#and it makes narrative sense for him to have called her an it

[semperama]

One more thing though. So let's say this episode was supposed to just be about Athena's grief, and the rest of the fallout will be in the next two episodes. Well, unfortunately, they did a bad job of handling Athena's grief too.

Don't get me wrong, Angela Bassett was AMAZING. She did a perfect job with what she was given. Her breakdown with Hen was heartwrenching, and the scene at the end with his casket was the closest I got to crying, all on the power of her acting.

But as far as the character of Athena goes, I think the writing only failed her.

First of all, and most importantly, the subplot of the mom with the dead kid was not the mirror to Athena's grief that it should have been. Athena was not in denial that Bobby's dead. She wasn't avoiding planning the burial and funeral because she was in denial. She was avoiding it because those are hard things to do, things that no one who has lost someone wants to do. So did investigating this case help her avoid that? Yeah, but it did it in a way that was confusing to the audience, because it made you wonder if Athena, and we the audience by extension, SHOULD be doubting whether Bobby is dead. But then that emotional thread didn't play out and just left Athena's inherent cynicism reaffirmed. Miracles aren't real. The end. How did that show us anything about Athena's grief? How was that narratively satisfying?

Second of all, they did several things that didn't make sense for Athena as a character. The biggest one, I already mentioned: she was avoiding her kids' calls. I don't for one second believe that Athena would leave her children alone in their own grief. May and Harry saw Bobby as a father, and it would be one thing for her to be acting withdrawn or stoic, but to IGNORE their calls is cruel in a way I don't think Athena would be.

Also, while I did enjoy the scene where Athena gets angry with Chim, the fact that this is her only interaction with him in the episode is I think another disservice to her. The fact that she barely interacted with the rest of the 118 is a disservice to her. This was an important chance to show that Bobby was not the only glue holding Athena to the 118, but instead they drove a wedge between them. Maybe they will address this in the next two episodes, but even in the short term, in a season that has far too frequently had Athena off doing her own cop thing, to further isolate her when it really counts just makes you wonder what they even plan to do with her if Bobby is really gone.

And this is without even getting into what it says about the 118 that THEY aren't shown to be surrounding Athena. Anyone who has lost anyone knows that that's just not how it works. Families huddle together when someone dies. The episode made it seem like Athena was alone, and they could have justified it with writing that shows how grief can make a person feel alone, but they didn't do that. She literally just WAS alone in a way that doesn't make sense for her character or for any of the other characters either.

[uwouldthink]

@jack-of-heartstrings

Who says I'm not enjoying the show? Sure, it's not in the way the creator intended but I'm having a blast digging into shows with bad writing and debating people online about it. I enjoy talking about writing, and that includes both great examples of writing and complete clusterfucks where you're left wondering just what went through the writer's brains.

(Exhibit A is how long this response ended up being.)

I encourage you to go back and re-read my comment in light of this, because you're confusing what I'm saying with several common fandom arguments. For one, I never called anyone an abuse apologist for feeling sympathy for Marinette.

For another, you're assuming I'm talking about the character like they're real people, as most of the fandom does. I'm not. The characters are not real people. They're fictional and so are devices to tell a good story and I'm treating them as such.

Marinette doesn't need to be punished by the narrative because she's "pure evil" or "a malicious abuser" or what have you. She needs to be punished because that's how stories work. A character who's supposed to be heroic can make bad decisions and hurt people while still being heroic, so long as the narrative shows them experiencing the consequences of the decision, struggling through them and coming out of the other side having overcame that flaw.

It's called a character arc.

And it's something mlb is sorely lacking in. Because the narrative refuses to engage Marinette's flaws in any meaningful way, let alone allow her to face consequences for her actions or properly learn from them, she remains a static character who never grows or changes and keeps making the same mistakes.

Protegonists which are kept static like that tend to belong to one of two kinds of characters: greek tragedy heroes (who can't overcome their fatal flaw and it leads to their doom) and villains.

So let me ask you a question in return, if Marinette is supposed to be a heroic protagonist, why is she being written like a villain? And why is asking that she be written as a heroic character equvilant with calling her evil?

And no, her being sympathetic and supposedly having trauma does not change that.

Supposedly because, again, canon doesn't portray her as having trauma. Your "piles of evidence" for Marinette's Chat Blanc trauma are two moments that are hardly "front and center".

The moment in the finale is not evidence to trauma at all, sorry. It's Chat Noir saying "we'll never be akumatized" and Ladybug thinking about an example that proves it wrong. That's just a logical thought process.

The moment in Sentibubbler is the only one that can even be argued as a sign of trauma, and even that's a bit of a reach. It's a stress dream where Marinette is stressed about whether she made the right choice to trust Alya. Chat Blanc only appears for a few seconds alongside a few other stressors for Marinette like Chloe. Chat Blanc isn't centered at all.

One moment of her thinking about Chat Blanc (not even focusing on him, just thinking) is not evidence of trauma. You can say that lack of evidence isn't evidence of lack, but that would only apply if we're talking about a real person.

Again, Marinette isn't real. She's a device in a story and does not exist outside of what's shown on screen. Her being traumatized by Chat Blanc is a lovely headcanon that's aweaome in fanfiction. But it's not something that we see in the show. In the canon of mlb's story, Marinette isn't traumatized.

Saying she's traumatized by Chat Blanc is like me saying that Adrien quit in Kuro Neko because Ladybug tricked him in Ephemeral. Would it make sense? Yes. And it actually has a lot more canonical support than saying Marinette is traumatized by Chat Blanc. In Ephemeral he learned that Ladybug had Viperion on the comms, he saw the timer she had, he knows how the snake miraculous works and by the end of the episode he was clearly suspicious and putting things together. Add in that Kuro Neko is the episode that comes right after and that we never get a proper explanation for why Adrien is so depressed in the episode, him figuring out Ladybug doesn't trust him and was trying to trick him in Ephemeral makes a lot of sense.

It's also 100% a headcanon.

If this was the canonical reason, it would've been brought up and been part of the conflict in Kuro Neko or even Risk. But it wasn't, so it not part of the show's story.

You can claim subtext all you want, but 1) subtext is still built on there being some indication of it in the text and 2) that doesn't work with a show that's been about as subtle as a brick for 6 seasons.

That it makes sense of Marinette to be traumatized doesn't mean it's what's happening in the show. Don't use fans' headcanon to paper over the show's failings.

Funny how Maripologists only talk about how "all the kids were traumatized by Gabriel" in order to minimize Adrien's trauma/re-center Marinette.

Because if we're going with "all the kids were traumatized" then the logical conclusion is that they ALL deserve to be angry at Marinette for lying to them about the guy that brainwashed them. 😤

[midnight-in-town]

My thoughts on WHA's latest chapter (big spoilers !)

otherwise titled "THE TRAGEDY T_T"

Thank you Dagda for saying out loud what everybody is thinking, which is to say trust people and stop erasing memories whenever it's convenient for the system (and not for the victims).

What a guy, not only does Dagda have a better solution than magic to offer (because magic can't solve everything when it's used for the wellfare of the oppressive system in place and not for the people), but most importantly, only a true father would have been able to find that answer.

His relationship with Coustas is beautiful and I wonder if Sensei is making a criticism of the often terrible master/students dynamics we've seen throughout the series, through Dagda and Coustas.

I mean, amongst magic users, it's not family that seems to bind the most (see Agathe and her mom, or Riché and how close she is to her brother but no real mention of their parents, or Tartar and his folks iirc whereas his grandfather means well), but beyond that we've had many distasteful masters who only care about their name & reputation, instead of the education & wellbeing of their students.

It seems like Dagda & Coustas (and to some extent, Eoleo the Prince and his parents) are really criticism of that, considering that the education of children (to help them understand and decide what's allowed & forbidden, what's good or bad) is really a main theme of WHA.

It's very sad that Dagda has to die for Coustas to live, but at least we have high ranked witches like Lulucy who will probably be able to use Dagda's example to change things. Hopefully.

Last but DEFINITELY not least,

it was already so painful for Coco to witness Dagda giving his life to save his son, her friend, but the fact that it wasn't enough (because of Ininia ?) caused her immense grief. Gosh, how I hate to see the despair and anger in her eyes ! :(

And just as I hoped we wouldn't be able to reach an even lower and more painful moment for her...

She will now have to face Ininia and Tartar, while still having to save Coustas.

Don't get me wrong, I don't think Tartar joined Ininia or the Brim Hats off screen, none of that. Tartar is as much Coustas' friend as Coco is so it makes sense that he's there, to help Coustas' condition. However, Tartar's fate is as threatened by the Brim Hats, as Coco's is.

We've been warned from the start that Coco is Iguin's hope, precisely because she's torn between upholding the Witches' (unfair) system and fully understanding what the non-magic folk feel like. Tartar is similar : with his questioning of why the separation of magic and medicine is necessary, he borders dangerously on the same edge as Coco, which is why they get along so well and why they perfectly understood Coustas' anger and resentment.

This above (from ch51) is what the cliffhanger calls back to : Coco keeps facing that the Witches don't always have the best answers to offer with their rules and Tartar wonders about how responsible he is, for upholding rules without questioning how relevant or fair they are.

Meanwhile, Ininia represents the Brim Hats'. She's there as a temptation for Tartar and Coco, since Coustas is not yet saved. Again, she's not to blame, Lord Restis who's using her is (which is why it's quite heartwarming to see Galga and Atuarto trying to get her back from Coustas' Silverwood tree).

Speaking of tentation, in my opinion, I think it's too soon for Coco : the Brim Hats keep trying and, with every arc that ends, she's walking closer to that edge, but I am not sure this arc will be the final step for her fall into the abyss, because she still trusts Qifrey.

Tartar however ? He was questioning everything more than Coco initially did, because of his own medical condition and not having found a master who would try their hardest to teach him, despite his illness.

Narratively, he and Coustas are very similar, which is why I once thought it'd be very symbolic for them to be taken in by the same master. I once thought Atuarto would be that guy and I still hope it's going to be the case, because otherwise I fear the Brim Hats' way is going to be too tempting for these boys.

Hopefully I'm dead wrong about this, because I can't take more of these devastatingly good chapters.

[atreeinthemoonlight]

Lyanna stans keep throwing tantrums when people call Lyanna a homewrecker.

Why? If she wasn't wrecking the family, then what was she,what's exactly she doing?

Are you seriously suggesting she just joined as Rhaegar's second wife? No,in the show, Rhaegar annulled his marriage to Elia — you keep gleefully screenshotting that scene, yet still refuse to admit it’s homewrecking? Didn't she herself say love is sweet but can't change a man's nature? Guess this applies to women too-the arrow she shot to Robert years ago came right back to pierce her forehead in 282 АС.

Funny, I’ve heard that before — from Camilla supporters, claiming Charles was never Diana’s to begin with, just a royal obligation. History really does repeat itself, doesn’t it?Say what you will, but it does make sense now — you keep defending Lyanna because, in your minds, deep down,Rhaegar and Elia were never a family in the first place.Only Rhaegar, Lyanna, and baby Jon count as legitimate in your delusional fairytale? Because apparently, a political wife and two kids don't count as a home.Classic mistress logic:Lyanna can't be a homewrecker if there was no home to wreck at all,and Lyanna couldn’t have stolen a man who was never Elia’s at all.Lyanna was bravely liberating Rhaegar from the cruel prison of… vows and children.Lyanna was correcting a mistake, returning to the place that was rightfully hers all along. Elia was the one occupying the space that didn’t belong to her.No wonder you have so much hostility toward Elia—or really, any woman who happens to be Rhaegar’s wife.

By the way, her so-called "beginning" is probably based on book order, not the actual timeline.In her world,beginnings aren’t marked by time, but by the first face she fancied.At this point, they’re less like readers and more like arsonists, torching Martin’s narrative for the sake of their ship.Let’s be real, who doesn’t know what came first and what came later? Lyanna came even after Aegon.

Running out of justifications yet?Here is another one:maybe it was simply because they were caught somewhere between "eloping" and "dying"—that death arrived before Rhaegar could officially toss Elia and her children into the ditch, and before Lyanna could cradle her newborn and be welcomed into the Red Keep? Their home-wrecking campaign was merely cut short by mortality.

By that logic, we shouldn’t blame a murderer just because the knife stopped halfway to the victim’s heart. The Mad King Aerys stocked the wildfire and gave the order to burn—but hey, technically Jaime stopped him.

