage again and finally wins and move on to something else", all of this perhaps understandable to give some prominence to characters who were forgotten for entire arcs.

Shouto and his arc plus his relationship with Dabi, Shouto had a very interesting arc and incredibly much material to exploit but his arc and his relationship with Dabi never managed to take off because he was so tied to Endeavor that the interactions between them felt empty. 

Ochako and Toga were honestly the only thing that was worth it, you could see the commitment to giving them both a great moment and the way she wanted to approach Toga and truly have a conversation. The only thing I can criticize about their ending is that obviously there is no completely satisfactory closure in giving Toga an answer to what happens next, apart from Ochako's offer of understanding, there is no easy way out of what the other heroes will do, therefore which I can’t criticize her for not giving an answer to a complicated situation in this way. 

Also Horikoshi added things to his story that in the end he didn’t finish closing or that surely even if he touched them again it would no longer make sense, what happened to Spinner? What happened to everything about heteromorphic discrimination? I have to believe that everything is fixed by the good heart of Shoji telling Spinner that his way of doing things only makes the "achievements" of equality go backwards by giving them a bad image. In other words, we know that quirk society is discriminatory, especially in less urbanized towns, that those heteromorphs who reach places of power are the least and no real change has been achieved, but of course the victims of discrimination have to keep quiet and be good. So, maybe in the future they will no longer be discriminated. I'm going to be fair here, touching on issues like discrimination is complex, but putting an idea like this in the manga and then going for a simplistic or rather completely ignored resolution, because while a person may not share Spinner's actions, it’s understandable why he does it and simply saying that you have to be better because then people will see that you are good and not discriminate against you is stupid, Horikoshi covered a topic that he honestly didn’t know how to deal with or wasn’t interested in doing so. 

Kurogiri/Shirakumo being just a plot device for Aizawa and being resolved in 5 panels, I'm going to be understanding and say that this arc had the least to explore, but in the end it was meh. Tbh I'm not going to criticize this because it is so empty of content that it is no longer worth criticizing it. 

About Tomura and Izuku, the truth is what can I say the most that I haven't said in previous posts? from all the fights or confrontations it’s the most ignored, neglected and rushed of all, we don't know anything about them other than loose panels for a whole year, they barely interact and now Tomura dies, Izuku is "well, I honestly don't give a damn and I want you dead", if no one who has followed these two characters realizes the damage that this chapter has done to their conclusions then I'm not going to explain it. If Horikoshi felt incapable or was tired of his story he could have ended it with something else, however perhaps this was always the plan, we are talking about a guy who said that the second movie was the end of his manga,that is Midoriya without quirk giving it to his childhood bully. It's obvious that he doesn't care about Izuku as a character and I think he did care about Tomura but he didn't know what to do with him, which is why we have this ending.

Final note for any comments I may surely receive for calling bk a childhood bully. Don't waste your time replying, commenting or trying to argue, Horikoshi took it upon himself to make bk a gary stu who never faces real consequences for his actions (dying is not a sign of karma) and his abuse is never treated seriously by the author, because his victim never reflects on himself, which is ironic considering how many BK fans recognize that Midoriya has self-esteem problems, contempt, and poor self-care but do not recognize BK's role in this or minimize it.

[kudoichiz]

kudoichi.

Kudoichi are an absolutely beautiful and amazing yet tragic pairing, I can't stress enough just how much they mean to me and how they quite literally changed the way I think - uh so ig have my attempt at my takes/reasons as to why I ship them.

Kudo and Yoichi to me embody genuine love, care and compassion which is something I don't see represented much in various media or even in real life - or at the very least I just doesn't resonate with me. Their story as I mentioned is so beautifully tragic I just feel the need to sob violently whenever I think about them. Kudou reaching his hand out to yoichi, a stranger, someone related to all for one - his mortal enemy gives us so much information about him as a character and kudoichi as a pairing.

