#and it makes narrative sense for him to have called her an it

[threeacttragedy]

Entry 18: The One Where Two Roads Diverged in a Wood of GIFs and Written Words

“Lukola Crisis Hotline. How may I be of service?”

Me: Houston, we have a problem.

Dad: Do tell!

Me: You won’t believe who showed up last night! –

Dad: Oh, my goodness! Oh, my goodness! Whoa! I don’t know what to say! Wait – let me grab my Coke and my smokes. <waiting> Okay, I’m back. So, Misty appeared out of nowhere with Thang?! Well, this just got fun! <laughing>

For clarity’s sake, my father tends to give everyone a pet name. Some of the pet names are funny; some are quite cruel. But if they help him remember who the players are in this fandom (and in any other situation), I’m game to play along. Plus, his pet names tend to add a little comedy relief to whatever is being discussed, especially when it is not an outwardly funny subject.

In Lukola-Land, Luke is “Thang” (it’s actually “Thing” – as in the hand from The Addams Family – but my dad’s accent muddles the pronunciation into “Thang”); Nicola is “Ireland,” for obvious reasons; Antonia is “Misty,” for, umm, the Clint Eastwood movie, “Play Misty for Me;” and Jake is – well, Jake is actually just “Jake” because my father finds the USS Jakola offensive. In fact, when I was discussing the recent fandom events with him on Friday evening, my dad was genuinely shocked to learn the Jakolas still existed. His pet name for the Jakolas is “Fucking Stupid,” by the way.

Moving on to the matter at hand –

There’s been so much “noise” over the past few weeks that, when taken collectively, it is rather eye-opening. We’ve got Luke’s mother posting on Facebook about “Luke’s girlfriend…from Cyprus.” The leaked funeral video and photos (by allegedly Luke’s family). The Best in Show pap pictures of Nicola and Jake. The “just friends” interview. The disappearance of Jake (because he’s rehearsing for a play) and the sudden reemergence of Antonia.

If you’ve noticed from my recent entries on this blog, I have obviously found most of what has happened of late to be comical and not worth putting into written word. Instead, my thoughts have been dumped into GIF stories. To be honest, I was rather disappointed I couldn’t put this last part – Antonia emerging from the misty edges of the forest – entirely into a GIF story. Her reappearance was like a certain Bond villain coming back to life for the seventh time. In other words, it was total cringe. But it also altered an otherwise slow burning campfire into a motherfucking forest fire.

Me: Thoughts?

Dad: I need some time to think about this one – and a cigarette. Or two. Call me back in 15 minutes.

“Psychotic Fan Rescue Center, at your service.”

Me: You’re a dumbass.

Dad: <laughing> Well, this is insane. It makes no sense and it’s a convoluted mess. Why bring Misty back? She was killed off two seasons ago.

Me: No shit, Sherlock.

Dad: Hell, maybe this has all been a nest of vipers.

A nest of vipers? Ah, yes, the idea that we have a group of venomous snakes thrown into the same close-quartered trench – in an every-man-for-himself type situation – each taking strikes at the others whenever their backs are turned.

In Entries 1, 13, and 15 – with an emphasis on “Entry 13: The One Where the Ashes Blew Towards Us with the Salt Wind from the Sea” – I wrote about what the Lutonia narrative could look like, if real. I will not rehash in detail those entries here, but I will link them at the end of this entry if you want to read, or reread, them.

Now, the General Audience almost certainly didn’t pay a lick of attention to Antonia when she appeared alongside Luke at the Boss event held January 30 (she’s always just been a Face in the Crowd). But the sudden reappearance of Antonia stopped the Lukolas dead in their tracks because – like my dad said – she was seemingly killed off two seasons ago.

The Lukolas have suddenly found themselves at an intersection of confusion and, likely, a bit of distress. The long and winding road we’ve been traveling along has diverged into two paths – and, no, you cannot travel both.

The problem with the Lutonia narrative has always been that Luke has never formally acknowledged Antonia as his girlfriend. In fact, Luke had the perfect opportunity to do so when he posted about the Boss event on his Instagram grid – but he did not. I could rationalize the idea that Luke and Antonia wanted to keep their relationship private after the Papsmear misstep if it weren’t for the fact that Antonia has been historically loud in her social media posts. We spent the summer and fall with insinuation post after insinuation post from Antonia. Yes, all those posts that alluded to her being with Luke without any actual evidence that she was, in fact, with Luke. By the time Antonia got to “Pasta-gate” in mid-November, the Lukola fandom barely even blinked before dismissing her as, well, the antagonist from “Play Misty for Me.” And this leads to something even more problematic for the USS Lutonia – Luke has never rescued Antonia from being ridiculed and torn apart by the fandom. My dad would call – and has called – Luke a cad for this.

Jumping to the other side of this misshapen triangle, we have Nicola and her Assassin (my dad’s pet name for JVN). Assuming Lutonia is real, the only logical answer for Nicola’s behavior is that she has spent months trolling Luke, Antonia, and <gasp> the fandom. Nicola herself has admitted to being chronically online and, at a minimum, being aware of fan edits – so much so that during the London premiere she commented that she and Luke “can’t do anything” without the fandom reacting to it. Therefore, I will call “foul” on anyone who tries to persuade me that Nicola was unaware of, at a minimum, how the Lukola fandom had reacted to the Claddagh ring, Chaos Week, and the October airplane posts. JVN openly mocking Antonia on social media with, for example, their Slick Back Bun routine only added fuel to this fire.

For shits and giggles – and so I can get to the bend in this road – we will roll with my dad’s “Nest of Vipers” theory for a moment. We will concede that Lutonia is real, which, in my opinion, makes Luke the absolute worst boyfriend in London and Antonia a woman who doesn’t mind being treated like roadkill. It also, unfortunately, makes Nicola and Fan Favorite JVN come off like online bullies – with the only plausible reasoning for the bullying being that Luke and Nicola are at odds with each other. No, I take that back – they’re not at odds with each other – they’re seemingly at war with each other. I’ll even amp this up a bit and throw in the suggestion that, assuming Lutonia is real, Netflix & Co. is aware of the strife between its two Polin actors and are protecting their asset with blurred Polin-Lukola posts to pacify the fandom. Dun-Dun-DUNN! And yes! That was a sly nod to Jake.

Me: Thanks for that. You just made Luke into an absolute prick and gave Antonia’s starring role in “Play Misty for Me” to Nicola.

Dad: Hey, I’m not the one who dug up Misty! That was all Thang!

Me: Then why does everyone say Luke is the nicest person? Nicola, his co-stars –  

Dad: All lies.

Me: Would you STOP?!

Dad: But I’m serious! Thang could be a complete pig behind closed doors and Ireland could be on the verge of a psychotic meltdown because, uhh, maybe she’s obsessed with Thang and pissed he chose Misty.

The unfortunate thing about this Nest of Vipers theory is that I could almost certainly make a convincing argument that it was legit. I’ve always joked with my Inner Circle of Lukolas that no one wants to see me go rogue, especially not – I’ll bite my tongue on that one. But I will emphasize the importance of keeping an open mind when you’re reviewing information. Always consider both sides of the coin. That said, it’s hard to ignore the evidence that was presented to us through the World Tour interviews and behind-the-scenes footage; therefore –

Me: I’m having a hard time believing Luke is someone who wouldn’t protect his girlfriend. He seems to support Nicola online quite a bit. Why wouldn’t he do the same for Antonia?

Dad: <laughing> Fine. Antonia isn’t his girlfriend. Maybe it’s all just a bunch of fuckery like I’ve always said.

“Fuckery” is my dad’s pet name for PR bullshit. If you didn’t pick up on it in previous entries, I am not fond of PR theories. But I also cannot ignore that PR relationships do exist and have for decades (hell, we could go back centuries and find examples of PR relationships across multiple noble and royal families – think about that, naysayers). It was my dad who first sold me on the possibility of Antonia being PR. So, I will consider this road to PR-ville in the same manner as I did the Nest of Vipers theory – with this PR theory having perhaps the better claim.

I mentioned earlier that the General Audience almost certainly paid little attention to Antonia’s existence at the Boss event. Although some people may find what I’m about to say a bit unkind, it doesn’t make it any less valid (and I’m not saying it to be cruel): Antonia, in the overall scheme of things, is of very little importance to the General Audience. She has less than 15 thousand followers on Instagram, even after being connected to a man who has almost three million. However, oddly enough, that didn’t prevent the Daily Mail from dropping a story which predominantly focused on Antonia within the same timeframe that images from the Boss event were being dropped on the Internet. It also didn’t prevent video footage of Luke and Antonia at the Boss event from being leaked online almost immediately – even when there were undoubtedly more famous celebrities attending the event. I’ll be realistic with this next comment, too: Luke may be relevant to the Bridgerton fandom, but that does not mean he is significant to, say, People Magazine’s average reader. So, why the sudden burst of publicity at this event?

I waited to write this entry to see what Luke did with the exposure from the Boss event. Would he finally put Antonia on his Instagram grid? Would he put her in his Instagram stories? Would Antonia post pictures from the event on her Instagram grid or stories? Would Luke unambiguously acknowledge a relationship with Antonia?

Although Luke posted to his Instagram grid and stories about the event, he did not include Antonia – at least not directly. The closest he came to including Antonia was via an Instagram story – on which he did not tag her – of a black screen with a link to a Boss TikTok that included images of Luke and Antonia from the event. The TikTok did not tag Antonia either. Luke did not post Antonia’s image to his grid or his stories.

And Antonia didn’t post about the event at all.

I wasn’t sold on a PR narrative when I started writing this entry, but my eyebrows raised when I saw Luke’s “black screen” Instagram story. This was either Luke attempting to circumvent the Lutonia narrative while throwing Antonia a bone, or it was Luke being an absolute douche of a human being. And, if it’s the latter, Mr. Newton needs to check himself into Assholes Anonymous.

I will concede that a couple of mutuals put up a few stories about the event (which disappeared after 24 hours) and Boss included (and tagged) Luke and Antonia in an Instagram and TikTok reel – without formally identifying Antonia as Luke’s girlfriend. On a side note, Luke could have reposted either of these reels – which tagged Antonia – but he did not. Luke also did not like this Boss Instagram reel with Antonia in it (and he does not have a public TikTok account), but Luke did like a separate Boss post of him and David Beckham (without Antonia). The only news outlets that called Antonia Luke’s “girlfriend” were rag-mags like the Daily Mail and Hello, both of which put an emphasis on Antonia. Digital Spy noted that Luke and Antonia “have yet to officially confirm their relationship.” So outside of some tagged reels (that weren’t reposted or acknowledged by Luke) and rag-mag speculation, what did Antonia get from this?

Dad: Publicity.

A single word but one that resonates throughout an otherwise silent wood.

But to be honest, I’m not entirely convinced this was for publicity. I’m not saying I believe Antonia is Luke’s girlfriend either – that’s a whole cauldron of contradictions on its own. I’m simply intrigued that Antonia has her Instagram tags turned off and she has not yet allowed any Boss event tags to appear on her page. So, outside of some junky rag-mag callouts and a few TikToks, what benefit did Antonia receive? And, if Antonia didn’t truly benefit from this appearance (or, at least she doesn’t appear to be reaping the rewards from a girlfriend or PR standpoint), who did benefit?

I mentioned at the beginning of this post that a series of events had happened one after the other over a relatively short two-week period: (1) Luke’s mum mentioning “Luke’s girlfriend…from Cyprus” in a Facebook response; (2) leaked video and photos of Luke from a funeral; (3) those utterly ridiculous pap pictures of Nicola and Jake; (4) Nicola stating she and Luke were “just friends” in an interview; and (5) the sudden summoning of Antonia after exactly six months of being MIA.

As I sat here writing out the events of the past two weeks – and considering the reappearance of Antonia – I couldn’t help but speculate as to whether each of these events was meant to have a specific purpose that didn’t get its desired result.

The comment by Luke’s mother was so far out in left field, most Lukolas chucked it up to being suspicious and dismissed it as such. The funeral pictures and video released by one of Luke’s family members was quickly scrubbed from social media; therefore, just as quickly ignored. The pap pictures of Nicola and Jake were openly mocked across social media as being staged. The “just friends” comment – after almost a year of, particularly, Nicola dodging that phrase – didn’t seem to send many Lukolas overboard. Is it possible that the fandom’s mild reaction to all these events wasn’t anticipated? Which leads me to wonder if Luke and Nicola wanted a reaction and realized the only way they were going to get it was to play the only card they had left – Antonia.  

When you look at the above referenced events individually and collectively, they appear to indicate a push to shut down the Lukola narrative. Why?

They could have shut down the Lukolas before the World Tour even took off. They could have shut down the Lukolas during the World Tour. They could have shut down the Lukolas after Papsmear. Why wait almost a full year to draw the line in the sand? Especially after every devoted Lukola would argue that (mostly) Nicola has left a trail of Swiftie-like clues to insinuate Lukola is real, and that Luke has made a visible effort to remove Antonia from his narrative.

Whatever the reasoning may be, we must admit Antonia’s reappearance had a purpose – and one that we need to respect. I have a hard time believing Luke would voluntarily step in the same pile of dog shit he stepped in back in June without a valid and significant reason for doing so.

And this is where I will draw the line.

I will not speculate further about why Antonia suddenly rose from the ashes of Manderley – and I will not tell you which road to take from here. That’s something you need to do on your own but, be warned that regardless of which road you choose – the one where you conclude Luke and Antonia are a couple, or the one where you decide Antonia is playing the role of PR distraction – the Lukolas are currently fighting a losing battle.

The Lukolas have become collateral damage. They’ve either been caught in the crossfire of an online war between Luke and Nicola (and their respective sidekicks) over, presumably, Antonia; or they’re the unwitting victims of some messy PR bullshit that has resulted in Lukolas being bullied across every social media platform by rabid Jakolas and Anti-Lukes.

Amazingly, though, many Lukolas remain resilient.

When the going gets tough…

But sometimes the tough don’t get going.

Yesterday, someone wrote to me, “Why are we still here? Just when we think something good is finally going to happen we get pushed back down. I’m tired of the dumb games.”

I rarely answer “Asks,” but my response to this comment is:

“Two roads diverged in a wood…”

Two roads.

One road is quite disheartening and the other is shrouded in underbrush.

But what you've overlooked is that there is an alternate path – a third road – the one that brought you to this point.

Turn around.

That road takes you back home – and, if you’re ready to go home, go home. It’s okay. It takes an unbelievable amount of courage to admit you’ve had enough. Remember that saying – “A wise woman once said, ‘fuck this shit,’ and she lived happily ever after.”

Take your time and decide what makes the most sense to you.

Dad: What are you thinking?

Me: Of a poem.

Dad: Oh, which one today?

Me: “Two roads diverged in a wood, and I – I took the one less traveled by…”

Dad: Which road is that…?

P.S. Just for a bit of comic relief at the end of an otherwise somber post (not even Dad could make it lighthearted), I just wanted to say:

I love eating grapes.

