#and it just kinda. stuck

[thelooniemoonie]

Okay I'm slightly normal again

Had a bad PTSD relapse yesterday (or couple of days i guess...) but the good news is that my cars suspension didnt break, turns out there was this giant ass rod lodged underneath of my car but no major damage

[ochiody]

timedive concepts so far

[itseghost]

a few meager cr3 sketches :] ft feywild fearne, orym's sending stone blues, and the revival scene from blood and dust that i sketched ages ago and decided i was never going to finish lmao

[pluvionpc]

anidala as…

Homecoming by Hans Adolf Bühler, 1939

(disclaimer: not meant to reference or support original artist’s views or intent)

“‘No.’ He laid a gentle finger on her lips, smiling down at her. ‘No buts. No worries. You worry too much as is.’

‘I have to,’ she said, smiling through the tears in her eyes. ‘Because you never worry at all.’”

— Matthew Stover, Revenge of the Sith Novelization

[ original + rambles under the cut ]

sometimes i think about the realness of anidala’s stories. boys much too young sent off to war; their lovers taking on the emotional burden of being their relief. i think about how padmé, as a senator, would have her own struggles and worries to face alongside stressing that her teenage husband wasn’t going to return from the frontlines. i wonder if she was able to talk about it when they met up, the same way we see her constantly listening to his ongoing turmoil— especially during the latter half of the war. or, maybe, they just sat together. two people charging head-first into different types of battles because they felt they had no other options. i have to do this.

[corantus]

i thought it might be fun to try drawing like a metal band logo and crazy how this was the only word i could think of. 🤟

[lockerlungs]

Alright but what if Godzilla slithered

[hetalian-veteran]

I feel like a majority of the Hetalia fans now are just adults sitting around a fire, passing around a bottle of alcohol, and wondering where we all went wrong (even though we all know).

[sketchy-tour]

These were meant to be warmups. ANYWHO!

Went to a random palette site and picked ones that were reminiscent of Wally's colors but still very different that I liked and grabbed some outfits to do a sort of challenge for myself. Idk, thought it would help me out of my funk.

Suffice to say, I'm feeling a bit better now~ These were really fun to do!!!

[wardingshout]

I'm also having a lot of fun with this game!!

[pandebunuelo]

but if he knows that you know that you know that he knows that he knows that you know that you

[onionninjasstuff]

brought to you by @scatterbrainedbot's tags

[redkehlchen]

Started Season 5 ….

[shiraoyagi]

hot take ??

the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.

it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)

anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.

they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.

for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.

for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.

their insecurities are incredibly similar.

in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.

in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.

just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.

now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.

for mafuyu and tsukasa it's pretty straightforward.

mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.

tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.

and even then, there's some overlap.

tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.

mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.

and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.

mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.

tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.

mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.

tsukasa has not yet cut his.

[tianhai03]

didnt have the time to do a full finished drawing, but i tried to keep up with my tradition for redrawing the same good bro day drawing ive done for 3 years already :')

(last year's, which also has links to prev years as well)

[an-internet-introvert]

Countdown to October 19th (2/19)

The Manchester Apartment

[koszmarnybudyn]

So this song fits them so very well right?