[iamcinephile]

Goodbye, Nick and June!

Nine years. Six seasons. Countless goodbyes, and moments where both just want to escape it all, and nothing more. At this point, it feels like she’s using Nick as her personal '911 Gilead'—someone she calls in a crisis, but never chooses him or shows him any gratitude. That's not June we all know from previous seasons. Never giving the space to explain their feelings, stories, etc. I'm already mourning my favorite TV duo. Episode 6x06 may be the last time we see them share a romantic moment. That flashback was their final gift to the fans. The code name for this season is "The Light" and choice.

It’s clear the writers never intended for them to be together in the present timeline. In Episode 3, June says she loved Nick (I think that one hurted more than last episode), but now we get this shot that symbolically removes him from the frame, and by extension, from her life and heart.

Back in Seasons 1 and 2, their scenes together brought literal and emotional light into the otherwise dark Waterford house. This light was more meaning than betrayal itself (writing fails, photography is the answer) —it was about connection, hope. Now, removing him completely from June’s narrative feels like erasing a core part of her.

Or even season 4, she had no light in her heart. She left Gilead without Hannah. Still moments like this make June's heart full for an moment when she was with him and their daughter.

It’s frustrating to see how Nick’s character has been sidelined, especially when others—like the actual architects of Gilead and June’s 'bestie rapist'—get more redemption and screen time. Nick, who never lied to her, who was constant even in Gilead, deserved better development and closure. If not together, he should not be used as pawn to be villian at last minute, because are no more villians from season 1 to redeem. Our protagonist is not same anymore, she couldn't. But her sense of forginess is now selective. At the end, he will do the right thing, as always for June. June is his last hope, only hope and his light, the meaning he always need in his life. "I'm nothing" "You'd be you... I definitely would have noticed that" ...but both of them deserved a better outlook. "Well, the world is mess" as this love story is a (my) tragedy.

[msbluebell]

It's also possible that Blade could be talking about Yingxing, because Blade seems to depersonalize himself from Yingxing and consider the man dead. It's hard to pin down for certain who it's supposed to refer to, as "beloved" is used for anyone from friends to sisters in this game (Anxa's sister is referred to as his beloved). So it can be that he buried a "beloved friend" or "beloved sister" or "beloved comrade" "beloved romantic partner". Beloved does little to indicate what we are looking at. Baiheng's death was a complete and total one. She used the power of the Pseudo Sun to create a vortex that ripped her and most of Shuhu apart. She somehow got the power of the Pseudo Sun (which, interestingly, is a part of the Flint Emperor. She should not have been able to get her hands on that unless she stole it from the Creation Furnace...which only the Furnace Master would have access to). She was then completely and totally ripped apart until nothing but a single lock of hair and a few drops of blood remained.

In this case Baiheng completely and totally, of her own volition and with no fault to Dan Feng, killed herself to save others. Something that Yingxing acknowledged in Blade's character stories later.

Now, it's possible that this could be a metaphorical burying. In which case this does not make sense since Yingxing and Dan Feng, Imbibitor Lunae's character stories, talk about her death later. And there is no blame for Dan Feng in her death during that time.

Here Dan Feng considers the possibility of burying his old friend (Baiheng) and their hollowed blood. (There's no body, so this must be a metaphorical burying).

It's possible (and somewhat implied by the "creating a new life" line, but there's no implication on whether or not he went through with it) that it could also refer to the Draconic Abomination if you subscribe to the theory that Baiheng is the Abomination, which Jingliu seems to believe. But that would not be "burying", that would be "unburying".

What's more, Blade holds himself very much accountable for the "sin". His entire character, every single drop of it, revolves around paying for "the big sin" (as I like to call it). Hell, Jingliu tortured him every day for presuming hundreds of years until he was so utterly maddened and brainwashed that he seems to almost be incapable of thinking of anything else.

Which, now that I think about it, why would he say Dan Feng is the one who single handedly buried the beloved if he holds himself to accountable for "the big sin". Unless this out of context conversation is Blade trying to stop Dan Feng and urge him to let Baiheng go and rest in piece, which could be totally possible. But we don't know for sure. Yingxing is bloodied and guarding Dan Feng, so they're obviously somewhere dangerous (possibly at the Sedition itself) so we don't know for certain if this conversation is a flashback or not. Possibly it is?

Anyway, if this is the case of Blade removing himself from the sin and laying it at Dan Feng's feet, it's very out of character and hypocritical for him. As paying the price is literally known for (which ironically, he got from Jingliu during her...lessons). Not only that, but this is Blade's relic set, so the beloved would have to be in reference to his own assignment of identities. And we already know how Blade refers to Baiheng.

To Blade, Baiheng is the bosom friend. Now it's possible the beloved is a one time reference use. But it still doesn't fit the exact narrative they seem to be going for. So unless this is a hint that Baiheng isn't the Dragon Abomination, I'm going to withhold judgement.

As for it being Dan Feng? Well, just breaking it down. Blade seems to approach Dan Heng the way everyone else does. As though he is Dan Feng in denial about his identity. Often using phrases such as "quit hiding" against him. Which is a metaphorical burying as well. Though with the way it's approached and the way the game approaches Dan Heng's identity with Dan Feng, I doubt it's supposed to be that way.

Yingxing would be the "beloved" with the least amount of inconsistency in this case, as Blade actively disassociates from that identity in a parallel and contrast to Dan Heng's arc disassociating from Dan Feng. Which is fun because Blade seems to give everything "good" to Yingxing and everything "sinful" to himself, the opposite of how Dan Heng and Dan Feng worked. But Yingxing is also referred to strictly as craftsman in most of his stories, so even he has holes. Though, interestingly, he does have a grave.

See that sword at the front?

That's Yingxing's sword.

Now what is my conclusion? I don't know. There's good arguments for anyone. So unless it's outright confirmed or we get more context it could be anyone.

Blade describing Dan Heng as "the one who single-handedly buried the beloved" is really interesting

if beloved is Baiheng, then this is implying that Dan Feng could have prevented her death somehow and chose not to. Or simply that because she sacrificed herself to save him, her death was his fault.

The other option, however, is that "the beloved" is referring to Dan Feng and that Blade blames Dan Heng for killing him. That's obviously not what happened, but it does sort of make sense, in that by denying his identity, Dan Heng is letting Dan Feng die. That suggests, then, that Blade doesn't actually want Dan Feng to be dead, either in a "the pain of death is too kind" way, or in that there's some lingering affection or something still wants from Dan Feng.

There's also the use of the phrase "single-handedly" which very ironically feels like Blade denying Yingxing's involvement.

(Then again, all of this could just be Blade's insane rambling that doesn't actually amount to anything.)

[slime-crafters]

Honestly love when video games use it/its for the player character

[fellhellion]

This part of the editorial from 2099 (pic sourced from this post) is so interesting to me because i don’t even think the idea of Miguel having these kinds of flaws is uninteresting or impossible, but I just personally would never have come to this conclusion just based on the text.

Like, when I personally look at how Miguel and Dana interact, I don’t see any indication that he emotionally condescends to having a relationship with her, when you’d think this strain of elitism should shine through in some part of their relationship at least initially in his arc.

I don’t look at Xina and Miguel’s interactions and interpret any sense him feeling threatened by her intelligence (even if we're just talking purely pre-spidermanning), when you’d think an element of that would be present, even in a flashback. He was a callous dickhead about the cheating explanation, but that alone without some corresponding behaviour to how he speaks to/treats Dana, even just as a flashback, just doesn’t offer the bridging piece to displaying what the authorial intent apparently was, at least for me.

Also, and by god we always come back to Dana’s writing being so damn lazy, but if Miguel - even if only at first - sought Dana out due to the emotional convenience she provided, what has prompted enough change that he is willing to bear and forgive actions like her seeking out the company of the man who drugged him when she wants to needle Miguel.

ALSO. PETER DAVID I AM SPEAKING DIRECTLY INTO YOUR EAR RN. ITS VERY SILLY TO ME TO POINT OUT THE MISOGYNISTIC STREAK INTENDED IN MIGUEL’S ACTIONS HERE BUT THEN LITERALLY JUST NOT BOTHER TO MAKE THE WOMAN THIS IS ABOUT MAKE LIKE. SENSE WHEN YOU WROTE HER. OFFER NO EXPLORATION INTO WHAT HER ACTIONS SPEAK TO IN HER PERSON AND DELVE INTO WHAT CONTRADICTORY ACTS MIGHT TELL US ABOUT HER.

[grabby-smitten]

I feel so conflicted. I’m so happy but sad, empty but so full of joy, crying and laughing at the same time. Moby’s owner, you wrote such a beautiful story.

Error 404: (Self-Aware!AU, Sylus Edition) – Pt. 10

Summary: A LADS self-aware!AU featuring Sylus and a player. That’s it, that’s the plot. Tags: player!reader x sylus, fem!reader x sylus, reader x lads, self-aware!au, strong language, family issues, generational trauma, self-growth, personal issues (and dealing with it), hurt and comfort, hmmmm…. let’s leave it at that for now :) A/N: Final chapter, guys! Thanks so much for reading <3

Pt. 1 - Pt. 2 - Pt. 3 - Pt. 4 - Pt. 5 - Pt. 6 - Pt. 7 - Pt. 8 - Pt. 9 - Pt. 10

“Oh, what the hell—since when do you cook?”

“Bitch,” you laugh, nudging past them, the ceramic pot still steaming in your hands. “Do you want the risotto or not?”

The scent of garlic and pecorino permeates the air as you stand in front of the small foyer of the duplex where your friend—questionable, at the moment—lives. Your most recent culinary masterpiece, deemed safe (enough) for public consumption, rests between your hands in silent offering to the skeptic figure who’s barring you from crossing the threshold. 

It’s still warm, and you’re not one to brag, but you think you’ve outdone yourself with this one. Not that it matters—everybody’s a fucking critic these days.

“Risotto?” Khol parrots in disbelief. “You don’t show up in forever, suddenly you’re all cuoca straordinario or some shit. Get out of here with your Mario ass–”

“Don’t mind them,” Anna interjects from behind your biggest hater, all cheer as she plucks the pot from your hands. “This smells amazing, actually. Come in!”

With that, she vanishes inside, leaving you and Khol alone in the doorway. You give them a knowing look.

“Oh wow,” you remark, all mock surprise. “You live together now?”

Khol rolls their eyes, already tired of you. “You missed the biggest arc of the last five months, but yeah.”

You step inside, and right away, something feels… different. It could partly be due to how much time has passed since you last visited, and it’s clearly still their place—the brooding industrial-emo aesthetic remains intact, still suspiciously close to resembling the lair of an angsty comic book antihero on acid—but it’s been overtaken by bits of boho-chic scattered all over the space.

Where there was once nothing but charcoal, vinyl, and concrete, there are now textures. Colorful woven throws drape artfully over the arm of the leather Eames sofa they won off a Craigslist bid. Tasseled pillows have multiplied across every seat surface like some kind of fabric-based contagion, while pothos vines dangle lazily from macramé hangers, stretching towards the moody Edison bulbs like they’re trying to escape the existential crisis of living here.

And then there’s the rug. Oh god, the rug. 

A comically massive tufted ‘Flower Power’ rug sprawls across the center of the room, a swirling explosion of pinks and oranges—a final, cutesy fuck you to the apartment’s formerly depressing atmosphere before Khol’s new roommate staged her cheerful coup.

It should’ve been a hilarious sight, like a chaotic school art project where every kid picked a different medium to color and refused to compromise. But somehow… it works? 

Against all odds, the goth cryptid and the hippie gremlin have found domestic equilibrium.

“Love what you did with the place, Anna,” you call out, toeing off your shoes at the door. “It doesn’t look like a twelve-year-old’s fantasy bedroom anymore.”

“Shut the fuck up,” Khol laughs, shaking their head. “As if you’re one to talk. Last time I visited, you still had that stupid-ass sofa. Is it still there?”

You sniff haughtily. “Excuse you, but that’s a custom piece. You wouldn’t get it.”

"Alright, you two," Anna says, leaning against the archway between the living room and kitchen, one hip propped against the frame. "Both of you have terrible taste in decor. Now, I have a fabulous Prosecco to pair with the risotto." She tilts her head, shooting her partner a pointed look. "Khol, darling, be a dear and grab the crystal from the cupboard?"

"Whipped," you sing as Khol, predictably, does exactly as told. They don’t even bother with a comeback, just flashes you a lazy middle finger over their shoulder as they disappear from view.