IYKYK.

Those links I promised:

[grabby-smitten]

I feel so conflicted. I’m so happy but sad, empty but so full of joy, crying and laughing at the same time. Moby’s owner, you wrote such a beautiful story.

Error 404: (Self-Aware!AU, Sylus Edition) – Pt. 10

Summary: A LADS self-aware!AU featuring Sylus and a player. That’s it, that’s the plot. Tags: player!reader x sylus, fem!reader x sylus, reader x lads, self-aware!au, strong language, family issues, generational trauma, self-growth, personal issues (and dealing with it), hurt and comfort, hmmmm…. let’s leave it at that for now :) A/N: Final chapter, guys! Thanks so much for reading <3

Pt. 1 - Pt. 2 - Pt. 3 - Pt. 4 - Pt. 5 - Pt. 6 - Pt. 7 - Pt. 8 - Pt. 9 - Pt. 10

“Oh, what the hell—since when do you cook?”

“Bitch,” you laugh, nudging past them, the ceramic pot still steaming in your hands. “Do you want the risotto or not?”

The scent of garlic and pecorino permeates the air as you stand in front of the small foyer of the duplex where your friend—questionable, at the moment—lives. Your most recent culinary masterpiece, deemed safe (enough) for public consumption, rests between your hands in silent offering to the skeptic figure who’s barring you from crossing the threshold. 

It’s still warm, and you’re not one to brag, but you think you’ve outdone yourself with this one. Not that it matters—everybody’s a fucking critic these days.

“Risotto?” Khol parrots in disbelief. “You don’t show up in forever, suddenly you’re all cuoca straordinario or some shit. Get out of here with your Mario ass–”

“Don’t mind them,” Anna interjects from behind your biggest hater, all cheer as she plucks the pot from your hands. “This smells amazing, actually. Come in!”

With that, she vanishes inside, leaving you and Khol alone in the doorway. You give them a knowing look.

“Oh wow,” you remark, all mock surprise. “You live together now?”

Khol rolls their eyes, already tired of you. “You missed the biggest arc of the last five months, but yeah.”

You step inside, and right away, something feels… different. It could partly be due to how much time has passed since you last visited, and it’s clearly still their place—the brooding industrial-emo aesthetic remains intact, still suspiciously close to resembling the lair of an angsty comic book antihero on acid—but it’s been overtaken by bits of boho-chic scattered all over the space.

Where there was once nothing but charcoal, vinyl, and concrete, there are now textures. Colorful woven throws drape artfully over the arm of the leather Eames sofa they won off a Craigslist bid. Tasseled pillows have multiplied across every seat surface like some kind of fabric-based contagion, while pothos vines dangle lazily from macramé hangers, stretching towards the moody Edison bulbs like they’re trying to escape the existential crisis of living here.

And then there’s the rug. Oh god, the rug. 

A comically massive tufted ‘Flower Power’ rug sprawls across the center of the room, a swirling explosion of pinks and oranges—a final, cutesy fuck you to the apartment’s formerly depressing atmosphere before Khol’s new roommate staged her cheerful coup.

It should’ve been a hilarious sight, like a chaotic school art project where every kid picked a different medium to color and refused to compromise. But somehow… it works? 

Against all odds, the goth cryptid and the hippie gremlin have found domestic equilibrium.

“Love what you did with the place, Anna,” you call out, toeing off your shoes at the door. “It doesn’t look like a twelve-year-old’s fantasy bedroom anymore.”

“Shut the fuck up,” Khol laughs, shaking their head. “As if you’re one to talk. Last time I visited, you still had that stupid-ass sofa. Is it still there?”

You sniff haughtily. “Excuse you, but that’s a custom piece. You wouldn’t get it.”

"Alright, you two," Anna says, leaning against the archway between the living room and kitchen, one hip propped against the frame. "Both of you have terrible taste in decor. Now, I have a fabulous Prosecco to pair with the risotto." She tilts her head, shooting her partner a pointed look. "Khol, darling, be a dear and grab the crystal from the cupboard?"

"Whipped," you sing as Khol, predictably, does exactly as told. They don’t even bother with a comeback, just flashes you a lazy middle finger over their shoulder as they disappear from view.

You grin, shaking your head. The moment stretches into something easy, comfortable. It’s nice—being here, bantering like no time has passed. You let yourself sink into it, tugging off your beanie as you cross the room.

The creaky couch welcomes you like an old friend, and you flop down unceremoniously, stretching your legs out, rubbing your feet against the oversized monstrosity of a rug that is... honestly, pretty fucking comfortable, actually.

Anna follows suit, settling beside you with far more grace, tucking one foot under the other.

She watches you for a moment, expression warm but slightly inquisitive. “We haven’t seen you in a while.” 

You exhale, tipping your head back, staring up at the beams on the ceiling. "Yeah, sorry. Been a little out of it these past… couple of months, I guess."

Anna makes a quiet noise, something between understanding and acknowledgment. "You’re doing okay now?"

The easy answer sits on your tongue—yeah, of course. An automatic response, a reflex built from habit. Another front to put up, another lie to slip behind.

But you’ve been working on this. So instead, you take a breath and say,

"Not… really." 

The words feel foreign, heavy, but oddly freeing as they leave your mouth.

Your gaze flickers to the side table—framed photos of Khol and Anna, smiling, sunlit. You don’t linger.

“I mean, better now compared to, maybe, a few weeks ago. I’m getting there.”

Anna’s brows lift slightly—not in surprise at the sentiment itself, but at the fact that you admitted it out loud. There’s something thoughtful in her expression, something softer around the edges. “Good. That’s good.”

You can tell she means it. Maybe even more than you expected.

"Yeah."

There’s a brief lull. You catch yourself tugging at the edge of your cardigan—a nervous habit you never quite broke. The warmth of the apartment is settling in you quite comfortably, but there’s something about sitting still under Anna’s gentle scrutiny that makes you restless.

From the kitchen, there’s the unmistakable clink of glass, followed by a muffled, “shit.”

Anna exhales, long-suffering. “I don’t know why I even bother buying nice things.”

“‘Oy,” Khol’s voice carries from the other room, “get in here and help. We have, like, seven things to carry.”

You take that as your cue, trailing after Anna into the kitchen. Between the three of you, it’s quick work—bowls of warm, brothy risotto in hand, glasses of white wine balanced carefully between fingers.

By the time you step back into the living room, Khol is already dropping onto the blue accent chair near the window with all the dramatics of someone who’s worked far too hard for far too little.

You settle into your usual spot, Anna beside you. You don’t touch your food. Your appetite’s still in remission, though it’s been steadily improving lately.

Khol notices. “Now, why the hell aren’t you eating?” They shoot you a side-eye like you’ve personally offended them. “I knew it. You put something in this, didn’t you?”

“Jesus, Khol,” Anna sighs, exasperated, already two spoonfuls in. “Your diet was literally gas station burritos and eight-pack Coors before I moved in. You’ll live.”

She pauses, though, casting you a look. “Don’t get me wrong—this is really good.”

“Ha,” you retort as Khol prods suspiciously at a floating mushroom. You glare. “Are you fucking kidding me—”

“Alright, alright.” With an exaggerated sigh, Khol finally takes a bite. They chew once, twice—eyes narrowed in concentration, acting like some hard-ass seasoned judge from Top Chef. You can practically see them digging for something snarky to say—until, begrudgingly, they nod.

“Shit. This is actually pretty good. Who are you?”

You preen at the praise.

For a while, there’s nothing but the quiet clinking of spoons against ceramic, the occasional satisfied hum. It’s… nice. Comfortable in a way you haven’t felt in what feels like forever.

You’ve missed this.

Missed being here. Missed being with people.

Somewhere between the second glass of wine and the last few bites of risotto, Khol angles their head toward you, their curiosity piqued. “How come you’re free today? You on leave or something?”

You swirl the drink in your hand, watching the light catch on the amber surface before answering. “Oh, I quit my job.”

There’s a beat of silence. You don’t know what reaction you were expecting, but Khol just blinks at you. "Huh. Finally."

Anna looks mildly more concerned. "You quit?"

You nod, stretching your legs out beneath the coffee table. “Yeah. The OT was getting ridiculous, and they had me working night shifts again. That was kind of the last straw for me.”

Khol grunts in agreement. “Good fucking riddance. That job was killing you.” They pause for a beat, turning serious, contemplative. “You’re not hung up about it, are you? You’ve been bitching about that job for ages.”

You exhale through your nose, staring at the rim of your glass. “Yeah, no. I’m glad I left.” The words come easily, and they’re mostly true. But still—there’s something about suddenly having all this space, this aimless in-between, that makes you antsy. 

A thought strikes you, and you glance up. “Hey, you know if Marion's still looking for someone to work part-time at the bistro?”

Khol raises an eyebrow. "You looking to apply? It’s minimum wage, just telling you in advance."

"That’s fine," you assure them. "I just need something on the side. I’m doing freelance work right now, I just want something to fill in the gaps."

Anna perks up at that. "I think that’s a great idea. I can hit up Marion later, but I’m pretty sure they’re still looking."

Khol stares at you, and for once, they don’t have a quip lined up. No sharp-edged humor, no quick banter—just a quiet look of something almost foreign on their face. Pride. Maybe even relief. You’ve worried them. The realization jars you like a pebble dropped into a clear pond, sending ripples through the stillness of your self-imposed isolation. You hadn’t meant to, not really. It wasn’t like you deliberately wanted to disappear... But you did, didn’t you? You let the days blur into weeks, then months, telling yourself naively that no one would notice if you just—vanished for a while. Five months, to be exact.

You press your lips together, clearing your throat against the tightness creeping in. “Thanks,” you say, quiet but sincere. “Really.”

Khol snorts, and the moment shatters. “You can show your thanks by knocking ten percent off the cocktails when we visit.”

You roll your eyes, feigning exasperation. “Get me the job first, and I’ll see what I can do.”

Anna grins, raising her glass. “Now, that’s the spirit.”

––––

You get the job.

You stand in front of the fogged-up mirror, dragging your palm across the wet glass. The reflection that stares back is warped, smudged—half-formed, half-there—but unequivocally yours. 

A month ago, you wouldn’t have been able to say that with certainty. Back then, the figure in the mirror had been more ghost than person—distant, spectral. Fractured. Someone you watched from the outside, not as a host of the flesh you inhabit. 

Now, though, the pieces are starting to slot back into place. Some are still missing, and others don’t quite fit as they once did. You doubt it will ever return to how it was… But slowly, a familiar shape is coming back into focus. More than the shadow of a woman, but you.  Time moves like water carving through rock—gradual, barely perceptible, but steady. Inevitable.

The shifts are diminutive. A morning where you wake up feeling less crushed by the weight of grief in your chest. An afternoon where you suddenly break into laughter, and you realize it’s the first time you’ve heard it in weeks. A quiet night where you go to bed without feeling like you’re stuck frozen in an endless loop of wishing, waiting for the impossible.

You’re here, alive. Present. And for the first time in what feels like a lifetime, you’re doing more than just holding on.

(You think he’d be proud of you.) And the thought doesn’t leave you aching the way it used to.

––––

“You think I can handle taking care of another living thing? Like a plant?” You ask Maru, glancing at him lounging by the window, right where a sliver of afternoon sunlight spills across the floor. “I mean, I raised you well enough, I think. But you’re pretty self-sufficient anyway.” Maru looks unimpressed. His tail flicks once—dismissive, uninterested—before he returns to grooming himself, utterly indifferent to both your question and your sudden enthusiasm for gardening. “Well, if your dad can grow plants in that dungeon he calls a base, I’m sure I can manage,” you mutter unconvincingly. “How hard can it be?” 

–

By the middle of the second week into your little project, you begrudgingly admit that your tiny repotted begonia isn’t exactly thriving. You don’t want to be a pessimist, but the (browning) margins seem to curl inward—more than they should, if the reference pics on that “Indoor Succulents” blog you’re subscribed to are anything to go by. 

You eye it dubiously, trying to stay gung-ho about the whole thing, forcing yourself to look up care tips again. It’s just a plant. Not rocket science. So you do the research, gather more supplies, and give it another shot. You reposition it closer to where the sun lands—earning a disgruntled hiss from the sunbathing feline—and sprinkle a careful amount of water just beneath the leaves, closer to the root. Then you lean back, waiting, tapping your foot impatiently like it’s supposed to just... fix itself.

–

The next few days pass with you watching it more than you’d care to admit—checking, hoping, second-guessing yourself. 

You narrow your eyes at the leaves, more russet than Inca Flame red, still hanging limp like a sad testament to your lack of skill. 

But you keep at it, because you’re nothing if not stubborn.

–

A single flower has bloomed.

You stand there, spray bottle in hand, caught in quiet awe at the metallic pink sprout peeking through the foliage. It’s small, delicate, barely more than a bud, but unmistakably there—nestled among heart-shaped leaves that, for the first time in weeks, look alive. Brighter. 

A faint smile tugs at your lips. It’s not groundbreaking, not by a long shot. But it’s something.

The fragile blossom clings onto dear life, stubbornly seeking the sun rays, inching toward the warmth it needs to grow—larger, stronger.

You can’t wait to bear witness to it. 

––––

You’re not entirely sure how you ended up in this situation; all you could recall past the sweat blurring your vision is the memory of being in front of the reception desk, pen in hand, scrawling your name onto the sign-up sheet for beginner boxing lessons. 

It’s not… something you planned on doing, really. You’d been showing up for the past week, trying to convince yourself that fitness was something you could get into. Something you could stick with. But this one’s more of an impulse decision, fueled by a mix of post-workout endorphins and the misplaced confidence that sometimes follows after an extra few—unpremeditated!––minutes on the elliptical. 

It all started with a casual glance at a flyer taped to the wall beside the water dispenser.

GET TOUGHER, FASTER, STRONGER! SIGN UP NOW!

The cheesy tagline stared you down as you were in the middle of refilling your teal green AquaFlask. And for some dumb reason—sheer curiosity, definitely not because it reminded you of a certain someone—you thought: Why not?

Before you could talk yourself out of it, you’d marched straight up to the nearest staff at the counter, credit card in hand, and asked to sign up. Now, as you stare at the buff woman currently goading you to hit harder, reality sets in and you feel a little lightheaded. Even slightly delirious.

“Up, up–” your trainer urges, somehow not even remotely out of breath, despite being thirty grueling minutes into the session. Meanwhile, you’re standing there, red-faced and sweating like a fucking pig. “Keep your arms up at all times, alright?”

You pant, nodding weakly, fixing your posture. She gives you an approving nod in return.

It’s part of the whole self-improvement thing, anyway. Pushing yourself. Fitness, jazz, and all that. You’ve never had much inclination for sports or anything remotely physically taxing, as far as you can recall.

…Or maybe that decision was made for you the moment you tried out for volleyball in high school and took a spike straight to the face. A memory so humiliating, that your brain did you a favor and buried it deep in the recesses of your mind. 