Kudou, a resistance leader who had the intentions to kill or at the very least harm whoever/whatever was in the vault {him having his gauntlet ready, his narrowed gaze and his initial threatening domineer, etc.} stopped the moment he saw yoichi, his gaze quite literally softened and his first instinctual reaction was to go and help him, to reach out to him. It's not a stretch to say that Kudou was a kind person/was willing to help people out, that is after all a characteristic that I believe leaders possess/should have. But given the circumstances - a war, in the enemies base, unknown person, Kudou should have been at least a little weary of Yoichi. But he wasn't. Kudou let his guards down the moment he saw yoichi, which to me is indicative that he trusted yoichi, trusted that he was a good person from looking at him. Kudou reaching out to yoichi is so significant to their relationship also, if he didn't reach out ofa wouldn't have been born . Not only that but it was a moment that gave yoichi hope - he calls Kudou his hero, he views him as a saviour. From this one singular interaction kudou already trusts yoichi, and yoichi sees him as a hero - if this is what can be derived from one interaction what about the two months they spent together?Horikoshi didn't give us much on what went on during those two months but Kudou and Yoichi were clearly close to each other: the conversation they had about all for one, Kudou crying when yoichi died..

Now I want to talk a bit more about moments in the manga because most of my reasons as to why I ship them comes from the manga panels themselves and the way they're drawn and the text and not just their story.

Let's start with hands. Horikoshi himself stated that hands could express emotions just how faces do and it's so clear to me. Their hands are drawn so gently, it shows not only Kudou's domineer towards yoichi but also now caring he was. The hands are drawn to indicate that kudou didn't rush yoichi, even if they didn't have a lot of time to waste. Yoichi so slowly yet gently going to hold Kudou's hand shows this. But it also shows that he also trusts him, it shows that willingness in this moment. Kudou wanted to save yoichi but yoichi also wanted to go with Kudou.

Kudou and yoichi were actually so close to each other when you think about it. "victory meant life, and defeat meant death" it's clear that kudou was desensitized to death at least to some extent, as he views it as something almost natural to their cause, he also didn't have time to mourn any deaths. Over time a person just starts to get desensitized to it yet when yoichi died Kudou started tearing up. Yoichi meant a lot to Kudou, his tears indicate that he felt strong emotions towards him. Something I think about is Yoichi's name reveal being said by Kudou. This implies that they were close enough for him to know his name and regularly call him by it, so regularly that he's the one to eventually reveal his name, ik bones cut this out to make AFO the one to reveal yoichi's name in the anime but this just goes to show that Kudou was closer to yoichi than AFO was . Kudou was closer to him than his own family.

This is another thing I think about a lot. How Kudou views yoichi, these are from Kudou's pov/in context with Kudou. Yoichi is always drawn inconsistently and I think that's on purpose. It seems as if he's drawn prettiest whenever it's in context with Kudou implying that that's how he saw him.

Also. Kudou and yoichi blend into each other here. And their vestige colors come from the same shade, just different hues. They're eachother's half, no at this point they are one. This reminds me of "yoichi's will is now within me" and how Kudou carried ofa because of yoichi unlike the other users that had the power to defeat AFO. Kudou wanted that's sure, but he continued because it was yoichi, because of yoichi's will.

The first thing he thought of btw!! He was so close to yoichi that he could sense him, his quirk factor inside of him .

Also this panel. The implications here are that Yoichi was no longer all for one's, he became kudou's. Kudou was also referred to "the man who stole Yoichi away."

Also: Kudou becoming softer when he talked to yoichi shoes how much he cares, and how his domineer was always so gentle towards him.

This is a very scattered post ik but I have more to yap about, the ofa transfer. Yoichi didn't know about the quirk but thanks to kudou and Bruce researching it it was concluded that DNA and consent was needed to past down OFA. The transfer had to have happened mere seconds before yoichi died since he had to consent to give his power. Yoichi fully trusted a man he knew for two months to accidentally give him OFA. Such trust is hard to build over two months. Also the implications of DNA needed and the accidental transfer are crazy when you think about it. They really were close. Very close to each other.

Erm anyways idk I would have gone into more details but writing this is alr overwhelming but I can yap more if there's questions.

[villainsandvictimsalliance]

It looks like the rewind Theory might be coming true

There are many variations of that theory, but yes.