You grin, shaking your head. The moment stretches into something easy, comfortable. It’s nice—being here, bantering like no time has passed. You let yourself sink into it, tugging off your beanie as you cross the room.

The creaky couch welcomes you like an old friend, and you flop down unceremoniously, stretching your legs out, rubbing your feet against the oversized monstrosity of a rug that is... honestly, pretty fucking comfortable, actually.

Anna follows suit, settling beside you with far more grace, tucking one foot under the other.

She watches you for a moment, expression warm but slightly inquisitive. “We haven’t seen you in a while.” 

You exhale, tipping your head back, staring up at the beams on the ceiling. "Yeah, sorry. Been a little out of it these past… couple of months, I guess."

Anna makes a quiet noise, something between understanding and acknowledgment. "You’re doing okay now?"

The easy answer sits on your tongue—yeah, of course. An automatic response, a reflex built from habit. Another front to put up, another lie to slip behind.

But you’ve been working on this. So instead, you take a breath and say,

"Not… really." 

The words feel foreign, heavy, but oddly freeing as they leave your mouth.

Your gaze flickers to the side table—framed photos of Khol and Anna, smiling, sunlit. You don’t linger.

“I mean, better now compared to, maybe, a few weeks ago. I’m getting there.”

Anna’s brows lift slightly—not in surprise at the sentiment itself, but at the fact that you admitted it out loud. There’s something thoughtful in her expression, something softer around the edges. “Good. That’s good.”

You can tell she means it. Maybe even more than you expected.

"Yeah."

There’s a brief lull. You catch yourself tugging at the edge of your cardigan—a nervous habit you never quite broke. The warmth of the apartment is settling in you quite comfortably, but there’s something about sitting still under Anna’s gentle scrutiny that makes you restless.

From the kitchen, there’s the unmistakable clink of glass, followed by a muffled, “shit.”

Anna exhales, long-suffering. “I don’t know why I even bother buying nice things.”

“‘Oy,” Khol’s voice carries from the other room, “get in here and help. We have, like, seven things to carry.”

You take that as your cue, trailing after Anna into the kitchen. Between the three of you, it’s quick work—bowls of warm, brothy risotto in hand, glasses of white wine balanced carefully between fingers.

By the time you step back into the living room, Khol is already dropping onto the blue accent chair near the window with all the dramatics of someone who’s worked far too hard for far too little.

You settle into your usual spot, Anna beside you. You don’t touch your food. Your appetite’s still in remission, though it’s been steadily improving lately.

Khol notices. “Now, why the hell aren’t you eating?” They shoot you a side-eye like you’ve personally offended them. “I knew it. You put something in this, didn’t you?”

“Jesus, Khol,” Anna sighs, exasperated, already two spoonfuls in. “Your diet was literally gas station burritos and eight-pack Coors before I moved in. You’ll live.”

She pauses, though, casting you a look. “Don’t get me wrong—this is really good.”

“Ha,” you retort as Khol prods suspiciously at a floating mushroom. You glare. “Are you fucking kidding me—”

“Alright, alright.” With an exaggerated sigh, Khol finally takes a bite. They chew once, twice—eyes narrowed in concentration, acting like some hard-ass seasoned judge from Top Chef. You can practically see them digging for something snarky to say—until, begrudgingly, they nod.

“Shit. This is actually pretty good. Who are you?”

You preen at the praise.

For a while, there’s nothing but the quiet clinking of spoons against ceramic, the occasional satisfied hum. It’s… nice. Comfortable in a way you haven’t felt in what feels like forever.

You’ve missed this.

Missed being here. Missed being with people.

Somewhere between the second glass of wine and the last few bites of risotto, Khol angles their head toward you, their curiosity piqued. “How come you’re free today? You on leave or something?”

You swirl the drink in your hand, watching the light catch on the amber surface before answering. “Oh, I quit my job.”

There’s a beat of silence. You don’t know what reaction you were expecting, but Khol just blinks at you. "Huh. Finally."

Anna looks mildly more concerned. "You quit?"

You nod, stretching your legs out beneath the coffee table. “Yeah. The OT was getting ridiculous, and they had me working night shifts again. That was kind of the last straw for me.”

Khol grunts in agreement. “Good fucking riddance. That job was killing you.” They pause for a beat, turning serious, contemplative. “You’re not hung up about it, are you? You’ve been bitching about that job for ages.”

You exhale through your nose, staring at the rim of your glass. “Yeah, no. I’m glad I left.” The words come easily, and they’re mostly true. But still—there’s something about suddenly having all this space, this aimless in-between, that makes you antsy. 

A thought strikes you, and you glance up. “Hey, you know if Marion's still looking for someone to work part-time at the bistro?”

Khol raises an eyebrow. "You looking to apply? It’s minimum wage, just telling you in advance."

"That’s fine," you assure them. "I just need something on the side. I’m doing freelance work right now, I just want something to fill in the gaps."

Anna perks up at that. "I think that’s a great idea. I can hit up Marion later, but I’m pretty sure they’re still looking."

Khol stares at you, and for once, they don’t have a quip lined up. No sharp-edged humor, no quick banter—just a quiet look of something almost foreign on their face. Pride. Maybe even relief. You’ve worried them. The realization jars you like a pebble dropped into a clear pond, sending ripples through the stillness of your self-imposed isolation. You hadn’t meant to, not really. It wasn’t like you deliberately wanted to disappear... But you did, didn’t you? You let the days blur into weeks, then months, telling yourself naively that no one would notice if you just—vanished for a while. Five months, to be exact.

You press your lips together, clearing your throat against the tightness creeping in. “Thanks,” you say, quiet but sincere. “Really.”

Khol snorts, and the moment shatters. “You can show your thanks by knocking ten percent off the cocktails when we visit.”

You roll your eyes, feigning exasperation. “Get me the job first, and I’ll see what I can do.”

Anna grins, raising her glass. “Now, that’s the spirit.”

––––

You get the job.

You stand in front of the fogged-up mirror, dragging your palm across the wet glass. The reflection that stares back is warped, smudged—half-formed, half-there—but unequivocally yours. 

A month ago, you wouldn’t have been able to say that with certainty. Back then, the figure in the mirror had been more ghost than person—distant, spectral. Fractured. Someone you watched from the outside, not as a host of the flesh you inhabit. 

Now, though, the pieces are starting to slot back into place. Some are still missing, and others don’t quite fit as they once did. You doubt it will ever return to how it was… But slowly, a familiar shape is coming back into focus. More than the shadow of a woman, but you.  Time moves like water carving through rock—gradual, barely perceptible, but steady. Inevitable.

The shifts are diminutive. A morning where you wake up feeling less crushed by the weight of grief in your chest. An afternoon where you suddenly break into laughter, and you realize it’s the first time you’ve heard it in weeks. A quiet night where you go to bed without feeling like you’re stuck frozen in an endless loop of wishing, waiting for the impossible.

You’re here, alive. Present. And for the first time in what feels like a lifetime, you’re doing more than just holding on.

(You think he’d be proud of you.) And the thought doesn’t leave you aching the way it used to.

––––

“You think I can handle taking care of another living thing? Like a plant?” You ask Maru, glancing at him lounging by the window, right where a sliver of afternoon sunlight spills across the floor. “I mean, I raised you well enough, I think. But you’re pretty self-sufficient anyway.” Maru looks unimpressed. His tail flicks once—dismissive, uninterested—before he returns to grooming himself, utterly indifferent to both your question and your sudden enthusiasm for gardening. “Well, if your dad can grow plants in that dungeon he calls a base, I’m sure I can manage,” you mutter unconvincingly. “How hard can it be?” 

–

By the middle of the second week into your little project, you begrudgingly admit that your tiny repotted begonia isn’t exactly thriving. You don’t want to be a pessimist, but the (browning) margins seem to curl inward—more than they should, if the reference pics on that “Indoor Succulents” blog you’re subscribed to are anything to go by. 

You eye it dubiously, trying to stay gung-ho about the whole thing, forcing yourself to look up care tips again. It’s just a plant. Not rocket science. So you do the research, gather more supplies, and give it another shot. You reposition it closer to where the sun lands—earning a disgruntled hiss from the sunbathing feline—and sprinkle a careful amount of water just beneath the leaves, closer to the root. Then you lean back, waiting, tapping your foot impatiently like it’s supposed to just... fix itself.

–

The next few days pass with you watching it more than you’d care to admit—checking, hoping, second-guessing yourself. 

You narrow your eyes at the leaves, more russet than Inca Flame red, still hanging limp like a sad testament to your lack of skill. 

But you keep at it, because you’re nothing if not stubborn.

–

A single flower has bloomed.

You stand there, spray bottle in hand, caught in quiet awe at the metallic pink sprout peeking through the foliage. It’s small, delicate, barely more than a bud, but unmistakably there—nestled among heart-shaped leaves that, for the first time in weeks, look alive. Brighter. 

A faint smile tugs at your lips. It’s not groundbreaking, not by a long shot. But it’s something.

The fragile blossom clings onto dear life, stubbornly seeking the sun rays, inching toward the warmth it needs to grow—larger, stronger.

You can’t wait to bear witness to it. 

––––

You’re not entirely sure how you ended up in this situation; all you could recall past the sweat blurring your vision is the memory of being in front of the reception desk, pen in hand, scrawling your name onto the sign-up sheet for beginner boxing lessons. 

It’s not… something you planned on doing, really. You’d been showing up for the past week, trying to convince yourself that fitness was something you could get into. Something you could stick with. But this one’s more of an impulse decision, fueled by a mix of post-workout endorphins and the misplaced confidence that sometimes follows after an extra few—unpremeditated!––minutes on the elliptical. 

It all started with a casual glance at a flyer taped to the wall beside the water dispenser.

GET TOUGHER, FASTER, STRONGER! SIGN UP NOW!

The cheesy tagline stared you down as you were in the middle of refilling your teal green AquaFlask. And for some dumb reason—sheer curiosity, definitely not because it reminded you of a certain someone—you thought: Why not?

Before you could talk yourself out of it, you’d marched straight up to the nearest staff at the counter, credit card in hand, and asked to sign up. Now, as you stare at the buff woman currently goading you to hit harder, reality sets in and you feel a little lightheaded. Even slightly delirious.

“Up, up–” your trainer urges, somehow not even remotely out of breath, despite being thirty grueling minutes into the session. Meanwhile, you’re standing there, red-faced and sweating like a fucking pig. “Keep your arms up at all times, alright?”

You pant, nodding weakly, fixing your posture. She gives you an approving nod in return.

It’s part of the whole self-improvement thing, anyway. Pushing yourself. Fitness, jazz, and all that. You’ve never had much inclination for sports or anything remotely physically taxing, as far as you can recall.

…Or maybe that decision was made for you the moment you tried out for volleyball in high school and took a spike straight to the face. A memory so humiliating, that your brain did you a favor and buried it deep in the recesses of your mind. 

But things are different now! You’re trying new things. You’ve done wall climbing, aerobics, even pulled a hamstring attempting HIIT Tae Bo. And if getting punched in the face is the next step in this… wellness journey, then, well, so be it. You’ll take it with a brave face and, hopefully, minimal bruising to both body and ego.

You slog through two sets of combos and thirty jab-straight-hook-uppercuts, punching like your life depends on it. You’re wheezing like an asthmatic child, and you’re about one bad punch away from toppling over.

Then, mercifully—

“Okay, that’s enough for today.”

Oh, thank god.

“You did good,” she tacks on, flashing you an encouraging smile, like you didn’t just spend the last half hour flailing at the focus mitts with all the grace of a wrecking ball.

You stare at her, unconvinced. Did I? Because from where you’re standing—wobbling, really—you’re pretty sure you looked closer to an overstimulated toddler throwing hands with gravity, but sure. It must’ve been in the fine print, to segue in a little positive reinforcement. Probably to keep people from bolting after the first session. 

Not that you’re planning to. No, of course not. You’re just... reevaluating some things. Like your life choices. And your capacity to lift your arms tomorrow. As you trudge your way out of the yoga-studio-turned-boxing-area, still gulping for air and very aware of the soreness settling into your limbs, someone calls out.

“Hey! Wait up!”

You turn your head, blinking in confusion. A guy—mid to late twenties, give or take—jogs up to you, looking offensively too fresh compared to how you feel. “Oh, hi. Sorry, do you mean me?”