But things are different now! You’re trying new things. You’ve done wall climbing, aerobics, even pulled a hamstring attempting HIIT Tae Bo. And if getting punched in the face is the next step in this… wellness journey, then, well, so be it. You’ll take it with a brave face and, hopefully, minimal bruising to both body and ego.

You slog through two sets of combos and thirty jab-straight-hook-uppercuts, punching like your life depends on it. You’re wheezing like an asthmatic child, and you’re about one bad punch away from toppling over.

Then, mercifully—

“Okay, that’s enough for today.”

Oh, thank god.

“You did good,” she tacks on, flashing you an encouraging smile, like you didn’t just spend the last half hour flailing at the focus mitts with all the grace of a wrecking ball.

You stare at her, unconvinced. Did I? Because from where you’re standing—wobbling, really—you’re pretty sure you looked closer to an overstimulated toddler throwing hands with gravity, but sure. It must’ve been in the fine print, to segue in a little positive reinforcement. Probably to keep people from bolting after the first session. 

Not that you’re planning to. No, of course not. You’re just... reevaluating some things. Like your life choices. And your capacity to lift your arms tomorrow. As you trudge your way out of the yoga-studio-turned-boxing-area, still gulping for air and very aware of the soreness settling into your limbs, someone calls out.

“Hey! Wait up!”

You turn your head, blinking in confusion. A guy—mid to late twenties, give or take—jogs up to you, looking offensively too fresh compared to how you feel. “Oh, hi. Sorry, do you mean me?”

He laughs as he slows to a stop, running a hand through his shaggy hair. “Yeah, you. I’ve seen you training with Coach. Just wanted to say—you’re improving.”

You blink. Wait, what?

A wave of mortification rolls through you. Shit, you didn’t know you had an audience. “Uh—thanks, I guess?”

You shift your weight awkwardly, clutching your boxing gloves tightly against your chest.

His grin turns sheepish, as though he realizes how that might’ve come off. “Fuck, sorry. That came out weird, didn’t it? I swear, I’m not, like, watching the whole thing or anything.” He makes a vague gesture to his left. “The studio’s right in my line of sight when I’m doing TRX reps. Hard not to notice.”

You force a smile. “Ah, yeah. Figures.” 

“I’m Byron, by the way,” he offers, sticking out a hand.

Now that you get a proper look at him, you notice he’s got this kind of… geeky charm going for him. Curly hair, sleepy brown eyes behind round, rimless glasses, and shy boy-next-door vibes—except for the fact that he’s jacked.

(Honestly? Work.)

You give him your name, still smiling awkwardly. You’re about to wave goodbye and turn away when— “So, what are you doing later?”

Um.

You hesitate. “I’m, uh… heading straight home after this?” Your voice comes out a little more uncertain than you intended, mostly because you’re not really sure why he’s still talking to you.

“Yeah, ‘course,” he replies quickly, glancing down like he’s suddenly nervous. “I just… thought I’d ask if you’d wanna grab coffee sometime?”

Oh.

It takes a moment for the question to fully register. The first thought that pops in your head is: Wait, how does he know I’m a barista?

… The second thought is one of pure disbelief. Holy shit, did I just get asked out? At the gym? By the Temu version of Peter Parker?

Your face burns hotter than it did mid-workout, caught completely off guard.

“I—woah, um.” You stumble over your words, eyes quickly darting away from him. “Sorry, I already have… a boyfriend. If—if that’s what you’re leading up to.”

You say it like a question. He picks up on it.

“You don’t sound too convinced,” he comments with a light chuckle, shaking his head. “If you’re not interested, you can just say that, you know.”

A prickle of irritation flares up, followed by something sharper—something that stings. You push it down. “No, he’s just… not around.” “Ah.” He clicks his tongue sympathetically. “Long distance?” “…Yeah.” You have no idea.

He shrugs, undeterred. “Alright, no pressure. We could always just hang out as friends, if you want.”

I… don’t think I do. “Um, maybe?” you answer instead, forcing out a laugh.

“Oh, come on,” he says, his grin widening. “You can even introduce me to your boyfriend,” he emphasizes the word out, “when he gets back. Does he work out? We could all hit the gym together.”

Social anxiety is afraid of this man, you think belatedly. Unfortunately for him, you’re the very embodiment of what fears him.

You’re so out of your element that all you can manage is, “He boxes too, actually.”

“Yeah? He any good?” 

That gets an involuntary snort out of you. Unthinkingly, you say, “Could probably beat you up.”

Byron laughs, startled but amused, shaking his head as he raises his hands in mock surrender. “Alright, alright—message received.” He flashes you a wide smile. “Well, if you change your mind about the coffee, I’ll be around.” He jerks his chin toward the pack fly by the corner. “There, usually.”

Okay, nerd. Despite yourself, you can’t help but find the whole thing slightly hilarious. Then again, you find humor in the dumbest things. “I’ll keep that in mind.”

You offer him a quick, half-hearted wave, trying (and failing) to mask your embarrassment with an exaggerated, too-casual show of nonchalance. It’s so painfully awkward, you can feel yourself internally dying from cringe. 

Without another word, you spin on your heel and start speed-walking away, practically running back to the safety of your personal space.

Smooth.

––––

It’s another relatively easy night at the bistro. You’re on the last two hours of your shift, and you’re carrying a single glass of roseberry mule to serve at table four. As you round the corner, you catch sight of a student, glasses perched low on her nose, completely absorbed in a thick coursebook on Programming Languages. Papers are scattered across the table, and she looks to be utterly engrossed in her readings, unaware of the world around her. 

You don’t want to bother her more than necessary, about to set the drink down on the only clear space—by the iPad propped up on a tablet holder to her right—when something red catches your attention.

A familiar pair of crimson eyes stops you dead in your tracks.

For a moment, you feel like you’re suspended in time. The sharp memory of a similar instance where you’re in her place, and he’s there, keeping you company while he’s polishing a gun burns through your brain, and you don’t–you can’t think—

You stand there, rooted to the spot, wide-eyed and unmoving. Then, the girl’s gaze shifts to you, and a hot flush spreads across her cheeks, betraying her surprise.

With swift fingers, she locks the screen with a quick flick on the power button, pulling you away and breaking you from the echoes of the past.

“Oh, shit,” she giggles, a nervous edge to her voice. “That’s embarrassing.” 

You shake your head, forcing yourself back to the present moment. “No—no, don’t worry about it,” you chuckle weakly, setting the drink down beside her with shaky hands. “Cute guy, honestly.”

That makes her giggle louder, her eyes bright with an almost conspiratorial glint. “Oh my god, you have no idea.”

Fuck—you can’t breathe.

––––

The night hangs thick with stifling heat, accompanied by the steady ticking of the clock as you catch your breath, your broken moans too loud in the heavy silence. The sheets cling to your feverish skin, damp and uncomfortable, as your body moves in a rhythm that feels unnatural now, but still—but always—familiar.

Your chest rises and falls in shallow, rapid breaths as you force the draconic toy deep inside you. The heat, the fire—it licks at your skin, making your whole body yearn for more. To chase more of the feeling, to chase more of the memory of him. 

Errant strands of hair stick to your forehead, your chest flushed and burning, a quiet throb spreading through you with every friction, every desperate movement.

Your body aches, a relentless thrum urging you to push deeper, to find something—anything—to fill the gaping hole inside you, a wound you’ve tried to stitch shut over months, now threatening to tear its way open again, once more ripping from the seams. 

A sharp pressure builds inside you. Your body stretches too far, too much, struggling to take in what it can’t quite handle. It burns in a way that hurts, but you need it. You need to feel more, to fill the emptiness, to grasp at something that feels real.

“Yours, yours–” you tremble, desperate. “Yours. Just yours. Please.”

-

-

-

You lie in the wake of it—pleasure fading into something heavier, regret creeping in like a shadow, waiting as always.

“I miss you,” you whisper in the dark. You always do.

You try to ignore the pull of it, the sharp descent that comes with the high.

You were doing so well.

But it’s fine. You’re fine. 

Everything’s fine.

The words swirl and echo in your mind, until they’re swallowed by sounds that ring hollow. You let the moment wash over you, sinking beneath the weight of the tides, where sorrow and longing blur with the fleeting warmth of what you can’t keep.

Tomorrow will be another day. Another chance to try again.

For now, you let go of your grip on the fragile raft of sanity you’ve built, painstakingly, for months on end.

Tonight, you let yourself drown once more in the somber depths of loneliness and despair, confined within these four walls that feel—once more—like a penitentiary.

––––

The plane begins its slow descent, and through the window, the world comes into view—large swathes of land interrupted by winding roads that seem to follow no rhyme, nor pattern. A river glints faintly beneath the fading sun, while the sky turns a dull blue, a washed-out slate, streaked with the last embers of daylight.

Below, the small city stirs.

Tiny specks of color flicker to life, lanterns strung along the streets like beads on a thread, marking the season, an ending, and the inevitable turning of time. A chill hangs in the air, the wind whipping past you from the half-open window of the taxi, sharp and crisp in a way that you can only find in the province.

Your hometown. 

It all rushes past in a blur of light and shadow, an eclectic mix of old and new—some buildings unchanged, others unfamiliar, as if they’d sprung up in the years you’ve been away. It’s been a while since you last came back, long enough for the roads to feel... foreign, almost. Though muscle memory stirs when the car takes a turn. One you could have easily navigated even with your eyes closed.

Only your sister lives here now, her and her family—a couple of hundred miles far. Far enough to feel like another world, yet close enough for the past to catch up the moment you lay eyes on the old two-story house tucked away on the quaint cul-de-sac of this suburban neighborhood. 

The residential property was left to her, scrawled onto the title in an act of generosity, perhaps. Or maybe as a weight your mother never intended to carry, something meant to anchor her eldest child while she carved a different life for herself elsewhere. Free-spirited as she is, she left with the ease of someone shedding an old coat, slipping into the shoes of another, barely a glance over her shoulder.

But houses remember. And as you step out of the vehicle, your feet meeting the rough asphalt that once belonged to your childhood, you wonder if they remember you too.

"Maru, Maru!" Your five-year-old niece cries the moment she spots the grumpy feline peering through the mesh of his portable prison.

"What—no excitement for me too?" you tease, ruffling her hair. She giggles, scrunching up her nose.

"Auntie, hi! Hi!"

You snort at her enthusiasm, setting the carrier down. The second you pull at the zipper, Maru springs out, landing with a soft thud before stalking off with his usual air of disdain. Your niece shrieks with delight. 

"Ah! Cat!"

"Well, there go the chances of her socializing with her brother," your sister remarks dryly from the doorway, sauntering closer. "Hey, stranger."

"Hey," you greet, hoisting a handful of paper bags. "Where do I dump these?"

She eyes the bags. "Any of those for me?"

"You have three kids, and one of them insisted on a Lego set. Do you know how much those cost?" You shoot her a flat look. "You’re getting socks."

"Wow, stingy." She huffs but takes some of the bags anyway, hitching one onto her hip as she grabs your other hand-carry.

You step inside, and the house greets you with a riot of lights and color. Plastic tinsel and bright string lights drape across every visible surface—along the bannister, around doorways—leaving no space untouched by the festive chaos. A Christmas tree stands proudly in the corner, nearly buried beneath an avalanche of baubles and sentimental ornaments collected over the years.

The room feels swallowed by the exuberance of it all, an almost overwhelming jamboree of holiday cheer.

It’s gaudy, excessive, and completely over-the-top, but beneath it all, the bones of your childhood home remain unchanged—familiar in a way that settles deep in your chest. The Narra wood floors are still scuffed with the marks of time, there’s still the distinct tang of turpentine mixed with waxy resin and citrus you’ve long since associated with home, and the odd decorative masks still line the far wall, their painted expressions frozen mid-celebration.

Your eyes land on the canvas floater above the mantel—a whimsical cross-stitch of three women flying kites, their stitched dresses rippling in imagined wind. You remember it well, though you never quite understood why your mother had chosen that particular scene to painstakingly sew into existence. Still, it belongs here, another piece of the house's patchwork history.

Your gaze shifts to the couch, where Andrew, your sister's husband, is sprawled out, one arm lazily draped over the backrest, the other holding his phone.

He flicks his gaze up at you, offering a half-hearted wave before turning back to whatever has him so absorbed on the screen. Beside him, your three-year-old nephew is perched on his knees, bouncing with energy as he mirrors Bluey's movements on the TV with exaggerated enthusiasm, his tiny arms flailing in childlike glee.

You sigh inwardly, rolling your eyes. Typical.

“There’s a few more hours before dinner. Want to hang out in the kitchen while I roast the ham?” She asks casually, setting down your bags by the foot of the stairs. “Actually, scratch that—you’re in charge of the punch.”

“You just want a head start on the drinks,” you tease, the banter flowing easily between you. “Hey, where’s the little squirt?”

She points toward the small crib, near the island counter. “She finally stopped crying, thank god. Don’t wake her up, or you’ll be the one in charge of putting her back to sleep.”

The two of you slip into the kitchen, where the air already carries the promise of dinner—cloves and brown sugar blending nicely with the lingering scent of citrus. A tray of ham sits on the counter, prepped and ready, the scored surface glistening under the fluorescent light. 

Your sister pulls a bottle of Luisita Oro Rum and Agimat Gin from the second-to-last cupboard and places them on the counter in front of you.

"Go ham," she quips.

You give her a flat look. "You think you’re funny.”

She shrugs, unfazed, and turns her attention back to where she’d left off before your arrival. 

The two of you fall into a natural rhythm, the kind that comes from years of cooking together. You work your way through cans of Del Monte, the metallic clinks filling the space as you drain the syrup and dump chunks of mixed fruit into the large punch bowl.

Your sister leans against the counter nearby, arms folded, her gaze fixed on the oven door, as if sheer willpower alone could make the meat cook faster.

In the background, the soft drone of the TV drifts in from the living room, punctuated by your nephew’s occasional giggles.

There’s no rush, no need to fill the silence with anything more than the occasional clink of utensils against glass and the low humming of kitchen appliances. The day is winding down to a close, and for now, everything is alright.

“So, Mom called,” she says casually, one arm braced on the counter as she leans in, glancing at you. “Kept calling, actually.”

“Mm.” You reply noncommittally, shaking the last can’s contents into the crystal bowl, watching as the fruit chunks bob lazily in the pool of alcohol.

“She’s worried about you.”

You don’t answer.

“She was. She is.” Her voice shifts, more serious now. She watches you closely, noting your lack of reaction. “You know that, right?”

Your fingers tighten around the can opener, but you pull your gaze away from the bowl. “I know.”

She sighs, resigned, already familiar with this song and dance. Familiar enough to know there’s no winning this one, not tonight. Not anytime soon. “I am too.”

You blink, before looking away. “Oh.”

And maybe she does worry—your mother. But any hope of truly knowing is swallowed by the chasm between you, the one that keeps your conversations at surface level, never breaching the depths beyond. 