Honestly, it is badly needed in the story if what Horikoshi is aiming for is an ending where the kids and the villains survive.

Introducing a character that can undone damage is always insurance for the author. You have to be careful to not overuse it to the point it loses its impact. If no one ever dies and everyone keeps on resurrecting, the predictability becomes boring.

The good thing is that bnha doesn't overuse Eri. They don't use it to rewind the damage done to the characters when they lose an extremity, for example. It didn't work on Nighteye. They didn't try to use it on All Might—and if they did, I can't remember when it happened.

The point is that I liked that Horikoshi left Eri's quirk to the end of the manga. That way he could make the characters give their 100% without it meaning sure death. It scares the readers, like it should, it creates tension. Knowing that Eri's quirk might not work is another good decision. Even if she shows up after the big showdown, the public doesn't know who is going to survive.

Now, when I say there are many variations...

I'm against the version of it where the villains are turned into kids. Where is the fun of it, uh?

It erases the complexity of each character and all they fought for. What was the point of fighting so much if you're gonna erase what happened? If there's no consequences, no accountability? Any story should grow from the risks of the actions taken. We want to know there's something to be lost, that's where the adrenaline comes from. That's the entertaining part!

The version that completely heals their wounds is also kinda... bland. I'm a fan of bnha because the story doesn't solve most disabilities with magic.

If a pro-hero loses a leg or an eye, they'd have to learn to fight with the cards they were dealt with. Like I said before, those wounds tell a story of the risks they took. Aizawa cut his leg to survive and see another day with Eri and his students. Mirko lost most of her limbs giving her absolute all!!!!

It's the same for villains. It moves you, the way those villains would sacrifice themselves for their goals. Compress' lost arm tells the story of how they lost Magne. Giran lost his fingers when he refused to sell the League, so their absence is the evidence of his loyalty.

I want irreversibility. I want permanece. I want to see the growth that comes with accepting what we do in our lives and how we have to keep going.

My favorite version is the one that heals enough for the person to survive, but not much more. It is not going to take you to step one, it can't erase all you did and all that was done to you.

A second chance, but you have to make it from where you were left. No shortcuts, no easy way out. Either you commit to it or you're over.

I don't want to see Touya without his burns. That is boring! I don't want squeaky clean Touya, all perfect and smooth skinned and whatever. That is not him. He's the boy who burned in the flames of his passion, right or wrong. He's the boy who is supposed to be dead, but survived because he was a stubborn bastard.

The story can lessen them, of course. At this point Touya is more scrap put together by metal than anything else. He cannot possibly survive like that, so he needs to be healed enough to live. The burns can even lessen with time, fading as Touya heals, but I want the memory to last. I don't care if he forgives Enji, I want him to be forced to look at the burns every day knowing how they're there.

Another example?

Tomura's scars tell a story. You cannot resurrect his family, so don't go erasing the scar in his eye or in his lip. Don't go erasing the evidence of his struggle.

To be fair, Tomura has changed a lot since his first appearance. I remember him with yellow teeth, all skinny to the bone. It shows that no one cared for him. Well, maybe enough to keep him breathing, but there was no delicacy involved. It's funny to think how he got better and better the more time he spent far from AFO. That and the surgery he had to undergo...

Which is a wonderful terrible concept. It's about the cleansing, how AFO was preparing Tomura's body to be his. Body modifications to assert ownership, that's a horror favorite. The idea of being "cured" to the point you can't recognize your own body. You know what I mean.

I'm glad that when rewind was used on Mirio, it cost him something. He lost his quirk for a while and he had to make an effort to go back to who he was. I'd say that the nature of the story helped him bounce and that's a chance we didn't see his struggle a bit more.

Anyway, that's my opinion on the matter. I hope it'll be a variation I like and not something that's gonna leave me sweating cold every time I dare to remember it.

[mathewton-cl]

As An IzuOcha Shipper…

…them not ending up together isn’t the problem.

Horikoshi taking the “leave it up to interpretation” approach and then proceeding to COMPLETELY AVOID ADDRESSING their relationship status is the problem.