He laughs as he slows to a stop, running a hand through his shaggy hair. “Yeah, you. I’ve seen you training with Coach. Just wanted to say—you’re improving.”

You blink. Wait, what?

A wave of mortification rolls through you. Shit, you didn’t know you had an audience. “Uh—thanks, I guess?”

You shift your weight awkwardly, clutching your boxing gloves tightly against your chest.

His grin turns sheepish, as though he realizes how that might’ve come off. “Fuck, sorry. That came out weird, didn’t it? I swear, I’m not, like, watching the whole thing or anything.” He makes a vague gesture to his left. “The studio’s right in my line of sight when I’m doing TRX reps. Hard not to notice.”

You force a smile. “Ah, yeah. Figures.” 

“I’m Byron, by the way,” he offers, sticking out a hand.

Now that you get a proper look at him, you notice he’s got this kind of… geeky charm going for him. Curly hair, sleepy brown eyes behind round, rimless glasses, and shy boy-next-door vibes—except for the fact that he’s jacked.

(Honestly? Work.)

You give him your name, still smiling awkwardly. You’re about to wave goodbye and turn away when— “So, what are you doing later?”

Um.

You hesitate. “I’m, uh… heading straight home after this?” Your voice comes out a little more uncertain than you intended, mostly because you’re not really sure why he’s still talking to you.

“Yeah, ‘course,” he replies quickly, glancing down like he’s suddenly nervous. “I just… thought I’d ask if you’d wanna grab coffee sometime?”

Oh.

It takes a moment for the question to fully register. The first thought that pops in your head is: Wait, how does he know I’m a barista?

… The second thought is one of pure disbelief. Holy shit, did I just get asked out? At the gym? By the Temu version of Peter Parker?

Your face burns hotter than it did mid-workout, caught completely off guard.

“I—woah, um.” You stumble over your words, eyes quickly darting away from him. “Sorry, I already have… a boyfriend. If—if that’s what you’re leading up to.”

You say it like a question. He picks up on it.

“You don’t sound too convinced,” he comments with a light chuckle, shaking his head. “If you’re not interested, you can just say that, you know.”

A prickle of irritation flares up, followed by something sharper—something that stings. You push it down. “No, he’s just… not around.” “Ah.” He clicks his tongue sympathetically. “Long distance?” “…Yeah.” You have no idea.

He shrugs, undeterred. “Alright, no pressure. We could always just hang out as friends, if you want.”

I… don’t think I do. “Um, maybe?” you answer instead, forcing out a laugh.

“Oh, come on,” he says, his grin widening. “You can even introduce me to your boyfriend,” he emphasizes the word out, “when he gets back. Does he work out? We could all hit the gym together.”

Social anxiety is afraid of this man, you think belatedly. Unfortunately for him, you’re the very embodiment of what fears him.

You’re so out of your element that all you can manage is, “He boxes too, actually.”

“Yeah? He any good?” 

That gets an involuntary snort out of you. Unthinkingly, you say, “Could probably beat you up.”

Byron laughs, startled but amused, shaking his head as he raises his hands in mock surrender. “Alright, alright—message received.” He flashes you a wide smile. “Well, if you change your mind about the coffee, I’ll be around.” He jerks his chin toward the pack fly by the corner. “There, usually.”

Okay, nerd. Despite yourself, you can’t help but find the whole thing slightly hilarious. Then again, you find humor in the dumbest things. “I’ll keep that in mind.”

You offer him a quick, half-hearted wave, trying (and failing) to mask your embarrassment with an exaggerated, too-casual show of nonchalance. It’s so painfully awkward, you can feel yourself internally dying from cringe. 

Without another word, you spin on your heel and start speed-walking away, practically running back to the safety of your personal space.

Smooth.

––––

It’s another relatively easy night at the bistro. You’re on the last two hours of your shift, and you’re carrying a single glass of roseberry mule to serve at table four. As you round the corner, you catch sight of a student, glasses perched low on her nose, completely absorbed in a thick coursebook on Programming Languages. Papers are scattered across the table, and she looks to be utterly engrossed in her readings, unaware of the world around her. 

You don’t want to bother her more than necessary, about to set the drink down on the only clear space—by the iPad propped up on a tablet holder to her right—when something red catches your attention.

A familiar pair of crimson eyes stops you dead in your tracks.

For a moment, you feel like you’re suspended in time. The sharp memory of a similar instance where you’re in her place, and he’s there, keeping you company while he’s polishing a gun burns through your brain, and you don’t–you can’t think—

You stand there, rooted to the spot, wide-eyed and unmoving. Then, the girl’s gaze shifts to you, and a hot flush spreads across her cheeks, betraying her surprise.

With swift fingers, she locks the screen with a quick flick on the power button, pulling you away and breaking you from the echoes of the past.

“Oh, shit,” she giggles, a nervous edge to her voice. “That’s embarrassing.” 

You shake your head, forcing yourself back to the present moment. “No—no, don’t worry about it,” you chuckle weakly, setting the drink down beside her with shaky hands. “Cute guy, honestly.”

That makes her giggle louder, her eyes bright with an almost conspiratorial glint. “Oh my god, you have no idea.”

Fuck—you can’t breathe.

––––

The night hangs thick with stifling heat, accompanied by the steady ticking of the clock as you catch your breath, your broken moans too loud in the heavy silence. The sheets cling to your feverish skin, damp and uncomfortable, as your body moves in a rhythm that feels unnatural now, but still—but always—familiar.

Your chest rises and falls in shallow, rapid breaths as you force the draconic toy deep inside you. The heat, the fire—it licks at your skin, making your whole body yearn for more. To chase more of the feeling, to chase more of the memory of him. 

Errant strands of hair stick to your forehead, your chest flushed and burning, a quiet throb spreading through you with every friction, every desperate movement.

Your body aches, a relentless thrum urging you to push deeper, to find something—anything—to fill the gaping hole inside you, a wound you’ve tried to stitch shut over months, now threatening to tear its way open again, once more ripping from the seams. 

A sharp pressure builds inside you. Your body stretches too far, too much, struggling to take in what it can’t quite handle. It burns in a way that hurts, but you need it. You need to feel more, to fill the emptiness, to grasp at something that feels real.

“Yours, yours–” you tremble, desperate. “Yours. Just yours. Please.”

-

-

-

You lie in the wake of it—pleasure fading into something heavier, regret creeping in like a shadow, waiting as always.

“I miss you,” you whisper in the dark. You always do.

You try to ignore the pull of it, the sharp descent that comes with the high.

You were doing so well.

But it’s fine. You’re fine. 

Everything’s fine.

The words swirl and echo in your mind, until they’re swallowed by sounds that ring hollow. You let the moment wash over you, sinking beneath the weight of the tides, where sorrow and longing blur with the fleeting warmth of what you can’t keep.

Tomorrow will be another day. Another chance to try again.

For now, you let go of your grip on the fragile raft of sanity you’ve built, painstakingly, for months on end.

Tonight, you let yourself drown once more in the somber depths of loneliness and despair, confined within these four walls that feel—once more—like a penitentiary.

––––

The plane begins its slow descent, and through the window, the world comes into view—large swathes of land interrupted by winding roads that seem to follow no rhyme, nor pattern. A river glints faintly beneath the fading sun, while the sky turns a dull blue, a washed-out slate, streaked with the last embers of daylight.

Below, the small city stirs.

Tiny specks of color flicker to life, lanterns strung along the streets like beads on a thread, marking the season, an ending, and the inevitable turning of time. A chill hangs in the air, the wind whipping past you from the half-open window of the taxi, sharp and crisp in a way that you can only find in the province.

Your hometown. 

It all rushes past in a blur of light and shadow, an eclectic mix of old and new—some buildings unchanged, others unfamiliar, as if they’d sprung up in the years you’ve been away. It’s been a while since you last came back, long enough for the roads to feel... foreign, almost. Though muscle memory stirs when the car takes a turn. One you could have easily navigated even with your eyes closed.

Only your sister lives here now, her and her family—a couple of hundred miles far. Far enough to feel like another world, yet close enough for the past to catch up the moment you lay eyes on the old two-story house tucked away on the quaint cul-de-sac of this suburban neighborhood. 

The residential property was left to her, scrawled onto the title in an act of generosity, perhaps. Or maybe as a weight your mother never intended to carry, something meant to anchor her eldest child while she carved a different life for herself elsewhere. Free-spirited as she is, she left with the ease of someone shedding an old coat, slipping into the shoes of another, barely a glance over her shoulder.

But houses remember. And as you step out of the vehicle, your feet meeting the rough asphalt that once belonged to your childhood, you wonder if they remember you too.

"Maru, Maru!" Your five-year-old niece cries the moment she spots the grumpy feline peering through the mesh of his portable prison.

"What—no excitement for me too?" you tease, ruffling her hair. She giggles, scrunching up her nose.

"Auntie, hi! Hi!"

You snort at her enthusiasm, setting the carrier down. The second you pull at the zipper, Maru springs out, landing with a soft thud before stalking off with his usual air of disdain. Your niece shrieks with delight. 

"Ah! Cat!"

"Well, there go the chances of her socializing with her brother," your sister remarks dryly from the doorway, sauntering closer. "Hey, stranger."

"Hey," you greet, hoisting a handful of paper bags. "Where do I dump these?"

She eyes the bags. "Any of those for me?"

"You have three kids, and one of them insisted on a Lego set. Do you know how much those cost?" You shoot her a flat look. "You’re getting socks."

"Wow, stingy." She huffs but takes some of the bags anyway, hitching one onto her hip as she grabs your other hand-carry.

You step inside, and the house greets you with a riot of lights and color. Plastic tinsel and bright string lights drape across every visible surface—along the bannister, around doorways—leaving no space untouched by the festive chaos. A Christmas tree stands proudly in the corner, nearly buried beneath an avalanche of baubles and sentimental ornaments collected over the years.

The room feels swallowed by the exuberance of it all, an almost overwhelming jamboree of holiday cheer.

It’s gaudy, excessive, and completely over-the-top, but beneath it all, the bones of your childhood home remain unchanged—familiar in a way that settles deep in your chest. The Narra wood floors are still scuffed with the marks of time, there’s still the distinct tang of turpentine mixed with waxy resin and citrus you’ve long since associated with home, and the odd decorative masks still line the far wall, their painted expressions frozen mid-celebration.

Your eyes land on the canvas floater above the mantel—a whimsical cross-stitch of three women flying kites, their stitched dresses rippling in imagined wind. You remember it well, though you never quite understood why your mother had chosen that particular scene to painstakingly sew into existence. Still, it belongs here, another piece of the house's patchwork history.

Your gaze shifts to the couch, where Andrew, your sister's husband, is sprawled out, one arm lazily draped over the backrest, the other holding his phone.

He flicks his gaze up at you, offering a half-hearted wave before turning back to whatever has him so absorbed on the screen. Beside him, your three-year-old nephew is perched on his knees, bouncing with energy as he mirrors Bluey's movements on the TV with exaggerated enthusiasm, his tiny arms flailing in childlike glee.

You sigh inwardly, rolling your eyes. Typical.

“There’s a few more hours before dinner. Want to hang out in the kitchen while I roast the ham?” She asks casually, setting down your bags by the foot of the stairs. “Actually, scratch that—you’re in charge of the punch.”

“You just want a head start on the drinks,” you tease, the banter flowing easily between you. “Hey, where’s the little squirt?”

She points toward the small crib, near the island counter. “She finally stopped crying, thank god. Don’t wake her up, or you’ll be the one in charge of putting her back to sleep.”

The two of you slip into the kitchen, where the air already carries the promise of dinner—cloves and brown sugar blending nicely with the lingering scent of citrus. A tray of ham sits on the counter, prepped and ready, the scored surface glistening under the fluorescent light. 

Your sister pulls a bottle of Luisita Oro Rum and Agimat Gin from the second-to-last cupboard and places them on the counter in front of you.

"Go ham," she quips.

You give her a flat look. "You think you’re funny.”

She shrugs, unfazed, and turns her attention back to where she’d left off before your arrival. 

The two of you fall into a natural rhythm, the kind that comes from years of cooking together. You work your way through cans of Del Monte, the metallic clinks filling the space as you drain the syrup and dump chunks of mixed fruit into the large punch bowl.

Your sister leans against the counter nearby, arms folded, her gaze fixed on the oven door, as if sheer willpower alone could make the meat cook faster.

In the background, the soft drone of the TV drifts in from the living room, punctuated by your nephew’s occasional giggles.