Your body, born from hers, perhaps more alike than you realize, might have been brought into this world with the same pains that she’s carried. The pains of separation. The unresolved hurt of being unwillingly removed from your person—her former husband, your father—and that if you and your mother were closer, you could have opened up about your own situation. Perhaps then, you wouldn’t feel like a ship that has lost its ballast, drifting endlessly in the same turbulent seas for the longest time.

But you are your mother’s daughter, and she is her mother’s daughter. There is the truth that the women in your family are not the best communicators, nor do they wear their hearts on their sleeves. So you were born mute and overly sensitive. Pain drips from you, unnoticed, like a purposeless leak in the heart. You’ll carry it with you until you die.

“But you look… okay,” she observes, cocking her head. “Are you okay?”

You swallow. For the same reason you compare your mother to a storm you can't outrun and your sister to an intermittent drizzle, you find it easier to admit, “I haven’t… been okay for a while.” 

Not wanting to bring the mood down, especially on a day like today, you quickly add, “Things are better now, though.”

She huffs out a laugh, shaking her head. “Could be a little more specific there, but I’ll take it.” She gives you an exasperatedly fond look. “You let me know if that changes anytime soon, ‘kay?”

Your lips quirk in the faintest semblance of a smile. “Yeah, okay.”

–

It’s ten minutes before midnight.

You’re leaning against the island counter that separates the kitchen from the living room, nursing a glass of the fruit punch (though it’s mostly gin, with the teensiest amount of fruit), watching your sister’s family at a distance as they eagerly wait for the clock to strike twelve. The blinds of the large living room window have been pulled up, giving an unobstructed view of the sky, ready for the first firework to light up the dark.

For a moment, you feel like an outsider, watching through a lens, as if you’re not quite part of the scene. There’s a strange sense of detachment—voyeuristic, almost—as though you're peering in on a private, intimate moment. 

Your sister cradles the infant in her arms, and that all-too-familiar pang stirs to life—the same one that always does when you look at her.

You can't quite place what you're feeling, exactly. It’s tumultuous, and it’s complex. Andrew’s practically dozing off in his seat, and you see your sister shake her head in mild annoyance. Your nephew, fighting to keep his eyes open, starts to fuss.

Something tightens inside your chest.

“Andrew,” she hisses, startling the man awake. He blinks, disoriented, before spotting their son and the early signs of an explosive tantrum.

He sighs, and pulls the boy closer to him. “Hey, hey, little guy. Look at the sky. In just a couple of minutes, the lights are gonna go boom-boom.”

Your nephew sniffs, his eyes blinking up at him as he processes the words. “Boom-boom?”

“Yeah! Just like the one we watched on TV!”

The kid’s face visibly perks up at that, bad mood quickly forgotten. “Boom-boom!”

You watch as your sister’s gaze softens, and a small smile replaces the earlier frown on her face.

And in that instant, you understand.

You look at your sister and, for a brief moment, all you see is a wretched mirror of yourself. She is all of your fears, all of your failures, and all of what you could’ve been rolled into one. Barely in her mid-thirties, and yet already carrying the weight of a family: three kids, a husband who feels like a faded echo of your father—a man who didn’t quite measure up, who never did, and just as unreliable. 

You feel the suffocating weight of it all, of being tied to a place that’s meant to be a home but feels more like a tomb, marking the passing of dreams unspoken. She’ll grow old here, buried in the same soil you both sprang from, fading into the landscape of this town that swallows its own.

You look at her and you almost feel the repressed pain of missing the last semester of college to give birth, the lament of a missed opportunity that life has stolen from her. 

You feel her pain as if it’s yours. You feel it in the marrow of your bones—her blood flowing through you. “3…” You look at her, and it feels like seeing someone bound, held down by an anchor around her foot, unable to break through the surface of freedom. You look at her and you see dreams once aglow, reduced to cinders. You look at her and see—

She glances up at you.

Oh. “2…” In the fleeting moment where your eyes meet—eyes you two share with your mother—you feel so small.

Just a kid. Shortsighted and unfairly dismissive. Too blind to see your sister’s quiet victories, too selfish to admit you’ve diminished them just to feel less alone about your own. A child grasping for meaning, unfair in the ways only children can be. “1…” And in the fraction of a second before midnight, it's as if you’ve been doused awake. 

You see her anew—what seemed like monotony is really the bedrock of stability; tenacity in place of routine. An almost single-minded doggedness to make something out of this life. You see the steadfast strength she possesses, the kind that gets her up every morning, to face the world and all its demands without question. With purpose. 

You see resilience. Compassion. Traits that you’ve always lacked, that you’ve long resented, the same traits your mother never learned to embody.

And now you see your niece in her arms, born from this, and you name the indescribable feeling that dwells in you—borne from the pure look of adoration in your sister’s eyes for her youngest daughter—as envy.

You know, with utmost certainty, that she will be okay, because she has your sister as her mother, and she is so, so loved.

As you watch them, something inside you shifts—a deep, aching realization. 

You see… home. Something you've always longed for but never truly found. “Happy new year!” The spell breaks. The two of you startle at the sudden eruption of fireworks, the distant chorus of car horns blaring from the streets outside.

Your niece and nephew jump and shriek, their laughter ringing through the room, celebrating something they barely understand but find joy in anyway. The baby in your sister’s arms lets out a wail at the commotion, and she is soothed instantly with murmurs of soft assurances. Her husband struggles upright—then, with no small amount of effort, leans forward to press a kiss to the crown of her head.

The image before you is far from perfect, but it’s theirs.

“Auntie, auntie!” The little rascals cry out in unison, their voices overlapping in excitement. “‘appy n’year!”

A breathless, almost pained laugh escapes you. Still, you smile as you respond with your own, “happy new year!”

You’re tired—tired of running, of measuring yourself against the ghosts of your past. Tired of carrying the weight of a childhood that’s left you with more questions than answers, of making excuses for wounds that should have healed long since. You've spent so much time mourning the growing pains, the irreparable, that you never stopped to see what’s in front of you. 

This moment, this realization, feels like the final missing piece in the fractured puzzle of who you are.

The new year arrives, marked by the crackle of fireworks and the loud cheer from your family.

This time, you won’t hesitate. You’ll choose to embrace the change, both good and bad, with open arms. With the quiet resolve of someone finally ready to move forward.

You lift your gaze just as a brilliant burst of red explodes into the night sky, its iridescent glow bleeding into a softer silver before fading into the dark. 

A warmth settles deep in your chest—bittersweet, but steady. A quiet peace.

Happy new year, my love. . . . . . . .

.

.

.

.

. . .

The air at the threshold of Vagrant’s land is restless. Volatile. A hazy distortion ripples through it, folding and unfolding, like a lost mirage—an area of transition between worlds. Porch collapse, he calls it. 

Sylus has stood here countless times, watching the way this anomalous disturbance twists the very fabric of this reality, how it flickers in and out of form, erratic. Impossible to predict. 

It had taken him longer than he likes to admit to understand the phenomena for what it’s truly worth. 

Not just an alternate space caused by some spartan energy field. Not just any other protofield. But a thread. A connection. A door. 

A fault line between realities, an entryway that hums with the possibility of you.

Since the moment the idea took hold, he had thought of little else. It has consumed him in every waking moment; his entire being seeming to bend toward a singular purpose—getting to you. He had torn through endless streams of data, followed every unstable pulse of energy, mapped its fluctuations down to the smallest inconsistency.

Nights bled into days, and days bled into weeks, until he can no longer keep track. Not that the passage of time meant much to him at this point. 

He’s worked tirelessly through the stillness, through the storms of uncertainty, through the aching silence left by your absence. Ever since you’ve exchanged your temporary goodbyes. 

He had measured everything he could—the unstable frequency of radio signals streaming through the interstice. He had traced the influx in real time; recording the rate of deterioration, isolating the waveform, and filtering out outside interferences. 

But for all the data he gathered, for all the precision in his calculations, the core of this phenomenon remained just out of reach. His knowledge on the matter is rudimentary at most. He could waste years observing for abnormalities, trying to decipher how its presence has disrupted the very threads of this universe, but the why and how of it all will still elude him. 

Still, theory matters less than function. He doesn’t need to understand the full depth of it. He only needs to harness it.

It’s a gamble.

Contrary to whatever reputation he’s earned for himself, Sylus has never been one to play his cards recklessly. He deals in certainties, in probabilities stacked in his favor, in risks that—while dangerous—are still within his grasp to control. He has never been the type to leap without knowing where he’d land.

But this is different.

He has never needed to, before. Never had a reason to throw himself into the unknown with no assurance of survival, no way to predict the outcome.

He had no reason to—until you.

Now, it matters less whether or not the odds of his survival are abysmal, that he has no precedent to follow. That your world might reject him entirely. None of it matters. Because if the choice is between staying and never reaching you, or plunging into the great, endless unknown—

He’ll take the leap, every time. Without hesitation. 

He’ll leave this world behind, step beyond the edges of everything that has ever defined him, and venture into lands unseen, uncharted. Unknown. He doesn’t know what awaits him on the other side. If he’ll make it there in one piece. If he will make it there at all.

Sylus has never really questioned why he’s the anomaly in this world. The curiosities of his existence are yours to ponder. After all, he finds that he doesn’t care much of the answer as much as he cares about being with you.

Because wherever you are—that is home. 

He takes a step forward, and the universe dissolves into a blinding light.

-

-

-

Sylus wakes to the sensation of weight.

Something presses on him heavily, sinking into his limbs like gravity itself is wrapping around him for the first time.

The ground beneath him is unfamiliar, uneven—tangible in a way he’s never felt before. His fingertips press into the damp earth, leaving the faintest imprint, yielding beneath his touch. The scent of soil rises around him; a rich, bitter brown. 

This world does not recognize him, yet it cradles him like its own all the same.

Above, the sky erupts.

Fireworks split open the night, streaks of color exploding and dissipating in an instant—too fleeting to hold, too bright to ignore. A flashbang of incandescent reds and fluorescent greens, followed by bursts of crackling gold and shimmering silver scatter into tiny pinpricks before fading into the darkness.

The air is heavier here, denser in a way that feels almost… alien. It clings to the contours of his new form, seeps into his lungs with every breath. 

And oh, how it burns. Not in pain, but in its sheer presence. It rushes into him not as mere oxygen but as something real. Something palpable. He’s lost in the sensation. 

He exhales. Then winces. 

Immediately, he feels it—the weakness. The brittleness of this new body. Gone is the invulnerability he once wielded so effortlessly, the certainty that nothing could touch him unless he allowed it. 

That certainty is gone now, stripped away the moment he crossed the threshold.

He is flesh and bone. Finite. Mortal.

A lesser man might have feared it.

But in the middle of this empty field, miles away from civilization, Sylus can only laugh. 

He tips his head back, reeling from the sheer impossibility of it all, eyes tracing the brilliant display above—as if committing it to memory, a coronation of sorts. Of existence. Of arrival. Of a life finally his own.

Reborn. And for the first time in his existence, he is alive.

––––

It’s summer—the summer that marks two years since he left. 

Two years. It’s enough time to feel the weight of it, but not enough to make the events feel like something that happened a lifetime ago. 

The seasons cycle once more, as they always do, pushing time forward with a steady, indifferent rhythm. And with that change comes a familiar pang—a bittersweet ache, neither grief nor regret, just the weight of knowing that nothing stays the same. Mono no aware. 

You’re closer to thirty now, and the thought doesn’t terrify you as much as it did before. Your hair’s in a pixie cut—short and sleek, although the edges are a little ragged from the half-assed trimming you gave it a few days ago. 

It would have made you feel stupid, once upon a time, for trying out something drastic for a new look. Instead, you just take it for what it is—one more thing you did because you wanted to. Like the rest of the choices you’ve made over the past two years. It’s yours. Uneven, impulsive, maybe a little questionable. But yours.

It’s liberating. Even if it makes your head look like a pencil. 

The voice—the one that picks at your face, your body, your thoughts, everything down to the last imperfection—never really shuts up. It’s quieter now, easier to ignore, but it still lurks in the background, waiting for an opening, a moment of weakness. Maybe it always will. Maybe that’s just the price of being human.

But you don’t fight it anymore. You don’t let it drag you down to a breaking point. You carry yourself differently now, you'd say. No pep in your step just yet, but you don’t feel the need to drag your heels either. Literally and figuratively. 

The change has come in waves—sometimes gentle, sometimes harsh—but it’s there, marking you, marking the passage of time. Just like the earth, just like the seasons, you’ve shifted and grown. And perhaps that’s enough.

The sky is ablaze now, a deepening canvas of pinks and purples as the sun sinks lazily to the west. The fiery orange light spills through the large windows, bleeding into every corner of the room, and the world outside seems to slow, caught in the hour before dusk.

You’re behind the counter, wiping down plates with the kind of ease that comes from repetition, the motion so ingrained in you that it barely registers anymore. It’s all routine—the rhythm of it, the quiet hum of the bistro, the clinking of porcelain. The air is thick with the sticky smell of warm pastries, and it’s the sort of evening that feels almost liminal. A moment suspended in time.

You hear the soft tinkling of the door chimes, signaling the arrival of another customer. 

It’s a soft, unassuming sound, barely noticeable against the evening lull. You swipe your hands across your apron, turning on instinct, your mouth already forming the usual greeting. 

“Hi, welcome to—”

The words die in your throat.

It’s a slow unfolding—almost a gradual realization that stretches across the seconds like the last rays of sun dipping beneath the horizon. He stands in the doorway, a figure outlined in gold, and his presence fills the space between you, no barrier that separates, and it feels... impossible. Unimaginable. Inevitable. 

His height is the first thing you notice. He’s taller than you expected, and you know he’ll tower over you, even at a distance. His hair is dark now, the color of midnight, almost—not the silver you once traced with your fingers in your mind. The cut is still similar to what you’ve always known it to be, though a little more unkempt, as if he’s lived in this body long enough for it to take on its own wear.

Then his eyes. The red is gone—no longer the shade of crimson that used to see right through you, those sanguine pools you once loved. In its place, a stormy grey, deep and impossibly expressive, pulling you in like an undertow. The color is striking, alien in its own way, yet there’s a warmth buried beneath it—and the familiarity of it tugs at you.

Even with the changes, even though you’ve never met the person standing in front of you, you’ll know him anywhere. 

There’s a shift in the room, a subtle, yet unmistakable change in the air. It’s as if the whole bistro has drawn in a breath—and you with it. Time stretches thin, each passing second expanding into what feels like an eternity.

Your eyes lock—and for a moment, nothing else exists. 

It’s as if the world has shifted off its axis. Or, perhaps more accurately, it’s as though a piece that’s always been missing has finally snapped into place.

Something settles in you, something foreign and indescribably familiar at the same time.

Sylus smiles.

“Hello, my love. Have I kept you waiting?”

It feels like home. 