Horikoshi failing to tie up that one last loose end for Uraraka’s character arc (not closing off her feelings) is the problem.

Again, I ship IzuOcha. Still do, because I’m stubborn. Would I have liked for them to end up together, even if it was only a somewhat blatant implication that could be handwaved? Obviously. But you know what? Maybe I would be upset if the story went out of its way to explicitly de-confirm any chance of Midoriya and Uraraka being a romantic pairing, but I’d at least respect it and understand it a lot more if the story let Midoriya and Uraraka actually talk about this, or at the very least SHOWED US them talking about this. I’d understand if Uraraka completed her character arc by having a heart to heart with Midoriya and telling him that her feelings have changed, her priorities have changed, and Midoriya understands and they remain good friends. Let’s be real, romance isn’t Horikoshi’s strong suit, despite his many attempts to leave romantic implications throughout the series. I’d completely understand if he just had Midoriya and Uraraka talk and they didn’t end up together, because at least then it still provides both of their characters with closure.

But no, that’s too simple. Let’s just “leave it up to interpretation,” because it clearly wasn’t that important, right?

Well, as many people on the internet have already brought up, if it wasn’t so important, why did you spend so much time putting emphasis on it? Why did you have Uraraka, up until the FINAL WAR, have her crush on Midoriya be a crucial part of her character (it wasn’t her only character trait, mind you, but it was still important)? Why did the penultimate chapter have the class come to comfort Uraraka and tell her that they can talk to her… and then come the next chapter, Uraraka apparently hasn’t done anything regarding her supposed crush on Midoriya? For literal YEARS!?

…see, this isn’t even a shipping problem anymore. This is a character problem.

Horikoshi, for whatever reason, chose not to include a romance for the main character and his supposed love interest. And again, that’s fine, not every story needs to be a romance. Two problems with it here though (well, one problem and an observation):

1) Choosing to not at least address the romantic subplot with a “I think we’re better off as friends” encounter, thus actually concluding the subplot and providing a sense of closure, not only leaves the result feeling underwhelming and frustrating, but also actively damages Uraraka’s character arc. We can have her address the problem that caused people like Toga to exist, but heaven forbid she talks about romance with Midoriya.

2) Despite his supposed aversion to romance, Horikoshi still went out of his way to give Gentle and La Brava wedding rings… he’s willing to establish a side romantic pairing without bringing too much attention to it, but he can’t be bothered to do something similar for the arguable MAIN pairing? It’s the “Togata has special clothes so he doesn’t end up buck naked, but Hagakure’s still gotta go commando” debacle again…

I’ma go ahead and wrap this up ‘cause I don’t wanna keep y’all much longer, but like… being optimistic, this ending was… functional. I’ve got my problems with it, obviously, I don’t think it was BAD bad… but it certainly wasn’t good. It works. Barely. And it’s ‘cause of stuff like this.

Midoriya and Uraraka didn’t need to end up together, truly. All Horikoshi had to do was put the smallest amount of effort and give us something of substance, something with closure. Instead, we got what we got.

I get that he was exhausted and wanted the manga to be over… but that excuse only holds up for so long.

[granny-griffin]

Griffin dear I *must* know why you’re tagging Bakugou posts as “Halloween” —Poet

When I was really young we lived in Ireland, and one Halloween our house got egged because we weren’t there to hand out candy. That sparked my Dad to research/think about Halloween and its origin, and he came to the conclusion that there was a lot about it that he couldn’t celebrate in good conscience as a Christian.

I really respect my Dad and his convictions, but as I grew up I realized that I have a different approach. I think most cultural forms and practices are neutral in themselves, and that any of them can be worship of Christ if they’re approached with that attitude. And I decided that Halloween was part of my culture, and I wanted to celebrate it. So I set about trying to figure out how I wanted to do that.

This post really solved the problem for me. I think everybody should just read it, but if you don’t want to, TLDR: it’s an analysis of the Oh Hellos album Dear Wormwood, specifically the song Danse Macabre. The original version of the song refers to a legend where skeletons come alive and dance just on Halloween night. But in the Oh Hellos version, the skeletons come to life permanently—they’re fully resurrected. 

