#and it will never leave my heart

[energetic-orange-creature]

C'mere!

*I grab you and make you listen to this*

AAACK WHAT THE—

/ooc: okay but seriously this song will always be a banger

[lotus-pear]

mourning black and the death of ideals

[shweshishweh]

I’ve had these concepts in my drafts for almost a year 💀

[bertoyana]

Erik, what are you doing?

X-MEN: DAYS OF THE FUTURE PAST (2014)

[chitsangenthusiast]

red is to spider-man as pink is to miles, in that pink is the color of: self-expression, confidence, compassion. if you side with miles, if you want to support his growth, you're going to be in pink

that being said...a pink robe can be removed, and pink hairdye can be washed out

[lily-onher-grave]

I’m fucking dying about the Elphaba’s promise scene holy fuck. You could’ve posted this shit on fanfiction dot net back in the day and it would’ve fit right in

“You could’ve picked me” holds so much weight I almost feel like they had to cut it just so it doesn’t seem like Glinda slides backwards in character growth at the train station scene. But I love it so much because yes she’s jealous of Elphie and Fiyero yes she’s hurt she was left behind (foreshadowinggggg) but also this is her vocally and intentionally picking Elphaba right back. It feels as significant as Glinda telling Elphie it was the milkflowers’ fault, not hers. And it’s so freaking delicious because we as an audience know that it’s also not 100% true. Glinda means it here, and she wants Elphaba to choose her, and she would choose Elphaba, but soon that choice will come with too many consequences for both of them, and they won’t be able to choose each other anymore, no matter what promised they made or how much they want to

AND Elphaba promising not to leave Glinda behind again?? Excuse me???? “I won’t leave you behind” then proceeds to bring her to the emerald city, to the wizard’s palace, on a daring but doomed hot air balloon escape, etc etc. Elphaba promised not to leave her behind and then she kept her at her side until Glinda stepped away

And all this of course makes Glinda’s part in defying gravity so much richer, because she’s silently begging Elphaba to choose her, to listen to her, to stay and make this work from the inside. But she doesn’t. And when Elphaba keeps her promise, asks her to come so she doesn’t leave her behind again, Glinda can’t go

(And don’t EVEN talk to me about all the times Elphaba starts breaking that promise in act 2)

Also I feel like the “maybe magic is hard for you because you’ve always had it easy, you’ve never needed it” conversation is either supposed to come in play again in act 2 or it’s just foreshadowing to the passing of the grimmerie but either way I have feelings about it. I kinda wonder if the first half of this scene was supposed to be a lot meaner/pettier, but Cynthia and Ariana kept playing it soft and earnest instead. Either way I’m thinking about post-musical Glinda finally getting her magic to click because elphaba’s gone and the nation is looking to her and nothing is easy anymore, so she needs it more than ever

[painfully-unoriginal]

So I drew these under the assumption that diane used to be part of kitty's crew and realized after that i don't actually know if that's tru or not so uuuuuhhhh probably should've just waited for the movie to come out to start drawing shit but 👍

[turtleblogatlast]

[ cw: death mention / strangulation mention / stabbing mention / blood mention / self-sacrifice / codependency mention in tags / ]

I think a lot about how common it is for Raph to be the one to have direct focus put on him when Leo gets into all his near death experiences.

Like, when Leo is thrown off a building, it’s Raph who’s right there jumping after him, not even thinking about the consequences to himself when he does. When Leo almost gets skewered by the Krang, Raph’s right there to take the blow and send Leo to safety without a second thought. When Leo’s being strangled to near death, it’s a Krangified Raph doing the job, doing exactly what Raph would never, ever want to do. When Leo is telling Casey Jr to close the portal, it’s Raph who tries desperately to convince Leo otherwise.

Likewise, Leo is consistently very single minded when Raph gets forcibly separated from them. Both when in the sewers and by the Krang, Leo is dead set on finding Raph first and foremost.

I also think it’s interesting that during each of Leo’s near death experiences, the lightheartedness of his words during them goes directly hand in hand with both how close Raph is to him physically and how much danger Raph is also in in that moment. From a literal “I told you so” as Leo’s falling away from Raph to a soft joke about how “hero moves” are Raph’s style - both of these are on the more morbidly carefree side and both of these notably take Leo farther away from Raph and, in turn, have Raph not in immediate danger.

On the other side of things is the apology from Leo, heedless of the danger he himself is in as he seriously and genuinely speaks to a Krangified Raph face to face. Then there’s Leo’s freezing and desperation as Raph takes a hit meant for him and sends just Leo to safety, leaving Raph himself behind. Both of these involve much closer proximity and Raph being directly harmed - these together make Leo much more vulnerable in his words and actions, something not even the threat of death can make him.

These two care about each other so much, and they’re way too much alike for their own good.

[somnimagus]

My page for @destinytriofanzine! I drew something about kids always dreaming of far off places

[id in alt!]

[otaku553]

I got a haircut today and I’m so giddy about it,,,, it is so difficult to explain to my mom why I feel so giddy about the undercut sideburns I got

[gummi-ships]

Kingdom Hearts - Hollow Bastion

[simcardiac-arrested]

like tree, like apple

[mohntilyet]

is this a safe space to admit i really don't even like the lines in lucanis' first romance scene where he says something like "perfectly gathered clouds of doom" . but that does not stop me from loving him very much. i'm choosing to see this as a guy who is the terrible combo of reads romance novels, has never had a romantic relationship before AND his definition of 'good flirt' is synonymous with 'illario' so he's got an incorrect definition of what's actually romantic. the less lucanis is specifically trying to be romantic the more he becomes irresistible but i don't think he's caught onto that yet

[vanityangel]

Acknowledge me. Love me.

[ingravinoveritas]

"He should be used to this by now."

Maybe, just maybe, this shouldn't be something that he has to get used to. Because you would think that if he even once expressed that he wasn’t comfortable being filmed, that would be enough to make her stop. The fact that it isn’t and hasn’t been up until now is not okay.

She is doing more than just annoying him here--she is humiliating him. A "love language" implies something shared and spoken by both people, and this feels entirely one-sided at this point. If you genuinely love someone, you don't repeatedly violate their trust and then laugh/brag about "breaking" them for others to see.

I shudder to think what the reaction would be if the situation was reversed. The outrage that would occur if he was filming her when she didn't want to be filmed, and the dramatic shift in reaction to the camera. It would not at all be seen as acceptable.

And yet, here we are...

[emeritual]

31 Days of Ghost | Day 6: Favourite Song from: Prequelle

↳ Life Eternal (2018)