____

“Now I found myself this kind of love, I can't believe it I'll never leave it behind I thought I'd never get to feel another fucking feeling But I feel— This love, this love, this love Oh, I feel it.”

End A/N: So this is done! Wow! I'm kind of proud of myself for writing something this long in the span of, idk, three months? Basically, the entire duration of my "vacation" back home. Now, with another term and a busier schedule coming up, I really wanted to finish this series before life catches up to me. *sobs* Anyway, I'm so, so happy about the reception of this fic, and you've all been so sweet :') Again, thank you for reading! I'll see you in the spin-off, or whatever shit I put out next haha <3 Tagging: @xxfaithlynxx @beewilko @browneyedgirl22 @yournextdoorhousewitch @sunsethw4 @stxrrielle @mangooes @hrts4hanniehae @buggs-1 @michiluvddr @ssetsuka @imm0rtalbutterfly @the-golden-jhope @beomluvrr @bookfreakk @ally-the-artistic-turtle @sapphic-daze @sarahthemage @cchiiwinkle @madam8 @slownoise @raendarkfaerie @sylusdarling @luminaaaz @greeenbeean @vvhira @issamomma @shroomiethefrogwhisperer @blueberrysquire @lovely-hani @fiyori @peachystea @aeanya @sylus-crow @queen-serena88 @xthefuckerysquaredx @rayvensblog @poptrim @goldenbirdiee @amerti @angstylittleb1tch @reiofsuns2001 @j4mergy @touya-apologist @gladiolus-mamacitia @btszn @wrimaira

[neuroticbookworm]

Rose's Day of Asks

What are some of the shows where your hyperfixation really thrived? (I have no idea if this sentence makes sense but I hope you get what I mean)

Have a great Day💜

I opened a blank doc and put this list together 3 minutes after I received this ask 10 (yes you read that right, ten) months ago, and then I let it sit in my drafts for no reason other than making myself miserable. Anyway, I woke up today and decided to release this into the wild, for.. reasons *wink wink*

Over the years of consuming media, I've observed that there are a few key factors of said media that heavily contribute to my hyperfixation brainrot:

Smart and snappy writing

Good romance arc that convinces me to believe in the couple

Treating the miscommunication trope as the plague that it is

And with that handy lil list, let’s get into it.

The Untamed / Mo Dao Zu Shi

I binge-read Mo Dao Zu Shi or The Grandmaster of Demonic Cultivation during the 2023 Holiday Season, and my brain was immediately taken hostage and was not released from its grasp for several months. I then binge-watched The Untamed with @lurkingshan during the 2024 Holiday Season and promptly lost my mind yet again. For a story that handles so many nuanced characters and their complex relationships between multiple narrative threads, it coheres so well that it almost looks easy. From the politics of the xianxia world it is set in, to the decade-and-some-long romance arc between Lan Wangji and Wei Wuxian, every part of this story is meticulously layered. Almost every character in this show evokes complicated feelings in me, and I am not gonna stop thinking about them anytime soon.

I Cannot Reach You

I’ve never felt so connected to a show as I did with I Cannot Reach You as I was watching it. It was as if the show had a direct line to my braincells, listened to exactly what I wanted from it, and then immediately obliged. Every boy in this show is so precious to me: Yamato, who tried so damn hard to confess his feelings to his best friend, no matter how many silly BL tropes tried to stop him; Kakeru, who tackled his best friend into a hug and held him in place so he can't walk away from him without talking about his feelings; Hosaka, the closest thing to a self-insert I’ve experienced in BLs, strutting around and calling these fucking boys out on their dumbassery.

This show has no patience for frustrating, overwrought trope silliness and prioritizes rooting its characters in their humanness. When Kakeru punched Yamato for trying to play a clumsy, pining romantic hero after conveniently forgetting his confession to Kakeru and then kissing him, I damn near ascended into a higher plane.

His (2020)

Oh this movie made me cry ugly tears after a long time, y’all. This movie, at its core, is about a bunch of people who tried so hard to not hurt the people they love, but ended up hurting them in the process anyway. Shun’s quiet sadness broke me. We see Nagisa in tears multiple times in this movie, always begging for forgiveness from the loved ones in his life: Shun, Rena, and Sora. Rena trying so damn hard to not let her anger, that stemmed from the trauma of being married to a closeted gay man, impact her daughter’s relationship with her dad and his partner, got me in my fucking chest. I think about the movie’s final scene where Rena tells Shun that she doesn't know how to ride a bike, at least twice a week.

Utsukushii Kare

The chokehold this show had on me for the two days I watched it, tearing my hair out in the process of trying to figure out what Hira’s and Kiyoi’s deals were, is second to none. I was completely fascinated by Hira’s idol worship of Kiyoi, and was trying so hard to understand the flavor of frustration that I could see in Kiyoi. I tried to solve Kiyoi’s face when Hira tried to commit murder like a goddamn puzzle. I went full bulletin-board-with-red-strings insane trying to figure out the inner workings of their brain. And when I finally got to The Revelation.. the scream I SCRUMPT. What a show, what a time, what an experience.

La Pluie

Ah, La Pluie, how I love you so dearly. It was one of the first BLs I watched as it aired weekly, and I had so many thoughts about it after every episode that I joined the La Pluie Meta Tsunami on Tumblr. This show consistently gave me brainrot week after week, all the way till the finale. It took the classic romance trope of soulmates, decided to deconstruct and interrogate it with its four main characters, and executed the themes flawlessly. I am still so glad that this show stuck to the courage of its convictions. And as always, here’s the link to The Great La Pluie Meta Roundup.

Theory of Love

*unleashes an evil witch laugh*

I sing praises for this show every chance I get, and most recently I did it on the latest The Conversation podcast episode. It is in that very episode that @bengiyo had a brilliant brainwave, which led to @lurkingshan conceptualizing and launching the Theory of Love: The Romcom Rewatch project at a speed that makes me fear her powers. This show is special to me for so many reasons, including being the one that made me break out of my lurker tendencies on Tumblr. I hyperfixated on this show so hard that I started *sharing my thoughts* on the Internet.

I am hoping to write many, many words for this show in the coming weeks, so lemme wrap up by highlighting how this show stands out from the rest on this list. Theory of Love has the most flaws compared to the other shows on this list. One of my main qualms with the show is that the side couples did not add to the main theme in any way, rendering them inoffensive, but ineffective additions. And yet. And yet. This show lives and will live rent-free in my head till the inevitable heat death of the world as we know it. The growth arc of Khai is one of my all-time favorites in media, and I think about it every time I see a fictional or real-life man behave as if they are deathly allergic to change. I am so excited for the rewatch project, and I can’t wait to share the thoughts that’ll be knocked loose in my head for the next 12 weeks.

Thank you so much for the ask, @my-rose-tinted-glasses, and I hope you like my extremely overdue response <3

[the-northern-continent]

The Venatori are so terminally bloodmage-pilled that they don’t even realize when they’re making their own lives worse. They’ve so conditioned themselves to push past feelings of physical and moral discomfort that they actively steer toward situations that make them uncomfortable. Surely if we keep pouring more blood into this cult, the glory of Tevinter will shine even brighter! If we’re not seeing results, it’s only because we haven’t added enough blood yet!

The real problem is that they aren’t actually attempting anything that’s worth doing, so all the blood is draining into a big hole.

But they’re not investigating that, because they think they’re supposed to feel uneasy. That’s how blood magic works! You suppress all the instincts screaming at you to stop and drive the knife deeper. You trade suffering now for rewards later. You make the sacrifices no one else is willing to make. If you let yourself be distracted by your own pain or the pain of others, if you commit the sin of empathy, you won’t get enough blood.

(there will never be enough blood. it’s falling into a big hole)

Elgar’nan is a spirit. Like all spirits in Dragon Age, we can turn him back into a metaphor and the story doesn’t change. Take Solas, for example — we can totally delete him from the narrative and do the “pride stopped her hand” thing, and the story still works. It was the evanuris’ pride that trapped them behind the Veil, Corypheus’ pride that led him to the orb, Elio’s pride that activated the Eye, Rook’s pride that blinded them to Varric.

If we do the same thing to Elgar’nan, the Venatori were not fed to Lusacan. They walked into his mouth themselves, moved by their own spirit of tyranny. Tyranny rewires people’s brains to accept titanic amounts of suffering, even their own suffering, in service to the concept of power itself. Nobody has a good time, not even its own adherents. If they think it’s necessary for the glory of Tevinter, they’ll willingly sacrifice themselves, because they value glory over their own lives.

Other evil magisters may have some remaining sense of self (as cruel and selfish as that self is), but the Venatori are dead already — and they can’t even imagine why no one else wants the suffering they’re unleashing. Wanting a happy and pleasant life is temptation. Only the glory of Tevinter matters. Push the knife deeper.

Anyway, all this is to say that the Venatori missed their true calling as chronic LinkedIn posters.

When you commit to the grind 💪 [getting eaten by a big dragon] and tune out the fear 🚫 [of getting eaten by a big dragon], that’s when the real magic 💎💎 happens. Few are wise 🤯 enough to understand this truth. 🐉🌅🐍 #deep #WednesdayWisdom #PraiseLusacan #TevinterReborn #owmyspine

[fandom-susceptible]

I've had a lot of thoughts of my own on this topic and I've posted about it just a few minutes ago, but yeah, I'll add onto this because I have thoughts specifically about this analysis too.

So, I do have one small disagreement, which is that I don't think Ezran was burying the hurt when he found the shadowhawk arrow. He says he'd bandaged it and let it heal, and I really think they meant it that way, because that's a narrative statement, not in his thoughts or dialogue. Grief never goes away, obviously, and the pain of losing Harrow will never be gone, but the wound can heal, and I think that's all they meant there. It's not raw and open anymore; finding the arrow just scraped at it. I will come back to this in a minute though.

As far as Rayla's perspective goes, I do agree with what you said, but I also think an important part that keeps getting left out of this conversation is that she is not human. I keep seeing people applying human values and human perspectives to her character, and it happens within the show too (Callum calling her prideful for wanting to stay at the Storm Spire in Season 3 is a prime example of this), because she's so sympathetic to the humans that they forget that she isn't one of them. She is coming at this situation from a very different cultural background.

Her culture, for one, does not see death as an end. Harrow has just moved on to the next phase of his spirit's cycle. Death is a more merciful end than what she was granted for helping Ezran, so while she knows Ezran is human and doesn't outright accuse him of betraying their friendship, it does sort of make sense that her instinct would be to feel betrayed. In her culture, standing by her family and her people are more important than life itself. She's already betrayed those values once to save Ezran and Zym, in a way that resulted in her banishment and, according to Chasing Shadows, her death, culturally speaking. Ghosts aren't just banished, literally her identity as a Moonshadow elf is considered to be worse than dead by her own people, even her name is banned, and she's been grappling with that for years. Now, she has the chance to stand by her father, to finally do something that aligns with both her wider world values and her cultural ones, and Ezran has become an obstacle. She's also well-established as being less than careful with her words when she's distressed.

Callum's role in this also rings very true to me. I see the point about how he maybe shouldn't have led with calling his brother a jerkface - but as an older sibling, yeah, that tends to be how you get the little shit's attention if they're being particularly assholish. Heavens know my brothers and I have said far worse. Whether it's the best approach is highly debatable, but as a writing choice, it felt really good to me because it made the brotherly relationship feel very real in that moment, especially since that's a word we've already seen them use.

Overall, I agree with pretty much all of the OP's points about Callum's arc here, but I'd like to point out that he's falling prey to the same thinking as what's left the fandom startled by Ezran this season. He describes Ez as "not himself" and is convinced the anger will cool with time, and I just don't know if it would have. I'll get back to what I think Ezran actually needed in a moment, too. Callum has tried to talk Ezran down and make peace between them at every turn, even promising Rayla he wouldn't drive a wedge between them to help her, and I do think that people who call him a doormat for Rayla are missing that bit. He didn't just betray Ezran, he betrayed Rayla's trust as well, even if it was to help her in the immediate moment.

Callum also explicitly makes sure to tell Ezran, even while he's defending the elves' retreat, that he will always be there for him as a brother. All Ezran has to do is ask. He is leaving because he cannot stand by Ezran's actions as a king, which I think is a really important distinction to make, and I think it's a driving force of what helps Ezran forgive him later. It's one of the bits of evidence that will eventually build into Ezran realizing he's working towards a mutually assured destruction plan rather than one of peace, and I just don't think Callum could have gotten that message across with a less drastic reaction. He's also not abandoning Ezran on his own; Ez is a fully realized king with Soren, Corvus, the Council, Zym (who he also identifies as a brother) and more to support him emotionally.

Speaking of, I do actually want to point that out about this whole situation as well, is Soren's role. He mentions that he wishes he hadn't seen the elves escaping, but his loyalty outweighs his sympathy. I think it's also very important to why Callum was willing to leave; because he and Soren have come a long way, and Callum knows he's leaving his younger brother in very capable hands. Soren is also an older brother, and one who takes a very personal joy in being one and helping Ezran have moments of just being a kid. Callum knows that.

Finally, to circle back around to Ezran, I don't think that he buried his feelings about Harrow's death. That said, I do think that his background including his father's death and taking the throne far too young heavily affects his reaction to having his home destroyed. What happened in Katolis was terrorism, a mass murder and destruction that would shake anyone, and it challenges everything Ezran has been fighting for since Harrow's death. From Ezran's thesis of forgiveness and how all violence spirals, the attack on Katolis is senseless, because there was nothing recent to trigger Sol Regem's revenge - which is why his anger gets turned on Runaan, because Runaan also challenges Ezran's beliefs about violence.

Rayla defends Runaan in the early seasons by saying "It's a job" about assassination, and Runaan himself in Bloodmoon Huntress says "I kill people. I don't judge them." That puts him in a very different category than say, Zubeia, who acted out of grief and rage, or Pyrrah, who retaliated against an attack on her, or Harrow, who acted out of personal grief, or even Avizandum, who acted in defense of his people, or even further back, Viren and Harrow and Sarai and Annika and Neha who acted to save theirs. All of them made choices driven by emotion, by some variation of love, whether it be living love or grief and anger. Runaan isn't like that. Runaan just takes without personal bias, which challenges Ezran's whole worldview and puts him in the same category of senseless violence as Sol Regem.