And so in that I was able to solve how spooky/scary decorations and aesthetics could still be used in my worship—I didn’t have to celebrate fear and death, I could instead celebrate their defeat. But I didn’t just want to copy Easter, the other resurrection holiday, so it couldn’t be about the resurrection of Jesus specifically. It would have to be about my own future resurrection at his second coming. And there was something fitting to me about that given its seasonal placement—even when all the plants around me were succumbing and dying off, I could remind myself that it wouldn’t be permanent, that we would both come back in the end.

All of this kind of came to a head in my mind during the summer of last year. And so come last October, like a good tumblr citizen, I was ready to celebrate Halloween all month. I was purposefully setting my mind on the victory over death that was mine in Christ.

Anyway then Bakugou came back from the dead. 

One of my friends has told me that she likes to encounter hard things in fiction as a sort of inoculation—because she has such intense emotions, she wants to experience things like grief first in a safe environment, so that she can learn how to process them before they come on her in all the strength of reality. 

I feel that I have almost the opposite problem. I think I don’t always feel things the way that I probably should. If my friends are crying, I don’t usually feel sad. But when I read stories I feel things, and sometimes I can attach those feelings to similar things in real life, and then I know what they’re supposed to feel like. It gives me something to work with.

The situation with Bakugou was really particular—from a Watsonian level it had looked bad for him. But on a Doylist level it didn’t make any sense for him to stay dead, or so I thought. For a whole year since he’d died in the manga, I’d been sitting there expecting him to come back, because I thought I knew what kind of story Horikoshi-sensei was telling. And when that wish came true I was euphoric. I was giddy with it. 

And I kept thinking to myself—this is what it feels like when hope of resurrection is fulfilled—this is what I’m going to feel when I wake up again as a new creation, and I don’t have to wait and hope anymore. Except this is only the inoculation. What promise did I have from Horikoshi-sensei? I didn’t know him! He could have done whatever he wanted. But from Christ I have a sure promise—he’s told us what kind of story he wants to tell. 

The chapter 403 leaks came out late on October 11th, 2023. The October 7th 2023 terrorist attack had just occurred, and later that week, the war in Gaza would begin. Everyone around me was confused and scared, and it couldn’t touch me. I didn’t believe that fear and death could win in the end.

Anyway Poet, to answer your question, this year I queued a bunch of Bakugou posts for the 11th so I could remember the most Halloween thing ever to happen to me.

[cartoonrival]

👀Kirishima popular with men and not boruto uglified unhappy married with a woman? Fuck everything else i won(ill take this crumb i was so scared 💀)and my girlss momo, mina, jiro, tsuyu and specially ochaco my fav <3 love seeing them doing ok this is my win, bkdks can have whatever they want idgaf if the girls, some others charas. and my token gay kr (beloved)implied are ok. The rest is to much to unpack i pretend i do not see it atleast it could have been worse, what did you think rival?

honestly i’m really happy with it! i’m really happy that you can tell horikoshi was losing interest in including the obligatory romance and he actually followed through with having uraraka and deku both move on from it, but at the same time in the penultimate chapter they still hugged without it reading as confirmation that they’re in love or whatever. made me happy!! even ships that seemed plausible and like hori was leaning towards them (kamijirou for example, which i actually think is rly cute) weren’t explicitly “confirmed” and i think that’s really refreshing. for such a quintessential shounen manga to move away from the obligatory romance is really dope to me as someone who loves shounen but hates obligatory romance, lol.

especially having just watched naruto, where kishimoto clearly thinks that a person cannot be considered “fulfilled and successful” if they’re not married, despite that not being relevant to the plot up to that point at all, it makes me happy to see hori not falling in the same pitfall. id say the bar is on the floor but it happens literally so often that it’s a genre staple so i think it actually is deserving of a little credit that he moved away from it so completely.

kirishima is gay ☝️ this i know. everyone has known this forever. he’s always been coded gay. it’s one of those situations where whether hori meant it or not (i lowkey find it hard to believe he didn’t recognize what he was doing) it is true, and a hero popular with men is the nail in the proverbial rainbow coffin. i was also glad that he got an aside becuz he’s been sort of left behind by the focus of the story for quite a while it seemed like hori had forgotten that he was such a key player for a while in the middle, so even though i’m still sad his relationship with bakugou was all but forgotten he did still get a nod at the end that most other characters didn’t get.