There’s no rush, no need to fill the silence with anything more than the occasional clink of utensils against glass and the low humming of kitchen appliances. The day is winding down to a close, and for now, everything is alright.

“So, Mom called,” she says casually, one arm braced on the counter as she leans in, glancing at you. “Kept calling, actually.”

“Mm.” You reply noncommittally, shaking the last can’s contents into the crystal bowl, watching as the fruit chunks bob lazily in the pool of alcohol.

“She’s worried about you.”

You don’t answer.

“She was. She is.” Her voice shifts, more serious now. She watches you closely, noting your lack of reaction. “You know that, right?”

Your fingers tighten around the can opener, but you pull your gaze away from the bowl. “I know.”

She sighs, resigned, already familiar with this song and dance. Familiar enough to know there’s no winning this one, not tonight. Not anytime soon. “I am too.”

You blink, before looking away. “Oh.”

And maybe she does worry—your mother. But any hope of truly knowing is swallowed by the chasm between you, the one that keeps your conversations at surface level, never breaching the depths beyond. 

Your body, born from hers, perhaps more alike than you realize, might have been brought into this world with the same pains that she’s carried. The pains of separation. The unresolved hurt of being unwillingly removed from your person—her former husband, your father—and that if you and your mother were closer, you could have opened up about your own situation. Perhaps then, you wouldn’t feel like a ship that has lost its ballast, drifting endlessly in the same turbulent seas for the longest time.

But you are your mother’s daughter, and she is her mother’s daughter. There is the truth that the women in your family are not the best communicators, nor do they wear their hearts on their sleeves. So you were born mute and overly sensitive. Pain drips from you, unnoticed, like a purposeless leak in the heart. You’ll carry it with you until you die.

“But you look… okay,” she observes, cocking her head. “Are you okay?”

You swallow. For the same reason you compare your mother to a storm you can't outrun and your sister to an intermittent drizzle, you find it easier to admit, “I haven’t… been okay for a while.” 

Not wanting to bring the mood down, especially on a day like today, you quickly add, “Things are better now, though.”

She huffs out a laugh, shaking her head. “Could be a little more specific there, but I’ll take it.” She gives you an exasperatedly fond look. “You let me know if that changes anytime soon, ‘kay?”

Your lips quirk in the faintest semblance of a smile. “Yeah, okay.”

–

It’s ten minutes before midnight.

You’re leaning against the island counter that separates the kitchen from the living room, nursing a glass of the fruit punch (though it’s mostly gin, with the teensiest amount of fruit), watching your sister’s family at a distance as they eagerly wait for the clock to strike twelve. The blinds of the large living room window have been pulled up, giving an unobstructed view of the sky, ready for the first firework to light up the dark.

For a moment, you feel like an outsider, watching through a lens, as if you’re not quite part of the scene. There’s a strange sense of detachment—voyeuristic, almost—as though you're peering in on a private, intimate moment. 

Your sister cradles the infant in her arms, and that all-too-familiar pang stirs to life—the same one that always does when you look at her.

You can't quite place what you're feeling, exactly. It’s tumultuous, and it’s complex. Andrew’s practically dozing off in his seat, and you see your sister shake her head in mild annoyance. Your nephew, fighting to keep his eyes open, starts to fuss.

Something tightens inside your chest.

“Andrew,” she hisses, startling the man awake. He blinks, disoriented, before spotting their son and the early signs of an explosive tantrum.

He sighs, and pulls the boy closer to him. “Hey, hey, little guy. Look at the sky. In just a couple of minutes, the lights are gonna go boom-boom.”

Your nephew sniffs, his eyes blinking up at him as he processes the words. “Boom-boom?”

“Yeah! Just like the one we watched on TV!”

The kid’s face visibly perks up at that, bad mood quickly forgotten. “Boom-boom!”

You watch as your sister’s gaze softens, and a small smile replaces the earlier frown on her face.

And in that instant, you understand.

You look at your sister and, for a brief moment, all you see is a wretched mirror of yourself. She is all of your fears, all of your failures, and all of what you could’ve been rolled into one. Barely in her mid-thirties, and yet already carrying the weight of a family: three kids, a husband who feels like a faded echo of your father—a man who didn’t quite measure up, who never did, and just as unreliable. 

You feel the suffocating weight of it all, of being tied to a place that’s meant to be a home but feels more like a tomb, marking the passing of dreams unspoken. She’ll grow old here, buried in the same soil you both sprang from, fading into the landscape of this town that swallows its own.

You look at her and you almost feel the repressed pain of missing the last semester of college to give birth, the lament of a missed opportunity that life has stolen from her. 

You feel her pain as if it’s yours. You feel it in the marrow of your bones—her blood flowing through you. “3…” You look at her, and it feels like seeing someone bound, held down by an anchor around her foot, unable to break through the surface of freedom. You look at her and you see dreams once aglow, reduced to cinders. You look at her and see—

She glances up at you.

Oh. “2…” In the fleeting moment where your eyes meet—eyes you two share with your mother—you feel so small.

Just a kid. Shortsighted and unfairly dismissive. Too blind to see your sister’s quiet victories, too selfish to admit you’ve diminished them just to feel less alone about your own. A child grasping for meaning, unfair in the ways only children can be. “1…” And in the fraction of a second before midnight, it's as if you’ve been doused awake. 

You see her anew—what seemed like monotony is really the bedrock of stability; tenacity in place of routine. An almost single-minded doggedness to make something out of this life. You see the steadfast strength she possesses, the kind that gets her up every morning, to face the world and all its demands without question. With purpose. 

You see resilience. Compassion. Traits that you’ve always lacked, that you’ve long resented, the same traits your mother never learned to embody.

And now you see your niece in her arms, born from this, and you name the indescribable feeling that dwells in you—borne from the pure look of adoration in your sister’s eyes for her youngest daughter—as envy.

You know, with utmost certainty, that she will be okay, because she has your sister as her mother, and she is so, so loved.

As you watch them, something inside you shifts—a deep, aching realization. 

You see… home. Something you've always longed for but never truly found. “Happy new year!” The spell breaks. The two of you startle at the sudden eruption of fireworks, the distant chorus of car horns blaring from the streets outside.

Your niece and nephew jump and shriek, their laughter ringing through the room, celebrating something they barely understand but find joy in anyway. The baby in your sister’s arms lets out a wail at the commotion, and she is soothed instantly with murmurs of soft assurances. Her husband struggles upright—then, with no small amount of effort, leans forward to press a kiss to the crown of her head.

The image before you is far from perfect, but it’s theirs.

“Auntie, auntie!” The little rascals cry out in unison, their voices overlapping in excitement. “‘appy n’year!”

A breathless, almost pained laugh escapes you. Still, you smile as you respond with your own, “happy new year!”

You’re tired—tired of running, of measuring yourself against the ghosts of your past. Tired of carrying the weight of a childhood that’s left you with more questions than answers, of making excuses for wounds that should have healed long since. You've spent so much time mourning the growing pains, the irreparable, that you never stopped to see what’s in front of you. 

This moment, this realization, feels like the final missing piece in the fractured puzzle of who you are.

The new year arrives, marked by the crackle of fireworks and the loud cheer from your family.

This time, you won’t hesitate. You’ll choose to embrace the change, both good and bad, with open arms. With the quiet resolve of someone finally ready to move forward.

You lift your gaze just as a brilliant burst of red explodes into the night sky, its iridescent glow bleeding into a softer silver before fading into the dark. 

A warmth settles deep in your chest—bittersweet, but steady. A quiet peace.

Happy new year, my love. . . . . . . .

.

.

.

.

. . .

The air at the threshold of Vagrant’s land is restless. Volatile. A hazy distortion ripples through it, folding and unfolding, like a lost mirage—an area of transition between worlds. Porch collapse, he calls it. 

Sylus has stood here countless times, watching the way this anomalous disturbance twists the very fabric of this reality, how it flickers in and out of form, erratic. Impossible to predict. 

It had taken him longer than he likes to admit to understand the phenomena for what it’s truly worth. 

Not just an alternate space caused by some spartan energy field. Not just any other protofield. But a thread. A connection. A door. 

A fault line between realities, an entryway that hums with the possibility of you.

Since the moment the idea took hold, he had thought of little else. It has consumed him in every waking moment; his entire being seeming to bend toward a singular purpose—getting to you. He had torn through endless streams of data, followed every unstable pulse of energy, mapped its fluctuations down to the smallest inconsistency.

Nights bled into days, and days bled into weeks, until he can no longer keep track. Not that the passage of time meant much to him at this point. 

He’s worked tirelessly through the stillness, through the storms of uncertainty, through the aching silence left by your absence. Ever since you’ve exchanged your temporary goodbyes. 

He had measured everything he could—the unstable frequency of radio signals streaming through the interstice. He had traced the influx in real time; recording the rate of deterioration, isolating the waveform, and filtering out outside interferences. 

But for all the data he gathered, for all the precision in his calculations, the core of this phenomenon remained just out of reach. His knowledge on the matter is rudimentary at most. He could waste years observing for abnormalities, trying to decipher how its presence has disrupted the very threads of this universe, but the why and how of it all will still elude him. 

Still, theory matters less than function. He doesn’t need to understand the full depth of it. He only needs to harness it.

It’s a gamble.

Contrary to whatever reputation he’s earned for himself, Sylus has never been one to play his cards recklessly. He deals in certainties, in probabilities stacked in his favor, in risks that—while dangerous—are still within his grasp to control. He has never been the type to leap without knowing where he’d land.

But this is different.

He has never needed to, before. Never had a reason to throw himself into the unknown with no assurance of survival, no way to predict the outcome.

He had no reason to—until you.

Now, it matters less whether or not the odds of his survival are abysmal, that he has no precedent to follow. That your world might reject him entirely. None of it matters. Because if the choice is between staying and never reaching you, or plunging into the great, endless unknown—

He’ll take the leap, every time. Without hesitation. 

He’ll leave this world behind, step beyond the edges of everything that has ever defined him, and venture into lands unseen, uncharted. Unknown. He doesn’t know what awaits him on the other side. If he’ll make it there in one piece. If he will make it there at all.

Sylus has never really questioned why he’s the anomaly in this world. The curiosities of his existence are yours to ponder. After all, he finds that he doesn’t care much of the answer as much as he cares about being with you.

Because wherever you are—that is home. 

He takes a step forward, and the universe dissolves into a blinding light.

-

-

-

Sylus wakes to the sensation of weight.

Something presses on him heavily, sinking into his limbs like gravity itself is wrapping around him for the first time.

The ground beneath him is unfamiliar, uneven—tangible in a way he’s never felt before. His fingertips press into the damp earth, leaving the faintest imprint, yielding beneath his touch. The scent of soil rises around him; a rich, bitter brown. 

This world does not recognize him, yet it cradles him like its own all the same.

Above, the sky erupts.

Fireworks split open the night, streaks of color exploding and dissipating in an instant—too fleeting to hold, too bright to ignore. A flashbang of incandescent reds and fluorescent greens, followed by bursts of crackling gold and shimmering silver scatter into tiny pinpricks before fading into the darkness.

The air is heavier here, denser in a way that feels almost… alien. It clings to the contours of his new form, seeps into his lungs with every breath. 

And oh, how it burns. Not in pain, but in its sheer presence. It rushes into him not as mere oxygen but as something real. Something palpable. He’s lost in the sensation. 

He exhales. Then winces. 

Immediately, he feels it—the weakness. The brittleness of this new body. Gone is the invulnerability he once wielded so effortlessly, the certainty that nothing could touch him unless he allowed it. 

That certainty is gone now, stripped away the moment he crossed the threshold.

He is flesh and bone. Finite. Mortal.

A lesser man might have feared it.

But in the middle of this empty field, miles away from civilization, Sylus can only laugh. 

He tips his head back, reeling from the sheer impossibility of it all, eyes tracing the brilliant display above—as if committing it to memory, a coronation of sorts. Of existence. Of arrival. Of a life finally his own.

Reborn. And for the first time in his existence, he is alive.

––––

It’s summer—the summer that marks two years since he left. 

Two years. It’s enough time to feel the weight of it, but not enough to make the events feel like something that happened a lifetime ago. 

The seasons cycle once more, as they always do, pushing time forward with a steady, indifferent rhythm. And with that change comes a familiar pang—a bittersweet ache, neither grief nor regret, just the weight of knowing that nothing stays the same. Mono no aware. 