And that's why I think Runaan's tearful apology and confession in the end actually got through to Ezran, and why I don't think anything less than the breakdown with Callum and that confrontation would have done it. Ezran needed to see that Runaan has values and reasons, even if they're not good ones, and that he's willing to lay them aside to prevent further bloodshed. Rayla knew, of course, but she's been making a point to avoid the topic of their fathers since Season 1, and we've seen no evidence she broke that habit, so Ezran doesn't know Runaan the way we do even through her. I think it was less about Ezran needing Runaan to take accountability (we certainly haven't seen that from Zubeia) and more that he needed to know that Runaan wasn't the exact sort of threat he's supposedly meant to combat. Andromeda, one of the other assassins, explains in Bloodmoon Huntress that sometimes they know, without a shadow of a doubt, that a person brings more pain and violence into the world than they do love, and that's when their death becomes more valuable than their life. Ezran made his peace with that very concept during this season because of Aaravos. He imprisoned Runaan at first due to his own values against murder, but he still didn't understand why Runaan could do what he does. I think the final confrontation with Aaravos, coming after him with the Nova Blade, was Ezran's turning point and why he's able to understand Runaan's choices in the end. I don't think a confrontation earlier than that would have worked out - not with Callum as a mediator. (Soren or Amaya, with their backgrounds a soldiers, might have better luck.)

Also, I want to briefly touch on Runaan's behavior during all this too, because he surrendered himself to this consequence. He took one look at Soren, most likely recognized him, and knew it wasn't a fight he could win, so he didn't bother trying. He also is notably nervous about their escape, but goes along with it because like Rayla, he isn't human, and his cultural values drive him home more strongly than his personal choice to take the punishment he's being given, because he's only just begun the mental deconstruction that continues to drive him throughout the season. His cultural values got challenged by his love for Rayla in Season 1, and seeing the consequences of those actions in Katolis started his whole worldview to crumbling. But that's only just happened at this point, so when given the chance by Rayla, he goes for it, clutching at his dedication to his home and family as a shred of stability in the worldview he's just had broken apart. But he never once defends himself, physically or verbally, against Ezran's accusations or the soldiers, which is pretty telling.

So all in all, I agree that it was a complicated situation, and none of them were wholly right or wholly wrong morally. I do think it was actually pretty well in-character for all of them individually.

Season 7 Conflict between Ezran, Callum, and Rayla: Who’s Right and who’s wrong?

Or perhaps...

I feel like this has been a topic of heavy debate across the fandom and I guess I wanted to share my own perspective on this as well. I wanted to try to dive in and explore each of these characters’ stances on things, since in my opinion, each of them had valid points. Long post ahead!

Starting with Ezran, we’re all mostly used to him being an innocent, kind and sweet cinnamon roll that’s so quick to forgive others who have wronged him. And it’s not just us, but even the characters in the show too, which in some cases can be used against him (which I won’t get to here since this isn’t the point of this post). But I’m mentioning this here because this is major trait of his that we saw being challenged this season.

Well, I would argue maybe even since season 6:

Which not gonna lie, that was both surprising but also very satisfying, especially after all Viren has done in arc 1, especially in season 3, you could argue it was well deserved, and even Viren himself saw that. But getting back on topic, I feel like we start to see a more vengeful side of Ezran this season, especially after the trauma of having his whole kingdom that he’s ruling, his own home, be completely destroyed.

This itself was traumatic enough to change Ezran completely, especially after finding out that it was Sol Regem that destroyed it in a matter of minutes. And not only that, but also seeing Runaan, the very assassin who ‘killed’ his father that same day, lead him to push all the blame onto him. That everything changed since the night Harrow was ‘killed’ by him and Ezran was eventually forced to pick up the burden of being king and live through all of this.

Now I get that there’s alot of people in the fandom pointing out the hypocrisy of “how come he forgave Zubeia, who was the one that sent Runaan to kill Harrow, but he couldn’t forgive Runaan?” Which I would argue narratively, that is the point and it was something called out by Callum. I do personally think that perhaps, if Ezran may have crossed paths with Runaan at some point before the destruction of Katolis, he could have had a different response? Not necessarily saying it would be positive but perhaps, not as vengeful or angry?

I also wanted to point to something interesting in the short story Deep Below, which is set right before season 5 in the storm spire when he went to get the siren stone:

The screenshots above are on Ezran’s reaction to seeing the shadowhawk with the red blood ribbon that confirmed Harrow’s ‘death’ and the emotions he felt. But not only that, it also felt like he chose not to let himself properly deal with that anger and instead bottled it up for the sake of keeping the peace that he fought so hard to keep. But of course all of that came tumbling down after the destruction of Katolis leading up to the immense change in Ezran’s behavior. We see him letting out all of bottled up anger once he saw the assassin who was involved in the direct killing of his father that lead to the complete change of his life.

Now moving onto Rayla, I think it’s important to remember that for over two years, she had no idea what happened to her birth parents or Runaan but only that Viren had something to do with their disappearances. Then by the end of season 4, she received the coins that contained their spirits and since then, it’s become one of her primary goals to free them, even if she had to set that goal aside for the sake of saving the world. Then getting to the end of season 6, she was forced to let go of her birth parents after she finally reunited with them after many years, just so that she would let them be together in the afterlife, while choosing to bring back Runaan so that she can finally reunite him with Ethari.

Now I know that ideally, she shouldn’t have brought Runaan with her to Katolis, but because she made a promise to Callum that she wouldn’t leave without him again and Runaan was still recovering and more desperate than ever to reunite with Ethari, she couldn’t leave him on his own. I also think it wasn’t the best idea to let Runaan walk around freely in Katolis but I’m guessing none of the characters were expecting Ezran react in anger since they were mostly used to him being so forgiving.

Now we get to the next episode where Rayla, who was finally able to bring back one of her parents, has had that parent taken away from her once again. We see Callum trying hard to convince her to be patient and give Ezran some time to process everything that’s happened and that he would eventually forgive Runaan. But then we get to the council meeting where things get especially heated.

While I do think that Rayla didn’t bring it up or address this in the best way, I do think she made some really valid points:

And I know many people in the fandom have been arguing that Rayla was 'unsympathetic' towards Ezran but honestly, I think an argument can also be made that no one was sympathetic towards Rayla wanting to bring her family back together except for Callum, and I will talk more about him in detail later.

I also think another important detail we need to remember is that when it comes to this conflict, there’s a major power imbalance here. While yes, Ezran is a traumatized 12 year old kid dealing with the destruction of his kingdom and seeing the face of his father’s killer, he’s also the king who has the final say in everything. It’s his words and his orders against anyone else’s objections that get followed. He also has the backing and loyalty of the council, crownguard and all of the Katolis guards too, while Rayla only had the support of Callum in this situation.

And because of how things went at the meeting and seeing how Ezran wouldn’t listen to her and forgive Runaan right away, she decided to break Runaan out, despite Callum trying to convince her to be patient and give Ezran more time, to which then she responds:

Which then Callum fully accepts her decision and even offered to help (which again, I’ll talk more about later). But while the ideal thing for Rayla to do was to be more patient give Ezran time to do the right thing, which he eventually did at the end of the season, it’s also understandable why she couldn’t stay patient. Because after years, she finally has the opportunity to reunite what remains of her own family again.

Now I get to my last point, Callum. Despite seeing a lot of hate being directed towards Rayla and Ezran for their different stances, from what I’ve seen, I feel like Callum has been getting savaged a whole lot by different parts of the fandom, despite being caught in between both sides and torn between two people he loves. I feel like more people are willing to look at the complexity of the situation when it comes to Ezran or Rayla, but when it comes to Callum, his stance is more often reduced to: “he’s a terrible brother who betrayed Ezran because he doesn’t sympathize with him” or “he’s a doormat for Rayla who unconditionally worships her even at the expense of others or the greater good” while leaving out so many details, events and aspects of his overall character. Now I’m not saying that Callum handled things perfectly with Ezran and nor am I saying that he wouldn’t do reckless and crazy things for Rayla, but I feel like there’s so much more to him that just gets heavily ignored.

So as I’ve said before, Callum was caught in between rising tensions between Ezran and Rayla. While he did support Rayla and wanted to help her reunite her family, I just think it’s wrong to say he was “unsympathetic” towards Ezran because:

And that to me isn’t what unsympathetic looks like. Not to mention he kept trying to convince Rayla to be patient and give Ezran time, and even when Rayla went to break out Runaan, Callum still went and made an attempt to talk to Ezran. And like I don’t think it was right of him to call his traumatized brother a jerk face when he went to talk to him lol, but we know how Callum can be when he gets frustrated, and he even apologized immediately and changed his tone afterwards. We then see Ezran open up to Callum about how his life completely changed after Harrow was ‘killed’ and he was forced to take up a heavy burden at a young age. While ideally I do think that Callum could’ve verbally expressed more understanding towards what Ezran was feeling and dealing with, I do think he made a valid point when he brought up that Ezran forgave Zubeia despite her being the one who sent Runaan after Harrow. Now getting to my next point, this scene in particular:

What he said here made me think back a lot to arc 1, particularly, some of the stuff Harrow said in his last conversation with Callum:

And some things he told Rayla when she told him about her mission to avenge Avizandum and the dragon egg that was initially believed to be destroyed:

I also thought of some of the things Harrow told Callum in his letter:

And lastly something he said to Rayla in season 3 in their conversation after looking at Avizandum's stoned body:

I think it’s important to remember that yes, even Callum himself is aware of the violent cycle between the humans and Xadia and actually wants to end it. And while yes, Ezran grieving Harrow’s death and feeling so much anger towards Runaan was completely valid, I truly believe that Callum was also motivated in trying to convince Ezran to not take part in this cycle of vengeance. The very cycle that killed their mother, that lead Harrow to kill Avizandum in vengeance, which he himself even regretted and recognized was a mistake that lead to Zubeia sending the moonshadow assassins to kill him. And this was something that he brought up to Callum in both his last conversation and his letter, hoping that Callum and Ezran would break this cycle and not repeat his mistakes. And this was what Callum was attempting to do with Ezran, having even reminded him that this was the cycle of violence he was fighting so hard to end. And it did seem that Callum was getting through to him, and I do think that if their conversation didn’t get interrupted by Soren calling out and maybe in a short amount of time, Callum would’ve succeeded.

Of course next thing we see after Rayla and Soren’s duel along with Corvus’s intervention, was Ezran approaching them with a bunch of guards and he had no hesitation in ordering them to attack an outnumbered Rayla and Runaan. It was only in this situation, when literal violence was about to escalate, that we see Callum fully take Rayla’s side and go against Ezran. Not having succeeded in getting through to his brother and seeing that he was still set on getting his revenge, was when Callum decided to step down as high mage and leave with Rayla and Runaan.

Now I’ve seen a lot of people criticizing Callum for leaving his traumatized brother in this situation, which like, yes it was a betrayal at a bad time and it hurt Ezran a great deal. But I also think it’s important to keep in mind that if Callum were to have stayed behind, he would’ve been arrested and have not been able to do anything or even help Ezran in any way, especially with Ezran later becoming hellbent on building weapons of mass destruction, even with Zym becoming increasingly uncomfortable, and hardly listening to anyone aside from Aanya. In fact, I think this would’ve lead to a far bigger strain on their relationship and less of a likelihood to reconcile and repair the rift created between them.

But anyways, this is my opinion on this whole topic. I personally think there wasn’t one person in this that was entirely right or wrong in this situation, each of them had valid stances that just all came clashing together and lead to this massive fallout. But I’m glad that in the end, they were all able to work it out and be able to reconcile things between them. And I know I made this super long but I guess I just wanted to dump out all my thought here.

Anyways, what do you think? Anything you wanted to add on to this?

[slime-crafters]

Honestly love when video games use it/its for the player character

[sparring-spirals]

Having unfortunate gaps in my CR watching experience because of my poor discipline in catching up is simply a Fact Of My Life. But apparently i do REALLY need to watch the eps 42 to 45 and the half eps i've been missing because I Want. To See. The progression of Imogen's headspace and justifications in realtime and the way that the others have been glimpsing it and been poking at the edges of it as things get darker and darker. The sympathy for the nuclear options, the buy-in of arguments that sound right, if you indulge them far enough. The "if", the lives collapsed to "collateral", the arguments that are wrong but- you can see the reasoning if you keep twisting it. Its wrong. Its slow. Its scary. Her friends, asking questions around the point, pushing back and exchanging looks-

there is a thoroughline somewhere between all that love and loss and desperation and red in her veins to Orym, exchanging quiet words with Fearne, thinking of all the things he's lost and unsure if the weight of all his grief is enough currency to turn Imogen away from the direction she's looking.

[fellhellion]

This part of the editorial from 2099 (pic sourced from this post) is so interesting to me because i don’t even think the idea of Miguel having these kinds of flaws is uninteresting or impossible, but I just personally would never have come to this conclusion just based on the text.

Like, when I personally look at how Miguel and Dana interact, I don’t see any indication that he emotionally condescends to having a relationship with her, when you’d think this strain of elitism should shine through in some part of their relationship at least initially in his arc.

I don’t look at Xina and Miguel’s interactions and interpret any sense him feeling threatened by her intelligence (even if we're just talking purely pre-spidermanning), when you’d think an element of that would be present, even in a flashback. He was a callous dickhead about the cheating explanation, but that alone without some corresponding behaviour to how he speaks to/treats Dana, even just as a flashback, just doesn’t offer the bridging piece to displaying what the authorial intent apparently was, at least for me.

Also, and by god we always come back to Dana’s writing being so damn lazy, but if Miguel - even if only at first - sought Dana out due to the emotional convenience she provided, what has prompted enough change that he is willing to bear and forgive actions like her seeking out the company of the man who drugged him when she wants to needle Miguel.

ALSO. PETER DAVID I AM SPEAKING DIRECTLY INTO YOUR EAR RN. ITS VERY SILLY TO ME TO POINT OUT THE MISOGYNISTIC STREAK INTENDED IN MIGUEL’S ACTIONS HERE BUT THEN LITERALLY JUST NOT BOTHER TO MAKE THE WOMAN THIS IS ABOUT MAKE LIKE. SENSE WHEN YOU WROTE HER. OFFER NO EXPLORATION INTO WHAT HER ACTIONS SPEAK TO IN HER PERSON AND DELVE INTO WHAT CONTRADICTORY ACTS MIGHT TELL US ABOUT HER.

[strangeanduncanny]

You've made some really great points here. I love the scene where Mina uses her knowledge of the train schedule (certainly painting her as a modern woman) to help the plan to defeat Dracula. Unrelated, but this also makes her a great narrative foil to Dracula who is also very interested in train schedules.

I just want to clarify some of my original points, but I'm definitely not disagreeing with you necessarily.

When I referred to Mina using modern knowledge to help the men I was actually referring to before her assault not after. For example, one of Mina's standout skills is her ability to write in shorthand, which is pivotal in the plot against Dracula. This is a skill she explicitly learns to act as Jonathan's assistant in his solicitor work. She write to Lucy: "I have been working very hard lately, because I want to keep up with Jonathan’s studies, and I have been practising shorthand very assiduously. When we are married I shall be able to be useful to Jonathan, and if I can stenograph well enough I can take down what he wants to say in this way and write it out for him on the typewriter, at which also I am practising very hard." That is, Mina resembles the New Woman in ways that useful for Jonathan to succeed in his work.

In regard to Mina losing narrative control, she is the one to organize the first half of the narrative. This is said explicitly in the text. We might assume she does the same for the latter half of the text, but there is no evidence for this. In fact the beginning of the novel only states that "these papers have been placed in sequence" and "ll needless matters have been eliminated." Nothing is said of who organizes the papers.