REALLY LOVE THAT MIRIO IS THE NEW NUMBER ONE AND NOT BAKUGOU. because mirio is literally more talented than him.

pissed about deku getting that tech that lets him be a hero again. i think honestly with the theme of not all people are created equal but we must love and support each other and find our niches nonetheless, it kind of loses its punch of deku to just. have a quirk still essentially. i thought him losing it was dope, and for him to remain the greatest hero of all time but have to pass on the torch because his time in the spotlight was over, whether it was luck or hard work he couldn’t stay a hero forever. because when it comes down to it he was born quirkless, and actually that’s okay, because he still has knowledge and talent and love to offer the world and he still has friends who love him. but whatever. tch

even though they didn’t go through with it, i really loved that all might was the one to suggest eliminating the popularity aspect of the hero chart completely. i think it really demonstrated how much HE has also grown over the course of the series, what he has learned and how his values have changed. i honestly think that would’ve been a better conclusion than whatever mixed bag thing hawks was setting up but it’s whatever. i think more structural changes are necessary and there should’ve been more explicit exploration into what those would look like imo, rather than just “people are nicer now cuz deku inspired them to be nice”. it’s not that it’s BAD because ultimately the structural issues of bnha’s world stemmed from social attitudes, and if those attitudes changed then that’s the first step to uplifting people born with scary or unusual quirks or born as heteromorphs, but at the same time it doesn’t give you the feeling that this peace is going to last.

LOVED DEKU’S FINAL CONVERSATION WITH SPINNER. I LOVE SPINNER AND I LOVE HIS WHOLEHEARTED LOVE AND DEDICATION TO SHIGARAKI AND I LOVED THE FOCUS HE GOT AT THE STORY’S TAIL END AND SEEING HIS REACTIONS TO HOW SHIKAGRAKI WAS CHANGING UNDER ALL FOR ONES INFLUENCE

anyways not perfect by any means, but i’m happy with it ^_^ horikoshi bit off a lot and i think i’m okay with how he decided to tie it off. i think platonic bakudeku is fun and interesting but i think it was better when it was bakugou crying suddenly cuz he thought he’d never be able to compete with deku again since he lost his quirk. if deku gets his quirk back it’s like okay. whatever. would’ve liked to see him continue to respect deku when he was quirkless again. but it’s fine. i still maintain that ppl who think they’re romantically involved don’t get it at all

[rhythmic-idealist]

Everytime I start to think "maybe BNHA wasn't *that bad*, maybe I could bring it back in and let it just coexist with whatever interests I have nowadays" I just look at your blog and get a snap back to reality🙏

(SORRY THIS IS LONG. Oh my god. My bad. Yw, though)

This is so interesting. I adore BNHA, and the post that people are tagging "BNHA critical" lately was.... intended not to be read as "BNHA uncritically believes this thing" but instead as "BNHA constructs a society that it specifically exposes for this bad thing."

I really will never agree with decisions made with the end of the manga. [I'm about to do manga spoilers. I figured this was okay since you aren't coming back, but you can stop here if you'd rather.]

Tenko should have lived. Himiko should have lived. Touya DESERVED to live, although I find myself less burned by his specific tragedy & it seems handled with the most appropriate context and care.

Like. I've analyzed it, and I'll continue to. I get the feeling even Horikoshi may be uneasy with it, although I'll never know for certain obviously and I always feel strange speculating about that stuff. But I don't think the ending was good.

BNHA started conversations in public spaces for me and gave me specific characters and concepts in ways that I will never begrudge it, and for that I find myself really just unbelievably lucky. Lucky in the ways I find myself able to continue to engage, in the fact that its ending has managed not to taint the rest of it. There still exists in my mind a very real "BNHA before the ending was written" as its own piece of art that existed for a period of time and that I'm not really done talking about. BNHA has made me want to write a novel with more of a strong pull to action than anything has for a long time.