You’re closer to thirty now, and the thought doesn’t terrify you as much as it did before. Your hair’s in a pixie cut—short and sleek, although the edges are a little ragged from the half-assed trimming you gave it a few days ago. 

It would have made you feel stupid, once upon a time, for trying out something drastic for a new look. Instead, you just take it for what it is—one more thing you did because you wanted to. Like the rest of the choices you’ve made over the past two years. It’s yours. Uneven, impulsive, maybe a little questionable. But yours.

It’s liberating. Even if it makes your head look like a pencil. 

The voice—the one that picks at your face, your body, your thoughts, everything down to the last imperfection—never really shuts up. It’s quieter now, easier to ignore, but it still lurks in the background, waiting for an opening, a moment of weakness. Maybe it always will. Maybe that’s just the price of being human.

But you don’t fight it anymore. You don’t let it drag you down to a breaking point. You carry yourself differently now, you'd say. No pep in your step just yet, but you don’t feel the need to drag your heels either. Literally and figuratively. 

The change has come in waves—sometimes gentle, sometimes harsh—but it’s there, marking you, marking the passage of time. Just like the earth, just like the seasons, you’ve shifted and grown. And perhaps that’s enough.

The sky is ablaze now, a deepening canvas of pinks and purples as the sun sinks lazily to the west. The fiery orange light spills through the large windows, bleeding into every corner of the room, and the world outside seems to slow, caught in the hour before dusk.

You’re behind the counter, wiping down plates with the kind of ease that comes from repetition, the motion so ingrained in you that it barely registers anymore. It’s all routine—the rhythm of it, the quiet hum of the bistro, the clinking of porcelain. The air is thick with the sticky smell of warm pastries, and it’s the sort of evening that feels almost liminal. A moment suspended in time.

You hear the soft tinkling of the door chimes, signaling the arrival of another customer. 

It’s a soft, unassuming sound, barely noticeable against the evening lull. You swipe your hands across your apron, turning on instinct, your mouth already forming the usual greeting. 

“Hi, welcome to—”

The words die in your throat.

It’s a slow unfolding—almost a gradual realization that stretches across the seconds like the last rays of sun dipping beneath the horizon. He stands in the doorway, a figure outlined in gold, and his presence fills the space between you, no barrier that separates, and it feels... impossible. Unimaginable. Inevitable. 

His height is the first thing you notice. He’s taller than you expected, and you know he’ll tower over you, even at a distance. His hair is dark now, the color of midnight, almost—not the silver you once traced with your fingers in your mind. The cut is still similar to what you’ve always known it to be, though a little more unkempt, as if he’s lived in this body long enough for it to take on its own wear.

Then his eyes. The red is gone—no longer the shade of crimson that used to see right through you, those sanguine pools you once loved. In its place, a stormy grey, deep and impossibly expressive, pulling you in like an undertow. The color is striking, alien in its own way, yet there’s a warmth buried beneath it—and the familiarity of it tugs at you.

Even with the changes, even though you’ve never met the person standing in front of you, you’ll know him anywhere. 

There’s a shift in the room, a subtle, yet unmistakable change in the air. It’s as if the whole bistro has drawn in a breath—and you with it. Time stretches thin, each passing second expanding into what feels like an eternity.

Your eyes lock—and for a moment, nothing else exists. 

It’s as if the world has shifted off its axis. Or, perhaps more accurately, it’s as though a piece that’s always been missing has finally snapped into place.

Something settles in you, something foreign and indescribably familiar at the same time.

Sylus smiles.

“Hello, my love. Have I kept you waiting?”

It feels like home. 

____

“Now I found myself this kind of love, I can't believe it I'll never leave it behind I thought I'd never get to feel another fucking feeling But I feel— This love, this love, this love Oh, I feel it.”

End A/N: So this is done! Wow! I'm kind of proud of myself for writing something this long in the span of, idk, three months? Basically, the entire duration of my "vacation" back home. Now, with another term and a busier schedule coming up, I really wanted to finish this series before life catches up to me. *sobs* Anyway, I'm so, so happy about the reception of this fic, and you've all been so sweet :') Again, thank you for reading! I'll see you in the spin-off, or whatever shit I put out next haha <3 Tagging: @xxfaithlynxx @beewilko @browneyedgirl22 @yournextdoorhousewitch @sunsethw4 @stxrrielle @mangooes @hrts4hanniehae @buggs-1 @michiluvddr @ssetsuka @imm0rtalbutterfly @the-golden-jhope @beomluvrr @bookfreakk @ally-the-artistic-turtle @sapphic-daze @sarahthemage @cchiiwinkle @madam8 @slownoise @raendarkfaerie @sylusdarling @luminaaaz @greeenbeean @vvhira @issamomma @shroomiethefrogwhisperer @blueberrysquire @lovely-hani @fiyori @peachystea @aeanya @sylus-crow @queen-serena88 @xthefuckerysquaredx @rayvensblog @poptrim @goldenbirdiee @amerti @angstylittleb1tch @reiofsuns2001 @j4mergy @touya-apologist @gladiolus-mamacitia @btszn @wrimaira

[m00ntunaart]

2nd STARWARS/DAEMON AU POST!!!!! This time with the CC's and the Disaster Lineage!

Obi-Wan: Maned Wolf (Kee-Ayt)

Anakin: Lion (maned female lioness) (Asieko)

Ahsoka: Gryfalcon (Tuex)

Cody: German Shepherd (Beskar)

Rex: Siberian Husky (Queen)

Wolffe: Wolfdog (Whitefang)

Fox: Doberman Pinscher (Vulpe)

Bly: American Akita (Lyra)

LORE TIME: first off! Jedi! So I thought a lot about how daemons and Jedi should work. I did end up deciding that Jedi GENERALLY have bird daemons (like the witches in His Dark Material), BUT not always. The Jedi having bird daemons is not a ‘All Force Sensitives Have Daemons Who Settle As Birds’ thing. It wouldn’t make sense in this AU since Force-sensitivity is a spectrum and at what level would someone have ‘enough’ force-sensitivity to have a daemon for certain become a bird? I didn’t like that narrative as much, it felt restrictive. So instead Jedi tend to have bird daemons, but not Force-Sensitives. Like all Jedi are force sensitive ( and have bird daemons) but not all Force-Sensitives are Jedi, make sense? This is because of how the Jedi raise children and teach them to interact with the force. Because of how Jedi are taught to view and use the force, their daemons tend to settle as birds! It’s ‘nurture’ over ‘nature’ thing. Which is why (in this AU at least) the Jedi don’t take in older children to train. Because they’ve already probably learned their own way to interact with the force (different from the Jedi teachings) and therefore will have a non-bird daemon! Hence Anakin having a lion daemon. “But what about Obi-Wan?” (Well since Obi-Wan is one of my favorites I get to spice him up lol). He was originally very Jedi like (daemon wise) but after the whole Jedi Apprentice/Xanantos enslaving him/Melida-Daan war thing, he daemon ended up settling as a Maned Wolf! I imagine he was just about the age where his daemon would settle (usually 13-15, which is the same reason this is the age Jedi initiates are made padawans), so it was a surprise that his daemon so abruptly changed and settled. Most likely the effects of being so abruptly exposed to violence and war right out of being only use to the peace of the Jedi temple his whole life. 

(Extra) The 3rd page of the post! Cody and Obi-Wan’s daemons! Beskar and Kee-Ayt! Even though in my doodles Beskar seems to be very grumpy and even hatful towards Kee-Ayt, DO NOT BE FOOLED. Beskar adores Kee-Ayt. Their relationship just mirrors how I headcanon Cody’s and Obi-Wan’s. Where they will harass and bitch at each other to hell and back. Sounding from the outsider’s POV like two people who hate each other. When in reality these two are joined at the hip and love each other. They just will never admit it because “we have reputations to uphold!’ (Anakin says “what reputation? the reputation that one of you would murder the other if it wasn’t for the fact the GAR would court marshal the other?”) But yeah, Beskar makes fun of Kee-Ayt’s long ass legs. The mini ‘comic’ is about how I imagine that since all the Clones’ daemons are dogs/canines, when they win a battles they have a ‘Victory Call’ where they all howl. Beskar offers for Kee-Ayt to join in, but Maned Wolves can’t howl. They do this thing called a Roar-Bark (look up a video it’s so loud). This is the first time Beskar hears Kee-Ayt roar-bark and it scared the shit out of her.

(Extra Extra) The 4th page of the post! This is mostly doodles of Rex, Anakin and Ashoka’s daemons (Queen, Asieko and Tuex). All three reflect the close relationship that Rex, Anakin and Ahsoka have. Hence Tuex nesting on Queen and Asieko trying to groom Queen (who doesn’t appreciate the rough lion tongue bath she’s getting). (In fact Asieko tries to groom Tuex and Kee-Ayt too, but Tuex is too small and Kee-Ayt just starts biting Asieko bcs she doesn’t appreciate the bath either lol). We also have Tuex dive bombing Asieko (a common occurrence whenever Anakin and Ahsoka bicker). Tuex also does this to literally anyone who slightly annoys him or Ahsoka. And lastly the little doodle of Rex and Queen screaming! Idk if you’ve ever seen videos of Huskies, but oh boy are they loud and dramatic. I think with all the stress and insanity Rex has to deal with leading the 501st, he and Queen often have therapy screaming sessions. They deserve to. 

(ALSO, I will be making follow up reblogs with lore/plot stuff for each individual character)

[gffa]

Osha's backstory episode of The Acolyte fits perfectly with a headcanon I've had forever about Force-sensitive children in the galaxy--that some children feel called to the Jedi and some do not, and that the Jedi look out for this. We see that destiny exists in the Star Wars universe, the Force calls to people to walk certain paths, but that it's still up to them to decide, you still have to make your own choices. (See: Everything about Anakin Skywalker and how the Jedi never brought that up around him, it was always about personal choice and agency. Yes, he was the Chosen One, but he had to choose his path.) From the moment we first meet her, child Osha didn't want to be a witch, she wanted to see more of the galaxy beyond Brendok, she was immediately entranced by the Jedi when they showed up during the ceremony, like a magnet pulling her to them, that she was drawing the Jedi Order symbol long before they ever got there. It wasn't just a sudden way to get out of there, she was feeling this pull towards them long before she ever even met a Jedi. She's the one who first slips out to meet Sol during the ceremony despite being told to hide, she's the one who goes over to talk to Kelnacca before the test, she's the one who fights against her entire family to say she wants this. She's the one who wants this even before she knows there will be other children like her with the Jedi. We don't see the Jedi giving Mae that same nudge, because the Jedi path wasn't meant for her, she didn't want it, and I love that both here and in The Phantom Menace, the Jedi make sure that this is what the child wants, too, that both prequels and High Republic Jedi are shown to take such care, that it's done with the parents' permission, but also getting a sense of what the Force is or isn't calling this person to do and whether they accept it. But Sol gently pushes Osha, not to tell them what they want to hear, but to tell the truth, do you want this? Do you feel like this is right for you? Just as Qui-Gon made sure Anakin knew being a Jedi was a hard choice, the Jedi want you to be sure, want you to feel called to this, because the Force exists, a mysterious destiny exists in this galaxy. It's still your choice, you have to have agency over your choices, it's not just, "What does the Force want?" but instead Sol asking, "What do you want, Osha?" The narrative is careful to point out Sol telling her about his own testing, that he knew he was different from his family, that he was scared at first, but it was clearly his choice. "But you must have the courage to say what you want." The Force called her here, the Force is something that exists within Star Wars and has a will of its own, and some people are not called to this particular path, I don't think Mae was ever meant to be a Jedi, she never wanted it, she never felt that pull. But Osha, like so many other Force-sensitive children tapping into this giant mystical energy field that has a destiny for you if you want it, they are pulled to it and the Jedi take such care with that. Some are meant to walk the Jedi path and some are not, that's something only each individual can figure out for themselves, and the Jedi do their best to honor both the Force's calling and the person's own choices. And if a child resists and pulls away, they let them go, it wasn't right, it wasn't meant for them. But when a young Force-sensitive is practically vibrating in place with how badly they clearly feel this is meant for them, that's something that exists as a thing that really does happen with the Force.

[yes-no-maybe-soo]

I miss main story Sylus so much (;_;)

Don't get me wrong I adore memory Sylus. Soft!Sylus is everything to me. But I have to admit that I really want to see more of the other equally valid and real side of him as well. That being the rough, morally grey crimelord we see during Long Awaited Revelry and in his Anecdote. Apart from Sylus on the job being hot as hell, there is so much about him and his motivations that we don't know yet and that I'm dying to find out.