What we do know is the men (Van Helsing, Harker, Quincy, and Holmwood) all agree that it is too dangerous to include Mina in their plans when she is under Dracula's thrall. Van Helsing tells Mina after the attack that that "When we part to-night, you no more must question. We shall tell you all in good time. We are men and are able to bear; but you must be our star and our hope" and "All the men, even Jonathan, seemed relieved." In response, Mina thinks to herself "I could say nothing, save to accept their chivalrous care of me." This to me seems a far cry from the Mina who bore the emotional weight of all the men (comforting Seward when he cries in front of her and reading Harker's diary when he is too weak to do so himself).

The only voice that is left to her (one could argue) is Dracula, as she is hypnotized to tell the Crew of Light (as Christopher Craft names the team against Dracula) of Dracula's leaving England. Something to not about these hypnosis scenes is that Mina longer retains her ability to make sense of or interpret these narrative events. She answers Van Helsing's questions about what she hears and feels Dracula doing, but he is the one that understands Dracula's plan.

Regarding Lucy wanting three husbands: "Why can’t they let a girl marry three men, or as many as want her, and save all this trouble?" Of course, we can read this as Lucy being simply sweet and not wanting to hurt the feelings of Quincy and Seward. It's how I'm inclined to read her.

However, considering her transformation into a vampire makes her a very sexual creature, it's not a reach to say that she is punished for being sexual. Moreover, it's explicit in the text that female sexual desire is evil. Seward comments on Lucy's transformation that she had a "deliberate voluptuousness which was both thrilling and repulsive."

Holmwood claims that "he felt since then as if they two had been really married [because he transfused blood to her] and that she was his wife in the sight of God." This is after she has already received blood from Seward, Quincy, and Holmwood. (Note: I'm not 100% sure she gets blood from Quincy, but if I'm remembering correctly she does). This, in the context of the period the novel was written, does suggest Lucy to be a polygamist.

Also @lasarusbird called me out mentioning that op had already read many academic statements. I was definitely not trying to be patronizing or imply that they hadn't. OP put academic in quotations marks, so I assumed they were being facetious. Also, the articles I referenced are just ones that I find particularly interesting and useful for this field. Carol Senf especially is instrumental in the field of Dracula scholarship.

Finally, I just want to mention that I love 'Dracula' and Mina is one of my favorite characters of all time. My first year thesis was actually written entirely about my frustration with how Coppola weakened Mina's agency in the film adaptation by including her love plot. But I also enjoy engaging with literary criticism which is why I wanted to include my argument her.

actually insane that i wasn't sure if i should read dracula because i had seen so many 'academic' claims of misogyny and then i finally read it and mina murray harker is literally one of my favorite characters in like a decade. like she's got so much personality and agency and like yes she has internalized the expectations of women at the time but they literally can't beat dracula without her, she is essential. she is intelligent and funny and intense and weird and i adore her.

what the fuck is everyone smoking to claim that she's a sad little housewife who is dracula's bride or whatever.

[shidoukanae]

Chapter 75 and 76 have been so funny for male lead characters suddenly spouting red flag lines.

Paris's is expected because the narrative has always been honest about how he's got a screw loose but seeing the 2nd lead syndrome guy pining hopelessly after Lyla seemingly imply he was trying to make her unhappy with his presence is ???? huh????

like im aware my very loose translations are probably scuffed as fuck and there's room for further interpretation but man is this manga a ride lmao. It never feels like a chapter is wasted and that there's always something more to be learned about this world, its story, and its characters. And it means every chapter is never a letdown because there's always SOMETHING happening and it makes me !!! to see

[m00ntunaart]

2nd STARWARS/DAEMON AU POST!!!!! This time with the CC's and the Disaster Lineage!

Obi-Wan: Maned Wolf (Kee-Ayt)

Anakin: Lion (maned female lioness) (Asieko)

Ahsoka: Gryfalcon (Tuex)

Cody: German Shepherd (Beskar)

Rex: Siberian Husky (Queen)

Wolffe: Wolfdog (Whitefang)

Fox: Doberman Pinscher (Vulpe)

Bly: American Akita (Lyra)

LORE TIME: first off! Jedi! So I thought a lot about how daemons and Jedi should work. I did end up deciding that Jedi GENERALLY have bird daemons (like the witches in His Dark Material), BUT not always. The Jedi having bird daemons is not a ‘All Force Sensitives Have Daemons Who Settle As Birds’ thing. It wouldn’t make sense in this AU since Force-sensitivity is a spectrum and at what level would someone have ‘enough’ force-sensitivity to have a daemon for certain become a bird? I didn’t like that narrative as much, it felt restrictive. So instead Jedi tend to have bird daemons, but not Force-Sensitives. Like all Jedi are force sensitive ( and have bird daemons) but not all Force-Sensitives are Jedi, make sense? This is because of how the Jedi raise children and teach them to interact with the force. Because of how Jedi are taught to view and use the force, their daemons tend to settle as birds! It’s ‘nurture’ over ‘nature’ thing. Which is why (in this AU at least) the Jedi don’t take in older children to train. Because they’ve already probably learned their own way to interact with the force (different from the Jedi teachings) and therefore will have a non-bird daemon! Hence Anakin having a lion daemon. “But what about Obi-Wan?” (Well since Obi-Wan is one of my favorites I get to spice him up lol). He was originally very Jedi like (daemon wise) but after the whole Jedi Apprentice/Xanantos enslaving him/Melida-Daan war thing, he daemon ended up settling as a Maned Wolf! I imagine he was just about the age where his daemon would settle (usually 13-15, which is the same reason this is the age Jedi initiates are made padawans), so it was a surprise that his daemon so abruptly changed and settled. Most likely the effects of being so abruptly exposed to violence and war right out of being only use to the peace of the Jedi temple his whole life. 

(Extra) The 3rd page of the post! Cody and Obi-Wan’s daemons! Beskar and Kee-Ayt! Even though in my doodles Beskar seems to be very grumpy and even hatful towards Kee-Ayt, DO NOT BE FOOLED. Beskar adores Kee-Ayt. Their relationship just mirrors how I headcanon Cody’s and Obi-Wan’s. Where they will harass and bitch at each other to hell and back. Sounding from the outsider’s POV like two people who hate each other. When in reality these two are joined at the hip and love each other. They just will never admit it because “we have reputations to uphold!’ (Anakin says “what reputation? the reputation that one of you would murder the other if it wasn’t for the fact the GAR would court marshal the other?”) But yeah, Beskar makes fun of Kee-Ayt’s long ass legs. The mini ‘comic’ is about how I imagine that since all the Clones’ daemons are dogs/canines, when they win a battles they have a ‘Victory Call’ where they all howl. Beskar offers for Kee-Ayt to join in, but Maned Wolves can’t howl. They do this thing called a Roar-Bark (look up a video it’s so loud). This is the first time Beskar hears Kee-Ayt roar-bark and it scared the shit out of her.

(Extra Extra) The 4th page of the post! This is mostly doodles of Rex, Anakin and Ashoka’s daemons (Queen, Asieko and Tuex). All three reflect the close relationship that Rex, Anakin and Ahsoka have. Hence Tuex nesting on Queen and Asieko trying to groom Queen (who doesn’t appreciate the rough lion tongue bath she’s getting). (In fact Asieko tries to groom Tuex and Kee-Ayt too, but Tuex is too small and Kee-Ayt just starts biting Asieko bcs she doesn’t appreciate the bath either lol). We also have Tuex dive bombing Asieko (a common occurrence whenever Anakin and Ahsoka bicker). Tuex also does this to literally anyone who slightly annoys him or Ahsoka. And lastly the little doodle of Rex and Queen screaming! Idk if you’ve ever seen videos of Huskies, but oh boy are they loud and dramatic. I think with all the stress and insanity Rex has to deal with leading the 501st, he and Queen often have therapy screaming sessions. They deserve to. 

(ALSO, I will be making follow up reblogs with lore/plot stuff for each individual character)

[crow-caller]

man... I forgot to mention.

you know how lightlark has gods, but has never once named how many gods there are, what they are gods of, how religion works... it just uses the word 'gods' and there's inexplicably an abbey in the first book?

well, in skyshade we finally learn about gods. Not the gods of lightlark, the gods of the otherworld (if they are the same or related concept, it is not stated)

anyway the gods of the otherworld are um.

Sky, dirt, and below.

(The sky is a place. Dirt is an object. Below is a direction. These three fit together as well as Helios, Urn, and Enya as a trio)

Getting a suspicion this book isn't very good

Lightlark3 is somehow. How do I put this. Worse. The prose is really, really bad, and Aster operates on a baseline of having 'pretty bad prose'

Gee, I wonder if writing and releasing skyshade, plus writing her new adult book, plus a new bonus lightlark book and the 4th due next year... might be resulting in even less editing?

[qqueenofhades]

I've seen a lot of doom today. Thank you for the bracing positivity!

Look man, idk if I would call it positivity. I'm fucking furious that the media and/or the billionaire class could have chosen at any time, ANY TIME, to carry out this coordinated ratfucking on Trump, and nope, they did it to Biden. Not coincidentally after he openly started espousing even more leftist/progressive tax and wealth policies. I'm also fairly certain that Putin (who is well used to playing the American elections ratfucking game) is involved here somehow, because he desperately wants Biden out and Trump back in. Two plus two, etc.

The elected Democrats who went along with this and/or who contributed to fucking Biden over also have a hell of a lot to answer for, and I hope we, the voters, let them fucking know. The only way this makes sense is if Biden is actively dying of Covid right now and/or if it's bad enough to permanently damage him. In that case, he might have had a modicum of actual say about this, rather than falling victim to the Anonymous Sources who stabbed him in the back every step of the way.

That said: Kamala is a genuinely good candidate. I am excited to have the chance to vote for her. This does turn the whole Referendum on Two Old White Men With Mental Issues narrative on its head. She might be able to reach some constituencies that Biden couldn't. I don't know for sure if all the Democratic/never-Trump GOP votes will translate, but I am so motherfucking tired of fascists thinking this will be a walk in the park. They asked for this, they fucking got it, people are really fucking mad (including me and like, everyone), and if all this maneuvering gets our first female AND Black president, the fascists are going to absolutely fucking lose it and cry for eons. And idk about you, but I want to see some sore loser fuckboys cry cry cry. I want revenge for 2016. I want Trump dead and fucking gone and yknow, Black women have played a huge role in his bad bad times so far. So it's only fair, I suppose, that Kamala gets the chance to finish the motherfucker off. I don't know if it's positivity, but that's what is fueling me right now. So yeah.

[gffa]

Osha's backstory episode of The Acolyte fits perfectly with a headcanon I've had forever about Force-sensitive children in the galaxy--that some children feel called to the Jedi and some do not, and that the Jedi look out for this. We see that destiny exists in the Star Wars universe, the Force calls to people to walk certain paths, but that it's still up to them to decide, you still have to make your own choices. (See: Everything about Anakin Skywalker and how the Jedi never brought that up around him, it was always about personal choice and agency. Yes, he was the Chosen One, but he had to choose his path.) From the moment we first meet her, child Osha didn't want to be a witch, she wanted to see more of the galaxy beyond Brendok, she was immediately entranced by the Jedi when they showed up during the ceremony, like a magnet pulling her to them, that she was drawing the Jedi Order symbol long before they ever got there. It wasn't just a sudden way to get out of there, she was feeling this pull towards them long before she ever even met a Jedi. She's the one who first slips out to meet Sol during the ceremony despite being told to hide, she's the one who goes over to talk to Kelnacca before the test, she's the one who fights against her entire family to say she wants this. She's the one who wants this even before she knows there will be other children like her with the Jedi. We don't see the Jedi giving Mae that same nudge, because the Jedi path wasn't meant for her, she didn't want it, and I love that both here and in The Phantom Menace, the Jedi make sure that this is what the child wants, too, that both prequels and High Republic Jedi are shown to take such care, that it's done with the parents' permission, but also getting a sense of what the Force is or isn't calling this person to do and whether they accept it. But Sol gently pushes Osha, not to tell them what they want to hear, but to tell the truth, do you want this? Do you feel like this is right for you? Just as Qui-Gon made sure Anakin knew being a Jedi was a hard choice, the Jedi want you to be sure, want you to feel called to this, because the Force exists, a mysterious destiny exists in this galaxy. It's still your choice, you have to have agency over your choices, it's not just, "What does the Force want?" but instead Sol asking, "What do you want, Osha?" The narrative is careful to point out Sol telling her about his own testing, that he knew he was different from his family, that he was scared at first, but it was clearly his choice. "But you must have the courage to say what you want." The Force called her here, the Force is something that exists within Star Wars and has a will of its own, and some people are not called to this particular path, I don't think Mae was ever meant to be a Jedi, she never wanted it, she never felt that pull. But Osha, like so many other Force-sensitive children tapping into this giant mystical energy field that has a destiny for you if you want it, they are pulled to it and the Jedi take such care with that. Some are meant to walk the Jedi path and some are not, that's something only each individual can figure out for themselves, and the Jedi do their best to honor both the Force's calling and the person's own choices. And if a child resists and pulls away, they let them go, it wasn't right, it wasn't meant for them. But when a young Force-sensitive is practically vibrating in place with how badly they clearly feel this is meant for them, that's something that exists as a thing that really does happen with the Force.

[g0dlyunsub]

it takes two.

spencer deals with a lot on the field, but nothing can prepare him for when he’s stuck inside a locker with you.

pairing :: spencer x fem bau!reader

warnings :: 18+ due to sexual themes but no smut, slight claustrophobia triggers

word count :: 2.2k

author’s note :: inspired by a scene from s9e23, i'm imagining spencer in a fitted collared shirt and tie, reader wears a skirt

accompanying song :: stuck between by dutch criminal record

“nothing’s showing up on vicap. i’ve cross-checked records against everything you’ve mentioned, sir, but there’s literally nothing. zilch,” you hear garcia let out an exasperated groan as she ferociously taps at her keyboard. 

you watch as hotch kneads the skin between his brows with growing impatience while morgan starts to pace around the room. you’re not doing any better yourself, your stressed-out fingers threatening to tug at the strands of hair neatly holding your ponytail together. 

it’s too frustrating. the leads are clearly there, but your team is lacking the final puzzle piece to complete the profile, to confirm that it’s someone in the department that’s deliberately injecting themselves into the investigation.

“your answer is probably written down on paper. ugh, i hate when bad guys try to act all smart,” garcia fumes, and sulks as she gives an apologetic wave from her side of the screen. hotch nods, relays a thank you, and cuts the call before rounding the whole team together.

“think about it, those two are the perfect scapegoats. all of these agents have everything to lose, so why not just blame them? they’ve been in and out of cells already, and it makes perfect sense to craft a narrative that’ll point fingers at them,” morgan starts, making small gestures as he speaks with his signature cadence, topped with a honeyed rasp.