But—while I love Tenko, and love Himiko—my favorite characters are Tenya and Hikage. Tenya's ending is imperfect, but oh my god, it's barely imperfect. Hikage's ending is imperfect for Tenko, but for HIMSELF? I have no notes. Missed opportunities, but no complaints, no notes. Oh my god Hikage fans are the luckiest people in this goddamn fandom.

And so my heart winds up insulated. I experience the letdown of the manga's end but I think that myself having other CENTERS to my BNHA experience probably has a lot to do with why it was able to deeply disappoint me without hurting me or changing itself so drastically, in the way that it has alienated so many other fans.

I really do love BNHA as a piece of art. I believe it is a good piece of art.

Growing up my favorite book was The Two Princesses of Bamarre, and I hated the final chapter with a burning passion. The feelings were significantly more intense than my BNHA ending feelings somehow, although being a tween/teen may have had something to do with that. It was still my favorite book.

I love.... so much about how BNHA opens conversations about transformative justice. I love that it's a story about how parents cannot be abandoned to protect their chid from the world alone if the child is under constant fire, and how sometimes the fire is coming from inside the house, and it is everyone's obligation to meddle even when social rules say otherwise. I have sat in Discord servers having long conversations with people who NEEDED to be asked If heroes "save people," was Jin a person?

BNHA falls short of writing an ending that imagines the world where we actually all become the hero who saves everyone, but the fact that it speaks to a fandom that is so often lagging so far behind that concept on even a basic level—that Izuku provides a conversation space for me to even tell people no he says his goal is to save everyone. Everyone. Everyone. His goal is to save everyone. "Does [x] deserve to live" I have a question. is that person one of Everyone? Then Yes, Deku Is About Saving That Person. Whether he achieves it or not, that's what the concept of Deku is for. It is for trying.

(There's a lot that I disagree with about how Izuku's ending was written too. To speculate, and I'm not the first to say this, much of the ending feels like it was.... following a plan that was made years and years ago, even when it didn't fit anymore.)

I think it was trying to do something with the idea that Tenko and Himiko were tragedies. It feels vaguely like it was trying to do something with their lack of privilege, and like it was trying to do something with characters who deserved to live but were so successfully isolated by mainstream society that their survival, unlike All Might's and Izuku's, wasn't "possible." (When the world prayed for All Might, when Ochako yelled at the civilians to buck up and take on some of Izuku's burden- Tenko and Himiko don't have that.) The strategy heroes use to kill the villains is called Divide And Conquer, and this series is about how no one can manage without Those Who Match Their Pace And Run Alongside Them. And how even with a few people like that... that's only a stopgap, and the broader context they exist in MUST change.

It imagines more than thousands of its more mainstream fanbase are willing to. I think it is something deeply important for that. I think that as a piece of political art (all art is political) it WILL ultimately matter that

But I feel that it forgot that some of its audience relates more to the Tenkos and Himikos to anyone else, and that it managed to deeply betray that audience after building so much hope.

Anyway. It's a work that wounds a lot of people for extremely legitimate reasons. Also there is sexism and some such etc in it. I'm quite glad that if you won't have fun here I manage to remind you to stay away, ahfjdisgin.

I am.... a little sore lately abt that post of mine circulating with the tag "BNHA critical"—not because of the tag itself, but because it shows me several people seriously believing a post I made about "look at this cool flaw BNHA points out in its own society" means "wow, fucked up that Horikoshi EARNESTLY BELIEVES this," and that the misread is so consistent it's likely a problem with my phrasing—and so whenever I post about it now I always want to make my OWN feelings very clear. I hope this does not feel that it was at all in argument with you?

I am VERY glad we enjoy our various different fandoms in our own different corners. And that my portrayal of BNHA is honest enough to remind you that you wouldn't have a good time getting in here with me!

.....The other option for why I'm receiving this ask is that you just...... REALLY don't like local hermit Hikage Shinomori. In which case. There are so many people in BNHA-historical-era Japan who have that in common with you ahjfdsingkd <333333