I will also freely admit that a huge part of the reason for why I fell for Sylus and why he still has me in a chokehold is his complexity, his duality. I like that he is neither devil nor saint. Neither black nor white. Neither red flag nor forest full of green. He is so much more multifaceted and layered. He has real tangible flaws, and is certainly not a harmless cinnamon roll. He is a loverboy, yes, but equally a dangerous criminal whose hands have and will continue to kill others. And this duality is what makes him a great character in my eyes.

Hell, as much as it hurts me to witness, I like that he monumentally fucked up his initial meeting with present MC. And the narrative is very clear on this — his actions towards MC were wrong. He was forceful. He was cruel. Let's not sugarcoat this. Sure, us players know why he went about doing it the way he did and we feel bad for him as a consequence, but that doesn't make what he did in any way right or justifiable. MC was right to feel fear and disgust, and she would've been fully justified in never forgiving him imo. And honestly, I think Sylus would agree. He realizes just how badly he screwed things up, even if it took the harsh but true wake-up call from the shopkeeper to bring him to this realization. And it's a hugely important moment, both for him as a character and for his relationship with MC. Afterwards, he puts in the conscious effort to do better. To be better for her. To make things right. To me, this decision and commitment of his wouldn't have hit nearly as hard or been as meaningful if his prior actions hadn't been what they were. They proved that he is capable of real self reflection and growth. It's a massively important moment in their relationship.

The rocky start to their relationship also makes cards like Razor's Dance so impactful. Same with Goodcat Code and some phone calls and interactions where Sylus' fears and insecurities regarding MC's feelings toward him shine through. With the context of his behavior in LAR, it's completely understandable for him to have these fears. He knows he fucked up. Had he been a cinnamon roll made up of purely green flags, neither his feelings nor MC's would have made sense. Nor would MC's eventual forgiveness, and ability to once more see in him what others cannot, be near as powerful.

I don't know, am I making any sense with this or am I just rambling lol 😅

My point is that I love and appreciate all sides of Sylus. Both good and bad. It's what makes him him. And I would no more want to trade or give up main story Sylus than I would memory Sylus. I want big bad ruthless boss of Onychinus just as much as I want soft loverboy Sylus. They are equally important to Sylus' character. He wouldn't be himself without either. It's a package deal.

Perfect/flawless characters bore me. If Sylus were simply soft and green through and through, I would've lost interest. Honestly, I most likely wouldn't have downloaded the game to begin with. It was the danger mixed in with the comfort that drew me in.

It's like a friend and I have discussed many times — the fact that the hands that have wrought violence and death upon countless people are the very same ones that touch his beloved with such reverence and tenderness, is incredibly hot. Duality ftw.

So needless to say I am waiting with baited breath for the day when we will finally see main story Sylus again. Or for that matter, just a memory of Sylus in boss of Onychinus mode.

🐉❤️ 🐦‍⬛

[crow-caller]

man... I forgot to mention.

you know how lightlark has gods, but has never once named how many gods there are, what they are gods of, how religion works... it just uses the word 'gods' and there's inexplicably an abbey in the first book?

well, in skyshade we finally learn about gods. Not the gods of lightlark, the gods of the otherworld (if they are the same or related concept, it is not stated)

anyway the gods of the otherworld are um.

Sky, dirt, and below.

(The sky is a place. Dirt is an object. Below is a direction. These three fit together as well as Helios, Urn, and Enya as a trio)

Getting a suspicion this book isn't very good

Lightlark3 is somehow. How do I put this. Worse. The prose is really, really bad, and Aster operates on a baseline of having 'pretty bad prose'

Gee, I wonder if writing and releasing skyshade, plus writing her new adult book, plus a new bonus lightlark book and the 4th due next year... might be resulting in even less editing?

[g0dlyunsub]

it takes two.

spencer deals with a lot on the field, but nothing can prepare him for when he’s stuck inside a locker with you.

pairing :: spencer x fem bau!reader

warnings :: 18+ due to sexual themes but no smut, slight claustrophobia triggers

word count :: 2.2k

author’s note :: inspired by a scene from s9e23, i'm imagining spencer in a fitted collared shirt and tie, reader wears a skirt

accompanying song :: stuck between by dutch criminal record

“nothing’s showing up on vicap. i’ve cross-checked records against everything you’ve mentioned, sir, but there’s literally nothing. zilch,” you hear garcia let out an exasperated groan as she ferociously taps at her keyboard. 

you watch as hotch kneads the skin between his brows with growing impatience while morgan starts to pace around the room. you’re not doing any better yourself, your stressed-out fingers threatening to tug at the strands of hair neatly holding your ponytail together. 

it’s too frustrating. the leads are clearly there, but your team is lacking the final puzzle piece to complete the profile, to confirm that it’s someone in the department that’s deliberately injecting themselves into the investigation.

“your answer is probably written down on paper. ugh, i hate when bad guys try to act all smart,” garcia fumes, and sulks as she gives an apologetic wave from her side of the screen. hotch nods, relays a thank you, and cuts the call before rounding the whole team together.

“think about it, those two are the perfect scapegoats. all of these agents have everything to lose, so why not just blame them? they’ve been in and out of cells already, and it makes perfect sense to craft a narrative that’ll point fingers at them,” morgan starts, making small gestures as he speaks with his signature cadence, topped with a honeyed rasp.

“and they’ve got all the authority to influence the public’s opinion,” jj nods in agreement.

“we need to try to get those two to talk again, but we also have to take extra precautions. jj and prentiss, go interview them one more time to see if they’ll spill any names. morgan, i need you to work with garcia to look for other possible leads. reid and l/n, go to the records room to review the files of the agents working with us. dave and i will try to hold down the fort,” hotch instructs, nodding at each of you as he rolls out the orders. 

“and try not to draw suspicion. if all else fails, say that you need to run to the bathroom,” rossi adds with a wink. it always amazes you how calm the italian agent is during such high-pressure situations, a trait you’ve grown to immensely appreciate.

“shall we?” you say as you nudge spencer, and he hums back in response. you bid a wish of good luck to emily and jj and traverse the hallway to the records room with the doctor, your heels clacking beside the cushioned steps of his slightly worn converses. 

after looking left and right to make sure no one’s around, spencer opens the door. you silence the sounds of your heels as you follow inside, and let the bolt of the lock plunge into the frame by slowly closing the door. 

“alright, you take the left, i’ll take the right,” you whisper, and spencer gives you a thumbs up. 

the two of you work silently and as fast as possible, sifting through the piles of records that lie on the tables and beside the cabinets. you feel your heart jump into a cartwheel every time a sheet of paper slips out of the manila folders, the sounds of rustling and creasing setting you on edge. 

“i found mcgregor and drew, but i don’t think it’s either of them,” spencer declares with a voice that isn’t supposed to sound loud at all, but it feels hundreds of decibels higher than the bare whisper you spoke with earlier. 

“okay, i found weaver and lee, but they don’t fit the profile either. let’s continue looking for the other two,” you call back. 

spencer walks over to you and kneels beside your left to help you with your search. once you spread the folders on the floor, you spot one of the two remaining files, and spencer soon finds the other. you’re about to turn through the sheets in the folder when the doorknob starts to shake, startling the both of you.

“shit. spence,” you blurt as spencer takes his file in one hand and grabs yours with the other, and shoves them into an open drawer. after he slides the compartment back with his careful and nimble fingers, you grab his arm and squeeze into a spare locker. you barely manage to seal the opening shut in time.

you could say that it was quick thinking that saved your and spencer’s cover, since the door jiggles and thrusts open a mere second later.

you never would’ve imagined that the day would come when you would draw air directly from spencer’s breaths, let alone enclose yourself in the same room as him. 

and yet here you are, perched on top of spencer’s knee, the scratchy fabric of his trousers resting under the hollow space of your pencil skirt and between your legs. his other leg presses against your side of the wall with an uncomfortable bend, while his chin sits an atom’s width from your forehead.

it’s a nonnegotiable consequence that comes with his tall figure, the way his clothed knee has to rub against your inner thighs under the draped fabric.

one of your hands lies awkwardly on his chest while the other is on his thigh, right above the knee that’s using you for leverage. your attention immediately shifts to your left when you see the rays of the intruder’s flashlight scope through the room. 

you stop mid-exhale when the light pours through the gaps of the locker, casting shadows on spencer’s face and your body. he looks stressed, anxiously wetting his lips with closed eyes, face turned away from you.

and he looks overwhelmed. rapid bursts of inhales and exhales fire from his body, likely due to the collar of his shirt being bound tightly around his neck with the tie. with shaking fingers, you slowly reach for his tie, waiting for approval to loosen it. 

you feel his forehead bury into the cave of your shoulder, and he whispers his desperate ask into your ear: “please.”

despite the lack of light around you, you’re able to locate the small end of his satin tie, and you tug lightly. the knot unfurls as you pull, and spencer lets out a small sigh of relief before breathing a low thank you in your ear.

as this happens, you hear the intruder surf through the piles of papers, unlocking drawers and lifting boxes left and right. hurry, hurry, hurry, you pray desperately in your head. beads of sweat start to form at your temple and threaten to fall down to your exposed neck, which happens to be situated directly in spencer’s line of sight.

“come on,” you hear the guest in the room complain, angrily flipping through papers and slamming the cabinets. you think it’s finally time for him to leave when you hear the high-pitched ring of his phone. 

but your eyes widen when instead of heading to the door, he makes strides towards the locker right across from yours, and leans his back against it before holding the phone up to his ear. holy shit.

“jensen speaking,” he says with a gruff voice, and plays with the button of his flashlight so it turns on and off spontaneously. as the light flickers, it dimly shines the space inside your locker. 

spencer turns his head to meet your eyes, a panicked expression covering his face. you’re about to mouth a small sorry for the helpless situation you’ve dragged him into, but just as you’re about to do so, spencer’s trousers slide against your legs, creating friction so unbearable that you let out a squeak. 

you freeze, looking up to see spencer’s eyes flash warningly. he instantly clasps your mouth with his hands to cover any further sound from escaping your lips, but with no form of support to maintain his position, he starts to slip, and his shirt lightly skids against the locker’s slippery walls. this is somehow even worse for you, because spencer’s knee starts to dig further up your legs and into your cotton underwear, forcing you to squeeze your eyes shut.

luckily for the both of you, jensen seems to be distracted by whatever words are being spewed from the other end of his phone call to pay any mind to your suppressed yelps. 

“i think their agents might be on to us,” he scowls, and you watch from the corner of your eye as he tosses the last of his files into a box and opens the adjacent locker to ram it inside.  

“yeah, i’ll try to stall them for as long as i can. they don’t know what they’re getting themselves into.” 

jensen curses and promptly ends the call, returning his phone into the pocket of his shirt. he finally walks to the door, sighing as he twists the knob and steps out. the two of you lie in wait for an additional three minutes before trying anything. 

“i think we’re good,” spencer huffs, finally opening the locker door with a thud as the sounds of steel clashing against steel echo throughout the air. 

“yeah,” you nod, taking a breath to collect yourself as you step out. you watch as spencer runs a hand through his hair and moves his fingers down to adjust his tie. 

he returns the stare, his adam’s apple bobbing when he eyes your wrinkled shirt and scrunched up pencil skirt – which looks more like a mini-skirt with how it sits right below your hips.

“i um, i need some air. how about you?” spencer asks at last, clearing his throat. you bite your lip when he starts to brush the dust off his thighs and knees, the moments of earlier flooding into the back of your mind like the warmth pooling between your thighs.

“yeah, i could use some fresh air too,” you respond breathily, averting your eyes and focusing instead on smoothing out your shirt and retying your loosened ponytail. when you’re done, you turn around and stagger to the door, not looking twice to see if spencer’s following you. an intense flush spreads across your cheeks, and your only viable path of escape is to the bathroom.

“you, um, missed a spot,” you hear from behind, and you follow spencer’s gaze to see that he’s referring to the back of your skirt.

“oh,” you say as embarrassment swamps you, and you hurriedly pat at the fabric. “does that look better?”

“it’s still folded there. if you want, i can- may i?” 

the question tumbles from his pretty lips and messes with your head. his hand hovers right around your waist, the same way yours lingered on his tie as you waited for his consent. and his softening eyes. his slightly smoldering gaze looks so innocent and alluring at the same time, your heart starts to feel heavy with the weight of desire. 

note to self: never wear a pencil skirt again.