“and they’ve got all the authority to influence the public’s opinion,” jj nods in agreement.

“we need to try to get those two to talk again, but we also have to take extra precautions. jj and prentiss, go interview them one more time to see if they’ll spill any names. morgan, i need you to work with garcia to look for other possible leads. reid and l/n, go to the records room to review the files of the agents working with us. dave and i will try to hold down the fort,” hotch instructs, nodding at each of you as he rolls out the orders. 

“and try not to draw suspicion. if all else fails, say that you need to run to the bathroom,” rossi adds with a wink. it always amazes you how calm the italian agent is during such high-pressure situations, a trait you’ve grown to immensely appreciate.

“shall we?” you say as you nudge spencer, and he hums back in response. you bid a wish of good luck to emily and jj and traverse the hallway to the records room with the doctor, your heels clacking beside the cushioned steps of his slightly worn converses. 

after looking left and right to make sure no one’s around, spencer opens the door. you silence the sounds of your heels as you follow inside, and let the bolt of the lock plunge into the frame by slowly closing the door. 

“alright, you take the left, i’ll take the right,” you whisper, and spencer gives you a thumbs up. 

the two of you work silently and as fast as possible, sifting through the piles of records that lie on the tables and beside the cabinets. you feel your heart jump into a cartwheel every time a sheet of paper slips out of the manila folders, the sounds of rustling and creasing setting you on edge. 

“i found mcgregor and drew, but i don’t think it’s either of them,” spencer declares with a voice that isn’t supposed to sound loud at all, but it feels hundreds of decibels higher than the bare whisper you spoke with earlier. 

“okay, i found weaver and lee, but they don’t fit the profile either. let’s continue looking for the other two,” you call back. 

spencer walks over to you and kneels beside your left to help you with your search. once you spread the folders on the floor, you spot one of the two remaining files, and spencer soon finds the other. you’re about to turn through the sheets in the folder when the doorknob starts to shake, startling the both of you.

“shit. spence,” you blurt as spencer takes his file in one hand and grabs yours with the other, and shoves them into an open drawer. after he slides the compartment back with his careful and nimble fingers, you grab his arm and squeeze into a spare locker. you barely manage to seal the opening shut in time.

you could say that it was quick thinking that saved your and spencer’s cover, since the door jiggles and thrusts open a mere second later.

you never would’ve imagined that the day would come when you would draw air directly from spencer’s breaths, let alone enclose yourself in the same room as him. 

and yet here you are, perched on top of spencer’s knee, the scratchy fabric of his trousers resting under the hollow space of your pencil skirt and between your legs. his other leg presses against your side of the wall with an uncomfortable bend, while his chin sits an atom’s width from your forehead.

it’s a nonnegotiable consequence that comes with his tall figure, the way his clothed knee has to rub against your inner thighs under the draped fabric.

one of your hands lies awkwardly on his chest while the other is on his thigh, right above the knee that’s using you for leverage. your attention immediately shifts to your left when you see the rays of the intruder’s flashlight scope through the room. 

you stop mid-exhale when the light pours through the gaps of the locker, casting shadows on spencer’s face and your body. he looks stressed, anxiously wetting his lips with closed eyes, face turned away from you.

and he looks overwhelmed. rapid bursts of inhales and exhales fire from his body, likely due to the collar of his shirt being bound tightly around his neck with the tie. with shaking fingers, you slowly reach for his tie, waiting for approval to loosen it. 

you feel his forehead bury into the cave of your shoulder, and he whispers his desperate ask into your ear: “please.”

despite the lack of light around you, you’re able to locate the small end of his satin tie, and you tug lightly. the knot unfurls as you pull, and spencer lets out a small sigh of relief before breathing a low thank you in your ear.

as this happens, you hear the intruder surf through the piles of papers, unlocking drawers and lifting boxes left and right. hurry, hurry, hurry, you pray desperately in your head. beads of sweat start to form at your temple and threaten to fall down to your exposed neck, which happens to be situated directly in spencer’s line of sight.

“come on,” you hear the guest in the room complain, angrily flipping through papers and slamming the cabinets. you think it’s finally time for him to leave when you hear the high-pitched ring of his phone. 

but your eyes widen when instead of heading to the door, he makes strides towards the locker right across from yours, and leans his back against it before holding the phone up to his ear. holy shit.

“jensen speaking,” he says with a gruff voice, and plays with the button of his flashlight so it turns on and off spontaneously. as the light flickers, it dimly shines the space inside your locker. 

spencer turns his head to meet your eyes, a panicked expression covering his face. you’re about to mouth a small sorry for the helpless situation you’ve dragged him into, but just as you’re about to do so, spencer’s trousers slide against your legs, creating friction so unbearable that you let out a squeak. 

you freeze, looking up to see spencer’s eyes flash warningly. he instantly clasps your mouth with his hands to cover any further sound from escaping your lips, but with no form of support to maintain his position, he starts to slip, and his shirt lightly skids against the locker’s slippery walls. this is somehow even worse for you, because spencer’s knee starts to dig further up your legs and into your cotton underwear, forcing you to squeeze your eyes shut.

luckily for the both of you, jensen seems to be distracted by whatever words are being spewed from the other end of his phone call to pay any mind to your suppressed yelps. 

“i think their agents might be on to us,” he scowls, and you watch from the corner of your eye as he tosses the last of his files into a box and opens the adjacent locker to ram it inside.  

“yeah, i’ll try to stall them for as long as i can. they don’t know what they’re getting themselves into.” 

jensen curses and promptly ends the call, returning his phone into the pocket of his shirt. he finally walks to the door, sighing as he twists the knob and steps out. the two of you lie in wait for an additional three minutes before trying anything. 

“i think we’re good,” spencer huffs, finally opening the locker door with a thud as the sounds of steel clashing against steel echo throughout the air. 

“yeah,” you nod, taking a breath to collect yourself as you step out. you watch as spencer runs a hand through his hair and moves his fingers down to adjust his tie. 

he returns the stare, his adam’s apple bobbing when he eyes your wrinkled shirt and scrunched up pencil skirt – which looks more like a mini-skirt with how it sits right below your hips.

“i um, i need some air. how about you?” spencer asks at last, clearing his throat. you bite your lip when he starts to brush the dust off his thighs and knees, the moments of earlier flooding into the back of your mind like the warmth pooling between your thighs.

“yeah, i could use some fresh air too,” you respond breathily, averting your eyes and focusing instead on smoothing out your shirt and retying your loosened ponytail. when you’re done, you turn around and stagger to the door, not looking twice to see if spencer’s following you. an intense flush spreads across your cheeks, and your only viable path of escape is to the bathroom.

“you, um, missed a spot,” you hear from behind, and you follow spencer’s gaze to see that he’s referring to the back of your skirt.

“oh,” you say as embarrassment swamps you, and you hurriedly pat at the fabric. “does that look better?”

“it’s still folded there. if you want, i can- may i?” 

the question tumbles from his pretty lips and messes with your head. his hand hovers right around your waist, the same way yours lingered on his tie as you waited for his consent. and his softening eyes. his slightly smoldering gaze looks so innocent and alluring at the same time, your heart starts to feel heavy with the weight of desire. 

note to self: never wear a pencil skirt again.

“please,” you utter like a silent prayer, and mentally prepare yourself to endure the test of his fingers against your skin.

as soon as he receives your word, his hand lightly brushes against your thigh and trails down your skin. he takes the hem of your skirt and pulls down, giving several tugs before releasing the stretched garment. 

he clears his throat when you don’t move even after he’s retracted his hand.

“all good now.” 

spencer’s words drown out your thoughts and snap you back to reality. he’s already standing by the door, holding it open for you with a patient smile.

“thanks,” you say as you walk out and rub your hands together, nervous for what you’re about to say next. “spencer, um, i’m so sorry about that whole ordeal, it was really unprofessional of me to drag you in there, i wasn’t thinking when i-”

“you did the right thing,” spencer interrupts your ramble with the shake of his head, and his flawless smile pulls at your heartstrings.

“i would’ve pushed you in there if you hadn't. that door’s the only way in and out if you don’t count the windows,” he continues, slipping his hands into his pockets as he walks you to the elevator.

“oh,” you shyly murmur back, your cheeks flushing with a shade of bright pink as his words pour over you like warm water. he would’ve pushed you in there if you hadn’t?

“yeah, but how about we try a bigger locker next time?” spencer almost reads your mind as he half-mindedly jokes, causing you to drop your jaw in shock. he doesn’t acknowledge your reaction, however, because he starts to dial rossi’s number on his cell.

“by the way, the uh, new look suits you. the grey skirt and all,” spencer says with a lopsided smile before he raises a hand to excuse himself and call rossi. you’re saved the embarrassment of responding when rossi accepts the call, but your palms are already profusely sweating at his compliment.

note to self: maybe wear the pencil skirt again.

[swiftiethatlovesf1]

PR disaster

Hey guyss, I hope you enjoy this one-shot. Franco is one of my favourite drivers so it was time that I wrote something for him :)

From the moment Y/N was hired as Williams' new PR manager, she knew the job wouldn’t be easy, especially with Logan's departure. Managing a driver's exit was never simple, and controlling the public narrative seemed like her biggest concern. However, she quickly realized that her true challenge came in the form of Franco, the young talent who had taken Logan’s place in the team.

Franco wasn’t just an exceptional driver; he was a whirlwind of energy and charisma. For the fans and the press, he was a breath of fresh air, full of charm and wit. But for Y/N, he was a constant source of headaches. Whether he was flirting with journalists, posting cheeky comments on social media, or creating unnecessary drama, it always ended with her cleaning up the mess.

"Y/N, did you see his latest post?" One of her assistants burst into her office, waving a tablet in the air. Another post. Another reckless comment from Franco.

Y/N groaned. Of course, he couldn’t help himself. She had spent the last week trying to reign him in, explaining time and time again that his social media presence needed to be professional, not a flirt-fest with every reporter and fan that interacted with him.

"This needs to stop," she muttered to herself, standing up from her desk. She stormed through the paddock, her frustration building with every step.

When she found Franco lounging near the team garage, chatting up a group of reporters—no surprise there—she called his name sharply.

"Franco. A word." Her tone left no room for argument.

He flashed his signature grin, excusing himself from the conversation and strolling over to her. "Hey, jefa," he said casually, as if nothing was wrong. "What’s up?"

(Hey, boss)

“What’s up?” she repeated, her voice laced with exasperation. “You’re what’s up. I just had to deal with your latest ‘incident’ on social media—again.”

Franco shrugged, leaning against the wall with an easy confidence that only made her more irritated. "Ah, it was just a little fun. People like it when I’m myself."

Y/N crossed her arms. “Flirting with journalists isn’t being yourself, it’s being reckless. You need to tone it down. This is a professional environment, not… whatever you think it is.”

He raised an eyebrow, his playful demeanour never faltering. "¿Estás diciendo que no te gusta que sea encantador? No puedo evitarlo si soy irresistible." (¿Are you saying that you don't like that I'm charming? I can't help it if I'm irresistible.)

Y/N frowned, her Spanish rusty but enough to pick up on something. "What?"

Franco grinned wider, sensing an opportunity. "Nada, nada," he said, though his eyes sparkled with mischief. "You know, maybe you should try smiling more. You’re always so… serious." He tilted his head, looking her up and down in a way that made her feel like he was studying her every reaction. "Me gusta más cuando te ríes… tienes una sonrisa preciosa, ¿sabes?" (Nothing, nothing) (I like it better when you laugh … you have a beautiful smile ¿you know?)

Her brow furrowed. Okay, that part she definitely understood, and it only made her more determined to get her point across. “This isn’t about me, Franco. This is about you being impossible to manage.”

He leaned closer, his tone dropping just slightly, enough to make her feel the warmth of his presence. "¿Imposible? No, jefa. Imposible sería si intentaras resistirte a mis encantos. Aunque… lo estás haciendo muy bien." (¿Impossible? No, boss. Impossible would be if you tried to resist my charm. Even… if you are doing it well)

She blinked, caught off guard by the sudden shift in his tone. “What did you just say?”

Franco simply smiled, his eyes dancing with amusement. “You know, if you want me to be more ‘professional,’ we could… work out an agreement.”

“An agreement?” she asked, wary of where this was going.

He nodded, stepping just a little too close for comfort. “Sí. I’ll behave. No more trouble. But… on one condition.”

Y/N narrowed her eyes. “And what’s that?”

Franco’s grin turned almost predatory, though still playful. “You go on a date with me.”

Her jaw dropped. "A date?"

"Sí, una cita. You know, dinner, maybe some wine… you can lecture me all you want. But I think you’ll find I’m much better behaved when you get to know me… fuera del trabajo." (Yes, a date) (… out of work)

Y/N could feel her face heating up, partly from the absurdity of the situation and partly because Franco’s intense gaze was starting to get to her. “You’re joking.”

Franco tilted his head, eyes sparkling. “¿Parezco que estoy bromeando, jefa?” (¿Does it look like I'm joking, boss?)

Y/N stared at him, her mind racing. There was no way he could be serious. This was just another one of his games, another flirtatious comment that she needed to brush off. But as Franco stood there, grinning like the cat that got the cream, she realized he wasn’t backing down. His eyes were locked on hers, waiting, full of that infuriating confidence.

“Absolutely not,” she snapped, turning on her heel to walk away. But as she took a step, Franco called after her.

"Well, I guess I’ll just keep doing what I’m doing then… Maybe tweet a little something extra for the fans later."

She froze, clenching her fists at her sides. This man was impossible. She could already picture the chaos his next social media stunt would cause. The endless calls, the damage control, the headaches…

Y/N spun back around to face him. “Fine,” she blurted out, her voice filled with frustration. “You want a date? You’ll get your stupid date. But only if you promise—promise—to behave.”

Franco’s grin widened, looking almost triumphant. "¡Perfecto! I knew you couldn’t resist." (¡Perfect!)

She narrowed her eyes at him, crossing her arms. “This isn’t about ‘resisting,’ it’s about making sure you don’t ruin the team’s reputation. One dinner, and you tone it all down.”

Franco nodded, still smiling like she’d just handed him the world on a silver platter. "You won’t regret it, jefa. I’ll be a perfect gentleman." (boss)

Y/N scoffed, turning away once more. “Yeah, we’ll see about that.”

As she began walking back to her office, she could hear Franco’s voice calling after her, his tone teasing and undeniably smug. "No te preocupes, jefa. I’ll be on my best behaviour… unless you want me to misbehave a little." (Don't worry boss.)

She rolled her eyes but couldn’t stop the small, almost begrudging smile that tugged at the corners of her lips. Franco was trouble, and she knew it. But for some reason, as infuriating as he was, she couldn’t help but feel a spark of something… interesting.

Grumpy or not, she’d agreed to the date. And she had a feeling this was only the beginning of whatever madness Franco had in store for her.

Here's part 2