“please,” you utter like a silent prayer, and mentally prepare yourself to endure the test of his fingers against your skin.

as soon as he receives your word, his hand lightly brushes against your thigh and trails down your skin. he takes the hem of your skirt and pulls down, giving several tugs before releasing the stretched garment. 

he clears his throat when you don’t move even after he’s retracted his hand.

“all good now.” 

spencer’s words drown out your thoughts and snap you back to reality. he’s already standing by the door, holding it open for you with a patient smile.

“thanks,” you say as you walk out and rub your hands together, nervous for what you’re about to say next. “spencer, um, i’m so sorry about that whole ordeal, it was really unprofessional of me to drag you in there, i wasn’t thinking when i-”

“you did the right thing,” spencer interrupts your ramble with the shake of his head, and his flawless smile pulls at your heartstrings.

“i would’ve pushed you in there if you hadn't. that door’s the only way in and out if you don’t count the windows,” he continues, slipping his hands into his pockets as he walks you to the elevator.

“oh,” you shyly murmur back, your cheeks flushing with a shade of bright pink as his words pour over you like warm water. he would’ve pushed you in there if you hadn’t?

“yeah, but how about we try a bigger locker next time?” spencer almost reads your mind as he half-mindedly jokes, causing you to drop your jaw in shock. he doesn’t acknowledge your reaction, however, because he starts to dial rossi’s number on his cell.

“by the way, the uh, new look suits you. the grey skirt and all,” spencer says with a lopsided smile before he raises a hand to excuse himself and call rossi. you’re saved the embarrassment of responding when rossi accepts the call, but your palms are already profusely sweating at his compliment.

note to self: maybe wear the pencil skirt again.

[ooooo-mcyt]

Another thing I noticed in my rewatch of both Scott and Pearl's Double Life pov's is that nobody really liked either of them. Like I see people take for granted the idea that Scott was somehow "popular" during Double Life but he really wasn't much more popular than Pearl was.

Like, to go down the list of their actual relationships.

The Ranchers hated Scott and were lukewarm with Pearl. From the first episode, Jimmy singled out Scott and Cleo as "fake soulmates" and basically insulted them to their faces in their home about it, and Scott in specific quickly took to antagonizing Jimmy in specific, leading to the two teams being at each others throats very quickly. On the other hand, Pearl makes multiple deals with Jimmy specifically and The Ranchers are pretty civil- even friendly- with her, though they always seem to keep her at arms length and she never feels really welcomed as a true friend with them.

Box Boys had complicated relationships with both Scott and Pearl. Ren and BigB are initially kind to Pearl until she takes their horse as a joke, leading to their death as Ren looked at an enderman while chasing her. After that point, Ren calls Pearl a curse and casts her away, which very much contributes to Pearl's declining mental state. Later on in the series, though, Ren and Pearl mend things a bit, with Ren coming to Pearl after his soulmate "cheats" on him out of a sense of solidarity with being alone. On the other end, Scott initially doesn't have much of a relationship with either Ren or BigB, but BigB ends up holding Scott responsible for their relationship falling apart, which is..not really fair. Don't get me wrong, Scott's relationship ranch was formed to break up soulmate pairs, but Scott didn't actually do anything to break Ren and BigB up, all he did was truthfully report to Ren that BigB expressed relief when Ren was gone, which makes the blame on Scott here very much unfair.

Boat Boys have a neutral to hostile relationship with both Scott and Pearl too. Obviously Joel generally has something against Scott, and targets him regardless of the context, and early on in the series Joel is actually pretty happy with Pearl, praising her for antagonizing Scott and asking her to keep it up, though his opinion of Pearl does also change for the worse when Pearl takes their stuff as a joke after they turn red. In the finale Joel and Etho are willing to work with Pearl temporarily and say their main target is Scott over her, but they're quick to turn on Pearl too when given the chance, so she clearly doesn't have a much higher standing with them.

And then there's Desert Duo. Who have a complicated relationship with Pearl and not much of a relationship with Scott. Scar is the one who gives Pearl the idea to use powdered snow to hurt her soulmate and is happy to help her torture Scott (though he also gives the exact same offer to scott later on, bringing him powdered snow too). Scar is also the one who coins the name "Scarlet Pearl" for Pearl and is one of the biggest pushers of the narrative that Pearl is dangerous. This isn't malicious, in fact Scar hypes Pearl up a lot, but the narrative he pushes is still in many ways harmful to Pearl's reputation and mental state. Late in the season Scar and Grian are also happy to come to Pearl for protection, treating her almost like a weapon.

I think it's pretty clear that neither Scott nor Pearl had friends. Scott actually had fairly negative relationships with most of the server, and I'd honestly argue people generally 'liked' Pearl more. I mean, this is something Pearl herself took note of and commented on to Scott in her finale, the way people were actively targeting Scott but were willing to work with her. Though of course, this doesn't mean people actually treated Pearl better. They may have 'liked' her more, but she was kept at arms length, and I think people moreso saw her as a weapon they could use in their favor than a friend in any case, which was very much damaging and isolating for her.

Of course, Pearl's pov still absolutely feels more isolated than Scott's. But I think people misidentify the primary reason for that as Scott being more 'popular' amongst the server than Pearl. He wasn't.

The reason Scott doesn't feel as isolated is because he had Cleo. In many cases it didn't matter who else was against Scott, because he had Cleo, who loved and supported him unconditionally and was there with him every day. Pearl on the other hand, didn't. She was kept at an arms length, people were often civil enough to her, and she was even in some ways more popular than Scott, but that didn't matter when she was always on the outside looking in without a soulmate and, crucially, without any other support system.

And that, to me, is the big thing with Double Life's social climate. The soulmate pairs often stuck to themselves, they kept everyone at an arms length, if they didn't outright dislike them. Having support systems wasn't a thing, you didn't have anyone to fall back on outside of your soulmate, and you couldn't form that kind of bond because you'd always be treated like an outsider looking in by the established pairs. This was the main cause of Pearl's isolation. It's not because Scott specifically rejected her, and it's not because everyone especially hated Pearl or were out to get her (they literally weren't. every group hated each other. a lot of groups were hated more than pearl.), it's because of the strictly defined in-groups formed by soulmate pairs and the way they discouraged support systems and close non-soulmate bonds.

[swiftiethatlovesf1]

PR disaster

Hey guyss, I hope you enjoy this one-shot. Franco is one of my favourite drivers so it was time that I wrote something for him :)

From the moment Y/N was hired as Williams' new PR manager, she knew the job wouldn’t be easy, especially with Logan's departure. Managing a driver's exit was never simple, and controlling the public narrative seemed like her biggest concern. However, she quickly realized that her true challenge came in the form of Franco, the young talent who had taken Logan’s place in the team.

Franco wasn’t just an exceptional driver; he was a whirlwind of energy and charisma. For the fans and the press, he was a breath of fresh air, full of charm and wit. But for Y/N, he was a constant source of headaches. Whether he was flirting with journalists, posting cheeky comments on social media, or creating unnecessary drama, it always ended with her cleaning up the mess.

"Y/N, did you see his latest post?" One of her assistants burst into her office, waving a tablet in the air. Another post. Another reckless comment from Franco.

Y/N groaned. Of course, he couldn’t help himself. She had spent the last week trying to reign him in, explaining time and time again that his social media presence needed to be professional, not a flirt-fest with every reporter and fan that interacted with him.

"This needs to stop," she muttered to herself, standing up from her desk. She stormed through the paddock, her frustration building with every step.

When she found Franco lounging near the team garage, chatting up a group of reporters—no surprise there—she called his name sharply.

"Franco. A word." Her tone left no room for argument.

He flashed his signature grin, excusing himself from the conversation and strolling over to her. "Hey, jefa," he said casually, as if nothing was wrong. "What’s up?"

(Hey, boss)

“What’s up?” she repeated, her voice laced with exasperation. “You’re what’s up. I just had to deal with your latest ‘incident’ on social media—again.”

Franco shrugged, leaning against the wall with an easy confidence that only made her more irritated. "Ah, it was just a little fun. People like it when I’m myself."

Y/N crossed her arms. “Flirting with journalists isn’t being yourself, it’s being reckless. You need to tone it down. This is a professional environment, not… whatever you think it is.”

He raised an eyebrow, his playful demeanour never faltering. "¿Estás diciendo que no te gusta que sea encantador? No puedo evitarlo si soy irresistible." (¿Are you saying that you don't like that I'm charming? I can't help it if I'm irresistible.)

Y/N frowned, her Spanish rusty but enough to pick up on something. "What?"

Franco grinned wider, sensing an opportunity. "Nada, nada," he said, though his eyes sparkled with mischief. "You know, maybe you should try smiling more. You’re always so… serious." He tilted his head, looking her up and down in a way that made her feel like he was studying her every reaction. "Me gusta más cuando te ríes… tienes una sonrisa preciosa, ¿sabes?" (Nothing, nothing) (I like it better when you laugh … you have a beautiful smile ¿you know?)

Her brow furrowed. Okay, that part she definitely understood, and it only made her more determined to get her point across. “This isn’t about me, Franco. This is about you being impossible to manage.”

He leaned closer, his tone dropping just slightly, enough to make her feel the warmth of his presence. "¿Imposible? No, jefa. Imposible sería si intentaras resistirte a mis encantos. Aunque… lo estás haciendo muy bien." (¿Impossible? No, boss. Impossible would be if you tried to resist my charm. Even… if you are doing it well)

She blinked, caught off guard by the sudden shift in his tone. “What did you just say?”

Franco simply smiled, his eyes dancing with amusement. “You know, if you want me to be more ‘professional,’ we could… work out an agreement.”

“An agreement?” she asked, wary of where this was going.

He nodded, stepping just a little too close for comfort. “Sí. I’ll behave. No more trouble. But… on one condition.”

Y/N narrowed her eyes. “And what’s that?”

Franco’s grin turned almost predatory, though still playful. “You go on a date with me.”

Her jaw dropped. "A date?"

"Sí, una cita. You know, dinner, maybe some wine… you can lecture me all you want. But I think you’ll find I’m much better behaved when you get to know me… fuera del trabajo." (Yes, a date) (… out of work)

Y/N could feel her face heating up, partly from the absurdity of the situation and partly because Franco’s intense gaze was starting to get to her. “You’re joking.”

Franco tilted his head, eyes sparkling. “¿Parezco que estoy bromeando, jefa?” (¿Does it look like I'm joking, boss?)

Y/N stared at him, her mind racing. There was no way he could be serious. This was just another one of his games, another flirtatious comment that she needed to brush off. But as Franco stood there, grinning like the cat that got the cream, she realized he wasn’t backing down. His eyes were locked on hers, waiting, full of that infuriating confidence.

“Absolutely not,” she snapped, turning on her heel to walk away. But as she took a step, Franco called after her.

"Well, I guess I’ll just keep doing what I’m doing then… Maybe tweet a little something extra for the fans later."

She froze, clenching her fists at her sides. This man was impossible. She could already picture the chaos his next social media stunt would cause. The endless calls, the damage control, the headaches…

Y/N spun back around to face him. “Fine,” she blurted out, her voice filled with frustration. “You want a date? You’ll get your stupid date. But only if you promise—promise—to behave.”

Franco’s grin widened, looking almost triumphant. "¡Perfecto! I knew you couldn’t resist." (¡Perfect!)

She narrowed her eyes at him, crossing her arms. “This isn’t about ‘resisting,’ it’s about making sure you don’t ruin the team’s reputation. One dinner, and you tone it all down.”

Franco nodded, still smiling like she’d just handed him the world on a silver platter. "You won’t regret it, jefa. I’ll be a perfect gentleman." (boss)

Y/N scoffed, turning away once more. “Yeah, we’ll see about that.”

As she began walking back to her office, she could hear Franco’s voice calling after her, his tone teasing and undeniably smug. "No te preocupes, jefa. I’ll be on my best behaviour… unless you want me to misbehave a little." (Don't worry boss.)

She rolled her eyes but couldn’t stop the small, almost begrudging smile that tugged at the corners of her lips. Franco was trouble, and she knew it. But for some reason, as infuriating as he was, she couldn’t help but feel a spark of something… interesting.

Grumpy or not, she’d agreed to the date. And she had a feeling this was only the beginning of whatever madness Franco had in store for her.

Here's part 2